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The Angel Next Door Spoils Me Rotten, Vol. 6

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

Sometimes all it takes is a little validation. For this entire series we’ve been watching Amane struggle to imagine anyone thinking of him in any positive way whatsoever, and we also got little flashes back to his past to show what happened to make him think this way. But now Mahiru is his girlfriend, and the two of them are a lovey-dovey couple, and all of a sudden he’s become a really amazing boyfriend, to an almost jaw-dropping degree. His tendency towards logically thinking things out and never being impulsive now allows him to, both consciously and unconsciously, seduce Mahiru completely. And frankly, thank God, because it was my main complaint with this series (and many others – a lot of these ‘sweet couple’ series have self-loathing as the guy’s main flaw). That said, that’s still one side of the equation. Mahiru’s past, of course, is arguably even worse, but – despite the last chapter in this particular volume – we have a ways to go before those demons are banished.

The first half of this book continues Amane and Mahiru’s visit to stay with his parents over summer break, and it’s basically a cavalcade of sweet moments, including looking at cute childhood moments, going shopping and buying cute outfits… and also settling things with one of his old best friends, who ended up abandoning him when everything went town in Amane’s past. (Amane’s response is, frankly, a bit logical and cold, but also very in character.) They then go back home and have summer homework… which everyone has done but Chitose, so it’s mostly an excuse to watch her suffer for humor purposes. And then it’s off to a festival, which is mostly there to have everyone realize that Amane is fully invested in Boyfriend Mode, and it can be terrifying. That said, family matters crop up at the end, as Mahiru’s father wants to meet… with Amane.

We do get suggestions of the ongoing plot with this series’ secondary couple, though the series is assuming you read the short story volume that came out right before this. It feels appropriate given this is a sweet love story between couples in high school that a lot of the conflict arises from parents, be it mild (too much teasing from Amane’s mother) to serious (everything about Mahiru’s childhood). Chitose’s issue falls somewhere in between the two, and is also easily the most relatable. She’s in love with her boyfriend and wants to make a life with him, but his father thinks she’s not good enough for him. I expect we may see more of that later on. As for Mahiru’s dad, there’s a lot of “I’m trying, but it’s a bit too late and I know it will make no difference” to this. Which, um, also feels very, very real to me. I wonder if the next major arc will involve Mahiru managing to come to terms with things?

There’s a whole lot of syrupy sweetness I just skipped over, because why review that? But trust me, it’s there. For those who enjoy “I got the perfect girlfriend” series.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 11

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Roy Nukia.

Last time I said that Book 10 felt like an epilogue, and technically this one should as well. The first 3/4 of it or so is basically everyone being chill. Ange and the others in her party are in the city, but they’re coming to visit in the fall at last, after trying several times. Meanwhile, Belgrieve has settled down with Satie and is busy trying to learn how to start a new dungeon and become a guildmaster, leaving the caring of his many adopted children to Charlotte and Byaku, the oldest of said children. There’s lots of loving descriptions of the seasons, or people watching, or reflecting on the passing of time, which we’re used to. There is one slight issue. Ishmael shows up again to greet Angeline, and unfortunately the reader is the only one who knows who he really is. So really this entire volume is being a little frustrated at all the chill and wanting to shout “hey, he’s the bad guy!” at the characters.

So yeah, Angeline is fine until she meets Ishmael, who is carrying around, for some reason, a small part of a branch from an apple tree. Touching this starts to give Ange terrible nightmares which she can’t remember afterward, but which we see some of: they’re showing how awful life was for Percival, Kasim and Satie after their party broke up, and also the occasional flashback to the same scene we’ve seen since the start of the series, a demon eating Belgrieve’s leg and destroying his adventuring career. All these nightmares are causing Ange to be exhausted when awake, and her skills are suffering. So, at the suggestion of not-at-all-secretly-evil Ishmael, they all pile in and head off to Turnera for the fall festival. Unfortunately, when there, Ishmael throws off his (very good) Scooby Doo disguise to reveal he’s Schwartz, and that all this is part of his master plan, which requires Ange to be completely, 100% broken.

Despite begging from some folks, I’m not going to reveal the big twist in this book which made me swear on Twitter. I will note that it’s not Bunny Drop, it’s a normal twist that fits in well with the book as a whole, and Ange and Bel remain daddy-daughter in the good way. But I like how it made sense. We know Ange is a demonic creation, as does she and the rest of her party, but since she’s human presenting and also a really good kid, no one really stops to think when she begins to be sick, get depressed or have nightmares “hhhrrrm, I wonder if this is due to our missing bad guy?”. And why should they? Last volume was an epilogue with a wedding! But it makes the surprise hit harder, and gives Ange and Bel an even stronger connection – for good and ill, obviously. As for the actual end of the series, it’s pretty open-ended, and we could see more if sales permit, but finally ALL the main plot points are wrapped up, so ending here is just fine.

In the end, this is a very enjoyable, fun series with a bit of dark drama in the middle and end to keep things interesting, and I also appreciate that it gives us a series with an adopted daughter being raised by her father figure that STAYS that way. Fantasy fans, or anyone who liked the anime, should read this.

I Shall Survive Using Potions!, Vol. 9

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Again, I am trying to figure out the ideal audience for this series. First and foremost, it needs to be someone who is there for overpowered girls doing whatever the hell they want however the hell they want it, with money and powers being no problem. This is the core of all three FUNA light novel series. Secondly, you need to be really tolerant of underaged girls being cute. There’s no real fanservice in these books (which there has been in MMAA), mostly as the art style is so cartooney and abstract, but but it’s pretty clear we’re meant to go “aaaaaw, cute girls” for 200 pages. And, of course, the core audience has to enjoy seeing men get completely humiliated. This is especially true of Potions, where entire arcs consist of nothing but “completely destroy that guy who did me wrong until he cries and passes out”. If you are all three of these… well, you should also be reading Kuma Kuma Kuma Bear, but yes, Potion Girl is right up your alley.

We pick up where we left off, with KKR trying to organize the downfall of that one scummy merchant guy. Which they proceed to do, and then they go after someone else who Kyoko hired to manage her store while she was away but who turned out to be sneaking a peek at her stock to try to replicate it. And then they go after the guy who hired the guy to do that. And then they go after the guy who employs THAT guy. It is a TAD ridiculous. More annoyingly, at least for the KR part of KKR, Kaoru disguises herself as the new girl she’s trying to make into a holy saint, does ludicrously impossible things while saying “I’m not suspicious”, and then assumes no one will say anything. This is said to be because of her soft nature, and fair (she was upset an innocent guard had his tendons cut), but overkill. Which, admittedly, is what the plot of this book is.

Pardon me if I get back onto a high horse I have gotten on before, but the orphans in this book drive me ding dong up the wall. It’s possible that they’re meant to be a parody of this trope – Potion Girl is so bonkers most of the time it’s hard to tell what it wants us to take vaguely seriously – But man, I hate the way this series, and FUNA’s other series, and, yes, Kuma Bear, treat orphans as “yay, child workforce!”. The implication is that with wages and benefits, they’re much better off than they were before. But the side story here shows the kids genuinely traumatized by the very idea of not working every hour of every day for their “savior”, and going so far as to frame work activities as “playtime” to slip through a loophole in Kaoru’s rules. This is meant to be amusing, but all I could think is: these kids need a therapist.

No FUNA series goes quite as hard as Potion Girl in terms of making you grab your head and shake back and forth. Recommended for those who know.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 18

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

There’s no getting around it, this book is punishingly long. Not just because it’s 500 pages, though that is absolutely the case. It’s because it operates on the usual way that Omori writes giant action set pieces, which is to say “always darkest just before the dawn”, where the first part is the darkness, and the second part is the dawn. And because this is about 500 pages, it means we get about 175 pages of “darkest” in this book, which is a whole lot of time spent watching every likable character in the entire series getting the shit beaten out of them by Freya Familia. After a while I was tempted to do a search of the digital text I was reading for “Lyu”, because, not to spoil too much, but she is noticeably absent from the first half of this book. Which… is for the best, as apparently there was a whole Lyu side-story in this book originally, but it would have made it 650 pages, so the publisher said no.

It’s a battle royale between Freya Familiar and Hestia Familia. Unfortunately, Loki’s team has been forbidden from participating, and Ais has been forbidden from even SEEING Bell till this is over. As a result, once again, no one wants to team up with Hestia except her immediate friends and allies, even though the entire city is furious at Freya Familia for the events of the previous book but none of them are furious enough to be part of what is obviously a losing battle. The guild has basically said “this will end with Freya taking Bell, deal with it”. The battle itself is “hide and seek”, where all the involved Gods are wearing flowers and hiding, and the opposing team has to find them and remove the flowers. Of course, Freya Familia being who they are, they figure out a way to turn it into “beat the shit out of everyone” anyway.

Of course, the payoff is worth it. There are so many “punch the air triumphantly” moments in the back half of the book it’s impossible to list them all, with my favorite probably being the complete participation of the waitress staff at Fertility. We’ve been slowly getting everyone’s backstory over the last few books, so it’s wonderful to see it pay off, but the main reason that it works is because of Freya. Or rather, Syr. The issue here is not so much dissociative identity disorder but rather a milder version of what Sayo did in Umineko, and the resolution is that Freya has to accept that she and Syr are in fact both part of the same individual. No one wants to save Freya, frankly, except the misguided ones in her family. But there’s a TON of people who want to save Syr. The best moment in the book is the last scene, featuring a callback I had honestly forgotten about (I mean, it’s been 17 months since the last book) and a giant ball of heartwarming.

The idea that this is going to have a school arc fills me with dread, but at least it should be shorter. Till then, we’re done with this epic arc, and Freya is gone. Sort of. In a good way.

Neighborhood Story Vol. 1 By Ai Yazawa

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Neighborhood Story Volume 1 by Ai Yazawa

Neighborhood Story is a manga I’ve been aware of for a long time, because the characters drop in on Ai Yazawa’s Paradise Kiss, but I never thought it would actually be translated into English! I’m glad that Viz has licensed this shoujo classic. Mikako is an aspiring fashion designer who has a ton of personality packed into her tiny body. Tsutomo is the boy next door. They’ve been constant childhood companions, and many of their surrounding family and friends seem to expect that they’ll end up together.

Neighborhood Story Volume 1

Mikako is a little suspicious about Tsutomo’s inadvertent womanizing ways, as his similarity to a pop idol causes him to be fascinating to random girls. Tsutomo wonders if he and Mikako are so close that they aren’t ever really going to experience life without some time apart. They seem obviously perfect for each other and yet sometimes oblivious to their own emotions in ways that are utterly realistic for teenagers experiencing the first stirrings of something that might be love. Mikako is a force to be reckoned with, and as their extended group of friends start gathering together to pursue their creative dreams, I’m looking forward to experiencing again that combination of love story and artistic ambition that Ai Yazawa writes so well.

While the art isn’t as polished as Yazawa’s later series, her spindly characters and their fashion forward style contribute to the creative community that surrounds and supports Mikako and Tsutomo. Reading Neighborhood Story feels nostalgic in the best way, and I’m glad I finally have a chance to experience it.

The Princess of Convenient Plot Devices, Vol. 4

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

The plot of this book can basically be summarized as “fallout from the previous book”. Octavia wakes up to find herself back in her room at the castle, which is good… but she’s not allowed to leave the room, which is bad. What’s worse, Klifford is also being confined, and not “in his room”. Not only was Octavia wounded while he was guarding her, which is something that normally leads to being punished, but there’s a conspiracy to attack the royal family, and Octavia’s brother Sirius is convinced that Klifford is part of it. There is, to be fair, some evidence, but for the most part the main reason is just “I hate him”. Now Octavia has to talk herself out of her room, talk Klifford out of the dungeons, and go on the city tour that she was supposed to do before the party from the last book went all pear-shaped. And, oh yes, the King has revealed she discovered the True Crown.

This gives us a much closer look at Sirius and what his deal is… is what I’d like to say, but because so much of this is from Octavia’s POV, and she’s still having trouble figuring him out, it’s less than I’d like. This is not helped by the fact that she’s still trying to lay over the characters she knows from the BL series and the actual people that she has met as Octavia. One example is Hugh, Sirius’ guard, who in the series was one of Octavia’s allies in her support for her brother and Sil’s hot romance, but here is a lot more mysterious figure. In fact, he could stand to be a bit less mysterious. There’s a mystery culprit in this book that we don’t find out about, except it’s super obvious. In fact, probably deliberately obvious, given brain teaser questions like “what if your master gives you two opposing orders, which one do you follow”?

There is, of course, also the romance part of this book. We get occasional stabs at Octavia trying to find a “fake boyfriend” to save herself from a terrible life, but her lack of awareness about Klifford and his feelings is starting to seem very familiar to those readers who dread “oblivious” protagonists. I mean, they’re even sharing each other’s dreams! This actually leads to one of the scarier parts of the book, as Octavia dreams of Klifford being beaten nearly to death and then literally tossed in the water in a sack to drown, and it’s harrowing (she wakes up and can’t even hide from her maids the fact that she had a terrible nightmare). As for Klifford, he sees a young Octavia stare at this world’s equivalent of a Sakura tree – except it’s not the Sakura tree she knows, it blooms in autumn. He is despairing seeing her mourn the family that she has lost forever, even though he’s not sure why.

So yeah, still good, and the next book might wrap up this arc? Maybe?

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 10

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

This is one of those books where the color pages spoil… except, of course, they don’t. Anyone reading this series has been waiting for Red to propose to Rit since the first book, and the fact that it’s now happening gets a “finally!” rather that annoyance at the plot being given away. More importantly, that’s not really the focus of the book, it’s more of an epilogue. The focus of the book is wrapping up the Van plotline and going into those Elf ruins one more time. There *is* a big spoiler for that, so I’ll wait till after the cover art to discuss it. I will note that, unfortunately, the author and his Japanese audience are once again at odds with the English speakers I’ve seen. Ruti being a brocon does not interest us. We want Ruti to give up and get married to Tisse. Sadly, that won’t be happening. Expect more incest subtext in future books.

In the aftermath of the battle with Van, he’s at a loss for what to do next. And Red and company also want to investigate those Elven ruins again, though Ruti and Tisse are not allowed to come along given that last time they went there Ruti tried to kill everyone. So instead we get a team of eight: Red, Rit, Yarandrala and Danan as Party A, and Van, Lavender, Esta, and Albert as Party B. Together they will try to figure out what the hell is actually going on in those ruins, what it’s meant to do for the hero, and once again try to figure out exactly who benefits from a war between humanity and demons, and what the Blessings are supposed to do. Unfortunately, in order to do that, they may have to fight God.

Which I was expecting, honestly, but not this soon. Honestly, light novels that have the Church or God as the villains are as common as muck, and this series has not shied away from the concept. That said, there is a bit more nuance here, at least in regards to the Church and those in it. (The God of this book can go jump in a lake. He sucks.) We see a push and pull throughout the book of trying to work with your blessing even if it means going against what you believe, and that there has to be a balance in order to have someone be happy. Van isn’t sure what that will be, which is why he heads off at the end of this book to find out what being a hero is for him. Red and Rit’s is getting married, with children being brought up several times as the next step after that. And then there’s those who get a blessing like “Cardinal” or “Priest”. Are they required to side with God and oppose folks like Red and Ruti?

We may find that out next volume (hi, cliffhanger!). Will we get a wedding next time? Probably not. But I suspect it will be a BIT more of the “Quiet Life”.

Reign of the Seven Spellblades, Vol. 10

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Longer than usual content warning here: with this volume, the rating for these novels rises from Teen to Older Teen, and the content bears that out. There’s sexual references, discussion of a horrific sexual assault, discussion of a graphic and horrific torture and murder, a graphic amputation scene, use of a swear word that is far less problematic in the UK than in the US, and, worst of all, I’m going to have to discuss that series about the boy at the wizarding school with the scar again. Reader discretion is highly advised.

When I was about halfway through this volume, I pretty much knew what I was going to be talking about. There would still be a content warning, of course. After all, there’s not only a relatively explicit sex scene between Oliver and Nanao here, but also Leoncio is in this, so there’s a lot of talk of big dicks here. Oh yes, and Miligan is called a cunt. To be fair, she absolutely deserves that one, especially because I’m sure it’s in the British English sense. But yeah, the front half was filled with things to talk about. The “polycule” that our heroes have become, and how much I love it. Katie’s backstory was jaw-dropping, and really deserved me talking about it, as well as the fact that almost everyone has written her off as next to snap. The fights were all awesome, the election results were terrific. Teresa is growing up, and she hates it. That was great. . And I saw that the last half of the book was ALL battle against one of Oliver’s targets. Meh. A lot of fighting. Won’t have much to say.

Kee-rist.

I do appreciate that the series does give a real backstory and sympathy to some of its antagonists. We get Demetrio Aristedes’ backstory here, and like a lot of this series, it involves idealistic attempts to make things better turning into something horrific and tragic. That said, his backstory is dwarfed by what we finally get in this book: Oliver’s life to date. We get some adorable and heartwarming scenes with him and his parents, because gut punches don’t work if everything has been bad from the start. We get the brutal, graphic death of his mother, and see how she was betrayed by one of her closest friends (and oh boy, that’s a can of worms I can’t even get into in this review, it will have to wait.) We get his adoption by the Sherwoods, which unfortunately is because their patriarch sees him as an experiment rather than as a person. We see that, on the cover with Oliver and Demetrio, is Shannon Sherwood, and possibly wonder why she’s give n such an important placing. And then we find out why. Of all the horrific scenes in this volume, the flashback of Oliver being drugged and mind controlled to rape and impregnate Shannon is the worst, and it really throws their relationship into sharp relief. Oh yes, and there is, of course, Yuri. Whose story ends here, but at least the way he goes out is one of the few triumphant moments in this pummeling book.

Sigh. So OK, let’s talk Harry Potter. This series has been compared to those books from the very start, but we’re now ten volumes in, and “oh gee Guy and Katie sort of have a Ron and Hermione vibe” is not only the least of the comparisons, but also mostly wrong. It’s at its most obvious in this book in the flashback to the torture scene, when Darius, Oliver’s first victim from Book One, takes point to be the first to torture Chloe to death, and he revels in it in a way that HAS to remind people of Severus Snape. There’s also a definite James and Lily vibe to Edgar and Chloe, though (because this series glories in subverting Potter as much as it pastiches it) what the two of them do for Oliver is far darker and more interesting. I’m not sure where this series if going to end up, but there is absolutely no way it’s ending up with the next generation of the cast going off to school 15 years later.

As with Eighty-Six I am very concerned, and half convinced, this will end with nearly the entire cast dead. Hell, a lot of them will deserve it. With Eighty-Six I’m hoping that the main couple will make it out OK, but Seven Spellblades has a much higher bar to clear. I’ve joked before about the main six being a polycule, but it’s made explicit here. They’re family. They’re probably all going to be lovers soon (Oliver and Nanao are mostly there, only held back by his past trauma). They have a bond that deserves to live on. I desperately want them all to survive and make the worst a nice place. A swell place. A place where magic kids can play stickball in the street with their athames without fear of being consumed by anything. It’s not going to happen, I am aware. But God, it’s a great dream. Let these kids stop suffering.

Bibliophile Princess, Vol. 7

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Tara Quinn.

I suppose this was inevitable. Bibliophile Princess is coming off its strongest arc, one that had lots of action, drama, tragedy (that wasn’t actually tragedy, but let’s leave that aside for now), and romance. It came to a thrilling conclusion last time… and now we get the comedown the next day. Elianna has been overworking herself for the last couple of months, and tries to do so again to help Chris after she returns, and it all just catches up with her and she collapses. Unfortunately, this means that a good 3/4 of this volume is told from the POV of people other than Elianna, and that’s not really what I’m here for. I don’t really object to it, and we get some decent short stories here. But that’s what this feels like, a short story volume, interspersed with dollops of plot. Fortunately, unlike the third volume, this doesn’t feel like something we’ve read over and over again. Well, except for one thing, which I’ll get to below.

After the events of the last three books, Chris has a lot on his plate. What’s worse, the person behind all of this was the Queen’s brother, meaning she’s basically going to have to retire to avoid further trouble. As such, he needs to get married to Elianna even faster than he’d planned… and she’s been taken away to the Bernstein estates by her father and brother, who (of course) blame Chris for her being in this state at all. Fortunately, proposing to Elianna properly is the ONLY thing that goes well for him in this book. Elsewhere, we get a flashback where we learn Alan’s past as a plucky young orphan, Elianna catches up with family and reads a ton of books while her friend Anna reminds us of the romance she was plotted into a few books back. Oh yes, and there’s a library ghost (no, not Elianna) and a Halloween candy contest.

So I am starting to grow a bit weary of the Bernstein’s overprotectiveness towards their pride and joy. I mean, I absolutely get it. Elianna almost died several times in the last few books, all of it stemming from her position as Chris’ betrothed. And she did indeed desperately need to rest as she was nearing the verge of collapse. That said, this isn’t really framed as that. The writing still kind of frames it like “we’ll never let you marry our little girl!”, which feels more like a hoary old cliche, especially as it does not take Elianna’s own feelings into account. I hope she tells them what for at some point. As for the rest of the book that is not fluff, there’s Alan’s subplot, which… well, it very cliched, right down to the three people who secretly run the town, and the “I want to rape you because you are an androgynous hot teenage boy” threat. It wasn’t bad. I missed Elianna.

So this tides me over, yes, but I really hope we get a good, meaty plot again soon. Or a wedding. One of those.

The Apothecary Diaries, Vol. 10

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It’s a very odd feeling reading this volume at the same time as the anime is adapting the second one. The setting of the first eight books (OK, minus Book 5) is entirely absent, as we’re still doing Maomao and Jinshi’s Excellent Adventure. This is not to say that there is not political wheeling and dealing – in fact, the climax of this volume depends on that fact. But this book is ten volumes in, and we’re not concerned with the ways of courtesans and court ladies anymore, but with potatoes, crops and insects. It would be the perfect book for a certain insect-loving court lady to make her triumphant return, but alas (Maomao does think of her, at least). And while we do get a bit of Maomao’s standard detective schtick, for the most part this book is a race against time against an all-powerful enemy… one that arrives near the end of the book and wipes out nearly everything. This is what Jinshi and Maomao have spent a while trying to avoid.

We’re still out in the West, where Maomao, Tianyu, and the quack doctor are theoretically there to maintain the Moon Prince’s health (because, lest we forget, he gave himself a horrific wound to show off the depth of his love), but in reality they’re there to try to figure out how to stop the impending famine. Arriving at a local village (and joined by Lahan’s older brother, who, since the quack doctor got a name in the last volume, becomes the new running gag), they find that the villagers don’t really care about the crops that much, as whether they’re good or bad the Governor will subsidize them. (Does this sound familiar?) There is one old man who is doing all the right things… because of a tragic backstory, of course. A tragic backstory that becomes very important as Maomao and company realize that the Biblical plague of locusts is coming towards them NOW.

The book is excellent, with a fantastic climax, and a nice twist showing that for all his supposed status Jinshi can still be used by others who are better at dirty politics. But you’ll pardon me if I talk about the romance in this one. For the most part, the romances in this series tend to be either “toxic but also the main draw” (Maomao/Jinshi), or are established couples. But we did see a hint of something purer in Book 6, which sadly could not really develop because Book 6 was a giant nightmare for them. Yes, Lishu is back, and she’s raising ducks in the West. And taking to them like… well, like a duck to water. Frankly, she looks far happier here than she ever was as a Consort. Her reunion with Basen, though it does not lead to an actual commitment (she claims to still be too weak for that, and she has a point), is so sugary it will give you diabetes, but that actually tastes really good next to the toxicity that is Maomao and her Moon Prince.

That said, the character I really want to see after this book is Gyoku-ou, who is being set up to be the next big antagonist. Cannot wait for Book 11.

Oh yes, and Chue is still practically perfect in every way. But you knew that, of course.

Death’s Daughter and the Ebony Blade, Vol. 7: Exordium

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Always lovely when I have to eat my words. You may remember at the end of the last review I did, where I said that Ashton’s death likely wasn’t permanent, as this was not that kind of series. Well. Um. Guess it is now? I feel a bit guilty, given I recently dropped a series (The Mythical Hero’s Otherworld Chronicles) for getting too dark and cynical, but in this volume Death’s Daughter also doubles down on the dark. The good news is that it’s not nearly as cynical, and gives us some hope that the series will not end with everyone slaughtered (the flashforwards to how various dead commanders will be remembered helps). the bad news is that Ashton’s death does not seem to be the sort that can be undone by magical means, and also lots of other regulars die here as well. The very bad news is that the author couldn’t cram all the plot into this book, so the 2nd part of Vol. 7 is still to come.

The final battle between the Asvelt Empire and the Kingdom of Fernest ends up being completely upended by the arrival of ghouls controlled by the new emperor, who is not remotely evil at all, of course. This has always been a “war is bad” series, but the ghouls also help to remind you that even though war is bad, there are still ways that it should be fought, and these corpses do not do any of that. This is also bad news for the United City States of Sutherland, who get a “become my vassals or be destroyed” message from the empire, with one of the states serving as an example of what will happen. Even the Holy Land of Mekia can’t deal with this, and the Seraph finds that the ghouls are not a product of mage tactics. As for Fernest, well, let’s just say a lot of the cast who’ve been around since Book 1 gets one last battle. And, um… where’s Olivia, anyway?

The reason I spoil that Ashton is found dead in this volume is that it happens right at the start of this book. We then spend almost the ENTIRE book waiting for Claudia and Olivia to find out about it. We don’t even see Claudia till 4/5 of the way through the novel, and Olivia, after a brief scene showing her happily training with Z, is also absent for the bulk of it. There’s two reasons for this. First, I get the sense that if Olivia and Claudia were actually present throughout this volume, there’s no way that the series couldn’t avoid killing them off too, which would make the end a bit bleaker than I think even the author wants. The other reason is, of course, to show their devastated reactions at the book’s climax, because otherwise this would feel a bit too much like “the book was just cut in half arbitrarily”. The counterattack needs to start next time, even if the romantic resolution isn’t going to happen anymore.

So what’s next? There’s certainly a lot more cast we can kill off, but I suspect the last book will have a bit less of that. Till then, oof. This was a punch to the gut.

Raven of the Inner Palace, Vol. 5

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 5

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

Generally speaking, I enjoy these “sweet love story” light novels, enough so that I’m reading several in the genre, but they have their flaws, and this 5th volume of An Introvert’s Hookup Hiccups shows off a big one: the lead couple is simply far too earnest. You would think that would not be an issue, especially since they’re now a genuine couple, but that’s exactly the crux of the problem. After spending the last quarter of the last book groveling and apologizing to each other for their mutual deceit, they both realize that other people were involved in this dare as well, and the other people realize it too, and (while not as bad as our leads) they are also very earnest people. And so the entire first THIRD of this book consists entirely of apologies. It is, frankly, exhausting, repetitive, and mildly annoying. Get back to being accidentally smooth with each other, please.

So yes, the book opens with Nanami’s best friends apologizing to them for the dare. Then they apologize to their families for the dare. And then Nanami’s mother apologizes to them because she knew about the dare. Then they go apologize to the guy who confessed to her while they were fake going out. Honestly, this was the most interesting apology, if only as Yoshin and Shibetsu are bonding so closely and so quickly you want to check the genre of the book you’re reading. After this, though, it’s all sweetness all the time, as they go to cheer Shibetsu on in his basketball tournament, visit a trampoline park (where Yoshin learns that sports bras exist and what they do), meet Hatsumi and Ayumi’s boyfriends, go to an indoor pool at night, and end up having a surprise wedding photo shoot, which they only put up token resistance for.

Yoshin spends a good deal of this book wondering if he’s really doing enough for his relationship, or thinking about his future and how to be a breadwinner, etc. The irony, of course, is that he’s way ahead of most of the cast when it comes to honest love and communication, and lacks the “this is too embarrassing” gene that most light novel guys tend to have. I think he’s probably going to be good no matter what he chooses to do. We also get a better look at the two boyfriends, as I said. I mentioned in an earlier review they both sound like they’re starring in light novels of their own. It’s still not wrong. The book lightly glides over the “stepbrother/stepsister” one, and the other one has a big age difference. There’s parental pushback, but not for the reason you might think. Basically, they’ve got a few more problems than the sickly sweet Yoshin and Nanami, who (it is literally pointed out) will be married the day they graduate high school and likely having their first child nine months later. The book is sweet and not sleazy, but these kids are quite horny for each other.

So yeah, the series could have ended fine as of Book 4, and I could have done without Apology Tour 2023, but this gives readers what they want. That cliffhanger suggests that the initial premise is not entirely gone, however…

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 8

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Most of the time, summarizing each plot of a typical volume of Bookworm can be difficult, and I inevitably leave things out, because these are chunky books and a ton keeps happening. That’s true here as well, but it’s a lot easier to summarize: War. We saw the start of it at the end of the previous book, but this one sees the full consequences: Rozemyne, with the help of Dunkenfelger’s battle-happy soldiers, invades Ahrensbach in order to save Ferdinand, while Ehrenfest prepares for Ahrensbach, or rather the more easily manipulated bits of Ahrensbach, to invade them, while Georgine herself goes incognito in order to assassinate Sylvester. Hell, even Hannelore, normally the scared fluffy bunny of this series, is in armor, ready for battle, and controlling a group of nasty looking fantasy Dobermans. As for Rozemyne herself, she’s going to basically do anything to get her “family” back together, even if that means becoming the Aub of her greatest enemy’s territory.

I hate to be a broken record, but Bookworm really does alternate viewpoints well. It’s a common feature in Japanese light novels, but usually the way that it’s done as like My Next Life As a Villainess does it: we get a scene from our heroine’s perspective, and then we see the same scene from the perspective of someone else who was in the scene, showing what they felt about everything. With Bookworm, the POV switches really are necessary, because Rozemyne’s lack of common sense (both because she’s used to the ethics, morals and customs of 21st century Japan and also, let’s face it, because she’s bonkers in general) really does need to be underlined… and Rozemyne’s POV is just as important, because sometimes she’s really in over her head. Everyone in this world is a lot more used to death and bloodshed than she is, and the dismay and nausea she feels when seeing stabbing victims is only going to increase as the series goes on.

And then there’s Ferdinand. There is a thing that happens a lot in series, where we have a heroine who is very obviously coded as asexual and everyone loves the fact that we finally have an asexual heroine… until the author ends up hitting the romance switch, at which point the asexuality slowly recedes. Bloom Into You is an obvious example, as is (sorry, anime onlies) The Apothecary Diaries. Bookworm may actually be one of the few to pull that trigger, though, as even though Ferdinand is clearly in love with Rozemyne, and everyone else in the land is horrified and appalled at the shameless way they’re all over each other, Rozemyne keeps emphasizing the fact that Ferdinand is family and of course that’s why she’s overthrowing a country for him. It’s mind-boggling, at least until you see Ferdinand going “welp, OK, in that case let me take all my limiters off” and you remember that he’s just as eccentric, perhaps even more, than she is. Towards the end, Rozemyne whines that Ferdinand never taught her about courtship or love or anything, and her attendants point out that’s because he’s a man, and this is a thing women tell to other women. Alas, Rozemyne was a book gremlin who looked 8 years old and spent years inside a magical cocoon. And now there’s war, and I get the sense it’s probably too late.

There are a number of scenes after the main action, which ends about 2/3 of the way through the book. We get an extended flashback dealing with our main villain, Georgine, who is treated far more sympathetically than Detlinde ever was. You can see why she’s doing this, though it does not extend into sympathy. We also get scenes from other territories showing us how the war is going in their area, meaning we get to see Brigitte again. We get to see Philine and everyone else at the temple and orphanage hunker down in what has essentially become a bomb shelter. We see Effa and the rest of Myne’s family taken to her library to shelter, and get Effa’s conflicted feelings on her birth daughter and how far she’s gone compared to their normal commoner life. And we see Gunther defending the borders, and just generally being a good soldier and dad. Both to his family and his troops. These stories were all very welcome and helped flesh out what is otherwise a “run at full speed” storyline.

The war’s not over yet, and I suspect the next book will show us Sylvester vs. Georgine. You won’t regret reading this. (Well, unless Rozemyne/Ferdinand bothers you, but if that’s the case I assume you dropped this already.)

The Springtime Chime of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Harurin” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

It’s been a while since we’ve last seen Marielle Clarac, but she’s still worried about whether she’s too childish. That said, I don’t think she has too much to worry about. Since the start of this series, she’s improved by leaps and bounds. She’s able to listen to people when they tell her she’s going too far or saying too much. Best of all, Simeon is learning when it’s a good idea to just let her off the leash and do whatever she wants. Marielle is featuring in a Murder, She Wrote knockoff, where everywhere she goes she can’t help but get involved in dangerous situations. There’s no murder here, but the same thing applies. That said, this is more than just a thriller or a mystery this time. It’s also a gothic ghost story, complete with creepy castle and ghosts that are said to curse those lying within. Now, neither Simeon nor Marielle believe in ghosts. But Marielle loves the IDEA of believing in ghosts a lot…

Marilee is dealing with a lull in her book series at the moment. People still like her books, but they want something a bit more bittersweet. A bit more adult (no, not like that). Unfortunately, despite her vigorous nighttime activities with her husband, Marielle is not sure she is mature enough to understand the appeal of a bittersweet love. She and Simeon, however, have bigger things to worry about. The prince’s uncle has recently passed away, and his wife asked asked Severin to come along and help her with a problem she’s having. Going along are Julianne, Simeon, and Marielle. Once there, they find that Laetitia, the Duchess, wants to leave the duchy and return to the town she grew up in. And take her daughter with her, despite the fact that her daughter doesn’t know that town at all. And what’s more, she wants to do it IMMEDIATELY. Why? Could it be… ghosts?

Given that this series started with Marielle being (according to herself) being the sort to be unnoticed and only listen to others, it’s really great to hear her give a few smacktalk speeches in this book. There’s a lot of people not communicating with each other in this one, and (of course) there’s also international intrigue, again. (No Lutin, though.) Honestly, for once Simeon is the more worrying one. When Marielle is in danger (again, yes, it’s that sort of series – at least she’s not successfully kidnapped this time) he grows terrifying in his desire to punish those responsible, but even scarier is his rage when some other man finds his wife attractive. The best part of the book might be how, in acquiescence of his wife’s wishes, he does an interrogation while holding his riding crop. The Simeon of only two or three books ago would never have done this. They really are in love.

There are suggestions that Marielle imagine what being a mother is like towards the end of this book, but I don’t think the series is ready to go there right now, if ever. It’s far more content watching Marielle sneak around in disguises she brought herself, find clues that her husband already knew about, and get in and out of peril. We wouldn’t have it any other way.