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Pick of the Week: Girls’ comics sweep

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It’s all shoujo, sunjeong, and BL this round, as the Manga Bookshelf bloggers make their Picks of the week!

From MJ: My choice this week is probably pretty obvious, considering how much love I’ve already heaped onto SangEun Lee’s supernatural romance, 13th Boy. This quirky manhwa is easily one of my favorite currently-running teen series, made up of drama, humor, and outright weirdness in pretty much equal parts. Check out my thoughts on the last volume here. “… one thing I consistently enjoy about this series is how deftly Lee combines drama and cracktastic humor so that neither ever dominates the story … served up together with a helping of true whimsy, every piece of this meal is utterly delectable.” Yen Press ships out the series’ sixth volume this week, which looks to be packed with extra talking-cactus goodness–truly the way to my romance-loving heart.

From David: As a gay man who’s extremely picky about yaoi and boys’-love titles, I generally like to do advanced research before I commit to a title. I haven’t done full due diligence on Riyu Yamakami’s Then Comes Love (Digital Manga), but it does sound promising. Okay, so my ears perked up when I saw the word “outs” in the product description. Any time there’s the possibility that sexual identity matters even a little, I feel compelled to at least investigate a book further. So while I can’t promise I’ll pick up Then Comes Love, I’m curious to hear from people who may be familiar with the title, which sounds to me that it’s about people with lives and stuff.

From Kate: Do I have to pick just one? Because I’m torn between two Yen Press titles: the final volume of Dragon Girl, and <the sixth volume of 13th Boy. Dragon Girl is dumb as hammers, trotting out every cliche from the shojo manga handbook: secret siblings, omnipotent school councils, aloof guys that only the heroine can reach. I couldn’t hate it, though, because it’s fundamentally good-natured and just a little weird: how many stories can you name in which the heroine’s father is a handsome, globe-trotting ethnobotanist who wears an earring and a leather vest *and* used to lead the pep squad? (Come to think of it, I’d read a manga about Rinna’s dad. *Ahem.*)

I feel the same way about 13th Boy: on many levels, it’s the kind of story I normally loathe, as it features a bossy girl who single-mindedly pursues an unavailable boy. What won me over was the lively supporting cast, a cast that includes a walking, talking cactus who wears a do-rag, adores his owner, and occasionally transforms into a handsome teen. Beatrice (yes, I know: Beatrice?) may have started out as a comic-relief character, but he’s evolved into 13th Boy‘s most sympathetic figure, a lovelorn young man who’s willing to make big sacrifices for the chance to tell his owner how he feels. I don’t know about you, but Beatrice’s dilemma is making me wonder what, exactly, the spider plant in my kitchen is thinking.

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So, readers, what are your picks this week?

Pick of the Week: Sci-fi smorgasbord

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It’s slim pickin’s once again this week at Midtown Comics. Check out recommendations from the Manga Bookshelf bloggers and special guest Michelle Smith!

From Kate: This week, I’m going to ignore my triskaidekaphobia and recommend the thirteenth volume of 20th Century Boys. We’re now a little past the midway mark in the series, and I can honestly say I have no idea where it’s headed. With a less capable author than Naoki Urasawa, I might be worried; I was one of those viewers who grew tired of Lost’s bolt-from-the-blue plotting after just two seasons. Urasawa, however, does an excellent job of convincing the reader to stay the course, offering tantalizing clues to the Friend’s identity while gradually revealing what went down on the eve of the millennium. I’m convinced that no matter how the series ends, I will believe in that ending, even if I didn’t forsee it.

From Michelle: This is probably going to be an unpopular choice, but I’m going to go with volume three of Bokurano: Ours. The series features a group of middle-school-aged children taking life-leeching turns piloting a mecha to protect Earth from invaders, and has some serious flaws, most notably the inability to allow readers to really get to know or care about any of these kids before it’s their turn to die. Many would eschew a story like this, and maybe it’s my complete and utter lack of a maternal drive talking, but I find it kind of fascinating. There hasn’t been any reason offered for this invasion, and I suspect that someone, somewhere is merely enjoying a bit of sport at humanity’s expense. We shall see!

From MJ: I’m going to go off the Midtown list this week and turn to the fine folks at Boston’s Comicopia, who say they’ll be seeing volume three of one of my favorite new series of last year, Nobuaki Tadano’s 7 Billion Needles, published in English by Vertical, Inc. This is my second time around with this series as a Pick, but it’s really that good. Check out my review of volume two here. A quote: “Though the story’s horror/sci-fi elements are what keeps its plot going, the real heart of this story is Hikaru’s journey toward becoming a real, living participant in her world, and this is a story Tadano tells very well.” I’m very much looking forward to digging into the newest volume.

From David: I was hoping someone would fudge their source before I had to do so. I’m going to again use the ComicList for my pick, which would be the first omnibus of Yu Aida’s Gunslinger Girl (Seven Seas). Ages ago, when I was still writing the Flipped column for Comic World News, I asked various manga bloggers to share what they felt were overlooked comics. Ed (MangaCast) Chavez, now with Vertical, mentioned Gunslinger Girl, describing it as a “[w]ell drawn primer to pop-culture perversion.” I’ve been curious ever since, and this seems like an economical and convenient way to slake that curiosity, though I may live to regret it.

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Readers, what are your picks this week?

Pick of the Week: Kinda, Sorta

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The pickings are slim this week at Midtown Comics, but it’ll take much worse to stop these bloggers from finding a way to spend their money.

From David: I’ve made a conscientious effort to like Kaori Yuki’s manga, but I’ve had limited success. I always end up appreciating the style but not getting invested in the story or characters. I’m happy to report that I’m having good luck with Yuki’s Grand Guignol Orchestra, so my pick for this week will be the second volume of that series. I wrote a brief review of it last week, and I’ll tempt you further with this brief snippet: “Our protagonists go undercover in a convent, looking for a sacred relic and investigating the grisly murders of young nuns. This mini-arc is shaping up to be both creepy and very funny, provided you find secretive nuns committing and subjected to unexpected violence funny, which, I assure you, I do.”

From Kate: Oh, manga, I’m stepping out on you this week. I just can’t muster the enthusiasm for Jormungand or Maoh: Juvenile Remix, and Biomega descended into incoherent nonsense two volumes ago. My pick, therefore, is issue six of The Walking Dead Weekly (Image). When I first heard that Image would be re-issuing the series, I was skeptical: who would really want to read it in weekly installments when The Walking Dead was already collected into trade paperbacks? Turns out the answer is me. The story is a familiar one, fashioned from the DNA of 28 Days, I Am Legend, and Dawn of the Dead, but it scores major points for brisk pacing, strong characterizations, and sharp artwork. What’s genuinely surprising, however, is just how well the story works in thirty-two page installments. The issues aren’t exactly self-contained, but each has a satisfying dramatic arc. I’m hooked!

From MJ: I, too, have difficulty getting behind any of this week’s new releases, so I’m going to follow David’s lead and pick out something that was technically released last week. I’m also going to go even further off our usual Midtown Comics list by choosing something available only online. My Pick is volume four of Sooyeon Won’s Full House, recently completed with the release of chapter six at NETCOMICS’ online portal. I’ve fallen a bit behind with this delicious screwball romantic comedy manhwa, but witness my enjoyment of the first two volumes here. This is a great time to pick up the series, even from scratch, with each volume coming in at $1.50 apiece ($.25 per chapter) for a 48-hour rental period. Though I do wish NETCOMICS offered some kind of ownership option, (preferably chapter downloads, though I’d settle for an eManga-style permanent rental) it’s hard to quibble with the price.

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PotW: Shounen Manga FTW!

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Though MJkicks off this week’s Picks with a new shoujo favorite, the theme of the week is resoundingly shounen, according to David, Kate, and special guest Michelle Smith!

From MJ: There’s quite a bit of new shoujo on Midtown Comics’ list this week, including favorites like Kimi ni Todoke and Seiho Boys’ High School! But the one I most consider an absolute must-read is volume two of previous Pick The Story of Saiunkoku, art by Kairi Yura, adapted from the novels by Sai Yukino. The series’ first volume charmed me completely with its smart, capable heroine and compelling palace intrigue, even earning itself a place on my list of Best Manga of 2010. Don’t believe me? Check out David’s recent review, fully as delightful a read as the book itself. A strong opening volume can be a tough act to follow, so I look forward to discovering what Yura and Yukino have in store.

From David: I’m going to take this opportunity to remind people of my abiding love for Eiichiro Oda’s One Piece and pick the 56th volume of this sprawling, hilarious pirate saga. It would probably not be wise to recommend that someone who has never picked up a volume of this series start with the 56th volume, unless that person is a fan of great action cartooning. Our hero, Luffy D. Monkey, is staging a massive jailbreak, battling sinister jailers and gathering an ever-larger gang of allies along the way. The chief joy in these giant set pieces is to see how Oda manages to combine wildly improbable action, comedy, and heart in a mad jumble that always seems on the verge of spinning out of control, but never does.

From Kate: My choice is Nura: Rise of the Yokai Clan, a new shonen series that VIZ has been promoting up a storm. The story focuses on a young teen whose grandfather leads a demon clan. Gramps wants Rikuo to follow in his footsteps, but there’s a catch: Rikuo is only one-quarter demon, and can’t control when or for how long he turns into a yokai. Not surprisingly, Rikuo’s iffy powers don’t inspire much confidence among the full-blooded yokai, and various factions try to prevent Rikuo from succeeding his grandfather. The story hasn’t quite found its groove: the comic relief scenes aren’t particularly funny, and the characters haven’t come into their own yet. But the pacing is smart and the yokai designs nifty (think Gegege no Kitaro meets the Hokusai Manga), so I think it’s worth pursuing, especially for readers who liked Kekkaishi and Natsume’s Book of Friends.

From Michelle: It’s another wallet-busting week for manga! I’m definitely excited about new volumes of some Shojo Beat favorites, as well as volume three of Bakuman, which I realize isn’t everyone’s cup of tea, but honestly, the one release on this list that has me going, “Eee!” more than any other is volume fourteen of Slam Dunk. Why? Because I’m allowed to read this one! You see, this is a series that benefits from being read in multiple-volume chunks, which occasionally requires me to bide my time and sit on some books until I have amassed enough to read them. I’ve been doing that with volume thirteen. Honestly, two volumes really aren’t enough to satisfy one’s appetite, but it’s better than nothing! And yes, I know, I know. I really should read Inoue’s REAL, which is, I’m sure, the better manga, but that doesn’t keep me from loving Slam Dunk whole-heartedly.

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So, readers, what is your must-buy manga this week?

PotW: Great reads for a wintery week

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It’s a pretty full week for manga, according to Midtown Comics. So bundle up, pour some cocoa, and take a look at this week’s Picks from the Manga Bookshelf bloggers and special guest Michelle Smith!

From Michelle: Wow, there’s quite a lot coming out this week! I’ll be buying several items on the list—I’ve been waiting for the second volume of Close the Last Door for a long time, and hoarding volumes of Gakuen Alice for probably about as long—but the release that most excites me is the second volume of Yuuki Fujimoto’s The Stellar Six of Gingacho. The first volume was surprisingly charming, and actually made me verklempt in its portrayal of six friends who drifted apart in middle school but reunite to help a neighbor in need. Bonus points for its positive depiction of an overweight character! I’ve been eagerly awaiting this second volume, so its purchase is a no-brainer!

From MJ: I have to agree with Michelle, there’s a lot worth buying this week! Big draws for me include new volumes of Bride of the Water God (Dark Horse), Pandora Hearts (Yen Press), and Michelle’s Pick, The Stellar Six of Gingacho (TOKYOPOP). I think this week, though, my Pick will have to be one that doesn’t appear on Midtown Comics’ list, but whose arrival was announced by the publisher via Twitter, volume thirteen of Osamu Tezuka’s Black Jack from Vertical, Inc. I got into Black Jack later than most. After receiving a copy of volume ten, I marathoned the series from the beginning to catch up, and I’ve been hooked ever since. Black Jack (like Dororo) is rare among what I’ve read of Tezuka’s work as a series I’d feel comfortable recommending to nearly anyone (teen or older), even as a first comic. It’s immediately compelling, easy to jump into at nearly any point, and though the story and its protagonist can both get quite dark, its episodic structure allows that to be consumed in small doses, to taste.

From David: I’m going to step out of my usual wheelhouse, whatever that is, and pick a yaoi title this week. It’s not that there isn’t a lot of manga in this category that I enjoy; it’s more a case that I tend to have to put titles through a fairly careful vetting process to make sure they eschew some popular plot elements that can sour a yaoi title for me. But based on some Twitter chatter from reliable sources like Kristin Bomba and Danielle Leigh, I’m going to make a point of seeking out Kou Yoneda’s No Touching At All (Digital Manga). According to Danielle, this one can be summarized thusly: “Adults acting like adults fall in love.” And that is pretty much exactly my yaoi wheelhouse. I’m very favorably inclined toward salaryman yaoi.

From Kate: For me, this week’s must-buy title is the eighth volume of Pet Shop of Horrors Tokyo (Tokyopop). The premise is pure comeuppance theater: troubled people seek out the eccentric Count D, who furnishes them with exotic “pets” — usually, a demon or magical creature with shape-shifting abilities — that are always more than the buyer bargained for. What makes these little morality plays work so well is that Matsuri Hino doesn’t just punish her characters for being weak, vain, or foolish; she explores what drove them to seek Count D’s help in the first place. The results are much more nuanced and unpredictable than most stories in the wish-granting-emporium genre, and can be genuinely moving. Best of all, you don’t need any background on Count D to fully appreciate what’s happening; aside from a few perfunctory scenes documenting his run-ins with local authorities, the stories are self-contained.

So readers, what are your picks this week?

PotW: Cyborgs, Monsters, & Alchemists (Oh my!)

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It’s pretty scant on the shipping front this week, but the Manga Bookshelf gang has a few Picks to share!

From Kate: Since I don’t love any of this week’s new manga arrivals — and death is not an option — I’m going to cheat and name Mardock Scramble (VIZ) my pick of the week. I’m not a big sci-fi reader, but I’ve enjoyed all the Haikasoru novels I’ve read so far: Dragon Sword and Wind Child, Harmony, The Ouroboros Wave, Rocket Girls, and Summer, Fireworks, and My Corpse. The licensing team has done an excellent job of cherry-picking the best speculative fiction coming out of Japan, choosing titles that are both thought-provoking and fun to read. I’m particularly curious about Mardock Scramble because Kodansha will be publishing the manga adaptation later this year. From the summary at the Haikasoru website, Mardock sounds like an entertaining mixture of hard-boiled crime fiction and hard sci-fi, with a strong female protagonist to boot.

From MJ: This week is an easy one for me, since it brings us the newest volume of Hiromu Arakawa’s Fullmetal Alchemist, undeniably my favorite shounen fantasy series and one of my favorite manga series, period. With the series gearing up to climax (this is volume 24 of 27 total), we’re undoubtedly in for some pretty intense drama as Arakawa continues to reveal more of the truth behind her epic tale. One of this series’ greatest strengths has been Arakawa’s long-form storytelling, which, even over the course of 23 volumes, has never let go of its primary thread–our heroes’ quest to recover their original bodies. I, for one, am dying to know where she’s taking them.

You can find links to many of my posts about the series here.

From David: Since it’s a slim week, I’m going to take a chance with my pick and go with the third volume of Q Hayashida’s Dorohedoro (Viz). I’ve always thought the art in this series was amazing, but the early going didn’t really grab me the way that other series in the SigIKKI line have. But Sean (A Case Suitable for Treatment) Gaffney has been talking this up on Twitter, and he described it as “the biggest surprise of 2010” and indicated that it gets a lot more layered and interesting as it goes along. So my Pick of the Week is more of a “second chance of the week.”

With so little new manga shipping this week, readers, do you have a Pick?

PotW Showdown: Cross Game vs. InuYasha

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David leads us off this week, in our second group Pick of the Week with the Manga Bookshelf gang & special guest Michelle Smith! This week comes down to a showdown between a new series and a long-running favorite. Who will come out on top?

From David: I’m very happy to go first this week, because I’m fairly sure I won’t be the only person to choose the second volume of Mitsuru Adachi’s Cross Game (Viz), and I don’t want to seem like a copycat. I was so pleasantly surprised by the first multi-volume collection, with its slice-of-life blend of comedy and drama. If the prospect of a story about sports (baseball, in this case) triggers your fight-or-flight instinct, and I would be very much in sympathy if it does, I urge you to try and suppress the response. Adachi is the real deal as a manga-ka: a versatile original who earns laughs and tears with equal facility and surprising subtlety. Come to think of it, I don’t care if I seem like a copycat. The more people who sing this book’s praises, the merrier. Looking at Cross Game‘s inclusion in Deb Aoki’s round-up of the Critics’ Choice: Best Manga of 2010, it seems like the merriment is off to a great start.

From MJ: I expect you’re right, David, though it won’t be me (only because I haven’t read the first volume!), and in fact, it’s a bit of a difficult week for me, with nothing from ComicList piquing my interest, though I did find an exciting item elsewhere. I took a peek at Comicopia’s list where they claim to be expecting the second volume of Yumemakura Baku and Jiro Taniguchi’s Summit of the Gods from Fanfare-Ponent Mon. The series’ first volume was stunningly beautiful, and despite the fact that it sometimes feels like an illustrated novel rather than a comic (I’ll point to Kate’s review for a thoughtful discussion of the series’ strengths and flaws), it’s definitely a must-read. This volume has been due out for quite a while, so I was surprised to see it on the list. I’ll definitely be looking to pick one up!

From Kate: Cross Game and Summit of the Gods are both on my must-read list, but I’m going with a sentimental favorite this week: InuYasha. The final volume — that’s number 56, for folks who are still keeping track after all these years — arrives in stores on Wednesday. After so many story arcs, villains, and recovered jewel shards, it will be interesting to see how Rumiko Takahashi brings the whole thing to a close. I suspect that many readers have expectations for how and with whom the characters ride off into the sunset, making it a sure bet that someone will be disappointed in the conclusion. (Look for a surge in InuYasha fan-fic in the coming weeks…) I’m confident, however, that Takahashi will deliver a satisfying finale. InuYasha gets kicked around a lot by manga cognescenti– “It’s not as good as Lum or Ranma or Maison Ikkoku,” they insist — but InuYasha represents Takahashi at the top of her game, not least for its terrific cast of characters. There are manga I like more than InuYasha, but there are few fictional characters — in comics, anyway — that have as strong a claim on my loyalty as InuYasha and Sango.

From Michelle: For me it’s a toss-up between Cross Game—the bittersweet first volume of which I truly loved—and the final volume of InuYasha, a series I’ve been following for years. Mitsuru Adachi versus Rumiko Takahashi… who will reign supreme? While I love both equally, I think in the end I’m also going to have to come down on the side of InuYasha. Like Kate, it’s the characters that have earned my loyalty here rather than ingenious plotting—indeed, the series is rather notoriously repetitive—but I am looking forward to the storyline actually coming to a point where the nefarious villain is finally unable to escape. Perhaps the best testament I can make in favor of this series is that, even though it’s 56 volumes long, I can still easily imagine the day when I will undertake a marathon reread and enjoy luxuriating in its comfy goodness.

Readers, what’s your Pick of the Week?

Natsume, Kurozakuro, Panda, Prince

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With the addition of new authors to the Manga Bookshelf family of blogs, it seemed like the right time to refresh this weekly feature with more diversity of opinion. To that end, both Kate and David will now be joining in offer up their weekly Picks. And as a bonus, we have a Pick from Soliloquy in Blue‘s Michelle Smith. So take your pick of the Picks below or stretch your pocketbook and pick up all four!

From MJ: There isn’t a lot of excitement to be found for me in this week’s batch of incoming manga, though there are a couple of bright spots. A new volume of Sand Chronicles is always welcome, of course, but my eye is especially drawn to volume five of Natsume’s Book of Friends, one of my favorite new shoujo series last year. I got a bit bogged down with it during volume three, but here’s a snippet from my thoughts on volume four: “The volume begins on a strong note, by introducing a troubled yokai who ends up inhabiting the body of a snow bunny (not the kind found on ski slopes, but in children’s back yards) in order to try to reunite with his one-time companion who had been driven to the dark side by the cruelty of humanity. While that concept sounds at once unbearably cutesy and melodramatic, its execution is anything but. It’s subtle and moving, and in that moment, the series won me back completely.”

The emotional content of this series has really refined itself beautifully over the course of its run so far, and I’m really looking forward to picking up the this week’s volume.

From David: I missed the first volume of this series, and I have no idea if it’s particularly good or not, but I was very struck by the style of the covers of Kurozakuro (Viz), written and illustrated by Yoshinori Natsume. I tend not to be a big shounen fan, but I’ve done pretty well with the titles in Viz’s Shonen Sunday imprint. This one is about a boy who finds that he’s turning into an ogre and wants to eat people, which isn’t your standard young-man-with-a-dream problem. The preview on the Shonen Sunday site looks kind of promising, particularly in terms of the style of the illustrations.

From Kate: I’m going to put on my Good Comics for Kids hat and champion Panda Man and the Treasure Hunt, the second installment of a new graphic novel/activity book/chapter book series from VIZ Kids. The first volume of Panda Man was perfect for seven- or eight-year-olds: it had stylish artwork, plenty of slapstick, and enough bathroom humor to satisfy the most discerning fart joke connoisseur. Oh, and mazes, connect-the-dot exercises, and drawing tips, making it a great choice for keeping kids busy on a car ride or a plane trip. The second volume finds Panda Man going mano-a-mano with pirates in search of treasure. I’m guessing the plot may be a little disjointed — the first volume was more a collection of gags than a story — but I can’t imagine it will be anything less than entertaining. Even an adult can appreciate a hero whose primary weapons are smelly feet and an overactive GI tract; as someone who rode the NYC subway for years, I can attest to the awesome, crippling power of stinky toes!

From Michelle: For me, the automatic purchase this week is volume 40 of Takeshi Konomi’s The Prince of Tennis. I recently completed a marathon read to get current on the series, and though many ridiculous elements offer themselves up as reasons for mockery—chief among them Konomi’s decision to depict the pinnacle of tennis achievement with glowing auras and sparkles (both visible to spectators)—I would never for a moment dream of giving up on it before its completion, even though the product description warns me to expect “a wicked case of amnesia” in this latest volume. That’s my Prince of Tennis: incredibly silly and yet so irresistible.

So, readers, what’s your Pick this week?

Pick of the Week: Lady Kanoko

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Having spent much of 2010 championing comics for women and girls here at Manga Bookshelf, it gives me a lot of pleasure to be able to choose a new shoujo title for the year’s final Pick of the Week. It’s a title that I think holds appeal for both teens and adults, and may very well qualify as one of my favorite shoujo debuts of the year, along with a number of Shojo Beat series, including Natsume’s Book of Friends, The Story of Saiunkoku, and Seiho Boys’ High School!, as well as TOKYOPOP’s Demon Sacred.

This title, too, comes from TOKYOPOP. I’m speaking, of course, of The Secret Notes of Lady Kanoko, created by Ririko Tsujita. Here’s some of what I had to say about its debut volume in a recent installment of Off the Shelf:

The series’ title refers to Kanoko, a third year junior high school student who prides herself on perfect objectivity. To maintain this emotional purity, she spurns any kind of social interaction with her classmates, preferring to simply observe (and, of course, take copious notes). When her interest is piqued by a classroom love triangle, Kanoko is shocked to find herself somehow drawn into the fray by each of the parties involved, and even more so to find herself accidentally befriending them.

My experience with this manga was a bit of a roller-coaster ride. I was immediately drawn in by Kanoko and the gloriously idiosyncratic friendships she develops against her will. Then, amidst a deep sigh of contentment, I was jerked right out of my shoujo-induced bliss by the volume’s second chapter, which begins with Kanoko having transferred to a new school, leaving everything I’d just learned to care about abruptly behind. My dissatisfaction continued through at least two more chapters before I finally realized that this is actually the premise of the series. That’s also when I realized that it’s brilliant.

Using Kanoko’s impossibly frequent school transfers as a structural conceit, Tsujita sets herself free from the bothersome constraints of reality, while also weaving in some of the most wonderfully real characterization I’ve seen in a manga comedy. It’s as though some sleep-deprived manga editor spliced together pages of Kimi ni Todoke with Sayonara, Zetsubou-Sensei, absent-mindedly inventing a new and delicious flavor of shoujo satire that manages to consistently maintain the gag while telling an unexpectedly heartwarming story at the same time …

The real secret to the story’s success, however, is Kanoko herself. She’s smart, hilarious, and even kind of heroic, like a super-hero version of Harriet the Spy. She wards off bullies by genuinely not caring what they think of her, and blows off “friendly” saboteurs with little more than a sneer. I seriously wanted to applaud several times during the first chapter alone. She’s also deeply damaged and a complete mess, but even that’s not overplayed. It’s astonishingly well done.

Kanoko is smart, funny, and a whole lot of fun. Buy the first volume and see for yourself!

Pick of the Week: Ooku

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It’s an incredibly rewarding week for fans of Viz’s Signature line, with new volumes of Children of the Sea, Gente, former Pick House of Five Leaves, I’ll Give It My All… Tomorrow, and 20th Century Boys. Vertical has a winning week as well, with new volumes of former Picks Chi’s Sweet Home and Peepo Choo. It’s a week when one can hardly choose a single favorite, and it honestly pains me to do so.

But choose I must, so out of all that wealth, my Pick this week goes to the fifth volume of Fumi Yoshinaga’s Ooku, also from Viz’s Signature imprint.

Here’s a bit of what I had to say about the first three volumes:

In this alternate history of Edo-period Japan, an incurable disease has wiped out much of the nation’s male population, leaving women to take up traditional men’s roles, including that of shogun.

As this series is structured, its first volume begins eighty years after the disease’s initial outbreak, at which point the male population has declined by 75% and women have become firmly fixed in their new roles. The second and third volumes then return to the beginning of the outbreak, which finds the nation in a panic–desperate to maintain male rule, even to the point of delusion, if that is what is required.

This structural choice is, frankly, brilliant. By removing any real question about the outcome of events that occur during the second and third volumes, Yoshinaga allows herself (and the reader) to focus on the process, which really shows her off to her greatest advantage. Though the universe is dense and the language even more so (needlessly, to some extent, thanks to an unfortunate choice in its English adaptation), this arrangement allows for a great deal of slow, masterful character development and an emphasis on human relationships and the psychology of political theory …

As a fan of Fumi Yoshinaga, josei manga, and the Viz Signature imprint, there is no question that a series like this, even just in theory, is a very exciting work. Fortunately, this truth extends beyond the theoretical and into the actual. Ooku is beautiful, engaging, and a very exciting work indeed. It is also challenging and ambitious enough to garner some real respect for josei manga in western fandom at last. And for that, I’m truly grateful.

I have some thoughts about volume four for your perusal as well, and though I haven’t yet written up the fifth volume, I can tell you that I’m only loving this series more and more. Check it out for yourself!

Pick of the Week: Not Love But Delicious Foods

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There’s quite a wealth of new manga and manhwa releases this week, according to Midtown Comics, but despite my love for things like Yotsuba&!, Goong, and Seiho Boys High School!, my vote must absolutely go to Fumi Yoshinaga’s Not Love But Delicious Foods Make Me So Happy!, released in English by Yen Press.

From my recent discussion at Off the Shelf:

The book is essentially a tour of several of the author’s favorite Tokyo restaurants, highlighting each establishment’s specialties, and including details ranging all the way from atmosphere to parking recommendations. What makes it especially rewarding for Yoshinaga fans, however, is that Yoshinaga herself stars as the main character, surrounded by her circle of friends. How much of this is fictionalized, of course we can’t know, but it feels so authentic, the overwhelming sense for readers is that we’re getting a peek into Yoshinaga’s private world, with a delightful view of her real-life quirks, hopes, desires, and of course, her obsessive love of food.

Yoshinaga portrays herself as an aging, neurotic slacker who eats like a horse, routinely spills food on her clothing, and has a thing for cute, chubby men, all of which makes her even more appealing to an older female reader like me. She strikes exactly the right balance between self-deprecation and self-love, warding off any danger of approaching either desperation or narcissism. She’s neurotic, sure, but also keenly self-aware, and her affection for her friends (be they real or fictional) is palpable …

And then there’s the food. Oh, the food, Michelle. It took about five pages of this book to get my mouth watering, and it didn’t stop until the end. Even things like “liver sashimi” and “stewed beef tendon” manage to sound appetizing in this context.

You can also find it featured in my 2010 Gift Guide.

This single-volume manga could not possibly be more charming. Go pick one up for yourself!

Pick of the Week: Rasetsu

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With the December holidays rapidly approaching, I find myself drifting backwards in time, recalling the places I’ve been, the people I’ve loved, and the many variations of myself that have existed over the course of forty-something Decembers.

It’s no small joy, then, that one of this week’s new releases brings me vividly back to my early teens, when I would have loved nothing more than to be a girl with great spiritual powers, a terrifying foe to fight, and two dreamy love interests to distract me from my fate. I’m speaking, of course, of Rasetsu, from mangaka Chika Shiomi, available in English from Viz Media’s Shojo Beat imprint.

Here’s what I said about volume six:

What keeps this series compelling is that it is profoundly unsettled, and this applies to both the hearts of its characters and to their individual circumstances. There’s more to everyone than meets the eye. Furthermore, though each of the story’s characters is deeply conflicted, they still manage to band together into an unexpectedly warm, self-made family unit.

The love triangle between Kuryu, Rasetsu, and Yako may not be anything new to shojo manga, but it is played out in an unusually poignant manner. Each party’s strengths and weaknesses is being brought painfully to the fore, with no obvious resolution in sight.

Though this series gets off to a lukewarm start, over the course of six volumes it has become one of my favorite of Viz’s shojo series currently in release. Recommended.

It’s easy for a slow-burning series like Rasetsu to get lost in a market full of showier shoujo manga, but this would be a terrible shame. I’ve had a peek at volume seven, and things are definitely ramping up! Feed your hungry inner teen. Check out Rasetsu!

Pick of the Week: Ayako

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Normally I wouldn’t recommend a manga completely sight-unseen, but it’s hard to ignore a new release of anything from Osamu Tezuka, even if my own copy hasn’t reached me yet.

I’m speaking of course, of Ayako, the latest of Vertical, Inc.’s Tezuka acquisitions, released in one gigantic volume (seriously, it’s 740 pages) just in time for the holidays. Not that this is a particularly festive tale. Here’s the description from Vertical’s website:

Opening a few years after the end of World War II and covering almost a quarter-century, here is comics master Osamu Tezuka’s most direct and sustained critique of Japan’s fate in the aftermath of total defeat. Unusually devoid of cartoon premises yet shot through with dark voyeuristic humor, Ayako looms as a pinnacle of Naturalist literature in Japan with few peers even in prose, the striking heroine a potent emblem of things left unseen following the war.

The year is 1949. Crushed by the Allied Powers, occupied by General MacArthur’s armies, Japan has been experiencing massive change. Agricultural reform is dissolving large estates and redistributing plots to tenant farmers—terrible news, if you’re landowners like the archconservative Tenge family. For patriarch Sakuemon, the chagrin of one of his sons coming home alive from a P.O.W. camp instead of having died for the Emperor is topped only by the revelation that another of his is consorting with “the reds.” What solace does he have but his youngest Ayako, apple of his eye, at once daughter and granddaughter?

Delving into some of the period’s true mysteries, which remain murky to this day, Tezuka’s Zolaesque tapestry delivers thrill and satisfaction in spades. Another page-turning classic from an irreplaceable artist who was as astute an admirer of the Russian masters and Nordic playwrights as of Walt Disney, Ayako is a must-read for comics connoisseurs and curious literati.

Sounds like a must-read to me! If you agree, buy this book!

Pick of the Week: Time and Again

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It’s an especially rough week for choosing a Pick, with new volumes of a number of my favorite series hitting shelves at Midtown Comics. Yen Press delivers big this week, with volume five of ninja manga Nabari no Ou, as well as the final volume of the aptly named manhwa Very! Very! Sweet. Tokyopop brings us volume three of previous Pick Demon Sacred, and though it’s not on Midtown Comics’ list, David Welsh reports that we’ll be seeing volume two of previous Pick 7 Billion Needles.

One stand-out title that has not previously turned up here at Pick of the Week, however, is my favorite ghost-hunting manhwa, Time and Again, written by JiUn Yun, published in English by Yen Press, which sees the release of its fourth volume this week.

Here’s some of what I had to say about volume four:

Though both the last two volumes have delved a bit into these characters’ rather tragic pasts, this volume really gets to the heart of Ho-Yeon’s history and the events that led to the deep regret he’s carried with him all this time. It’s extremely moving, and I have to laugh now when I look back at my review of the series’ first volume, where I complained that its main characters were both “underdeveloped.” That’s certainly turned around over the past few volumes.

This volume also shows us Baek-On and Ho-Yeon’s introduction to each other, which manages to be tragic and a little bit funny at the same time. You know, I don’t think it’s everyone’s cup of tea, but JiUn-Yun’s sense of humor just really works for me. I am always delighted by it. Baek-On is such an… unfortunately honest character. He’s got no delicacy at all, but that’s really part of his charm.
Possibly the best thing about this volume, however, is that it also contains the first meeting between Ho-Yeon and Shin-Wal, the spirit-sword we’ve seen him with since the series’ first volume. It’s kinda beautiful, I have to say.

This is an especially warm volume, despite all its tragedy, and though the series’ original, episodic flavor has mostly flown out the window, I think the story is better for it. Don’t get me wrong, this volume still follows the two of them along on a few cases, but they’re far from the focus of the story anymore, which has just increased its interest for me.

With just four volumes published to date, it’s a great time to dig into this increasingly engaging manhwa. Buy these books!

Pick of the Week: Real

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Okay, I’ll admit that when I looked at this week’s new manga, I was quite tempted to name volume two of Kiss Blue, the long-awaited continuation of a lovely little BL story that premiered here back in 2008. And It indeed might have happened, if not for…

Real. This week brings us the ninth volume of this gritty, moving series about young men in the world of wheelchair basketball. It was repeated recommendations from Manga Curmudgeon David Welsh that compelled me to try this series, and I’ve been grateful for it ever since.

Here’s a glimpse of what I had to say about volume nine in a recent installment of Off the Shelf:

The volume focuses exclusively on Nomiya and Takahashi, each of whom is facing a particularly difficult task. Nomiya, a bumbling high-school dropout who has never really played serious ball, has determined to go pro, and Takahashi, a fierce high-school athlete now paralyzed from the chest down, is struggling to find meaning in a body he can barely pull off the floor.

… Nomiya’s journey, especially… creates the volume’s shonen-like tone, with emotionally escalating scenes driven by a level of brazen determination and raw inspiration that could rival that of any WSJ title. You can almost hear the power rock if you listen hard enough, as Nomiya firmly declares his goals, undeterred by detractors or doubt.

Fortunately, Takahashi’s story provides a nicely ambiguous contrast. The character’s constant need for external comparison–the way he compulsively ranks himself against other rehabilitation patients as though his entire self-worth relies on superiority to others–is pushed front and center, so much so that even he begins to see the impossibility of his system. The realization is subtle, but brutal, and his subsequent struggle to determine even a single, realistic goal for himself is genuinely painful to watch. His story is so compelling, I barely missed the wheelchair basketball, which is saying quite a lot … It’s an uncommonly moving manga, really. I can’t recommend it enough.

And from my review of volumes 5-8:

What’s most impressive about this series … is Inoue’s ability to get inside his characters’ heads and transform their thoughts and feelings into compelling narrative … Yet, through all this, Inoue deftly steers clear of allowing his story become mired in its own weight. Even the series’ heaviest sequences are a true pleasure to read.

Something that seems important to note, and possibly why Real is able to avoid becoming intolerably dark, is that it’s clear from the beginning that Inoue genuinely likes people. Despite the fact that each of his characters has endured terrible heartbreak, pain, and various levels of personal misery (not to mention that most of them have also been responsible for causing significant pain to others), Real is far from cynical. There is no overarching disappointment in humanity here, no deep bitterness, no long-winded speeches about the unavoidable fallibility of the species. Even his characters’ most bitter reflections are directed toward individuals rather than humanity as a whole.

Inoue’s artwork in this series is impressively mature … the world of Real is unpolished and gritty. Inoue’s early expressiveness is even more pronounced in this series, and much more detailed. Also, despite some great dialogue, Inoue lets his artwork do the bulk of the storytelling. Important moments are played out visually, panel-to-panel, without the need for any narration or extraneous dialogue to pick up the slack.

Both heart-wrenching and down-to-earth, this series makes the most of its human drama, both on and off the court, without ever sinking into melodrama. Simply put, Real is real. Highly recommended.

If you haven’t ever picked up this fantastic seinen sports manga, now’s the time to start.