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Reviews

My Happy Marriage, Vol. 1

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by Kiki Piatkowska.

Brief content warning: this book features an abusive family, and unlike other light novels we’ve seen to date in this genre, they do not vanish after the first 20 pages. The marriage, though, is not abusive.

It’s rare that a book affects me so much that I think to myself that I may have to drop another, similar series for being thoroughly inadequate, but that’s sort of how I feel. After reading the first volume of My Happy Marriage, I suspect any time I try to get back into I’ll Never Set Foot in That House Again!, a book with a very similar premise, I will come away thinking it shallow and boorish. Because My Happy Marriage is wonderfully written but also amazingly painful, the story of a woman who has spent most of her life being thoroughly abused by her family suddenly finding herself in a marriage that turns out to be the best thing that ever happened to her… and feeling that she doesn’t deserve any of it. Miyo’s pain and suffering suffuses this first volume.

Seemingly set in a Meiji-period Japan where some families have superpowers, this is the story of Miyo Saimori. Hers is a Cinderella story, but that also means it starts out the way Cinderella’s does as well – after her mother dies and her father remarries, she’s despised by her stepmother, and her younger sister is raised to hate her as well, particularly as she seemingly has no powers of her own. She has a maid on her side… till the maid is fired. She has a childhood friend who has a crush on her… but he’s too cowardly to do anything. She’s reduced to worse than a servant. So when she’s suddenly told she’ll be engaged to the powerful Kiyoka Kudou, she doesn’t know what to think. He’s been looking for a bride for some time, and has rejected all of them. Will Miyo be what he really needs? And can he possibly help her out of the deep pit of self-loathing and despair that is her life?

This book is very compelling but also very hard to read, as you are drenched in Miyo’s POV, and she is an abused woman. Despite being taken to Kiyoko’s house near the start of the book, we continue to focus on her family, who are losing power and influence and desperate to get it back. Fortunately, once she gets to Kiyoko’s house, she does start to have some allies. Kiyoko is, as his reputation says, cold and dismissive at first, but that’s mostly because he’s had a succession of women after his position and power. In fact, once he opens up to Miyo he becomes quite the loving fiancee. His elderly maid is also wonderful, and the first person that Miyo really opens up to. As for her supposed lack of power… it’s heavily implied in this book that she does indeed have strong powers, and that they just awaken late (something her mother was trying to get across to her father before she died). I suspect future books will go into this.

I also hope that future books will better try to match the title of the series. I want to read more of My Happy Marriage, but that’s mostly as I really want to see the happy part. This was good setup, and very much needed to get a good look into Miyo’s psyche, but it’s not what I would call a “light” novel. (Actually, given there are no internal illustrations, it probably should be classified as a light novel at all.)

Frieren: Beyond Journey’s End Vol 1

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Frieren: Beyond Journey’s End Volume 1 by Kanehito Yamada and Tsukasa Abe

I’m always curious about new Shonen Sunday titles since some of the series that I’ve enjoyed from the magazine just end up having more emotional and narrative depth than the more formulaic series in Shonen Jump. Frieren: Beyond Journey’s End is a deliberately paced fantasy story that examines the question of what happens next after a group of heroes succeeds in their ultimate mission. The party of friends on the verge of retirement includes character types that would not be out of place in any DnD campaign: Frieren, an elven mage, Himmel the Hero, Heiter the priest, and Eisen, a dwarf warrior.

The manga opens as the companions have completed their ten year quest to defeat the Demon King. The group splits up, with Frieren not quite understanding how time is going to pass much more quickly for her companions. She promises to check back with everyone in 50 years with the air of someone who’s going to drop by again next month, and leaves to continue her journey doing magical research. When she does return she finds Himmel transformed into a bald old man with an impressive white beard. When Himmel dies shortly after their reunion, Frieren finds herself more interested in reexamining her memories and trying to think the way humans do. She begins to retrace her party’s previous path and finds some low key magical adventures along the way as she starts to engage more with the idea of time passing for humans. Heiter tricks Frieren into taking on a human apprentice mage named Fern, so Frieren has a new companion along as she begins to come to terms with her past.

There’s a slow and gentle quality to the pacing of Frieren: Beyond Journey’s End. I think it would appeal to anyone who also enjoys Snow White with the Red Hair. There’s also plenty of humor as Frieren attempts to get better at understanding emotions and the human pace of the world. The art is attractive, capably portraying the medieval fantasy settings and capturing the emotional dynamic between the characters. I found reading this first volume both diverting and relaxing.

I’d Rather Have a Cat Than a Harem! Reincarnated into the World of an Otome Game as a Cat Loving Villainess, Vol. 1

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By Kosuzu Kobato and Hinano Chano. Released in Japan as “Sonna Koto yori, Neko ga Kaitai ~ Otome Game no Sekai ni Tensei Shimashita ~” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Jenny Murphy.

As always, the first question you should be asking yourself is “what makes this different from every other villainess book?”. In this case, there are multiple answers. The first is that it is not just our nameless Japanese heroine who dies and reincarnates as the villainess, her entire family also died and has reincarnated as her villainess family! They all gained their memories when they were ten years old, so Amy has a built-in loving support structure. Secondly, she and her mother both agree that they want her to avoid the fate of the otome game, and decide to do this by… fattening her up, so that she’s too pudgy to be a bride. Before you ask, yes, this is handled quite positively, and ends up having huge benefits to her healing magic powers. Third, and most importantly, she loves animals, and they love her. Especially big, big cats. I mean, it is the title of the book.

One more difference from other villainess books: Amy is rather shy and retiring, and the idea of getting engaged at the age of ten would likely fill her with horror even if she was not trying to avoid a Bad End. Unfortunately for her, the fact that she’s not trying to gain favor with the third prince and instead wants to gush about animals is what makes her attractive to him. It also helps that she manages to save his wounded pet owl with her magic. As the book goes on, we start to see that, while Amy may be content to hang around her family and play with her cat all day, the world has bigger plans for her. She’s discovered four of the six ‘capture targets’, and they’ve insinuated themselves into her life. And there’s a girl walking around who looks exactly like Maria Campbell, and we know what THAT means. Can Amy still avoid her doom?

As I said earlier, I was a bit wary when I heard part of the plot is “let’s make you chubby so no one will want to marry you”, but in context it’s treated really well. Amy is super healthy and active, climbing trees and roaming the land with her giant cat, so even keeping the weight on her at all is a challenge. What’s more, and the reader realizes this even if no one else does, gaining weight is clearly what leads to her having much stronger magical power than anyone else her age… or even above her age. Amy feeling bad that she can only heal a 2-inch cut on someone’s face, and everyone else reacting “You healed a wound from a monster and didn’t even leave a scar?!?!” is fun. There’s also a character introduced towards the end, Letizia, who is a delightful cliche of a tsundere, in all the best ways. I definitely hope we see more of her.

Honestly, this feels more like a slow life book than a villainess book, especially as we’ve only seen glimpses of the heroine. But it was a lot of fun, and had enough interesting variations to make me recommend you add it to your 70-foot-high pile of villainess books.

Torture Princess: Fremd Torturchen, Vol. 7.5

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

I suspect a lot of people looked at the decimal point in the next volume of Torture Princess and went “Really? NOW is when you decide to release a short story volume?”. After all, we JUST began not only a new story arc, but a story arc that is missing three of the four main cast members, and was promising even more horrible things happening to both deserving and undeserving people, and also possibly snarks and boojums. But also, honestly, this volume is a bit of a relief. The last book was excellent but emotionally exhausting, and I wasn’t quite sure whether I was ready to dive right into more torture games. This is not to say that all the stories in this book are fluffy fun. Come on. It’s Torture Princess. The content warnings are baked in. But compared to the rest of the series? Yeah, this is fluffy fun. Ah, yes, and one more thing: don’t read this out of order – the other stories may all come at the beginning of the series, but the last one is a prelude to Vol. 8.

The volume has four “main” short stories, interspersed with two smaller ones split up. We see Kaito, still struggling to be Elizabeth’s manservant, being haunted by a half-flayed ghost; Elizabeth being invited to a grotesque banquet by a bunch of folks who love her for all the wrong reasons; Kaito and Elizabeth realizing that Hina is missing, and searching the entire castle to try to find her; and the last story, which I will get to in a bit. Each one of those has a “front” and “back” side, showing first one POV and then the same events from another POV – while this can be annoying when you’re reading the same dialogue twice at times, that is kept mostly to a minimum. We also get several first-person monologues from the Saint, and a series of short interludes showing us Alice and her “father” are still deeply screwed up. But hey, bunny!

The final story shows us a celebration dinner for Elizabeth’s third anniversary as Captain of the Peace Brigade. Kaito and Hina are back at the castle whipping up a grand feast, inviting all their friends, and flirting shamelessly. The reader is, of course, aware that this is a giant pile of bullshit, as is Elizabeth, but she goes along with it as long as possible, and we get a few scenes that we are likely never going to get near ever again. What makes this so interesting is that some of the narrative critiques the fact that events are still proceeding as they are – in other words, it’s yelling at the author, in-universe, for not stopping Torture Princess with Book 6. I mean, I did that too! But in a review, not in a Torture Princess story. It’s fascinating and layered, and in the end I think the author does actually justify going forward. Which is good, because in reality Kaito and Hina are still locked in their Cage of Stasis, and Elizabeth has to fight a war.

This is not really a skippable short story collection – the end literally leads straight into Book 8 – but that’s OK, as it’s worth reading even if you do normally skip them. A strong stomach is needed as always, but it’s another winner from this author who writes horribly gratuitous gore much better than the author of Roll Over and Die.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 4

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By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

For those who were hoping to see more of Sue trying to get Arcus to take interest in her, or Lecia continuing to think she’s getting further behind Arcus even as she’s also quite powerful, or Charlotte… well, no, no one was really expecting Charlotte. But none of them are in this book at all, because it’s entirely devoted to the battlefield. Last time the author promised the “war” part of the title, and we sure get it here. We also meet the nation’s prince, who is constantly veiled, super powerful, Arcus’ age, and implied to possibly be a princess in disguise, though honestly only the afterword really makes the implication. If you like cool battles, this is an excellent book. Fortunately, it does have a bit more to dig into in terms of characterization, but honestly, you will remember the awesome magic battles. And also the huge burly guy who almost kills everyone then doesn’t because he’s just gotten lost. He’s tremendous fun.

After impressing so many people at the end of the third book, Arcus is invited to meet the Crown Prince, who will also be leading the forces to battle the traitor Count. Of course, Arcus is still quite young, so there are no shortage of offended nobles who show themselves to have no knowledge of how isekai novels work by complaining about this child being present at their planning. Also not smart to say this in front of the prince who is also a child. As for the battle, well, first one side does really well, then the other side does well, but for the most part our heroes have got this in the bag. So much so that they decide it’s OK for the prince, having inspired the troops, to head on back. Which, sadly, is what the enemy was waiting for all along.

There’s a fair bit of time dedicated to the “bad guys” here, and it shows off how in a war no one thinks of themselves as being on the wrong side, even if the person you’re helping is a dead ringer for the classic Japanese fantasy villain, aka “looks squat and froglike, acts like that too”. We see one man who has decided to fight despite the fact that his sister begs him to return home as he is now the head of their family, and you appreciate his thought process while also wincing because man, that’s a death flag if ever I saw one. We also set up a few things for future volumes, as the other side’s mages now know about Arcus and the fact that he has an imagination that can see things that this world cannot. Oh yes, and there’s Arcus’ dinner with Andre… I mean God, who gives him a quest that should keep the series going if it ever gets another volume.

Yeah, fans of The Magic in This Other World Is Too Far Behind!! know where this is going. We’ve caught up with Japan, and the author has started a shiny new light novel series that looks to be following the current cliched trends far more than his other two series. What does that mean? It means I hope we see more of this at some point before I die. Till then, this is a good military fantasy book.

I’m in Love with the Villainess, Vol. 4

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By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka. Adapted by Nibedita Sen.

Last time I mentioned that it felt awkward to start a new volume of the series when it could easily have ended in Book 2 with “and they lived happily ever after”. Oddly, towards the end of this book Claire’s father thinks much the same thing, trying to send Rae, Claire and their family back home because “they’ve done enough”. Not in a negative way, though Claire initially takes it that way, but n the sense that the country of Nur is quickly about to become super-dangerous. That said, as events unfold in this book one gets the sense that this world is not about to let either of them go live a quiet, happy life very easily… though it has no such qualms about quietly shuffling most of the new cast we met in the third volume off to the side, to the point where I wondered if this were a Christie novel set on a faraway island. As for why? Well… revolution. Again. Come on, it’s in the game title.

The general thrust of this volume should be familiar to readers of the series. We start off with a lot of cute, fluffy things, like a fantasy cross between Iron Chef and the Great British Bake-Off, and we then start the balls rolling down the hill until you reach a climax that can be summed up by “great googly-moogly, it’s all gone to shit”. Part of the problem is that while Dorothea is amusing as a strong as heck, emotionally blunt empress, she is also a somewhat terrifying dictator, and does not particularly care if that means that the country is hated by everyone around it. As for her daughter, after being the comedy girl with a crush at the start, Philine’s development is actually one of the strongest parts of the book (though I’d argue it does come a bit too fast). Which is better, speaking softly or carrying the big stick?

As with previous books in the series, there are occasional digressions in order to discuss modern gender politics. Rae gives a good explanation of gender identity, and one of the subplots later in the book also resolves around this sort of thing. On the down side… there really is an awful lot of “brainwashed to be evil” in this book, and indeed in this series, though some of it is less “I am here to kill you” and more “I am here to threaten you on behalf of the Church”. Fortunately, the main reason to read the books is Rae and Claire, and they’re both excellent. There’s a recurring theme of Claire being beloved by all (including her daughters) and Rae getting either slightly less attention (her daughters) or outright dislike (one of her classmates). It’s amusing but also makes sense, as Rae’s personality is the sort that is difficult to trust… the exact opposite of her partner.

The book ends on another cliffhanger, and seems to indicate the 5th will be the last. Till then, this remains for the most part a well-plotted and compelling series with excellent LGBTQ content.

Oh yes, and mamas, don’t let your babies grow up to be tsunderes.

Bottom-Tier Character Tomozaki, Vol. 7

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By Yuki Yaku and Fly. Released in Japan as “Jaku Chara Tomozaki-kun” by Gagaga Bunko. Released in North America by Yen On. Translated by Winifred Bird.

If you don’t want to know who Tomozaki ends up with at the end of this book, be warned I talk about that, but not till the third paragraph.

There’s a lot of metatext in the Tomozaki series. To a degree, it’s deconstructing these sorts of high school romcom series, especially the way that the lead tends to be this asocial schlub who nevertheless has the plot revolve around him. As we’ve seen, it’s only when Tomozaki makes an effort that he gets noticed and gets romantic attention. That said, the series has not forgotten that it’s also a real story and that realistic things need to happen, and as such we get a resolution here to the love triangle between Tomozaki, Mimimi and Kikuchi. But there is a little niggling thought at the back of the reader’s head, because at its core this series is about two people: Tomozaki and Hinami. It’s not a matter of “first girl” or anything, it’s a matter of who gets the most narrative attention. And therefore the most interesting part of the book is when Kikuchi, who sees things from an author’s perspective, tries to abandon her own ship and pair Tomozaki with his *real* girlfriend.

Gumi is on the cover but is just a minor part of this book, which revolves around the culture festival. Tomozaki is dividing his energies between Mimimi and her comedy routine and Kikuchi and her play. What’s more, Hinami is setting him goals that require him to enter one of the girls’ “routes” by the end of the festival, without waffling or putting it off. The trouble is, Tomozaki is still trying to figure out how love and romance work. This can be quite funny, especially when he asks Nakamura for advice, but it’s also really making him miss the forest for the trees. In addition to this, Kikuchi is having trouble with the character Hinami is performing in her play, so she and Tomozaki interview people from Hinami’s past… with some very confusing results. Then we get the festival itself… and Tomozaki realizes he may have been rejected by a “Dear John” play.

I have to feel absolutely horrible for Mimimi. She’s a great kid, and a wonderful character, and her reaction to Tomozaki choosing someone else is very well-handled (possibly as it’s not Hinami he chose). But come on, when someone has to choose between two girls and you come in third, that’s just mean. Kikuchi gets it, though. Mimimi isn’t even on her radar, she knows where the narrative of this story is going, and it’s Hinami. That said, thanks especially to Mimimi kicking his ass, Tomozaki won’t let this lie, and reminds Kikuchi that “this is a story” can only take you so far. I also really liked the idea that it’s possible to be an idealist *and* be selfish, and that it’s not wrong to want to have it all. As a result, by the end of the book, he and Kikuchi are a couple.

Will they be a couple by the end of the series? Mmmmmmm… questioning. After all, there sure was a lot of Hinami baggage dropped in the middle of the book and then just left there. She is the other protagonist in this book. (Also, notably, Tomozaki never said “but I’m not romantically interested in Hinami” or tried to contradict Kikuchi’s play, which surprised me.) For the moment, though, Kikuchi is best girl, and they do make a great couple. As for Mimimi fans… at least she gets the manga spinoff?

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 4

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

As each of these books have happened, the title has been less and less accurate, because Slowe has slowly but surely been losing a lot of that weight. It’s possible the author realizes this, as in this book Slowe spends the majority of the time disguised as an orc – which means he has pig-like features. That said, everyone seems to think he’s turned the corner in terms of popular opinion – everybody but Slowe, who is not really ready to take up the mantle of the heir after blowing it off in the past. For one thing, he still needs to stop the anime plot from happening, and for another, he has a much better idea than his old friends as to just how much he torched his reputation, and how much more it will take to get that back. Especially if he blows off the Queen because another disaster is about to take place… yet, the books aren’t self-contained anymore. Cliffhanger time!

Slow is disguised as an orc, and Charlotte as a pixie, in order to infiltrate Charlotte’s old kingdom, which is now overrun with monsters. Slowe is there to try to head off the next big event of the anime, where one of the antagonists murders a pixie ambassador and helps to jumpstart a war. To do so, he makes contact with an Orc King and his village, as well as the ambassador, Elyas, passing himself off as an Orc Mage – something that is theoretically impossible, given orcs are barely above goblins on the fantasy monster hierarchy. Elyas is trying to have all the monsters unite to defeat the human who’s destroying them. Unfortunately, not only is the human stupid powerful, but Shuya and Alicia (well, just Shuya really) decide to take a shortcut through the monster-infested country and end up in the mix as well!

I’ve said before that I think this series is solid, not great, and that trend continues, though it’s still very readable. Having a “monsters are people too” volume after the previous three is an interesting way to go, and you get the sense that we’ve reached the “the series is successful, you can plan for the long future” part that most Japanese media face. That said, Shuya and Alicia are still very generic, as fits the anime that they belong to, and Slowe and Charlotte’s fight is filled with teenage angst that is more interesting to have read than to be reading. That said, the ending fight is really very well done, and the book promises more of that sort of thing in the next volume. There’s some good humor too, as Slowe is both drawn to and exasperated by his “orc brothers”, who are cliched as heck but in a good way. I hope we see them again.

If you like fantasies with this sort of cliched plot, you could do a lot worse than this.

The Apothecary Diaries, Vol. 4

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Ah, nothing like another review where I can’t talk about half of what I want to because it would spoil. I know that half the time my reviews spoil the entire book anyway, but there are very good plot twists here, and I don’t really want to give them away. As such, I will simply say that I am looking back on some comments I made in my review of the third volume and laughing hollowly. Other than that, well, this particular volume is taking care to wrap up all the plotlines that have been dangling since it began. Jinshi’s identity and why he’s hiding it, Maomao’s friendship with Xiaolan and Shisui, and the long-standing question of who will be Empress are all dealt with here, and we even get a few action scenes towards the end and some chilling torture… well, it would be chilling were it not Maomao, who does have the ability to be terrified, but not when the danger is this pathetic.

After the events of the last book Maomao has been studiously avoiding Jinshi and trying not to think about what she found when she accidentally groped him. She’s back with Gyokuyou, who is quite pregnant. That said, the pregnancy may be an issue, as all signs are that the baby wants to come out the wrong way around. This means they need an expert, which brings Maomao’s adopted father to the rear palace. Elsewhere, Maomao may have found her new calling in body hair removal, and Maomao the kitten is busy getting up to no good. However, things take a far more serious turn in the second half of the book when Maomao attempts to sleuth on her own about various lingering mysteries from the previous books… and ends up kidnapped! Can she manage to get back to the rear palace, and if she does will she get punished anyway? And what’s with our favorite bug-loving maid?

As of this review, there are 11 volumes of The Apothecary Diaries out in Japan, so the series isn’t ending. But this certainly feels like a good stopping place. By the end of the book most of the subplots have been resolved, Jinshi has been forced to stop hiding, and, as Maomao herself puts it, with Gyokuyou now being Empress Maomao is out of a job. The romance is not really resolved, but then it’s hard to imagine how it COULD resolve – leaving aside status issues, which can easily be taken care of if Maomao acknowledges who her birth father is, there’s the fact that Maomao is seemingly apathetic about it. I think she has repressed desire for Jinshi, no question, but I think the idea of being a consort, bride, wife, whatever you call it galls her. No doubt it galls the reader too, who would much rather watch Mao wander around playing Murder, She Wrote.

So the question now is, what needs to happen to get Maomao back to the rear palace, because I’m pretty sure the rest of the series is not going to involve her sitting in her apothecary shop in the pleasure district. Can’t wait to find out, because this is one of the best written light novels coming out right now.

I’ll Never Set Foot in That House Again!, Vol. 3

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By Milli-gram and Yuki Kana. Released in Japan as “Nidoto ie ni wa Kaerimasen!” by Overlap Novels f. Released in North America digitally by J-Novel Club. Translated by Emily Hemphill.

There is one, brief shining moment in the third volume of this very sweet and also very dull series where I was engaged and interested, and (as with the second volume) it’s where we are reminded of the past that Chelsea has had. About halfway through this third volume a group of kidnappers enter the mansion of her friend and hold them hostage. After the situation is resolved (there’s really no suspense at all), Glen talks to Chelsea about why she wasn’t scared, and she reveals that she was fine once she knew there would be no pain, because it was the physical abuse that was the worst part of her old life. Chelsea casually talking about getting whipped on a near daily basis is jaw-dropping, mostly as she now possesses a defensive barrier and can literally create massive Venus Flytrap monsters to eat her enemies within seconds. She’s come a long way, and while I’m happy for her as a person, it damages the book.

Glen has proposed to Chelsea, and she’s now actually looking her age (though whether she acts it is in question), but we still have a few hoops to jump through before they can marry, and not just “wait till she gets older”. First she needs to make her debut in society, and that means gowns! It also means meeting the Queen, who thinks Chelsea is adorable and cute and also treats her like a Barbie doll whose clothes get changed 6 times a day. And she gets a new friend… almost by force… in Noel, a young noble who is enthusiastic about gardening and plants and therefore is very eager to talk with someone who knows her stuff. Unfortunately, as I noted above, there’s the break-in and hostage situation. And it turns out that the people trying to kill Chelsea, who we met in the previous book, are still trying to kill Chelsea. Can she survive to her engagement ceremony?

I mean, yes. She can create anything in the entire world from seeds as long as she can visualize it. She has a personal defensive barrier. She has an army of soldiers ready to defend her. And now she’s creating monsters to eat her enemies. She has maids who love her, a cook who not only loves to feed her (and she can finally actually eat meals now that she’s no longer being starved to death) but can also interrogate enemies with her own special magic, her research team, her cool older brother, and of course Glen, who adores and wants to protect her. There’s an after story where she and Glen go to his home and discover that the enemy is a giant crab, but once Chelsea is there she creates a trap (with a seed, natch) and the problem is solved.

You know what this series needs? Fagin. No, not the anti-semitism, but Chelsea is like Oliver Twist if he was rescued from the orphanage by Mr. Brownlow and the rest of the series was just meals and clothes. Chelsea desperately needs to be lured into evil or spirited away. Not because of her as a character – she’s a sweet girl, I don’t want bad things to happen to her. But for me, as a reader? Yes, I want bad things to happen to her.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 2

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Club. Translated by Tom Harris.

Generally speaking, most reincarnated folks who end up in the body of a little kid do NOT act like they’re an adult. This even applies to Rosemary, the protagonist of this series. Sure, she’s talking and making decisions that are far beyond what a child her age should be doing, but her emotional maturity remains at about the right level. There are many times this comes up in the books – her inability to get that other kids are in love with her is baked into the genre, but certainly her tearful confession to her crush and the scene that follows shows her as having the easily broken heart of a 10-year-old girl. This most applies, though, when she’s dealing with her father. Who, to be fair, is the King. But the reader recognizes the type that he is, and what he’s actually doing to help her – or at least test her – and I don’t think she sees this as the tough love it’s meant to be. It makes Randolf the most interesting character in this new volume.

Rosemary is still doing her best to try and avoid the dreadful fate her country is going to be in in a year or two, but it’s not easy, especially since she’s changed things so much that she can’t rely on her memories of the game shoe once played. She needs to research the Demon Lord, who possessed the body of a young priest… who she then runs across, pre-possession. She also discovers that most Demon Lord books are kept in the King’s personal library, which means she has to ask to read them and put up with his cold, calculating attitude. And, of course, she’s still in love with the Captain of the guards, Leonhart, who is quite a number of years older than she is – and also she’s ten, yes, a fact that definitely influences her thoughts on her crush. Worst of all, if she doesn’t figure out how to be incredibly useful to the King in the next two years, he’s going to do the obvious thing – marry her off to another country’s royal.

Rosemary remains the best reason to read this, especially when we see her (relatively low) opinion of herself versus everyone else’s (very high) opinion. This comes out best in a scene with Randolf, who castigates his daughter for thinking herself stupid for being unable to catch every possibility in advance. She’s not a God, even though she does have the knowledge of the game from her past life. Fortunately, she does reveal this (in a way, she treats it as a prophetic dream) to Leonhart, so at least has one ally she can turn to. Unfortunately, she’s falling more deeply in love with him by the day. And is, as I said, ten years old. So nothing’s gonna happen, but the emotional turmoil is still there.

The ending of this book implies the next one will likely be Rosemary’s tour of various lands, as she tries to discover more about what’s around her so that she can be a better person and of use to her father. I look forward to reading it, this is in the upper end of the Reincarnated Villainess charts, despite Rosemary not technically being a villainess.

Unnamed Memory, Vol. 4

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By Kuji Furumiya and chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

As I predicted, the afterword of Vol. 3 was not, in fact, telling the truth. We are still following the story of Oscar and Tinasha. Indeed, the story may start to seem a bit familiar. Oscar and his aide are still traveling to try to find a way to end his curse, and they run into Tinasha, who says she will do it in a certain amount of time. The trouble is that this is the changed timeline. In the last book Oscar changed history, and so he is not quite the Oscar we know. Tinasha is also different, though at least we’ve seen her before – the young queen who Oscar saved put herself in stasis for 400 years so that she could meet him again. As such, the main amusement with this new volume is that it’s Tinasha who’s instantly lovestruck and talking marriage, and Oscar who is the reluctant one putting her off. That said, they’re still clearly made for each other. Unfortunately, a lot of the same issues that were problems before are back, and still problems.

One thing that I find hard when I write about this series is that it really is a pure fantasy, with virtually none of the standard “Japanese light novel;” schtick we’ve gotten so used to. A lot of my reviews write themselves because I can talk about the standard tropes and how well they work, or how this character is slightly less bland than the norm. With Unnamed Memory, though, the plot and writing is so well done and the book so immersive that I can’t use that crutch. What’s more, I don’t really want to spoil the plot twists (aside from the one that, well, happens right at the very start of the book) because they’re good twists. So what am I supposed to do? Talk about how Oscar is a really good fighter and that Tinasha is cute when she’s angry? You already know that.

I could talk about the deaths. There are an awful lot of assassination attempts in this book, mostly against Oscar but also against Tinasha, and all of them involve finding the culprit and their accomplices and killing them. While Oscar and Tinasha are trying to move the world they live in into a more modern and peaceful age, this is not that age, and there are quite a few characters who are captured, forced to talk, and them killed – or kill themselves before that can happen. Indeed, one of the few surprises I will talk about is one where a villain is, in fact, NOT killed off – mostly as he was clearly trying to do this in order to help his country and their somewhat meek ruler, rather than because of evil power grabs. If you’re going to assassinate someone, you’d better have a damn good reason for it, it can’t just be “they obstruct my path to all-encompassing glory!”.

So yes, sorry to be a broken record, but this is still excellent. My one major complaint is how long each book is. This is going to be six volumes total, and there’s no reason why it could not be twelve normal-sized books.

Cross-Dressing Villainess Cecilia Sylvie, Vol. 1

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By Hiroro Akizakura and Dangmill. Released in Japan as “Akuyaku Reijou, Cecilia Sylvie wa Shinitakunai node Dansou suru Koto ni Shita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

All novels, to one degree or another, require a certain suspension of disbelief by the reader in order to make the book function. If you pick too hard at things, you’re never going to enjoy anything. Or, as MST3K put it, “it’s just a book, I should really just relax”. Sometimes, though, it can be hard. We’ve seen enough villainess titles by now to know how they usually go down, and it’s always interesting to see what variations our heroines make to avoid their tragic fate. Cecelia’s answer is to pretend to be an invalid for 11 years, then go to school disguised as a boy, without telling her parents, so that the “villainess” doesn’t even exist in the story. Which… why is that what she thought of? We hear once or twice that she was a theater geek in her old life, but this goes above and beyond. That said, she has very sturdy plot armor on, so it mostly works fine.

Our heroine loves to play the otome game Holy Maiden of Vleugel Academy 3. So much so that she and her BL-loving friend go to see a movie based on the game… and tragically die in a fire at the theater. Now she finds that she’s Cecilia Sylvie, a duke’s daughter and the villainess of the game who’s doomed to die on every route! (And yes, before you ask, her fiancee is the prince and she has an adopted brother who dotes on her. Bakarina fans will be right at home here.) Cut to 11 years later, and we see her solution: disguising herself as Cecil Admina, a young man attending the same academy. After all, bad things can’t happen to Cecilia if she isn’t there. That said, the plot is still going to happen, and the heroine of the game, Lean, is still around. Only… why does Lean not seem to care about the other romance targets? In fact, why is Lean more interested in the romance targets ending up with each other?

This is not *quite* a BL title – Cecil is definitely Cecilia in disguise – but there’s no denying it has BL elements. Her adopted brother Gilbert knows her secret and is in love with her, and that comes out regardless of how she’s dressed. Her fiancee Oscar is rather disturbed to find how attracted he is to this young man who he’s supposed to dislike, especially when Cecil does things like crawl into his bed at night on a camping trip because of fear. And then there’s the fact that Lean and her childhood friend Jade have started up a robust line of spicy novels featuring romance between two men who are a LOT like Cecil and Oscar. This is probably the biggest reason to get these books, because honestly as a villainess book it’s not great – Cecilia’s not particularly clever, as you can probably tell by her solution to her problems, and tends to get by with strength and guts.

If you really like this genre, then you’ll probably want to read more. For fans of Hana-Kimi.

Kuma Kuma Kuma Bear, Vol. 8

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

One of the odd things about this series is how it references its premise several times while also being completely uninterested in doing anything with it. Yuna was, as we saw in the first volume, a very disaffected Japanese teenager, someone who literally paid her parents to go away. This is crucial for seeing how she deals with people in this fantasy world as well, and also in figuring out how much of her narration is simply pretending that she can’t see the obvious problem. And yet, after Yuna’s original transport into the game, we’ve never really dwelt on who put her there and why it happened at all – it reads as “I needed an excuse for an isekai”. It feels awkward to have it both ways, but I suspect that’s what we’re going to have to deal with, because the series in Japan is up to the 18th volume and I don’t think has devoted one iota of its time to “why did Yuna end up here?”.

The bulk of this book has Yuna, Fina, Cliff and Noa going to attend the birthday party of Misa, the noble they’d met in an earlier book. Unfortunately, Misa’s family is currently on the bad side of a power grab by the other noble family in the town, and her party – as well as a party for adults held by her grandfather – is desperately required for them to survive. Also unfortunately, the other noble family knows how these sort of fantasy isekais work – Yuna even says they’re like she imagined nobles to be like. Their grandson is sneering and bullying, they employ thugs to break the arms of head chefs, etc. Fortunately, Misa and company have Yuna, who solves things by just popping over to the palace and asking the King if she can borrow the palace chef. That said, Yuna also faces the biggest crisis she’s had to deal with so far… attending a party in a dress, instead of her bear onesie.

As always, the main reason to read this series is to watch everyone’s reactions to Yuna, and her reaction to everyone. They’re in a new town this volume, so there’s even more “it’s a bear!” than usual. Yuna knows this is a normal reaction to someone like her, but still gets irritated by it. She is a very nice, overpowered person to have in your corner… provided that you do whatever she says, something that I suspect I am thinking about more than the author would like me to. Unfortunately, she does not seem to have learned anything from Fina’s blowing up at her last time. That said, part of the problem may be that she had less to do than usual here – this is a second volume in a row with little conflict, aside from the political power struggles. In fact, we’re due for something to happen soon. Yuna works best when she’s hitting things, I think.

Fans of the series should definitely enjoy this one, though it’s pretty clear that there’s no overarching plot beyond “whatever the author wants to do next”. If you don’t mind that, hang out with the bear some more.

The NPCs in This Village Sim Game Must Be Real!, Vol. 2

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By Hirukuma and Namako. Released in Japan as “Murazukuri Game no NPC ga Namami no Ningen to Shika Omoe Nai” by Enterbrain. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns.

I will give credit to the realistic NPCs, they’re not doing a bad job here. Aside from the one annoying running gag of “the sister likes her brother a little too much”, they’re all nice people. The seeming traitor from the last book, the doctor, returns after their village is wiped out, and their guilt and suffering is well drawn out. Heck, even the two red pandas who are brought in to add bodies are cute and also strong – and I loved “please do not touch our high explosives”. That said, the NPCs may be real, but I’m far more interested in what’s going on with Yoshio, whose problems in this book escalate until, when the book ends, you’re screaming at the author to release the next one already. Especially when we learn that Yoshio is not the only one whose loser life has been improved by a mysterious game… and that his game’s opponents may be closer than he thinks.

After surviving the first monster rush, our NPC heroes are busy preparing for the next one, and their world is expanding a bit more – though they’re not quite ready to leave their cave as of yet. The same could be said of Yoshio, who is interacting more with his family and co-workers but is still having trouble with Life In General. This includes his unlucky childhood friend, who everyone thought he was going to marry when he grew up. Unfortunately, she got a nice job, he did not, and he began the downward spiral that led him to where he is at the start of Book 1. And now that they’ve reunited, he’s sure she deserves someone much better than him (and is not seeing the fact that she seems to be as lost as he is right now). Additionally, his sister is still worried about being stalked – with good reason – and his coworker is also really immersed in a strategy game… one that seems very familiar.

A lot of this book, obviously, seems to rely on what I would call “magical realism”. Yoshio’s game clearly isn’t just a game – even if his new pet lizard is not a clue, the ending of this volume certainly shows us that. The scene with Yoshio facing down his sister’s stalker – and his former attacker – is tense and gripping but also feels a bit too on the nose in terms of narrative convenience. But then, in a book where our hero can manipulate the narrative in order to save others, perhaps that’s not what I should be paying attention to. The final section is chilling in the best thriller way, with Yoshio suffering a vicious attack and trying to protect his friend while ALSO trying to save his village. He does not achieve all of these things, unfortunately, but at least he’s not completely done, and That Cliffhanger promises he can, perhaps, fix things.

The author has stated that this series was always meant to be three volumes, so the next will be the last (unlike Vending Machine, which was very open ended when it got axed). Fortunately, we should get the next volume soon. Very fortunately, because I’m absolutely on the edge of my seat wanting to see what happens next. Get this.