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Super Cub, Episodes 1-12

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Written by Toshizō Nemoto, directed by Toshiro Fujii for Studio Kai. Based on the light novel written by Tone Kōken and illustrated by Hiro, published in Japan by Kadokawa Sneaker Bunko. Released in North America on the Funimation Streaming Service.

I review anime series on my site basically never, but something about Super Cub makes me want to talk about it. It wasn’t the most popular series of Spring 2021 – that’s probably Vivy: Fluorite Eye’s Song. It doesn’t have an amazing original music soundtrack – though the sound design is incredible. It doesn’t have an all-star cast – indeed, the lead role goes to a relatively new actress. It lacks exciting battles or romantic drama (no, sorry folks, much as I enjoyed teasing about it, this is not a yuri series.) And yet for a select few folks, every Wednesday suddenly became Super Cub Wednesday, a time to sit back and watch an introverted, quiet, and depressed high school girl slowly find friends and a purpose in life thanks to the purchase of a Honda Super Cub.

Contrary to the belief of a lot of fans of the series, it was not created by Honda as an advertisement for their Super Cub line, though I’m sure they were delighted to sponsor the series. It’s based on a still-running light novel series about a high school girl named Koguma, who lives alone in a small apartment in a small town in Yamanashi Prefecture. When we first see Koguma, her life is very sterile. She gets up, shower and gets dressed in her uniform, makes a simple breakfast and a simple lunch (which she will eat cold, as there’s always a line for the microwave), and then ride her bike to school, which involves a hill and exhausts her every morning. After being passed by faster bikes and scooters, one day she decides to turn towards a motorcycle store, where (after seeing new scooters are 100% too expensive for her) she buys, quite cheap, a Honda Super Cub. Over the course of the next twelve episodes, we follow her and her Super Cub as her life grows larger and more enriching with every episode.

There are so many things I could talk about. The cast of the series is minimal – while there are supporting characters, for the most part it’s three girls. Koguma; Reiko, a pretty but distant girl in her class who turns out to be a massive Cub otaku (and also a very eccentric young woman); and Shii, a very small girl in Koguma’s class who rides an Alex Moulton bicycle and gradually begins to idolize Koguma and Reiko. With the exception of the cliffhanger to one episode, the series never gets too big or dramatic. It relies on small, realistic moments, like Koguma’s fear when her Cub doesn’t start after midnight in the local convenience store (out of gas), or Koguma’s part-time job, which involves a 45-minute commute each way; or Koguma and Reiko’s increasing struggles with the elements and nature.

I do love the other two characters. Reiko is delightful and wacky, even if she’s a little too happy to walk around naked in a “this novel is for guys” sort of way. She gets her own focus episode where she tries to climb Mount Fuji with her Hunter Cub, and it’s a delightful examination of sheer stubbornness and perseverance. Shii’s story takes up much of the back half of the series, and leads to the series’ only real cliffhanger, where her desperate attempt to stay on the same pace as the “cool kids” leads to an accident. She has the emotional journey of the series, and seeing her, at the end, buying her own Little Cub, a vehicle as adorable as her, warms the heart. That said, Koguma is the star, and Koguma is the character that I was most invested in, every episode.

Koguma, after buying her Super Cub, gains new friends, has new experiences, shows more of a rebellious side, and also shows off her delightfully understated sense of humor, which was one of the high points of the series. At the same time, she does not change all that much. While we do see her smile more and more (and her smiles are delightful, trust me), her default setting is still quiet and emotionally guarded. She is careful about money, tries not to have to trust other people, and tends to deflect any and all praise of her actions, increasingly crediting the Super Cub with anything she did herself. The Super Cub, as Koguma herself admits in the final episode, is not a magical girl mascot that can heal all your issues – issues Koguma still deals with even towards the end of the series.

That leads to the series’ most controversial moment, when Shii, taking a “cat path” shortcut to go shopping, ends up crashing her bike into a stream off the side of the trail. Looking in a lot of pain, she calls… no, not her parents. No, not 119. She calls Koguma, the girl she has put on a massive pedestal by this time. And Koguma comes to the rescue in her Super Cub, getting Shii out of the water (slapping her to keep her awake), struggling to hoist them both back onto the path, and then… sticking Shii INTO her Cub’s front basket (Shii is teeny weeny) and driving her back to her apartment for a hot bath. This, to put it mildly, upset fans. Why did she not call for an ambulance? What was she thinking? To me (and several others), it seemed far more obvious: Koguma hates relying on anyone else, ambulances and hospitals might mean paying money she doesn’t have, and Shii seemed to mostly just be cold. You could argue it was a bad decision, but: a) who says characters have to always do the correct thing?, and b) we’d literally seen Koguma disobey her teachers – twice! – in a previous episode. She is not a good citizen sort – she’s an introverted teen worried about her friend. (Oh yes, and Shii’s trail was apparently 500 yards from Koguma’s apartment.)

Let’s talk about the animation and sound design. Super Cub does not do anything flashy – it’s fairly standard animation, not a lot of CG work or 3D flashiness like So I’m a Spider, So What?. That said, there was never any moment in the series where I felt “ah, this was the cost-cutting episode” or “this is where they ran out of time” – unlike, say, So I’m a Spider, So What?. It had a shtick which worked wonderfully throughout the series – it used muted colors, but when Koguma had a “Eureka moment” or emotional revelation, the colors would brighten. It was terrific. Meanwhile, the sound design was so good it was being praised immediately even by people who did not normally notice things like that. The soundtrack mostly consisted, at dramatic moments, of public domain classical music, ranging from Debussy and Vivaldi to Erik Satie. But the show was not afraid to have long stretches with no music at all, featuring Koguma silently starting her day, with the cooking of rice and buttering of toast showing off the quiet depression that is her existence as she starts the series.

I would definitely argue Koguma is depressed as we start the show. It’s a very quiet, normal depression, the sort that you wouldn’t even notice if you were a classmate (and indeed they don’t). Koguma describes herself as a girl with nothing in the first episode – no friends, no family, no goals, no plans for the future. At the end of episode 12 (to the consternation of some folks who wanted her to acknowledge what Reiko and Shii mean to her), she repeats the exact same monologue – but says that she now has a Cub, which gives her the determination to find those things. It calls back to the previous episode, where Shii, devastated at the fact that her bike was destroyed in her crash, begs Koguma to take the winter away, to make this season just stop. After a long pause, and it sounds like she HATES to say this, Koguma admits, “that’s not something my Cub can do”. That said, the very next episode, she does decide – yes, we ARE going to take Shii to Spring, and while the Cub is the means, it does not make the decision – she does. The Cub gives her confidence and energy that she completely lacked before.

I could go on – indeed, I have, this is much longer than my light novel and manga reviews. But that’s just how much I got out of this superlative anime. I don’t expect it to win any awards or anything, but if you like character-driven pieces with strong writing for teenage girls and a lack of “message” moralizing (unless that message is to buy Honda products), then Super Cub is a must-watch. I hope the series gets licensed for Blu-Ray release, I’d love to own this to rewatch for years to come.

Sword Art Online Alternative: Gun Gale Online: 4th Squad Jam: Finish

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

OK, this turned out better than I had expected. I probably should have trusted in the author more. Keiichi Sigsawa is a man who knows what his strengths are, and in the case of Gun Gale Online, that is “cool action sequences that you want to see filed”, not “Karen has to find a way to get out of a marriage she doesn’t want”. As such, the actual plotline that brought us to this epic 3-part story is dealt with perfunctorily in the final chapter, and if it has a bit of a “sad trombone” feel to it, that’s fine. What folks are really here about is the gunfights, though, and boy howdy do we get a lot of that here. Not only is this the third part of an epic gun battle, but the book is also one of the longest in the series. It’s giving you excellent value for money. As for who comes off looking cool? Honestly, pretty much everyone.

We pick up right where we left off, with the huge battle between SHINC and Llenn being interrupted by Fire’s minions, all of whom are there to make sure that Llenn loses. (Llenn, throughout this book, points out she is under no obligation to marry this guy even if he does beat her in the game. No one listens to her.) As SHINC begins to lose members one by one, LPFM gains two back, as Shirley and Clarence come riding to the rescue – literally. We then move onto a train, then across a frozen lake – which of course starts to crack – and even deal with DEATH FROM ABOVE before we get into the final battle, which takes place inaside a massive deserted shopping mall – and only pistols are allowed. Can LPFM and what remains of SHINC hold out against two teams of the enemy? And can Karen finally tell Fire she’s just not interested?

The worldbuilding in this little universe is really good. Even if it does mean that we sometimes get pages at a time going into the history of guns and rifles. We have a seriously broad definition of “pistol” once we hit the mall, and most of the enemy takes full advantage of that. I also really liked the concept of the robot horse, and how it relates to Shirley’s real-life skills. (Shirley in general is terrific in this book, getting actual character development, and a wonderful final scene which shows off that this is a GAME, and she’s not actually a revenge-filled sociopath. And I admit I did find the ending a bit amusing – Fire, having decided that Karen is the woman he wants to marry to the point of setting this all up so he can “defeat” her, is scared off because Llenn is simply too damn terrifying – and Karen says that Karen and Llenn are both “her”. Oh no, strong women, flee!

There is a Vol. 10 out in Japan, which we should get in the fall, but after that we’re caught up with Karen’s story. There *is* more Sword Art Online Alternative to license, though. (hint, hint) In any case, fans of action movies will love this.

Re: ZERO ~Starting Life in Another World~, Vol. 16

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

Fans of this series have been reading it for a long time now, and know that this is the first book in a new arc. As such, we keep wondering when things are going to turn terrible again and when nightmarish, hideous things are going to start happening to Subaru. And, I’m not gonna lie, that does indeed happen. By the end of the book, we’re back in familiar territory. The wonderful news is that it’s the END of the book – which means we get an entire volume of everything simply being fun and relaxing. Now that all of Camp Emilia are on the same page, and we’ve had a timeskip (it’s been a year since the prior volume ended), the book can lean hard on what the main cast does best: Subaru being the tsukkomi, Beatrice snarking, Emilia being so earnest you want to look away, Garfiel looking for a good fight, and Otto stressing out. Almost all of those things happen in this book. Sorry, Garfiel. There’s always someone better.

As noted, it’s a year later, and Emilia’s group (minus Ram and Roswaal, who it seems sit this arc out) are invited to Pristella, the City of Water. They’re invited by Anastasia, and it turns out that invitations have been made to (almost) all the other factions as well. This allows the entire cast of the third arc to finally meet up again, and in what is essentially a bizarre combination of Venice (the city) and Japan (the inn they’re staying at – which is deliberately Japanese to such an obvious degree that Subaru is certain that someone else isekai’d into this world before him is responsible.) Now Subaru can try to make nice with Julius (semi-success), we can mete up with Crusch (still awesome, but in a 100% different way than how she used to be) and Felt (still kicking against the pricks). We might EVEN get a grandfather and grandson to reach towards reconciliation… or we would if a very uninvited guest didn’t drop by.

So basically we have a bunch of fun setup and scenes with characters interacting in either a) hilarious, b) heartwarming, or c) infuriating ways, and it’s bliss. (This does not count the final few scenes in the book, which are appropriately horror-filled and ghastly.) Subaru is confident now and so is Emilia, and everyone can see the change. We also meet up again with Liliana, the minstrel whose stay at the manor and subsequent chaos everyone remembers from the first short story collection… hang on, I’m getting something in my ear… what? Still unlicensed? Oh well, the author tries to describe what happened. Erm, you had to be there, I guess. It’s also nice to see the five candidates battling it out again after so long – what with the fight against the White Whale, and ALL of Arc 4, I would not blame readers for needing a refresher. And then there’s the villain – they’re on the cover, on the right – who is seriously screwed up and evil and I really hope something can be done about them next time.

That may be tough, though – Subaru’s not going back a leisurely couple hours or day or so as before. That said, till the next book, enjoy one of the best light novel series out there, with everyone being really happy and confident, including the author.

The Ideal Sponger Life, Vol. 3

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

Ideal Sponger Life continues to do what it does best: spend most of its time making that title a lie. Indeed, Zenjirou straight up admits it here. While he wanted to have a lazy, indolent life to recover from his Japanese work burnout, after a few months the mental turmoil is fixed and… he wants to do things! Fortunately, there are things to do. He can install air conditioners, he can help to better the water wheel, and he can continue to fend off attempts to try to bride, seduce, or flat out trick him into bad ideas. That said, one thing he can’t do is talk to his son – the way languages and magic intertwine in this world, we want to make sure the baby grows up knowing the native tongue, not a mishmash of that and Japanese. This is, believe it or not, more interesting than it sounds. (It would have to be.) And for those of you who are still bored, I have good news: RAPTOR ATTACKS.

As you can see, much like Strike the Blood, the cover art is here to remind you who the heroine is and to ensure there are no other contenders. That said, for once the concubine thing is not a focus, as they have bigger things to worry about. They’re not getting salt from their major supplier, and a battalion is sent to figure out why. They quickly find it’s raptors. A ridiculous amount, with apparently a larger, more intelligent leader at the helm. Meanwhile, Aura is getting back into the swing of things after her pregnancy, seeing about getting her blacksmiths to make glass, her engineers to build the aforementioned water wheels, and lots of political dealings, including deciding who should lead the battalion to investigate the missing salt. And then there’s the neighboring country’s royal family coming to visit… something that is almost unheard of.

The royal family (however remote their succession is) will have to wait till next time, but that still gives us a lot to do. Aura’s chief general is still really hungry for power, and therefore the excuse of fighting off a bunch of raptors is welcome (though THAT may also have to wait till next time… this is not a book to read if you love action sequences, brief raptor attacks aside). No, it’s just deal making and world building, as far as the eye can see. Even those who were reading for the horny parts will be disappointed (again): Aura has given birth and recovered, but Zenjirou didn’t bring condoms with him from Japan, and she doesn’t want to get pregnant immediately after her first, so lovemaking is off the menu for now. Oh yes, and as with the previous book, there is an extended epilogue featuring Zenjirou’s wacky maid trio, and unfortunately, as with previous volumes, the author thinks it’s a lot funner than it really is.

So sponging is off the menu, but we do have lots of other things going on, and the next book should introduce some new supporting cast. In the meantime, this is a good read if you enjoy titles like Accomplishments of the Duke’s Daughter or other series that promise you a gimmick and then give you sensible good writing instead.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 13

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

At last, after missing each other for a few volumes, the Wonder Trio and the Crimson Vow finally meet each other in the latter half of this volume, which leads to the fated battle of who gets to have Mile as their bestie. The outcome of this is very much up in the air… theoretically. In-universe, certainly. In the meta sense, the outcome is very much set in stone, as we’ve been traveling with the Crimson Vow for 12 books now, and the Wonder Trio are merely beloved supporting characters and backstory for our heroine. But it’s a good thing, really, as it reminds us of the Crimson Vow’s biggest flaw, which is that the other three have gotten so used to having Mile around that they’ve forgotten to think about basic things… like food or shelter. Reina gets this, being more used to the hunter life than the others, but when it comes to the fated battle… well, it appears to be a bit one-sided.

But wait, we also have the first half of the book. There are a few cute short stories, but mostly it has three main plotlines: the resolution of the battle with the Elder Dragons that formed last volume’s cliffhanger (turns out that controlling the nanos that control reality is super useful, who knew?); Kelvin, the guy who challenged Adele at school and got creamed growing up and leading a huge battle force (that would have lost without Mile, but hey, baby steps); and the Crimson Vow coming upon a small village, whereupon they save a young girl from being kidnapped by bandits. Said girl reminds Mile a lot of her little sister from her previous life… and it doesn’t help that she had an older sister in this world who died EXACTLY the way Misato did. I was actually waiting for this to go somewhere, but it really does seem to have been a coincidence… but it allows Mile to gush a lot, and the rest of the group to beat the crap out of bandits, their favorite thing.

The battle honestly feels like a bit of an apology to the wonder Trio. I’ve always felt it sort of baffling that the first volume in this series gave Adele a supporting cast of friends… and then dumped them and had Mile gain a NEW supporting cast of friends. As such, here we see that the trio are more intelligent and adept at magic, to the point where Mile is teaching them things that she would never teach the other members of the Crimson Vow. She also, like the Little Sister from earlier in the book, assigns some nanos to watch over them… not realizing that these nanos love to do anything in order to break their cycle of boredom. Combine that with the Wonder Trio figuring out uses for Mile’s storage magic that even she hasn’t dreamed of, and they start to look truly terrifying. That said, sorry to spoil but Mile remains with the Crimson Vow.

Aside from the usual flat/large breast remarks, there wasn’t even a lot of annoying fanservice in this book. The best part was the back half, but it was solid overall, and fans should be very pleased.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 4

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

Last time I asked for Ash to have a few failures under his belt, and we do get a bit of that here, showing that he can’t do ANYTHING he puts his mind to. Food preservation is still a big problem, and the wonders of canned food will have to wait for more advanced techniques. There’s more good news: by now, everyone has gotten so used to Ash being the greatest thing since sliced bread that they’ve started to stop talking about it, which means less page count devoted to everyone praising him to the skies. That said, there’s a larger failure towards the back half of the book, as he chooses to try to save a village on its last legs, mostly due to sentimentality, and finds that while rebuilding civilization may start with a village, the village is not necessarily of one mind, and that humans tend to be lazy, cowardly and devious creatures. Fortunately, the next generation shows more promise.

On the cover are Renge, the maid who took a significant role in Book 3, and gets a much larger one here, and Suiren, her friend from a neighboring village. They had a falling out a couple years ago about the fate of Suiren’s village – the poor harvests have hit it particularly badly, but they’re too stubborn to give up or move. Now it’s a couple of years later, and things are even worse. Still, Renge is diligent, steadfast, and kindhearted, and wants to help them even though she’s been rebuffed. And Suiren is feeling regretful, and also the pangs of starvation, so is willing to accept the help. Everything is in place for Ash to test his new fertilizer experiments, and things seem to go swimmingly – until Suiren’s father, the actual village chief (who had been “ill” before) reappears to screw everything up.

For the most part, Ash is in “bad cop” mode throughout a lot of this book, and it’s not hard to see why. While he is resolved to help Suiren’s village because of Renge’s pleas, the village has not done a great job of even the minimal farming requirements. Even after he teaches them the right methods, some are better at them than others – and the ones who do poorly get less food. And when they’re proud of themselves for achieving results using the fertilizer… he points out everything they did wrong. It’s a brutal teaching method, and one that Maika and the others who’ve been around him just shrug off. Some, like Suiren, grow to be better, stronger people under these circumstances… and some, like her father, end up arrested and having their village taken away. Lesson learned: do what Ash says. Of course, this lesson does not apply to Ash himself, who tells the soldiers not to go to far trying to take down some treant monsters and then promptly goes too far. He is “do as I say, not as I do” in triplicate.

We’ve caught up with Japan, as the 5th volume of the book is not due out there till the end of July. So we leave Ash and Maika for a time. (He’s still not recognizing anyone is in love with him, and we can definitely add Renge to that list – though fortunately NOT Suiren.) Till then, let’s enjoy the fact that by now everyone has grown so used to Ash’s maniacal ideas that they take them in stride. Mostly.

Guide to the Perfect Otaku Girlfriend: Roomies and Romance, Vol. 1

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By Rin Murakami and Mako Tatekawa. Released in Japan as “Dousei kara Hajimaru Otaku Kanojo no Tsukurikata” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Marco Godano.

Contrary to popular belief, I don’t read everything. I don’t even read every first volume anymore, which I tried to do for a while, and my ‘should I check this out?’ meter has gotten higher, meaning less “I was the absolute worst talent, only it turned out it was the best” style books. (Well, excepting the ones I’ve already started.) That said, I have been trying to do every Vol. 1 of non-fantasy novels, simply because they’re still a refreshing minority in a sea of isekai and villainesses. It’s a good plan, and I’m usually happy, but sometimes I hit a series that is not for me, like this one. It’s not a bad series, and it certainly should appeal to its market, but it just didn’t grab me. The hero and heroine both clearly have room to grow over the course of this five-volume series, but (especially in regards to the guy) it’s not enough to make me want to read more. Still, that’s me. If you like otaku and high school romance, this is fine.

Kagetora is our male protagonist. He’s that guy. You know, you’ve seen anime. Kinda schlubby. Giant nerd, loves his manga, games and porn. Has no girlfriend, and bemoans the fact, but his standards are too high. He wants a girlfriend who will tolerate his otaku hobbies. Then he meets Kokoro, a popular girl who turns out to have a secret otaku habit herself. She wants the same thing he does – a guy who will understand her love for her own genres. Trouble is, her expectations for a boyfriend are just as out of sync as his. What starts as snapping and griping at each other, then turns into a decision to help each other out, finally gets far more serious when, owing to a wacky situation (TM), they end up living together in Kagetoro’s house while their families are overseas. Can they teach the other person how to appeal more to someone of the opposite sex? Or perhaps… the two of them are perfect for each other?

I don’t know how this actually ends in Japan, but I will be very, very surprised if the two of them don’t end up with each other. Most of the book shows off that they have quite good chemistry, which they mostly tend to ignore, and they also look out for each other, which is great. Kagetoro took longer to warm up to me, as he has a few qualities that I frankly hate in otaku guys, and the word “slutty” is thrown around far too often. Kokoro is more likeable, but also has her issues, though they tend to be more of the standard “has a sharp tongue” sort – this series is written for guys, after all, and you don’t want a heroine who will turn off the audience. (A hero who does, of course, is acceptable – at least in this way.) Over the course of the book, they try dating via game parties (disaster), otaku meetups (mostly a disaster, though we get a bit of a cliffhanger in regards to his date), and advice. Still, Tomozaki this ain’t.

Again, it didn’t really put too many feet wrong. And it’s not too long. If you like the genre, this is worth reading. But not my thing.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 1

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

For the most part, the “villainess” stories that we’ve seen a lot of lately have all been… well, villainesses. The genre began as a woman-driven creation, usually pairing the (former) villainess with various hot guys, because theoretically they live in an otome game. The male equivalent has not particularly shown up much. Visual novels meant for guys tend not to have a serious romantic rival for anyone. If for villainesses you think of sneering ladies covering their mouths with fans while laughing “OHOHOHOHOHO!”, then for villains in anime and manga you tend to think of a specific type. Short, fat, usually has a bowl cut. Son of a major noble, so can bully people pretty well, and usually will get a humiliating defeat at the hands of our heroes. That said, one of the more interesting things about this new series is that it really isn’t that. The titular Piggy Duke is actually the “Ensemble Darkhorse” of the show.

We don’t even find out how our hero died this time, but he’s been reincarnated as Slowe Denning, a duke’s son and the antagonist of the popular anime Shuya Marionette. Shuya is the hero. Slowe has spent most of his recent history destroying his reputation, to the point where he’s now despised by almost everyone around him. Of course, the reincarnated anime fan knows why: he’s trying to rig things so that he can confess to his retainer, a (secret) former princess who now lives as a commoner. That said, with his new memories of how the anime turned out for Slowe (badly, though the fans loved his stubbornness), our hero is NOT going to go down that path. He’s going to try to lose some weight. He’s going to improve his reputation. And he’s going to confess to the girl he likes. That said… easier said than done when he can’t even walk ten feet without three passersby calling him the Piggy Duke.

Not gonna lie, this book’s fat shaming is not great. Slowe’s appearance is belittled all the time, and while some of it is due to his porcine face and occasional snorts making him sound like an “orc”, most of it is mocking his weight. A good deal of the book sees him starting to work out to lose it, or searching for magical weight loss potions to help take the pounds off. But that said, I did enjoy this more than I expected. Slowe actually does sound much of the time like an anime fan would if their memories were now part of their favorite villain character. Also, unlike almost all villains of Slowe’s type, he actually has HUGE skills with magic… which, yes, means this is an OP hero story, sorry, did you expect something else? The magic system is classist (and described as such, to the point that when Slowe helps a commoner figure out how to use magic, it’s a big effing deal) but does allow for nice property-damaging mage battles. And the girls are cute.

So it’s not terrific, and I could do without the fat shaming embedded into the premise, but for the most part I found this book quite readable and the protagonist a fun guy. I’ll be picking up the next volume.

Outbreak Company, Vol. 18

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

(This review discusses the ending of the series, so spoilers abound.)

OK, I’ve calmed down now. When I first finished this volume, the final one in the Outbreak Company series (let’s leave Gaiden aside for the moment), I was a little upset. The book ended up going in a couple of unexpected directions that threw me for a loop, which the author seems to specialize in – Bluesteel Blasphemer did the same thing. Unlike Bluesteel Blasphemer, I was able to finish this series and do recommend it, though I’m tempted to tell people to simply skip the epilogue. In the end, this book is a political one, and who Shinichi chooses (which is pretty obvious by now anyway) takes a backseat to the hyperspace tunnels, the damage they’re doing to Japan, and the fact that closing them has become complicated by the presence of the US Navy and Marines, who are looking at a fantasy world with technology beyond anything they have and getting very sinister ideas.

The J-Novel Club Forums discuss the novels as they come out, and there was some discussion of how realistically the United States military was in this book, which seems to portray them most of the time as arrogant, cartoon bad guys. The folks who said “nope, no issues, it’s 100% realistic” in the comments were in fact ex-military, so there you go, then. They quickly decide to make the most of being in Eldasnt by taking over everything, threatening Shinichi repeatedly (as he and Theresa can control the Dragon’s Den) to give them power, and then going so far as to become “advisors” to a terrorist group that kidnaps Patralka and holds her hostage, meaning the series is ending much the same way it begun. That said, in these modern times, Americans being power-mad psychos is not something all too surprising, though the treatment of Theresa, who is murdered repeatedly to keep her down, is disturbing and creepy.

In the end, things are taken care of, and we end up where we’ve been for a couple of books now: are the main cast returning to Japan or staying in Eldant, and who is Shinichi in love with? The answer to Question 2 is obvious, as if the cover didn’t already tell you, but suffice to say getting him to say the words is like pulling teeth. As for their decision to stay or go, it’s not what I’d heard (showing to never trust spoilers on the Internet), but it fits the series pretty well, and leads to a nice, sweet, relatively happy ending… until you get to the epilogue, showing a future Japan is a dystopia where BL doujinshi is punishable by death. (It’s also a Japan that’s been essentially taken over by China with the US’s help, which… let’s not go there.) I suppose it’s meant to show that the struggle for otaku lifestyle will always go on no matter where or when, and also that our heroes will be there to be on the side of the otaku, but it really did not work for me. I’d have preferred the next-gen that the author rejected (as he says in the afterword).

That said, me liking certain things and really disliking other things is par for the course for Outbreak Company, a series that has always worn its heart on its sleeve, sometimes to a truly horrifying degree. I wish Shinichi and Myusel luck, and feel bad for Petralka, who (as the author admits) just wasn’t in a role that allowed her to do a lot.

I Refuse to Be Your Enemy!, Vol. 6

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

It’s the final volume of this series, and I am pleased that it’s ending pretty much the way that it began: with lots of strategy and battles. There is some romance here, as the cover art will no doubt clue you in on, but for the most part this is still a military fantasy first and a romance second. e get to see the remaining bad guys be really bad, but also (well, in one case) see how they got to be that way, and witness Kiara say that if Reggie had died she’d totally have done something very similar, which is… chilling, but very on brand. There’s a character reveal that’s well-handled and an actual surprise, which pleased me. And, of course, our heroes very nearly lose several times, as we are shown that just because you may know about the past in a game… or even via other means… does not mean that there is not still danger of death lurking everywhere. This ISN’T a game.

Having confessed to each other, all that’s left for Kiara and Reggie’s happy ending is… well, a lot, to be honest. Lord Patriciel is still around, as is Queen Marianne. And they both seem far more confident than they should, really. It would help to have a few more allies, which means getting the Thorn Princess completely on their side, but to do so they’ll have to discover who she really is. The enemy is brutal, enslaving people and using them as meat shields, then using the slaves and its own soldiers as defective spellcasters in order to kill the troops. And oh yes, they also have a monster, a huge flying beast that obeys the Queen’s command. Even when they’ve won and all that’s left is for the Queen to surrender, there’s still one nasty trick up her sleeve, which Kiara may have to pay for with her life.

As I mentioned earlier, I appreciated that it’s very hard to change fate, but not impossible. Every time Kiara or the Thorn Princess feel that they’ve managed to alter the past so that Reggie is not brutally killed, he ends up in a different kind of danger. It’s not easy trying to find the right butterfly to step on. Fortunately, they have the ability to plan and strategize on the fly, but it’s a touch-and-go thing, especially towards the end, where various characters compete to see who can sacrifice their life to save 3everyone else first. That said, it’s not a big spoiler to say that most everyone lives happily ever after, even some people that I was pretty sure were going to die. And, for those who DO like romance, there’s some nice stuff here – Reggie is very affectionate, and spends most of the book trying to get a very reserved Kiara to accept him touching her. A lot.

At six volumes, this turned out to be exactly the right length. If you like villainess stories done almost completely straight, with few cliches and a heaping helping of battle, this is a terrific series to read.

The Emperor’s Lady-in-Waiting Is Wanted As a Bride, Vol. 1

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By Kanata Satsuki and Yoru Ichige. Released in Japan as “Koutei-tsuki Nyokan wa Hanayome Toshite Nozomarechuu” by Ichijinsha Bunko Iris. released in North America by J-Novel Club. Translated by Emily Hemphill.

There are various ways to conceal things in books, and some of them are harder to pull off than others. Common in mystery stories is keeping the viewpoint character and the reader in equal ignorance, revealing things to both when the time is right. Rare is when everyone except the reader knows about something, and they all talk around the subject. Then there’s the reader knowing something that most of the cast do not – we get a bit of that here in this novel. Unfortunately, we also get “everyone else knows what the viewpoint character does not, including the reader”. This is the hardest to pull off, and the most frustrating. You start to wonder what in the world is wrong with the main character. Still, it’s not impossible. That said… and I don’t mean to spoil, but I must to a certain degree… when it turns out that a magical mind-controlling device is the reason that your cast has not noticed things that are obvious to the reader, you have a problem.

Qatora, a knight in charge of protecting the young prince and his friend, ends up sacrificing her life to save the latter, falling into the “Light of Origin”, a seemingly religious artifact. Reincarnated in a different country several years into the future, she is Lyse, the daughter of a baron, who tries her best to fit in in this country where being strong as an ox and good with a sword is NOT appreciated in its young ladies. She’d much rather be back in the Empire, but knows the secret of the Light of Origin after falling into it, so avoids the country. Then one day the Emperor and his retinue pay a visit to their land, and she’s chosen to not only be Lady-in-Waiting to the Emperor, but also fiancee to his knight, Sidis, who seems mysteriously fascinated with her. Oh, and did I mention that the Emperor is… slowly tuning into a dog? Lyse is going to need strength and smarts to get out of this dilemma.

The author of this series also writes I Refuse to Be Your Enemy!, which I highly recommend, but I found myself struggling to get into this new series of hers. It is very clear to the reader from the start who Sidis really is, and hearing “but that can’t be, he doesn’t have blond hair” over and over is frustrating. Likewise, the villain of the piece is about as subtle as a boot to the head, to the point where there is literally a mind-controlling device meant to convince people that ISN’T what it is. I also wish we got to see a bit more of Lyse’s past abilities – she’s known as the “boar-killer”, but we don’t SEE that, and mostly she just kicks a lot of guys. (Who, admittedly, deserve it.) On the plus side, the Emperor and his ongoing problems are amusing enough, and Sidis makes for a good love interest, though again, you get the sense that Lyse is not interested in him because the writer doesn’t want her to be yet more than anything else. She needs to pick up on things better.

The book also feels complete at one volume, which is unfortunate as the series is at least four books in Japan. If you really enjoy romantic fantasies, give this a try, but honestly you’d be better off with I Refuse to Be Your Enemy!.

Girls Kingdom, Vol. 3

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By Nayo and Shio Sakura. Released in Japan by GL Bunko. Released in North America by J-Novel Club. Translated by Philip Reuben.

This series, in general, should not be taken seriously. I know that seems like a really obvious thing to say, but we are dealing with something written for a yuri audience, and yuri audiences have been conditioned to take things Very Seriously Indeed a lot of the time. This works on a 2005 yuri level, but it’s also clearly being written around 2020, and knows that too. So no one is going to be using the words lesbian or queer in this book anytime soon, but bathing together – complete with tickle fights – is still on the menu. Likewise, there are no canonical couples in the book, and yet the entire book consists of plotlines like “what is the perfect present I can give to my mistress” or “I am obsessed with my mistress to the point where I have become a living ghost story”. It’s a lot of fun to read. It also has Misaki, who still makes for a great protagonist, since she is, as I’ve said before, Yumi without all that self-doubt.

In the first part of the book, Misaki and Kirara, along with the other first-year maids, get that most important of things – their first paycheck. It’s tradition that part of that check should go to their mistress, but it’s up to them to figure out what the perfect present would be. After this, there’s rumors of a ghost on campus, and the student council president is trying to see what’s really going on, though it’s Misaki who has already worked things out. All of this is going on, of course, while Misaki and Kirara are still trying to learn how to be the best maids out there, and realizing they still have a LONG way to go. Especially if they want to compare themselves to Sara, whose mistress, who had been in England, is finally arriving to join the school. Will she upend the salon system? Or just create chaos? Probably, it’s that kind of series, but I expect all will work out in the end.

My favorite parts of the book are when you’re able to spot the tongue lodged firmly in the author’s cheek. Sometimes this is obvious because Misaki, our “common sense” character, points it out, such as student council president Angelica pulling a map of the campus out from between her breasts. And sometimes it’s obvious simply because it’s too ridiculous not to giggle. Sara’s past is tragic, but it’s tragic in a “Little Match Girl” sort of way that makes the denouement that much funnier. I’m amazed Sakura didn’t find her abandoned in a box with dog ears on her head. And sometimes the ridiculousness is actually a plot point, such as Sara’s “very English” mistress being named Sakura, which is noted by the characters but which we might have to wait till next time to actually figure out why.

Next time promises a 3-way Salon War – at least- and, I suspect, will have a lot more of Sakura and Sara, a relationship I can see going in several direction. Still, this was an excellent volume in the series, if only as I made it through the entire book without wanting to kill Kirara with my laser eye beams. Also, thanks must go to Angelica, for adding another common yuri trope the the overflowing stack already on the table.

The Devil Is a Part-Timer!, Vol. 19

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

(I discuss the climax of the book more than usual here, so spoiler warning.)

A lot of the last volume in this series focused on Chiho and her concerns for the future, and that doesn’t change here. Chiho is in many ways the glue that holds everyone’s relationships together, which is sort of nice, but not when it leads to her being everyone’s social secretary. She’s starting to get the feeling that all teens get at that age – that everyone around her is more grown up than she is. Maou is still calling her “Chi” like a kid, and of course is still ignoring her confession(s). Suzuno and Emi are adults with real world concerns, and they’re all out to save the world. And worst of all, she’s the only one in the group not tied to Enta Isla. When all this is over and that world is saved, will everyone just return there and leave her behind? It’s got her in a quandary… until a conversation with Suzuno (who, like Maou, has decided to run away from her problems) convinces her that it’s time to simply blow everything to tiny little bits.

There are, of course, other issues. Suzuno is stunned to find that she’s been promoted to Archbishop, which is actually pretty terrible news for their little conspiracy. It doesn’t help that the rituals that she has to do in preparation for her investiture all seem rather shallow and self-serving. Can you really have a crisis of faith when you’re becoming one of the leaders of that same faith? That and she’s also decided to confess her love to Maou… who reacts the same way he’s done with Chiho – avoid, avoid, avoid. Emi and Alas Ramus spent most of the novel away in Enta Isla helping with demon castle prep, meaning this is yet another Emi-lite book. Her fans, already grumpy from last volume’s ship sinking from Rika, might be even grumpier. Oh yes, and in Alas Ramus’ absence Acieth suddenly starts needing to eat a LOT more than usual… or else she starts firing lasers from her mouth.

This leads to the climax, as Chiho gathers everyone at McRonald’s. Maou, who’s been completely out of the loop on this, guesses it’s to feed Acieth… but how will they keep her nature secret from the McRonald’s crew? Or Kisaki, who’s also been invited? Or Chiho’s mom, who’s *also* there? I was wondering this myself, and the author does a great job of keeping everyone on tenterhooks. Then we find that Chiho’s plan is simply to rip the bandage off – Acieth’s growing hunger causes her to fire a laser AT Kisaki, which Emi and Maou must stop using their powers. Now the cat’s very, very out of the bag. On the bright side, they can feed her properly now. But there’s also the reaction from all the other normal humans to the Enta Isla story (which involves a visit TO Enta Isla as well) and also the reaction of everyone to Maou being such a wuss. Given that the demon castle/invasion timeline has been sped up vastly thanks to Suzuno’s promotion, this is probably not the ideal time, but it’s as if Chiho looked at the author and yelled “OK, endgame now!!”.

And indeed we only have two volumes to go. Thankfully for Emilia fans, the next volume’s blurb promises she’ll get more focus. That said, Chiho’s clearly in charge here, as not only Japan but also Enta Isla sees her as the only trustworthy person. Can she save the day? And even harder, can she get Maou to man up?

The Apothecary Diaries, Vol. 2

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

The second volume in the series serves to give readers who loved the first book more of what they loved. Maomao solves some mysteries, glares at her not-love interest, kvells over any poison she can possibly ingest, and manages to upend the entirety of the Emperor’s palace. And this doesn’t even count her new job she gains in this volume, which is teaching very specific subjects to the four high consorts. Or scoping out a soldier’s chances at winning over a woman he likes as if he was a stud horse. Or helping to resolve the issue of an inheritance… an inheritance that also finds itself coming up over and over again throughout the book. Folks have compared this to Ascendance of a Bookworm, and they share one big thing in common, which is that they reward a reader who pays close attention to things and remembers prior events. You get the feeling that Maomao will be going places over the course of this series, though I suspect she may go to these places kicking and screaming.

After the events at the end of the last book, Maomao is now back at the palace, working for Jinshi officially by cleaning his rooms and such, and unofficially by solving crimes, though she always has to be bribed or goaded into doing so. Sometimes she doesn’t even need to be dragged – when a fire with a supposed unknown cause is mentioned, she’s quick to bolt over to the site looking for clues. And sometimes she absolutely refuses, such as when it’s anything to do with Lakan, the eccentric military man who’s been hanging around Jinshi lately and who seems to want to meet Maomao come rain or come shine. Who he is is easily guessed, but the relationship between them proves surprisingly nuanced, and even Maomao, whose glare can kill tigers at 400 yards, can occasionally display a soft side.

This series is not meant to be a comedy… except it’s frequently absolutely hilarious. We don’t get the specifics of Maomao’s “education” class for the consorts, but their reactions show what it must have been like, and the fact that she occasionally provides them the equivalent of Amanda Quick novels as bribes later on is even better. Then there’s the goofy soldier Lihaku, who Maomao tends to think of as a dog, and who has a crush on one of the three princesses at the establishment Maomao grew up around, and asks what it might take to buy her out of there (presumably so he can marry her). Maomao, knowing that princess and her proclivities, evaluates him solely on strength and stamina, with a wonderful punchline. That said, there’s also good drama here, such as when Maomao tries to stop a murder meant to look like an “accident”, as well as Lakan’s backstory.

As with the first volume, I can’t recommend this enough. For everyone who say yet another isekai licensed and wondered when we’d get a light novel series for adults – this! This is it!

High School Prodigies Have It Easy Even in Another World!, Vol. 4

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

While there are no long-term disasters here, it’s safe to say that this might be the first volume to actually belie its title, as the High School Prodigies don’t really have that good a time here. Trying to get their kingdom to stand on its own so that they can make preparations to go home turns out to be easier said than done. The actual way to go home seems to be offered up to them on a plate… but what’s the catch? Aoi finds that it’s not enough having a really strong sword, she needs a really strong CURSED sword or she’s screwed. And worst of all, economics happens. All of this barely leaves time for the love triangle that still inhabits the heart of this book, but rest assured there’s still time to deal with that. And, thankfully, there’s a minimum of Keine here, so we don’t need to worry about any questionable medical practices.

The book is divided into three, with two medium chunks and one long one. In the first, the prodigies go to negotiate with the Empire, currently being ruled by a proxy, and finds things go… suspiciously well. What’s more, said proxy is also from a different world. In the second story, Lyrule and Winona try to teach Jeanne how to cook, which is interesting more for Lyrule’s own tortured love life than anything else. The final story features the new nation of Elm, with Elch as its new Finance Minister, trying to introduce a new currency to the other nations. Masato is there as well, but he’s trying to be hands off so that the natives can attempt to handle things themselves. m Unfortunately, he underestimates Roo, and thus everything turns out both better and much worse than it could have gone.

Changing a world is not particularly an easy task, and the Prodigies have limited themselves to merely one part of it. When visiting the empire, they get a glimpse of the slave trade there, and we see a maid of the main villain of this book who is horribly abused. But she’s not there to be rescued later on, and indeed isn’t; she’s there to show us that you have to fix what you can for now. Which here mostly means the currency, as there’s a lot of back and forth, deals, secret deals, and endless piles of backstabbing. We get to learn firsthand the difference between politics and economics, and also see what I feel may be the first of many attempts to lure one of the prodigies to the enemy side. (It doesn’t work.. yet.) We also get to see how Roo has been soaking up information and tactics like a sponge from Masato, and though she still ends up getting tricked and almost killed, her resolve is impressive. (I do sort of wish we’d seen more of her after this scene.)

Overall I was pretty happy with this book, and the cliffhanger clearly introduces what’s likely to be the Big Bad of the series. It’s never going to be what one might call a good light novel, but it’s perfectly serviceable popcorn.