Ash Brown

Pick of the Week: Say “I Love You” & More

December 29, 2014 by Michelle Smith, Ash Brown, Sean Gaffney, Anna N and MJ Leave a Comment

MICHELLE: I’m tempted to highlight some of the digital releases this week, but honestly, the volume I’m most excited about is volume five of Say “I Love You.” I’ve been fully won over by this series and it’s a guaranteed automatic buy every time a new volume is available.

ASH: The fifth volume of Say I Love You is definitely on my list of manga to be read, but since Michelle already picked it I’ll actually go with Stones of Power this week. It’s been a while since I read the serialization of first few chapters, but I do remember liking them. I’m curious to see if the completed volume lives up to my memory.

SEAN: Definitely Say “I Love You” for me as well. I’m hoping that 2015 might bring over a couple more licenses from Dessert Magazine.

ANNA: I’ll have to pick Say “I Love You” as well. It is certainly the most interesting manga coming out this week.

MJ: Okay, I think I need to go with one of the digital releases this week. Although I have considerable interest in Gen Manga’s Stones of Power, it’s pretty hard to resist Yen’s digital release of Nightmare Inspector: Yumekui Kenbun, after Sean described its genre as “MJ.” I mean, how can I ignore an insight such as that? I can’t. So I’m buying.

What looks good to you this week?

My Week in Manga: December 22-December 28, 2014

December 29, 2014 by Ash Brown

My News and Reviews

The end of the year is drawing near and because of the holidays I’ve been traveling quite a bit to see family. Despite being in a part of the country with less than ideal and spotty Internet access for most of the week (middle-of-nowhere Ohio), I still managed to post a few things. The honor of the final in-depth manga review of the year goes to Massive: Gay Erotic Manga and the Men Who Make It, one of my most anticipated releases of 2014. Technically it’s more than just manga–the anthology includes photography, essays, creator profiles, and more. It’s a fantastic work, and highly recommended for anyone even remotely interested in gay manga. Last week I also posted my list of notable releases from 2014. Massive is on the list, as are many other works, including comics and prose in addition to manga. It’s the second year I’ve done a list like this and I enjoyed making it, so I think it’ll probably become an annual feature.

One of the other notable manga that made my list was Makoto Yukimura’s marvelous Vinland Saga. Sadly, Kodansha Comics announced on Twitter that publication of the series has been temporarily suspended. No official explanation or reason has been given at this time (although there has been plenty of speculation), but Kodansha hopes to have more to say about the situation come the new year. Elsewhere online, Mangabrog has posted a lengthy translation of Brutus magazine’s interview with Hajime Isayama from its November 2014 Attack on Titan special issue. And although it’s not exactly manga news, the Smithsonian has begun putting the Pulverer Collection online–an impressive collection of Japanese illustrated books–along with related essays and videos. There were probably some other interesting things happening last week, but like I mentioned I’ve been traveling and visiting with family, so let me know if I missed something!

Quick Takes

Missions of Love, Volumes 7-9 by Ema Toyama. It’s been a little while since I’ve read Missions of Love, but it didn’t take me very long at all to fall back into the twisted relationship drama of the series. I’m actually glad that I had a few volumes saved up to read all at once since I tend to speed through the manga so quickly. Missions of Love is a series that has me easily turning page after page just to see how audacious the storyline can be without actually crossing the line into something blatantly indecent. The series is smutty and extremely suggestive. The characters are terrible people, selfish and manipulative. Their relationships are a twisted, tangled mess. But I can’t seem to turn away from the outrageousness of the series. Several confessions of love are made over the course of these particular volumes which only serve to complicate further an already complicated situation. And on top of that, Yukina’s preschool teacher, who unintentionally traumatized her when she was his student, is back in the picture which creates even more turmoil. Missions of Love certainly isn’t the most wholesome manga series, but it is an addicting one.

Punch Up!, Volumes 1-4 by Shiuko Kano. Although Punch Up! is a technically spinoff of Play Boy Blues, which was never completely released in English, knowledge of the earlier series isn’t necessary; Punch Up! stands perfectly well on its own. Kouta is a young but skilled construction worker who, thanks to a missing cat, ends up becoming the roommate of Motoharu, a successful and sought-after architect. Eventually, and not too surprisingly since this is a boys’ love manga, the two of them hook up as well. And since they both enjoy sex, it’s a frequent occurrence in the series. (One of Motoharu’s most prominent and amusing character traits is how horny he is.) Punch Up! also features a lengthy amnesia arc. Normally this isn’t a plot device that I’m particularly fond of, but it actually does provide for some interesting character development in the manga, so I’m a little more forgiving than I might otherwise be. Punch Up! has a fair amount of humor to it and a large cast of interesting secondary characters. And cats. For the most part I enjoyed the series, but there were a few things–like the treatment of Kouta’s older transgender sibling–that left something to be desired.

Silver Spoon, Season 2 directed by Kotomi Deai. It’s unlikely that Hiromu Arakawa’s award-winning manga series Silver Spoon will ever be licensed in English (although I would love to see it released), but at least the anime adaptation is available. I thoroughly enjoyed the first season of Silver Spoon and the second season is just as good if not better. Silver Spoon is a wonderful series. For me, part of the anime’s appeal is that it actually reminds me of home–I grew up in a small, rural farming community–and I can greatly empathize with the plights of the series’ characters and their families when tough decisions must be made. The importance of family is actually one of the second season’s particular emphases. Farming is not an easy or forgiving profession and deserves much more respect than it is often given. Silver Spoon doesn’t sugarcoat the harsh realities of agricultural work, but at the same time it isn’t overly pessimistic, either. There are humorous, cheerful, heartwarming, and even inspiring elements that nicely balance out the anime’s seriousness and occasional tragedy and sadness. Silver Spoon has great characters and character growth. I only wish that there was more of the series!

Random Musings: Notable in 2014

December 26, 2014 by Ash Brown

Last December, for the very first time at Experiments in Manga, I made an end-of-the-year list of titles that were, for me, particularly notable in 2013. I enjoyed pulling the list together (which probably isn’t too surprising given my propensity for making lists), and so I’ve decided to make it an ongoing feature. It’s not exactly a “best of” list, and it’s not exactly a list of favorites either, but out of everything that I read over the last year, the following releases from 2014 particularly stood out for me in some way:

Inio Asano’s Nijigahara Holograph was the first work to really floor me in 2014. It’s a dark and disturbing manga that is both brutal and beautiful. Nijigahara Holograph isn’t an easy read, not just because of its heavy thematic content, but also because its ambiguous narrative structure is challenging and can be confusing. The manga is complex and layered. Open to multiple interpretations, Nijigahara Holograph is a work that holds up well to repeated readings.

It’s not a secret that I’m a fan of Moyoco Anno’s work but even if I wasn’t I still would have been hugely impressed by In Clothes Called Fat. In many ways the manga is an uncomfortable read, but it is also an extremely powerful examination of physical and psychological ugliness and beauty. While there is dark humor in In Clothes Called Fat, Anno doesn’t pull her punches, showing the obsessive extremes to which society and individuals subject themselves in order to obtain an arbitrary ideal.

One of my most anticipated releases for 2014 was Massive: Gay Erotic Manga and the Men Who Make It and I was not at all disappointed by the work. The groundbreaking collection is spectacular, introducing nine of the most influential creators of gay erotic manga through photography, essays, interviews, manga, and more. Anyone at all interested in the genre, its creators, or its history needs to read Massive. Fantagraphics and the team of editors did a fantastic job with the volume.

When it comes to 2014 manga with gay themes, I was also particularly pleased to see the release of the first five volumes of What Did You Eat Yesterday? by Fumi Yoshinaga which has one of the most realistic portrayals of an established contemporary queer relationship that I’ve come across in fiction. It’s also a food manga, which I love. Not everyone will appreciate the amount of attention the series devotes to very detailed food preparation, though; even I’m much more invested in the characters’ lives.

2014 was very a good year for interesting new shoujo. One of the most delightful was Kazune Kawahara and Aruko’s My Love Story!!. The series plays around with shoujo tropes and expectations and is both funny and endearing. The characters, too, are lovely and charming. I’m still not certain how long the series’ basic premise will be able to be sustained, but I’ll be following My Love Story!! until its end. Just reading the two volumes that have so far been released makes me incredibly happy.

Another shoujo that caught my attention was Setona Mizushiro’s Black Rose Alice. Now, vampires aren’t generally my thing, especially since they’ve been so overdone recently, but the vampires in Black Rose Alice really are very different from any other vampire that I’ve encountered before. After only two volumes I don’t understand everything that’s going on yet, but there is no question that the series is marvelously unsettling, creepy, and atmospheric. I desperately need to read more.

Tetsuya Tsutsui’s Prophecy was a manga that seemed to come out of nowhere for me, and I don’t think it’s on many people’s radars yet. It should be though. One volume was released in 2014, but I’m already very impressed by the series. Maybe because I work so heavily with electronic resources, I especially appreciate Prophecy‘s realistic take on information and cyber crime. The series deals with the implications of online anonymity and contemporary social issues in a very engaging way.

I have been thoroughly enjoy Makoto Yukimura’s epic Vinland Saga ever since its debut in 2013, but it wasn’t until the second omnibus was released early in 2014 that I absolutely fell in love with the manga. The second through fifth omnibuses were published over the past year which amounts to well over 1700 pages of content. Yukimura’s artwork seems to get more detailed with each passing volume and the attention given to historical detail in both the series’ art and its story is superb.

Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin is one of two manga that appeared both on last year’s and this year’s notable list. While I don’t have a particular interest in Gundam as a whole, The Origin continues to demand my attention. And not just because it’s one of the best-looking manga releases in English. The scope of The Origin is epic, but the attention given to characterization makes it all feel very personal. Volumes five through eight were released in 2014 and its good stuff.

Takako Shimura’s Wandering Son is the second manga to make my notable list two years in a row. To be perfectly honest, it will probably appear on every list of notable manga that I make. The series is incredibly important to me on a very personal level. Only two volumes were published in 2014, the sixth and the seventh. I wish the wait between each volume coming out wasn’t as long, but really I’m just extraordinarily happy that Wandering Son is being released in English at all.

I discovered Toril Orlesky’s Hotblood!: A Centaur in the Old West while at TCAF. It was a splurge purchase of a comic I hadn’t even heard of before, but it quickly became one of my favorites. Great artwork, great characters, great worldbuilding, just a great comic. I don’t follow many webcomics as they are released online. Hotblood! is one of the few exceptions–I read each update as soon as I possibly can. So far, the first two volumes have been completed and the third is currently being serialized.

At this point, I should probably just give anything written by Gene Luen Yang a try. Boxers & Saints was included on last year’s notable list and this year his collaboration with Sonny Liew, The Shadow Hero, made the cut. I wasn’t initially even going to read The Shadow Hero since I’m not especially interested in superheros, but that would have been a mistake. It’s an excellent comic with humor, heart, and history, inspired by an obscure superhero from the 1940s.

Yu Godai’s Quantum Devil Saga: Avatar Tuner, Volume 1 was another surprise. I didn’t initially know much about the series except that it was related to the Shin Megami Tensei franchise. But then I read it and was immediately hooked, fascinated by its setting and atmosphere as well as the philosophical and psychological development of its characters. An absorbing work of science fiction, I’ll definitely be picking up the second volume of Quantum Devil Saga as soon as I can.

After two years of online serialization, 2014 saw the publication of Add a Little Chaos, the second volume of Tokyo Demons, a series of novels written by Lianne Sentar and illustrated by Rem. My obsession with all things Tokyo Demons is well-known, but the second book was phenomenal. Things get pretty dark and heavy, so the stakes for the third and final volume are incredibly high. I can’t even bring myself to wait for the last volume to be completed; I’m following the serialization this time.

Manga the Week of 12/31

December 24, 2014 by Sean Gaffney, MJ, Ash Brown, Michelle Smith and Anna N 3 Comments

SEAN: There’s still not a great deal of manga out for this final week of the year, but there’s a bit more than last week. Let’s see what we’ve got.

Gen Manga has a new title, called Stones of Power, which would appear from its cover art to star a catgirl shrine maiden.

MJ: If there’s one thing I’ve learned about Gen Manga, it’s that I should always pay more attention to it than I think I should. So I’ll be checking this out for sure.

ASH: I remember enjoying the early chapters of Stones of Power when Gen was serializing it, so I’m looking forward to reading the whole thing!

ANNA: Hmm, I look forward to reading your reviews!

SEAN: On to Kodansha. Fairy Tail 45 has a cover that makes me sigh, but ah well. I’m going to guess a lot of battles?

And Say “I Love You” is at Vol. 5, and that cover actually looks really cute? Will the inside be just as cute, or will it be more drama filled?

MICHELLE: Whatever the case, I’m sure it’ll be good!

ANNA: Such a good manga! I remember now that I haven’t read volume 4 yet. I’m going to treat myself to this!

SEAN: That doesn’t seem like a lot. Let’s do something we rarely do: what’s out digitally this month?

Dark Horse seems to have eased up on their app-only titles, as we’re seeing a pile of new digital manga this month that may have already come out earlier exclusively. Kurosagi Corpse Delivery Service, Crying Freeman, Blade of the Immortal, Oh My Goddess, and Mail all have various volumes out.

ASH: Nice to see Dark Horse making these more widely available, especially as so many of them are out of print.

SEAN: The two Kodansha titles I mentioned earlier are also available as ebooks.

Vertical has two more volumes of Black Jack, the 3rd and 4th.

MJ: Still so happy about this!

ANNA: Me too! I didn’t collect the whole series in print, so I might pick up a volume or to digitally.

SEAN: Viz has more of their ‘Viz Select’ titles, aka ‘the Kadokawa titles we can license rescue from Tokyopop’. Vol. 12 of Trinity Blood is where TP left off, and so far I don’t believe Viz has actually translated anything new for these rescues (they’re pretty low budget), so this may be it. And there’s the 2nd Mouryou Kiden volume, which is there to remind you why the title ‘ex-CLAMP artist’ is not really a compliment. And there’s a third volume of Zone-00.

MICHELLE: Man, this is like manga memory lane!

ANNA: I am feeling oddly nostalgic!

SEAN: Then we have the two debuts. Sgt. Frog is a series that I really enjoyed reading when it was first coming out, though I will admit I felt it was getting a bit long in the tooth by the end of it. It’s great to see back, though, and I am happy to see Vol. 1 digitally here.

The other series, Hands Off!, I know less about. It’s actually finished, with all 8 volumes being released over here. It seems to be an esper series, and I suspect will have hints of BL, like most esper series – and indeed a lot of Monthly Asuka series, which is where it ran.

MJ: Hmmm… maybe, maybe…

MICHELLE: That was pretty much exactly how I felt about Hands Off! when it was coming out in print. I bought volume one years and years ago and never got around to reading it.

SEAN: And just as Viz license rescues old Tokyopop titles, so Yen is license rescuing – at least digitally – some of the older titles Viz licensed via Square Enix, who now have a close working relationship with Yen. Nightmare Inspector: Yumekui Kenbun started in Stencil (sort-of shoujo) and then moved to GFantasy (sort of shonen). But the genre it really fits is ‘MJ’, I suspect.

MJ: Should I feel honored that I have become a genre? :D I think so. That said, I missed most of this series in print, so I should probably take the opportunity to pick it up now!

ASH: Nightmare Inspector is a series I’m personally very fond of. Glad it will be reaching some new readers.

MICHELLE: I was always kind of intrigued by this one, but never actually read it.

ANNA: I enjoyed the first couple volumes of this, nice to see it coming back!

SEAN: Technically the title to this next series in North America is ‘O-Parts Hunter‘, but I really hate not referring to it by its original Japanese title, 666 Satan (can’t imagine why they changed it…). If the artist’s last name sounds familiar, there’s a reason: the creator is the younger twin brother of Naruto’s creator. 666 Satan is well-told, if not particularly original.

Lastly, all 9 volumes of The Record of a Fallen Vampire are available. A Shonen Gangan series by the creator of Spiral: Bonds of Reasoning, featuring vampires, there was precisely zero chance this would not get licensed by Viz, and there was precisely zero chance that, once given the opportunity, Yen would not make it available digitally.

MJ: I’m in for this as well.

MICHELLE: MJ, would you believe I talked about this series in our very first Off the Shelf column? I did! Here’s proof.

SEAN: Do you plan to use your gift cards to get anything here?

Massive: Gay Erotic Manga and the Men Who Make It

December 24, 2014 by Ash Brown

Editor: Anne Ishii, Chip Kidd, and Graham Kolbeins
Publisher: Fantagraphics Books
ISBN: 9781606997857
Released: December 2014

The first major publication of gay manga to be printed in English was The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga. Soon after its release a new project–a gay manga anthology called Massive–was announced by the same team that worked on Tagame’s debut English collection. Originally intended to be released by PictureBox, the anthology was temporarily orphaned when the publisher ceased releasing comics before the volume was completed. I was thrilled when Fantagraphics took on the project. Edited by Anne Ishii, Chip Kidd, and Graham Kolbeins, Massive: Gay Erotic Manga and the Men Who Make It became one of my most anticipated releases of 2014. Gay manga is an extremely underrepresented genre of manga in English. Massive, like The Passion of Gengoroh Tagame before it, is a groundbreaking work. Through manga, interviews, photography, and essays, the anthology introduces nine of the genre’s most influential, respected, and promising creators to an English-reading audience.

The volume’s table of contents is formed by a gallery of photographs paired with full-page color pin-ups illustrated by each of the contributors to Massive: Gengoroh Tagame, Inu Yoshi, Kumada Poohsuke, Takeshi Matsu, Jiraiya, Gai Mizuki, Fumi Miyabi, Seizoh Ebisubashi, and Kazuhide Ichikawa. This is followed by introductory essays written by each of the three editors. Kidd’s “It Feels Too Good” conveys the excitement over the fact that a volume like Massive even exists, while Ishii reveals some of the steps it took to publish the material in “Seeking English Translator.” Kolbeins essay “Glocalizing Gei Manga” is particularly enlightening, providing a greater context for Massive and a brief overview of the history of gay manga and how the volume fits into it. Also included is a timeline of male-male sexuality in Japanese culture, a list of recommended readings, and numerous photographs and illustrations. However, the real meat of the collection is the individual profiles of each of the creators introducing their work and personal histories and exploring their careers and the impacts they have made on the genre of gay erotic manga. The other major highlight of Massive is the inclusion of examples of their manga.

For most of the contributors, Massive marks their debut in English. Excluding Tagame, who has thus far had four collections published, Matsu is the only creator to have had a major release in English. And except for Jiraiya’s “Caveman Guu,” which was previously printed separately, all of the manga collected in Massive is being translated into English for the first time. Some are excerpts of longer works, like Tagame’s Do You Remember South Island P.O.W. Camp? and Poohsuke’s Dreams of the New Century Theatre, while others are shorter, standalone stories. There is humor and playfulness to be found in Yoshi’s “Kandagawa-Kun” and Matsu’s “Kannai’s Dilemma,” more dubious encounters in Mizuki’s “Fantasy and Jump Rope,” Ebisubashi’s “Mr. Tokugawa,” and Ichikawa’s “Yakuza Godfathers”, and even mythological inspiration in Miyabe’s “Tengudake.” The manga collected in Massive is most definitely erotic in nature. Some of the selections are simply suggestive, but many feature explicit, uncensored, and uninhibited sex between hypermasculine, muscular, and otherwise large-bodied men. It is called Massive for a reason, after all.

The profiles of the creators included in Massive are just as engaging as the manga that has been collected. The volume provides an incredibly valuable look into the creation of gay erotic manga and art. Interestingly enough, several of the contributors mention that they would like to create gay manga without as much erotic content, but to successfully do so would be difficult due to the demands of their audience and what is expected from the genre of gay manga as a whole. The artists address many of the same subjects in their interviews but they each bring their own perspective to the discussion. It’s fascinating to learn about how the manga industry has changed and continues to change, the impact and challenges presented by foreign scanlations of manga, the benefits of working within the manga industry or independently outside of it, the use and misappropriation of the term bara both in Japan and in the West, and the relationship between gay manga and boys’ love manga, among many other topics. Massive truly is a spectacular volume and highly recommended for anyone interested in gay manga, its history, and its creators; it’s a fantastic introduction to the genre.

My Week in Manga: December 15-December 21, 2014

December 22, 2014 by Ash Brown

My News and Reviews

Last week was another week with two reviews here at Experiments in Manga. My monthly horror manga review project is now underway, so I took a look at Setona Mizushiro’s After School Nightmare, Volume 1, which is a very intriguing start to the series. Next month I’ll start in on the in-depth reviews for Yuki Urushibara Mushishi and continue to alternate between the two series until the review project is completed. Last week I also reviewed The Early Cases of Akechi Kogorō by Edogawa Rampo, which I was very excited to read. The volume collects four of the earliest stories featuring Rampo’s great detective. And over at Manga Bookshelf proper, I and the rest of the Manga Bookshelf bloggers talked a little about the Manga the Year of 2014, noting some of our favorite things from the past year. Like I did last year, later this week I’ll also be posting my own list of notable releases from 2014.

I’m still extraordinarily busy at work as I settle into being the temporary boss of my unit for the next seven months or so, so I’ve been a bit preoccupied and haven’t had a chance to closely follow what’s going on in the mangasphere these days. However, I did still manage to catch a few interesting things to read online. Jason Thompson’s most recent House of 1000 Manga column focuses on Learn English with JoJo’s Bizarre Adventure, which I am now determined to track down. J. R. Brown has an introductory post to Boys in Skirts, her series of article and reviews focusing on otokonoko at Mode: Verbose. I also came across a fascinating post about the popularity of the Year 24 Group. I’m not familiar with the author or the blog, but it looks like it should have other promising manga articles as well.

Quick Takes

Angel Sanctuary, Volumes 16-20 by Kaori Yuki. Here it is, the tumultuous conclusion to the epic Angel Sanctuary. By the end of the series, Yuki actually does manage to pull everything together in a way that mostly makes sense and proves that she actually can kill off a main character, something that I had my doubts about. I know a fair number of people who adore Angel Sanctuary, but while there were some things I really liked about the series, overall I found it pretty frustrating. Maybe I just wasn’t paying close enough attention, but more often than not I found Angel Sanctuary to be confusing and difficult to follow with a huge cast of characters, none of whom are exactly who they initially appear to be, and plot twist after plot twist. Granted, that did mean the series was consistently drama-filled. But with a little more editorial guidance, Angel Sanctuary could have been something phenomenal instead of just good. I did appreciate the manga’s core, however. Love is the driving force behind Angel Sanctuary. All of the characters are dealing with love in one way or another; it is the source of tremendous good as well as tremendous evil, but in the end it is shown to be a redemptive force.

Master Keaton, Volume 1 written by Hokusei Katsushika and Takashi Nagasaki and illustrated by Naoki Urasawa. One of the many reasons that I became so enamored with manga was thanks to Urasawa’s series Pluto, so I’m always curious and excited when a new work of his is licensed in English. Admittedly, Master Keaton, while newly translated, is one of Urasawa’s older collaborations that began in the late 1980s. The titular Keaton (technically Hiraga-Keaton) is a half-Japanese, half-English archaeology professor who works as an insurance investigator on the side. He also used to be a member of the British Army’s Special Air Service, which adds survival skills and combat experience to his already impressive and eclectic set of talents. I enjoyed the first volume of Master Keaton. The manga has a nice mix of action and adventure, mystery and detective work, and even a bit of family drama. Occasionally it can be a little heavy on politics and history which interrupts the series’ pacing, but generally the slower parts are interesting, too. It’s also worth mentioning that the book design and production quality of Viz’s release of Master Keaton is particularly nice.

Open Spaces and Closed Places, Volumes 1-6 by Saicoink. I don’t remember exactly when or how I first heard about the mini-comic series Open Spaces and Closed Places, but it was recently brought to my attention again when Saicoink released the sixth and final volume. I finally got around to reading the series, and I absolutely loved it. Jirou is the boss of the delinquents at his school. When he isn’t busy getting into fights, he’s pining for Oscar, the president of the student council. Oscar likes Jirou, too, but for various reasons doesn’t feel he can accept his love, and so spends much of his time teasing the other boy instead. It’s a delightful relationship, both adorable and sad at the same time. Soon after Open Spaces and Closed Places begins, fantastical elements are introduced and the series becomes more and more surreal as it goes, culminating in a spectacular dream sequence. Saicoink specifically mentions drawing inspiration from Suehiro Maruo and Usamaru Furuya. While their influence can be seen in Open Spaces and Closed Places, the series isn’t as grotesque or as graphic as some of their works, though its humor is still accompanied by some amount darkness and tragedy. It’s a sinister, strange, and wonderful series.

Sankarea: Undying Love, Volume 9 by Mitsuru Hattori. Sometimes Sankarea is all about its horror, sometimes it’s all about its peculiar romantic comedy, and sometimes it manages to be about both. The ninth volume is generally successful in balancing the series’ two opposing aspects, though the comedy has definitely taken a turn for the serious. Hattori does still find plenty of opportunities to add a bit of fanservice to the manga, this time mostly in the form of dressing Rea up in a variety of revealing costumes and outfits, often for no better reason than she looks cute in them. But even with those largely unnecessary diversions, the plot does continue to move along nicely in the ninth volume. Chihiro and most of the rest of his group have made their escape from ZoMA and return to Japan. Rea is suffering from amnesia though and doesn’t remember Chihiro or their relationship. Often I’m annoyed by the memory loss trope in manga—frequently it’s the result of bad or lazy writing—but for the most part it actually works pretty well in Sankarea. I still like the quirkiness of the characters in Sankarea, but Bub the undead cat remains my favorite by far.

Manga the Year of 2014

December 19, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Technically this should be Manga the Week of 12/24, but that’s merely one title: Vampire Hunter D 22. And tempted as I was to make a “Give her the D for Christmas” joke, that can’t really sustain an entire column. So I’d like to ask the team what they think the important titles of the year were for them this year. New series you fell for? Old series that have ended? Emerging trends?

I’ll start off by picking the third one, and talk about something that isn’t technically manga. Yen Press has been quietly putting out a few light novel series for years, with mild successes such as Book Girl, Kieli, and Spice & Wolf. But 2014 saw the explosion of the Yen On brand, which began with the first Sword Art Online novel and looks in 2015 to be expanding far, far more than anyone had expected. With the promise of approximately 25 volumes for the year 2015, I likely should have waited a year for this. But 2014 was a great start: not only Sword Art Online and its sister series Accel World, but the amazingly popular (and previously thought too big to license) A Certain Magical Index series, and the fantasy romantic comedy Is It Wrong To Try To Pick Up Girls In A Dungeon?. Yen On is determined to put down the myth that “light novels can’t succeed in North America”, and they’re what I was most excited about in 2014.

Runners up: The end of Excel Saga, the Ranma 1/2 re-release, Sailor Moon Crystal (so much excitement, so much disappointment…), Showa, Whispered Words.

MICHELLE: I’ve been thinking about this a lot, and I have to say… the manga that I loved most this year is What Did You Eat Yesterday?, by Fumi Yoshinaga. I had wished for this license for years, putting it forth whenever companies (mostly Vertical) would solicit suggestions, and it’s such a tremendous delight to be able to say that now that it’s here, I haven’t been disappointed by it one bit. And, even better, it’s been coming out every two months like clockwork! (I am trying not to think how sad I’m going to be after volume nine comes out in July, at which point we’ll likely be caught up with Japan.) Thank you, Vertical!

Runners up: The end of Dawn of the Arcana, instantly endearing/fascinating new series like My Love Story!! and Black Rose Alice, the influx of really interesting new shoujo from Kodansha, and my continued heart-felt love for Skip Beat! and Natsume’s Book of Friends.

ASH: It’s so hard to choose just one manga, so I’m just going to choose one publisher instead. Fantagraphics has a very small manga line, but I’m always impressed by what it releases. In fact, I count all four volumes of Fantagraphics’ manga published in 2014 among my favorites for the year. I will always be eternally grateful for Takako Shimura’s Wandering Son being translated into English (happily, the editing and quality control for that series seems to be back on track now), I still haven’t been able to get Inio Asano’s Nijigahara Holograph out of my head, and Massive: Gay Erotic Manga and the Men Who Make It is an incredible collection and groundbreaking work. Rumor has it Fantagraphics is looking to publish even more manga in the future; I can’t wait to see what’s in store.

Runners up: In Clothes Called Fat is one of the best comics I’ve read, My Love Story!! makes me incredibly happy, and Chromatic Press/Sparkler Monthly continues to do some wonderful and marvelous stuff.

MJ: Truth be told, my favorite series this year is the same as Michelle’s. Like her, I’d been waiting anxiously to read What Did You Eat Yesterday? since I first heard of its existence, and (like her) I will be eternally grateful to Vertical for bringing it to me so much sooner than I imagined was possible. I’ve enjoyed every volume of this series so far, and I don’t expect that to change. But in the interest of spreading the love around as far as possible, I’ll use my space here to give a final thank you to Chromatic Press for resurrecting and providing (IN PRINT) the final volume of of Jen Lee Quick’s Off*Beat. When new chapters began serialization in Sparkler Monthly in 2013, I know that there were still some skeptics who feared we’d never get to see its conclusion. But with the final print volume’s release this year, I hope that even they have come to terms with the value of what Chromatic Press/Sparkler Monthly can (and continues to) offer us—including a new series from Quick, already in serialization now!

Runners up: Continuing to prove the awesomeness of Vertical, Knights of Sidonia is a series I can’t seem to get enough of. And speaking of resurrections, many thanks to Dark Horse for rescuing CLAMP’s Legal Drug from the OOP graveyard. I’m so looking forward to new volumes of that series’ reboot in 2015! And of course, everything my colleagues have mentioned here has a place on my list, too.

ANNA: This has been a good year for paranormal shoujo, with Midnight Secretary winding down, Spell of Desire starting up, the continuation of Millennium Snow, and even more vampire romance available in the two volume series Honey Blood. However I have to highlight what is one of the oddest paranormal titles that I’ve read recently, Black Rose Alice. There’s a dramatic shift in tone between the first two volumes that I found really intriguing, and the vampires that appear in the series are genuinely unusual even though there are plenty other vampire shoujo series to read! Setona Mizushiro’s art is an interesting mix of the pretty and the surreal. I find myself more impatient for the next volume of this series than any other manga I’ve read this year, so it gets my vote for pick of the year.

The Early Cases of Akechi Kogorō

December 19, 2014 by Ash Brown

Author: Edogawa Rampo
Translator: William Varteresian
U.S. publisher: Kurodahan Press
ISBN: 9784902075625
Released: November 2014
Original release: 1925-1926

Edogawa Rampo, the pen name of Hirai Tarō, was an extraordinarily influential author in Japan, especially when it came to the genre of detective and crime fiction. His influence can still be seen to this day and his work continues to inspire other creators. One of his most famous characters is the detective Akechi Kogorō. Previously, only a handful of stories featuring Akechi had been translated into English: “The Psychological Test,” found in Japanese Tales of Mystery and Imagination; The Black Lizard, which was collected in a single volume along with Beast in the Shadows; “The Stalker in the Attic,” published in The Edogawa Rampo Reader; and The Fiend with Twenty Faces. I have always wished for a volume entirely devoted to Akechi mysteries and so I was very happy when Kurodahan Press announced The Early Cases of Akechi Kogorō. Published in 2014 with translations by William Varteresian, the anthology collects four of the earliest Akechi stories written between 1925 and 1926.

After an excellent and informative introductory essay about Edogawa Rampo and Akechi Kogorō, The Early Cases of Akechi Kogorō opens with Rampo’s very first mystery featuring Akechi, “The Case of the Murder on D. Hill,” a short story about the death of Akechi’s childhood friend, the wife of an owner of a secondhand bookshop he frequents. Rampo hadn’t initially intended for Akechi to become a recurring character in his fiction but readers liked him. The second story in the volume, “The Black Hand Gang,” is narrated by the same protagonist as the first, a relatively new acquaintance of Akechi, and the two of them become involved with an investigation into the disappearance of a young relative. In “The Ghost,” Akechi doesn’t appear until rather late in the story to deal with a peculiar case of a wealthy man suffering from a rival’s deep-seated grudge. The volume concludes with The Dwarf, a short novel well-received by the public but apparently disliked by Rampo himself in which Akechi is faced with an increasingly complicated murder mystery with numerous twist and turns.

All four stories in The Early Cases of Akechi Kogorō were written towards the beginning of Rampo’s career. As is noted in the introduction, Rampo largely wasn’t very happy with them. Although The Dwarf became fairly well-known in part thanks to its film adaptations, the cases collected in the volume are generally not examples of Rampo’s best or strongest work, lacking the polish of later stories. An important component of “The Black Hand Gang” doesn’t even translate very well into English since it relies on a cryptographic method based on the Japanese writing systems. Overall, the included mysteries are still enjoyable but somehow not quite as compelling as many of Rampo’s other tales. He would, however, reuse, rework, and refine many of their elements in subsequent writings. One of the things that makes these four stories particularly notable, and the reason that they have been collected together in the first place, is that they reveal Akechi very early on in his development before has become Rampo’s iconic detective and even before his character has been firmly established.

I’ll admit, I like this early Akechi in all of his eccentricities. In “The Case of the Murder on D. Hill” he begins as a well-read and intelligent young man with a particular interest in and fascination with detective and mystery fiction. The small apartment that he rents is so full of books that there’s barely any room to stand, let alone sit or entertain guests. He’s a flashy dresser and an eloquent speaker with a fondness and flair for the dramatic. By the time of The Dwarf, Akechi has begun to transform into the master detective that he will later be remembered as. He is no longer just an amateur sleuth seeking out strange cases in his spare time as some sort of hobby; Akechi has become a skilled and famous investigator with contacts in the judicial and police forces and a cohort of men working under him. I enjoyed The Early Cases of Akechi Kogorō a great deal specifically because it provides a glimpse of the earliest incarnations of Rampo’s great detective. I do hope to have the opportunity to read even more of Akechi’s stories in translation in the future.

After School Nightmare, Vol. 1

December 17, 2014 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617169
Released: September 2006
Original release: 2004

After School Nightmare is a ten-volume manga series by Setona Mizushiro. I first came across the series while working my way through one of my local library’s manga collection which, at the time, was largely shelved alphabetically by title. So, it didn’t take me too long to encounter After School Nightmare. I borrowed and read the first few volumes and on the strength of those alone decided to track down and purchase the entire series which had sadly gone out of print. The manga’s dark, horror-tinged psychological drama and its themes exploring gender and sexuality immediately appealed to me; the series had the potential to be both disconcerting and compelling. After School Nightmare, Volume 1 was originally published in Japan in 2004. The English-language edition of the volume was released in 2006 by the now defunct Go! Comi. After School Nightmare has generally been critically well-received in English, even earning an Eisner Award nomination for Best U.S. Edition of International Material among other honors.

Mashiro Ichijo is an androgynously attractive and well-liked you man, but he’s hiding a secret from his classmates–his body is neither entirely male nor entirely female. This has brought Mashiro some challenges in his life and as a result of his physical condition he struggles with his personal identity and gender. Just how much he struggles is made abundantly clear when Mashiro is requested to join a special after-school class which must be completed in order for him to graduate. In it the students must literally live out their nightmares where they are forced to face their darkest fears and bear witness to one another’s deepest secrets. What’s more is that they aren’t there to offer comfort or support. Instead, circumstances encourage them to strike out against their fellow classmates. And even though what happens in the nightmares isn’t to carry over into the real world, sharing such an intimate experience can’t help but change the young people and how they see one another.

The circumstances surrounding the after-school classes are peculiar. Only the students invited to attend seem to be aware of it. The stairs leading down to the infirmary where the class is held in a basement that shouldn’t exist disappears and reappears depending on the day. The teacher in charge isn’t known by the school’s other faculty. Students who “graduate” quietly go missing and are forgotten. All of these things and more add to the foreboding atmosphere of After School Nightmare and the feeling that something just isn’t quite right about what is going on. The shared nightmares themselves are also ominously disconcerting. The imagery is frightening–a girl whose face and heart are gaping holes, disembodied hands and arms, a cruel knight in black armor–but in the end the students’ psychological torment and distress may be even more troubling and gut-wrenching. The nightmares simply reveal the darkness and confusion that they already carry within themselves.

In the dreams, the students take on their true forms, representative of the issues, abuse, and trauma that they are dealing with. Many of them appear so distorted in the nightmares that its difficult to know their identities in the waking world. That’s not the case for Mashiro who looks exactly the same except that, to his horror, he sometimes is wearing the girls’ skirted school uniform in the dreams. This makes him easily identifiable and a target in the real world. He catches the attention of Kureha Fujishima, a young woman who is afraid of men but feels comfortable around Mashiro after learning his secret. And then there’s Sou Mizuhashi who has a reputation for being a playboy and womanizer but who also seems to have taken an intense interest in Mashiro. Though somewhat conflicted over these developments in his relationships with his classmates, Mashiro largely welcomes the attention from Kureha and is understandably uncomfortable with Sou’s aggressive advances towards him. As the first volume of After School Nightmare shows, reality can be just as terrifying if not more so than any nightmare.

Pick of the Week: Keaton vs. Fourteen

December 15, 2014 by MJ, Sean Gaffney, Michelle Smith, Ash Brown and Anna N 4 Comments

SEAN: There are a bevy of choices this week. I’m tempted by an English edition of Master Keaton at last, or the new yuri title Citrus. But I will go with Love at Fourteen as my pick of the week. It’s the story of two childhood friends, both mature for their age, who are dealing with love and everything that comes from it. The magazine it runs in, Rakuen Le Paradis, is one of Hakusensha’s best new titles, technically being shoujo/josei but really more ‘sui generis’. I cannot wait to read this.

MJ: I am decidedly with Sean this week. Though there are a number of titles on my radar, the one that intrigues me most by far is Love at Fourteen. Everything about this title sounds like exactly what I like best in a manga, and I am a bit ashamed that I didn’t even realize it was on the way until this week. Now I can’t wait to read it!

MICHELLE: I’m in the opposite camp! I did know Love at Fourteen was coming, so the one I wasn’t aware of until recently was Master Keaton. I really love Naoki Urasawa, so I am super excited to read this one!

ASH: I’m with Michelle this week. While I’m interested in Love at Fourteen, my pick absolutely goes to Master Keaton. Urasawa is one of the reasons I developed such a healthy obsession with manga, so I’m very happy to see more of his work being released in English.

ANNA: I’m also with Ash and Michelle! A newly translated Urasawa series takes precedence over everything in my mind!

What looks good to you this week?

My Week in Manga: December 8-December 14, 2014

December 15, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week. The first was of Frederik L. Schodt’s classic survey of manga originally written in 1983 but slightly revised in 1986 and with a new introduction added in 1997, Manga! Manga!: The World of Japanese Comics. It may be a few decades old, but it’s still a fantastic work that is well worth reading. Last week I also reviewed Hikaru Suruga’s Attack on Titan: No Regrets, Volume 2, the final volume of Attack on Titan‘s short, shoujo spinoff which focuses on Levi and Erwin’s backstories. I wasn’t quite as fond of the second volume as I was of the first, but I did enjoy the series. It’s definitely a must-read for fans of Erwin and/or Levi and I appreciated how it expanded the setting of Attack on Titan.

Elsewhere online, Kodansha Comics announced the license of Naoshi Arakawa’s Your Lie in April. An Indiegogo campaign was launched to create a stop-motion film adaptation of Moyoco Anno’s The Diary of Ochibi manga. Vertical linked to an older article about Prophecy and how French Manga Fans Inspire the Work of Tsutsui Tetsuya. (The first volume of Prophecy was recently released in English and it’s fantastic.) And last but not least, Muse Hack posted an interview with Mikhail Koulikov of the Anime and Manga Studies Blog. I’ve been following Koulikov’s Anime and Manga Studies ever since I’ve discovered it. The blog is a great resource for anyone interested in the academic pursuit and scholarly study of Japanese pop culture.

Quick Takes

Fairy Tail, Volume 43 by Hiro Mashima. There was very little Gray in the forty-third volume of Fairly Tail which made me a little sad, especially after the buildup in his character and story over the last few volumes. But with a series like Fairy Tail, which has a fairly large cast of characters who regularly play an important role in its plot, time needs to be spent with those other characters as well. Fairy Tail always seems to have one or two moments of fanservice that, at least for me, detract from the story being told. The clothing and armor choices for the female characters in particular tend towards stereotypical fantasy design–showing more flesh than would be appropriate for battle–but at least the women in Fairy Tail generally have well-developed personalities and are very capable characters in their own right. Often, they’re even stronger than the men. And to be fair, there’s male nudity as well as female nudity in Fairy Tail, though as might be expected from a shounen manga, generally not to the same extent. Fairy Tail is now well into the beginning of the Tartaros arc of the series in which the members of the Fairy Tail guild must face off with a dark guild of demons which is trying to eliminate the entire Magic Council.

Kiss All the Boys, Volumes 1-3 by Shiuko Kano. For the most part I enjoyed Kiss All the Boys more than Kano’s earlier series Yakuza in Love, but ultimately I felt a bit cheated by its conclusion. While in some ways I’m glad that most everything ends happily for the characters, I’m not convinced that that’s really how things would have played out and some of the eventual pairings are troubling. But while Kiss All the Boys may not be the most believable series, at least the convoluted relationships are for the most part interesting even when they are appalling. The series hinges on Tetsuo, a straight thirty-something hentai artist with a fifteen-year-old son born from his youthful indiscretions. At least he’s supposed to be straight. Conveniently for the manga, he soon finds himself entangled in relationships with several other men–his next door neighbor, his best friend and editor, and even the boy his gay son has a crush on. Tetsuo is an asshole, but at least he knows he’s an asshole. He does make some effort to rise above his nature but unfortunately never quite manages to succeed. For the most part Kiss All the Boys is intended to be a comedy and shouldn’t be taken too seriously, but I couldn’t help but worry for the youngsters left with terrible adult role models.

Yukarism, Volume 1 by Chika Shiomi. I haven’t previously read any of Shiomi’s manga, but I was looking forward to Yukarism because of its promise of interesting gender dynamics, reincarnation, and historical romance. Although Yukari Kobayakawa is only seventeen, he has already made a name for himself as an author of novels set in the Edo period. He never has to do any research though since he subconsciously draws inspiration from his past life as a courtesan in the era’s pleasure district. Except for that particular twist, at this point Yukari actually isn’t a very interesting character. He’s very reserved, self-absorbed, impassive, and completely unfazed when he begins to slip back and forth between his past life and his current one. Many of the people surrounding Yukari in present-day Japan are reincarnations of people he knew in the pleasure district although they don’t all seem to be aware of that fact. There’s definitely some potential for romance in Yukarism, but after only one volume that doesn’t appear to be the series’ main concern yet. Instead, the mystery surrounding the deaths of Yukari and the others in the past seems to take precedence, although the connections between all of the characters in all of their incarnations is an important element as well. I’ll be curious to see how the series continues to develop.

DevilPartTimer The Devil Is a Part-Timer! directed by Naoto Hosoda. I’ve been meaning to watch The Devil Is a Part-Timer! for quite some time now, but I was recently reminded of that intention when Yen Press licensed both the light novel series by Satoshi Wagahara on which the anime is based as well as at least one of its manga adaptations. While the anime is entertaining, the ridiculous premise is more hilarious in theory than in execution–The Devil Is a Part-Timer! is actually played fairly straight. But it’s still a fun and consistently amusing series. I particularly got a kick out of Satan diligently working in the fast food industry as a way to take over the world (he takes his job very seriously) and the portrayal of Lucifer as a hikikomori with an online-shopping addiction. For the most part, The Devil Is a Part-Timer! nicely balances its comedy with its drama. Although it has a conclusion, the ending of the series lacks finality and some of the characters introduced were never really put to good use, as though additional seasons were initially planned for but never manifested. (At least I haven’t heard anything about a second season.) Overall, The Devil Is a Part-Timer! is funny series and a nice change of pace from all of the anime centered around high school or middle school students. I might just give the original novels a try when they’re released in English.

Attack on Titan: No Regrets, Vol. 2

December 12, 2014 by Ash Brown

Creator: Hikaru Suruga
Original story: Gun Snark
U.S. publisher: Kodansha
ISBN: 9781612629438
Released: October 2014
Original release: 2014

Attack on Titan: No Regrets, Volume 2 is the final volume of Hikaru Suruga’s manga adaptation of the A Choice with No Regrets visual novel written by Gun Snark. No Regrets is one of the many spinoffs and adaptations of Hajime Isayama’s immensely popular Attack on Titan manga series. It focuses on the backstory of one of Attack on Titan‘s most beloved characters, Levi, and how he became an exceptionally skilled and valued member of the Survey Corps. The second volume of the No Regrets manga was originally released in Japan in 2014, as was Kodansha Comics’ English-language edition. The volume also includes two short, largely comedic, No Regrets side stories as well as a special interview between Isayama and Suruga discussing the story and characters of the Attack on Titan franchise. I rather enjoyed the first volume of No Regrets and so was looking forward to reading the conclusion of the series.

At one point they were considered to be some of the most notorious criminals in the Underground, but now Levi, Isabel, and Furlan have been coerced into joining the Survey Corps, which may very well be a death sentence. Initially they weren’t well-liked by their fellow soldiers, and the three of them weren’t particularly happy with their situation, either. But during their first expedition outside of the walls, Levi and his crew leave quite an impression by handily dispatching an abnormal Titan with seeming ease. Levi and the others still don’t fit in with the rest of the Survey Corps members, but at least their remarkable skills, especially Levi’s, are recognized and admired. The extra attention they receive after defeating the Titan isn’t exactly welcome, though–Furlan is trying to coordinate a covert mission that will either lead to the three criminals’ ultimate freedom or to their deaths. They have been hired by a high-ranking political figure to steal back incriminating documents from Erwin, one of the Survey Corps’ most promising young leaders, and to end his life in the process.

What I particularly liked about the first volume of No Regrets was that it expanded the setting of Attack on Titan in addition to providing valuable background information about Levi, Erwin, and their relationship to each other. Sadly, the second volume doesn’t add much more that is new; I felt like I had already seen many of the scenes play out before and it was very clear how some of the events were going to end. The second volume of No Regrets spends a fair amount of time explaining the long-distance scouting formation, for example. While it’s noteworthy that No Regrets shows the first time that the maneuver is ever attempted, anyone familiar with Attack on Titan should already be quite aware of how the formation functions and its importance. Likewise, as is to be expected, encounters with Titans never tend to go well. Because in many ways No Regrets serves as a prequel to Attack on Titan, the deaths of major characters in the series are not at all surprising and lose some of their impact as a result.

More than anyone else’s, No Regrets is Levi’s story, but Erwin plays a pivotal role in it as well. Both of the men are exceptionally charismatic leaders, although Erwin is the only one of the two who actually seeks that role. Levi doesn’t want to be responsible for the lives of others while Erwin is willing to shoulder the weight of the sacrifices made in the fight against the Titans. He is extremely intelligent and talented and able to make tough decision. Even at the cost of individual lives, Erwin voluntarily employs dubious methods if he believes that the results will increase the odds of humanity’s survival. His almost fanatical drive and obsession contrasts sharply with Levi’s more reserved and internally focused nature. As is known will happen, eventually Erwin wins Levi over to his cause and gives him a firm direction and purpose, but this foregone conclusion does seem to occur rather abruptly. Still, the exploration of Levi and Erwin’s respective personalities and motivations in No Regrets is probably what the series does best and is what the manga brings to Attack on Titan as a whole.

Manga the Week of 12/17

December 11, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: Merry Christmas! Have some manga. Since the publishers usually go quiet around Christmas and New Year’s, almost everything is frontloaded to next week. So be prepared to be completely buried.

The Shinji Ikari Raising Project has now officially passed its parent in volume count. It’s coming to an end soon, though. In the meantime, Dark Horse brings us Vol. 15.

Manga Dogs 2 will help us to ask the question, “can the three male leads get any stupider?”. I’m betting on yes.

ASH: I’m sure that’s probably the case, though they’re pretty stupid to begin with.

SEAN: Kodansha also has its 4th xxxHOLIC omnibus. The series was at its high point here, in my opinion.

MJ: Even if I don’t think it had a *low* point, exactly, I agree that this was a great period in the series.

SEAN: Seven Seas debuts a new yuri series with Citrus, which is from Comic Yuri Hime – nice to see a title from that magazine over here again. Expect melodramatic schoolgirls.

ASH: I’m always interested in more yuri in English, so I’ll be checking this one out.

SEAN: There’s the third volume of D-Frag!, one of the funnier series I’ve read this past year.

You thought Dance in the Vampire Bund was over? You thought all we had left was spinoffs starring David Rasche? You were wrong! Here’s Dance in the Vampire Bund II: Vamp Harder… erm, Scarlet Order.

Girls Und Panzer isn’t over, but there’s always room for one more spinoff series. Little Army follows Miho, the “hardened battle commander” of the original series, as she does tank battles in elementary school.

And Haganai has a second collection of side story comedy for those who feel the main series has too much plot, this one called Club Minutes.

Lastly (from Seven Seas – we’re a long way from the end), there’s a new Witch Buster omnibus, with Vols. 13 and 14.

Vertical has a new Mobile Suit Gundam the Origin, and I think Vol. 8 means we’re 2/3 of the way through. Is the cast still alive? (I’m so far behind on this.)

ASH: As far as we know the cast is still alive; the last few volumes have been an extended flashback, so who knows what will happen from here?

ANNA: I’m behind too, but I keep buying it!

SEAN: Vertical is also debuting two old favorites digitally, as next week sees Vol. 1 and 2 of Black Jack, as well as Apollo’s Song. Mmmmm, digital Tezuka…

ASH: Since so many of Vertical’s Tezuka title have gone or are going out of print, I’m very happy that the publisher found a way to give them some new life.

ANNA: I have much fondness for Black Jack.

MJ: I do, too. I’m so happy to see this coming out digitally.

SEAN: Viz has a 10th volume of Afterschool Charisma, one of the SigIkki survivors.

ANNA: Another one of those series I read three volumes of and mean to get caught up on one day.

SEAN: It’s December, so it’s time for the annual release of Dogs: Bullets and Carnage, with Vol. 9 dropping.

The other SigIkki survivor also has a new volume, as Dorohedoro reached its 14th. Ikki in Japan may be no more, but Dorohedoro will be moving to its replacement, so don’t expect it to end right away.

MICHELLE: Someday I really will read these last three.

ASH: Dorohedoro! Such a delightfully charmingly bizarre series.

SEAN: It’s been a while since we’ve been able to get excited about an Urasawa release. Now we see an omnibus edition of Master Keaton, which will feature incredibly dramatic insurance investigations. No, really, it’s excellent. Check this out even if you’re not a fan of insurance.

MICHELLE: I am so excited about this!!

ASH: I’m definitely interested in seeing more from Urasawa.

ANNA: I’m curious about this title for sure.

MJ: I’m in!

SEAN: Think we’re done? HAH! It’s Yen time. We’ll start with the Yen On line. We get the debut of a new series whose title screams “I am a light novel franchise”. It’s called Is It Wrong to Try to Pick Up Girls in a Dungeon? I’m going to guess the answer overall will prove to be “no”, this sounds pretty harem-ey.

ASH: I don’t know much about the series, but the title amuses me, so I might actually give this one a try.

MJ: Heh. Agreed.

SEAN: Spice & Wolf’s novels have been running since long before Yen On began, and as such, we get lucky Vol. 13 here. That’s the light novel, not the manga, which also ships next week, but is Vol. 10.

And Sword Art Online’s novels start everyone’s favorite arc, Fairy Dance. This is a 2-parter, FYI, the second ships in April. This is the novel, not the manga, which already began the Fairy Dance arc in August, but had Vol. 2 ship last month, which is not Vol. 2 of the light novels, though it adapts part of it.

MJ: I don’t hate Fairy Dance, so I’m happy to see this.

SEAN: On the manga front, we have the 2nd of the adaptation of Accel World, having had the 2nd light novel one month ago, which this manga volume does not adapt, as it’s still adapting the first one. Clear? Wait till next spring, when it will get REALLY confusing. Also, hooray for new math.

Alice is really hard to get a lead on, as Are You Alice? has hit Vol. 7 and still doesn’t know.

MJ: Heh.

SEAN: Barakamon seems like a countrified Yotsuba&!, which suits me just fine. The 2nd volume is out next week.

MICHELLE: I still need to check this one out.

MJ: I’m happy to see more of this!

SEAN: Bloody Cross has its 5th volume ship. I admit I finally moved on from this, but if you like supernatural action, it certainly fills that need.

Yen has 3 debuts this month! The first is a familiar author to many, Kaori Yuki. She’d been with Hakusensha for years, but recently moved to Kodansha and their eccentric Aria magazine. This was her debut there, Demon From Afar. That said, if you like the sort of thing she usually writes, this is more of that. But in hardcover!

MICHELLE: Huh. Interesting.

MJ: I’m definitely looking forward to this!

SEAN: The second debut is another author familiar to us, but that’s because of a recent release from Viz. Aya Shouoto had Kiss of the Rose Princess come out via Shojo Beat, and now we see Yen releasing He’s My Only Vampire, which, yes, runs in Aria as well. This combines vampires AND childhood friends.

MICHELLE: Huh. Well, more shoujo is a good thing!

ANNA: I agree!

MJ: I’ll give it a try, for sure.

SEAN: There’s a spinoff of harem manga High School DxD, focusing on two of the lead females: Asia and Koneko’s Secret Contract. My guess is this is similar to Haganai’s Club Minutes, aka plotless comedy.

Kingdom Hearts II Vol. 3 is really not helping Yen escape my mocking of their volume numbers.

The last debut is the one I’m most excited about: Love at Fourteen. The plot sounds familiar, with two childhood friends finding love in school. But it runs in Hakusensha’s Rakuen Le Paradis, a magazine I’d kill to see more licenses from, and is apparently very well written.

MICHELLE: I’m really excited about this one, too!

ANNA: This was totally not on my radar before, but it sounds interesting.

MJ: My response is *both* of Michelle & Anna’s responses put together.

SEAN: Spice & Wolf has its 10th volume ship this week! That’s the manga, not the light novel. The light novel ships Vol. 13 this week, as I said earlier. Be aware that in 2015, Yen will begin calculating Manga and Light Novel volume numbers in Base 8, as they worry readers may get confused. (I am old enough to know what Base 8 is, yes.)

ASH: Ha!

SEAN: Lastly (at LONG last!), we get the 6th volume of Tena on S-String, a mere 4 years after the 5th. The series is out digitally if you want to jog your memory.

Is this enough Christmas manga? Do you want more? Clap your hands if you want more!

MJ: *clap*? No?

Manga! Manga!: The World of Japanese Comics

December 10, 2014 by Ash Brown

Author: Frederik L. Schodt
Publisher: Kodansha
ISBN: 9781568364766
Released: January 2013
Original release: 1983
Awards: Japan Cartoonists Association Award

Initially released in 1983 and then again in 1986 in a slightly updated and revised edition, Frederik L. Schodt’s groundbreaking Manga! Manga!: The World of Japanese Comics was one of the first, and remains one of the best, surveys of the history of manga and the manga industry available in English. Written and published at a time when manga was virtually unknown to the average comics reader in the West and when only a very few examples of manga had been translated, Schodt was hoping to provide an introduction to the art form, garner interest in manga, and share his love and excitement for the medium. Manga! Manga! was received very well both in Japan where it earned special recognition from the Japan Cartoonists Association as well as in markets focused on English-reading audiences. Although Schodt would follow up Manga! Manga! with his work Dreamland Japan: Writings on Modern Manga in 1996, his initial foray is considered a classic in its subject area and is still well worth reading.

Manga! Manga! opens with a forward by Osamu Tezuka, who Schodt personally knew and worked with. From there Schodt takes over with the first chapter “A Thousand Million Manga,” providing an overview of manga and its readership in Japan. “A Thousand Years of Manga” addresses the history of manga, tracing its origins and development from 12th-century narrative art traditions through its more contemporary influences. “The Spirit of Japan” looks at the portrayal of the bushidō ethic in manga, ranging from historical fiction to the yakuza and sports genres, while “Flowers and Dreams” reveals the significance of comics created for and by girls and women. Other genres, such as salaryman, specialty career-oriented manga, and mahjong manga are explored in the chapter “The Economic Animal at Work and at Play.” Subjects like censorship, violence, and eroticism are the focus of “Regulations versus Fantasy.” Schodt closes his research with a chapters specifically devoted “The Comic Industry” and “The Future.” (Granted, that future is now in many cases the past, but the chapter is still illuminating.)

The editions of Manga! Manga! printed after 1997 also have a short introduction by Schodt but otherwise are nearly identical content-wise to those that were published earlier. In addition to Schodt’s main text, Manga! Manga! also includes an index divided by general subject, creators, and title as well as a bibliography of both English-language and Japanese-language resources. As is appropriate for a work about manga, Schodt incorporates artwork and photographs throughout the volume–rare is the page which isn’t accompanied by some sort of visual component. Particularly noteworthy is the inclusion of translated excerpts selected from four manga: Osamu Tezuka’s Phoenix, Reiji Matsumoto’s Ghost Warrior, Riyoko Ikeda’s The Rose of Versailles, and Keiji Nakazawa’s Barefoot Gen. These examples are among some of the earliest manga in translation readily available to a general English-language audience. Brief biographies of the four mangaka are provided as well.

Manga! Manga! is a fantastic work. Even decades after it was first published it remains an informative and valuable study. And, as I have come to expect, Schodt’s writing is very approachable and easy to read. Manga! Manga! explores the history of manga within the context of Japanese culture and history, ultimately showing that the two cannot be completely separated. Manga and its development reflect, is influenced by, and emphasizes the changing state of Japanese culture, politics, and social mores. It is an art form and a source of entertainment, but it can also be used for educational and informational purposes and even as propaganda. Schodt outlines the importance of manga in Manga! Manga!, both culturally and historically, and what it has to offer to Japan and to the world at large. Manga! Manga! is very highly recommended to anyone interested in learning more about manga, its history, its creators, or the manga industry as a whole.

Pick of the Week: Massive & More

December 8, 2014 by Ash Brown, Michelle Smith, Anna N, Sean Gaffney and MJ Leave a Comment

ASH: It’s a somewhat smaller batch of manga shipping this week, but there’s still a nice variety from which to choose. But I’ll admit, the release I’m most excited about is the Massive anthology of gay manga from Fantagraphics which technically came out last week. Featuring interviews, essays, and the work of nine of some of the most well-know creators of gay manga, it’s a groundbreaking collection that shouldn’t be missed for anyone interested in this underrepresented genre in English.

MICHELLE: I’m all for the publication of Massive, but if I’m honest with myself, the release I’m most looking forward to is volume 9 of Shinobu Ohtaka’s Magi. This has quickly become one of my favorite shounen manga being released currently, and I’ve been quite impressed by it so far.

ANNA: There isn’t really anything shipping this week that appeals to me, so just I’m going to go with my latest purchases from Viz Media’s digital manga store. One Punch Man volumes 4 and 5! This series is so hilarious, I am perplexed as to why it is available only in digital format.

SEAN: Massive is the worthy title, but I’m picking Magi as well. We’re starting a new arc, which generally means an increase in comedy. Can’t wait.

MJ: I’ll bring things full circle here by going back to Massive. I’ve been really pleased with Fantagraphics’ commitment to bringing us types of manga that are underrepresented in the English-language market, and Massive falls decidedly into that category. It isn’t the first volume of gay manga we’ve seen over here, but it’s the first volume (to my knowledge) dedicated to bringing us work from a variety of creators, which is something I’m certainly looking forward to. I’m sure that I’m not alone in this. It’s definitely my pick this week.

What looks good to you this week?