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Reviews

The Dragon and the Blade Saint: This Isn’t Where We End, Vol. 1

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By garry and Taiga. Released in North America by J-Novel Club.

This is another of the winners of the Original J-Novel Club light novel contest, getting a runner-up prize. That feels about right, as while I enjoyed this book I felt it wasn’t quite as good as some of the others I’ve read. This is one of those titles where we go back and forth between the two protagonists. Unfortunately, it makes the book awkwardly balanced, as the author does not want to introduce the Blade Saint until nearly halfway through the book. This definitely makes me appreciate the dragon, as she’s a lot of fun, being a fish out of water sort, as well as an arrogant girl who can also back it up when she wants to. I was reasonably sure I knew where her story was going, but it was fun seeing her get there. As for the Blade Saint, most of his half of the book shows us his Tragic Backstory, and you can hear the capital letters as you read. Fortunately, the cause of said tragedy is dealt with here, so I’m hoping future volumes give him something to move forward with. (Like a dragon.)

Some time in the future, a dragon faces off against the human who’s about to kill her, the deadly Blade Saint. However, she uses a magical device to go back in time so that she can destroy him before he gets this powerful. She ends up at the ubiquitous magical academy that so many light novels have, where she’s quickly captured and collared – literally – by short but powerful mage Karen, who, after consulting with the student council president (a vampire who is more than she seems) and the headmaster, helps Mitaelshuroxa (now going by “El”) to attend school, provided that she can defeat enough people in the combat course she wants to join. This includes a beastgirl who’s fighting to give status to her family, an arrogant guy who wants to use SCIENCE!, and of course the Blade Saint, who is a teenager at this point, and who she dearly wants to kill.

El is fun. She’s annoyed that she can’t just fly everywhere, her lunch consists almost entirely of parfaits, and she has the brains and brawn to back up her attitude, though all three of her opponents give her trouble. Karen is also a lot of fun, and I wish that she’d been the other protagonist, to be honest. Ca’al is dealing with a lot. He’s a young man from a noble house on the decline, whose parents, when they aren’t screaming at each other, abuse him horribly. His sole happiness is going out to play with Soreya, a girl who unfortunately I found it hard to really like as I haven’t seen someone this destined to be a tragic backstory since Bridge to Terabithia. She’s fun, spunky, and “deserved” to be the next Blade Saint, but her death allows our hero to, after years of pain and nightmares, avenge her. There wasn’t anything wrong with this sequence, I just found it much less fun than El’s side.

This is a decent book, and I can see why it got a prize. I’d read some of the other contest winners first, though.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 10

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

It’s been so long with everyone in the cast adoring Rosemary that it’s sometimes a surprise to remember that there are those who don’t love Rosemary, and part of this is because she’s been kept in bubble wrap for most of her life. It’s only now that she’s married to Leonhart and has a few world-changing innovations under her belt that she can afford to move on to the really, really impossible tasks of shoujo light novels: the grand ball with catty nobility all present and correct. Fortunately, Rosemary is still so utterly gorgeous that almost everyone who sees her either falls in love or gives up. Oh sure, there’s the King’s annoying cousin, who fragrantly tries to get Leonhart to take his daughter as a mistress in front of Rosemary. But clearly he’s too stupid to love, so there’s no way that he’d actually be part of the main plot, right?

Now that Rosemary has used her protagonist powers to not be evil and executed, and to make sure that her family all love each other (well, mostly, the King and Queen still mostly exist as a political marriage), she has to deal with the fact that that family wants to protect her and see her safe, especially now that she’s pregnant.This means her mother wants to help her choose the proper dress for the ball, while her brothers, who want to help but can’t see her change, are left to fume outside. Even her father, who has lived his entire life under the rule of “it doesn’t matter if I’m an asshole as long as the end result is good” spots her exhaustion at the ball and deliberately screws up her hair to force her to leave early and not get sick. This is not even mentioning her husband, or bodyguard, or any of the 80,000 others. Boy, you’d have to be REALLY DUMB to try to go after her!

The bulk of this book is Rosemary setting up a harvest festival for her nearby village. They used to have a big one, but it gradually petered out, and she wants to peter it up again. This is helped by her actually caring about the wives and grandmothers of the village and wanting to see what their traditional foods and crafts are. Speaking of crafts, we also see her interacting with her autistic jewelry designer Ayame (I usually try not to diagnose fictional characters, but sometimes it’s impossible not to) and Ayame’s childhood friend/minder Hiiragi, who would probably be married to her if she weren’t in love with Rosemary and making delicate jewelry pieces, in that order. Oh yes, and there’s even the son of Duke Evil, who is trying his best to save his family and domain from dear old dad’s plotting, and he ALSO falls in love with Rosemary while also seeing she already has the perfect husband.

With all this going on, it’s no wonder she doesn’t give birth in this. There’s no sign of Book 11 in Japan, either. Oh well, we’ve got enough adoration of Rosemary here for three new books. I do enjoy this, but hope you don’t hate perfect characters.

Betrothed to My Sister’s Ex, Vol. 1

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By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

Ah, it’s time for another of my favorite genres. No, not Cinderella story, although this is that as well. No, it’s the classic shoujo light novel genre of “I am so horribly abused by my family that my self-worth is garbage and I will spend volumes trying to like myself”. Generally speaking, these books live and die on their heroine. Sometimes they suffer stoically, such as The Too-Perfect Saint (this will not be the last time I mention The Too-Perfect Saint in this review). Sometimes they are such pollyannas that the abuse doesn’t even register as such. And sometimes they just accept that they’re terrible and ugly and awful because that’s what their parents say, and live a life of quiet desperation. That’s where Marie is at the start of this book. Fortunately, we know that things will get much better for her, but the challenge, with someone like Marie, is to make her accept that she deserves to have good things happen to her at all.

The title may throw off the savvy reader, who sees it and expects an evil sister to go along with the evil parents. In fact, Marie’s sister Anastasia is the only good thing in her life, and the two of them get along great (Much like Too-Perfect Saint). Unfortunately, Marie’s parents REALLY despise her. They force her to do all the chores – yes, they have servants, but why use them when you have Marie? – and her 18th birthday party is hijacked and used as an excuse to get a rich husband for her sister. A proposal soon arrives from Kyros, a Count who’s going to be a Duke when he inherits. The parents could not be happier. Anastasia is, frankly, terrified, but she goes to his country… and dies in a carriage accident along the way. Now they have to send Marie, the “horrible” sister. (Again, Too-Perfect Saint, yes.) Marie, who is not only grieving for her sister but being told she’s only useful as a womb and that she should never have been born, meekly goes along. Fortunately, a series of misunderstandings mean that her welcome is much nicer than expected.

An anime of this has aired in the summer (so no spoilers for the second book in the comments, please), and everyone agreed that the absolute best thing about this title was Mio, Kyros’ head maid. They’re absolutely correct, Mio is indeed the best thing. She’s a badass, snarky, caring, and has an appetite for food that boggles the mind. She helps both of her charges, though finds herself exasperated with Kyros, whose screw-up (he met Marie at the party when she was hiding in the garden and fell in love with her, but assumed, as it was a party to engage the other sister, that she was Anastasia) led to all this. I also like what little we see of Anastasia, who loves to sew masculine outfits for women and wishes she were in a different type of shoujo light novel (the “my family goes under and I have to become a merchant” kind). As for Marie, well, her growth is the point, but I will warn folks, her self-hatred oozes from almost every line she has till near the end, and she cannot accept anything good happening to her. This is understandable, but readers might balk.

Not me, though. I want more of this. It’s like catnip.

ATLAS: Her, the Combatant, and Him, the Hero, Vol. 1

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By John Rohman and ttl. Released in North America by J-Novel Club.

This is another of the J-Novel Club Original Light Novel contest winners. In fact, this is the Grand Prize Winner. That said, I had put it off, mostly as the description made it seem sort of futuristic sci-fi dystopia, which is generally not my genre. And it certainly is that genre, but there’s more going on here than that. This is a story of two seemingly ordinary people who really aren’t, forced into a role that emphasizes how special they actually are. There’s a lot of prejudice and class struggle in this world (we see that on the “her” side), but even if you are comparatively privileged you can still end up being forced into things by those richer and more powerful than you (the “him” side). Of course, there’s also things familiar to light novel/anime fans here. Super sentai armor, lots of cool shonen battles, and powers that remind me a whole lot of My Hero Academia. That said, the main reason to read the book are her and him. They’re great characters, and even better when they interact with each other.

Calli is a young woman struggling to get a job in his world that is very prejudiced against those with her hair and skin. She’s a Stratan, and got an opportunity to make something of herself, which she is trying to do so she doesn’t have to crawl back home as a failure. Unfortunately, all she can find is temp work, and her co-workers mostly hate her on sight. Then she’s offered a special job. Meanwhile, Genesis is a young man who’s in charge of a loading dock where an explosion occurs. He got everyone out without injury, miraculously. A bit TOO miraculously, though, and the richest man in the city took note of it and wonders if he’s hiding a secret. A secret that might also give him a different job. Can these two people who end up opposing each other find common ground? And can you really meet cute when you’re a cop and a terrorist – sort of?

I won’t lie, this book starts slow as it serves up its worldbuilding, and I found the flashfoward at the start (which we never catch up to) somewhat pointless. But it gets better as it goes along, especially when it gets to the first big action sequence on the train. The best scene, though, is when Calli and Genesis meet cute for the SECOND time, and finally give in and decide to go grab some pizza. What ensues is a fantastic conversation as the two of them try to bitch about their respective new jobs without giving anything away… all while not realizing that they’d been desperately fighting each other earlier that day. Despite essentially being a terrorist for the money, Calli has a good head on her shoulders and cares about people, but she knows that sometimes you have to survive. As for Genesis, he wants to be a real hero, but finds his job doesn’t want that, and also some of the most famous heroes out there are just in it so they can beat the shit out of “bad guys”. Ideals are tough.

This ends the way most contest winners do, I assume, as it has enough of an ending to satisfy while still clearly promising more. I enjoyed her. And him.

My Friend’s Little Sister Has It In for Me!, Vol. 11

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By mikawaghost and tomari. Released in Japan as “Tomodachi no Imouto ga Ore ni dake Uzai” by GA Bunko. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

It’s been well over two years since the last volume of this series, and that volume was a massive flashback, so it’s actually been almost three years since we were last dealing with Akiteru’s confrontation with Iroha’s mother. Since then an anime has been announced and is currently airing (I’m not watching it, but I don’t think it’s setting the world on fire). Also since then we’ve had just this book. The author apologizes for it taking so long (it was two and a half years between 10 and 11 in Japan). Fortunately, it’s a very solid volume, which mostly goes how I thought it would, but also contains a few surprises. The surprises are not related to Iroha, who honestly takes this a lot better than I’d expected. No, it’s something unrelated to the game or to Iroha’s voice acting, it’s Mashiro’s writing. In which we learn what happens when producers decide to adapt something into an anime without actually enjoying the work itself.

The confrontation between Iroha’s mother and Iroha’s crush ends pretty much as you’d expect. Amachi agrees to let Iroha continue to do her acting work… but she’ll be the one managing her career. He has to stay out of it. Possibly realizing that this is never going to work as long as he’s literally next door, Akiteru thus decides to vanish from everyone’s life… though in reality he asks for a temporary job at Canary’s book publisher, where he gains valuable experience at how deal making works in the land of adults. Unfortunately, only Canary knows he’s there, so the rest of the cast are feeling rather bereft. Iroha at least has a new job she’s doing providing multiple voices for a VTuber project… but when Mashiro is told that the anime team wants to change her anti-bullying revenge fantasy so there’s no revenge and the bullies don’t get harmed, she goes completely to pieces.

As I said, the most startling scene in this whole book for me was the fact that Mashiro showed up for the meeting with the anime team with a gun in her pocket. Yes, it was a model gun that doesn’t shoot, but still. Her yakuza fantasy may have helped her get through the meeting without breaking down, but it did not stop her breaking down after. Actually, “after” may be the biggest flaw with this volume – it feels like it was being written to a page count. There are several plot points (Mashiro, Akiteru’s schooling) where I wish we’d gotten a bit more closure than we did. We did get some great background on Canary, though, which reminds us that sometimes when you work in an industry where you promote others, and you screw up, you can destroy lives that are not yours. I also enjoyed Akiteru being reminded “your uncle is famous, so throw his name around a bit”. Sometimes being an adult means not being straight and narrow all the time.

This author loves to start new series, and start new series that get anime adaptations, so it may be a while before we get the 12th book. That said, with the new events here, I don’t think it’s wrapping up soon anymore.

In Another World with Household Spells, Vol. 3

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By Rika and HIROKAZU. Released in Japan as “Isekai ni Kita kedo, Seikatsu Mahou shika Tsukaemasen” by Mag Garden Novels. Released in North America by J-Novel Club. Translated by sachi salehi.

There is a Looney Tunes cartoon called The Big Snooze, and at one point Elmer Fudd is running through a hollow log and Bugs Bunny positions it so he runs out of it off a cliff into midair. Elmer realizes what has happened, stares at the viewer, and turns into a lollipop with a hunter’s cap, with the word ‘SUCKER’ written on the lollipop. He then quickly scrambles from midair back to the log to run through it. Bugs merely flips the log 180 degrees so that this happens again. Elmer then turns into a ‘SUCKER’ again, and runs back to try a third time. This time he tests it first, discovers there’s ground, and runs back to get a head start… at which point Bugs flips the log again. The reason I mention all this is that Patience Granger is the Elmer Fudd of this scenario. She spends the entire book not wanting to do things and then ending up doing them anyway just because everyone’s just too assertive for her.

Patience is very, very busy this school year. She’s already doing a double track with home ec and civil service, but there’s also a lot of magic/alchemy related stuff she wants to do, as her goal is to make money so that her family can stop being so poor and she can provide for her adorable brothers. (Yes, the shotacon thing has not gone away, I’m ignoring it.) Unfortunately, Princess Margaret’s girl posse all hate her, Prince Keith can’t say anything to her without sticking his foot in his mouth, the alchemy club is trying really really hard to get her to join, the music club is asking her to write an opera, and the entire curriculum has changed to become far more practical, much to the horror of noble ladies who find they will have to sew their own ballgowns. And then there’s the Knight Club, whose new president is taking this a bit too far, and this may lead to the end of the club…

Much to my relief, despite hints in the 2nd book, no one is going dungeon crawling just yet. Indeed, this is a very school-oriented book, though I suspect the author has a bit of a grudge against mandatory education, as Patience (who has her past memories and also OP magic that everyone underestimates) ends up essentially passing most of her classes for the year in the first week. This allows her to meet the alchemists, who are generally regarded as weird creeps, and not without reason, but they also help her to create lamps with dimmer switches, and possibly even washing machines in the future. That said, when Margaret and Keith say Patience is painfully naive, they’re not wrong. She’s blind to Keith’s crush on her, as well as several other characters who are ready to propose. (Also, Patience, who is supposed to be far shorter than her peers, is 149 cm, which is… average for an 11-year-old girl?) Basically, Patience might want to take a bit less herbology and magic circles and a bit more “how noble society functions”.

This was VERY nerd-heavy and education-heavy, but assuming you don’t mind either, it’s a good read. Also, author, just because you have Patience realize she’s being a sucker doesn’t make it less true.

The Twelve Kingdoms, Book Three: Sea of Wind, Shore of the Labyrinth

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By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Juni Kokuki: Kaze no Umi, Meikyū no Kishi” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

So I’m sure that after the events of the first two books, everyone is ready to dig in and find out how Youko settles in to her new ruling status. Well, hate to break it to you, but not only is Youko not in this book at all, but the entire volume takes place prior to the first two, and deals with a completely different kingdom. As I noted in the last review, the books are not called Twelve Kingdoms for nothing. That said, despite the fact that we get a new protagonist, a lot of this may feel very familiar. We see someone who grew up in Japan suddenly yanked to this world, where they’re forced to try to figure things out that everyone else assumes are either common sense or just come naturally. Youko dealt with this mostly through fury and increased paranoia. Taiki deals with it through depression and increased anxiety.

Up on Mount Hou, everyone is awaiting the birth of the new kirin, who will be the one to choose the next ruler of the country of Tai. Unfortunately, a storm blows the fruit containing the unborn Taiki off to god knows where. Ten years later, Kaname is an unhappy boy who lives with his family but can’t seem to please them, especially his strict grandmother. Then one day while standing outside in the snow as punishment, he sees a pair of arms reaching out from nowhere, and when he goes to investigate he finds himself on Hou Mountain. He *is* the missing kirin, and Tai needs a leader post haste, so he’s got to become a full-fledged kirin and choose the new leader. Unfortunately, kirin is a very instinctual position learned from birth, and since Taiki lived in Japan for ten years, he has none of that instinct. Good thing there aren’t also crushing expectations! Oh, wait, there are.

Despite the previous paragraph, this is a book with a great deal of heart. Taiki gets a lifelong familiar, Sanshi who sort of acts as a combination pet/mother/bodyguard. The sages of Mount Hou are all very nice to him… possibly they spoil him, but let’s face it, after passive abuse for ten years, Taiki needs a bit of spoiling. I really liked Youka, who we first meet ten years prior as a neophyte who still can’t find her way around the labyrinthian mountain, but who is also the best older sister for Taiki once he arrives. Taiki definitely feels like a ten-year-old with crippling anxiety throughout the book, so it’s good to see when he finally gets what a kirin needs to do, or when he’s actually enjoying and smiling over something. And for those who are sad about the fact that the first two books are in the future, Keiki is a supporting character here – indeed, he and Taiki bonding, and Keiki thus becoming less stoic and nicer, might be what leads to the troubles from the first two books.

So do we get a whole new cast next time? Not quite. The King of En has been supporting in both the first arc and the second, and the next book will look at his relationship with his own kirin. Till then, this is a wonderful fantasy series, highly recommended to everyone.

Secrets of the Silent Witch, Vol. 7

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By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

This book’s pacing reminded me a bit of Tearmoon Empire. The first half is mostly action and big magic, as the Sages face off against one of their own. The second half, though, essentially starts a new arc, as Monica investigates Felix’s past and his upbringing. It should be overbalanced towards the former, which very much has a big action feel to it. But the latter half of the book makes the series feel like it’s actually gearing up towards an ending. Now, technically it isn’t, as the 11th volume is due out in Japan soon. But there are plotlines that you can’t drag on forever, and the biggest of these is who Felix really is, why Duke Clockford feels he can be used as a puppet, and what’s the story behind the execution of Monica’s father. As for romance? That’s thin on the ground here, as Monica spends most of the book annoyed that you cannot simply turn love into a mathematical formula, and if anything Lana is the one she’s closest to right now. (No, not like that.)

When we last left Monica, she, along with the other sages, was in the forest trying to find a way to get to the Gem Sage Emanuel Darwin, whose artifact is sending out clockwork soldiers and also can command spirits – such as Ryn, who is now attacking them. By splitting up and playing to their strengths, they’re able to save Cyril and Glenn, who are currently trapped in the thick of all this, as well as take care of the artifact and send the Gem Mage packing with his tail between his legs. Unfortunately, we also learn that Louis seems to be trusting Monica even less, and worries that she will in fact side with Duke Clockford because of her relationship with Felix. Also unfortunately, once Monica gets home, she finds that once again someone has infiltrated her attic bedroom – and this time it’s Bridget.

Now, readers of this series may be asking themselves, who is Bridget again? Since being introduced in the first book as part of the student council, Bridget has done somewhere between fuck and all, mostly serving as a signpost of “this jealous girl will be activated when a button is pressed, but no one is pressing it”. Fortunately, not only does she finally get things to do, but it turns out that she’s far more interesting than that, and that her backstory ties into Felix’s (which we expected) but is also fairly tragic (which we didn’t), and that she is absolutely not a rival for the affections of Felix now… if that is indeed Felix. More and more it’s looking like at some point around when he was eight years old, the gentle, sickly, cute but pathetic Felix was somehow turned into the handsome, capable, cool with ladies Felix we have now. Bridget may not have found an answer she wanted, but Monica did, and what she does next…

…will presumably come up in Book 8. Which we won’t get till after the next volume of the Louis spinoff. Still, this was a solid Silent Witch, and I am very happy to welcome Bridget to the cast.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 17

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Tristan Hill.

I will admit that I never thought that I would be comparing the meandering, Cute Girls Doing Cute Things, decidedly ambivalent to romance despite its yuri fanbase I’ve Been Killing Slimes for 3400 Years to the energetic, Anything Can Happen, very very bisexual and horny series The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, but here we are, they both tend to handle their casts the same way. Both have a cast that is simply too large to juggle everyone all the time. So 100 Girlfriends will see Rentaro going out on a date with four of his girlfriends, and a footnote will say “the others were busy and couldn’t make it”. Likewise, Azusa will always be involved in the wacky antics of the short story, but the supporting cast and expand or contract depending on the needs of the author. Which is good, as I tend to have a lot of trouble remembering who is who in 300 Slimes beyond the ones who live in the house.

The stories: 1) Flatorte goes to visit her parents, and the rest of the house residents come with. They end up babysitting a neighbor’s blue dragon child, which causes havoc as they have no idea how to deal with baby blue dragons; 2) Sandra has a flower grow on top of her head, and attracts attention, both good and bad; 3) Pecora feels her idol singing career is in a rut, so goes on a training camp, and forces Azusa to come; 4) Vania needs to get her Leviathan Flying License renewed, and forces Azusa to come along; 5) A demigod escapes from the underground and starts creating magical girls… pardon me, magical gurus; 6) Pecora is horrified to find a demonic sweets company is making knockoffs of Azusa’s edible slimes, and forces her to fix the problem; and the after story, starring Wynona, she goes to learn magic from Wizly, but finds that she’s actually a genius.

As you can see by the short stories, a lot of these involve pushy characters forcing Azusa to do things to advance the plot. This is the danger of having a passive character as the lead. Azusa is immortal, can defeat almost everyone in the world, and is quite content to hang at her cottage on the hill with her family and have nothing happen to her. This is very undramatic. Fortunately, other characters do seem to be growing, if only a little, in this series where even the author admits they cannot actually have dramatic events. Flatorte is noticeably more mature in the stories that feature her doing more than eating, and if folks had listened to her a bit more, the first story would have gone much easier. Likewise, while Halkara has her drunkard moments, she’s allowed to also be very intelligent and innovative. It’s nice to see in a series where nothing usually happens.

Look at that, 500 words. I have defeated another volume. See you next time.

Too Many Losing Heroines!, Vol. 6

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By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

I think these volumes have started to hit their stride, in that I’m no longer incredibly annoyed with the main characters quite as much anymore. It helps that, for the most part, when I want to roll my eyes at Nukumizu, someone is there to do it for me. The conceit of this series is that its male lead is very familiar with the concept of light novel harem romcoms, but he’s also a normal teenage boy, and so, like all normal teenage boys, too dim to understand flirting and attraction towards him (a healthy dose of self-loathing helps too). The girls, meanwhile, are all very aware that they’re in a harem romcom, and are trying their best, but… (waves vaguely at Nukumizu). There’s a running gag which comes up a few times here where the girls try to have a romantic, sweet moment, and Nukumizu just watches as it goes right over his head, and they say “that right there…” to him. He never gets it. That right there is why this series is ongoing.

Yes, that’s Tsukinoki on the cover art, which means that for the first time we’re not seeing a Losing Heroine. That said, it’s the last time we’ll be able to see her, as graduation is here, and she and Tamaki are worrying about getting into university more than the current romcom plot. The current romcom plot is that Lemon has asked Nuzumiku out on a date, and after taking him to the aquarium and watching him be completely confused about why she would be doing this, she confesses she wants to quit her clubs. Plural. Both track and the lit club, which would be bad news for him and Komari. They end up making a bet – if he can beat her in a race, she’ll stay with both clubs. Of course, she’s an outstanding athlete who could compete in Nationals, and he’s a skinny, out-of-shape nerd. So she gives him a handicap… which likely still won’t be enough.

As noted above, this is not Tsukinoki’s book but Lemon’s, though the other girls all get a good scene or two. My favorite was Shikiya, who realizes that, like Araragi, Nukumizu is a guy who would “save anyone”, and she likes that a lot less than Senjougahara did. Lemon, meanwhile, is dealing with an issue she’s had before – she’s simply too good at track, and the coaches are understandably concentrating on her to get the school some notice and to get her into Nationals. She, however, is worried about all the other track girls, who are not as good as her and therefore not getting the attention. Of course, as it turns out none of the girls feel resentment towards her at all, mostly as Lemon is a sweetie pie who has not a single selfish bone in her body. Once he wins (sorry to spoil, but come on, this IS still a light novel), he solves the problem by telling her to be more selfish. The girls not being as good as she is is not her problem. Go for the gold. Too bad love isn’t like a track meet, no matter how much she tried to make it so.

So now our leads head into second year, and I bet that means a new character being introduced who’s a giant flaming loser of a girl. We wouldn’t have it any other way.

The Hero and the Sage, Reincarnated and Engaged, Vol. 6

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By Washiro Fujiki and Heiro. Released in Japan as “Eiyū to Kenja no Tensei Kon: Katsute no Kōtekishu to Konyaku Shite Saikyō Fūfu ni Narimashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by Joey Antonio.

Still enjoy this series, still very hard to review without repeating myself. Boy, these two kids are overpowered and in love, and it’s not clear which is more important, though I will admit in this volume the OP outweighs the flirting. That’s because they spend a large chunk of the book apart – Raid heads back to the Second World to get help to save the First World, while Eluria stays behind to make sure that things don’t get any worse than they already are. But on the bright side, they’ve moved up to cheek kisses and forehead kisses, which means they may actually go all the way around Volume 62. Which we may actually get – the author says this was supposed to end with Book 4, but the manga took off, so now we have 6, and it’s still not done. Possibly as the author is still searching for anything that can make our two leads break a sweat – it doesn’t happen here, for sure.

After dealing with the “hero” Valtos, who like most jerks that run into Raid and Eluria has turned into comedy relief, our main characters are faced with a big issue – they just don’t have the people to fix everything. As such, Raid returns to his own world to enlist help from other nations. Unfortunately, when he gets there, he’s promptly arrested and accused of treason, because most everyone (including me) forgot about the plot of the first two books, which is that Raid has the skills to be a special-class magician, and the deeds, but a lot of people still really, really hate him and his non-magic using self. But that’s fine, Raid can use this to his advantage, with the help of a good old fashioned filibuster that offers the nations of this world that haven’t had war in a long, long time something they crave – new land in another world.

The author says they love to write Millis as she can lighten up any situation, and it’s true that she still gets the bulk of the comedy. Especially when she finally figures out what everyone else knew in Book 5, which is that supposedly she married Wisel – something that shocks and embarrasses her in equal measure. I did appreciate that Eluria took the time to sensibly talk with the freaking out Millis about what to do next, and guided her towards the right solution – put it on hold till she’s ready to deal with it and decides whether she really does like him romantically. Eluria can be a smart cookie when she’s not being used for comedy relief herself, as not only does she have her usual trouble waking up, but also her brilliant solution to the monsters attacking from across the sea is so brilliant it means she can’t go wild in combat… unlike Raid, who gets to terrify everyone by showing off.

This series is never going to get deep or tragic, but if you want more of the same, it is absolutely that.

The Do-Over Damsel Conquers the Dragon Emperor: The Official History of the Continent of Platy

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

There’s no afterword in this book to confirm it, but I imagine writing this book must have been so cathartic for the author. They not only write this series but also I’m the Villainess, So I’m Taming the Final Boss, and both of those series rely on the basic fact that our heroine is one step away from everything falling apart, and that if she doesn’t save the day when a Bad End will ensue. This book, which is a short story volume but also serves as a prequel to the whole series, is that Bad End. The end of the book features a cast of characters page, and it’s a big cast. Almost everyone has a “Died Age xx” next to their name, with only three exceptions. This ends up being quite refreshing. You don’t need to worry about how they’ll get out of this one because you know everyone’s gonna die tragically. This is why Jill ended up back in time.

Speaking of Jill, she’s barely in this book, though she does feature more heavily near the end. The bulk of it is showing us one of the characters from the main series whose destiny Jill managed to change by punching things very hard, and then showing us that original destiny. We see how his relationship with Sphere was, how horrible the Goddess can be, and how most people simply assume he’s a pedophile. We see Risteard, desperately trying to make sure Hadis becomes a good ruler, end up being forced into a revolt and being unable to save his little sister from killing herself. We see what happens when Natalie goes through everything she went through in the main series but without Jill’s interference. (It goes much the same way, apart from her dying.) Minerd dies. The entire academy Jill taught at is slaughtered. Vissel’s misplaced love for his brother leads to Hadis finally snapping. And then we get the Kratos side of things. It doesn’t get any better.

For all that the book is filled with people dying full of regrets when they’re not possessed by evil, there are heartwarming moments in here where we see that, with the presence of a dragon consort, things can be different. Hadis’ family is capable of affection for each other when they’re not busy living in a Game of Thrones. The Cervel family are all battle lunatics but also love each other deeply. Rufus and Gerald are both seen as noble and good princes who want to find a way to break the whole “incest curse”, before the curse takes hold and they both turn to the dark side. Zeke and Camila remain exactly who they’ve always been no matter what the timeline. And then there’s Jill, who may be in love with Gerald here (somewhat to her detriment), but is otherwise exactly the same. She’s so great.

This is nearly 400 pages, so there’s a lot of Bad End here. Now that we’ve gotten it, though, much of the main storyline is recontextualized, and I hope we get back to the main series soon so we can stop a lot of this happening.

Miss Blossom’s Backward Beauty Standards: Give Me the Ugly Crown Prince!, Vol. 1

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By Sankaku Mikaduki and riritto. Released in Japan as “Bishuu Abekobe Isekai de Busaiku Outaishi to Kekkonshitai!” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

(I spoil a plot point in this review at the end of the summary, but the plot point comes up fairly early in the book. But I will still warn folks.)

Generally speaking I usually try all the titles J-Novel Club sticks in their Heart imprint, but I will admit I was a bit wary about this one based on the plot description. That wariness only increased when I started to read the book, which at times reads like the author was given the backstory of the world on a dare. The afterword suggests that “a world where ugly is handsome and handsome is ugly” is a genre, which came as a surprise to me, and the fact that it only applies to men made me roll my eyes until they hurt. Despite all that, the writing is breezy and fun, the heroine is goofy yet also likeable, and the mashup of about five different types of light novel plot ends up helping a lot more than it hurts, as it turns out that our protagonist may be the only one here with memories from Japan, but she’s not the only one trying to figure out this new world.

Cocolette Blossom wakes after suffering from a terrible illness and almost dying, with memories of her past life in Japan. She finds that she’s an absolutely gorgeous child! And that she’s in some vaguely European fantasy world, just like Japanese light novels and games! Since she was an otaku with no real life romance before, her goal in this new world is to marry a hottie bishonen. Then comes the bad news. In this world, apparently, men who are considered handsome have orc-like faces with thick eyebrows, which those with bishonen looks are considered so ugly that women literally pass out in horror when they meet them. But that’s not going to stop her! She’s going to meet the Crown Prince, who is considered one of the ugliest in this world, and romance him and get her bishie! Just one problem – this is not the crown prince’s first go round through this timeline.

Yes, that’s right, while our heroine is doing a reincarnation fantasy, her romantic partner Raphael is trapped in a Villainess time-loop fantasy. As it turns out, both of these plot points coming together is what actually saves the day – we learn about the first timeline in flashbacks from Raphael’s viewpoint, and it is a bit ridiculous how everyone that he comes into contact with ends up either unhappy or dead. But with the addition of Cocolette, suddenly almost everything is well again! I say almost everything as this is a still a man who has been called ugly and horrible through TWO lives, and getting him to accept someone loves him is a hard road to hoe. As for the “handsome men are ugly” plotline, there is an actual plot-related reason for this, but I still can’t help but feel that it’s not really doing everything it could with “standards reversed”.

The second volume of this has a wedding on the cover, so I’m not sure if it will even make it to DRE Novels’s three-volume cut-off, but I’ll try it. Good writing and characters help get past an iffy central plot.

Who Killed the Hero?, Vol. 2

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By Daken and toi8. Released in Japan as “Dare ga Yuusha wo Koroshita ka” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kim Morrissy.

(I won’t be spoiling too much about this book, but by necessity this does spoil a big reveal for the FIRST book, so beware that.)

It’s always tricky when you write a perfectly self-contained novel that gets so popular you have to write a sequel to it, and it’s even trickier when you are an author who is known to a certain degree for clever plot twists. By now anyone who picks up the second volume of this book will be sitting back and saying “well, go on, impress me”. When I heard about the plot for this book, I wondered if it was a prequel to the previous book, showing one of the many failed parties that the Prophet tried to gather together who failed to defeat the demon lord. And that’s kinda sorta true. But for the most part this book wants to explore what the idea of a hero and heroism is, and whether it’s something that some people have and some people don’t or if it all depends on circumstances. Because the hero’s party we see here have a reputation that is, shall we say, less than ideal.

The bulk of this book takes place right before the events of the first in the series. The Prophet is searching for someone who can be a hero, unite the Sword Saint, the Holy Maiden, and the Great Sage (who, you may recall from Book One, have shall we say DIFFICULT personalities), defeat the demon lord and save humanity. This is hard, and she’s tried to do this a large number of times, including the noble knight Carmine, whose corpse we see as this book starts. But we also see another party, which also looks DIFFICULT. They’re led by a man named Leonard, who is, not to put too fine a point on it, an asshole. He only believes in the power of money, he demands ten times the requested fee to be paid before he does a job, and if a cute li’l orphan tries to join the retreat at the last minute? Well, cute li’l orphan will cost extra, of course. He’s the OPPOSITE of a hero… or is he?

Since we have read the first book, and therefore know its plot twists, we’re allowed to take a much closer look here at the character of the Prophet, aka the Queen. We see her morbid fascination with Leonard’s party, which is literally the opposite of the actual Hero’s party from the first book (Leonard is a weirdo, and he has three relatively normal companions). As it turns out, though, they’re much more closely linked than she expects. Seeing her desperation and despair as the search goes on, especially since the nature of the time loops mean there’s no one who she can talk to about it, is touching and makes me go along with the somewhat unrealistic final page. As for Leonard himself, we guessed it was an act from the start, but he’s also the best character in the book, having both a lot of cynical common sense but also an idealistic goal that he knows will probably end in his death. Even assholes can still be heroes.

There’s a third volume to this, and I’ve no idea how it will be intermingling with the first two. But the author has my respect enough that I’ll definitely check it out.

Victoria of Many Faces, Vol. 3

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By Syuu and Nanna Fujimi. Released in Japan as “Tefuda ga Ōme no Victoria” by MF Books. Released in North America by Yen On. Translated by Andria McKnight.

With the first two books, they felt self-contained, and yet the series continued on. This third book very pointedly leaves several plot threads open for the future, and so naturally there hasn’t been a new book in almost two years – we’re caught up. (The webnovel is ongoing, but by now we know how little that means). It’s a shame, as this is still a fun little series, even if its core is getting rather serious. The series started with Chloe, aka Victoria, aka Anna, trying to escape from a forced life of espionage, to the point where she literally fled the country and then the continent to get away. By the end of this third volume, both she and her husband are strong-armed into working for the government again – with the prince essentially saying that it’s OK because he won’t use their powers for evil. What’s more, their incredibly talented adopted daughter Nonna, who can’t seem to stop learning how to be a top spy, is probably also going to become a top spy. getting out is hard.

While things have settled down for Victoria, Jeffrey and Nonna, things are very much not settled down in the kingdom they live in. The discovery of the gold mine has led the country whose doorstep it’s on to start making rumbling noises about war. What’s more, Prince Carlos’ wife Delphine has had two attempts on her life recently. And Delphine’s body double was accidentally outed on a recent spy mission and her face is disfigured enough that she won’t be able to do the job in time. So Victoria is asked to step in, be Delphine’s body double, and find out who’s trying to kill her. Meanwhile, Jeffrey and Clark (you remember Clark, the childhood friend in love with Nonna?) are going to the border to negotiate peace. All of this leaves Nonna a free to be an agent of chaos, which is pretty much the best reason to read the book.

Victoria is still the star, and does a lot of great stuff here, but Nonna is the main reason this book remains fun rather than harrowing. Victoria’s plot is relatively serious, and ends up rebounding on her at the end when she proves to be too good at bonding with Princess Delphine. Nonna, meanwhile, is not allowed to go to the palace because her mother is undercover, so ends up curing her grandmother of her mental and physical frailties by virtue of accidental physical therapy, learning how to fight even better and also pick locks, and of course end up involved in the palace stuff anyway when a riot breaks out during a festival and she basically parkours her way into the thick of things. The most annoying part of the book is that Clark proposes to her, and she accepts (though specifies it needs to wait till she’s older, thank God)… but we don’t see this scene, we just see Nonna telling her parents about it. Given there are multiple narrators in this book, what gives?

Now, I do think we will get a 4th book soon, mostly as there’s an anime coming. For now, though, please enjoy the plight of a woman who just wants to settle down and raise sheep but her daughter has turned into a ninja.