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Reviews

Ouran High School Host Club 7 by Bisco Hatori: B+

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From the back cover:
Hunny’s little brother, Chika, pays a visit to the Host Club—and immediately starts attacking Hunny, using all his martial-arts prowess against his older brother! Chika seems to be the absolute opposite of his sweets-loving, Bun-Bun-toting sibling, but why is he so angry with Hunny? The Host Club is determined to find out the cause…

Review:
This volume as a lot more consistent than the last, unified by the theme of Haruhi is contemplating the wall that she feels separating her from the other members of the host club. Learning some of the family backgrounds of the others might gradually be helping her make progress in understanding them.

The first story is about Kyoya in a commoners’ store, and is quite cute. He looks especially nice in his casual clothes, and I love the panels where he’s rummaging in his pockets for money or a cell phone. The chapters about Hunny’s brother were better than I expected them to be, and also reveal how Tamaki lured Hunny from the karate club to the host club. Insight into the twins comes from a tale about their first time crying in public.

Rounding out the volume are a pointless chapter about Roberia Gakuen and a fun bonus story in the “Love Egoist” saga, continuing the tale of the cold-blooded teacher and the student who fancies him.

Ouran High School Host Club 6 by Bisco Hatori: B

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From the back cover:
The school festival opens at Ouran, and the Host Club members are busy entertaining the visiting parents. Teasing his son is a favorite pastime of Tamaki’s doting father, the school chairman, but Tamaki’s grandmother is cut from a very different cloth. She despises and shuns Tamaki, banning him from the main Suoh Mansion. It’s now time for Kyoya to take action with the Host Club to help their favored leader out.

Review:
The first few chapters aren’t very interesting or amusing, though they do provide a bit of background on Kyoya’s home life. The last chapter is also fairly pointless. Chapter 26, however, was a good one. We learned more about Tamaki’s family, and how it’s actually a fortunate thing that he is so upbeat and energetic.

The art also seems to’ve changed a little bit. I noticed several times that characters shown in profile had virtually no noses; one even kinda looked like Voldemort! Tamaki and the twins looked a little different, too, though I can’t exactly pinpoint how. I realize it’s normal for art styles to evolve over the course of a title, but this isn’t an improvement.

Please Save My Earth 21 by Saki Hiwatari: A+

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From the back cover:
Eight-year-old Rin is still tormented by his past life. As Shion, an engineer stationed on Earth’s moon, he spent nine years alone after his home planet was annihilated and a deadly virus took the lives of his fellow scientists. Now, in the conclusion to the Please Save My Earth series, Rin’s plot to destroy the moon base—and all traces of his past life—reaches its denouement. Alice begs Rin not to let his past life as Shion rule his future—and even threatens to jump off Tokyo Tower if Rin chooses to pursue his plot of eventually controlling the world…

Review:
The final volume to this series provides a very satisfying conclusion to the story. Some things required a bit of thought to really appreciate what had happened, but it all ultimately made sense and was not a let down after all this long build-up.

The best parts began when Rin goes to Tokyo Tower. I especially like the first few pages there (58-62), where he’s walking around alone. The worst bits, thankfully scant, were when Mr. Tamura tried to be helpful and ended up making things worse. The last chapter is an epilogue.

I will definitely be rereading this series in the future, and recommend it to any book lover, whether or not they think they have any interest in manga.

Please Save My Earth 20 by Saki Hiwatari: A

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From the back cover:
Rin is finally face to face with Alice again, and he is determined to get the computer password she used in her past life on the KK moon base. But even in the face of his vicious threats, Alice steadfastly refuses—unless he’ll tell her why he needs it. It turns out that Rin’s motives, tied into his past identity as Shion, are more complicated than his former moon compatriots could imagine…

Review:
Another excellent volume. This one primarily consists of Rin and Alice finally talking about all of the things they’ve needed to talk about for a while. We learn why Rin wants the passwords, and also more about Rin’s internal struggles. This bit felt a little tacked on to me, but that might just be because I haven’t read the earlier volumes in a while.

The art and expressions are top-notch, and I particularly liked the few pages without dialogue when Rin enters the room where sleeping Alice lies. Because of the layout, it has the potential to be an extremely quick read. I only took longer with it to reread a few pages, since the conversations that were transpiring were so pivotal.

Please Save My Earth 19 by Saki Hiwatari: A+

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From the back cover:
Mokuren awakens from a fever-induced coma a week after her attack, tormented by the realization that Shion lied to her when he said he loved her. After all, if he really did, her Kiche, the mystical mark on her forehead, would have disappeared. Even so, and even though he’s now treating her like a sacred being instead of a fellow human, she can’t stop loving him.

On Earth, Haruhiko tries to convince Alice that Rin needs and loves her. But Alice finds herself in deep trouble, and her disturbing dreams continue, showing her the end of Mokuren’s life on the KK moon base…

Review:
This volume truly has it all. It’s about evenly split between memories of the moon and present day. The former provides insights into Shion’s motivations, his relationship with Mokuren, and their final days together on the moon base. The latter features everyone trying to protect Alice from Rin, as hers is the final password he needs, and Alice reacting to the things she’s remembered. Much drama, and it’s all great.

There’s a cliffhanger of sorts in each time period, but since we know essentially how things turned out on the moon, it’s the present day resolution that I’m eagerly anticipating. I’m very glad I waited until I had the last few volumes before embarking on this final arc because waiting would totally dilute the impact.

Full Moon o Sagashite 7 by Arina Tanemura: A

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From the back cover:
Mitsuki is trapped by the Lord of the Underworld and is imprisoned within his barrier. She pleads for Izumi to come help her, but the Shinigami is immobilized by his fear of releasing his last memory—the moment before his death—and will not rescue her. Is there anyone who can protect Mitsuki from the Death Master’s scythe?

Review:
These final few chapters bring about a very satisfying conclusion to the series. Plot threads, aside from one that wasn’t resolved as clearly as I would’ve liked, are thoroughly wrapped up, a testament to the careful planning of the tale. I particularly liked the last few pages of the final chapter; they’re totally like the ending credits of an anime.

There were plenty of differences from the anime, so I was able to enjoy being surprised by a few more twists in the story, and got sniffly as a result more than once. We also learn the true meaning of the title at last.

I can definitely see myself rereading this title, especially in light of information learned in the final chapters. If, like me, you’re tired of stories that drag on without a hint of real development in sight (Hana-Kimi, I’m talking to you), then I recommend this series without reservation.

Full Moon o Sagashite 6 by Arina Tanemura: A-

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From the back cover:
Mitsuki has previously refused the operation that would save her life—at the expense of her voice. However, as Mitsuki gets closer to her first concert appearance, Ms. Oshige decides that she will put Mitsuki in the hospital after the event, no matter how Mitsuki feels about it. Even so, it may be too late to save Mitsuki’s life, unless Takuto and Meroko are successful in changing her fate.

Review:
Both Meroko and Mitsuki take some important steps forward in this volume, and I particularly liked chapters 25 and 26. The introduction of Hikari in chapter 25 might’ve seemed like a random obstacle gimmick in any other manga, but it works here because of the story line and really forces Mitsuki to confront some things. I especially love the bit with the pendant.

The last chapter advances the plot along nicely, though it left me a little confused on a couple of points. A side story, okay but predictable, with Madoka and Nachi completes the volume.

Full Moon o Sagashite 5 by Arina Tanemura: B+

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From the back cover:
Mitsuki’s popularity as Fullmoon has skyrocketed, but Mitsuki learns that fame carries a harsh price. Hidden among the birthday presents sent to Fullmoon is a mail bomb that explodes in Ms. Oshige’s face! Will the crazed fan be captured, or will Mitsuki have to quit music to save her friends… and herself?

Review:
I am very meh about this crazed fan story, even though I quite liked the revelation in the final pages of the volume. It’s possible this story could yield more interesting results later on, but for now, it wasn’t very exciting. Somehow, however, this ended up prompting Mitsuki to decide that she wants to live after all, and to grow determined to be stronger, so I guess it accomplished something besides providing a career obstacle.

In addition to a less than thrilling arc, character motivations or plot flow were not as clear as in previous volumes, and there were several times I had to go back and reread several pages when certain elements seemed to just pop up out of the blue.

I did like the backstory for Izumi, though not as much as Meroko’s. It reminds me strongly of Sohma Yuki from Fruits Basket, and there are parallels to be made between Mitsuki and Tohru, too.

Full Moon o Sagashite 4 by Arina Tanemura: A

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From the back cover:
Mitsuki’s love for Eichi has helped keep her alive because she promised that one day she would become a famous singer and meet him again. But lately even thoughts of Eichi haven’t been enough to keep her spirits up. Will Takuto’s confessed love for Mitsuki be enough to convince her to live?

Review:
Mitsuki’s cheery shell finally cracks in this volume, and her resultant actions would be extremely annoying if perpetrated by, say, Miaka. However, Tanemura-Sensei has a knack for prompting her characters to dramatic choices in a way that’s IC and engenders understanding and sympathy. Good characters may do bad things, but the reader always understands why this is happening. (With the possible exception of Takuto, who irked me a few times.)

My favorite part of the volume was the last few chapters, where Meroko’s backstory is revealed. I don’t remember this being in the anime at all, and it was nice to be surprised. With the possibility for Izumi revelations on the horizon, I am eager to tackle the next volume.

Full Moon o Sagashite 3 by Arina Tanemura: A

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From the back cover:
Mitsuki’s alter ego, Fullmoon, gets a new producer—Dr. Wakaouji, who is treating Mitsuki’s cancer! Before he got his medical degree, the doctor played keyboard in the legendary band ROUTE..L with Mitsuki’s father. Will the doctor break Mitsuki’s cover? And will Takuto’s newly exposed memories destroy his present friendships?

Review:
A lot of important stuff happened in this volume, and almost none of it related to Mitsuki’s career. Since I’m always hard-pressed to care about that what with the other plot points, this suited me just fine.

The first major occurrence is that Takuto remembers some of his past. I thought the details were just a little bit cheesy, but there were some interesting ramifications there for a couple of characters, so it managed to steer clear of lame. The second major thing, to which I shan’t even allude, is a pivotal twist and makes one entirely re-examine their concept of the story so far. It’s a testament to the writing that the story still hangs together when one looks at it through new eyes.

A pair of bonus stories round out the volume, one about Meroko and Izumi when they were partners and the other the first meeting of Eichi and Mitsuki (covered from her perspective earlier in the volume) now from his point of view.

Full Moon o Sagashite 2 by Arina Tanemura: B+

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From the back cover:
Now that Mitsuki has debuted in the pop world, she is faced with the dark side of the glitz and glamour—petty jealousy and scheming that just might be her undoing. Will her love for Eichi be enough to keep her on the road to stardom? Or will the schemes of a mysterious new Shinigami stop her dreams short?

Review:
This volume was pretty good, but not as good as the first. Thankfully, the Madoka pop rival stuff seems to be done (although how Meroko figured in was interesting), and instead we’re getting more backstory on the shinigami, both as individuals as well as the job itself. Also sprinkled in were a few moments suggesting Mitsuki’s not as happy-go-lucky as she seems. Cute moments abound, but it’s really the darker moments that I like the best.

There’s also a bonus story at the end called “Gin-yu Meika.” It’s about a boy (who looks a bit like Yuki Eiri) that encounters a fairy while practicing for a music competition. Although certain things transpired predictably, enough of the unexpected occurred that it turned out to be decent.

Fushigi Yûgi 18 by Yuu Watase: B-

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From the back cover:
Miaka has been fighting a battle across two different worlds to keep Taka, the human incarnation of her true love Tamahome, from vanishing. But what could it mean when Tamahome himself returns to confront Miaka and Taka? The answer to this riddle leads Miaka and the Seven Celestial Warriors to the stunning finale of the best-selling Fushigi Yûgi series!

Review:
This volume was really hit-or-miss. There are a number of good things, like Chiriko being clever, and all of the Taka-Tamahome interaction. I was a bit surprised to realize that I actually like Taka, while Tamahome was barely in my top 5 of the Suzaku Warriors.

So, on an interpersonal level, this volume is okay. Plotwise, however, is a real muddle. When explanations are given, they’re lame. Some things just made no sense at all, including a possible retcon, but I don’t really care enough to think that hard about it.

It seems the whole purpose of Plot 2 was to give Taka confidence in his own existence, and… okay. That goal was successful. I just wish the way to get there were better planned.

Bonus good bit: a blip of the happy Tama-cat family in the future.

Fushigi Yûgi 17 by Yuu Watase: C

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From the back cover:
When the demon god Tenkou steals the four stones that Miaka has already collected, is all hope lost for the return of Taka’s memories? And will Tenkou’s manipulation of Taka and Miaka’s friends slowly drive wedges between them and ensure their defeat? Once again, it’s up to Miaka to keep two worlds from falling under the dominion of the ultimate evil!

Review:
This just keeps getting crappier. I really am just waiting for it to be over at this point. Here’s a nugget of Miaka wisdom that especially made me want to hurl the volume away in disgust: “Whether it’s because she’s happy or sad… when a woman loves a man, she’s going to cry.”

Tenkou manipulates Tasuki into being a total git, and Watase manipulates Tasuki into suddenly having feelings for Miaka that were never present before some anvillicious hints in “Part 2.” It’s just unpleasant all around. Chichiri does get to be a badass, but all the stuff about his past is pretty lame.

Good points: Tenkou’s comments when baiting Taka that it’s actually Tamahome that Miaka loves, and that Taka is just a shadow of the real thing. Taka’s resulting questioning of why he needs someone else’s memories to be complete. The final few pages.

Fushigi Yûgi 16 by Yuu Watase: C+

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From the back cover:
As enigmatic exchange student Ren slowly takes control of the minds of everyone in the school, his agenda becomes clear: he is training an army of assassins to kill Miaka! Even if Miaka is able to escape the attempt on her life, will she be able to thwart a mysterious vixen’s efforts to tear Taka from her arms?

Review:
Not even the presence of Nuriko (with correct gender pronouns!) and his cute older brother could reclaim this volume from mediocrity. I can’t even think of any good points to mention, with the possible exception of a couple of Miaka-Taka smooch scenes (at which I routinely yawn) that did a particularly nice job in capturing a sweet/sexay moment.

I could enumerate all the bits of the story that were not very interesting, but since I’m sure that would not be very interesting, I shall refrain.

Fushigi Yûgi 15 by Yuu Watase: B

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From the back cover:
Miaka must reenter The Universe of the Four Gods and collect the seven magic stones that contain her soulmate Taka’s lost memories… or else risk losing him forever! Taka has always been the one who protected Miaka, so will she be able to handle this new responsibility? And there’s something unsettling about the new exchange student at Miaka’s high school…

Review:
This volume was a little better than its predecessor, but Part 2 as a whole is still strange. I kind of get more of an Alice 19th vibe from it, with the focus on school and freaky incidents abounding. This isn’t bad, precisely, it just feels like a completely different manga in these sections. Hardly any time is spent in the world of the book, but at least there’s a couple of nice chapters with Hotohori, Houki, and Boushin.

I still don’t get why these magic stones are important to Suzaku or the demon god. Okay, so Suzaku needs to stay powerful so he can keep the demon god bound. Got that bit. Apparently the fact that a wall in an ancient shrine bearing his image has been damaged somehow affects his ability to do this. Oookay. Suzaku said his power was based on love. Eh? So… Suzaku can only be powerful if Miaka saves Taka and the two of them live happily ever after? What a lame god!

Good points: Boushin! Yui, being feisty and confident. A student election including creepy new exchange student with neat crowd reactions.