Ash Brown

Pick of the Week: Sparkling Series

August 4, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: I was originally going to pick Showa here, but Amazon helpfully moved it to late September at the very last minute. So instead I will pick Haven’t You Heard? I’m Sakamoto, Seven Seas’ new series about the coolest high school student around, and how no one else can hold a candle to him. It’s completely hilarious and I want more immediately.

MICHELLE: Voice Over!: Seiyu Academy may not be a classic, but I have grown to like it very much over its run, and so must pick the twelfth and final volume while I can. I hope for a sugary sweet ending with kitties.

ASH: I was all set to choose Haven’t You Heard? I’m Sakamoto, but then the Sparkler Monthly Kickstarter reached its goal over the weekend. I’m so excited that we’ll be seeing another year of fantastic content, beginning this month!

MJ: I’m pretty much MIA due to my teen opera production which goes up next week, but I had to jump in to add to Ash’s excitement. Yay, Sparkler!! We’re so lucky to be getting more of this magazine!

ANNA: I will go with the third volume of JoJo’s Bizarre Adventure: Phantom Blood. So weird! So manly!

What looks good to you this week?

My Week in Manga: July 27-August 2, 2015

August 3, 2015 by Ash Brown

My News and Reviews

The Sparkler Monthly Year 3 Kickstarter campaign ends tonight, so this is one of my last opportunities to give it a shout-out! I actually spent a lot of last week trying to draw attention to the project and the spectacular work being done by the staff and creators of Sparkler Monthly. For example, my most recent giveaway, which is currently underway, is for the second book in Tokyo Demons (one of my favorite series ever, not just one of my favorite Sparkler series) as well as one additional Sparkler goody of the winner’s choice. And for my final in-depth review for the month of July, I featured Heldrad’s delightful Orange Junk, Volume 1, a romantic comedy strongly influenced by shoujo manga. I also posted July’s Bookshelf Overload over the weekend, which I also managed to briefly tie into Sparkler Monthly.

In publishing news, Bruno Gmünder is adding two more volumes of gay manga to its catalog for the 2015 Fall/Winter season—Takeshi Matsu’s Dr. Makumakuran and Other Stories and Gengoroh Tagame’s The Contracts of the Fall—and Breakdown Press will be releasing Ding Dong Circus and Other Stories, 1967-1974 by alt-mangaka Sasaki Maki. Ryan Holmberg, the collection’s translator and editor, recently wrote about Sasaki Maki for The Comics Journal. Also of note, Kodansha has plans to expand its digital distribution. There were also a couple of interesting interviews posted last week: over at Anime News Network Deb Aoki talked with mangaka Miki Yoshikawa in addition to one of Yoshikawa’s editors, and Organization Anti-Social Geniuses spoke with Marlene First, one of the manga editors at Viz.

Quick Takes

Akame ga Kill!, Volume 1 written by Takahiro and illustrated by Tetsuya Tashiro. It seems as though every dark fantasy manga that has been released in English recently has a similar plot—the current ruling government and upper classes of society are staggeringly corrupt and a small group of exceptionally skilled fighters are battling against them. In many of the stories, the twist is that the “bad guys” are really the “good guys,” though it’s not much of a twist anymore since it’s becoming increasingly common. In Akame ga Kill!, that group is a team of assassins who target high-profile nobles and government officials. It’s a decent premise, but I’m not entirely convinced by Akame ga Kill!. Plot developments seem to occur more out of convenience than anything else, and despite delving into their various backstories the characters don’t yet have much depth to them. Takahiro mentions in the postscript that he finds Tashiro’s action scenes particularly eye-catching. I’m not familiar with Tashiro’s other manga, but when comes to Akame ga Kill! I was actually a little disappointed with the fight sequences. Battles happen so quickly that it appears as though nothing happens at all, and on occasion the action is skipped over completely. This conveys impressive speed, but I’d like to actually see the fights.

Let’s Dance a Waltz, Volume 2 by Natsumi Ando. If it wasn’t for the series’ unfortunate focus on Himé’s weight loss, I would be really enjoying Let’s Dance a Waltz. The first volume ends with her losing more than forty pounds after two weeks of intensive dance study. I would be willing to begrudgingly move on from this, except that the second volume never lets the reader forget about it. The manga seems to constantly emphasize that someone has to be slim to be of worth. It really is a shame, because I like so many of the other elements of Let’s Dance a Waltz. I love the dancing in the series and Himé’s developing passion for it as a sport. The second volume includes her first contest, which is partly an effort to compel Tango to compete once again. And I love the delicious melodrama surrounding the competitors and the dynamics of their tangled personal relationships. Yūsei cares tremendously for his dance partner Sumiré, but she seems to have feelings for Tango. They both want to see Tango return dance, but that also means that he will become their opponent in the ballroom. Himé is in love with Tango, too, which introduces tension into her friendships with all three of them. There’s so much to like about Let’s Dance a Waltz, but the handling of the weight issues in the series honestly bothers me.

Bookshelf Overload: July 2015

August 2, 2015 by Ash Brown

Well, it didn’t take me very long at all to get back into the habit of bringing a ridiculous number of books into the house. On top of that, I think I’ve discovered a new addiction: artbooks. I picked up two in July—A Sky Longing for Memories: The Art of Makoto Shinkai (which I reviewed not too long ago) and Yuki Urushibara’s Mushishi artbook (which was recently published in Japan)—and I have an increasingly lengthy list of others that I’m eying. Matthew Meyer’s new yokai guide/artbook The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic is now available, which I’m very excited about. (His earlier book The Night Parade of One Hundred Demons was great.) July also saw me finally get my hands on the fifth and final volume of The Summit of the Gods by Baku Yumemakura and Jiro Taniguchi which I’ve been looking forward to a great deal. Another release that I was happy to see in July was the most recent paperback from Chromatic Press/Sparkler Monthly: Heldrad’s delightful Orange Junk, Volume 1, which I made a point to review. And since I just happened to mention Sparkler Monthly, I’d of course like to take a moment to give a shout-out to the Sparkler Monthly: Year 3 Kickstarter as it enters its final day!

Manga!
Aquarion Evol, Volume 3 written by Shoji Kawamori, illustrated by Aogiri.
Black Rose Alice, Volume 5 by Setona Mizushiro
The Color Of Love by Kiyo Ueda
Cross Game, Omnibuses 2-8 by Mitsuri Adachi
The Demon Prince of Momochi House, Volume 1 by Aya Shouoto
Fairy Tail, Volume 49 by Hiro Mashima
Let’s Dance a Waltz, Volume 2 by Natsumi Ando
A Liar in Love by Kiyo Ueda
Love Stage!!, Volume 2 by Eiki Eiki
Ludwig B, Volumes 1-2 by Osamu Tezuka
Maid-sama!, Omnibus 1 by Hiro Fujiwara
Maria the Virgin Witch, Volume 3 by Ishikawa Masayuki
My Little Monster, Volume 9 by Robico
My Love Story!!, Volume 5 written by Kazune Kawahara, illustrated by Aruko
Ninja Slayer Kills, Volume 1 by Kotaro Sekine
Noragami: Stray God, Volume 5 by Adachitoka
Say I Love You, Volume 8 by Kanae Hazuki
A Silent Voice, Volume 2 by Yoshitoki Oima
The Summit of the Gods, Volume 5 written by Baku Yumemakura Baku, illustrated by Jiro Taniguchi
Sunny, Volume 5 by Taiyo Matsumoto
Terra Formars, 7 written by Yu Sasuga, illustrated by Ken-ichi Tachibana
UQ Holder, Volume 5 by Ken Akamatsu
What Did You Eat Yesterday?, Volume 9 by Fumi Yoshinaga
xxxHolic, Omnibus 6 by CLAMP
Yamada-kun and the Seven Witches, Volume 3 by Miki Yoshikawa
Your Lie in April, Volume 2 by Naoshi Arakawa

Manhwa!
Behind Story, Volume 1 by Narae Ahn
Core Scramble, Volume 1 by Euho Jun
Give to the Heart, Volume 4 by Wann

Comics!
Adventures of a Japanese Businessman by José Domingo
Beautiful Darkness by Fabien Vehlmann, Kerascoët
Corto Maltese: Beyond The Windy Isles by Hugo Pratt
The Divine by Asaf Hanuka, Tomer Hanuka, and Boaz Lavie
Fantasy Sports, Volume 1 by Sam Bosma
High Crimes written by Christopher Sebela, illustrated by Ibrahim Moustafa
The Hourglass written by Itoshi, illustrated by Aldaria
Lost in the Snow, Volume 1 by Velvet Toucher
Orange Junk, Volume 1 by Heldrad
SuperMutant Magic Academy by Jillian Tamaki

Artbooks!
Mushishi Artbook by Yuki Urushibara
A Sky Longing for Memories: The Art of Makoto Shinkai

Novels!
The Decagon House Murders by Yukito Ayatsuji

Anthologies!
The Book of Tokyo: A City in Short Fiction edited by Michael Emmerich, Jim Hinks, Masashi Matsuie
Folk Legends from Tono: Japan’s Spirits, Deities, and Phantastic Creatures edited by Ronald A. Morse
Monkey Business International, Volume 5 edited by Motoyuki Shibata and Ted Goossen

Nonfiction!
The Hour of Meeting Evil Spirits: An Encyclopedia of Mononoke and Magic by Matthew Meyer
The Science of Attack on Titan by Rikao Yanagita

Anime!
Children Who Chase Lost Voices directed by Makoto Shinkai

Video Games!
Hakuoki: Demon of the Fleeting Blossom

Orange Junk, Vol. 1

July 31, 2015 by Ash Brown

Creator: Heldrad
Publisher: Chromatic Press
ISBN: 9781987988031
Released: July 2015

Orange Junk, created by Mexican artist (and architecture student) Heldrad, is an ongoing comic series strongly influenced by shoujo manga. The series had its beginnings back in 2010 and eventually became one of the most well-loved comics hosted online at Inkblazers (previously known as Manga Magazine). Sadly, Inkblazers closed in early 2015. Happily, Orange Junk was quickly picked up by the publisher Chromatic Press to be featured in its online multimedia magazine Sparkler Monthly. And now, less than a year later, the first volume of Orange Junk has been collected and released both digitally and in print. While I was vaguely aware of Orange Junk before its debut in Sparkler Monthly, I didn’t have any extensive knowledge about its plot or characters. (Really, I recognized it more by name than anything else.) However, the release of the collection of the first four chapters and additional bonus content provided the perfect opportunity to be introduced to the unabashed shoujo delight that is Orange Junk.

Louise Barton is the oldest child of a family that at one point was very wealthy. She lived in comfort, had plenty of time and opportunity to pursue her hobbies, and was generally happy and content with her lot in life. But then her father’s company went bankrupt and her family is now struggling to pay back the debt and make ends meet. Louise, her younger brother, and both of their parents are still adjusting to their new circumstances. One of the greatest challenges for Louise is that she must attend a public school for the first time. Starting over as a transfer student, she has no friends and an unfortunate lack of academic aptitude. Not to mention that she’s also already managed to get on the bad side of Bruce Daniels, a classmate notorious for his temper and getting into fights. But not everything is bad in the eleventh grade. Andrew Grey, another transfer student and one of the cutest guys in the school, is in her class, too. And when the three of them get thrown together, things take an unexpected turn or two.

Out of all of the stories that have so far appeared in Sparkler Monthly, Orange Junk is the one that is probably the most stereotypically “shoujo,” except that in most cases Heldrad has deliberately taken frequently found tropes and stereotypes and given them a bit of twist. This is especially apparent in the characterizations of the series’ lead trio. Bruce is athletic and constantly getting into fights, but he’s also the smartest student in class. Drew may have the looks that make many of the girls swoon, but he’s also a complete airhead (with occasional moments of wisdom) and an otaku to boot. Almost everyone assumes that Louise has great connections and great grades, but her social life is lacking and she’s absolutely terrible at math. Even the underlying drama of the comic—Louise’s family losing their wealth and status—seems to be less commonly seen than a downtrodden heroine suddenly coming into a fortune of some sort. Orange Junk isn’t necessarily a shoujo manga parody, but it does approach being one at times. Either way though, the comic is very funny.

In the author’s notes, Heldrad explains why the series is named Orange Junk. “Orange” because it conveys a sense of energy and “junk” because the comic is akin to junk food. It’s a title that actually fits the series quite well. Orange Junk is fantastically energetic and the chemistry between its characters is great. Louise and Bruce’s interactions are particularly entertaining to watch. They both have strong personalities that frequently clash with each other—Louise is one of the few people who can actually stand up to Bruce—but they begin to establish an awkward sort of friendship over the course of the comic that is absolutely adorable. Ultimately, Orange Junk is a romantic comedy that’s not to be taken too seriously. Although many of the relationships evolve naturally, the comic has its fair share of silliness and melodrama, and there are plenty of developments that inspire incredulity. But that’s really all part of Orange Junk‘s charm. If the first volume is any indication, the rest of the series should be a tremendous amount of fun.

Manga the Week of 8/5

July 30, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 2 Comments

SEAN: As the thermometer creeps towards triple digits, we can turn only to manga for comfort. Luckily, there’s a pile of it next week.

I think I mentioned this title before, as it’s gotten moved back a few times, but Bruno Gmuender has a new gay manga volume coming out, Dr. Makumakuran and Other Stories.

ASH: You have mentioned it before, but I think it’s really coming out this time!

SEAN: Dark Horse has an artbook, which I normally don’t cover, but this is The Art of Satoshi Kon, so yeah, let’s mention that.

Drawn and Quarterly’s amazing series Showa by Shigeru Mizuki comes to a close with the final omnibus, covering the years 1953-1989. This series has just been jaw-dropping, and everyone who loves manga at all – or even wants to know Japanese history – should be reading it.

MICHELLE: I has a shame.

ANNA: Me too.

SEAN: Kodansha gives us a 9th volume of The Seven Deadly Sins.

Seven Seas has a new Devils and Realist, the 6th volume. It also has a 7th volume of Dragonar Academy.

But I don’t care about either of those, because YAY! I always love it when a license request of mine is picked out, and this one is particularly awesome. Haven’t You Heard? I’m Sakamoto is a trippy comedy that fans of My Neighbor Seki will thoroughly understand, about a high school student who is super cool in everything he does – preternaturally so. I will be hammering on folks to read this.

ASH: I’m really looking forward to giving this one a read!

ANNA: This does sound funny.

SEAN: Viz has its usual giant pile of Jump and Beat stuff. Assassination Classroom has hit five volumes, and he’s not dead yet. Thank goodness.

ANNA: I can’t believe I am so far behind on this series. It needs to stop coming out so fast.

SEAN: Black Rose Alice also has its fifth volume, though be warned, we’re coming up on the series’ hiatus in Japan. Perhaps the author ran out of spiders?

MICHELLE: This is one of those cases where I’m both happy and sad to see a new volume.

ASH: Same.

ANNA: This is such a great, surreal series. Totally worth reading even if it is on hiatus.

SEAN: Bleach is in no danger of running out of volumes with its twelfth 3-in-1.

Food Wars! has a 7th volume. Will the demand for amazing curry take out half the class? I’m hoping at least Soma and Megumi make it past the first round.

JoJo’s Bizarre Adventure brings its first arc to a close with the 3rd omnibus of Phantom Blood. Happy ending? Sad ending? I can’t say, but I can guarantee it will be over the top.

ASH: Guaranteed.

ANNA: This series is so weirdly wonderful.

SEAN: It’s August, and you know what that means! It’s time for our yearly release of Kaze Hikaru, with Vol. 23. I am delighted that Viz has not given up on this shoujo title.

ANNA: If there was justice in the world, this would rocket up the manga best seller lists. Just a great, thoroughly researched gender bending romance series.

SEAN: Maid-sama! was a very popular series with Tokyopop back in the day – popular enough to get a license rescue, as the first two volumes come out (with brand new translation) as an omnibus from Viz. I do have vague worry, though – I suspect Usui’s behavior will go over a lot less well than it did in 2009.

MICHELLE: Yeah, I wonder how I’ll react to Maid-sama! this time around. It took a few volumes for me to warm up to it before, and even that was fairly begrudging, since it’s one of those shoujo that features random beach volleyball tournament chapters. Now I am even older and more crotchety.

ASH: I never read it the first time around, but I know quite a few people who were happy about its rescue.

ANNA: I read the first several volumes of the old release and it’ll be interesting to revisit it.

SEAN: The big Shonen Jump debut this week is My Hero Academia. In a world where the majority of people have superpowers, how does someone who doesn’t have any fit in? If your answer is ‘bullied’, congrats, you know your manga.

Naruto is almost over! Except for the sequel manga and the countless spinoff novels. But here’s Vol. 71, which is just straight-up Naruto.

One Piece is at Vol. 75, but is not even close to being over.

MICHELLE: Thank goodness!

SEAN: So Cute It Hurts!! has a second volume. Will her story become as exciting as his story? Or is it the other way around?

ANNA: I just read this and it does focus more on her story, which is what I was hoping after reading the first volume. Also, wacky hijinks.

SEAN: Spell of Desire comes to an end with its fifth volume. I admit I didn’t find this as compelling as Midnight Secretary, but I know Anna liked it.

ANNA: I did like it! But I think I will generally like any josei disguised as shoujo, because that’s how I roll.

SEAN: Toriko’s 29th volume will I suspect bring an end to this particular round of fights, but likely not an end to the current battle.

Voice Over! Seiyu Academy comes to an end with its 12th volume, but fear not, a new Maki Minami series debuts next month.

MICHELLE: I have been hoarding volume 11 of Voice Over! so I could read it and the final volume back-to-back. I hope there are kitties and a happy ending, and suspect that isn’t too far off-base.

SEAN: And there’s a 3rd omnibus of the original Yu-Gi-Oh!.

There has to be something here for everyone. What about you?

Giveaway: Sparkler Monthly Giveaway

July 29, 2015 by Ash Brown

The end of July quickly approaches, as does the end of the Sparkler Monthly: Year 3 Kickstarter. The campaign hasn’t quite reached its goal yet, but I desperately want it to succeed. With that in mind, hoping to draw more attention to the project, this month’s giveaway will be a little different than usual. I happen to have an extra copy of Tokyo Demons, Book 2 to give away, but that’s not all I’m offering. The winner of the contest will also be able to choose one item (physical/print or digital) from the Sparkler Online Shop! (Yes, a Year+ gift subscription to the magazine, which also includes a free ebook, is a completely valid option.) As always, the giveaway is open worldwide!

It’s no secret that I’m a huge fan of Sparkler Monthly and Chromatic Press. I’m fairly obsessed with Tokyo Demons and I adore Off*Beat, and so when those two series became the flagship titles for the newly established publisher in 2013, I knew it was time to pay attention. It was the right decision. I honestly haven’t been disappointed by a single thing that I’ve read (or listened to) that has been released in Sparkler Monthly. (Just take a look at the Chromatic Press tag for my in-depth reviews and features of a small selection of the content.) Sparkler Monthly is a multimedia magazine that includes prose, comics, and audio, and I devour it all. I love the range of formats and genres, the diverse stories and characters; the variety found in Sparkler Monthly is one of its greatest strengths, and more is constantly being added.

The work the creators and staff are doing through Sparkler Monthly is phenomenal. It would be tragic if they can’t garner the support to continue. So please, if you haven’t already, give the fantastic stories of Sparkler Monthly a try. Almost everything is available online for free, so there’s no excuse! And if you like what you see and/or hear, please consider donating to the Kickstarter campaign, too.

So, you may be wondering, how can you win a copy of Tokyo Demons, Book 2 AND one other Sparkler goody of your choice?

1) In the comments below, name one of your favorite Sparkler Monthly stories and write a little about why you like it. (Never experienced Sparkler? Now’s the time to check it out!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s all there is to it! Each person can earn up to two entries for this giveaway and has one week to submit comments. Entries can also be sent to me via email at phoenixterran(at)gmail(dot)com if you have trouble with the comment form or if you would prefer. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on August 5, 2015. Good luck and happy reading!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Giveaway: Sparkler Monthly Giveaway Winner

Save

Pick of the Week: A Broad Spectrum

July 27, 2015 by Michelle Smith, Ash Brown, Sean Gaffney and Anna N 2 Comments

MICHELLE: If you missed out on the single volumes of Chi’s Sweet Home as they came out, now’s your chance to get caught up with a new omnibus collecting the first three volumes. Honestly, I think I will probably hang on to my originals and this larger-trim edition, as this has been a very popular series in my personal lending library. If you like kitties, or know a kitty-loving young person, you should check it out!

ASH: Chi is indeed a tough kitty to beat, but my pick this week is the second volume of A Silent Voice. Admittedly, the first volume was a bit of a tough read due to the series’ subject matter. The manga is heartbreaking in many ways, but it is an incredibly well-crafted story.

SEAN: I agree with the pick of A Silent Voice. This manga really has something to say, and I want to hear what it is, no matter how uncomfortable it (deliberately) makes me.

ANNA: I will have to go with the Chi’s Sweet Home omnibus, out of all the manga about to be released that sounds the most appealing to me.

What looks good to you this week?

My Week in Manga: July 20-July 26, 2015

July 27, 2015 by Ash Brown

My News and Reviews

I posted one in-depth manga review last week, Sengoku Basara: Samurai Legends, Omnibus 2 by Yak Haibara. It’s the final omnibus in the series, collecting the third and fourth volume of Haibara’s Sengoku Basara 2 manga adaptation. I get a huge kick out of Sengoku Basara. It’s incredibly over-the-top but actually does manage to incorporate some legitimate history. Samurai Legends stands fairly well on its own, too, so no previous knowledge of the franchise is necessary. The other post last week (other than the usual My Week in Manga feature, of course) was something a little different: I was tagged in a game of manga tag, so I had an excuse to talk a bit about my collection. It was fun, so I hope others found it interesting.

Otakon was last week and there were some pretty great licenses announced. Viz Media picked up Inio Asano’s Goodnight Pun Pun as well as Takeshi Obata’s artbook Blanc et Noir and Keiko Ishihara’s The Heiress and the Chauffeur. Vertical will be releasing Riichi Ueshiba’s Mysterious Girlfriend X, Ryo Hanada’s Devil’s Line, and Kaori Ozaki’s The Gods Lie. (Ozaki is also the creator of Immortal Rain, which I love, so I’m especially excited for this one.) Kodansha Comics has plans to publish Yui Sakum’s Complex Age, Nao Emoto’s Forget Me Not, and most notably Leiji Matsumoto’s classic manga Queen Emeraldas! Also of note, Sekai Project, which primarily releases visual novels, has a new manga publishing initiative, starting with Satoru Sao, Takumi Yanai, and Daisuke Izuka’s GATE.

Elswhere online, Viz posted an interview with Canadian comics creator Faith Erin Hicks talking about many things, including her love of manga. (Also, her comics are great and well-worth checking out.) Organization Anti-Social Geniuses interviewed Kurt Hassler from Yen Press’ at Anime Expo. (All those manga recently licensed for digital release? There is a possibility we’ll be seeing them in print!) Graham Kolbeins of MASSIVE posted an impassioned but thoughtful explanation of how online piracy negatively impacts creators of gay manga. Deb Aoki has posted the audio and transcript of the gay manga panel from TCAF earlier this year. (It’s was a great panel that I only touched upon briefly in my TCAF roundup, so I’m glad it’s now available for anyone to read/listen to!) Finally, I’d like to draw everyone’s attention to an excellent post by Christopher Butcher about “othering” in the comics industry: Shifts and Living History

Quick Takes

The Incredible Kintaro by Naomi Guren. In Japanese folktales, Kintaro is a young boy with incredible strength who, among other things, runs around in the mountains with his trusty axe wearing nothing but a bib and wrestling bears. Those legends partly inspire The Inncredible Kinato, except that the youth is now a virile bishōnen. He does still spend a lot of time with very little clothing on and his junk hanging out, though. Currently, Kintaro is working as a janitor in order to protect his childhood love and friend Makoto. After his grandfather dies, Makoto is serving as the acting principal at the private high school where he is also a student, becoming a target of all the other men who would like to take control of the institute. And since the school’s motto is “Heart, Lust, Body,” that means it’s his virginity that’s at stake. The Incredible Kintaro is an intentionally ludicrous boys’ love manga. Makoto finds himself in all sorts of dubious situations, the teachers coming up with some rather creative scenarios to win his body if not his heart. The characters are shallow, so The Incredible Kintaro must rely on its bizarre premise and sense of humor to carry the story. Readers will need a high tolerance for the absurd to really enjoy the volume.

Johnny Wander, Volume 1-3 written by Ananth Panagariya and illustrated by Yuko Ota. I was first introduced to the online comic Johnny Wander through several of the strips devoted to the cats in the character’s lives. They were hilarious and I was hooked. Johnny Wander isn’t always about cats, though. Actually, it really isn’t about anything. Johnny Wander is a sequence of short, one-page, autobiographically-inspired comics. Although there are recurring characters, scenarios, and even the occasional running joke, most of the individual comics stand completely on their own merits. They’re brief glimpses into somewhat nerdy, after-college, daily life and they’re very funny. The cast consists of family, friends, and roommates (and cats). The setting is made up of the various cities and apartments (some of which are kind of sketchy even if they’re fondly remembered) in which they’ve lived. It’s incredibly ordinary and wonderful at the same time. Johnny Wander is entertaining, delightful, and charming, made up of the types of stories and jokes that people who know each other well will reminisce about, and tell and retell over the years. I really do love this series, and it just recently began updating again!

Noragami: Stray God, Volume 5 by Adachitoka. Although it hasn’t completely disappeared, at times I miss the quirky humor that was fairly prevalent in the early volumes of Noragami. But I must say, the drama in recent installments has been increasingly intense and engaging. The fifth volume in particular is an especially excellent addition to the series, and it ends on one heck of a cliffhanger. Although not everything has yet been revealed, the fifth volume delves into the unfortunate history between Yato and Bishamonten, which turns out to be much more complicated than many realize. Importantly, with Bishamonten finding it difficult to control her numerous shinki, it seems as though the two of them are now facing a very similar situation. It didn’t end well the first time, which ignited their current feud and Bishamonten’s desire for vengeance, and it looks like they are now on the brink of another tragedy. Kugaha is manipulating the entire situation, successfully igniting a confrontation between Yato and Bishamonten in the hopes that she will die in the process. The intrigue in Noragami has reached new heights and the battles between gods has become even more perilous; I need to know what happens next.

Random Musings: Manga Tag

July 24, 2015 by Ash Brown

Earlier this month, Megan of The Manga Test Drive (which is one of my favorite manga review blogs and worth checking out if you haven’t already) gave a tour of her manga shelves and answered some questions about her collection as part of a game of manga tag. And wouldn’t you know it, I was tagged at the end! I thought it would be fun to participate, and it gives me a chance to talk a bit about my own manga collection, so here goes!

1. What was your first manga?
The first manga that I ever read was Osamu Tezuka’s Adolf as published by Viz way back in the day. I came across it while helping a friend locate materials for his thesis about the Jewish population in Japan during World War II. I’m fairly certain that the first manga I purchased for myself was Blade of the Immortal by Hiroaki Samura at the recommendation of my fantastic local comic book shop.

2. What is your most expensive manga?
Considering the amount of manga that I accumulate, I try very hard to keep my habit as inexpensive as possible. But sometimes it just can’t be helped and exceptions must be made. I discovered and fell in love with Basara after most of the series went out of print and ended up spending more than I really wanted to find a complete set. But I did get a couple of Basara artbooks out of the deal, too, which was cool.

3. What was your least expensive manga?
Relatively recently, my good friend Traci (who did a guest video review for me a couple of years ago) gifted me with her collection of Yu Aida’s Gunslinger Girl. She was moving out of the state and had to be very selective with the books she could take with her. As a result, I inherited a bunch of comics, most of which I still need to actually read. (I dread my next move; my collection is huge.)

4. What is the most boring manga you own?
This was probably the question that I found the most difficult to answer. I’m going to guess that Project X: Cup Noodle by Tadashi Katoh might be the most boring manga that I own, but it doesn’t seem entirely fair to say that since I haven’t actually read it yet. However, I don’t expect that the manga will be terribly exciting, even though it may be interesting and at the very least educational. I could be wrong, though!

5. What is your favorite manga series?
I have way too many favorites to narrow it down to one, so instead I’ll just highlight the series that has been the most personally meaningful—Takako Shimura’s Wandering Son. As someone who is all sorts of queer, the manga’s earnest and sensitive exploration of personal identity, including gender identity, made a huge impact on me; it’s not an exaggeration when I call Wandering Son life-changing.

6. What is the most relatable manga series you own?
This took some thought, but in the end I’m going to go with Takehiko Inoue’s Real. It might seem like an odd choice for me seeing as I’m not really a basketball enthusiast and am currently fortunate enough not to need a wheelchair, but Inoue’s characterization in Real is phenomenal. He has created incredibly complex individuals with whom I can strongly identify with even though they’re unlike me in many ways.

7. What is one manga you own that is based off an anime?
It’s certainly not always the case, but many manga based on anime often leave something to be desired. I’ve still collected a few, though. Samurai Champloo was one of the first anime series I ever watched and it remains a favorite. Sadly, the Samurai Champloo manga by Masaru Gotsubo didn’t overly impress me. But, it has its moments, and I’m enough of a completist that I’ve held onto it.

8. What is your rarest manga?
I’m not certain it’s necessarily the rarest manga that I own, but let’s just say I hope I never need to purchase the colorized master edition of Buronson and Tetsuo Hara’s Fist of the North Star ever again. The sixth volume alone, even used, would cost several hundred dollars to replace. But I’ve actually got all sorts of interesting, uncommon, and unusual things kicking around.

9. What is the most reprinted manga you own?
Well, assuming we’re talking about the different releases of a manga rather than the number of printings, that would be Hitoshi Iwaaki’s Parasyte. In English, the manga started out in Tokyopop’s MixxZine before being collected as individual volumes. Tokyopop eventually lost the license and Del Rey Manga picked it up. Kodansha Comics rescued the series after that. (I have the Del Rey version, though.)

10. What is the most popular manga you own?
At the moment, that would probably be Hajime Isayama’s Attack on Titan along with its numerous spinoffs. The immense popularity of Attack on Titan fascinates me, so I like to keep up with the series. (In some ways, I’m almost more interested in the fandom than I am in the franchise itself.) Even though I do find parts of the manga to be extremely frustrating, other parts can be very engaging.

11. What is the most damaged manga you own?
I try to take very good care of my collection and am largely successful, but thanks to my cat Lysander (affectionately and sometimes not-so-affectionately known as Stupid), I have a few volumes of Kentaro Miura’s Berserk that I need to get around to replacing. Lysander used a box of full of manga as a scratching post, so some of them look like they were mauled by a tiger. I’ve still not forgiven him for that.

12. Which manga has the most amazing art?
I’m with Megan on this one. Kaoru Mori’s work in A Bride’s Story is absolutely stunning. It’s incredibly detailed, beautifully drawn, and thoroughly researched. There are a lot of mangaka whose artwork that I love and appreciate, but the illustrations in A Bride’s Story really do amaze me. In addition to the frequently breathtaking artwork, I also enjoy the series’ story, characters, and setting immensely.

13. What is the oldest published manga that you own?
I’m pretty sure the oldest manga that I have in translation is The Four Immigrants Manga by Henry (Yoshitaka) Kiyama. The Japanese compilation was published in 1931. I’ve also collected the work by Masaichi Mukaide released in North America the 1970s, some of the earliest manga to be published in English. Granted, depending on the definition of “manga” being used, those may or may not count.

14. What is the newest published manga you own?
Let’s see… what came out this week? I actually picked up the first omnibus of Akira Hiramoto’s Prison School. I’m intensely curious about this manga since it’s such an extreme shift in tone from Hiramoto’s earlier series, Me and the Devil Blues. I have a feeling Prison School will be a very divisive series. If for no other reason, it’s something that I want to read myself in order to have an informed opinion.

15. What are some of the most recent manga you have purchased?
Not counting all of the preorders that I’ve recently placed (and there have been many) the most recent manga that I purchased was a complete set of Cross Game by Mitsuru Adachi. I’ve actually been meaning to do this for a while now. (Sorry, Viz, for taking so long!) And as for my most recent out-of-print find, I was very happy to finally get my hands on Akimi Yoshida’s Banana Fish!

So there you have it! A very brief look at a very small selection of my manga collection. (Where is all the shoujo and josei?! The alt manga?! And everything else!?) Like Megan, I’m next going declare a free-for-all. If you’d like to answer some manga tag questions about your collection, either in the comments below or elsewhere, go for it! I’d love to keep talking about manga with you all. I’m also specifically going to tag my fellow bloggers manjiorin at Manga Connection and Lori Henderson at Manga Xanadu in case they’d like to participate, too. It’s been fun; hopefully you’ve found this diversion interesting!

Pick of the Week: Big week, small pick

July 23, 2015 by Sean Gaffney, Michelle Smith and Ash Brown Leave a Comment

SEAN: There’s a huge pile of stuff this week, most of it Yen. My pick goes to the debut of Durarara!! in light novel form. Narita specializes in huge casts of eccentrics and crazies and disparate plots slowly coming together in a chaotic climax. I prefer his work on Baccano, but that’s coming soon enough. In the meantime, enjoy seeing the origin of ‘Bacon Lettuce’ in all its glory.

MICHELLE: I admit experiencing Durarara!! in its original form has some appeal, but what I really am looking forward to most is the ninth volume of Kodansha’s My Little Monster. I really enjoy this series, and how it allows me to actually believe there’s a tiny sliver of a chance the two leads won’t have a happily-ever-after sort of ending. I don’t expect that, but it’s nice that it seems even a remote possibility.

ASH: Okay, I admit it, I’m intensely curious about Prison School if for no other reason than it’s an astoundingly different work than the creator’s previous manga released in English, Me and the Devil Blues (which I did like). I have a feeling that there won’t be much middle ground with this one and that a reader will either love or hate it.

What looks good to you this week?

Manga the Week of 7/29

July 23, 2015 by Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ Leave a Comment

SEAN: It’s become almost musical, the way manga comes out. Huge week… quiet week. Huge week… quiet week. The occasional 5th week trips up the manga dancer with the brief shift into 5/4 time. How is our quick-quick-slow week?

Dark Horse is doing it again, folks. Here is the first omnibus volume of a seinen manga series called Oh My Goddess!, about a young man who calls the wrong number and gets a goddess as his girlfriend. Perhaps you’ve heard of it when it was released by Dark Horse before. And before that. And before that. And before that. This will have the first three volumes, for those who have been curious but never tried it before. All three of you.

Kodansha has a 49th volume of Fairy Tail, which I’m surprised isn’t getting omnibus volumes as well, frankly.

ANNA: Fairy Tail is not on my radar, but I am stunned it is up to 49 volumes. Wow.

SEAN: There’s also a 2nd volume of A Silent Voice. Volume 1 was excellent writing but very hard to actually read, being filled with realistically flawed and terrible kids (and teachers). Will the second volume give us some glimpses of light amongst the darkness?

ANNA: This sounded a bit too grim for my tastes, which is why I haven’t read the first volume yet.

MICHELLE: Yeah. I am glad something like that exists but I still am in the “I read manga ‘cos it’s fun” camp.

ASH: The first volume was incredibly well done and one of the best things that I’ve read this year, but yeah, not the happiest of stories.

MJ: I suspect I would like this.

SEAN: And a third volume of Yamada-kun and the Seven Witches. Will we actually get witches this time?

ASH: We shall see!

SEAN: Seven Seas has a fourth volume of Magical Girl Apocalypse, for those who thought Madoka Magica wasn’t violent or cynical enough.

Lastly, Vertical is giving readers who missed earlier Chi’s Sweet Home volumes a chance to catch up with an omnibus of the first 3 volumes. As they’ve only released this once before, I’ll give them a pass here.

ANNA: Actually, I have not read Chi’s Sweet Home before, and I know it is both very good and popular, so I might finally check out this series!

MICHELLE: You should!

ASH: You really should! Plus, the omnibus has a larger trim size and some additional content, too.

MJ: Yes, yes!!

SEAN: I can’t tell a waltz from a tango, but can you tell what you’re buying this week?

Sengoku Basara: Samurai Legends, Vol. 2

July 22, 2015 by Ash Brown

Creator: Yak Haibara
U.S. publisher: Udon Entertainment
ISBN: 9781926778594
Released: February 2013
Original release: 2008-2009

Yak Haibara’s four-volume manga series Sengoku Basara 2 is an adaptation of the video game known by the same name. The manga was released in English by Udon Entertainment in two omnibus volumes under the title Sengoku Basara: Samurai Legends. The second omnibus, collecting the third and fourth volumes of Haibara’s Sengoku Basara 2 released in Japan in 2008 and 2009 respectively, was published in 2013. The Sengoku Basara franchise had its beginnings in 2005 as a series of video games but it has since spawned multiple manga and anime series among other things. Samurai Legends was actually my introduction to Sengoku Basara as a whole and it stands fairly well as its own work. Prior exposure to Sengoku Basara isn’t really necessary to enjoy or understand Samurai Legends, although it might not hurt to have some basic knowledge of Japan’s Warring States period upon which it is very loosely based.

In the aftermath of the devastating defeat of the armies of both Kai Takeda and Kenshin Uesugi at Kawanaka Island, very little stands between the forces of Hideyoshi Toyotomi and Masamune Date to prevent them from clashing head on. While there are now fewer contenders vying for control over Japan, the battle for supremacy is still fierce. Toyotomi relies on his own power and strength as well as the skills of his master strategist Hanbei Takenaka, destroying anyone and anything in his path and using fear to rule. Date, too, has an excellent strategist in the talented Kojuro Katekura, but his rise to power has been significantly less destructive, at least when compared to that of Toyotomi. Knowing that they must contend with each other, the two warlords have set their sights on Odawara Castle, a fortress that if conquered will grant the victor an immense advantage in claiming Japan as his own.

While Samurai Legends is inspired by actual historical figures and events from Japan’s sixteenth-century, the manga, like the rest of Sengoku Basara, makes no attempt at realism or authenticity. Quite the opposite in fact—the series is deliberately over-the-top and anachronistic. The dialogue and trash talk is very contemporary in its style, giving the characters tremendous attitudes with a modern bent. (“Dude, seriously? You wanna dance with me!?”) Additionally, Date’s army is basically portrayed as a bōsōzoku gang, complete with pompadours, although his forces do ride horses instead of motorcycles. And when it comes to actually battling things out, a frequent occurrence in Samurai Legends, the amount of damaged caused and incurred by the overpowered fighters is impressive to say the least, though hardly believable. But that’s part of what makes Sengoku Basara so great. It’s ridiculous and outrageous.

The first omnibus of Samurai Legend moved fairly quickly from one battle to the next. The second omnibus also as plenty of action, but the pacing doesn’t seem quite as frantic. Haibara takes more time to delve into the personal motivations of the primary players in the series’ conflict, revealing what drives them to conquer and unify Japan. While in the end the characters still aren’t particularly subtle or nuanced, this does provide them with more depth. I appreciate it when there is more complex meaning behind a fight than a simple lust for power; the second omnibus clarifies the underlying purpose of the war, making the battles even more thrilling. Samurai Legends is a bombastic series, and a least one major continuity error does slip in amid all of the excitement. However, I’m actually willing to forgive this simply because the manga is so incredibly entertaining otherwise. In the immortal words of Keij Maeda, “As long as you’re having fun, it’s all good.”

My Week in Manga: July 13-July 19, 2015

July 20, 2015 by Ash Brown

My News and Reviews

Two in-depth reviews were posted at Experiments in Manga last week. The first took a look at Mushishi, Volume 4 by Yuki Urushibara. The review is part of my monthly horror manga review project; next month I’ll be bouncing back to Setona Mizushiro’s After School Nightmare. Mushishi continues to be one of my favorite manga series. The second review was of A Sky Longing for Memories: The Art of Makoto Shinkai, the most recent artbook to be released by Vertical. It’s a gorgeous volume to simply look at, but I also learned a little about art design and digital illustration while reading it, too. Also of note, over at Organization Anti-Social Geniuses, I and six other manga and anime enthusiasts weighed in on the question “What Was the Biggest Announcement at Anime Expo/SDCC?”

There were a few other manga-related posts at OASG last week, too, including some great tips on getting manga for cheap, advice from manga letterers, and an interview with Kodansha’s Ben Applegate from San Diego Comic-Con. A couple of other convention-related articles that I came across: Brigid Alverson talked to Tokyopop’s Stu Levy and Deb Aoki summarizes some of the recent manga news. Also, the audio recordings of some of the SDCC panels, including the Best and Worst Manga panel, have been posted.

In licensing news, Seven Seas announced The Other Side of Secret manga series by Hideaki Yoshikawa. Seven Seas will also be releasing a newly-illustrated omnibus of L. Frank Baum’s The Wonderful Wizard of Oz & The Marvelous Land of Oz. (This will be similar to Seven Seas’ edition of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass which was quite charming.) Finally, a couple of interesting reads I happened upon: Léopold Dahan wrote about studying the magazine Garo and Kevin Frane discussed gender in Quantum Devil Saga: Avatar Tuner. (Frane is the translator of the series in English, and I really enjoyed the first volume, but I’m looking forward to the following volumes even more now.)

Quick Takes

After I Win by Kaname Itsuki. Out of all the boys’ love manga that I’ve so far read, I think After I Win is the one that is the quickest to reach the all-important love confession. Only three pages into the manga and the leads—the beautiful Hiyori and his underclassman and roommate Kasumi—have admitted their feelings for each other. Granted, it takes most of the rest of the volume for them each to realize that the other young man actually meant what he said. After I Win is probably also the boys’ love manga with the most masturbation scenes that I’ve come across. (In the afterword, Itsuki mentions that it was her intention to feature at least one such scene in every chapter.) Hiyori and Kasumi spend so much time getting it on on their own rather than getting it on together for two main reasons: the aforementioned confusion regarding how seriously they should take each other’s confession, and the fact that Hiyori gets so nervous with anticipation and excitement that he tends to get nauseous. But even considering this, and despite his angelic appearance, Hiyori is very dirty-minded and looks forward to the opportunity to cement his relationship with Kasumi physically. After I Win, perhaps surprisingly, is actually pretty cute.

Alice in the Country of Hearts: My Fanatic Rabbit, Volumes 1-2 by Psyche Delico. After reading and enjoying the first Alice in the Country of Hearts manga series, I asked fellow enthusiasts to recommend which among the multitude of Alice manga I should follow-up with. My Fanatic Rabbit wasn’t mentioned a single time. So why did I tackle it next? Mostly because Psyche Delico was involved. (I loved her other manga released in English, Love Full of Scars.) My Fanatic Rabbit is more or less a retelling of Alice in the Country of Hearts, except that Alice has decided to stay with the Hatter mafia rather than Julius, ultimately falling in love with the March Hare. There are some cute romantic parts scattered throughout the series, especially towards the end, as well as some genuinely funny moments, but overall the manga really isn’t especially strong. It doesn’t stand well on its own and those who have read the first series won’t find much new, either. Maybe in part because it’s a shorter series, neither the characters nor the world have much of chance to develop and simply must be taken as is. My Fanatic Rabbit will likely appeal most to those who want to see Elliot and Alice together.

Aquarion Evol, Volumes 1-3 written by Shoji Kawamori, illustrated by Aogiri. Despite taking place twelve thousand years after Genesis of Aquarion, its sequel Aquarion Evol doesn’t make much sense at all to those who aren’t already familiar with the franchise. At least that’s the case for the ongoing manga series; perhaps the anime does a better job of initiating newcomers. Having seen neither of the anime series, I can only say that the story of the Aquarion Evol is a mess and nearly impenetrable at first. By the third volume things begin to be explained a little more coherently, but the manga seems to be taking a lot of shortcuts with the plot and character development. Probably because of my confusion, I generally wasn’t overly impressed with the Aquarion Evol, but there were still some things that I liked about it. The various supernatural powers are interesting (there’s even a music-based one!) as are the somewhat bizarre gender dynamics and curious sexual overtones. The artwork is attractive, too, with exciting action sequences and nice character designs. The mecha are difficult to tell apart at first glance, though. I wonder if I might actually enjoy the Aquarion Evol anime, but I find the manga to be frustrating.

Fantasy Sports, Volume 1 by Sam Bosma. Before stumbling upon Fantasy Sports, I hadn’t previously read any of Bosma’s work. I definitely want to read more now because Fantasy Sports was fantastic. It apparently started out as a self-published, black-and-white comic called Fantasy Basketball, but it was later expanded and colored for release by Nobrow and made the first installment in an ongoing series. I absolutely loved the comic and can’t wait to read future volumes of Fantasy Sports. The story follows Wiz, a young magic user and intern at The United and Ancient Order of Mages. Her mentor in the guild is Mug, a hulk of a man who usually solves his problems through brute strength and who doesn’t know a thing about magic. They don’t really get along very well, making their job raiding and searching for treasure even more difficult. During their most recent expedition, they encounter an ancient mummy who they must defeat in a game of basketball if they hope to escape with the fortune and their lives intact. It’s a slim volume, but with great art, great colors, and great characters, not to mention just enough silliness and adventure, the first volume of Fantasy Sports is a tremendous amount of fun.

A Sky Longing for Memories: The Art of Makoto Shinkai

July 17, 2015 by Ash Brown

Creator: Makoto Shinkai
Translator: Maya Rosewood
U.S. publisher: Vertical
ISBN: 9781941220436
Released: June 2015
Original release: 2008

I was introduced to the work of Makoto Shinkai through his animated film 5 Centimeters per Second, which left a huge impression on me. The beautifully melancholic story about lost and unrequited love was simple enough, but the visuals were stunningly gorgeous. A Sky Longing for Memories: The Art of Makoto Shinkai is an artbook that was originally released in Japan in 2008, the year after 5 Centimeters per Second debuted. I was very pleased when Vertical Comics announced its intention to publish an English-language edition. That volume was ultimately released in 2015 with a translation by Maya Rosewood. Vertical hasn’t released very many artbooks, but A Sky Longing for Memories is a good fit for the publisher. Not only has Vertical published other nonfiction works about Japanese film, it has also released two Shinkai manga: 5 Centimeters per Second and The Garden of Words.

A Sky Longing for Memories primarily consists of stills and background artwork from four of Shinkai’s projects initially released between 2002 and 2007. Prominently featured are three of his animated films—5 Centimeters Per Second, The Place Promised in Our Early Days, and Voices of a Distant Star—as is the television commercial he created for Shinano Mainichi Shimbun, “Say Something Important.” More than half of A Sky Longing for Memories is devoted to 5 Centimeters Per Second, the volume opening with some of Shinkai’s most visually refined and impressive work. The three sections that follow are dedicated to each of the earlier films and “Say Something Important.” Also included in the volume is a glossary—useful for readers who are unfamiliar with some of the technical terms used in the animation industry—as well as “Makoto Shikai’s Colors,” a section exploring the methods and techniques used by Shinkai, and “Testimonials of Makoto Shinkai’s World,” a collection of brief interviews with Shinkai and ten other members of Shinkai Works.

Although A Sky Longing for Memories can simply be appreciated and enjoyed as a collection of stunning artwork, the volume also provides insight into the creative processes and artistic direction required to achieve such impressive images. Many of the individual pieces are accompanied by brief descriptions of the decisions that were made in their overall design in addition to the specific considerations and techniques used in their creation. It’s unclear who actually wrote much of the text in A Sky Longing for Memories, but from the context it would seem to either be one (or several) of Shikai’s staff members or someone else who was close to the work being done. Either way, I was glad for the inclusion of the various descriptions and explanations; I don’t have a strong background in visual art or design and so found A Sky Longing for Memories to be illuminating and intellectually stimulating as well as beautiful to look at.

One of the key components of Shinkai’s style is his use of color. With this in mind, Vertical has taken great care to faithfully reproduce Shinkai’s artwork in A Sky Longing for Memories; the volume uses thick, glossy paper on which the colors in particular are beautifully presented. Simply put, it’s a gorgeous book of gorgeous illustrations. A Sky Longing for Memories reveals Shinkai not only as a talented artist but also as a skilled director. While he solely handled almost every aspect of Voices of a Distant Star except for the film’s music, by the time 5 Centimeters per Second was produced Shinkai was guiding and coordinating the work of an entire staff. Interestingly, most of the team members were traditionally trained artists from outside of the animation industry who had to learn digital techniques and illustration methods on the job. As can be seen from A Sky Longing for Memories, the result of their combined efforts is spectacular.

Manga the Week of 7/22

July 16, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: Oooooh man, here we go again. Let’s just buckle down.

We’re aaaaaalmost done with Dark Horse’s release of Gantz, but not quite. Vol. 36.

ASH: So close!

SEAN: Kodansha has a 9th My Little Monster, which hopefully will continue the development the 8th volume had.

MICHELLE: Yay!!!

SEAN: Seven Seas gives us a 5th volume of SF action series Arpeggio of Blue Steel, my favorite of the ‘young girls and military’ licenses.

Viz has another volume of its Monster Perfect Edition, the 5th. Expect happiness and rainbows.

ASH: This is the volume with the epic library scene, isn’t it? And who doesn’t love libraries?

ANNA: Honestly this is the one title this week that I’m happy about, because I do want to tackle reading Monster at some point. Sometime after I read all my stockpiled volumes of 20th Century Boys.

SEAN: And a 5th Resident Evil, with puppies and kittens.

Lastly, Terra Formars 7, with love and peace for all. Please do not try to read all three Viz releases at once this week. You will die.

ASH: That is a distinct possibility.

SEAN: And now Yen. Light novels first. The 4th Accel World should resolve the cliffhanger from the last one. Will Chiyuri be a traitor? I highly doubt it.

The debut this week is the highly anticipated Durarara!!. Yen has had the manga for some time now, but the novels are also excellent.

MICHELLE: Hm! I liked the manga more than I thought I would, but drifted away when the Saika Arc started.

ASH: I really should give at least one of the versions of Durarara!! a try at some point.

SEAN: Log Horizon’s 2nd volume will hopefully give us the hinted plot from Vol. 1 about the twins, if the cover doesn’t lie.

And there’s a 2nd No Game No Life, which I hope will have less naked 11-year-olds and more awesome mind games.

On the manga side, we have the 4th Accel World manga, still not the novel.

A third Akame Ga KILL! will live up to its name, if the previous two are any indicator.

Black Butler hits a new milestone with Vol. 20. It’s sad when a series catches up with Japan, isn’t it?

MICHELLE: I continue to read this, even though I am not madly in love with it.

ANNA: I stopped after the first couple volumes.

SEAN: A Certain Magical Index’s manga will continue to adapt Novel 1 with Vol. 2. Really, we need graphs and charts.

The Devil Is A Part-Timer! joins the growing list of manga adaptations of light novels also coming out, with Vol. 2 of the main manga. Wait till next month, it gets more confusing.

ASH: Heh. That it will.

SEAN: And now we get DRRR’s manga, which has a 3rd volume of the Yellow Scarves arc. At least that novel won’t be out till 2016.

Final Fantasy Type-0 Side Story, Vol. 1: The Ice Reaper is one of those manga whose title pretty much sums it up. I think the Main Story manga came out with the English release of the game.

First Love Monster is another one of those Aria shoujo titles, which means we’ve no idea what we’re going to get. The artist has done some Book Girl manga adaptations.

MICHELLE: It looks sort of kooky, but that might be fun!

ANNA: I will wait to see if Michelle likes it before reading it!

SEAN: Inu x Boku SS has an 8th volume – will it reset again? Or just give us more yokai action?

More manga adaptations of light novels, as we get a 2nd Kagerou Daze, which finishes adapting the first LN and starts the 2nd.

Karneval oddly ended up on the worst manga of the year list at SDCC, though I found the first omnibus more… diffuse than anything else. Vol. 2 will have more focus, maybe?

ASH: More focus would be good.

ANNA: I was curious about the first volume, but now I’m sort of glad I skipped it.

SEAN: Another Puella Magi Madoka Magica spinoff begins, with Homura’s Revenge. Can’t be a depressing manga with a title like that!

Prison School is a much anticipated omnibus that many said was too ecchi to actually get a North American release. But no, here it is. I wonder what it’s about?

ASH: B-but it’s by the creator of Me and the Devil Blues! (I’ll admit, I’m curious about this one.)

So I Can’t Play H! has a 2nd volume, and gloriously no light novel license yet, meaning I only have to worry about this for the moment.

Lastly, we get the final – I checked this time – volume of Soul Eater NOT!, bringing the Soul Eater franchise as a whole to a close.

Is there something in this giant list that catches your eye?