Gestalt, Vol. 1
By Yun Kouga
Published by Viz Media

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Father Olivier is a young priest with low-level magical powers who leaves his order to seek out an island called “G,” where it is said that any explorer’s wish may be granted by the exiled God who sleeps there. As he begins his journey, Olivier ends up performing a miracle for an innkeeper who welcomes him as a guest. It’s a small miracle, which Olivier considers payment for his room, but the innkeeper insists he accept a thank-you gift in return. The “gift” turns out to be a pretty, young slave woman named Ouri, who has had a spell cast on her to keep her from speaking. Initially refusing to take a human as a gift, Olivier is eventually persuaded by the slave herself, who does not want to be sold off to the highest bidder.
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Future Lovers, Vol. 2
By Saika Kunieda
Published by Deux Press

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It’s been a year since the events of volume one and Kento and Akira have become comfortable in their relationship, though there are still a few surprises in store, beginning with a visit from Akira’s mother, a pampering, ostentatious multiple divorcée with a somewhat scandalous past. New revelations about Akira’s background cause some turmoil in his relationship with Kento but as with most everything in this story, the conflict gives each of them a deeper understanding of the other, ultimately strengthening their relationship. As the volume continues, the two of them confront coming out to friends and colleagues, Kento’s jealousy of a former teacher of Akira’s, and the complicated question of same-sex marriage in Japan.

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As I’ve poked around the manga blogosphere over the past few days, I’ve found myself developing a number of Opinions (with a capital “O”). Whether this is a good thing or not remains to be seen, but it is the kind of thing that compels me to blog and so here I am. Opinion, the first:

This morning I followed a link from Brigid Alverson’s mangablog to an article on the Yaoi Press blog regarding an issue they had experienced recently with a printer, Docucopies, who refused to print their Yaoi Coloring Book due to images they found “disturbing.”
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We Were There, Vol. 4
By Yuki Obata
Published by Viz Media

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“Why do people make promises they can’t keep?”

After hastily announcing that she was ready to have sex with Yano at the end of volume three, this volume opens with Nana in a state of abject terror as she’s faced with actually doing the deed. Reassured by Yano’s unexpected sweetness, she shakily plunges in only to be interrupted by the return of Yano’s mom before anything can really happen. Though this is somewhat of a relief for Nana, Yano immediately begins trying to raise money for a love hotel which Nana manages to stall by suggesting they save up for something nicer. The volume’s charmingly awkward beginning becomes more troubled in later chapters when Nana finally persuades Yano to tell her the truth about his association with his ex-girlfriend’s sister, Yamamoto. Yano’s past with Yamamoto, however, is not nearly as difficult for Nana as the discovery of his lingering feelings for his deceased ex, revealed in a stunningly poignant scene at the end of the volume.

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Just a couple of quick links to reviews offsite! First of all, I reviewed DMP’s yaoi one-shot Awaken Forest for this week’s Manga Minis. In more exciting news, I just posted a review of volume 18 of Fullmetal Alchemist, which still stands as one of my favorite series of all time.

Since FMA 18 was released last week, I picked it up at the Comicopia booth at Anime Boston, and it took me all of, oh, two hours before I gave in and headed to the manga library room to read it. Oh, Fullmetal Alchemist! I know I’ve already gone on and on here about how fantastic a storyteller Hiromu Arakawa is, and how I think the series is tragically underrated despite its popularity. But. Gah. I have to say it again. Hiromu Arakawa is a great storyteller of our time, and if you’ve avoided Fullmetal Alchemist for some reason, you are seriously depriving yourself of something special. If you’ve only watched the anime (which is great, yes) you honestly have no idea what you’re missing. If you think you don’t like shonen manga, try it anyway. You won’t regret it. FMA transcends its genre. Don’t let 50,000 cosplayers scare you away!

Moon Child, Vol. 1
By Reiko Shimizu
Published by CMX

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Art is an aspiring Broadway dancer, struggling to live up to the expectations set for him by family and friends who viewed him as a child prodigy. Deep in the middle of a slump, things are made worse when he ends up in a car accident that injures him. Also involved in the accident was a young boy who, while otherwise uninjured, appears to have lost his memory. Feeling responsible for the boy’s condition, Art takes him in, but it soon becomes clear that the boy (named “Jimmy” by Art) is not normal. Jimmy can move objects around with his mind, frequently involuntarily, and his presence sometimes causes people to see strange apparitions.

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U Don’t Know Me
By Rakun
Published by NETCOMICS

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“I realized that the reason the two of us couldn’t stand forever in the same place wasn’t just because I couldn’t keep up with his height–a height, by the way, which began outgrowing my own little by little.” – Prologue, U Don’t Know Me

Seyun and Yoojin have been close since childhood, raised like brothers by their parents who were best friends–so much so that when Seyun’s father made the decision to take on the debt left by his own father, Yoojin’s parents offered to take Seyun in as their own child to ease his burden. Though Seyun’s father refused the offer and moved his family to a cheaper neighborhood to tough it out, Seyun and Yoojin remained friends, despite the distance and their ever-shifting lives.
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A little bit of news I keep forgetting to share here is that this blog is now available for subscription on the Kindle! If you’re a Kindle user and reading this blog for free online is just not convenient enough for you, check it out. Subscriptions are cheap ($1.99/month with a 14-day free trial period to start) and while you’re there, check out the other manga-centric blogs that are turning up! Lori Henderson has a list at Manga Xanadu here.

I was waiting to talk about Anime Boston here until the panel schedule was up, but since the con is just a few days away with no schedule in sight, I’ll just keep it general. I’ll be at Anime Boston for all three days (schedule pending) and though I tend to be a bit of a shy loner at cons, I’d love to say hello to any of you who might be there! The one place I you can be sure I’ll be is sitting on our PCS panel, “Please Save My Manga,” at 10:00 am on Friday. Other than that, it’s all TBA. Feel free to stop me for a hello if you see me (here’s a photo with my current hair–please note that head tops a roly-poly body) or drop me an e-mail if you want to be more formal about it. Hope to see you there!

I received an e-mail this morning to let me know about an event I very much wish I could attend– an exhibition entitled “Manhwa 100: Centenary of Korean Comics” presented by London’s Korean Cultural Centre from May 21st through June 24th. If you’re reading this blog from across the pond, take note! From their press release:

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Detroit Metal City, Vol. 1
By Kiminori Wakasugi
Published by Viz Media

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Soichi Negishi is a kind, polite young man who loves his mother and dreams of being in a Swedish pop band. Unfortunately, he’s ended up as the lead singer of a Japanese evil-core death metal band called Detroit Metal City, in which he must play the part of Krauser II–a crude, angry, death metal god who claims to have murdered his own parents. Though he is exceptionally talented as a death metal god (much to his dismay), Krauser II’s impact on his everyday life is nearly unbearable for Soichi. He can’t be honest with his family (or his dream girl, Aikawa), his own musical ambitions are completely buried, and his metal-crazy manager trashes his apartment, insisting, “We’re going to make you death metal, all the way down to your balls.” Each chapter of this volume illustrates yet another way in which Soichi’s double life destroys everything he cares about, and it does so with increasing hilarity.

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