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Discussion, Resources, Roundtables, & Reviews

Archives for July 2013

Kaze Hikaru, Vol. 21

July 8, 2013 by Anna N



Kaze Hikaru Volume 21 by Taeko Watanabe

Kaze Hikaru is one of those titles that makes me feel happier just because it exists. The new volumes come out very slowly now, so when one appears it is always a good excuse to celebrate! This volume was particularly rewarding for any long-time reader of the series, as Sei and Soji begin to acknowledge their feelings about each other although they remain very much constrained by Sei’s disguise as a male Shinsengumi recruit and the customs of the times.

In the aftermath of Sei’s mission, it is announced that she’s going to be reassigned to Saito’s troop. Soji decides to create more distance between him and his young protegee by telling her that he requested the transfer and abruptly ordering her to leave him alone, saying “I got sick of your chasing me around like a girl.” Sei assumes that Soji thinks her feelings are burdensome and decides to run away. She leaves, fortunately during her rest period so she won’t be executed for desertion. Soji is relaxing, assuming that he’s fixed everything but he’s alarmed when Saito informs him that he’s in love with Sei.

Sei travels to a nunnery where she’s taken refuge before, learning about village healing from the head nun Suigetsuni. Sei has decided to sever the ties to her old life and join a nunnery, because it is the only way to sever her ties with her previous life. Soji becomes more and more worried as he realizes that no one knows where Sei is, and with his position in the Shinsengumi he can do nothing but sit, wait, and be forced to execute her for desertion if she doesn’t come back. The parallel stories shifting back and forth between the couple were particularly effective in this volume, as Soji’s growing concern forces him to confront his own feelings about Sei, and Sei grapples with her thoughts about healing and death as she learns more about Suigetsuni’s life story.

Watanabe is a master at spinning out a story, as 21 volumes into Kaze Hikaru, I’m in no hurry to see it wrapped up. Even though so much of this manga revolves around the characters being unable to express their emotions to each other, it is easy to see just how much Sei and Soji have changed each other through their unconventional friendship. As always, the author notes manage to distill an incredible amount of research into a few pages focusing on an element from the historical setting of the manga. This volume focuses on clothing and her reasons for depicting the Shinsengumi a certain way. If you aren’t reading this manga yet, give it a try! This is such a thoughtful, well-executed historical series that really stands out as having much more substance than most shoujo manga.

Filed Under: REVIEWS Tagged With: kaze hikaru, shojo beat, viz media

7 Billion Needles, Vol. 1

July 7, 2013 by Anna N

7 Billion Needles, Vol. 1 by Nobuaki Tadano

I was happy when I saw that Vertical was releasing some of their titles for the Kindle, but I already had print copies of the main series I was following like Twin Spica. I remember hearing interesting things about 7 Billion Needles, so I decided to give the first volume a try. Hikaru is a typical teenager, spending most of her time shutting out the world by keeping her headphones on. She’s a teenager with something other than angst churning inside her though. On a school trip she had an encounter with an extraterrestrial object that vaporized her body, leading to an alien intelligence named Ciel who reconstructed her body and establishes a symbiotic relationship with her.

Tadano does a good job establishing a slightly unsettling slice of life tone for this manga. Hikaru goes through her life someone aimlessly, and gradually more and more strange events begin to occur around her. Ciel makes contact and tells his host that he’s hunting an even worse threat – an entity called Maelstrom that might also be inhabiting a human. The title 7 Billion Needles refers to the needle in a haystack like task of hunting down an evil alien intelligence hiding somewhere in the human population. The manga is based on the Hal Clement novel Needle, and Tadano does manage to strike a good balance between the thought experiment vibe of classic science fiction and manga action as Hikaru and Ciel strike an uneasy truce and start hunting together.

The reading experience on my Kindle Paperwhite was just fine. I was intrigued by the first volume, and this is the type of digital series I can easily see myself stocking up on when I’m about to go on a trip and can’t haul around a bunch of physical copies of manga with me.

Filed Under: REVIEWS Tagged With: 7 billion needles, vertical

Licensing Round-Up – Anime Expo 2013

July 7, 2013 by Sean Gaffney

I’m not at AX, but through the magic ability of being able to follow the tweets of those who are, I can give you my thought on what’s happening over there! There’s actually quite a bit of stuff brewing.

ax1

We started off with our friends at Vertical, Inc. They only had one license, but it looks like a lot of fun! Moyoco Anno is not only an award-winning mangaka, but she’s also married to otaku legend Hideki Anno. The one-volume Kantoku Fuyuki Todoki ran in Shodensha’s Feel Young magazine, and is a comedic yet heartwarming autobiographical look at what it’s like to be married to such a legendary otaku. Vertical will put it out under the title Insufficient Direction.

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Digital Manga Publishing had some of the biggest news of the con, as they announced an agreement with Tezuka Pro for digital release in North America of the unlicensed Tezuka titles – all of them, supposedly. I admit, I’m not expecting some of the weirder, more adult or ‘problematic (antisemitism, etc.) titles anytime soon, but for the Tezuka fan this has to be an incredibly happy day. Much of his work had been released lately through Vertical, but DMP has been doing a few as well, including the Kickstarter projects of Barbara, Unico, and Atomcat. Given that it’s DMP, I’m also hoping these will be downloadable rather than cloud. Looking forward to more about this.

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Most of Right Stuf’s announcements were, understandably, in the anime arena. But they surprised us at the very end by announcing, in partnership with Tokyopop (still around, in case you were wondering) the release of Axis Powers Hetalia Books 4 & 5 before the new year! I’ve made no secret that I really enjoy this goofy gag manga about anthropomorphic nations, which has moved beyond its sketchy WWII origins and embraced exaggerated stereotypes of every era! If you pre-order, you’ll get color pages as well, which are only available in the first printing.

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Kodansha Comics didn’t have any new titles to announce (they indicated that SDCC in two weeks might be a different story), but this did not stop them from having a few big things to say anyway. It’s no secret that Attack on Titan has EXPLODED in fandom, particularly with the release of the anime. Kodansha, therefore, has decided to speed up the releases, similar to what they’re doing with Fairy Tail, till they catch up with Japan by the start of 2014. One a month, that’s a lot of titans.

Bigger news, though, particularly for me as I’ve been begging for it, is that they will be releasing their titles digitally on Nook, Kindle, and Google Play (and, in fact, shuttering their iTunes app, though you get to keep the books you have on it.) They’ve been Apple only for years, so this is fantastic news, as they were the last holdout (bar Seven Seas, who don’t have digital for their Japanese titles yet). Now Android users (such as myself can enjoy the following titles digitally:

Arisa
@ Full Moon
Attack on Titan
Bloody Monday
Cage of Eden
Danza
Fairy Tail
Genshiken (omnibus)
Genshiken: 2nd Season
I Am Here!
Kitchen Princess (omnibus)
Mardock Scramble
Missions of Love
Ninja Girls
No. 6
Sankarea
Sayonara, Zetsubou-Sensei
Until the Full Moon

In other words, most of their current lineup, with the major exception of Sailor Moon, which I suspect would require a lot more negotiating with Naoko Takeuchi. In particular, it’s great to see Zetsubou-sensei there. By the way, Kodansha still insists it’s not cancelled, but it’s still on hold due to low sales and being a pain in the ass to translate. Having tried my hand at the endnotes for Vol. 10, I can sympathize.

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And that leaves Viz Media. They did not disappoint. There is a new seinen title (I am assuming it will be in the Signature line) called Gangsta, that runs in Shinchosha’s Comic @ Bunch magazine. It’s apparently very similar to Dogs: Bullets & Carnage. Nisekoi, which has its first three volumes out digital only, will start to run in print in January. They are re-releasing Dragon Ball in larger trim, around the size of US comics.

ax6

Deadman Wonderland is not only a Tokyopop license rescue, but also more than 10 volumes and still running, making it a surprising pickup in my mind. It’s a Shonen Ace series from Kadokawa that is another in the ever popular survival game genre… this one set in a very strange prison. And, big news for us old fogies… Ranma 1/2, back in print, unflipped! 2-in-1 omnibus volumes, starting in March! Given the digital app doesn’t do flipped, I wonder if this is a way to get it out digitally. In any case, great news for old-school fans!

Lastly, some hope for fans of cancelled Jump series Gintama and Reborn – SJ is looking into bringing them back digitally, though no promises just yet. I imagine if they do well they may look into continuing them digitally as well.

What in this list excites you the most?

Filed Under: NEWS, UNSHELVED

Manga the Week of 7/10

July 5, 2013 by Sean Gaffney, Michelle Smith and MJ 11 Comments

SEAN: Not as big as week 1 of July, but there’s plenty of tasty treats to check out as the summer continues to be hot.

tokyobabylon2

Dark Horse has the 2nd and final omnibus of Tokyo Babylon. I didn’t buy this one, so will forever imagine it ends with a big picnic, and possibly puppies and unicorns. :)

MICHELLE: I will allow you to have your dreams.

MJ: I’m sure everyone can guess how eagerly I’ve been anticipating this release. I was over the moon for Dark Horse’s first omnibus, and since I actually like to be beaten into a sobbing pulp by my fiction, I’m willing to move forward without those puppies and unicorns. Note: This volume will also contain Hokuto’s side story of epic awesomeness, so there’s that.

SEAN: Digital Manga Publishing is finally returning to print manga, and what better title to see returning to our shelves than the 7th volume of Vampire Hunter D?

MICHELLE: While this personally doesn’t excite me much, I was very pleased to see that the tenth volume of Itazura Na Kiss is now available for pre-order. Hurray for print manga!

SEAN: SubLime has two new debuts. False Memories has a cute cover, so I have less to say about it. It’s by the author of Devil’s Honey and Dash!

MICHELLE: The cover is very cute indeed. I confess that was all it took to convince me to read it, and I didn’t connect the author with Devil’s Honey. The latter was pretty good, though, so I’m definitely intrigued.

MJ: Agreed!

hideandseek

SEAN: Oh Dear Lord. Look at the cover for Hide & Seek. Have you seen two people you want to punch in the face more than these two? :) This is by the author of Bond of Dreams, Bond of Love, which if I recall also had ridiculous covers. Recommended for those who enjoy large yaoi hands.

MICHELLE: *snerk* While I liked Yaya Sakuragi’s Stay Close to Me, Bond of Dreams, Bond of Love was so generic and the characters so unappealing that I now view anything else by the author with trepidation.

MJ: Heh. I deeply disliked Bond of Dreams, Bond of Love, but on the upside, at least these two characters both look like adults, so I’ll give it a try.

SEAN: Vertical has the 6th volume of Flowers of Evil, whose sales will hopefully be bumped by the recent conclusion to the anime version.

MJ: I hope so, too! I’m looking forward to this volume in any case.

SEAN: Viz has Case Closed Vol. 47. In Japan, Vol. 79 came out this April. Sadly, I suspect we will not be seeing the great Case Closed speedup anytime soon.

MICHELLE: I find this series to be fun occasionally, but it’s one of those cases where I’m very grateful my local library purchases it so I don’t have to. I can’t imagine housing dozens of volumes of goofy, episodic mysteries.

SEAN: The 5th Fullmetal Alchemist omnibus contains Vols. 13-15 of this shonen series that everyone should own. And I hope Viz can negotiate digital rights back now that Square Enix shuttered their digital site.

MICHELLE: It’s a classic.

rinne12MJ: Fullmetal Alchemist is absolutely a must-own, and I’m glad it’s being given a second run like this.

SEAN: The 4th Loveless omnibus, with Vol. 7 & 8, I think catches us up with Viz’s newer releases, right?

MICHELLE: It does, as volume 11 came out in June. It also catches us up with Japan.

MJ: I honestly can’t wait. The new volumes have been mocking me from the shelf for so long.

SEAN: Rin-Ne has hit a dozen volumes, and is doing well enough that it doesn’t have to worry about getting as behind as Case Closed is. Not that this means any legitimate plot is happening, mind you…

MICHELLE: I’m happy that RIN-NE exists for whenever I want a dose of Takahashi, but it’s true there’s not really anything to get excited about.

SEAN: Finally, we see the second volume of superhero manga Tiger & Bunny. He’s a superhero. He’s also a superhero. THEY FIGHT CRIME!

Anything here catch your fancy?

Filed Under: FEATURES, manga the week of

Mobile Suit Gundam: The Origin, Vol. 2

July 5, 2013 by Sean Gaffney

By Yoshikazu Yasuhiko; Original Story by Yoshiyuki Tomino and Hajime Yatate; Mechanical Design by Kunio Okawara. Released in Japan by Kadokawa Shoten, serialized in the magazine Gundam Ace. Released in North America by Vertical, Inc.

When we last left our heroes, they’d finally gotten back to Earth. Of course, this proves to be only the beginning of their troubles… they’re in enemy territory, and are being told by their allies in South America “get here first, then we’ll tell you what to do next.” Their ace pilot is having a bit of a PTSD attack, and wants no part of all of this. The refugees they picked up are resorting to taking hostages just to be allowed to leave. And our man in charge, Bright Noah, just can’t seem to get any respect. But then, this is what happens when your enemies call your ship the “Trojan Horse”… you have all the luck that Troy did.

gundam2

To get the obvious out of the way first, most of what you enjoyed about the first book is present and correct here in the second. The battles are done very well, with lots of attention to detail and realism (given that these are robot wars), but don’t take up so much of the book that you get bored with all the combat. The overall tone is serious, but there are some very amusing dashes of humor, including Lieutenant Reed’s ulcer, Fraw Bow’s jealousy (and a flash of the same thing from Amuro), and every exasperated face Noah makes. But overall, the message continues to be what Gundam does best: war is a horrible thing that destroys entire cities, and one should never revel in it.

I think my favorite party of the volume was watching every single interaction between Char and Garma. After all the earnestness that our heroes fall into, it’s great seeing two people who clearly despise each other attempting to one-up each other in how politely smug they can be. Char’s needling of Garma, and manipulation as the story goes on, really shows of his people skills, albeit not in a good way. He spends much of this volume simply watching things develop (well, that and taking long showers so that he can properly show off his fantastic naked body to the reader). This makes his arrogant sneering at Garma right at the end all the more startling, and reminds you once again that he may be the bad guy you love to hate, but he’s still the bad guy.

As for Amuro, he gets the bulk of the second half of this volume, as he reunites with his mother. I’ll be honest, I totally expected him to return and find his mother dead – all the signs were pointing that way – but then, this series has pointed one way and gone another before, so I shouldn’t be surprised. What we got was even better, though – his mother has no context for what’s happened to Amuro at all, and all she can see is that her little boy has become a killer. This is far more visceral than most stories of this time, given Amuro has to lethally fight his way out of the encampment his mother is living in. It’s the emotional heart of the story.

And then there is the titular Garma. The Gundam story makes sure that we don’t simply see the Zeon enemy as “space Nazis”, and Garma’s desire to be worthy of his name, as well as his romance with an Earth girl, is part of this. I was never quite sure till the end how invested he was in Icelina, but it seems to be more genuine than I thought, and I wonder if she’ll return at some point down the line. But in the end, this is a story about war and the prices that one pays during it, and the final images we see are a father brutally gunned down in front of his daughter, and a father stunned to hear of the death of his son.

I admit I would perhaps have slightly fewer mech battles if I were plotting this, but oh well. Gundam is still a riveting and fascinating series, and fully justifies why it has endured all these years. And the presentation, again, is fantastic – a real coffee table book. It’s hard to wait three more months to see what happens next.

Filed Under: REVIEWS

Shonen Jump gets Akira Toriyama’s Jaco the Galactic Patrolman

July 2, 2013 by Brigid Alverson

jaco

Here’s the big news of the week: Dragon Ball creator Akira Toriyama will launch a new series in two weeks, Jaco the Galactic Patrolman, and Shonen Jump will be carrying it in English the same week it comes out in Japan.

I rounded up some new manga releases, the Megatokyo Kickstarter, and other manga news in my latest Manga Tipsheet at MTV Geek.

Among those news bits: Viz confirmed it has licensed Tiger & Bunny: The Beginning. Lissa Pattillo has more.

SuBLime announced a new license as well: Kou Yoneda’s NightS.

The Digital Manga folks post an update on their plans for Anime Expo, new digital releases, delays in print volumes, and more.

Erica Friedman brings us the latest edition of Yuri Network News.

The Manga Bookshelf bloggers discuss their latest Pick of the Week, and they take a look at this week’s new releases as well.

Laura rounds up the Skip Beat! Manga Moveable Feast posts at Heart of Manga.

Jason Thompson takes a fond look at one of my favorite manga, Twin Spica, in his latest House of 1000 Manga column at ANN.

Lissa Pattillo opens up the Swag Bag and shows off her latest purchases.

Lori Henderson talks about Skip Beat! and Umineko When They Cry in the latest two episodes of the Manga Dome podcast.

Erin discusses relationships in Otomen, where the nice guy gets the girl for a change, at Gagging on Sexism.

Jocelyne Allen reads two volumes of collected works from the alt-manga magazines Garo and Com (the latter was started by Osamu Tezuka), and finds some great reading by Shigeru Mizuki, Yoshihiro Tatsumi, and Leiji Matsumoto.

Who reads Manga Bookshelf, and what manga do they like? MJ presents the results of their recent survey.

News from Japan: The big news out of Japan this past week Sad news: Comic LO Magazine artist Yasuda, who was active in doujinshi circles, has died after a brief illness; he was only 24. Deadman Wonderland, which returned from hiatus in January, will end in the July 26 issue of Kadokawa Shoten’s Monthly Shōnen Ace. Maid Sama! is also drawing to a close. On the upside, though, Mari Yamazaki plans to launch a Thermae Romae spinoff in Comic Beam in September.

Reviews: The Manga Bookshelf team keep it short and sweet in their latest Bookshelf Briefs. Ash Brown takes us through a week’s manga reading in Experiments in Manga.

Victoria Erica on vol. 2 of Attack on Titan (Inside AX)
Lesley Aeschliman on vol. 6 of Bleach (Blogcritics)
Manjiorin on vol. 2 of Blood-C (Organization ASG)
Sean Gaffney on vol. 3 of Blood Lad (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 5 of Children of the Sea (The Comic Book Bin)
Matthew Alexander on vol. 22 of Claymore (The Fandom Post)
Anna N. on vols. 7 and 8 of Cross Game (Manga Report)
Justin on chapter 38 of Cross Manage (Organization ASG)
Leroy Douresseaux on vol. 3 of Demon Love Spell (The Comic Book Bin)
Lesley Aeschliman on vol. 8 of A Devil and Her Love Song (Blogcritics)
Matthew Warner on vol. 8 of A Devil and Her Love Song (The Fandom Post)
Matthew Warner on vol. 1 of Doubt (The Fandom Post)
Erica Friedman on Futari (Okazu)
Sean Gaffney on vol. 5 of GA: Geijutsuka Art Design Class (A Case Suitable for Treatment)
Matthew Warner on vol. 4 of Is This a Zombie? (The Fandom Post)
Sean Gaffney on vol. 1 of Lone Wolf and Cub (omnibus edition) (A Case Suitable for Treatment)
Sean Gaffney on vol. 22 of Higurashi: When They Cry (A Case Suitable for Treatment)
Lissa Pattillo on vols. 1 and 2 of Kingdom Hearts: Final Mix (Kuriousity)
Helen on vols. 1-3 of Mars (Narrative Investigations)
Leroy Douresseaux on vol. 67 of One Piece (The Comic Book Bin)
Greg McElhatton on The Passion of Gengoroh Tagame (Read About Comics)
Lesley Aeschliman on vol. 16 of Pokemon Adventures (Lesley’s Musings… on Manga)
Matthew Warner on vol. 10 of Psyren (The Fandom Post)
Leroy Douresseaux on vol. 11 of Psyren (The Comic Book Bin)
Erica Friedman on vol. 11 of Rakuen Le Paradis (Okazu)
Philip Anthony on vol. 8 of Sailor Moon (Manga Bookshelf)
Lesley Aeschliman on vol. 11 of Sailor Moon (Blogcritics)
Justin on vol. 1 of Sankarea (Organization ASG)
Erica Friedman on Shishunki Seimeitai Vega (Okazu)
Derek Bown on the latest issue of Shonen Jump (Manga Bookshelf)
Ash Brown on vol. 1 of Skip Beat! (omnibus edition) (Experiments in Manga)
Leroy Douresseaux on vol. 1 of Sleeping Moon (I Reads You)
Matthew Warner on vol. 3 of Strobe Edge (The Fandom Post)
John Rose on vol. 1 of Umineko: When They Cry – Legend of the Golden Witch (The Fandom Post)
Connie C. on Utsubora (Comics Should Be Good)
Ash Brown on vol. 4 of Wandering Son (Experiments in Manga)
Sean Gaffney on vol. 4 of Wandering Son (A Case Suitable for Treatment)

Filed Under: MANGABLOG

It Came from the Sinosphere: Island, End of Nightmare (Manhua)

July 2, 2013 by Sara K. Leave a Comment

The cover of the manhua, featuring Luonian (blue) running towards the reader, and Huaizhen (orange) taking up most of the background.

Why couldn’t I find this image in a bigger size?

Hello, everyone! I’m back.

The Story

During a trip to an island in the South China sea, a teenager called Luonian has an encounter with a phoenix, and then a giant dog (a demon?) pins him to the ground. Then Luonian wakes up in a hospital in Taiwan. Was it just a nightmare?

A picture of Luonian with the island in the background.  We see a jungle and a seagull.

Back in his hometown, Banqiao, Luonian gets attacked by a demon … which gets taken down by some fellow senior high school students. Apparently, a number of teenage demon hunters attend Luonian’s senior high school, but demon hunters are generally pretty discreet about their work, so he wasn’t aware of their activities before. Now that he knows, their offer to train him and let him join their demon-hunting club.

To make matters worse, that “dog,” who is actually a nine-tailed fox and is called “Huaizhen,” comes back. Huaizhen had waited 3000 years to get the “aura” of that phoenix … and Luonian had “stolen” that opporunity by getting the “aura” of the phoenix instead.
Therefore, Huaizhen wants to eat him. However, they strike a deal – Luonian lets Huaizhen suck his phoenix-aura-laden-energy (note: this might not be the best way to translate this from Chinese), and Luonian will let him live. Furthermore, since demons are attracted to the phoenix-aura, Luonian should expect a lot more demons in his life from now on.

In case you’re not familiar with Chinese-mythology, men are supposed to feel extreme sexual attraction towards nine-tailed-foxes. In Huaizhen’s experience, this is generally true … with the notable of Luonian, who doesn’t have the least bit of sexual interest in Huaizhen. Huaizhen finds this … intriguing.

Finally, Huaizhen urges Luonian to join the demon-hunters because a) they can help protect him from the demons (and if the demons get him, she can’t suck his energy) and b) she wants to know more about the demon-hunters. But Huaizhen makes a point of hanging around Luonian a lot, pretending to be Luonian’s teenager sister, and if the demon-hunters learn about her true nature…

Background

This manhua is adapted from a series by a very popular online novelist called Moren. Moren is known for mixing fantasy, wuxia, and science fiction together. I myself have only read the first couple volumes of Island, End of Nightmare, and I would call it fantasy with elements of wuxia and science fiction rather than blend (I feel it has a lot more in common with the YA fantasy I’ve read than the wuxia or science-fiction I’ve read).

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The manhua edition is drawn by YinYin, who also drew the illustrations and book covers for the original novels. YinYin is a regular contributor to Crative Comics Collection, and has produced her own original manhua.

The Artwork

YinYin says in the interview at the end of the volume that, when drawing for manhua, her first priority is to communicate the story, and aesthetic considerations (i.e. is the artwork pretty) are secondary. I think this is a good set of priorities since comic books are storytelling media, and there are many other media for artists who want to put aesthetics first.

SURPRISE! Fellow senior high school student nabs demon.  There is a big, clear panel showing the main action, with supporting panels with reaction shots.  Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

SURPRISE! Fellow senior high school student nabs demon. There is a big, clear panel showing the main action, with supporting panels with reaction shots. Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

And I think YinYin gets the “storytelling” part down. The artwork does an excellent job of clearly communicating the story. Though the plot summary above may seem a bit complicated, it’s actually quite easy to follow in the manhua itself, and I think the artwork definitely helps. It took much less effort to follow the manhua than the original novel, and the novel itself is not hard to follow.

I also don’t think putting the story first costs the aesthetics anything.

First of all, the more I look at it, the more I like the cover illustration of the novel. I really dig the blue/orange theme – and it’s very appropriate that Luonian is blue, and that Huaizhen is orange, since they act as opposite personalities. Come to think of it, this is a beautiful example of storytelling and aesthetics coming together.

This 'big main panel with supporting reaction panels' composition really works.

This ‘big main panel with supporting reaction panels’ composition really works.

The artwork clean and smooth. I think the trick is that YinYin makes sure there is enoguh detail to give the artwork meaning, yet it stays simple enough that everything is focused and the reader’s eye is not distracted by minutiae. And YinYin knows how to make a page pop with a simple, striking image. Most pages are not like that, but then again, if they were, then they wouldn’t pop.

Getting nabbed by a giant dog definitely pops.

Getting nabbed by a giant dog definitely pops.

And some of the images are simply, well, graceful.

I like this page for some reason.

I like this page for some reason.

In fact, I think this is the best work I’ve seen from YinYin.

The phoenix, of course, is lovely.

The phoenix, of course, is lovely.

YinYin also says that, while obviously there is a strong Japanese influence on her work, she tries to express her own style rather than try to make her artwork look like Japanese manga.

Where Have I Seen This Before

If you have read a significant amount of general manga – heck, even if you’re just reasonably familiar with YA fantasy – this should seem like familiar territory. The question is: what sets this tale of teenage demon-hunters apart from other tales of teenage demon-hunters?

One way to stand out is to have superlative writing. Though this story is well-written … and there are definitely touches I like (for example, the fact that Luonian’s senior high school just happens to have a demon-hunting group, and of course he didn’t know about it since there was no reason for him to know about it) … the storytelling alone is not exceptional enough to make it stand out from the other well-written stories in this genre.

Alas, the story's attempts at puberty/sexual humor is not one of the things which makes it stand out.

Alas, the story’s attempts at puberty/sexual humor is not one of the things which makes it stand out.

The thing which does make this story stand out is that it is set in Taiwan.

All other things being equal, people are usually more interested in stories about their own society and themselves than stories about other societies and other people. Taiwanese people are no exception. While Taiwanese people love Japanese manga, all other things being equal, they find things even more interesting if it’s about Taiwanese people in Taiwan than Japanese people in Japan.

While it’s not apparent in the first volume of the manhua (though I’m sure this will come through in future volumes), this story really does run all over Taiwan, and I think that is on purpose. There is such variety in Taiwan itself that one can find quite a variety of interesting locations without ever going abroad. As someone who has travelled extensively in Taiwan, I really enjoy this aspect of the story.

Availability in English

Ha ha ha ha ha.

Conclusion

I have no intention of continuing with this manhua, or with continuing the original novel series. It’s good enough that I don’t mind reading it, it’s just that there is so much more out there that I’m much more excited to read.

This manhua seems to be part of a campaign by the publisher Gaea to promote local manhua, particularly manhua which is distinctively Taiwanese. Making one of the first manhua an adaptation of a popular novel series is probably a good move, at least as far as getting readers’ attention. Considering the recent successes of movies made in Taiwan, I think there is definitely an audience out there for good, distinctively local manhua. The main thing needed to build that readership is to create and publish consistently high-quality manhua to attract and, more importantly, keep them.

However, though this volume was first published last August, volume 2 has yet to appear. That conceivably could be because the artist is too busy … but I think it’s a sign that the manhua has not been selling well.

Next time: The Iron-Crane Pentalogy (novels)


So much has happened in the past few weeks, where can Sara K. begin? Well, she is now one of rare people in the world who can honestly say that she has soked in an outdoor seawater hotspring in the middle of a thunderstorm. There are only three seawater hot springs in the world, and considering her geographic location, Manga Bookshelf readers can probably figure out that she did not go to the one in Sicily.

Filed Under: It Came From the Sinosphere Tagged With: Island: End of Nightmare, manhua, Moren, online novels, YinYin

Utsubora: The Story Of A Novelist

July 2, 2013 by Sean Gaffney

By Asumiko Nakamura. Released in Japan as two separate volumes by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Vertical.

I didn’t know a whole lot about this series going into it, except that it had striking cover art, and the premise seemed to promise a whodunnit sort of thing. As it turns out, the death at the start of the book is more of a catalyst than a mystery. Instead, it’s the story of several really broken people, and watching them all move through life, desperately trying to find the purpose they lack. And trust me, that’s a lot more riveting than trying to figure out how someone really died.

utsubora

The plot of the manga involves a well-known writer who has apparently begun a new series in a monthly magazine called ‘Utsubora’ – an archaic Japanese word that can mean ‘hollow space’. The fictional story and the manga both are inhabited by people who define that word, be it the writer himself, the mysterious girl who seemed to be his muse, his exasperated editor, or the niece who is seemingly the most normal girl here. One of the things I really liked about the manga is the way that Nakamura makes you shift sympathies as you read and understand more – I really empathized with Tsuji, the young editor, at the start, and then less and less as the story went on and we saw how far he’d go regarding his crush. Likewise, Mizorogi started off as a stoic creep, but gradually I felt deep pity and empathy for him.

Despite what the title may imply, not every series that runs in Manga Erotics F has to have sex in it. This one does, though, and we see quite a few scenes of lovemaking. The interesting thing is that they’re all presented very differently depending on who is present. Mizorogi’s psychological issues mean that sex with him is very different from sex with someone like Tsuji, a fact that is pointed out immediately by the girl who’s been with both of them. (It also ties in to his issues with being able to write, and using “Fujino” for that.) And a later scene showing Tsuji and a desperate female author who’s in lust with him seems far dirtier than the other scenes, less loving and more passionate and quick.

I haven’t talked much about the two girls on the front and back covers, even thought they are very much the focus of this work. Indeed, for a while I wasn’t quite sure what was going on with them at all. The mystery set up at the beginning was less about the death and more about what happened before, and how much we, as a reader, could trust what’s presented to us. In the end, though, I’m left with an almost aching sadness as I look back on what happened with Aki Fujino, Sakura Miki and Fujiko Akiyama, and it’s her character that conveys the meaning of the title the most. At the start, and at the end, she stands stoic before us, but in between those times the raw emotion is almost too much to bear.

Utsubora is a book, I think, that has to be felt almost as much as it has to be read. Its examination of a writer’s life, and the people that surround that life, is tangible and heartbreaking. There’s a lot of stuff I wasn’t even able to cover here, simply as I didn’t want to spoil too much about this book, which is highly unusual for me. Seek this out, it’s one of the best titles I’ve read this year.

Filed Under: REVIEWS

Yun Kouga MMF: Call for Participation

July 1, 2013 by MJ Leave a Comment

Welcome to July 2013, and the newest installment of the Manga Moveable Feast, the manga blogging community’s ongoing conversation about the medium we all love. Each month, a single series, creator, or topic is chosen for a week-long discussion across the entire community.

This month’s feast will run from Sunday, July 14th through Saturday, the 20th, featuring the works of Yun Kouga, and hosted here at Manga Bookshelf.

Though Yun Kouga has enjoyed popular success here in North America, particularly with her BL-tinged shoujo fantasy, Loveless, her pretty-boy sensibilities and predilection for writing in stereotypically “trashy” genres have caused her rather spectacular talent with characterization to remain largely overlooked. Though Kouga’s works can feel messy and chaotic at the start, this messiness is essential to her characters and their relationships, each of which is rooted in a level of emotional truth rare in any kind of storytelling. I’ve often said that “there is no train wreck I love more than a Yun Kouga train wreck,” and I’m sure I’ll say it again. Her ability to explore her characters’ deeply human contradictions and, more to the point, her readers’ is second to none.

loveless-artbook-sm

Yun Kouga’s works published in English include: Earthian (Tokyopop/Digital Manga Publishing), Loveless (Tokyopop/Viz Media), Gestalt (Viz Media), Crown of Love (Viz Media), and Neon Genesis Evangelion: Comic Tribute (Dark Horse).

Over the course of the week beginning July 14th, I’ll be writing about my own love affair with Kouga-sensei’s idiosyncratic writing, but whether you’re a fan, an anti-fan, or somewhere in-between, you’re invited to join in! No blog? No problem! Send me your submissions by email anytime between the 14th and 20th, and I’ll post them on your behalf. There is no end to the creativity encouraged by the MMF. Please explore the works of Yun Kouga in any way you choose, including anything from straight-up reviews, roundtables, or essays to a video of your Kouga-inspired interpretive dance. All submissions and all participants are welcome!

I will post an introduction to the Yun Kouga MMF on Sunday, July 14th, including a link to the Feast’s archive page and instructions for notifying me of your submissions. In the meantime, feel free to send links to older pieces to mj@mangabookshelf.com for inclusion in this month’s archive.

Any questions? Please let me know, or join the MMF Google Group.

Filed Under: NEWS, UNSHELVED Tagged With: Manga Moveable Feast, MMF, Yun Kouga

Weekly Shonen Jump Recap: June 24, 2013

July 1, 2013 by Derek Bown 4 Comments

WSJ June 24 TitleA bit late, but not three weeks late. I count that as progress. What I don’t count as progress, or at least not major progress, is the headliner chapter for this week’s issue. But, let’s dive straight into it shall we?

Naruto Ch. 635
I’m a bit conflicted about this week’s chapter of Naruto. On the one hand it’s good for the story that this isn’t Sasuke’s ultimate redemption. One of the biggest promises made by the series was that in the end Naruto and Sasuke would have a final showdown. It’s hard to do that satisfactorily if Sasuke were redeemed the way we thought he had been. At the same time I’m glad that Sakura hasn’t fallen back into her old habits with the return of Sasuke. The fact that she’s clearly lying to herself about being glad that he’s back is interesting, and promising for her character development, something that I’ve felt has been missing from this series for the past several years.

On the other hand, this chapter isn’t all that great. It’s confusing, some of the art is just weird, and the mood shift is so drastic I tend to focus on that more than I do on how promising these developments are for the series as a whole. If I had anything to say about Naruto—and I do in fact have a lot to say about it, but if we were to narrow what I was to say down to one thing—it would be that this series has been clumsy. It’s been clumsy for many years, ever since the start of the Kage summit.

In the early years this was a great series, but it didn’t take long for certain problems to start cropping up. The series was still enjoyable all the way past the timeskip, and even beyond the timeskip in places. But the attack of Pein against Konoha, and the disappointing way that Kishimoto handled characters like Hinata (which has not been redeemed in the slightest by these past few chapters) were monumental in forming my decision that this series isn’t that great. And that’s not to speak of the years wasted following Sasuke as he does absolutely no growing and all his powers are just given to him by virtue of his ancestry and by necessity of the plot.

But these past few years, and I do mean years, that we’ve been focusing on the Ninja War have been atrocious. Even when the focus is put on characters I want to read more about, it’s been done so clumsily that I can’t see anything this series does as just another bid for time. We all know Naruto won’t be cancelled. Kishimoto knows this, and judging by the quality of his manga at the moment I’d say that while he has an ending in mind he’s stretching it as far as possible. Why? I can’t say. But I’ve got the sneaking suspicion that somewhere in the line, whether it be Kishimoto himself or the editorial department, someone has been sacrificing quality in favor of more money. After all, they’re clearly scared about Bleach and Naruto ending. With two of the big three gone and only one replacement, what does their magazine have? And thus they sacrifice quality and we’re left with manga that we used to know and love but now wish would just go away.

It’s kind of like The Simpsons in that regard.

Oh, and let’s not forget the infantile character interaction between Karin, Suigetsu, and Orochimaru. I think I don’t even need to comment on that one, it speaks for itself. But I will say that I think Kishimoto has either lost his sense of humor or is writing to a much lower age group than he thinks he actually is.

Naruto

One-Punch Man Ch. 020.2
I absolutely love the way Murata draws gadgets in this series. First it was Sonic’s exploding Shuriken, and now it’s Golden Ball’s slingshot. He keeps drawing things that I really, really want. With this chapter we get a look into what the monsters as well as the heroes think about Saitama’s neighborhood. Nobody quite knows what’s going on, but he’s risen to the level of an urban legend. And somehow, even though we know Saitama is the good guy, even though most of the time he’s drawn so plainly, somehow he still manages to be the focus of the most terrifying panel of the chapter. And we still get to see that One can write jokes about Saitama’s power level without growing stale. Though there is a slight hint of, “Okay, we get it” with the overall concept, but in the end I find myself just enjoying this series.

One-Punch Man

World Trigger Ch. 019
I normally don’t let art quirks bug me. But I’ve had enough. The duck faces from Yuma were bad enough, but now we have ANOTHER character whose thing is making duck faces! Is this Ashihara’s concept of the height of comedy? People making duck faces? The kid who writes axe cop would tell this guy, “Dude, come on, it’s not that funny.” The thing about World Trigger is that Ashihara has a lot of good ideas, and he is skilled enough to pull off some nifty scene transitions. The problem is that he isn’t quite skilled enough to bring across ALL of his ideas properly. Sure having a Capybara in his series is kickass, but so what? Without the skill to tell a coherent story, and the wisdom to stick to conventional tropes where necessary (such as actually bothering to give your characters motivation), then all the clever ideas and moments of talent won’t amount to much. I don’t see this series going anywhere, but I think we can expect Ashihara’s next work, or event he next after that, to be something to look forward to. As long as he can recognize his failings and work to adjust them. If he can’t do that, then I don’t expect much from him.

Bleach Ch. 542
The interesting thing about Bleach is that sometimes it will clearly contradict itself, but then after just a moment of thought the answer will present itself. Sure Kubo had said that Kyouraku and Ukitake were the only ones with double Zanpakuto, and sure he broke that with Hisagi, but when Ichigo gets his double Zanpakuto it works because at the time Kyouraku and Ukitake were the only two that had double Zanpakuto. And it makes sense for Ichigo to have two blades like that, considering that we’re going with the idea of his powers being split between his Hollow plus Soul Reaper powers and his Quincy powers. Though with all these redesigns I feel that Kubo has lost the iconic look that so many people associated with his series. And by this point I think a lot of people will be turned off by the constant design changes. Here’s hoping that Kubo can end Bleach soon and then move on to design his next series.

Bleach

Nisekoi Ch. 079
Not only do we finally move away from Haru, but we focus on one of my favorite characters, Tsugumi. The main draw this chapter is getting some more backstory, developing Tsugumi in a very needed way, considering she’s the odd one out from the childhood promise group. While it may feel like any development between her and Raku is wasted space since it’s clear who he will end up with, I still feel that the journey more than makes up for knowing the destination. And of course we get to see Onodera at the very end for the final punchline.

Cross Manage Ch. 038
If this series gets cancelled I will lose all hope in the youth of Japan. I know that at it’s hard to appreciate literary and artistic quality at a young age, what with all the media aimed at you being all vampires and kissing and stuff (I don’t know, I don’t pay much attention to YA anymore). But it takes a special level of dense not to get why this series needs to keep going. It’s a comedy, it’s a character piece, it’s a surprisingly great sports manga, AND it’s a drama! What more could anyone want? The only thing missing is a battle for galactic peace or something. Granted the sensitivity of this series may be a bit more shoujo, but considering that most of my issues with shoujo lie with the art styles and the focus entirely on romance, I consider Cross Manage to be the series that takes the good from shoujo and wraps it in a familiar shounen package. With Misora’s injury all the heavy drama from the first chapter comes back, but this time we’ve had thirty-seven chapters to get to know the characters. Combine this with Kaito’s raw skill for drama and suddenly this series keeps getting more and more compelling. I still don’t know how it end, but now we have an added dilema on top of the possibility of losing the game.

Cross Manage

Toriko Ch. 238
Well, if Cross Manage didn’t give you the raw violence you wanted, then here’s Toriko to the rescue. While the past few chapters have been a bit too much violence with little more substance, I think that this chapter was really aided by the addition of the visualization powers. Essentially we get to go far more violent than either Toriko or Starjun could survive, allowing for the most brutal fight this series has seen in a while, or that Jump has ever seen. And of course it’s supplemented by the fact that they all really are taking major damage. Not much substance as far as the story or characterization is concerned, but it had plenty of well drafted violence. And sometimes that’s just what we’re in the mood for.

Toriko

Dragon Ball Z Ch. 020
Finally we move from the training arc to the actual battle. While the training didn’t take nearly as long as it would have in the anime, stretched into weekly segments it took long enough. But, even though we don’t get that much fighting this chapter, it clearly shows why so many remember this series so fondly, and why it’s considered a classic shonen battle manga. The action is just well rendered and badass. The story behind this manga may not be the strongest, but there’s a reason it’s the strongest in fight scenes.

Dragon Ball Z


Just as a reminder, for any newcomers, I haven’t been reviewing Yugioh Zexal mostly because there is no way I could have fairly represented it. Most of my comments would have been along the lines of, “Card games are dumb, I don’t get this series.” It doesn’t help that I haven’t been reading it from the beginning, and really the only way I could have is if I’d either bought the digital volumes or pirated the series. Neither of which I feel inclined to do for the latest incarnation of a series I haven’t followed since season two of the anime.

And for this week’s question, would you like me to spend more time discussing the specific events of the chapters, which would include spoilers, or do you prefer my relatively spoiler free format that focuses entirely on discussion? My theory is that anyone reading this has either read the chapters and wants another opinion, or they’re deciding whether to read it and won’t appreciate spoilers. Let me know in the comments which you think would work better.

If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to the last week’s episode, Episode 052 – June 17, 2013 – The Top Five Sexiest Manga Characters | Fairy Tail Vol. 7.

Filed Under: FEATURES & REVIEWS, WSJA Recaps

Pick of the Week: Last Gasp First

July 1, 2013 by Michelle Smith, Sean Gaffney and MJ 2 Comments

potw-7-1-13MICHELLE: Calm but carnivorous giant space hippos. Fanciful and imaginative landscapes. Terrible carnage at a poodle ranch. A cute, fluffy, and cheerful alien protagonist who keeps falling for all the wrong girls. If any of these absurd notions appeal to you, then you need to be reading Junko Mizuno’s Little Fluffy Gigolo PELU, the second volume of which is due next week after a three-year hiatus. I really enjoyed the first volume and am positively asquee that volume two is here at last!

SEAN: For me it’s going to be Oresama Teacher 14. Only Excel Saga makes me laugh more than this ridiculous shoujo comedy, which actually could be shifted over to a shonen magazine without needing to change even one thing – it’s filled with goofy fights, wacky misunderstandings, and healing broken teenagers though the power of stupidity. Love it to bits.

MJ: Since Michelle has already given her pick to my likely first choice, PELU, I’ll take this opportunity to give a boost to this week’s other new offering from Last Gasp, The Strange Case of Panorama Island, Suehiro Maruo’s manga adaptation of the popular novel by Edogawa Rampo. I’ll be the first to admit that “underground” manga is pretty hit or miss with me—and most often miss. It seems so often that “underground,” at least what’s advertised as such here, translates to “obsessed with shock value for its own sake,” which usually ends up being empty in most other ways. But a look at this video about the book from Last Gasp is all it takes for me to put my money on “hit” this time around. That lush artwork is more than enough to lure me in. I’m sold!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 7/1/13

July 1, 2013 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.


aceheartsAlice in the Country of Clover: Ace of Hearts | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This wasn’t quite as bad as Bloody Twins, but it’s right up there. I’ve said before that the Alice manga is best when it’s not focusing on romance, and this isn’t that; it’s pretty much Alice falling for Ace, and getting lost a lot with him. There’s some attempt at working with Ace’s psychoses – the friendlier she is to everyone, the less he likes her, which would not bode well for them if this relationship lasted longer than half a book. But for the most part this is simply ‘the Ace ending’ for those who read the visual novel. It’s not even big enough to fill the book – about 60% is Ace, and the rest of the volume is two Crimson Empire stories. Which are also dull. Honestly, even if you’re an Ace fan, there are other books that use him better than this one. – Sean Gaffney

devil9A Devil and Her Love Song, Vol. 9 | By Miyoshi Tomori | Viz Media – I enjoy each new volume of A Devil and Her Love Song, but the reliance on melodramatic tropes keeps it from becoming a favorite. Moments when the drama comes from the characters themselves are the best parts of the series. The highlight of this particular volume is when Maria is able to convince her group of friends to welcome fellow outcast Shintaro, making him profoundly happy. But then there are moments when the drama comes from something trope-y, like that ubiquitous shojo heroine predator, the random thug on the street (a.k.a. “the sidewalk cretin”), one of whom is responsible for causing Maria to miss Shin’s concert hall performance. This plot device is so contrived that it takes away from what’s going on with the characters, which seems to be that Maria’s developing a newfound appreciation for Yusuke. In the end, I really like this series, but I don’t love it. – Michelle Smith

fairytail27Fairy Tail, Vol. 27 | By Hiro Mashima | Kodansha Comics – Last volume had the villains winning everything, now it’s time for Fairy Tail’s comeback. Sometimes this is hilarious (everything about Natsu and Lucy’s teamup is one of the funniest things in this entire manga, and Mashima has shows he can draw funny faces better than almost anyone), and sometimes it’s badass (Loke’s fight with Capricorn, and how it ties into both Lucy and her late mother). Possibly the most interesting fight, though, is one that was changed at the last minute. Juvia’s battle with Meredy was originally supposed to be a big water powers beatdown, but after the Tohoku Earthquake and tsunami Mashima changed it to what we see here, showing that love and acceptance is what is really needed. It’s nice and heartwarming, and fits with Fairy Tail’s basic tenets. – Sean Gaffney

goong9Goong: The Royal Palace, Vol. 9 | by Park SoHee | Yen Press – I enjoy this manhwa, but I stopped following it actively. I stumbled across a bunch of the omnibus volumes at my local library and decided to dive in again. Were the characters’ lips always so bee-stung? In this contemporary story of a modern-day Korea with an active royal family commoner turned princess Chae-Kyung ponders the possibility of announcing her intention to divorce her royal prince Shin even though she loves him. There’s plenty of intrigue and manipulation in this frothy soap opera, as Shin gets framed and the Queen Mother tries dosing the young couple with herbs in order to hasten the appearance of a royal grandchild. I enjoy the way the art turns lavish whenever the royals are wearing more traditional Korean garb. There should be plenty of drama and intrigue in the volumes ahead! – Anna N

skipbeat31Skip Beat!, Vol. 31 | by Yoshiki Nakamura | Viz Media – I know I’ve mentioned before that the Heel siblings storyline in the current arc fills me with almost unholy levels of fangirl glee. This latest installment of Skip Beat is just as engrossing as the last. Ren has always been a bit of a handsome and mysterious cypher but Kyoko is gradually realizing the depths of his issues and trying to help him out however she can. A storyline about an actor confronting his inner demons might not seem exciting, but Nakamura’s dynamic and stylish art combined with the fact that Kyoko and Ren seem to be drawing closer together is plenty to satisfy fans of this series. – Anna N

strobeedge5Strobe Edge, Vol. 5 | By Io Sakisaka | Viz Media – Well, I was not expecting that! Interesting! But even before the unexpected twist, there was a lot to like about this volume of Strobe Edge. With Ren keeping his distance, Ninako ends up spending more time in the company of Ando, a former playboy who has confessed his love for her. I really appreciate that he’s become a fully fledged character instead of a simple rival, and we learn a good deal about his past in this volume. There are also many changes going around, and various characters afflicted with longing, and really it’s just so great and somehow refreshing. This is what good shoujo drama is like when you don’t have to result to tired old clichés. Yes, A Devil and Her Love Song, I’m talking to you. It actually reminds me a little of We Were There, which is high praise indeed. Go read Strobe Edge. – Michelle Smith

Filed Under: Bookshelf Briefs

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