Discussion, Resources, Roundtables, & Reviews
I’m giving away 5 first volumes of various manga series!
You can win:
Voice Over! Seiyu Academy #1
Tiger & Bunny #1
The Beautiful Skies of Houou High #1
The Empty Empire #1
Alice in the Country of Clover #1
Just leave a comment here mentioning any manga you would most like to get (or give) as a holiday present for entry.
Edited to add:
All 5 volumes will go to one winner, selected at random.
Giveaway will be open for 1 week, will announce the winners on Monday in 8 days.
SEAN: I love the end of the month. It’s so quiet and peaceful.
DMP has the 8th volume of the Ai no Kusabi novel series, which I think is the final volume of this epic sci-fi master/slave BL tale. It’s 1980s-tastic!
MICHELLE: I remember watching the OVA of this (possibly at a convention) and being THOROUGHLY confused.
ASH: It’s nice to see this series finally completed in English, especially after a nearly four-year hiatus.
MJ: If only this was a manga instead of a novel. “1980s-tastic” has a much stronger hold on me when there’s lots of artwork involved.
ANNA: I love 1980s-tastic manga art!
SEAN: Kodansha gives us Attack on Titan 9. I went on about this volume at length in my review. At great length. Seriously, I just wouldn’t shut up. Also, I can now say Ymir! Hooray!
ASH: I’ll admit it: I’ve become hooked on Attack on Titan. I’m glad the series is doing so well for Kodansha, too.
SEAN: There’s also the 2nd and final volume of Sailor Moon Short Stories, which I also reviewed. I recommend getting it for Rei Hino. Also, that wraps it up for the manga, barring any artbook releases in the future.
Seven Seas has another 2-volume omnibus of Witch Buster, which I am so unfamiliar with I can’t even muster up some witty wordplay banter.
ASH: The only thing I really know about Witch Buster is that it’s original title was Witch Hunter.
SEAN: Vertical has Pink, by Kyoko Okazaki. I’ve been waiting for this since it was first announced. It’s from an earlier period in her career than Helter Skelter, and has a crocodile. Hence, everyone should read it.
MICHELLE: I’m really looking forward to this one!
ASH: As am I! I’ve really been enjoying Vertical’s josei titles this year.
MJ: I suspect this will make a strong showing in our upcoming Pick of the Week column. It’s certainly mine!
ANNA: I am glad for the reminder that this is coming out, because I’m going to order it! Helter Skelter was one of the more distinctive manga that I’ve read recently, so I am very much looking forward to Pink.
SEAN: Yen has the 2nd volume of Judge, which is shipping this week instead of last for some reason. See, it’s missing deadlines like that that would get you killed first in a survival game manga.
Speaking of missing deadlines, I forgot to mention that last week the 10th and 11th volumes of the Haruhi Suzumiya light novels shipped as one big omnibus. This catches us up with Japan, at last novel-wise, and is one of the best yet, provided you’re used to the Japanese light novel narration style, which involves a torrent of words and introspection.
What manga are you thankful for?
MJ: Once again, there’s quite a bit on this week’s shipping list, including a new volume of the much beloved Yotsuba&!, but one title stands out clearly from the crowd for me. That would be volume two of Taiyo Matsumoto’s Sunny, due out this week from Viz. From my review of the first volume: “The book’s structure and pacing seem so in tune with a child’s sense of time—that feeling of impatience on top of the endless landscape of imagination. These kids have more reasons than most to escape into their fantasy worlds, but they spend just as much time being shuffled along the familiar routines of childhood. Meals, school, sleep, play—their daily lives are similar to most young kids, but with an edge of anxiety most of us were privileged to do without. And it’s these points of anxiety that make Sunnyfeel moving and real, and not a nostalgia piece in the slightest.” Yes, I will be buying this. I really can’t wait.
MICHELLE: I’m with MJ on this. I reviewed volume two for this week’s Bookshelf Briefs and it was every bit as masterful and moving as volume one. Perhaps more so. Really, I find words inadequate to describe its greatness, so just go read it already.
ANNA: I’ll have to join in on the love for Sunny, this is clearly the standout title for the week.
ASH: It’s Matsumoto’s Sunny for me this week, too. I had the pleasure of being at TCAF for the series’ English debut, and I’ve been looking forward to the second volume’s release ever since.
SEAN: I’m picking Yotsuba&!, because I dislike unanimity, and also it’s hella fun.
What looks good to you this week?
Vinland Saga, Vol 1 by Makoto Yukimura
This is a manga that I think of as having mirage-like qualities. I never thought it would actually be released in the US, just because I assumed a 13+ volume series about vikings would be a bit of a hard sell, despite the almost universal acclaim that Planetes Yukimura’s other English-translated series received. Furthermore the fact that the first volume of this series vanished from amazon (it is still available in kindle format) made it seem all the more hard to get. Fortunately I was able to brave the wilderness of an actual brick and mortar bookstore (isn’t it good these are still around) and track down this volume.
Releasing series that might be slightly less commercial in an omnibus deluxe format seems like a smart move. This hardcover volume features color pages, author notes, and a bonus story, so the higher price point still feels like a bargain. Vinland Saga certainly lives up to its title, as the first two volumes set up a sweeping tale of adventure, simmering revenge, daring battles, amusing cynicism, and manly men being almost too awesomely manly. The story opens mid-battle, as the Viking commander Askeladd observes a battle between Frankish tribes and is determined to enter the battle as a third party and make off with all the spoils of war. Askeladd sends out a pathologically surly young boy to be his messenger, but Thorfinn demands a reward before agreeing to undertake his task. Askeladd knows what Thorfinn wants and promises him his reward if he brings back the head of the commander of the opposing forces.
Bringing back someone’s head might seem like a bit too much of a burden for a young man, but Thorfinn capably negotiates with the frog-like Frankish leader, climbs the walls of the besieged castle, beheads his target, loses the head, retrieves it, then heads back to his companions to demand his reward – a duel with Askeladd. Thorfinn has been raised by Vikings who killed his father, and as he’s grown older and more capable his desire for revenge has increased as well. The battle scenes in Vinland Saga are dynamic and detailed, and it is hard not to root for Askeladd due to his innovative battle tactics and glee in his victories. If this manga only focused on battles, I could see it becoming less interesting, but Yukimura spends just as much time showing the reader the family life of the men who go out to plunder and raid.
An extended flashback throws Thorfinn’s current life in sharp contrast, as the reader sees the peaceful village where he was raised, and the father who he wishes to avenge. While Thorfinn’s family was removed from violence in the past, his father’s legendary martial prowess results in old enemies seeking him out, and Thorfinn’s innocent desire for adventure ends up leading him to experience loss at a very young age. Yukimura’s realistic and detailed style grounds the story effectively, with all of the background elements such as dwellings, ships, and clothing having the well-researched feeling that just allows a reader to slip into enjoying the story easily. While there’s plenty of adventure and action in Vinland Saga what stands out to me more are the human elements that Yukimura focuses on so well. Seeing the world weary desire for peace shown by Thorfinn’s father does more to ground the character than showing all of his past battles. Leif Erikson shows up as a storyteller who enjoys talking about himself far too much. Thorfinn’s sister is hilariously indifferent to the attentions of the village boys, and Thorfinn’s gentle mother is shown with murder in her eyes when she sees her husband not paying enough attention to her newborn daughter. I’m very much looking forward to the next volume of this series.
SEAN: Another one of those weeks that brings something for everyone.
It has been a year and two months since the last volume of Berserk from Dark Horse. (This is the fault of the Japanese author, let’s note, whose reputation for breaks is limitless.) Now, at last, we have the next volume.
ASH: YES! Berserk is one of my favorites. Well, early Berserk is one of my favorites. But I’m always happy to see a new volume of the series released.
MJ: I have never read Berserk, but I’ll admit that Dark Horse’s announcement about the new volume made it all sound very exciting.
SEAN: Oh My Goddess 45 contains one of the most amazing, ballsiest retcons I have seen in ages. It set fandom alight, and I look forward to reading it in this new volume, also from Dark Horse.
Fairy Tail’s speedup is nearing the end, but not quite there yet, so here’s Vol. 32, which is still at the start of the Grand Magic Games arc.
Sherlock Bones also has its 2nd volume, which will feature more from the sort-of love interest of the boy (the dog does not, as far as I know, have a love interest).
ASH: Well, there is Takeru’s sister who reminds Sherdog an awful lot of Irene Adler…
SEAN: Picturebox is having a busy month. This week we get the second in their Ten Cent Manga series, featuring a well-known name – Osamu Tezuka, with The Mysterious Underground Men, one of his very first works.
ASH: I’ll admit, I’m a little burned out on Tezuka, but the Ten Cent Manga series is pretty great.
MJ: I’m with Ash here, but I’ll still probably read it.
SEAN: The longest Alice in the Etc. series to date comes to an end with the 7th and final volume of Cheshire Cat Waltz. Will Alice and Boris live happily ever after? Is happily ever after really a desirable result here? We shall see.
ANNA: I have to say, I don’t care very much about this series, but I just started Alice in the Country of Joker. That’s one thing to be said for all the many Alice in series, something for everyone.
Sickness Unto Death wraps up with its second volume. I reviewed it here.
Hey, remember Dogs? It’s at the ever popular yearly release schedule (not due to sales – Japan has a yearly schedule as well), and is sure to be stylish.
Sunny was a nicely introspective manga when the first volume landed in the spring, so I am quite looking forward to Vol. 2.
ASH: As am I! It’s a beautiful, deluxe release, too.
MICHELLE: Me, too! I’m reviewing it for the next Bookshelf Briefs, in fact!
ANNA: I very much enjoyed the first volume of this series and the deluxe format makes a nice holiday gift!
MJ: I really can’t wait to read this. Michelle & I adored Volume 1.
SEAN: I have run out of things to say about Yen’s BTOOOOM!, so I will note that since this is Volume 4 I added an extra O to the title.
MICHELLE: *snerk* I gave up after the craptacular second volume.
SEAN: A quick detour to the manwha side, as Vol. 8 of Jack Frost is out. I lost track of this back at the start. Is the girl still getting decapitated constantly?
MJ: Probably.
SEAN: Soul Eater 17 contains one of the most popular sequences in the entire series. I won’t say anything more, other than: Rule 63.
Lastly, speaking of yearly releases, it’s Yotsuba&! time. Featuring Halloween, camping, and Asagi’s friend (and that’s all she is, despite yuri fans everywhere wishing it were otherwise) Torako. Ever volume of this series puts a smile on my face.
ASH: I can’t believe how far behind I am with Yotsuba&!. I should address this issue immediately.
MICHELLE: Yay, Yotsuba&!.
ANNA: I am terribly behind as well.
MJ: New Yotsuba&! is always a welcome sight!
SEAN: What appeals to you most?
Helter Skelter: Fashion Unfriendly by Kyoko Okazaki
It has been a very good year for fans of josei. Viz appears to be committed to disguising a few josei titles like Happy Marriage and Midnight Secretary as mature shoujo. I’m enjoying those very much, but I’m also very happy that Vertical is releasing josei as well, with the kind of more raw and uncompromising titles that you’d expect from them.
Helter Skelter: Fashion Unfriendly is a slap in the face for fans of titles like Paradise Kiss or Walkin Butterfly. While neither of those titles presented a totally romantic view of the fashion industry, Helter Skelter’s story of a dysfunctional model is packed with both rage and almost unrelenting ugliness. Liiko is a supermodel at the top of her game due to massive plastic surgery. She’s incredibly self-obsessed and driven to achieve even more by her surrogate mother/manager. Liiko’s beauty and charisma serves as a snare that draws the people around her into her incredibly warped world, resulting in some incredibly warped plot twists that all make sense. Hada, Liiko’s young manager finds her own personality changing as she becomes more and more subservient to her mercurial boss.
Liiko’s surgeries are starting to break down, and there’s an unsettling theme of body horror that is prevalent throughout the title, as Liiko’s facade literally begins to crack, and she becomes more and more desperate to preserve her beauty. She’s a charismatic monster, but as the story progresses and her condition worsens it is almost possible for the reader to start viewing a broken down supermodel as the embodiment of raging id, albeit an id with a really good shoe collection. Okazaki’s art is deliberately rough and skewed, showing the fashion world as anything but glamorous. Liiko has a few panels of looking polished and perfect when she’s modeling, but mostly all the characters are portrayed in a sketchbook type style, with exaggerated features and the occasional rictus-like expression that serves to underscore just how false fashion industry concerns are.
Utsubora: The Story of a Novelist by Asumiko Nakamura
This manga is an interesting mix of genres. There are elements of noir, thriller, psychodrama, and a meditation on the meaning of identity in this story about a novelist who gets caught up in plagiarism and a young woman who turns herself into a character from one of his stories. The manga opens with the body of a young girl falling from the top of a building. Shun Mizorogi, a famous author who affects traditional Japanese clothing is called to the hospital to identify the body of the girl Aki. Sitting in the hallway of the hospital is a girl who is apparently Aki’s twin. Nakamura weaves together an intriguing mystery with Mizorogi and the supporting cast, which includes his painfully naive niece, the detectives investigating Aki’s death, and Tsuji the editor who is suspicious about Mizorogi’s sudden late in life outpouring of productivity. Mizorogi tries to unravel the mystery behind the sudden appearance of Sakura Miki, and all of the mysteries surrounding the death of Aki are about to converge in a very interesting way.
Nakamura’s style is both delicate and detailed, with some panels reminding me a little bit of art nouveau. This sophisticated illustration style makes the psychosexual developments in the book even more unsettling. Utsubora has some amazingly unsympathetic characters, but it reminded me very much of classic noir works where the dark side of human nature is fully explored.
Both Helter Skelter and Utsubora are omnibus editions, and as always the production from Vertical is a treat. Both manga have the type of memorable stories and characters that will linger in the minds of readers long after they’ve finished reading. For challenging josei manga with plenty of psychological twists, you can’t go wrong with picking up both of these titles.
ASH: Though there aren’t quite as many titles coming out this week as there were in the past couple of weeks, there are still plenty of manga to choose from. Personally, I’m torn between two releases: the first omnibus in Shigeru Mizuki’s Showa: A History of Japan from Drawn & Quarterly and the first volume in PictureBox’s new series Masters of Alternative Manga, Gold Pollen and Other Stories by Seiichi Hayashi. In the end, I think I’m leaning slightly more towards the beautiful hardcover edition of Gold Pollen. Alternative and underground manga aren’t often released in English; I’m happy to show PictureBox my support because I’d love to see more of it.
SEAN: I was going to pick Showa anyway, so no worries about it not appearing here. I’ve loved the Mizuki manga we’ve gotten so far from D&Q, and seeing a history of one of the most volatile periods of modern Japan, interspersed with more awesome yokai folklore, is simply too good to pass up. A must buy.
MICHELLE: I’m awfully glad we’ve got things like Gold Pollen and Showa coming out, but I can’t lie—my heart belongs to Blue Morning, volume three. Definitely my pick for best BL of the year.
ANNA: I’m glad we have those things coming out too, but to be honest, I’m probably going to read the latest volume of 07-Ghost before I read other things that are being released this week. So that is my pick!
MJ: It’s so tempting to fall back on an enduring standby this week, with the sixth 3-in-1 edition of Fullmetal Alchemist making its way to the shelves. There are few shounen manga that have occupied such a prominent place in my heart, and my admiration for its brilliant creator, Hiromu Arakawa, is steadfast and true. But comfort of old favorites is, this week, overshadowed by my excitement over PictureBox’s new collection of Seiichi Hayashi manga, Gold Pollen and Other Stories, so I must echo Ash’s pick. Not only does this release offer me a prolonged glimpse at an era of manga from which I’ve read very little, but it’s also a gorgeous, high-end release—large trim, hardcover, full-color. I can’t wait to take a close look at it. I’m thrilled, too, that this is just the first in PictureBox’s alternative manga series.
What looks good to you this week?
This week, Sean, Anna, & Michelle look at recent releases from Viz Media and Vertical, Inc.
Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – There is quite a good space battle towards the end of this, but as usual I’m focused on other things. The reason that I keep coming back to Sidonia is the balance it maintains between different aspects. I will never get over how this is still a wacky harem manga, complete with Nagate being a clueless dope and Izana running off in best cliched “I hate you!” form. But I will also never get over the scene with Tahiro’s possession – and, I have to assume, death – which is some of the sickest body horror I’ve ever seen, and is done slowly and silently so that you revel in its horribleness. These are both in the same manga! And yes, there is also a great Star Wars-style battle with SPEED GAUNA and Nagate showing off his awesome skills as well. It’s become a must-read title. – Sean Gaffney
Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – I honestly never thought I’d love a mecha-centric manga like I do Knights of Sidonia, but then again, this is not your average mecha manga. Humanity’s desperate fight for survival never lets up—which isn’t to say the series is devoid of light moments, only that they are few and far between—and just when it seems they’ve possibly got a leg up on the enemy, the enemy grows more clever while an unknown threat begins to grow within Sidonia itself. The characters have become even more endearing, too, especially Izana Shinatose, Tanikaze’s “middle-gendered friend,” and this is the kind of series where people can easily end up dead—dead en masse, in fact—so watching them fly into battle can be a somewhat stressful reading experience, but oh so addictive and rewarding. I’m counting the days until volume six! – Michelle Smith
Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – The class trip that I thought would take the entire volume only took half of it, but things are all the better for it. First, we get just enough time devoted to Mafuyu trying once again to hide her past, Yui realizing that his deep cover role is a lot deeper than I suspect he’s truly comfortable with, and Saeki once again being ridiculous. To my surprise, though, I also loved the second half. I didn’t think much of Shibuya when he was introduced, as he was putting up a very false front. Now, with everyone else off on the trip, we can delve closer into that, and see what happens when he runs up against someone he can’t read like a book. As for our latest mini-villain, Komari… well, she’s finding the exact same thing happening to her. Clearly these two are made for each other. Depth is always welcome in my favorite shoujo comedy. – Sean Gaffney
Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – I’m a bit in awe of the capacity of this series to seem absolutely silly and hilarious even as the cast grows and almost nothing happens in terms of forward-moving plot. The class trip is funny, and I especially enjoyed Saeki’s unholy obsession with ping pong. While sometimes the large cast gets a bit tricky to keep track of, the story shift in the latter half of the volume to Shibuya fending off Komari’s aggressive cuteness is both amusing and intriguing from a character development standpoint. It is always nice to have a manga to turn to that always makes me smile, and Oresama Teacher delivers every time. – Anna N
Slam Dunk, Vol 31 | By Takehiko Inoue | Viz Media – The final volume! It feels a bit like the end of an era. I didn’t think this basketball game could get any more intense, but the tension and strain were palpable as the underdog heroes of Shohoku High face the final minutes of their battle against Sannoh. There’s a bit of bittersweet resolution as Sakuragi and Rukawa acknowledge each other as teammates in the closing moments of the game. I feel like this series has just been a wonderful gift, seeing Inoue’s style and storytelling skills evolve and grow over the 31 volumes of this series serves as a master class in manga appreciation. I would happily have read 31 more volumes of this series, yet it is utterly appropriate that Sakuragi gets the last word, delivered with his characteristic confidence to conclude the volume. – Anna N
Strobe Edge, Vol. 7 | By Io Sakisaka | Viz Media – I would like to note that it is starting to beggar belief that every single ex of every single character is converging on the same school now. But, having gotten that out of the way, this was a solid volume of Strobe Edge. The focus on Sayuri was appreciated, and showed how experiences (and indeed lack of communication) from past relationships can affect future ones. I’d argue that even more than most shoujo manga, this series reads like a primer for first love, with the characters talking about their feelings out loud far more than we normally see. Sadly, Ninako and Ren are rather static right now, as they enjoy their close friendship and think “This is enough, right?” Well, no, it’s really not, and I think Ren is going to be the first to break. We shall see… – Sean Gaffney
Vampire Knight, Vol. 17 | By Matsuri Hino | Viz Media – For the past several volumes of Vampire Knight, I’ve noted that I’ve enjoyed its mood and flavor, but really haven’t been able to follow the plot from one volume to the next. That’s getting worse and worse, and this volume can only coast on style for so long before I start to skim. We’re clearly in endgame, but most of what’s happening involves Kaname trying to kill Sara and Yuki trying to stop him, and everything else here is pretty much added window dressing to those two things. There’s some attempt at development for Ichijo, and some romantic sacrifice by Souen, but honestly it’s been 17 volumes, I should not still be turning to the back to remember who everyone is. Still, the art is gorgeous, and everyone suffers beautifully. It’s the manga equivalent of Rococo art. – Sean Gaffney
SEAN: This week isn’t quite as bad as the previous two, but there’s still a chunky bit of stuff coming onto the shops.
Dark Horse has the 3rd of their Lone Wolf & Cub omnibuses. That’s a chunky item hitting the shops all by itself, and very good value for money it is too.
ASH: I’m happy to see Lone Wolf & Cub being re-released. The larger format means I have a better chance of actually being able to read the text, too.
MJ: I’ve been so happy to have a fresh opportunity to fall in love with this series. And fall in love, I have!
ANNA: Nice! I need to check this out again, I think I only read the first five or so volumes of the original series but I did enjoy it.
SEAN: We have a trio of releases from DMP. Lies Are A Gentleman’s Manners certainly wins the title of the week award, but I know nothing else about it. The description seems to involve LSD and blackmail.
ASH: I don’t know much about this one, either. But, megane alert!
MJ: Thanks to David Welsh, I’m thrilled to see anything from Opera, so count me in!
Moon and Blood 4 is still doing its mini-manga thing.
And Triton of the Sea finishes up with its 2nd omnibus. Are we getting near the end of print Tezuka releases, headed for a digital-only future?
ASH: I think we’re getting close. There are only two forthcoming Tezuka print releases that I’m currently aware of: The Mysterious Undergound Men and The Crater.
SEAN: Drawn & Quarterly has been putting out a lot of Shigueru Mizuki lately, and this is one of his big magnum opus projects. Showa 1926-1939: A History of Japan seems to actually be half history book and half yokai (come on, can we really expect no yokai in a Mizuki book?), as we switch between his childhood and the events that shaped Japan. I can’t wait for this one. There’s a sequel, covering World War II, out in the spring.
MICHELLE: Oh, that *does* sound interesting.
ASH: I’m very much looking forward to this series. If the first two omnibuses do well, we should see two more.
MJ: Ditto!
ANNA: This looks cool.
SEAN: Kodansha has Cage of Eden 12, with more extinct animals, action sequences, and naked teenage girls bathing in rivers.
Another intriguing debut is Black Bard, which One Peace Books is putting out as a done-in-one omnibus. From Media Factory’s oddball shoujo magazine Comic Gene, and the plot sort of sounds like Shoulder-A-Coffin Kuro, only less depressing.
ASH: I’m definitely checking this one out. I just can’t pass up the music and magic combo.
MJ: Again, what Ash said!
ANNA: I am reserving judgement until the first reviews get posted, but it does sound interesting.
SEAN: One Peace also has the 4th of the reissue volumes of Crayon Shin-chan, which has been their main manga product to date, though with Black Bard they’re starting to expand. Shin-chan is pure kiddie fun, though be aware it’s a kid’s idea of fun, not a parent’s.
Picturebox has been known for having some old-school seinen, and this week is no different with the release of Gold Pollen and Other Stories. Actually, instead of seinen, it’s more pure alternative, and sounds quite interesting in an “indie comix” way.
ASH: I’ve already got my copy of this one! Picturebox has been doing some really interesting manga releases this year and the production quality has been top-notch. Gold Pollen is the first volume in its Masters of Alternative Manga series; I’m very curious to see what else will be picked up.
MJ: I’m pretty anxious to see this!
SEAN: SubLime has the 3rd volume of Blue Morning, which I understand has garnered some praise from other corners of the Manga Bookshelf. Anyone want to chime in?
MICHELLE: I described it as “more like a genuine period drama than BL romance with some token period frills.” The characters are well developed and complex, too, and I really couldn’t recommend it more highly.
MJ: I’m really enjoying this series, and Michelle’s recent review has made me anxious to dig into this volume!
SEAN: “I am hot.” “I am also hot.” “And naked.” “I too am naked.” “We fight crime.” “In an erotic way.” “We are… Spiritual Police.” “From SubLime Manga, November 6.” “Revel in our hot bods.” “And sultry gazes.”
MICHELLE: Bwa-ha-ha!
MJ: <3
SEAN: Vertical dips into the world of post-apocalyptic sci-fi with From the New World Vol. 1. I really didn’t like the first volume, but others may disagree with me.
ASH: I’ve been told the manga follows the novels more closely than the anime adaptation, but I’m really not sure what to think about this series yet.
SEAN: 07-Ghost Vol. 7 comes as close as it ever will to being symmetrical.
MICHELLE: Sigh. Somehow I am now really, really far behind on this.
MJ: I’m mesmerized by the near-symmetry.
ANNA: I need to get caught up! I enjoy this series.
SEAN: Fullmetal Alchemist 3-in-1 Vol. 6 introduces Olivier Armstrong, which is the best possible reason to buy it, as she is amazing.
MJ: Yes. Yes she is.
Speaking of omnibuses, Inu Yasha’s VizBIG Edition is up to Vol. 17, which I’m sure is also an exciting and thrilling part of the story, probably.
MICHELLE: I have actually never finished InuYasha. I have the last ten volumes hanging around, ready for me to read them, but I have been delaying it for years now. Kind of like how I never watched that one episode of TNG and thus it is not actually finished for me.
SEAN: Lastly, Rin-Ne ambles slowly along with lucky Vol. 13. Perhaps Sakura will show an emotion this time around… nah, never gonna happen. Still, it’s enjoyable spirit comedy.
MICHELLE: I have a warm spot in my heart for RIN-NE despite its lack of forward momentum of any kind.
SEAN: Any favorites?
Anna: I Hear Your Voice is a show with a somewhat bland title considering the way it turns viewers into emotional punching bags. I’ve spent the past several weeks working through this show with a mixture of delight and dread. I Hear Your Voice takes some fairly typical plot elements like poor girl vs rich girl conflict and actually makes them interesting all while exploring the good and evil sides of human nature. Throw in a cute psychic teenage boy and an awkward but secretly handsome prosecutor into the mix, and you end up with one of the most unique dramas I’ve watched recently. I Hear Your Voice is streaming on Dramafever.
Yoon Sang Hyun inexplicably cosplaying as someone not hot.
The not-so-good poor girl in this drama is Jang Hye Sung, a public defender who is sarcastic, apathetic, and is interested in her job only because of the potential for a steady income. Her nemisis is rich girl prosecutor and judge’s daughter Seo Do Yeon, who has a cold and calculated approach to the law. Hye Sung and Do Yeon are connected through a series of incidents in their childhood, with one of the notable incidents taking place when they witnessed the murder of a man with his young son in the car. The son is Park Soo Ha, a boy with psychic powers who grows into a teenager nursing his childhood crush on Hye Sung. As Hye Sung starts the next phase of her professional career, she encounters another new public defender, the almost belligerently idealistic Cha Kwan Woo. These four lives begin to intersect in very interesting ways as they are all affected by the murderer of Soo Ha’s father, Min Joon Gook.
Nancy: The first episode of this drama made me scream out loud! It’s more than just suspenseful–it’s terrorizing. You must be courageous to watch it, but it’s worth it. The characters all face devastating moral dilemmas. Hye Sung often wants to take the easy way out, and Soo Ha becomes her moral compass. But doing the right thing always comes at a high price in this drama. Hye Sung is pursued by Min Joon Gook, a callous murderer with a grudge to settle. The police are limited in what they can do to protect her, and as a lawyer she knows the justice system is imperfect: bad guys go free and the innocent are convicted. Hye Sung has to start believing in the law to fight Joon Gook the “right” way. At times in this drama I wondered how the courtroom players could have so many conflicts of interest going on in the cases because everything is interrelated. But it did make for good drama! Soo Ha’s ability is hearing other people’s thoughts, and he can hear Joon Gook’s true thoughts as the murderer works the system to gain a chance to extract revenge on Hye Sung. It’s positively Hitchcockian.
Anna: One thing that I Hear Your Voice was particularly good at was lulling viewers into a false sense of security. After Hye Sung started her job as a lawyer, I thought briefly that it was going to turn into a more typical romantic comedy show, and then truly terrible things happened! But even when Min Joon Gook is at his worst, the traumatic events never seemed arbitrary or present only for shock value. Everything plays out as the characters deal with the emotional fallout in different ways, and the relationships between them change as a result.
I have to say too, that I appreciated the fact that there were plot elements that set up the opposition between Hye Sung and Do Yeon in a way that gave it much more depth than the typical antagonistic relationship usually explored in dramas.
Soo Ha had some hilarious moments as he began to realize that the woman who was the focus of all his idealistic hopes and dreams lives like a slob and sometimes indulges in snacks while crouching before her refrigerator in the middle of the night. The looks of confusion and disillusionment on his face were priceless. I also liked Hye Sung’s horribly unfashionable ways of shielding her face to avoid giving away her thoughts to Soo Ha.
She is a delicate flower! Who enjoys sausages.
Emily: I admit, I have not finished this drama yet. The reason is because I’m kind of scared to! This show has me that worried for all the main characters! The creators are not afraid to take the plot to very dark places and leave you hanging on terrible cliffhangers. No one is safe! I had to pause while watching as it aired because those cliffhangers were killing me. I couldn’t handle waiting a week to see what happens. For me, this is a marathon show :)
Hye Sung is a great female lead. I like how although she is the ‘poor girl’ (vs the rich girl classmate) she is not a Candy type (the pure and innocent plucky heroine). She feels very… real. She makes good decisions and bad ones and can be both caring and generous as well as selfish and petty. (Soo Ha’s youthful idealism meeting the feminine reality of Hye Sung’s slobbyness was great). Her back story is unusual for a kdrama, and the link she has with Soo Ha must be one of the more unusual relationships I’ve seen in dramaland.
Someone left a perfectly good psychic young man out in the rain!
This is an interesting show in that even though it can be frightening and suspenseful, there is also a good deal of humor and some romance. That has to be a difficult combination to balance. I look forward to watching the rest, though I admit I may need to cling to a plushie to make it through the scary parts :D
Anna: Oh! I’m going to avoid spoilers except to say that I think you really don’t have to be scared of the ending. It is actually a nice counterpoint to all the dark places the show went, but it is still believable.
I also really enjoyed the fact that in the earlier episodes I was genuinely unsure of who the heroine would end up with, and the overall treatment of the second lead guy was much nicer than you usually see in kdramas. Sometimes the male second lead just fades away, but I didn’t think that was the case with this show.
Seo Do Yeon and Cha Kwan Woo bonding in an elevator.
Nancy: I really enjoyed the Hye Sung role. Her character grows to such a satisfying degree. She regains the sense of justice she had as a child, but she’s still crafty as an adult. Although I am a romantic at heart, I thought the drama was stronger before Hye Sung and Soo Ha’s relationship changed in the later episodes, but it’s still worth watching.
Anna: Overall, I thought I Hear Your Voice had a refreshing mixture of plot elements and tone that made it very compelling although a bit nerve wracking to watch. This is definitely a great drama to watch if you are looking for something a bit different to appreciate.
I Hear Your Voice – when you need romantic comedy AND terrorizing melodrama
MICHELLE: I’m caught between two equally compelling options. On the one hand, there’s Skip Beat!‘s sixth 3-in-1 omnibus, but I’ve literally been telling people to read this for years, so even though it’s terrific, perhaps I should instead go for option number two, Strobe Edge. It’s more of an unknown quantity for me, but I’ve personally been enjoying it a lot. So… my official pick is… Strobe Edge (but also Skip Beat!).
MJ: As I’m having trouble choosing something this week, I’ll also go with Strobe Edge! I was unimpressed by this series at first, but it had me hooked by the end of the first volume, and that has only intensified over time. It’s become a book I gobble up immediately upon the arrival of each new volume. Nothing quite beats addictive shoujo.
ANNA: I also adore both Strobe Edge and Skip Beat, but I’ll go ahead and make Skip Beat my pick, simply because I’m a big fan of omnibus editions for these long-running series. Skip Beat is the rare long series that manages to keep everything compelling and fresh.
ASH: I haven’t read any of Strobe Edge yet, but I have read and adored Skip Beat!. Great comedy, great characters, and a the omnibuses are a great way of getting into the series. So, despite some of the other intriguing titles being released this week, my vote goes to Skip Beat!, too.
SEAN: And instead of breaking the tie I will choose Oresama Teacher, which not only is that rare series about teenage delinquents that’s licensed in North America, and not only has an entire *cast* that can rival Special A for being dense and not understanding any nuance, and not only manages to have a reverse harem love quadrangle without making me actually take any sides about who will win, but is simply funny as hell. Will always love this.
This week, Sean, MJ, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Kodansha Comics, Yen Press, and 6 Degree Works, Inc.
Burning Love on the Aegean Sea | By Harumo Sanazaki | 6 Degree Works, Inc – This is a somewhat random Ohzora manga that I bought on impulse for my Kindle. It is a basic mishmash of Harlequin story tropes, without the elements of humor or lush art that makes romance manga more enjoyable to read. Christian is a man with anger issues and lush, long dark hair who comes back to a Greek island after being expelled with tons of money and revenge in his heart. Leda is the innocent heroine with a trampy older sister and ethically challenged father who is forced to stay on the island when her ex-lover appears, all while raising her sister’s son. Everything is very dramatic, and the illustrations of windswept hair and turbulent seas combine to underscore the tortured relationship of the two leads as they grow closer. Still, something this manga makes it feel more like it is going through the motions as opposed to telling an interesting story, and there’s plenty of other romance manga out there that will be more satisfying for most readers. Anna N
Haganai: I Don’t Have Many Friends, Vol. 4 | By Yomi Hirasaka and Itachi | Seven Seas – The majority of this volume continues the basic theme of the entire series, which is this group of misfits and outcasts having fun as friends without realizing that’s what they’re actually doing. They write a round-robin fanfic which basically involves torturing each others’ self-inserts, they play the world’s most ridiculous RPG, and they fail mightily at karaoke. There’s nothing particularly earth-shattering here, though the cliffhanger promises that next volume may ramp that up, as Kodaka is invited to meet Sena’s father. As it is, though, romance continues to sit on the back burner here, as the title is more concerned with seeing these broken people insult each other, mock each other, and likely form bonds they’ll cherish for the rest of their lives. -Sean Gaffney
Midnight Secretary, Vol. 2 | By Tomu Ohmi | Viz Media – As heroine Kaya becomes further dependent upon her vampire boss’ sexual attention (to the point of attempting to free herself by leaving his employ) and boss Kyohei is slowly driven mad by his feelings for a “mere human,” I’m aware that I should be fleeing the scene as quickly as possible. After all, it’s these tormented, controlling love interests I despise the most, isn’t it? Isn’t it?? Alas, I can’t deny that I’m enjoying Midnight Secretary, despite myself. I’m captivated by Tomu Ohmi’s tortured love story, her occasional humor, her clean artwork, but most of all, her competent, serious heroine, whose devotion to her work still trumps all, even sexy vampire bosses. Even for this grumpy old lady, sometimes trashy, over-the-top romance really hits the spot. Midnight Secretary is just that kind of romance. Recommended. – MJ
Pandora Hearts, Vol. 18 | By Jun Mochizuki | Yen Press – I had wondered how volume 18 could top 17, with its many answers and “um… whut?” ending, but I think it does, largely because Mochizuki manages to provide still more answers to long-standing questions in a way that’s unexpected but absolutely fits with what’s gone before. (Well, what I can remember of what’s gone before. At some point, I’d love to start over from the beginning and see how it all hangs together.) I love how everything is tilted on its head in ways that remind me a little of Loveless, actually. I know this is more fangirl gushing than a legitimate review, but hopefully that just goes to show how much I enjoyed it and how eagerly I await the next volume. “Where do we go from here?” indeed. – Michelle Smith
Real, Vol. 12 | By Takehiko Inoue | Viz Media – Oh, Real. I seriously love you so much. Why you come out so seldom? Anyway, this volume finds Togawa in pursuit of change—he’s not entirely sure what it is he’s lacking, but he’s banking on finding it at basketball camp. It doesn’t entirely turned out as planned, but some insights from Azumi on his rush-ahead attitude are very welcome. Meanwhile, Hisanobu continues to give rehabilitation his all, and once his formerly estranged father learns about his son’s goal of participating in wheelchair basketball, Inoue-sensei crafts a thoroughly lovely non-verbal sequence wherein the dad learns all about the game and then silently prays for his son’s dream to come true. Sniff. Okay, yes, this volume is full of unabashedly feel-good stuff, but it’s not cloying about it. There’s plenty of sweat, tears, and frustration, and everything is drawn beautifully. Even if you don’t like sports manga, you should make an exception for this one. – Michelle Smith
Sankarea, Vol. 3 | By Mitsuru Hattori | Kodansha Comics – The cover to Vol. 3 continues to show how this is being marketed to a very different sort of fan than you’d expect. Yes, there are still elements of harem comedy here, though Wanko is perhaps starting to realize that “I see you like a sister” is a hole that’s usually too big to crawl out of for the typical harem girl. Where the manga really succeeds is in the drama and horror, with the addition of the annoying but informative Darin, and the realization that being dead is not something that Rea can simply deal with and live the rest of her life as normal. The cover art shows this off, as she stares at the stump where her arm used to be. It’s put back, but it’s a sign of a more dangerous trend, which is that she really is a zombie, therefore happily ever after may not be an option here at all. – Sean Gaffney
SEAN: Let’s just roll out, far too much to deal with this first week of November.
801 Media’s dates change on Amazon so often that I’m never quite sure whether I’ll say something is due out and then it’s changed again. But they do list Vol. 7 of Ze for this week. For those who like a bit of epic with your smut.
MICHELLE: I didn’t realize Ze was still coming out. Huh.
ASH: It is indeed! Although it has been a long while since we’ve seen a new volume in English.
MJ: I gave up this series a while back, as it had stopped intriguing me and started just making me uncomfortable (and a little bored). Did I give up too soon?
SEAN: In Kodansha land, the 2nd Air Gear omnibus catches you up a little more with this roller skating, fanservice, and gang violence manga.
Seven Seas has been expanding their reach lately, and it shows in the number of titles they’re doing per month now. We start with another Alice in the Country of Etc. spinoff, The Mad Hatter’s Late Night Tea Party. This looks more romance-oriented than mystery-oriented, and should be filled with innuendo give it’s Dupre, but I’ll give it a shot.
ANNA: I need to get caught up on some of these spinoffs. I do still like this franchise.
SEAN: Usually with Seven Seas licenses, particularly in their new fanservice-heavy phase, I tend to bat 1 out of every 3 in terms of “things Sean likes”. I have good hopes for A Centaur’s Life, though, which I hear actually tries to imagine what the world would be like in such a situations (monster high school, basically), and tones down after an ecchi first couple chapters. We’ll see how it compares to Monster Musume.
ASH: I don’t read many manga from Seven Seas outside of its yuri titles, but I’m really looking forward to giving A Centaur’s Life a try.
MJ: I can’t exactly say I’m looking forward to it, but I might give it a try anyway.
SEAN: If you’re still catching up on Seven Seas’ breakout title, Dance in the Vampire Bund, Vol. 4 covers Vols. 10-12 of the original.
There’s also Vol. 4 of Mayo Chiki.
Senran Kagura: Skirting Shadows is a manga based on a video game franchise, and apparently is about a Ninja High School, but with no input from Ben Dunn at all. It is apparently littered with fanservice. We shall see.
World War Blue continues to meld generic shonen fantasy with a history of 80s video game wars, which at least is not a commonly used plot device.
I’m not sure who Akiko Shimojima is, but she and Sean Michael Wilson are collaborating on a graphic novel about The 47 Ronin, which Shambhala Press is putting out next week. The cover makes it look like the style is Lone Wolf and Cub-by, which makes sense.
ASH: The Forty-seven Ronin are making quite a showing in the West this year with manga, comics, and film versions of the story all being released.
MJ: I could potentially get interested in this.
SEAN: Another omnibus catchup, Viz gives us the 2nd volume of D.Gray-Man, which collects Vols. 4-6.
Midnight Secretary was the more intriguing of Viz’s two new josei licenses, and I am highly looking forward to Vol. 2.
ANNA: Second volume was as good as the first, I am really enjoying this series.
MJ: What she said!
SEAN: I am about 58 volumes behind on Naruto, and given it’s at Vol. 63, unlikely to catch up anytime soon.
Speaking of catching up, if for some reason you haven’t read One Piece and want to buy 23 volumes at once, this box set takes you through to the end of the Alabasta arc.
Oresama Teacher 15 will make me very, very happy and I will laugh a whole lot. As should you all.
ANNA: Oresama Teacher is a hilarious gem of hilarity.
SEAN: Psyren 13. We should be getting near the endgame soon.
Skip Beat!’s 6th 3-in-1 is a great buy for this who missed this top-notch shoujo comedy first time.
MICHELLE: Buy eet!
ASH: Yes, do!
ANNA: Can’t go wrong with Skip Beat!
SEAN: Strobe Edge 7. Angst! Angst! We just can’t get enough! Get more here.
MICHELLE: I’ve fallen a couple of volumes behind with Strobe Edge and am really looking forward to getting caught up.
ANNA: This is one of those series that took a couple volumes to get solid, but is now consistently great.
MJ: Yeah, I’m wholeheartedly on board with this title. Bring it on!
I need some cute manga about reindeer. Sweet Rein seems like the perfect solution. Plus it’s from the author of Penguin Revolution and Land of the Blindfolded, the classic CMX titles (which need license rescuing digitally *cough*).
MICHELLE: It really is quite cute. And a good length (3 volumes) for its premise.
ANNA: It is mega adorable. Great manga for a feel-good pick me up.
MJ: Okay, I read an advance copy, like the rest of you, and I admit it lost me at “the power of Santa cures cancer” (roughly speaking). But maybe it’ll win me back over at some point?
SEAN: Tegami Bachi has reached Vol. 15, and is ‘Ant And Bee Deliver Letters’ gone horribly wrong. Or something.
Ultimo has hit Vol. 9, speaking of Jump Square titles. It’s by the creator of Shaman King, in case you’d forgotten. Oh, and Stan Lee.
Vampire Knight has now ended in Japan, so we’re ready for a big climax in the next couple of volumes. Here’s 17.
Lastly, Yu-Gi-Oh 5D’s 3. R U 3C 4 2 UGZ?
Are you going to buy any of this, or just stack it in a pile and die when it falls on you?
MICHELLE: I literally lol’d.
MJ: Same.
SEAN: There’s far too much stuff coming out this week, so something is bound to get lost in the shuffle. With that in mind, I will once again bang the gong for one of my addictive series. Higurashi: When They Cry continues to answer things, as we see the aftermath of Satoko and her parents, see how Rika lost her parents, and watch Miyo almost lose everything. The parallels between Miyo and Rika are emphasized even more. Definitely will be devouring this.
MICHELLE: And I’ll bang the gong for one of mine, Pandora Hearts. I’m not sure how much answering it’s going to do, but I’m sure it’ll be as riveting as it is occasionally baffling.
ANNA: I’m going to venture off-list and pick Vinland Saga again. Because today I’m finally going to head out to a physical bookstore to buy it as it seems to still be unorderable on Amazon.
ASH: Wow, there really is a lot of manga coming out this week! I’m particularly looking forward to the second volume of Mitsuhisa Kuji’s Wolfsmund which I would recommend for fans of dark and intriguing historically-inspired manga.
MJ: It’s an abundant shipping week, for sure, though for such a full week, there’s surprisingly little in it that appeals particularly to me. I’m planning to take a look at new Yen titles Another and No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, and I’m always happy to see a new volume of the visually stunning Bride of the Water God. But there’s only one book in this week’s batch that I absolutely can’t wait to read, and that’s volume 18 of Pandora Hearts. I’m a long-time fan of the series, as you know, and at NYCC I was reminded again of just how few of us there are in critical circles when a fellow journalist at the con asked me, “Who writes about Pandora Hearts?” I could think of very few. So, with that in mind, I’m happy to join Michelle this week in making it my pick!
What looks good to you this week?
Sweet Rein Vol 1 by Sakura Tsukuba
I had totally forgotten that Sweet Rein was coming out, so when I saw it I got to be pleasantly surprised all over again. Sakura Tsukuba had two series published by CMX, Penguin Revolution and Land of the Blindfolded. Both of these series fit well into the low-fi, cozy vibe that was characteristic of many of CMX’s fantasy series. I was very happy to read Sweet Rein, and I’m calling it now – this is the perfect feel-good shoujo for the holiday season.
Sweet Rein has the sort of premise that is most enjoyed when the reader doesn’t think about it too hard. Kurumi is walking along alone when she bumps into a boy. Kurumi and the boy are suddenly tethered together, and he rushes up to her and yells “Master!” He then proceeds to explain “I’m your reindeer and you’re my Santa Claus!” It turns out that mystical reindeer with the power to take human form are bonded forever to a human Santa Claus, who is the only person who can release the reindeer’s magical powers. Kaito comes from a family of magical reindeer, and he cheerfully and happily fulfills all of Kurumi’s commands. Kurumi is extremely dubious about the invisible tether that connects them and also is very uncomfortable with the idea that she has any form of power over another being. Kaito is just happy that his Santa Claus is a nice and cute girl who is so concerned for him.
Kaito being at Kurumi’s beck and call is played more for gentle laughs than anything else, as he shoots away from her in the air when she yells “Get off of me!” and promptly appears outside her window when she wishes for his presence. Kurumi is genuinely kind, and Kaito’s presence eases her loneliness. She’s extremely careful not to get entangled in a romantic relationship with him, because she doesn’t want to abuse her power over him. In the meantime, Kaito’s enthusiasm serves as a counterpoint to Kurumi’s introspection, and it is clear that he’s fallen in love with her almost immediately.
For a manga dealing with Santa Claus and reindeer, it is actually a bit surprising how many stories in this volume take place in the spring or summer. Kurumi does deliver presents on Christmas Eve, but much of the manga is centered around Kurumi fulfilling a wish for a sick boy she encounters while on summer vacation. Readers also get a glimpse of Kaito’s extended magical reindeer family. I was actually a bit disappointed that a there was a lengthy vampire back up story, not because it was poorly executed, but I wanted to read a bit more of the main story. Tsukuba’s light and playful illustrations complement the story, ably depicting Kaito flying through the air or swooping in to comfort Kurumi. In the hands of a creator with less of a deft touch, the master/servant relationship in the manga might have seemed a bit off-putting or odd, but here it just seems like a way for two people to slowly discover how much they care about each other.