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Reviews

Guardian: Zhen Hun, Vol. 3

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By Priest and Marmaladica. Released in China on the JJWXC website. Released in North America by Seven Seas. Translated by Yuka, Shry, amixy. Adapted by Ealasaid Weaver.

After finishing this series, I do feel vaguely guilty. This is an epic tale of reincarnation romance, with gods, demons, battles for souls, and huge fantasy action set pieces, and they’re really quite well told. It’s also the story of two incredibly hot guys being in love and having massive amounts of sexual tension, and that’s also terrific. But when it comes right down to it, the thing I will always love most about Guardian is the police procedural aspect of it. Show me Zhao Yunlan doing detective work as he tries to figure out which of Shan Wei’s lies about his own past memories are true and which are lies in order to throw him off the track. Show me Lin Jing investigating what looks like a minor live-extending case that turns out to be the end of the world. Show me Gup Changcheng finally coming into his own as a cop by doing what he does best: help people without any thought of reward. Guardian is at its best when it’s Barney Miller.

The bulk of the first half of this book, as I noted, involves Zhao Yunlan trying to figure out how much of himself is tied up in the world’s past. This involves, among other things, realizing that an ancient stone mortar of Shennong’s is possessing his father, which is a real subplot that I actually just typed out. As for Shen Wei, well, he’s doing pretty much what he did in the first two books, which is torturing himself with guilt and hatred, being incredibly powerful, incredibly tricky, and incredibly dickish, and trying to hold on to his lover for as long as he can while at the same time arranging their separation forever. It all comes to a head at a resort where a mysterious death had occurred, which turns out to have its entire staff and customers turned into both8ing more than bone ash. Bad things are afoot.

I mentioned on social media that in the first book the character of Guo Changcheng baffled me, but I rolled with it, and that by this third book, he had become my favorite. I think the author loves him too. We learn who he really is towards the end here, but as it’s totally irrelevant to him for the most part, I won’t get into it. He’s absolutely terrified when dealing with anything remotely supernatural, to the point where he needs an auto-firing anti-spirit taser because he keeps running into them. But when he sees the families of everyone who (unbeknownst to him) has been vaporized at the resort, he comes into hsi own, getting everyone to listen to him, getting all the little details he needs to save their relatives, and generally just being a really NICE cop. And it works out for him. No, he doesn’t get the cynical Chu Shuzhi, at least not explicitly, though the subtext it hot like burning. But he gets the spirits of those he went around what is essentially a radioactive zone to save literally making a net to save his life, in what is probably my favorite scene in the entire book. He rocks.

I may give the live action drama a try, though I’ve heard its “faithfulness” is laughable. But I definitely recommend this to not only danmei fans but to those who love cops on the edge and fluffy cops and goofy cops and lovelorn cops. In supernatural fantasy China, you’re allowed to like them.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 6

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

This may be my favorite volume of Villainess Level 99 since the first one. Which makes sense, given that it ties back to the plot of the first quite a bit, but that’s not why I love it. I love it because the basic idea that kicks off this volume is completely, totally bananas in every way. I have no idea how the author came up with it. I do know exactly why Yumiella came up with it, it’s because she’s Yumiella, and everything is about being the strongest. But I mean, if I told you “Yumiella imagines her left side and right side fighting each other, and wonders who would win, and the idea causes her to think *so* hard that her left side *dies* and goes to purgatory, where she is literally shown as only her left half in the illustration”, you might think that this is either a dream sequence or a minor subplot. Nope. this is what kicks off the majority of the book.

While listening to Eleanora tell her about a legendary perfume maker, Yumiella, as I noted above, thinks about her separate halves fighting. Her left side wakes up the next “morning” in the “Kingdom of Twilight”, a place for souls of the dead who still have unfinished business. Meanwhile, Yumiella *also* wakes up back in her own bed, but her left side has no feeling whatsoever… in fact, as a particularly obnoxious Lemn points out, her left side is literally dead. Now Yumiella, Patrick and Eleanora have to research the Kingdom of Twilight and that means going back to the very origins of the kingdom… which is appropriate, as the left side of Yumiella discovers that among those with regrets in the Kingdom of Twilight are the Hero, aka the first king of Valschein, and the Demon Lord… who definitely remembers Yumiella.

This book, like the last, continues the trend of “Yumiella is slightly more sensible except when the author needs her to be over the top”, and unlike the last, it succeeds. Leaving aside the actual premise, the way that they resolve the Kingdom of Twilight thing is so funny I laughed for a good 30 seconds, and also definitely falls into the category of “Only Yumiella could do this”. As for Yumiella’s relationship with Patrick, well, they’re still not quite married, but this is the strongest I’ve felt about the two of them as a loving couple. Well, OK, a loving couple and Eleanora. The three of them have fallen into being a throuple without really realizing it, and while the attraction is more friendly/familial on Yumiella and Patrick’s part, I think they both realize that they can’t really be together without her there. Eleanora, by the way, also shows off her more mature side we saw in the 5th book. (Patrick has always been mature.)

We’re caught up with Japan, so that wedding may be a while off. Till then, I was pleased to see this book give me exactly the sort of Yumiella, Patrick and Eleanora that I want.

The Former Assassin Who Got Reincarnated As a Noble Girl, Vol. 1

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By Satsuki Otonashi and MiRea. Released in Japan as “Moto Ansatsusha, Tenseishite Kizoku no Reijou ni Narimashita” by PASH! Books. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

This one is definitely a slow starter. It’s taking a while to make its point, and in order to make it effectively we need to get deep into the mind of its heroine, whose reincarnation has not changed her mindset all that much, and who tends to regard almost everyone in this new world as a terrible person. Unfortunately, she’s not wrong. The main reason this is such a slog to begin with is that the only other characters in the book who are not Selena are either people she’s saved who are now devoted to her, her absent father, and terrible, terrible nobles. If this is meant to be a critique of villainess books, good job, as it felt like it was mashing together quite a few of them, with terrible adopted “heroines”, frivolous princes, arrogant ojous, etc. Even the love interest, the first prince, is in the “everything bores me except you, you’re fascinating” camp. Fortunately, things do eventually pick up once Selena is faced with something where she has to protect.

Our protagonist is 9956, a nameless assassin who dies trying to kill a prince, and ends up reincarnated as the daughter of a duke, Selena Violette. Unfortunately, she was reborn with her old memories, so she acts, as a child, like… well, like a former assassin (she tries to kill a dog with a cake knife). As a result, while her husband is away (something that happens a lot), her mother adopts a commoner girl into the family, Rosemary, who is far nicer ans sweeter and nothing like Selena at all. Unfortunately, Rosemary proves to be a holy terror, being a spoiled brat who uses tears to get her way, and if that doesn’t work she’ll order servants to attack Selena. Selena is fairly blase about this, and in fact keeps trying to hammer home to the adopted daughter that she actually needs to behave like a noble and actually study. This does no good at all. Then the nation’s two princes get involved…

So yes, the first 2/3 of this is a drag, as everyone is SO unpleasant, and also because the narrative is filtered through Selena, who has to force herself not to kill people. This is what fascinates Evan, the first prince, who had her investigated as he found it impossible to imagine someone with her background behaving the way she does. He’s clearly smitten, but also realizes that she, at the moment, is not capable of feeling much of anything, much less love. Unfortunately, before he can slowly show her what love is, one of the terrible nobles who Selena has been destroying over the past hundred pages decides to incite a monster rampage at their hunting party, forcing Selena to fight for her life… and also, much to her surprise, fight to protect the other nobles. Yes, even the nasty ones. I will admit, I wish this had been a single volume. There’s a point near the end where you can hear the author stop and add the number 1 to the cover in their head, and it makes the end a bit less dramatic than I’d like. But oh well.

So yeah, this was eventually a very good read. Just be prepared for some of the world nobles in the world before you get there.

The Abandoned Heiress Gets Rich with Alchemy and Scores an Enemy General!, Vol. 3

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By Miyako Tsukahara and Satsuki Sheena. Released in Japan as “Suterare Reijō wa Renkinjutsu-shi ni Narimashita. Kaseida Okane de moto Tekikoku no Shō o Kōnyū Shimasu” by PASH! Books. Released in North America by Cross Infinite World. Translated by piyo.

Sometimes when you get into a habit because you’re trying to project a certain image, it can feel very different when your image becomes the real you. Chloe, through the first two books, has buffed herself up to the point that it was aggravating, describing herself as the world’s strongest alchemist and a beautiful maiden. Well, now she’s managed to go toe to toe with a demon who pretty much wipes the floor with everyone else around, and she also gets to be dressed to the nines at a victory banquet to the point where Julius gets visibly jealous at the looks she’s getting. She really is a fantastic alchemist and beautiful maiden now. Thus… it’s starting to be a little embarrassing to use the phrase. It used to restore her self-confidence, but now it’s like she’s recalling her chuuni phase. This is, of course, adorable. Sorry, Julius.

We pick up right where we left off, with our heroes losing badly. That continues for a bit, though they eventually turn things around thanks to the arrival of a few surprise allies. Unfortunately, some of the villains get away, and there’s no doubt we’ll see them again. After that, though, Chloe recovers from mana depletion, then it’s shopping trips, dress fittings, drunken binges, and endless discussions of her flat chest, a staple of Japanese light novels that we simply cannot get away from. Julius is also more comfortable with her, if with no one else. Now she just has to return home, get a shop assistant who was one of her former rivals, and set about building a Hot Springs Town. While *still* being the world’s greatest alchemist and world’s most oblivious attractive young woman.

The biggest flaw with this book, which you may have figured out from my attempt at a summary, is that it suffers from Webnovel Syndrome. This is a condition that happens when webnovels, which are written in chunks a couple of times a week with little thought as to a natural volume break, are then picked up by a publisher and put out as books which require a book to end after a certain point. Let’s face it, the first quarter of this book should have been at the end of the previous book – it’s all front-loaded here. That said, if the publisher HAD done that, this book would have had zero plot at all, so I suppose it’s a relief that we get some cool fights out of it. The rest of the book very much depends on how much you enjoy Chloe and Julius’ getting closer and closer to a confession but not there yet relationship. Julius thinks his actions (and kisses) make it clear without saying it. Chloe keeps being reminded that she bought Julius and he still wears a slave collar, so confessions might not be reliable.

I assume that the next book is not just going to be building a hot spring, but who knows? Till it happens, this wasn’t as good as the previous two books, but is still good.

Let’s Get to Villainessin’: Stratagems of a Former Commoner, Vol. 1

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By Hiironoame and Misumi. Released in Japan as “Sa, Akuyaku Reijou no Oshigoto wo Hajimemashou: Moto Shomin no Watashi ga Idomu Zunousen” by PASH! Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I’m not sure if we’ve reached the point in 2024 where more villainess titles are licensed than isekai titles. Possibly it just feels that way to me as I read a majority of the villainess titles, while most isekai titles are ignored by me unless there’s a good reason. But this is definitely a book that is intimately familiar with the genre – the author has written several, unlicensed villainess series already, as well as the licensed Seriously Seeking Sister! book. The protagonist says she’s a fan of light novels, and has read villainess books in the past. She’s also backed by serious money here, so you’d think that things would go swimmingly. But as ever, it’s easier to avoid your doom than cause your doom as a villainess, and I appreciate that Mio is trying really hard to be a terrible person but just comes across as a big ol’ tsundere. It turns out being a bad person isn’t easy with a conscience.

Mio is a teenage girl who is working an extra job in order to pay for her sister’s hospital care, as she is dying of a mystery disease. Then, after stopping a purse snatcher, she is introduced to the owner of the purse, who has a deal for her. Shizuki, the rich girl Mio meets, says this is the world of an otome game! (It’s similar to Modern Villainess, in that it’s in a modern Japan but one that still has zaibatsu families.) Shizuki wants Mio to play the villainess role, bullying the heroine, making sure the heroine gets with the correct capture target, and fall to ruin. This will, for reasons not revealed in this book, save the country’s economy. In return, Shizuki will help get Mio’s sister advance treatment that might save her life. Mio thus goes all in on villainessin’.

So, I know this is a “translated into English” problem more than a problem with the original work. And I think the author did it deliberately in some ways to show off the “otome game” cliches of this world. But this book has important characters named Ruki, Riku, Ruri and Rikka. (I suspect the translator added the extra ‘k’ so that I would not lose my mind.) Oh yes, and Mio’s sister is Shizuku and her new sister by adoption is Shizuki. Fortunately, once I got past the names, this was a very good read. It’s a “we have to match the game’s plot but we keep changing it” sort of book, but this time everyone’s being serious, with nary a dumbass in the cast aside from the token “those two girls” who serve as the minibosses of Book One. A lot is being kept from Mio by Shizuki, and I for one am very concerned with her true motivations. But seeing Mio desperately try to be bad and accidentally helping the heroine out… look, I love a good Maria Campbell plot, OK? It helps that the heroine isn’t evil this time, possibly as this isn’t our original villainess either.

Assuming that we’re not introduced to Kiki, Kiko and Kiku next volume, I’m definitely looking forward to it, if only to get some answers, and see if Mio really will fall in love with the guy she’s trying not to fall in love with.

Sasaki and Peeps: Fake Family Formed! ~The Youngest Daughter Dreams of a Warm Family in This Hodgepodge Household~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I do feel that this series might have a conclusion in mind, but it really is meandering towards that conclusion, to the point where I was actually a little bored somewhere in the middle of this volume. Which is surprising given it’s an isekai-lite book, and I usually tend to prefer those. For the most part, the bulk of this book is spent integrating Type Twelve into the main cast, which has Futarishizuka and Sasaki making decisions that make sense in a “we’re trying to save the world” sort of way, but narratively in a book makes them sort of terrible. It doesn’t help that the idea that all of this is secret is really being blown apart, with Neighbor Girl’s classmates all discussing whether aliens are real or not after spotting the huge obvious flying saucer. Each book tends to set up the next book, and I suppose that’s true here. And to be fair, the end of the volume definitely was excellent. But I’d like to know the author has a final volume envisioned.

Type Twelve wants to learn more about humanity from Hoshizaki, and has decided the best way to do this is to pretend to be a family. Hoshizaki is the mother, Sasaki is the father, Kurosu and Abaddon are her older siblings, Elsa (returned from isekai land) is the next door neighbor who’s always dropping in, Sasaki is the family pet, and Futarishizuka is the crotchety grandmother, a role she takes to with gusto, to be honest. They go shopping, they buy a house – well, OK, Type Twelve steals a house – and they go to the amusement park, which Futarishizuka, with the reluctant help of Sasaki, tries to depress the robot so that she’ll give up and return home. Everything changes, though, when Kurosu says there’s a new death game coming to a mysterious island, and she wants their help in going after the big prizes that come with said game. Alas, when they get there they find that things will not go that well…

As noted, the death game is the best part (the worst part may be when Kurosu, running away from interaction with her classmates, comes across her teacher screwing her bullied classmate, and she just sort of stomps away in a fit of pique that she’s not able to get that with Sasaki). They arrive assuming that everything will be much the same as the previous games, but not only is everyone on the angel AND demon teams now trying to kill her and Abaddon specifically, but there are also a lot more random elements. A psychic is killing people because he can, the magical girl rips a hole in reality to go kill psychics, and Type Twelve has to literally blow herself up 9she gets better) to save the main cast. And, oh yes, the entire death game has been co-opted by rich assholes. Because of course.

I greatly enjoy this series when it’s being ridiculous, but when it’s down to earth it can sometimes lose me. The next volume… has everyone going to Kurosu’s school. Oh well, we shall see.

Observation Records of My Fiancée: The Misadventures of a Self-Proclaimed Villainess, Vol. 1

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I am, frankly, a little sick of every new villainess book forcing me to say how much it reminds me of My Next Life As a Villainess. And given that this book stars a dumbass who everyone loves, that’s a trap that I want to avoid. So let’s try something else. You know the works of Sarasa Nagase? The kind where the clever heroine has to think on her feet and not let her guard down for a minute or else fate will slot everything back into place and she’ll be killed? And this is helped along by an evil but equally clever heroine? This series is the mirror opposite of that. Both the villainess and the heroine are desperately trying to NOT fight fate, for reasons that we don’t really find out in this volume, but the problem is that they are both not particularly clever, so fate is constantly changed so that things are better. Congratulations on falling face first into success.

While visiting his fiancee on her eighth birthday, the Crown Prince Cecil is rather surprised to hear her say that she’s actually a villainess, and she will do her best to grow up to be a fantastic one so that he can dump her and her family will fall into ruin. And she can go ‘GAH!”. (The “GAH!” is very important!) Cecil is baffled by all this talk of “otome games” and “routes”, but he finds Bertia amusing and interesting, which frankly almost nothing does as he’s the most jaded ten-year-old in the world. Each chapter in the book is “one year later”, and we see that Bertia’s schemes and plans do things like tell everyone where those trying to overthrow the country really are, or making sure that people get together with their true loves, or telling Cecil enough information that they can stop a deadly plague. Isn’t she actually sweet as pie? Why does she want to be a villainess? And what’s with the new girl named (sigh) Hironia?

I read the first volume of the manga when AlphaPolis put it out here, and reviewed it in a Bookshelf Brief where I mentioned Cecil was who interested me most. That goes double for this first book, though Bertia is also interesting for reasons that I don’t think we’ll get explained till the next book. Cecil regards Bertia as a fun toy when he’s a kid, but as he grows older and grows to appreciate her as a person… he’s still not quite there. It’s mentioned many times that Cecil is fundamentally broken, and that gets more clear as we get closer to the climax, when we realize that Cecil has never expressed any affection for Bertia besides “you are my fiancee”, and that he doesn’t really get that he’s fallen in love with her at ALL. We never get Bertia’s POV, for reasons that, again, I think will make more sense in Book 2, but I think she has realized her feelings, but is desperate to avoid them for the sake of the greater good.

This is a series that will end next time, though I think there’s a sequel that Hanashi Media has also licensed with their marriage. Till then, this is a fun Villainess book that starts off very wacky and gets increasingly less so as the book goes on.

The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 3

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By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

It’s never a good sign when I’m checking Amazon Japan to see how long a series has left to go. Fortunately, this series looks like it ends with the 4th volume, so I guess I’ll finish it. It’s not doing anything wrong per se, and doesn’t have random slavery or the usual light novel turnoffs, but it’s a damp wet towel of a book. Our heroes hear of a setback, think of a plan, and the plan, for the most part, goes swimmingly. The bad guys are really bad, the good guys are really good, with the exception of Teodore being a standard “glasses sadist” for laughs. There are one or two exceptions, which I’ll get to later, but if I’m being honest, the most interesting and exciting part of the book was when this volume’s antagonist snaps and decides to start choking Carolina to death in front of royalty and hundreds of people. Dumb, but exciting.

Carolina’s father arrives with bad news: Archbishop Mills is on his way to the kingdom and wants an audience with Carolina, likely to try to get her to come back to Celestia. Unfortunately, they’re not quite ready to reveal how powerful she is to the world yet. So they try several stopgap measures. She puts off her decision while she “thinks about it”, they investigate the bishop for his horrible crimes (can’t have a light novel without a Church of Evil, though in this case it’s just one Bishop of Evil), and create a Saint for their own Empire. Unfortunately, while they get enough support to do this, they can’t just make it Carolina, especially since her power is a secret. There’s going to be a magic competition. And her main opponent is Monica, the noble girl who despises her.

So there are a couple of bits that weren’t too bad, most of which revolve around accepting that sometimes people change, and sometimes kids can’t change situations because they’re kids. Marisa and Owen both had terrible childhoods that left them with many regrets, and indeed we saw Marisa’s younger sister of terrible in the last book. But they need people to vote for their new Saint idea, and that means she has to talk to her OLDER sister, who also treated her like crap. Then she finds… her sister happily married, and love has softened her, and she deeply regrets what she did and apologizes. Marisa really doesn’t know how to take this. As for Owen, it turns out that his brother’s disinterest was not that in the slightest, but just a massive miscommunication, and now the two of them are getting along again. Now, both of them credit Carolina for basically making them nice enough to reach out and make amends, but I’m used to perfectly pure heroines.

I didn’t mention Flora at all, but the final volume has basically one question: will she be saved or will she die? We’ll find out. Bet the answer is the obvious one.

The Otome Heroine’s Fight for Survival, Vol. 2

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Fans of this series may be surprised that I’m reading the second volume of this book, but they’ll be even more surprised that I’m looking forward to the third. It’s rare I get a series I enjoy so much which is filled with things that normally annoy me. First of all, Villainess fans must be going nuts reading this, as there’s really very, very little of the actual otome game plot here, though we do meet another villainess (more on her later). There are stats. So many stats. I raised my endurance stat +2 just reading this volume. And of course this is an incredibly dark book in which we meet a cast of about twenty new minor characters and by the end of the book almost all of them are dead by the hands of our heroine, who perhaps does not quite deserve that moniker anymore. They even get little backstory flashes right after they’re killed to make it more tragic. So why do I like it? It’s compelling.

Having survived, barely, her life and death battle at the end of the first novel, Alia is now apprenticed to a dark elf named Cere’zhula, who was also the master of the woman who tried to kill Alicia and take her “heroine” place back at the start of the series. Alia ends up actually confessing almost off of this to her new mentor, and ends up being a much better apprentice, if somewhat… eccentric. Unfortunately, only a few months in, a nasty guy shows up and tries to blackmail Cere’zhula into doign an assassination job for him. Rather than get used as blackmail fodder, Alia offers to do the job herself… and then discovers that the Assassin’s Guild don’t trust her a lick. So, I mean, she goes through with the initial “kill these mooks’ test, and then does the actual dangerous assassination job, but she has a far greater goal in mind: killing the entire guild, who are now her enemies.

There is one big reason to read this new book. Just as, in the first book, the main enjoyment was the relationship between the heroine and the first “villainess”, Elena, here it’s between Alia and another villainess, Karla. And while Elena stands a chance of actually surviving the books, Karla may actually end up being the final boss. To be fair, her backstory is essentially “Sakura Matou with less rape but more torture”, but she is absolutely a hoot, absolutely a psychopath, and bonds IMMEDIATELY with Alia, who she not only sees as a kindred spirit (she’s right there, Alia is not remotely an empathic person) but also as someone who will be able to kill her – and not kill her so she dies pathetically, like her family could have done, but kill her so that her death has MEANING. She’s absolutely horrible, and I can’t take my eyes off her.

By the end of the second book, Alia seems done with Assassining, at least for now. Where she’ll end up, who knows, but the 8th in the series just came out in Japan, so it will be a bit. This is dark as pitch, but I’m sticking with it.

From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 1

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By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

If I had a nickel for every villainess book that I read and thought that it was clearly influenced by My Next Life as a Villainess… well, I’d have about 50 cents or so. Which is still a lot! Fortunately, most authors know that they can’t simply straight up photocopy Katarina Claes onto the villainess of the hour, even as the whole “reverse harem starring a clueless protagonist who does not realize what she’s doing to the rest of the cast” plot is present and correct. Katarina is the cheerful, empathic oblivious type. Someone like Yumiella is the stoic, overpowered oblivious type. And now we have Elizabeth Burton (a name as subtle as you’d expect from someone with the pen name Masamune Okazaki), who is also strong, and also cheerful, but goes in a totally different direction. That’s her on the cover. In the center, between the two pretty guys. Does that means this is trans? Or yuri? Well… not really? Not yet?

So yes, as is standard for this genre, Elizabeth Burton eats a horrible bell pepper one day, which triggers memories of her past life in Japan, where she was a fan of the otome game “Royal LOVERS”… where Elizabeth Burton, the fiancee of the second prince, was a minor villain who was doomed, in the second prince’s route, to be rejected and likely live her life alone and unloved. Well, that just won’t do. Unfortunately, all the love interests in this game are bishonen, so she can’t exactly compete once the heroine inevitably arrives in ten years’ time. So Elizabeth, showing a startling, terrifying lack of common sense, decides to cut off her hair, dress in a boy’s outfit, get really buff and strong, become the perfect handsome playboy, and seduce the heroine. Oddly, her family and the kingdom put up only token resistance. That said, she has a problem: the love interests don’t care if she looks and acts like a man. They’re smitten.

Is this yuri? Not really. The heroine only shows up at the very end to be the cliffhanger. What’s more, Elizabeth has put ZERO thought into this beyond “seduce the heroine”, has no plan for what happens after that, and denies at first that she’s gay… then backs off and says she’s not sure. Is it trans? Not really that either. Elizabeth, aka Lizzie, dresses and acts like a boy but uses her real name, never denies she’s a woman, and gets annoyed when other people try to call her a man. Is this a weird little genderqueer thing? Boy howdy yes. She doesn’t fall for anyone here, thought Edward (the first prince, who is the ‘beautiful but sickly’ sort) comes close to breaking her facade, but the three male love interests (I’m ignoring her adopted younger brother) certainly fall hard for her… to the point that they all dress in women’s dresses at the big dance in the hopes of attracting her. Again, while this gets some shocked stares, there are no repercussions and no real opposition to it. It’s mentioned that men will get married but have male lovers (women with female lovers is NOT mentioned, I note). Basically, this world seems very casual about a lot of things.

I spoiled myself a bit by looking at the (still ongoing) webnovel, and the second book in the series should bring us a bit more yuri as not-Maria Campbell hits the scene. Till then, temper your expectations if you want this to be anything other than “reverse harem with clueless heroine”, but the heroine herself makes it worth the read.

Young Lady Albert Is Courting Disaster, Vol. 7

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Sometimes tropes are so omnipresent that I automatically assume they’ll be there, and I get tripped up when they don’t actually happen. This volume kicks off its plot when a young girl shows up, with red hair the color of Adi’s, and says that he’s her father. Naturally, my first thought was: girl from the future. This is despite the fact that she clearly doesn’t recognize Mary, Alicia, o the rest of the cast. But no, there is no time travel here. Instead we are once again dealing with a more common light novel subtrope, which is the idea that if you’re going to be a noble, you’d damn well better be a GOOD noble who cares about others. The actual backstory for this girl is more down to earth – she’s from a country that doesn’t give a crap about its poor, and it broke her family apart. This infuriates Mary and Alicia, who by their nature are shiny, honest people and can’t stand the idea of abusing power. Even if it’s justified in their head.

The other major plotline in this volume is that Mary Albert is pregnant. This is a happy surprise for her and Adi, but it’s also something they want to keep under wraps for the time being, as there are certain people who will make far too big a deal out of it. Like, new national holiday big. Fortunately, this strange little girl arrives and proceeds to distract everyone as they try to figure out whose child she is (I appreciate the fact that everyone knows Adi is so in love with mary that there’s no way it’s his secret child). Unfortunately, when they find out her exact circumstances, a field trip is in order. Which also consists of her brothers. And Patrick and Alicia. And Parfette and Gainas. And they all converge on one unfortunate lord who believes wholeheartedly that breeding is everything and poor people deserve to be abused. The odd thing is that he believes it to an extreme degree, rather than just being plain old evil about everything.

One thing I really appreciate about Mary Albert is that, despite being reincarnated in an otome game, etcetc., and being generally a very nice person, she is allowed to *behave* like an arrogant villainess, snikping and grumbling at people and acting like she’s going to let out with an OHOHOHOHOHO any moment – though she never does so. In a world with ditzy villainesses, acting villainesses, villainesses with PTSD, it’s nice to see one who doesn’t have a complete personality change even as she plots her doom. Actually, the plotting her doom thing seems to have gone well and truly tits up in this book, as her brothers renounce their claim to the head of the family, leaving it for her. This is unsurprising, but I think she’ll do a good job. I do appreciate how, even now that we’re close to the end, she still cares a lot about what happens to her fantasy fried chicken restaurants, and worries now that she’s given it to twisted friend 31 and twisted friend #2. (I worry as well.)

The next book is the last. I’ll miss this series, one of the first villainess books to come out in Japan. It was overshadowed by Bakarina, but Mary Albert accomplished a lot more. I wish her and her husband and her second and third wives well. What, they’re not her wives? I feel evidence suggests otherwise.

The Evil Queen’s Beautiful Principles, Vol. 2

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By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Faye Cozy. Adapted by Abigail Clark.

I will admit, the direction of this second volume surprised me. I was expecting there to be a lot more struggle against the evil families who were behind her parents’ death. I was expecting at least one betrayal from a close ally I got none of that. If anything, her revenge was nearly pitch-perfect. But what I’d forgotten is that this second volume is also the final volume, which means that the revenge can’t be the point. The point is Luxeria’s own character growth, and also whether this book turns out to be a tragedy or not. It’s touch and go for a while, and you can argue that the resolution is a bit out of nowhere. But I think it’s thematically appropriate. A queen who has been unable to trust anyone, whose only friend was damaged because of her, whose true love she had to (supposedly) kill. The big question is here not will she get her revenge, the big question is whether she’ll survive it.

After the shocking coronation events, Luxeria is determined to continue investigating the other marquess houses to find out what skeletons they have in their closet, and also to prove what she already knows – that they killed her parents. That said, there are also more dangerous things going on. Children are getting kidnapped all over the land, and it might have something to do with the mysterious circus that’s always in town when it happens. Some of the marquesses are garden-variety assholes, one of whom is so banally evil that his own wife, on finding he’s been arrested, gives all the evidence they need to execute him, then drinks poison so she can end her terrible life. Worst of all,. there’s still the fact that Luxeria’s magic is slowly killing her, and all the allies that she has around her can’t save her because she’s mind controlling them into forgetting she has symptoms at all.

The title is not just for show here. The queen absolutely goes to town on everyone who was plotting against the royal family, be it actual assassination, or merely garden-variety apathy. The heads of family, and all their relatives, are executed. One or two folks turn evidence against their families, so she lets them live, but they have their identities magically changed, and they can’t even reveal their new self to their best friends. And this all weights heavily on her. Even as she is surrounded by people who are helping her, who share her hopes and dreams, who love her, she cannot help but see herself as walking a path to damnation. There are odd moments in this book where she just starts laughing maniacally out of nowhere, like a stereotypical “villainess”. But that’s what she thinks she is. She wants to feel exultation that she’s managed to avenge her parents, but she just feels empty. It’s all performative. Fortunately, thanks to the two people closest to her (and oh my GOD I wish we had an OT3 here, but alas), the worst case is avoided, but this book gets pretty dark.

It ends happily, though. Probably a little TOO happily. But hey, I’ll forgive it, since it’s the last book. Short and not-so-sweet.

Saving 80,000 Gold in Another World for My Retirement, Vol. 5

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 5 is the equivalent of the Japanese Vol. 6.)

I feel at this point that I need to apologize to Mile and Kaoru. I’ve talked before about how all three FUNA heroines are basically agents of chaos who have large body counts to their names, which is true on the face of it. However, Mile (very much so) and Kaoru (somewhat) have people who are around them most of the time, who are there to hear the worst of their atrocities and talk them down. Mitsuha, on the other hand, spends a great deal of these books by herself, wandering all over the land with her teleport powers and with no one to stop her but a tween girl who usually would rather be joining her in the chaos instead. Mitsuha may whine about looking perpetually twelve, but she’s by far the least mature of the FUNA three, and will happily throw intruders on her property onto a remote island for the rest of their lives just because. She’s fricking terrifying.

There’s a new artist, though one that may be familiar – it’s the manga artist, now pulling double duty. As for the “plot”, as usual with this author it’s essentially whatever they feel like doing. Mitsuha manages to get herself a ship to repair/study by posing as a goddess and rescuing sailors from a wrecked ship… which she then has “ascend to heaven”. She gets another teenager to run another company selling luxury goods for her, though at least this one is not an orphan. And she continues to avoid the king and prince on this new nation, who are by now desperate to meet her, and continue to use their secret identities to try to corner her. This goes about as well as you’d expect. People that try to force Mitsuha to do what they want end up longing for a quick and painless death.

There’s minimal gunplay in this book, despite the cover art. But that’s fine, as Mitsuha has shown that she can completely upend all of society without needing to bother with guns. There are so many scenes in this book that come down to “roaring rampage of revenge”, and while with Mile, and especially Kaoru, such displays only really get out of hand when they’re upset or emotionally compromised, Mitsuha doesn’t really have that. Mitsuha spends most of the book happy, making jokes and puns, and laying economic waste to everything around her. She cares about some of the people around her, mostly Colette, but she’s also very casual about “if things go south I’ll just abandon them” when she makes new alliances. I don’t think this is intentional, but I think that the death of Mitsuha’s family has arrested her development and also her moral sense (her brother’s teachings didn’t help). If this was a different series, I’d say it’s a setup for a massive amount of hubris and karma bringing Mitsuha down. But this is not that kind of series. She’s just like that.

This is light, frothy fun provided you don’t take it remotely seriously. As always.

Agents of the Four Seasons, Vol. 3

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By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.

Boy, the world that this takes place in really sucks, doesn’t it? This is an alternate Japan where the world relies on people with special powers chosen by the Gods (supposedly) to bring about the seasons, and in this book we also find out that there are archers whose arrows bring about day and night every day. When the Agents can’t or don’t do their duty, the area suffers. If the archers miss a day or miss a shot, the area really suffers. Those responsible are chosen right after the previous one dies, get no choice in the matter, and are, as we see in this volume, blamed for almost everything wrong with the entire country. Oh, and because this book loves to pile on, almost all of them have some sort of tragedy and/or abuse in their life, or are currently having it. The premise of this series is being able to overcome that and live happily, but man, it does occasionally make for depressing reading.

After the events of the last two books, everything is… not back to normal. For one thing, there are now TWO agents of summer, something that makes the conservatives in charge of the town of summer furious. There are, in fact, rumors going around that every single bad thing that has happened recently has been because God is angry at the current agents, and they should all be replaced for the greater good. Unfortunately, “replaced” means “murdered”. What’s worse, Ruri and Ayame both have their engagements broken, which completely traumatizes Ayame, who was secretly in love with her fiance (who loved her back, but both are so repressed neither one noticed). Meanwhile, in case you thought we wouldn’t be seeing Hinagiku in this book, no worries. Unfortunately, she too is dealing with the rumors, which state that the two years she spent recovering from trauma are why all this happened at all. Scapegoats for all!

This is another two-parter, and focuses far more heavily on the twin sisters Ayame and Ruri. We get flashbacks to their childhoods, and see exactly how being chosen as an Agent can be completely traumatizing, and can also damage a family – the twins’ parents are on their side, but there’s still a lot of friction, mostly as Ruri is acting like a 10-year-old who is being torn away from her twin and being forced to be an agent of God. Ruri does not at all fit the bill for the ideal agent… but neither does Ayame, who is so stressed and guilty over all of this that at one point she attempts to run away from home. In the present, the scene with the Town of Summer yelling at Ayame for causing all this by not letting Ruri die, and telling Ruri “the dead don’t get to speak here”, is jaw-droppingly horrifying, especially as it hits on Ruri’s own trauma specifically (she uses asterisks for the word “died” at the start of the volume, a common Japanese trope for a person avoiding thinking of trauma). By the end of the volume they’re being manipulated by unseen forces, but frankly, if it makes them more proactive, I’m OK with it.

All this and I didn’t even mention their actual fiances (another abuse survivor, and a man who we know little about but seems to be “likeable sociopath”). The next volume will be highly anticipated. Though also dreaded a little, perhaps.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 15

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

There is not a single thing that happens in this book that the reader could not have predicted. If you finished Vol. 14 and someone asked “so how will it end”, you would probably say “well, Eve will try to break everything and go home, Lloyd will stop her by being Lloyd, and we’ll get a flashforward showing that everyone is older but otherwise resolving next to nothing”, you’d be absolutely correct. That said… is that really a bad thing? This is a wacky, goofy comedy with a bit of heart. If you were asked what you WANTED from the ending of this series, unless you’re a rabid shipper (and I assume any of those dropped this a while back), you’d probably say exactly what I just did above. It’s a chaotic action-packed fight against Eva, followed by Lloyd showing off how much he’s grown and also showing off that no one has gotten (or will ever get) in his pants.

Things aren’t looking good. Eve has a new body, and what’s more, she has access to the powers and attacks of ALL the demon lords. Everyone who tries to stop her is either distracted by her releasing a horde of monsters, beaten into a coma, or mind-controlled into obeying her will (yeah, sorry, Anzu, you’re mostly a comedy patsy this volume. It happens in this series). Rinko has an idea that might be able to take her down, but Eve has about 87 clever plans, and she does not seem in danger of running out anytime soon. Worst of all, Eve has a special spray bottle and, when hit with the contents, the residents of Kunlun become weak and unable to fight back. With all these advantages, even Lloyd won’t be able to stop her!…. right? Right?

So yeah, the “action climax” of this book happens a little over halfway through, and even Eve’s fate is not all that surprising given the type of series this is. The last chapter takes place a few years later, and is from the POV of Asako, who finally gets to be an actual character in this series now that she’s no longer being possessed by Eve. Fortunately she’s no longer dying, and she has cool teleportation powers. Unfortunately, she’s in love with Lloyd, which merely adds her to the pile. It turns out that the entire series has been written by her to tell Lloyd’s true story, a conceit I quite like. As for the others, well, they’ve all got jobs now, but everyone is reasonably happy, except for Marie, who is miserable and who no one can stand. I can’t believe Marie became the most annoying character in a series where Selen exists, but there it is.

This was never going to be a top-rated light novel series, but for something trying for the vibe of Urusei Yatsura (complete with one of those “chaos ensues” endings Takahashi loved to do), it was good. It always made me laugh, which is more than I can say for a lot of light novel authors.