Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Katherine Dacey

King of Eden, Vol. 1

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Is it too soon to enjoy a pandemic-themed manga? That question was foremost in my mind as I read King of Eden, a new thriller that pits a group of globe-trotting scientists against an assortment of terrorist organizations that have weaponized a lethal virus. I’m happy to report that King of Eden didn’t remind me of the COVID crisis, but it did something arguably worse: it bored me.

The dullness of the story is all the more surprising for a series written by Takashi Nagasaki, Naoki Urasawa’s collaborator on such entertaining pot-boilers as Monster, Master Keaton, and 20th Century Boys. All of Nagasaki’s worst tendencies are on display in King of Eden: there are pointless flashbacks to the main characters’ childhoods, solemn monologues about the Old Testament, long-winded conversations about global terrorism, and an interminable lecture on the ancient Scythians that name-checks Herodotus because… why not? Though the first volume introduces a dizzying number of characters, Nagasaki barely fleshes them out. Even leads Rua Itsuki and Teze Yoo feel more like skill sets than actual people, as evidenced by an on-the-nose exchange in which a bureaucrat recites Dr. Itsuki’s resume and reminds her that she “hold[s] a black belt in Tae Kwon Do” and is “proficient in the Israeli martial art of Krav Maga” as if she didn’t know these things about herself.

None of this would matter, of course, if King of Eden were entertaining, but Nagasaki is so intent on world-building that he overwhelms the reader with information, all delivered in such earnest, exhaustive detail it saps the narrative momentum. Itsuki and Yoo cross paths with MI-6 agents, WHO officials, IRA terrorists, crazy archaeologists, Interpol officers, and zombies—ZOMBIES, for Pete’s sake!—yet none of these encounters are memorable. Had Nagasaki placed more trust in artist SangCheol Lee (a.k.a. Ignito), King of Eden might have been a brisker, more imaginative entry in the zombie canon.

The first chapter offers a tantalizing glimpse of that potential partnership. Gone are the long-winded speeches; instead, Lee drops the reader into the action alongside two police officers who stumble across a baffling, gruesome scene. After the officers arrest a potential suspect, Lee skillfully cross-cuts between two spaces at the local precinct—an interrogation room and the morgue—allowing us to glimpse what’s unfolding in each room, and to feel the policemen’s growing unease. Lee’s crack pacing keeps the reader invested in the characters’ fate, building to a satisfying reveal of the carnage’s true source: a hideous, lantern-jawed creature that’s part werewolf, part zombie.

Alas, that cinematic flair disappears as soon as the characters begin talking; the next two chapters consist of information dumps punctuated by the occasional fist fight or car chase. By the time Nagasaki and Lee introduce a vampire arms dealer near the end of volume one, it barely registers as a major development. And that, in a nutshell, is what’s wrong with King of Eden: the story is so overstuffed with characters and events that I couldn’t muster the energy for another 15 or 100 chapters of talking heads explaining zombie behavior or Scythian culture just to figure out who this vampire is, and why he matters.

Yen Press provided a review copy of volume one.

KING OF EDEN, VOL. 1 • STORY BY TAKASHI NAGASAKI • ART BY IGNITO • TRANSLATED BY CALEB COOK • LETTERING BY ABIGAIL BLACKMAN • RATED OLDER TEEN (16+) • 384 pp.

Pick of the Week: Jazz and Josei

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SEAN: I try not to do more than one pick per week, but I have to break the rules this time around, as I cannot decide between jazz-tinged Blue Giant and gut-wrenching My Broken Mariko They both look amazing.

MICHELLE: I am absolutely in the exact same boat. I’m really looking forward to both of these.

ANNA: I agree, both of them sound amazing.

KATE: I am 400% on board with Blue Giant. I’m contractually obligated to pick it; what’s more Berklee than jazz manga?!

ASH: While I’m certainly interested in My Broken Mariko, I’m with Kate this week in fully backing Blue Giant as my pick. Bring on the award-winning music manga!

MJ: Okay, I’ll admit I’ve been having a hectic week, and I’m feeling unprepared to make a pick. But I’m hearing “jazz manga” and I absolutely can’t resist. Make it Blue Giant for me!

Pick of the Week: Idols, Clubs, and Maidens

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MICHELLE: I’m reluctant to tout anything from TOKYOPOP, given that I am still bitter about past deeds, but I must admit that Ossan Idol! looks really fun. I’m worried they’ll abandon this series midway, like so many others, but I shall cautiously award it my pick of the week.

SEAN: This week’s pick is Easy Breezy for me: it’s the first volume of Keep Your Hands Off Eizouken, which if it’s even half as good as the anime will be very good indeed.

ASH: I’m certainly interested in Eizouken, too, but this week I think I’ll be focusing on catching up on Viz series, probably starting with JoJo’s Bizarre Adventure before pivoting to shoujo.

MJ: Okay, I’ll be honest, folks. I don’t have a pick this week, because I can’t focus on anything besides the impending doom we’re facing this week in the U.S. It’s pretty all-consuming. I know they are still selling manga, but that knowledge is buried under so much anxiety, I can barely even acknowledge it. Stay safe, everyone. I’m sure you know where my meager hopes fall. Sorry I’m useless.

KATE: I’m intrigued by Ossan Idol, but my heart belongs to O, Maidens in Your Savage Season, a sharp, funny portrait of nerdy girls coming to terms with their budding sexuality. If you enjoyed the movie Booksmart, Maidens is for you, as it explores some of the same emotional (and humorous) terrain.

ANNA: I’m finding it hard to concentrate on manga right now. There’s a lot of great shoujo coming out this week, I think I’m going to pick Daytime Shooting Star, a manga that inspires both feelings of dread about potentially inappropriate relationships and hope that things all work out somehow.

Pick of the Week: Traveling Manga

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SEAN: I am torn between two manga with really nice art this week. Shikimori’s Not Just a Cutie and Heterogenia Linguistico both make me want to judge books by their covers. I’ll make them a co-pick.

MICHELLE: I’m keen to get caught up on The Girl from the Other Side, but I too am charmed by the cover of Heterogenia Linguistico, so will make that my official pick this week.

ANNA: I’m going to signal my intentions of getting caught up on The GIrl from the Other Side and make that my pick!

KATE: The last two volumes of Girl from the Other Side have been such colossal downers that I’m going to highlight a different Seven Seas title this week: Nicola Traveling Around the Demon’s World, a handsomely illustrated, utterly charming manga about a plucky human who’s passing through a world of monsters, demons, ghosts and spirits, making friends and casting spells along the way. It’s the kind of all-ages series that adult readers can appreciate for the craftsmanship and young readers can appreciate for its emotional honesty and down-to-earth humor. Why this isn’t on more people’s radar, I don’t know, but Nicola is Eisner-worthy. Just sayin’.

ASH: I don’t think I can put it much better than Kate already has, but Nicola Traveling Around the Demon’s World is a truly wonderful and absolutely delightful series. While debut-wise I’m curious about Heterogenia Linguistico, my heart goes to Nicola this week.

MJ: Okay, I really didn’t have a pick this week, but you all have convinced me that I absolutely need to check out Nicola Traveling Around the Demon’s World. So I guess that’s that. I’m doing it.

Pick of the Week: Waves, Sneezes, and Flags

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MICHELLE: It’s all about the W’s for me this week. Wotakoi and Whisper Me a Love Song are high on my list, but I’m most excited to continue the story of Wave, Listen to Me. The digital releases paused to allow the print version to catch up, so it has been a long time! Honorable mention to non-W Blue Flag, as well.

SEAN: I’ll go with a double dose of light novels this week. Ongoing, no question it’s the new Ascendance of a Bookworm that has my pick. But we’re also seeing the debut of In the Land of Leadale, which has intrigued me since it first was announced, if only for the gorgeous covers. (Remember around four years ago, when we were desperate for any light novels with a female protagonist? Those days are happily long gone.)

KATE: Achoo! It’s Sneeze for me, as I’m really curious about Naoki Urasawa’s short game. I’ve enjoyed Master Keaton and Pineapple Army, two series that are more anthologies than epic sagas, so I’m cautiously optimistic about Urasawa’s ability to tell a self-contained story.

ASH: My wallet will certainly be hurting this week; I’m reading so much of what is being released! In addition to everything that everyone else has mentioned so far, I’ve also got my eyes on the (print) debut of Heaven’s Design Team.

ANNA: There’s a lot of manga coming out this week that sounds interesting, but I think for me more Blue Flag is what I’m most excited about.

Pick of the Week: Blue Moods

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SEAN: Was feeling kind of blue this week, so thought I might go for the adorable-looking Cutie and the Beast as my pick instead, but then I thought, so what? Let’s go with the manga I’ve been most excited for, that is miles ahead of the others. Blue Period is my pick.

MICHELLE: These are definitely the two titles I am most excited about this week! I must agree with Sean that Blue Period generates the most excitement, though, so I will also pick that one.

ASH: It’s the debut of Blue Period and Cutie and the Beast for me, too, this week! Quite different series from each other, I expect, but I’m looking forward to reading both of them.

ANNA: To be honest, I’m probably most excited for Cutie and the Beast, it sounds like an adorable distraction.

MJ: There’s not a lot luring me in this week, with the exception of Blue Period, which sounds like exactly my kind of manga. So here’s hoping!

KATE: What Ash said!

A First Look at YashaHime: Demon Half-Princess

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For a brief moment in the early 2000s, Rumiko Takashashi’s InuYasha was the shonen franchise in America. It was a constant presence on cable television, where it anchored Cartoon Network’s Adult Swim line-up, and a commercial success for VIZ Media, which issued and re-issued the series in formats ranging from flipped floppies to deluxe, three-in-volumes. By the time InuYasha finished its run in 2008, readers had moved on to other franchises, but InuYasha was an important series for the North American comics market, as it helped reveal an underserved population of teens who weren’t particularly interested in Batman or Captain America, but were interested in reading comics about characters their own age.

InuYasha also demonstrated that teen girls were just as enthusiastic about action, adventure, and horror comics as their male counterparts, especially if the series featured well-rounded female characters. To be sure, plenty of shonen manga included at least one Tough Female Character™, but InuYasha’s three female leads were defined as much by their frustrations, insecurities, and smarts as they were their ass-kicking capabilities. Equally important, Kagome, Sango, and Kikyo weren’t drawn for the male gaze; they were depicted as normal young women, making it easier for teen girls to identify with the characters’ struggles and triumphs.

It seems fitting, then, that the new InuYasha spin-off puts girls front and center. YashaHime: Princess Half-Demon is a “next generation” sequel that focuses on the original characters’ offspring—in this case, the teenage daughters of InuYasha and his big brother Sesshomaru. This time around, however, Sesshomaru’s twins Towa and Setsuna are the leads and InuYasha’s kid Moroha is the brash, impetuous foil to her sterner, more reticent cousins.

The good news is that YashaHime faithfully adheres to the spirit of the original series, with its characteristic mixture of romance, slapstick, horror, and action; anyone worried that the new series might try too hard to differentiate itself from InuYasha will be happy to see that the new show keeps the focus on demon-fighting, quests, and camaraderie. The bad news is that the first episode is so compressed that the new heroines barely make an impression on the viewer, as their introductions are overshadowed by clumsy bits of exposition, cameo appearances by the original series’ main characters, and a showdown between a demon and the old gang.

In an effort to create more continuity between the original series and the sequel, the second episode reveals that Towa was raised by Kagome’s younger brother Sota in present-day Tokyo. Towa’s introductory scenes are so focused on explaining her backstory that her distinctive choice of clothing—a schoolboy’s uniform—initially seems like an afterthought: “better for fighting,” Towa tells us in a voice-over. That detail turns out to be an important clue about how Towa sees herself, as she complains that “girls must be feminine and boys must be masculine,” a distinction that Towa finds as restrictive as the clothes she’s expected to wear. Towa’s gender presentation is addressed in a ham-fisted way—her younger sister pleads with Towa to be more “girly” and “cute”—but the writers’ willingness to address Towa’s fierce rejection of gender binaries suggests that YashaHime may explore some interesting new thematic territory.

The only truly disappointing aspect of YashaHime is the animation, a flaw that’s most evident in its stiffly executed fight scenes. The animators never create a persuasive illusion of people jumping, flying, and running through three-dimensional space; all the characters look like paper cut-outs superimposed on unimaginative backgrounds. The flatness of the imagery is even more obvious when YashaHime and InuYasha are viewed side-by-side, as InuYasha’s softer, more nuanced color palette gave the picture plane more depth and the characters’ bodies more weight. The one bright spot is YashaHime‘s character designs: Moroha, Towa, and Setsuna bear just enough resemblance to their parents to make it easy for the viewer to grasp the father-daughter connection, even though each girl has her own unique look. That attention to detail extends beyond their physical appearance, too, influencing the way they move, talk, and twitch their noses when they catch wind of a demon.

If I sound a little ambivalent about YashaHime, I am: it shows considerable promise, but hasn’t quite escaped the long shadow of its parent series or found the right pacing for the kind of stories it wants to tell. I’m reserving final judgment until the relationships between Towa, Setsuna, and Moroha are more clearly delineated—after all, it was the complex web of feelings and friendships that made InuYasha compelling as much as its demon-of-the-week adventures. Here’s hoping the sequel will embrace that approach, too.

Episodes 1-2 of YashaHime: Princess Half-Demon are currently streaming on Crunchyroll, Funimation, and Hulu. New episodes air on Saturdays.

Pick of the Week: Beginnings and Endings

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MICHELLE: I’m excited by all the final volumes out next week. I’m definitely interested to read the conclusions of Ao Haru Ride and The Demon Prince of Momochi House, but most look forward to the resolution of To Be Next to You, a shoujo offering of Kodansha’s digital-first initiative. I’ve really enjoyed what I’ve read by Atsuko Namba and look forward to more in the future.

SEAN: Lotsa Viz I’m getting, and I’m tempted to pick Yona (always my default). But I really loved Sexiled, and want to see more by the author, so I will go with A Lily Blooms in Another World, despite having read a very similar book 3 weeks ago.

KATE: With Halloween around the corner, I’ll put in a word for the new digital edition of Junji Ito’s Dissolving Classroom, a weird, funny, and icky collection of short stories about the siblings from hell. Plot-wise, Ito’s manga doesn’t have much to do with Kazuo Umezu’s similarly titled Drifting Classroom, but it shares the same penchant for over-the-top gore and WTF? moments.

ASH: Despite already owning the first trade paperback edition of Blade of the Immortal, I can’t resist picking up the new deluxe release in all its glory. But I’ll also be turning my eyes towards the debut of another dark, action-packed series this week – Chainsaw Man.

ANNA: There’s a bunch of manga coming out this week that I’m excited to read, but the one I’m most excited about is the final volume of Ao Haru Ride, which has managed to tell a compelling story of teen romance developing despite past tragedy.

Pick of the Week: Farmers, Brides and Villainesses

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MJ: In a stunning turn of events, I’ll begin this week’s column. I have only one cry to let out into the world, and that would be… “SILVER SPOOOOOOOOOOOON.” What I’m saying is that my pick is Silver Spoon.

SEAN: Technically I know I should be picking the final Silver Spoon, or the new A Bride’s Story, or a new Baccano!, or any other number of Yen Press stuff. But after seeing Erica’s review of the first volume of I’m in Love with the Villainess!, that’s gone to the top of my “books I want to know more about”. Despite 2020 being the year of villainess stories, this is still apparently a cut above.

MICHELLE: For the longest time, I wasn’t especially tempted by light novels, but lately there have been a few to catch my eye. And after reading Erica’s review, I immediately went to Amazon and pre-ordered the digital edition of I’m in Love with the Villainess!. The prospect of genuine character growth and development within a fantasy isekai (plus yuri!) is really calling to me.

KATE: Oof–this is a lot to take in! I’m going to join MJin reminding everyone to buy the final volume of Silver Spoon, which has been a consistently great series from beginning to end, with vivid characters, real-life drama, and just enough poop jokes to prevent the whole thing from being too heavy, but I’m also going to shamelessly plug the newest installment of A Bride’s Story. Kaoru Mori costume drama = win.

ASH: As I anticipate being able to declare A Bride’s Story my pick in the future, and to grant that honor to I’m in Love with the Villainess! when it’s released in print (yes, I have it preordered), and that this is the last time I’ll be able to choose Silver Spoon, that’s the series I will go with this week! It’s such a great manga for all the reasons Kate has already described, plus it makes me oddly nostalgic for the area of the United States I grew up in. If you haven’t given Silver Spoon a try yet, this is the time.

Pick of the Week: La Belle Maison

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SEAN: Despite my thinking that this series is a good example of why you shouldn’t use comedic sociopaths in a serious manga, the pick clearly has to be Maison Ikkoku anyway. It’s iconic, beloved, and Kyoko vies with Madoka from KOR as the most beloved anime heroine by men of a certain age. I’m quite happy Viz is bringing it back.

MICHELLE: Yep, it’s Maison Ikkoku for me, too, but honorable mentions for Ping Pong and The Way of the Househusband!

KATE: I’m voting a straight VIZ ticket, too, Michelle! Maison Ikkoku, Ping Pong, and The Way of the Househusband are all on my short list for this week.

ASH: VIZ has an incredibly strong showing this week! The second half of Ping Pong is most likely the first volume that I’ll be reaching for, but I’ll definitely be reading everything that’s been mentioned so far!

ANNA: I agree, this is a great week for Viz. I’m excited about many of the titles that have already been mentioned, but I do especially enjoy that classic manga is getting released, so I’m going to go with Maison Ikkoku.

MEINDA: I want to care about other things, but this week, my heart belongs to Maison Ikkoku.

Pick of the Week: Lucky Manga

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MICHELLE: I’m happy to get more of Ace of the Diamond and Giant Killing, two long-running sports favorites of mine, but last week my love for Spy x Family eclipsed all else and I neglected to mention another long-running favorite has a new volume! And thus… Skip Beat! 44 is my belated pick.

SEAN: I should be picking Fly Me to the Moon out of loyalty to the Hayate creator, but I’ve got to admit, my eyes are drawn more to antique-shop mystery novel series Holmes of Kyoto, so that’s my pick for the week.

KATE: I’m feeling a little sentimental for the aughts, so my pick goes to CLOVER, a swoon-worthy sci-fi tale that doesn’t make a lot of sense but sure looks nice. By my count, this is the third edition of this series, which has passed from Tokyopop to Dark Horse to Kodansha, so I’m curious to see how the material is presented this time around.

ASH: Even considering some of the other interesting releases coming out this week, I’m in complete agreement with Kate. Clover has such a distinctive artistic approach from CLAMP, I’m looking forward to seeing its newest deluxe treatment.

ANNA: I’m intrigued by Clover too, but I’m also all CLAMPed out. I’m going to take the opportunity to celebrate Skip Beat!!

MJ: Okay, this is seriously off-brand for me, but even though I fully anticipate buying the new edition of CLOVER, I’m going to take a risk and check out Fly Me to the Moon. I wasn’t a Hayate fan, particularly, and this seems ] likely to backfire on me in a fanservicey way, but I’m so intrigued by the premise, I just gotta take a look.

Pick of the Week: Dogs and Cats, Spies and Knights

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SEAN: I’m getting a wide variety of stuff this week, from dark yuri light novel Roll Over and Die to cute pet manga With a Dog AND a Cat, Every Day Is Fun. But the honeymoon is still not quite over for me. My pick this week is the 2nd volume of SPY x FAMILY, which is badass and adorable in equal measures.

KATE: Cute pet manga for the win! I’m on team Dog AND a Cat this week, but I won’t lie: I’m also excited for Knight of the Ice and SPY x FAMILY, as well as Makeup is Not (Just) Magic: A Manga Guide to Cosmetics and Skin Care.

MICHELLE: I’m in the same boat as Sean. I’m genuinely looking forward to With a Dog AND a Cat and new volumes of various shoujo and shounen favorites, but I fell for Spy x Family so quickly and so completely that I can’t wait for volume two!

ASH: The first volume of Spy x Family was such a delight! The second volume is one of my top picks this week, too. (I’ll also be reading just about everything Kodansha is releasing in print.)

ANNA: There’s a lot of good stuff coming out this week, but as long as ice-skating josei is an option, Knight of the Ice is going to be my pick!

MJ: There’s a lot more for me to like this week than some, but I’ve heard that With a Dog AND a Cat, Every Day Is Fun, and I could use a bit of that these days!

The Girl with the Sanpaku Eyes, Vol. 1

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Google the term sanpaku, and you’ll quickly discover why the word resists easy translation. In its most basic sense, sanpaku means “three whites,” a condition in which the iris sits a little higher or lower in the eye than normal, exposing more of the schlera. The significance of having sanpaku eyes, however, seems hotly contested, with some websites proclaiming it a curse and others declaring it evidence of great emotional turmoil. The heroine of Denpa Books’ newest series is neither doomed nor crazy, just deeply frustrated that her chronic Resting Bitch Face makes it difficult to show Katou, her crush, how cool and awesome she thinks he is.

Perhaps the most surprising aspect of The Girl with the Sanpaku Eyes is the artwork. The illustrations are rendered in a warm, pink palette that captures Amane’s agitation more effectively than deformations and sweat drops alone could do. The character designs are somewhat generic—Katou is a standard-issue shojo prince, right down to his mega-watt grin—but Amane and her siblings are drawn with genuine individuality, revealing their shared family curse: all three look meaner than they are. Amane, in particular, stands apart from her galaxy-eyed peers with her cat-like pupils and scowling expression that make her look more like a bosozoku gang member than a sweet, timid high school student.

Though artist Shunsuke Sorato convincingly shows us how flustered Amane becomes in Katou’s presence, there’s almost no dramatic or comedic tension in this series; by chapter three, it’s obvious that the sweetly hunky Katou likes Amane, too, and is eager to reciprocate her affection. Therein lies the biggest problem with The Girl with the Sanpaku Eyes: the story is so one-sided and predictable that it barely registers as a rom-com, since there’s almost nothing at stake in Amane and Katou’s exchanges. For middle-school readers navigating a first crush, Sorato’s storytelling approach will feel reassuring, but for older teens The Girl with the Sanpaku Eyes may be too anodyne to be truly engaging.

A review copy was provided by Denpa Books. Volume one will be released digitally on August 25th at the Denpa Books website and September 1st on additional digital platforms. The print edition will be released on September 15th.

THE GIRL WITH THE SANPAKU EYES • ART & STORY BY SHUNSUKE SORATO • TRANSLATED BY DAVID GOLDBERG • LETTERING BY GLEN ISIP • DENPA BOOKS • 128 pp. • NO RATING (SUITABLE FOR READERS AGED 10+)

Pick of the Week: Listening to Space Waves

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SEAN: A lot of my ‘mid-tier’ series are out this week, so its hard to have a pick. I guess I’ll go with Fiancée of the Wizard, because shoujo isekai have been pretty good lately.

KATE: Oof–this is one of those weeks where there’s so much choice I’m a little paralyzed! I’m excited for new volumes of Drifting Dragons and Wave, Listen to Me, but I’m also intensely curious about Sazan and Comet Girl (Sazan to Susei no Shoujo), a done-in-one sci-fi series that’s in… wait for it… color. So if I had to whittle down my list to one book, it would be Sazan and Comet Girl.

ASH: I’m definitely interested in Sazan and Comet Girl, but I’m holding out for the print edition. So, Wave, Listen to Me! will be my go-to manga this week, although I’ll admit to being intrigued by the debut of Fiancée of the Wizard and its pretty cover.

ANNA: Like Ash, I’m curious about Sazan and Comet Girl, but Wave, Listen to Me! is also my pick!

MICHELLE: I’m happy Wave, Listen to Me! is coming out in print, and Sazan and Comet Girl looks neat, but I’m most looking forward to the thirteenth volume of Waiting for Spring, in which the main storyline concludes. It’s a quiet sort of shoujo series that hasn’t made many waves and though I don’t expect any dramatic twists in the final volume, I like these characters and want to see how things wrap up for them.

MJ: Even with so much to choose from, I’m struggling to make a pick this week. But I think I’ll go along with Kate in choosing Sazan and Comet Girl, which was, for me, the most intriguing item on this week’s list!

Pick of the Week: A Mostly Floral Assortment

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MICHELLE: I’m very happy about more Ooku and Rose of Versialles and excited to check out The Ancient Magus’ Bride: Jack Flash & Faerie Case Files, but it didn’t take long for me to really care about the cast of Blue Flag, and I am desperate for the next volume even though it may well tear my heart out. In the best way, of course.

SEAN: Lots out this week for me, but I’ll make the final volume of Bloom Into You my pick. A rare series that gets better every volume.

ANNA: I’m excited about many of the volumes Michelle already mentioned, but if there’s a new volume of Rose of Versailles out that is always going to be my enthusiastic choice.

ASH: There are so many things being released this week that I’m interested in (including everything that’s been mentioned so far), making it very difficult to pick just one. But I’ll take this moment to highlight the release of Venus in the Blind Spot since a best-of collection Junji Ito’s work could never be a bad choice.

MJ: I don’t have incredibly strong feelings this week, except for continued gratitude that we’re seeing new volumes of Rose of Versailles and Ooku. And since I’ve said many times “Yoshinaga always wins,” I guess I’ll go for Ooku!

KATE: I got nothing new to add to the list: I’m excited about Junji Ito’s latest short story collection, and excited for another installment of The Rose of Versailles.