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Reviews

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 6

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

The previous five books in this series have all had me writing fairly positive reviews, but they’ve all had me turn around like Lieutenant Columbo and say “there’s just one thing that bugs me”. The constant focus on Viola being thin is telling. The use of the word “fatso” in a previous book. The fact that this book is very much on the side of the rich nobles doing whatever they want – even to other countries. Everyone keeping things from Viola “for her own good”. And it all comes to a head here, in the final book in the series. Except it’s not the final book – there are three more, which seem to be of the “side story” variety. But the author talks about how the books end here, and the tacked-on epilogue almost reads like a cancellation. Not that I’d blame the editors. Viola is still a wonderful character, but this book in particular belongs in the pit of shame.

Most of the main dilemmas of the series have now been resolved, with the possible exception of Viola’s superhuman inability to realize that she is loved and cherished by all around her. That will be fixed with this book, which sees the arrival of The Crown Prince and Princess of Aurantia. A country bordering their own, they’re here looking for husbands and wives, and have their hearts set on Viola and Cersis – despite the fact that Viola and Cersis are already married! Unfortunately, they’re also sort of cartoonishly evil. It’s up to Viola’s newly mastered martial arts skills and 100-meter dash abilities to try and save herself from a nasty kidnapping and a definite international incident. Once she does this… perhaps a re-wedding is in order?

So let me get this out of the way. Both of Aurantia’s royalty (also darker-skinned, but I won’t even go into that) are described negatively by Viola and everyone around her. The prince seemingly looks like a linebacker, being described as “burly” and “2 1/2 times as wide as Mr. Fisalis”. Funny, in the illustrations he looks as handsome as all the other men. This does not apply to the princess, who is called “fat”, “plump”, etc. and mocked and belittled by all Viola’s noble friends through the entire book. It’s really grating, and I’d also like to remind readers that just because a character is bad does not mean we get to start in on fat shaming them. They really are pathetic villains, and I will admit it was fun to see slim Viola shoulder throw the Crown Prince, but it still irked me. Also irking me was the constant “we’ll keep this a secret from Viola”, either due to not wanting to worry her, or wanting to surprise her, or just to tease her. I mean, literally in this book we see that not telling Viola leads to bad things in their relationship, and yet everything is STILL kept from her. Viola herself is still the best part of the book, but even she grated on me when all her friends were attacking the royal visitors in their best “catty” way and all Viola could do was inwardly say “Eek, girls are scary!”.

The book ends with Cersis and Viola having a “second wedding” now that Viola has finally admitted she is no longer a wife in name only. Then, to my great surprise, we jump forward several years for a quick epilogue, which shows Viola’s child (and another on the way) and reads very much like a Jump series that got cancelled at 3 volumes. If this were the final volume, I’d think it was the publisher’s doing, but there’s definitely more coming, so it just reads as super abrupt. I admit I will be reading the next book in the series – I like Viola’s inner narrator – but boy howdy, this book took everything wrong with previous books and put it together in one big cocktail. Recommended for those who love to see rich white men winning the day.

She Professed Herself Pupil of the Wise Man, Vol. 1

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By Ryusen Hirotsugu and fuzichoco. Released in Japan as “Kenja no Deshi o Nanoru Kenja” by GC Novels. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Adam Lee.

Sometimes I take a flyer on a book that has a premise that sounds meh and am happily surprised… but not always. Sometimes it just presses all the wrong buttons. Sometimes it goes ways I’d rather it didn’t. Sometimes it’s just Not For Me. This is different from a book being actively bad, where I have no idea who it’s being written for. She Professed Herself Pupil of the Wise Man (which, spoilers, I did not care for) has a very defined audience. It’s for gamers who enjoy fantasizing about their game becoming real. This is old hat by now in light novel land, but the webnovel for this series came out almost 10 years ago, so it may be suffering from “I came after all my imitators”. It loves discussing mechanics of the game and how they’ve changed. It enjoys having fun with gender confusion, which can be quite interesting, but is written here from a very “guy” perspective. The battle was OK. It’s just… not my thing.

To be honest, I should have known where this was going when our protagonist takes the name “Danblf Gandador” as his wizard character. I think we’re supposed to mock this, but… In any case, one day he spends an evening designing an alternate character skin of a young, cute girl, then passes out. When he wakes up, he finds that he’s now in a world that resembles his game… but in the body of the cute girl. Fortunately she still has all of Danblf’s skills and powers, but she’s going to have to do some careful lying in order not to get found out… especially since 30 years have passed since she was online last! Now calling herself Mira, she spends the rest of the book trying to find other gamers who may also have been trapped here (there’s quite a few, though we only meet two here), taking out the odd lesser demon with her overpowered summons, and dealing with how to use the bathroom or get dressed now that she’s a cute young girl.

For propriety’s sake I’ve tried to avoid mentioning it in reviews before this one, but dangit, Japan has far too much of an obsession with young women wetting or about to wet themselves. There’s a reasonable explanation in this book – Mira is getting used to being a girl AND being a non-game character, so isn’t really thinking about toilets till it’s almost too late – but it still reads like a fetish and I hate it. Other than that, if you read the plot description and thought “this sounds an awful lot like In the Land of Leadale, you’re right, it does. This definitely came first, but sorry, I read Leadale before it, and it comes off second best in most areas. One thing I did like was the camaraderie between the gamer characters once they’ve reunited – they really do seem like good gamer buddies, and it reads naturally. The big battle was also pretty good, with a nice scary cockatrice. I just… wasn’t enthused about much of the rest, especially the cast’s tendency to want to either dress or undress Mira as if she were a mannequin.

If you’re a gamer who enjoys this type of genre, there’s a lot to like here, and I think you’d enjoy future volumes of the series. I’m not that, so I’ll be stopping here.

The NPCs in This Village Sim Game Must Be Real!, Vol. 1

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By Hirukuma and Namako. Released in Japan as “Murazukuri Game no NPC ga Namami no Ningen to Shika Omoe Nai” by Enterbrain. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns.

One of the more interesting surprises of 2018 was a light novel series that, on the face of it, looked like the stupidest premise in the entire world. It was called Reborn as a Vending Machine, I Now Wander the Dungeon, and its plot was exactly as you’d expect. And yet it not only proved far, far more entertaining than anyone could imagine, but also very good at keeping this a realistic and well-thought out world starring a guy who is a literal, non-moving, vending machine. The reason I bring this all up is that I was not planning on giving The NPCs in This Village Sim Game Must Be Real! the time of day till I saw that it was by the same author as the vending machine story. Can lightning strike twice, I thought? Well, good news there. It wasn’t just a fluke, this is a very good author. This book, about a 30-year-old NEET bum watching a group of five ex-villagers trying to survive, is excellent.

Our protagonist is Yoshio, a man who’s spent the past ten years living at home with his family holed up in his bedroom. He won’t leave the house, he won’t get a job, his parents and sister are seemingly disgusted with him. Then one day he gets a game in the mail, asking him to watch over a sim group of villagers fleeing from monsters trying to survive in the wild. There’s Gams, the soldier defending them all; his sister Chem, a healer; and a normal not-very powerful family: Rodice, Lyra and their 7-year-old daughter Carol. As Yoshio plays the game, he begins to notice that these NPCs are far too natural and well-written to actually be computer generated. What’s the game part? Well, he’s God, and once a day he can write them a prophecy, as well as perform a miracle if he amasses enough Faith Points… which mostly come from spending real-life money. Well, typical game.

As you can see, the plot description makes a reader go “meh”, but as always the execution is where it matters. We spend just as much time concentrating on Yoshio’s home life as we do on the NPC villagers, and it turns out there are multifaceted layers as to exactly WHY he gave up on life and is being a NEET in his room. His family, too, are all dealing with their own issues. The game, therefore, serves as a way to get Yoshio to start caring about life and other people again, and it works quite admirably. By the end of this first volume, he’s opened up to his parents, re-bonded with his sister, and gotten a regular job (if only to pay for the game). The villagers are not quite as interesting as the Yoshio side (the one bit of humor in the book, which features Chem being a brocon and competing with a 7-year-old girl for her brother’s attention, I could have done without) but they also have their nuances, and I appreciates that they really do need Yoshio’s help to survive, but not because they’re innately weak or anything – this world is dangerous.

There are several hints that this may not quite be a “game” at all, mostly due to the offerings the villagers send him by sacrifice every day being then mailed to Yoshio from an address in Hokkaido. I expect the end two books in the series will go deeper into that. (Like Vending Machine, this seems to stop at Book 3.) Still, once again this writer takes a seemingly flat premise and expands on it beautifully. I will absolutely be reading more.

Slayers: The Mystic Sword of Bezeld

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

At long last, we are reading Slayers novels that are new to North America… though honestly, sales for the Tokyopop version of later novels in the series were pretty tiny, so I suspect it was new stuff for a lot of readers. This arc also was not adapted into an anime, as they did their own anime-original arc with Slayers Try, a decision not loved by the author, who hated the relationship between Xeloss and golden dragon Filia in particular. Instead, here we see Lina and Gourry, now a twosome again, trying to find a replacement for the late Sword of Light. Sadly, swords like that cannot be found just lying around, and so they’re reduced to chasing after rumors. This leads them to the titular sword, and also to a young girl being menaced by two mercs, two assassins, and seemingly the narrative. Will the sword turn out to be real? Will the sword turn out to be a trap? Will Sean once again spin out 500 words on super short novels that are fun to read but hard to review?

As noted, Lina and Gourry are by themselves at the start of this arc. That said, somehow Amelia and Zelgadis manage to get the biggest laugh in the book, as Gourry’s seeming inability to remember them leads to the illustrator drawing a spectral version of the duo stomping on his head. Instead we’re introduced to two mercenaries who, while they part ways with our heroes at the end of this book, one suspects we’ll be seeing them again soon, if only as they take up far more space on the cover than the supposed victim being attacked. Luke is, to put it bluntly, an asshole, but his heart seems to be in the right place, and honestly, snarking at Lina, the Queen of snark, is something that she could probably use. Mileena is a mage who seems somewhat stoic and mostly is there to be the sensible one and to shoot down Luke’s romantic overtures, though there’s implication that it’s not a complete lost cause.

As for the plot itself, boy, the average life expectancy of anyone in Slayers who is not a main character must be insanely low, and even if you live, you usually end up being homeless, villageless, or cityless. There’s a lot of wholesale destruction here, with villages set on fire, innocent assassins (erm, well, semi-innocent) getting possessed by mystic swords, and a monstrous demon with insane regenerative ability and also the ability to kill folks and keep them in a sort of perpetual zombie state. Good thing Lina has Dragon Slave… which is not good enough this time. And there’s also Gaav Flare, which… no longer works without Gaav, who was killed off in the last volume. Whoops. That said, the way that they do get rid of the big bad at the end is the second funniest part of the book, and also oh so very Lina Inverse.

So yeah, the usual Slayers novel. Good fights, good laughs, lotsa death, super short. Can’t wait for the next one.

I Shall Survive Using Potions!, Vol. 7

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

After essentially rebooting the series last volume, possibly the biggest surprise here is how little Kaoru has to survive using potions. They come up a few times, notably when some of the cast need to be healed ASAP, but they aren’t the running gag of “make me an ‘x’ that’s really a potion bottle’ that they used to be. Mostly her abilities have become similar to Mile’s Storage, which is to say she can whip out transport or food when needs must. This is not to say that she’s just sitting around and doing nothing however; she and Reiko are getting a business off the ground, using their two new ex-orphans as employees, and there’s also the occasional muttering about finding a husband, though even Kaoru seems to have realized it won’t happen as long as she looks that young. Indeed, most of the first quarter of the book is about starting the business… and Kaoru finding loopholes to avoid paying taxes. Then they go looking for more employees…

Kaoru, of course, always seems to think that she can disguise her absolutely ludicrous abilities and just be an average, everyday businesswoman, and Reiko seems to be going along with this. Both of them seem to have forgotten what happened 70-odd years ago, and how Kaoru was literally enshrined into myth and legend. The running gag for this book, which is quite amusing, is how all of the young kids working for her know who she is but try not to say anything because she’s clearly avoiding the subject… even as she once again does something that only the legendary Kaoru could do. Speaking of the kids, this is a fantasy world isekai, so I will warn there is a lot of child labor here. That said, they’re paid well, and it’s an improvement on the virtual slavery they were stuck with before. As with Kuma Bear, you’re supposed to regard it as heartwarming.

The other subplots in the book feature Leia, another goddess who has essentially come down to Kaoru’s country so she can see why Celes is so fascinated with it. For the most part, she acts like a somewhat naive ojou, but there’s a very nice scene at the end of the book where she starts to realize what living actually means, and it’s well-handled. The other big event, right at the end of the book, is Kyoko’s arrival, the third of the “KKR” trio from Japan. As far as I can tell, the rule of thumb of their lives in Japan was that, while Kaoru threatened her way out of trouble, and Reiko blackmailed her way out of trouble, Kyoko seems to have simply gotten into trouble – she’s presented so far as a bit of a fluffhead. She shows up in a UFO, as her ability is to be able to create literally any ship – sadly, she can’t create crew for these ships, so she’s reduced to crafts that can be used by one person. She promises to add even more chaos.

For those who miss the old supporting cast, there is a brief after story showing what Francette and Roland are up to… and the answer is “raising kids so powerful that no one can defeat them, along with a Red Sonja-esque desire to marry only someone who can defeat them”. Still, while this wasn’t as world-shattering as the last book, it was a good solid volume.

Accomplishments of the Duke’s Daughter, Vol. 2

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It’s not always easy trying to reform something. First of all, how much can you really do? Iris is the acting governor of her land, and is doing a great job of building it up and modernizing it. But what about the next domain over? What about the entire Kingdom? What about the Kingdom next door, which is not nearly as well off as you are? These are not questions one can easily answer, and Iris has trouble coming up with answers either, though she’s doing her best to try to make changes that everyone is going to want to emulate. Fortunately, as I noted in my previous review, she has a ridiculous number of allies who are there to help her make those changes. Unfortunately, she also still has a large number of enemies. The villainess otome game aspect of this continues to be a very small part, while the politicking and intrigue are definitely at the forefront. Which is for the best, really.

Iris may be the glory of Armelia, but that means little to the Kingdom as a whole, which does not know she’s behind the Azuta Corporation and thinks of her as the noble who got shunned by the second prince. That said, an invitation by the Queen Dowager to a major function helps her start to reintegrate into high society, helped along by the prince, who is being an absolute dick, and also Yuri, the protagonist of the otome game that this supposedly is based on, who is at best ridiculously unaware of everything and at worst an actual enemy agent. Then, just when things seem to be going really well, word comes from the Church that Iris has been excommunicated! With employees leaving her company and neighboring domains refusing to allow trade, is there anything Iris can do to possibly get herself out of this? If only she had a really hot assistant who was secretly the first prince…

As I said earlier, the otome game aspect of these books is minimized, but I do want to come back to the character of Yuri. I’m not sure if the author of Duke’s Daughter read My Next Life as a Villainess before starting this (there are many other examples of the genre, but Villainess did begin on the web about 8 months before this title), but it’s hard to look at Yuri and not see Evil Maria. Which makes sense, given that Iris is essentially Good Original Catarina, without the personality of the Japanese girl overwriting her. I appreciate that Iris can’t be sure if Yuri is a spy that is seeking to have the kingdom collapse simply because if she is, she’s so bad at it. There are many other ways to go about doing this rather than acting like a cliched otome game heroine trying to get all the Good Ends with the various boys. I doubt we’ll ever get anything from Yuri’s perspective, but it would be interesting.

With another crisis solved, you’d think the series would be wrapping up quickly. But alas, the first Prince absolutely does not want to marry Iris, as he’s far too content seeing her “flying free” and changing the entire world. it’s hard to disagree with him. That said, I hope Dean sticks around, if only for her own mental health. This was an improvement on the first volume, though it has the same flaws.

Rascal Does Not Dream of a Sister Home Alone

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Orusuban Imouto no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

The first four books of the series had its main character, Sakuta, helping out a different girl each time who had what he termed “Adolescence Syndrome”, where an inner issue they were suffering from showed itself in an exterior way. Mai was turning invisible, Tomoe was time looping, Rio twinned herself, and Nodoka bodyswapped herself with her sister. Through all this, though, we were also learning of Sakuta’s own past – both his encounter with a high school girl named Shouko (who he rediscovers but not in high school) and his sister, whose reaction to bullying, and his frustration and reaction to her own pain, is what jumpstarted all of this. Now, at last, in this 5th book, we finally get to focus on Kaede. She’s more determined than ever to leave the apartment and go to school, to the point where she has a list of tasks in her diary. Together with Sakuta, can she succeed? Well, yes, but that’s not necessarily a wonderful thing for all involved.

Much of this book is about moving forward and trying to take a next step. For Sakuta that means actually applying himself. Mai, despite her celebrity, is going to college, and Sakuta wants to follow her there a year later. For Kaede, this means a whole lot of things. Just going to school is fraught with tensions, given that whenever she sees someone she doesn’t know, especially someone wearing her school uniform, she has a panic attack. She’s also re-exhibiting signs of her adolescence syndrome, which is definitely not a good thing. (Given that when this happened before, the authorities thought her mother abused her, I worried they might zero in on Sakuta, but thankfully this does not go there.) And there’s another, even larger issue: Kaede, as we discover here, has no memories from before two years ago. Given the way amnesia works, there’s a danger that she might lose herself no matter what the outcome.

There is a large chunk of this book that is very heartwarming. Seeing Kaede’s determination is great, trying to take small steps despite her terror. Sakuta strikes exactly the right notes, knowing when to push and when to retreat. The scenes at the zoo were magical, and brought a smile to your face… which of course makes the last fifth of the book all the more tear-jerking. It’s startling to see not just Kaede but also Sakuta re-develop symptoms from adolescence syndrome, and of course it happens when Mai is out of the city and can’t help him. Fortunately, he has Shouko – the older version – to help him once again. That said, she’s not Mai, and I wish that Mai had been there to talk him out of it. Mai remains the best part of this series. In any case, I’m not sure where Sakuta’s family relationship will go from here, but hopefully his romantic relationships will survive the cliffhanger. They probably will, she’s eminently sensible.

I joked on Twitter that the next two books would be light and fluffy – trust me, I saw the movie reviews, and while I don’t know what’s going to happen I know it’s a tear jerker. But so is this, in its own way, as we take a look at what makes up a person’s identity, and how fragile that can really be.

The Executioner and Her Way of Life: Whiteout

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

The second volume in this series picks up right where the first one left off, with Menou and Akari arriving in the Port City Libelle. Akari is here to have a vacation, Menou is here to try to kill her, and makes an attempt, but it fails as the others have. More worryingly, the terrorist organization we saw on the train in the first book has also got a hook into this city, and it appears to actually have the approval of the royal family – or at least the royal princess, who seems somewhat… detached from life. Menou’s not getting any help from the Church – they loathe her. The fight-loving princess finally meets her, but, unsurprisingly, just wants to fight. And Momo is doing her best to help, but things might be a little more difficult than any of them had assumed. Why is one of the four Human Errors out of her fog prison? Why does she know Akari? Even more chillingly, why does she know Menou?

So, first of all a warning: while this is not quite as bad as, say, Roll Over and Die 4, it is a very gore-filled and violent book. Pandæmonium is our villain here, and she’s a little girl who can essentially resurrect herself from her own body and blood – meaning that she can be killed endlessly and literally crawl out of her dead body. This is, needless to say, disquieting, both as a concept and as prose. She’s a classic type – the killer little girl – but that does not make her any less difficult to deal with. Akari’s own subplot is also rather chilling, as we get a lot more time in the head of the original Akari, the one who is not an airhead (though both are in love with Menou – indeed, that’s pretty much the one trait they share). The revelation from Book 1 is gone into further, and I wonder if a happy ending is truly possible for her – or if death is the only solution.

Not that the world has really had a solution to the isekai’d heroes before. We don’t get much more backstory, and a lot of it is filtered through Pandæmonium, who sees everything in terms of a movie, but it’s pretty clear there’s more going on here than just “the four human errors turned evil and were all destroyed”. For one thing, the one who put them down has also vanished from history… maybe. We get hints here and there as we go through this book that Menou’s past is tied to the human errors more than she’s aware of. (She’s also mostly figured out what Akari is doing, so it’s not simply making her ignorant on purpose.) As with the first book, everything ties back to her mentor Flare, who she gets her nickname (Flarette) from. Good news! They may reunite soon! That is the end of the good news.

Apologies for being somewhat oblique, but this is the sort of book that runs on mysteries, and I’m not ALWAYS a giant spoiler factory. If you’re reading this for the yuri, you may be disappointed – it’s there but isn’t a focus. If you’re reading this for lots of cool action, dark mysteries, and a bit of existential horror… OK, more than a bit… then this should serve you quite well. If you got off the Roll Over and Die train after Book 4 caught up to Japan, pick this up.

In the Land of Leadale, Vol. 3

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By Ceez and Tenmaso. Released in Japan as “Leadale no Daichi nite” by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

As we get more and more into this series, I am starting to wonder if it may be more connected to Keina’s life than I had thought. I had assumed that the general horribleness of her life before getting trapped in this “game world” was basically for drama purposes, and indeed we get a flashback to the car accident that saw her permanently on life support and killed her parents here, as well as showing why she’s so much more ludicrously ovepowered than everyone else – she literally had nothing else to do but lie in the hospital and game. That said, the narrative also notes that she’d been ill her entire life, and also offhandledly says her family were somehow involved with Leadale’s production. And we also heard form some other players who got trapped in the game that its shutdown was a huge surprise, and no one could work out why. Things that make you go “Hmmm”. That said, most of this book is not concerned with that at all.

That’s not to say that the book is not concerned with the interweaving of “game world” and this world with real, actual people, as it very much is. Cayna starts to find that old “game events” are seeming to reactivate years later… only now killing all the NPCs is far less easy to shrug off. With the help of two other players, she helps to clear out one of them, but the villages that were wiped out remain very much wiped out, and Cayna ends up adopting the one survivor, a little girl. There’s clearly ominous stuff happening. That said, the other half of the book is pretty much just Cayna being Cayna. She’s creating beer and whiskey, she’s battling dark elves with ease, and she’s basically about 200 levels above everyone else. That said, social interaction is still an issue, especially now that she has to be a mom. Keina did not emotionally mature much in hospital… and it shows in Cayna.

Given we’re seeing a few more gamers who have ended up in this world (and woe betide them if they try to explain “well, see, 200 years ago” to the authorities) we get an answer to a question that was bound to crop up eventually: what about players who gamed as the other gender? Turns out the game did not let you do that… but that did not stop one player, who used an illegal mod to play as a woman. Now she’s in the game, and is having troubles. Fortunately, this book is almost entirely service-free, so the troubles are more “I talk like a brash guy in this body”, something Cayna finds amusing. We also get two more servants that Cayna calls upon (and then keeps around, since it’s unclear what happens to them when unsummoned). They’re a cat butler and cat maid, and they both hate each other a whole lot. Comedy ensues. Sometimes it’s even funny. Mostly, though, the laughs come from Cayna and her ludicrous power.

So yes, this remains a slow life series with a potentially dark, chewy center. I’m enjoying it quite a bit.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 16

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

Look, I know the spoiler. You know the spoiler. Most readers following this series have long since figured out the spoiler, if only as they googled the name and were redirected in a spoilery way. But yeah, this review is gonna talk about Syr, so if you say to yourself “oh, the shy but also sly waitress who likes Bell!”, I’d advise not reading this till you’ve read the book. We’ve seen Syr in action in one of the spinoff books, where she and Lyu go to a casino and she absolutely destroys a group of gamblers. But we’ve never quite seen Syr like this. This is Syr’s Last Stand. In the last volume we had a festival of remembrance, and in this one, hot on its heels, we have a festival of harvest. It’s meant to be a happy, joyous occasion, and is very popular with couples. As such, when Syr asks Bell out on a date, all hell breaks loose.

Admittedly it’s hard to pretend you’re avoiding a spoiler when the cover also heavily references the spoiler. So yeah, Syr is Freya. We all had guessed this by now, especially if we knew any mythology, and the derivation of the name Syr. That said, there’s another twist to it (hinted at in the Freya spinoff that came out last year) that makes things more interesting. For a good 3/4 of this book, however, this is really a cute romcom – something the author admits they were going for. Syr is, for obvious reasons, protected by the Freya Familia, and if she’s going to be dating Bell Cranel, then by God, she will be dating the BEST Bell Cranel, leading to a hilarious 5-day training from hell trying to teach Bell how to be a sexy boyfriend. (Poor Cassandra.) At the same time, Hestia is flipping out, and she and Aiz team up to follow Bell… as do Lyu and the rest of Syr’s co-workers. There’s funny moments, there’s sweet moments, there’s touching moments.

…and then it all goes to hell. Another slight spoiler, but the end of this book absolutely sets the table for the next arc, which I suspect is going to be “Freya Familia tries to kill all of Hestia Familia over and over again”. It has nothing to do with Bell figuring out Syr is Freya – he doesn’t. It’s simply that Syr left all her emotions and love on the table, begged Bell to accept her, and he CAN’T. He loves Aiz. (This is not stated explicitly with her name, but, um, see the previous 15 books). And it’s devastating and tragic until the last five pages or so, when you realize that oh shit, no, it’s going to be “fuck it, burn it all down” for Freya as she decides to have Bell Cranel By Any Means Necessary. It’s a stunning ending, and made me appreciate the comedy in this book all the more – I doubt we’ll see it in 17.

As with the wait between 15 and 16, 17 is not yet on Yen On’s schedule. Still, I hear 17 isn’t the end of the story arc either, so if you want to wait to binge, I’d advise against it. This works well as a stand-alone showing us what happens when someone who can get anyone she wants falls hard for the boy who won’t sleep with her because it would be wrong.

Fist of the North Star, Vol. 1

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Fist of the North Star, Volume 1 by Buronson and Tetsuo Hara

Here’s a flashback for you and a demonstration of my advanced age, Fist of the North Star as it was produced back in 1989 as a flipped monthly comic and the new hardcover edition. I was curious what it would be like to read a whole volume of Fist of the North Star, after all the idea of a delayed attack (“You’re already dead!”) that results in blood explosions is pretty much a shonen cliche at this point, but what’s the source material like? While I did read the first chapter way back in the day I’d never read more of the story although I’ve read plenty of references and jokes about Fist of the North Star since then.

Fist of the North Star

Fist of the North Star takes place in the future after a cataclysmic event in the late 1990s has produced a world where water is scarce and people attempt to survive in a post-apocalyptic landscape of city-states. The enigmatic Ken travels from town to town, demonstrating is extreme stoicism and manliness as a practitioner of the martial art Hokuto Shinken. I was immediately struck by how much Fist of the North Star reminded me of the Mad Max series due to the roaming bands of motorcycle gangs. As the story opens a motorcycle gang called the Zeed discovers that their scouts have been killed with some sort of localized explosions coming from inside their bodies, and a parched Ken gets caught in a trap as he approaches a town. A young girl approaches his cage to give him water, and when another prisoner grabs her Ken fends him off easily in his weakened condition. Ken soon finds himself battling the Zeed for the town that captured him. The action scenes are dynamic and gory, with the lack of expression on Ken’s face contrasting with the horror and surprise of his enemies as they find vital parts of their bodies exploding. I enjoy all of Ken’s calm proclamations as he informs his enemies of his impending demise by naming martial arts techniques and flatly declaring “Scum like you cannot possibly kill me.” The art often plays with perspective, with Ken fighting enemies that appear to be two or three times his size, which creates a little bit of dramatic tension in the battles even though Ken’s victory is always assured.

Ken sets out on further adventures, accompanied by the young former prisoner named Bat, who provides ongoing amazement and commentary on Ken’s martial arts feats. As he approaches the city of the Southern Cross, he has to deal with confronting his past and the reader learns more about the pain and trauma that lead Ken to be the master of martial arts who still stops to protect the weak throughout the dystopic remains of human civilization. This volume packs in so much origin story I’m curious to see if the rest of the series is more episodic, or if even more of Ken’s past is revealed in future volumes. This is a great hardcover edition that historic shonen collectors should appreciate that will look nice on a bookshelf with the other recent deluxe volumes Viz has been producing.

Combatants Will Be Dispatched!, Vol. 6

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By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

Given this is a series about an evil organization, it’s not a surprise that there haven’t been very many heroes seen so far – at least not by the standard definition – and those we have seen have been quietly shuffled away as quickly as possible. Six and company are not battling against a heroic organization, they’re battling against the Demon Lord in order to gain control of this planet. And even that battle was taken care of last time. So it’s no surprise that we need something to fill the void, and it comes in the form of Adelie, a self-proclaimed Hero of Justice who has all of Amelia’s vim and vigor but none of her political savvy. She’s here to stir things up and set the table for the next arc, and she does a great job of it. Plus, for the second new character in a row, she doesn’t remind me immediately of someone from KonoSuba. The two series are gradually separating from each other.

The Demon Lord and her people have settled rather nicely into Six’s organization, as you can probably see by her presence on the cover. She continues to be the one person in the entire series that is sweet as pie and always means well. Even when she tries to remind herself she has to be evil now. Actually, Six’s group has sort of turned into a combination refugee camp and soup kitchen, and there’s not really a lot of evil points being acquired as we start the book. That said, though, there is someone who is going around causing chaos and ruining everything… and no, believe it or not, it’s not Snow either, as even Snow gets to have one or two moments of triumph in this book. No, it’s Adelheid Kruger, the Umbral Savior! She’s here to see how evil everyone in this Kingdom is, and she finds, well, Snow, who is happily taking bribe after bribe; Six and Alice, who are happy to throw anyone to the wolves for their own gain; and even Princess Tillis, who may seem to be trying to hold the kingdom together (she’s even doing her best to say Dick Festival now), but who may have the blackest heart of all…

This book is a lot of fun, even the ending battles. Everyone gets a chance to be cool and a chance to be incredibly dumb, which is the best reason to be reading this author. Rose shows that she cannot read the emotions of even the simplest minds; Grimm’s jealousy leads to more deaths and more curses,, and Snow is of course horrible all around. That said, Snow briefly turns into a real military soldier here when her entire life is on the line, and I loved the epilogue where it pointed out that, despite the bribery, she actually was being a very good governor and making sure everything ran smoothly. Combatants likes to look at the definition of what Good and Evil are and make people think harder about it.

That said, this is the last volume to date – despite the anime coming and going, there’s no sign of Vol. 7 over there. So it may be a while. Till then, this is a strong entry in a series where everyone is pretty scuzzy – but not TOO scuzzy.

Reign of the Seven Spellblades, Vol. 3

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Alex Keller-Nelson.

The third volume in this series is very much “Part 2” of the second volume, as we ended with a nasty cliffhanger last time. Pete is in the hands of Ophelia, along with several other boys from the school, and is not expected to be found alive. Our heroes need to go after him, but the labyrinth is not off limits for no good reason, and there are also upper-year students also searching for them. Still, Nanao, Oliver and Chela are actually good enough to survive it, and are joined by a former enemy who turns out to be helping them… though not necessarily out of the goodness of her heart. While this is happening, we get the tragic backstory for Ophelia, who is a succubus whose scent can inflame male passions, and therefore not only had trouble making friends when she first got to school, but was slut-shamed to the point where it drove her to… well, bad actions. Can she be saved? Can she at least have a remotely peaceful death?

It was mentioned to me on Twitter that this series probably would work better in animated form than it does as prose, and I can certainly see why. There are an awful lot of cool battles here, and while they are definitely cool enough being described to us they cry out to be seen. Each of our six protagonists gets something to do… though Katie and Guy can only help in indirect ways, and Pete, of course, has to do something about their own kidnapped situation. Pete’s reversi nature is rapidly becomeing a far more well-known secret, which I suspect might have consequences in future volumes, especially given the fate of one of their support mechanisms here. And yes, Oliver is clever, Chela is clever, and Nanao is… well, NOT clever, but she’s very battle savvy, and her not cleverness can provide some of the few light moments in this book.

Those who have read my previous reviews know that I have been studiously avoiding mentioning a certain other well-known fantasy series that Seven Spellblades reminds everyone of, and that comes into play here as well, as a lot of what Ophelia goes through is reminiscent of another group in that series. That said, Ophelia’s is far darker and more tragic. Her backstory is welcome mostly as it shows us that she was once also a first-year who was slowly drawn into a group of friends, just like our heroes at the start of the first book. It shows us that we should not get too comfortable, and that any of of them could easily be sharing an equally tragic fate in the next few books. My money, in fact, is on Oliver, who may be the main character but also has far too many weak sports.

The main weak spot of this book is the ending, as the book simply stops like a Target Doctor Who paperback that has reached Page 128. I’m not sure if the author was trying to set a somber, downbeat book with that or was working to a pagecount, but either way, I think an epilogue would have been better here. That said, it’s still another strong volume in the series, and I eagerly await the fourth book, where apparently our heroes move up a year.

Also, love Milihand, and I really hope she sticks around as a regular character, or at least a mascot.

How to Melt the Ice Queen’s Heart, Vol. 1

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By Kakeru Takamine and Ichigo Kagawa. Released in Japan as “Kouri no Reijou no Tokashi Kata” by Monster Bunko. Released in North America by Tentai Books. Translated by Alejandro de Vicente Suárez and Noor Hamadan.

We’ve discussed this before. In order to make the male lead of a romance – be it light novel, manga or game – appeal to the average reader who is basically plastering their face on his, they must have as few defining traits as possible. They should have middling to lower grades – but not actually failing – and either be average at sports or avoid them altogether. They tend to be members of the Go Home Club, unless of course the romance in question involves a club, which it usually does. This is all very well and good, but it always leads to the question: what on Earth does she see in him? In fact, “they”, because usually these sorts of books have multiple girls all falling for the hero. Fortunately, How to Melt the Ice Queen’s Heart, in addition to avoiding most of these pitfalls, has an excellent answer as to what she sees in him and why her heart melts: HE CAN COOK.

Asahi is a young man who is somewhat reserved, not really prone to sarcasm or cynicism, and his biggest problem seems to be dealing with his best friend and his best friend’s girlfriend – who are both very loud, energetic, and flirty with each other. He doesn’t pay much attention to his classmate Fuyuka, a stoic young woman who is the Ice Queen of the title – she avoids interpersonal relationships. One day, when she does not show up for school, he finds that not only does she live next door to him in the apartment complex, but she’s also suffering from a bad cold and high fever. Initially throwing off all attempts at his help, she finally gives in after passing out in the hallway. After he cares for her and makes her food to feel better, she tries to pay him back, at first with plain old cash (he refuses), then by helping him study. From here, romance blossoms.

There’s not really a great deal to this book beyond the romance – it is here for one thing and that is seeing these two nice kids slowly start to fall for each other. Naturally, Fuyuka’s ice queen reserve is more “socially awkward” than anything else, though she seems to have a tragic past. Asahi does not have a tragic past per se, but he does have two “famous” parents and their restaurant, which is the main reason he’s living by himself. The two mostly bond through cooking lessons (him) and study lessons (her), and we also get a sports festival which involves a prize which traditionally is given to the person you love, trying to hide your not-quite-relationship from the two Worst Best Friends out there, and how to negotiate a night out on Christmas Eve when it’s spent at a restaurant not only run by Asahi’s parents but literally named and themed after him.

It’s sweet. It’s heartwarming. It’s got virtually zero drama or wacky comedy shenanigans – there’s not even any fanservice! It is a light novel you could happily introduce to your parents – though beware if your parents are as goofy as Asahi’s. I liked this a lot.

Kuma Kuma Kuma Bear, Vol. 7

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda.

Last time I talked about how one of the most interesting aspects of the Kuma Kuma Kuma Bear series for me was the fact that it kept getting dark, despite being about cute girls doing cute things. Naturally, this new volume therefore has none of that, with no dark moments and very little real conflict at all. It is almost pure fluff. Fortunately, I am at a point right now where I need pure fluff, so this book was like a nice balm to my soul. If there’s any conflict in the volume it comes from Fina, who is still terrified whenever she has to be around nobility, and here is passed off the Ellelaura and the actual King. She’s convinced that she’ll do something to screw up and get herself executed, and spends the entire time in a froth. Yuna, of course, does not understand this at all, not even when Fina spells it out for her later in the volume. Yuna has no issues interacting with anyone, of course.

We start off with Yuna going into the mines to deal with the pesky respawning golems. She’s joined by the friendly adventurer party we’ve seen before, and also opposed by a rival adventurer party, whose leader is quite a jerk. (Yuna, amusingly, compares the rival party to the Power Rangers.) Unfortunately, most of the things Yuna does to defeat enemies would also cause a cave-in, so trying to get to the golem that’s the cause of all of this is going to need a bit more strategy. After this, Yuna manages to score mithril knives for Fina and her sister (who is seven, but it’s never too early to give a child a knife) and some mithril weapons for herself. The rest of the book is made up ,mostly of cooking, as Yuna finds one of Morin’s relatives in the capital who wants to be a baker and sends her to Cremonia to meet up, and then invents strawberry shortcake.

In general, the funniest parts of this series involve either a) Yuna getting belittled for wearing the bear onesie, or b) Yuna having no concept of social customs, mores, or ethics. We get both of those here, with the highlight being when Yuna gives Fina the mithril knife – for free – and then tries to give her another one for her sister, and Fina simply loses it, berating Yuna in the middle of the street about how much mithril costs normally, and that Yuna cannot simply live her life not giving a crap about the economy, giving away all this and expecting nothing in return. This is especially true of Fina, a very serious girl who is unfortunately saddled with Yuna for a best friend. Other highlights include Yuna visiting the royal family with her bears in cub form, and finding it very hard to get Flora and the Queen herself from letting go of them.

So yeah, nothing much happens, but it’s cute. This is what folks think every volume in the series is like. That’s not really true, but this is fine too.