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From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 7

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

Last time I wrote a review of this, the anime was just starting, and as I write this one, the anime has just ended. Most people agree that it was stolid, unremarkable, did not really do anything wrong but was nothing to write home about except the fight scenes were very well done. Folks also agree that the Japanese voice of Beryl really nailed the part, that sort of world-weary “I am forty years old, sigh” quality that he has a lot of the time. I thought the voice was excellent, and it also helps as I read this seventh volume in the series, where Beryl’s soul-searching monologues are at an all-time high. And while it’s just a coincidence, the fact that folks who finished the anime and decided to buy this new book get a volume that is almost a direct sequel to the end of the anime is very nice.

Beryl has been asked to help provide security for the wedding of Princess Salacia to Prince Glenn of Sphenedyardvania, a wedding that, of course, takes place in that country, which also recently resurrected the dead, including Mewi’s sister, and is in the middle of a holy war. So, extra protection is recommended. After stopping off in Flumvelk to rest and so that Beryl can get seduced (spoiler: he does not get seduced), they arrive there to find everything seemingly going well… until the wedding is invaded by undead, and the city outside is invaded by horrible chimera. Fortunately, Beryl and Allucia have help, including a mysterious masked woman, as well as… the enemies from the last book?

As always, it can be very hard to take Beryl’s aw shucks attitude in large doses, and there’s an extra helping of that in this book. I am hoping that it’s because he’s actually trying to figure out how to live going forward beyond “be best at sword”. He loves being a dad, and I think would be happy for Mewi to have a mother, he has no real concept of what a wife would be like. This is most obvious in the scenes with Shueste, who does everything short of lying naked on his bed and saying “take me now, big boy”. He clearly GETS it, but the idea of another woman liking him, be it student, noble, or anyone, makes him deeply uncomfortable. Which is a decent ongoing dilemma for a harem series to have, but dragging it out too long loses readers, who won’t always be happy with 100 pages of cool fights. I’m honestly rooting for Shueste, but I suspect first girl Allucia still has the advantage right now. We’ll see how shopping for swords goes next time.

If you enjoyed the anime, you know what you’re getting with Beryl. So as long as you’re not the sort who asks if there is snu-snu, this should make you perfectly happy.

The Twelve Kingdoms, Book One: Shadow of the Moon, Shadow of the Sea, Part 1

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By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Tsuki no Kage, Kage no Umi” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

There’s isekai, and then there’s ISEKAI. This is one of the OG isekai, back before it was a genre, and around the same time as the other majorly influential OG isekai, Fushigi Yuugi. Almost twenty years ago, Tokyopop published the first half of the series, but it then got cancelled due to poor sales, as happened a lot back then. Now it’s back, with a new translation and a spiffy looking cover. And after reading this first volume, I cannot help but feel a sneering contempt for those modern wannabe isekai. Oh, the poor guy who gets truck-kun’d into another world, and all he has its a cool sword, a bunch of catgirls, and a guild that lets him explore all the dungeons he wants for money. Or he’s summoned to be the savior of the world… well, actually, that is SORT OF how Twelve Kingdoms starts. But things go very bad very quickly. This book is dark as hell.

Youko Nakajima has been having bad dreams. Dreams of being trapped in darkness, unable to move, while hungry killer beasts are running towards her. They are making life difficult for her at her private all-girls’ school,. where she tries to keep up good grades, be a nice girl that’s easy to get along with, and ignore the bullying of other girls lower on the totem pole. Then one day, while in the teacher’s office where they’re getting annoyed about her red hair – again – suddenly a man shows up, says she needs to come with him, and tries to drag her off. Then she’s attacked by the same animals that were in her dream, who burst through the window and injure the faculty. Then she’s being told to kill then with a sword that is handed to her. Then she is possessed by a creature that can manipulate her body so she can swing the sword. Then… she’s flown to another world.

For those who saw the anime when it came out in 2002 and wonder where the other two Japanese kids are, they’re not here. (OK, Sugimoto is here to get bullied, but she doesn’t get isekai’d). Youko is all alone – indeed, very much all alone, as she quickly loses the handsome guy insisting that she come with him to fulfill her destiny and ends up in a hostile country. The book is very well written, with evocative descriptions, and Youko’s descent from terror into confusion into anger into just giving up is incredibly well done. That said… in Japan, the next volume came out one month later, and I’m going to assume that things get better for her in that. That does leave this volume, which is just unrelenting. She’s torn from Japan and told she can never return. She’s imprisoned, and told she’ll likely be executed. She meets one or two nice people… who immediately turn out to be not-so-nice. By the end of the book she can’t accept that anyone being nice to her isn’t secretly evil, and is on the verge of starvation, exhaustion, and death because she’s also having to battle countless youma every single night. This is a MISERABLE isekai for her.

That said, this is a 30+-year-old series, so I know things get better for her. Eventually. Till then, this is gorgeous trauma.

The Otome Heroine’s Fight for Survival, Vol. 5

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Apparently, according to the afterword, having a volume that LOOKS like it’s going to be a typical otome game “nobles at the academy” book and then not having it be that at all is a habit with this author. In my last review I mentioned that I would like some academy hijinks and a few less stat screens, and I absolutely did not get my wish. In fact, there was apparently more academy content in the webnovel version that was cut out, in order that we could add more fights. Because, rest assured, this series still knows what its readers really wants, and that’s – no, not stat screens – pages and pages of Alia fighting and brutally murdering many, many, many bad guys. They can be traitorous knights, zombie villagers, or vampire demons, and none of that matters. If they are threatening Elena, they are going to die. That said, there really are an awful lot of them, and worst of all, they seem to have a plan…

We are now finally at the start of the game. Elena is there, with Alia as her aide and bodyguard. Clara is there, destroying her life and health in order to try to figure out a way to be with the man she loves (surviving has become secondary). Karla is there, and she’s still trying to live her best life, which is to say having a double-murder with Alia in the smoking remains of the world. Elvan is there, and boy, he’s a wet rag, isn’t he? And Alicia is there, which might be surprising, given Alia *is* Alicia. But another Alicia is there, and even though she’s not quite the right one, she’s still doing her best to get with all those otome game hotties. And if that means that she ends up destroying the actual game plot, oh well! As for the kingdom itself, well, political assassinations, kidnapping, and upheaval. You know how it is.

There is not quite a “the bad guys win” ending at the end of this volume, but the good guys certainly are having a tough time. I have to admit that I was a bit disappointed that the fake Alicia was not one of the hundred or so people that Alia slaughters in this book, because my god, not only is she annoying, but she’s unintentionally doing what the kingdom’s enemies are trying to do deliberately – weaken the crown prince and make him a wussy puppet they can control. Elena has been emboldened by her encounters with Alia, and cares deeply about the kingdom, so all those who want to manipulate everything for their own ends think she’s a horrible potential ruler. As such, they send assassins, they send kidnappers, and even the demons are in on the fun. Half this book may just be Alia cutting folks, but there’s a good reason for it.

So Elena and Alia are not dead, but they’re not in a great place right now! This remains a fun series, though folks who want standard otome game villainess stuff might look elsewhere. Alia has murdered the typical story in its sleep.

Who Killed the Hero?, Vol. 1

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By Daken and toi8. Released in Japan as “Dare ga Yuusha wo Koroshita ka” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kim Morrissy.

It’s always hard to try to review a book whose very nature requires that the reader is surprised as it goes along. It’s even harder to do this when the book is excellent, as your review essentially amounts to “You’ve got to read this, it’s great!” “Why?” “I can’t tell you, spoilers!”. But here we are, and this book is great, so let’s settle down and try to do this. At its heart this book takes a long look at the fantasy standard “hero’s party goes to defeat the demon lord” cliche. There’s a prophecy, there’s the hero/swordsman/mage/healer party composition, there’s a promised reward of a royal daughter, and, inevitably, there’s a death. Because the book is called “Who Killed the Hero?”, I can at least talk about that. The death, in turn, leads the book and its cast to ask about the nature of the hero, why they have to defeat the demon lord when others cannot, and how a story can be turned on its ear by a simple investigation.

Four years earlier, the hero, Ares, led an elite team to defeat the demon lord. There was noble swordsman Leon, beautiful priestess Maria, and intelligent yet cynical mage Solon. They succeed… and yet, when they return, Ares did not come back with them, and they said that he perished on the return visit. Now someone is going around, getting the word on the street, talking to the other members of the hero’s party, as well as the prophet who made the prophecy about the hero in the first place, to try to figure out what happened. Because no one’s quite sure. Some say Ares was killed by a rogue demon. Some say the other members of the party killed him as there was a love triangle going on. And even the person who is going all around the capital trying to figure things out has their own agenda. What happened?

This is, by necessity, not a book with a large cast, and I enjoyed all the characters tremendously. My favorite was undoubtedly Maria, theoretically a girl devoted to God but in reality someone who will have a boy go and get her the “best” bread every day because it amuses her… only to be stunned when he actually manages to learn the things she was theoretically teaching him. I also was fond of the young princess, who listens to the hero say that he’ll defeat the demon lord, but he’s not coming back, and refuses to accept that. There are a lot of cynical people in this book, and it’s dealing, through almost its entirety, with a death. Despite that, I was amazed at how life-affirming and happy it is, and that once you get all the answers in the end even the one person whose life you assumed would end here ends up being forced into happiness.

There’s two more volumes of this, which seem to have a similar premise but a different cast. Similar to Brunhild the Dragonslayer, I think. In any case, despite not being able to give much away, this is a very rewarding book. Seek it out.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 7

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

It’s sometimes very hard to separate this series, where a young woman decides to get engaged to the man who may one day try to destroy the world in order to change her own fate, and at every single turn of the page worry that she’s going to fail and the book will end with most of the cast dead and a BAD END screen, and not compare it to I’m the Villainess, So I’m Taming the Final Boss, by the same author, which has the exact same plot. And both series also have an antagonist, someone who sets herself diametrically opposite our protagonist and does everything they can do fix things. It’s just been harder to spot it in Do-Over Damsel, as Faris just hasn’t shown us much. Fortunately, in this book we get to see her dealing with a very, very useless goddess (no, not that one), and also bond with Jill over a mutual enemy. It’s sweet. Also, it makes her evil at the end hit even harder.

Jill is headed off to the Lehrsatz Duchy for a meeting with Faris, the queen of Kratos. Hadis is staying behind, with one of the candidates to be his wife handling things on his end, and being better at it than Jill, much to her chagrin. Unfortunately, when they’re flying to the duchy, Jill decides to investigate a mysterious village that may be home to the Order of the Ark, a group of religious terrorists who wants the Gods dead. As it turns out, she then manages to get accidentally abducted by those same terrorists – accidentally as the ones they really want to abduct are Raw, presumably so they can control dragons… and Faris, who they have already abducted and who is near unconscious due to the anti-magic barriers surrounding her. Can Jill break them out and manage to get to the conference? And what will Hadis do when he hears about this?

This was supposed to be the short story volume. CIW says that it is still coming, but they did this volume first. I’m assuming that, unlike, say, Re: Zero or Index, this is not causing us to miss all sorts of nuance in this current volume. Not that nuance is something Jill is good at. Her strength is indeed her strength, as well as her temper, as she realizes the best solution is to simply punch everything until it stops. Again. Her weakness is that this isn’t good enough this time, and Faris, who seems to only have the strength to break her ditzy goddess spear, is much better at crafty plans that you cannot punch your way out of. Hence the cliffhanger. There’s also the usual “Jill gets jealous and mad, Hadis panics and feeds her to make up for it” wackiness – these two know each other really well by now. That was fun.

Will we get Vol. 8 next? Or short stories? And yes, I did deliberately leave out all the reveals near the end. A great series, assuming you can get past the premise, which is still hard to get past.

I Want to Be a Saint, But I Can Only Use Attack Magic!, Vol. 1

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By Fuyu Aoki and Bodax. Released in Japan as “Seijo-sama ni Naritai no ni Kougeki Mahou shika Tsukaenain desu kedo!?” by GC Novels. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

As I was about three minutes into the book, I joked that it should be called “Bocchi the Mage!”. Little did I know. There is a scene, with art to match, where Yuffie, the heroine of this novel, wears a party outfit to what turns out to be a standard noble’s ballroom party. It consists of big sunglasses, one a heart and one a star, and a T-Shirt saying Let’s Party. When you combine this with her hideous social anxiety and desire to abase herself, it’s really hard NOT to think of Bocchi. Or Monica, because she also gets invited to the student council, which feels very much like the one from Silent Witch. Unlike Monica, she’s only here to go to school and make a friend or two, if that’s possible for someone like her. Unfortunately for her, she lives in a world where magic is gender-binaried… and she’s just broken that binary.

Yuffie is a girl who lives in the middle of nowhere with her family, who aren’t abusive per se, but seem to be of the “why can’t you be like the normal children?” sort. She’s got crippling social anxiety, and her attempts to make friends have been laughably bad. When they team up for school activities, she’s always with the teacher. But she has a secret. When she was seven, she saw a saint using magic, and realized that’s what she wanted to be when she grew up. So she practiced magic. Every day. For seven years. By teaching herself. She manages to learn some healing magic… slow healing magic, but it’s there… and shows her parents, who say she should go to the magic academy! She’s delighted. Or horrified. One of those. See, she has a secret. She has immensely powerful attack spells like fireballs and lightning blasts. But… only men can use that sort of magic. It’s in their religion. Not good.

If seeing girls having a panic attack and debasing themselves constantly is not your thing… well, don’t skip the book, but you’ll need patience. Yuffie does get better by the end of the book, but it’s a long, painful road. She accidentally makes friends with most of the current student council. She’s trying to hide her attack magic, so the rest of the students and her teachers hate her. Oh yes, and it turns out that the demons are trying to attack humanity, starting with this school, and the only thing powerful enough to wipe them out is Yuffie. She self-taught herself magic so well she’s the most powerful attack magician in the country, and that means that it’s not – for once – just her paranoid fantasies,. she really COULD be imprisoned and experimented on. Fortunately, this school seems to mostly have good, if eccentric nobles. One seems to be a predatory lesbian, but it’s more of an “I’m taking her home with me!” cute fetish than anything sordid. Heck, even the bullying ojou-sama is almost immediately tamed by Yuffie’s apologies and delicious burdock roots.

This is not a must-read, but if you can get past Yuffie’s complete mess of a self-image, it’s a decent power fantasy, though it’s not so much a trans allegory as just another “what if I were OP as hell?” fantasy.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 3

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

This was the best volume in the series to date, mostly as a) it managed to actually get through to its heroine/saint/maid and make her realize that her “aw shucks, this is just normal maid magic” thing is absolute hogwash, and b) it actually started pushing back on her omnipotence and perfection, showing her screwing up several times over the course of the book, and also having another crisis of faith, this one even stronger than the one she had in the second book. Melody loves maids, and loves to be a maid, but at heart this is a heroine reincarnated in a fantasy world book, and nine times out of ten when that happens the main character is a workaholic. Melody does not know what to do with time off. She literally has no outfits other than maid uniforms. And, despite riding her way through an obvious event flag, she remains completely uninterested in romance. She is not here to be a romance heroine, thank you very much.

It’s summer break, and time for Luciana and her entourage of servants to go back to the main estate and tour their lands. Though this journey is thrown off slightly by the arrival of Maxwell, who is here to invite Luciana to the Summer Ball, something that absolutely flummoxes her, and she asks for time to think it over. After this, they head off on the long journey there, and watch Melody literally build a two-story mansion from scratch… and also store it in a snowglobe for later use. You know, just Melody things. Unfortunately, as they’re almost there, an earthquake rocks the land, and her family estate is totally destroyed! Even worse, the three villages that make up what remains of their domain are suffering from a blight AND a poor harvest. Will this finally be a problem even Melody can’t solve?

This has a classic otome game dilemma at its heart, which is that the game’s plotline wants to happen even though Melody has completely broken it. It keeps trying to ruin and kill Luciana, to the point where the poor girl is literally dreaming of the game creators discussing her death, though she has no idea who they are. We meet another love interest here, and he’s a smiling villain if ever there was one, and he also falls hard for Melody (who is uninterested, but less uninterested than she is with everyone else.) Most of all, Melody spends an exhausting night curing all the blight and poor crops… only to have it come back almost immediately. Some dark force wants this family and region destroyed, and I suspect we’ll get more of hat as the series goes on.

So while there is still a lot of ludicrous maid stuff, Melody *and* the series itself are getting more serious. Which is good, as it’s a long-runner, and you can’t get by on oblivious OP maid forever.

Nia Liston: The Merciless Maiden, Vol. 7

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By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

For those people who don’t enjoy seeing me trying to wring 500 words out of a review, you may as well stop now. The book is fine. The end. For those who really love seeing me struggle, welcome to my hell. This is primarily a tournament arc. I had enough trouble writing those up when I did manga reviews here, I don’t need to have to do it with light novels. Boy, that sure was a close fight. Boy, that sure was a one-sided fight. Repeat as needed. Even Nia doesn’t really have a huge presence in this book till near the end, mostly as she is (of course) not allowed to fight. She is there to film the show for magivision, though, so we do get to see some of her fighting rage come as she tries to get fighters to sit for an interview. Oh, and to take out dangerous assassins trying to kill her student.

Now that all the money has been raised and all the preparations have been done, it’s finally time for the fighting tournament. Which is a bit bigger than everyone was expecting. There are over 10,000 entries. Winnowing this down to 300 or so finalists is thankfully not Nia’s problem. Things are helped by dividing the preliminaries into weapons and no weapons tiers, but it’s still a LOT of fights. Some folks don’t know their own strength (Gandolph). Some folks have a very tough time f it (Fressa). Some folks are being overwhelmed by having to be the celebrity poster child of the entire tournament (Lynokis). And some folks are realizing that no matter what the outcome of this tournament, they’ll likely have to flee the country and start a new life somewhere else (Anzel). Needless to say, you can guess who the assassins are after.

One of the better things I liked about this was seeing folks realize how different a fight is when it’s under the pressure of a match, and especially when you aren’t actually supposed to murder your opponent. A few really strong folks end up losing as they struggle to not kill anyone, and Fressa manages to win her fight only because of that rule. Some fighters are going to get better fast. That said, Nia’s students are clearly a cut above the rest, and it shows – the comedic highlights of the book were Gandolph accidentally breaking the leg of his opponent by just putting up a chi defense, and Lynokis realizing that the adventurer she wanted to be like growing up is really just a violent thug, and one-shotting him in horror at her past self’s shallowness. The dramatic highlight is the finale, where we see an old assassin who is very very good at killing anyone he wants to but cannot fight against the horrors of normal aging. I wonder if we’ll see him again.

The 8th volume only came out in Japan last month, so it may be a bit will we get more. Till then, punching things, yay.

Lady Rose Just Wants to Be a Commoner!, Vol. 3

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By Kooriame and Nami Hidaka. Released in Japan as “Lady Rose wa Heimin ni Naritai” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Caroline W.

Content warning: this book is filled with suicide ideation, and has several attempts near the end, though none are successful.

I know that it’s not economically feasible and would not be popular, but sometimes when you get a light novel series like this I wish that it could have been one 800-page book. Or at least have all three come out on the same day. Because this third and final volume of the Lady Rose series really requires you to remember everything from the first two, and the series rewards going back and checking on certain scenes over and over again. That said, if you did what I did, and read the books as they came out, and tried to recall what was going on, you should still be okay here. Fii’s story is done, and she doesn’t even play a major role in this book till near the end. Unfortunately, that’s just in person. In the background, Fii trying to escape her noble life and become a commoner turns out to drive a heroine to dark, depressing thoughts. And that’s just when she’s five years old.

Stop me if you’ve heard this one before, but our protagonist is hit by a truck (while pushing a girl out of the way of the same truck) and winds up in the world of Savior of Nations: Lady Rose. She is THRILLED. She doesn’t even care that she’s in the body of the villainess, Liliana. This means that she gets to see her favorite character, SETH! Immediately deciding to learn reading, writing, and proper etiquette, despite the reactions of her father and servants, she does succeed in meeting Seth, as well as Melvin, who she declares a “friend of convenience”. Unfortunately, when Liliana turns five, Felicia arrives on the scene, and Liliana gets an immediate lesson in the difference between one who tries her hardest and one who is simply perfect. Unfortunately, over the next ten years or so, this means that Liliana gradually loses her grip on reality.

The first few books already had a tinge of psychological horror. With this third book, it goes beyond tinge and gets into the deep waters. I haven’t seen a light novel get so far down the path of fucked-up narration since I Swear I Won’t Bother You Again!. Even when Liliana begins to realize the possible cause for her mindset… grief at her happy, loving life being cut senselessly down by a truck… she rationalizes that it’s too late now. The bulk of this book is Liliana trying to find a way to die. Fortunately, we know how that goes, as we read the second book, but still. This book also has a few surprises in store – notably one of the busiest Truck-kuns I’ve ever seen in an isekai – but for the most part it is best when focusing on Liliana’s desperate attempts to fix things, then fix everyone but herself. The one flaw is the almost total lack of Seth. The author says that having Seth in the book more would have given away the twist, and yeah, I guess, but I still think the impact of the end might have been better if he’d had a larger presence.

This series is now done, though I do wish we’d seen the stories that were only suggested where she apologizes to her maids. Liliana’s inability to really read people at all has affected her maids more than anyone else, and I hope they get some comfort and relief. As for Liliana herself, I think things will be fine now. She’s had magic bread, after all.

Saving 80,000 Gold in Another World for My Retirement, Vol. 8

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 8 is the equivalent of the Japanese Vol. 9.)

I mentioned last time that I think the series has gotten into a bit of a rut, and while this volume does not remotely solve that issue, it is nice to see the author deliberately leaning into the rut. The first long-ish chapter has Beatrice reminding Mitsuha that she was promised an even bigger party when she comes of age, which means Mitsuha has to whip out fireworks and light shows and the like. This infuriates Sabine, who notes that when *she* comes of age in three years or so, Mitsuha will need to get even GRANDER! Likewise, Mitsuha’s promise to keep a princess safe are taken as keeping her KINGDOM safe, and Mitsuha deciding to solve the problem using only her own men and minimal deaths means the winning nation can’t take any advantage of it. Mitsuha is a realistic isekai protagonist – in that she never thinks ahead.

This book, like a lot of this series, is divided into chunks that may as well be short stories. 1) The above story, where Mitsuha is asked to pull out all the stops for Beatrice’s coming of age party; 2) Mitsuha talks with an Earth scholar about ways to analyze the other world… and things that she didn’t think of when inviting other scientists over there; 3) The empire who attacked last time is now desperate, and decides to attack a different kingdom… one which has Princess Reina (remember her? Princess Kaa-Kaa-Kaa?), who Mitsuha promised to help if she was in danger, which means we need to resort to attack helicopters; 4) One of Mitsuha’s young noble lady-run businesses is attacked, the young lady has her arm broken and face beaten, and a guard is killed. Sadly, the cops and the nobles are on the side of the company that did this, which means it’s time for Mitsuha to snap and go on a roaring rampage of revenge.

I’ve called this series the “Easy Mode” of the three FUNA series, and I still think that. Compared to Mile, and DEFINITELY compared to Kaoru, Mitsuha gets off very lightly. Her dimensional travel has become so blase she not only talks about how she’s managed to teleport herself while leaving her sweat behind, but has to clarify that she does not leave behind her poop – though she does teleport to Japan to use the toilet every time. These are the little details of Mitsuha’s life that I did not need to know. Likewise, her desire to have as few people die as possible in a dangerous war between nations contrasts nicely with her swearing of total vengeance on the company that murdered and beat employees in her company. Mitsuha may grump about everyone thinking she’s twelve, but she acts like it much of the time, especially when someone goes after anything she cares about. Of the three series, this is the one most likely to end with the world being destroyed by a temper tantrum.

Next time apparently Colette is attacked, so we may see even more of this. You know what I’m about to say. Recommended for FUNA fans.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools ~Side Stories~

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

I like to think that Dahlia in Bloom is a reasonably popular series. It’s gotten a manga and an anime (let’s not talk about the anime). That said, it’s not ludicrously popular with trivia-loving nerds. This is no Re: Zero or A Certain Magical Index. As such, when it comes to wiki power, Dahlia is lacking. Which makes it unfortunate when you’re reading a volume filled with side stories, only a few of which focus on Dahlia and Volf, and I kept thinking to myself “have I seen this character before? Have they been a minor character in the series I’d simply forgotten as they aren’t plot-relevant, or have they been especially written for this volume?”. This is especially true with all the wives we meet in this volume. The main series, and its spinoff, both run on, primarily, an utter lack of romantic progress. Dahlia is oblivious, Lucia is too job-focused. As such, a lot of this book seems devoted to giv9ing us actual happy romantic ends.

This is a short story volume, so there’s no real plot to speak of. The only stories that connect to each other are one or two “we get this from one perspective, then the other side” twofers, and one story where Volf is convinced to buy fancy, scented stationary to send letters to Dahlia, who keeps every single one in her room. You know, like besties do. Other than that, we see how Grato met his wife (she’s been waiting for him to get a clue), how Gildo met his wife (he fell for her, unthinkingly, when she was six years old… no, not like that), Ivano trying to run away from his future wife (he fails), how craftsman Fermo met his wife (she’s the granddaughter of his master, but they’d never seen each other before), how Irma got her husband (the family had to approve), and how Oswald got to be the silver fox (being bullied is different when you’re in a noble society).

That last one is the longest story in the book, and it reminds you that while a whole hell of a lot of light novels deal with nobles and the different tiers between them, none of them quite drench themselves in the culture quite like Dahlia in Bloom. Dahlia herself is finally getting her barony, so might be able to marry Volf… except his family is also getting elevated. Back to square one. Oswald having a girl date him on a bet ends up with the girl AND the two nobles who forced her to do it all getting punished, while the humiliation forces Oswald to throw off his family’s kid gloves and give himself a makeover. Volf is forced to learn about noble etiquette, and he’s absolutely terrible at it. Yes, the main reason this is the slowest of slow burns is because Dahlia’s lack of self-esteem causes her to throw Volf into the friend zone, but there are also real reasons why nothing has happened just yet.

We’re back to the main series next time, as Dahlia finally meets barony. Will this mean anything new? Probably not. Will she get to dance with Volf, and maybe have some really good alcohol? Most definitely.

The Countess Is a Coward No More! This Reincarnated Witch Just Wants a Break, Vol. 3

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By Ageha Sakura and TCB. Released in Japan as “Tensei Saki ga Kiyowa Sugiru Hakushaku Fujin datta” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Bérénice Vourdon.

In this volume, we get a flashback to Aurora’s childhood. She grew up in a village that was terrified of her massive magical power and her insatiable curiosity to use it. Her parents wanted nothing to do with her. The mayor essentially sold her to an elf as a research subject. Fortunately, that went well… till her master just up and left one day, leaving Aurora to handle all the magic requests on her own, taking in three disciples. We meet the third of these disciples in this book, Lance, and he too is a former research subject who was rescued, this time by Aurora. Even now that she’s reincarnated, she had a terrible childhood where she was abused by everyone, and even after getting her memories back struggles with any overtures of affection. The main problem with Aurora *and* her proteges is that they still have the emotional capacity of children a great deal of the time. They don’t know how to ask for help, or forgive.

Things continue to go downhill for Char and Lam. They do manage to escape from her first protege, mostly as he gets into a petty battle with her second protege. Unfortunately, the kingdom wants to pile on more work, reasoning that working mages to death is what people are supposed to do. Oh yes, and the church is still being a thorn in everyone’s side… especially when it turns out that her THIRD protege, Lance, is the head of the church. He couldn’t reincarnate himself with the magic he had, so he simply made a deal to learn how to live for over 500 years. All of them want to show Lam that they’re the best and she should stay with them (though Lance, at least, will allow Char to be first husband). That said, there’s a Big Bad behind all of this, and he turns out to be… wait for it… another protege! Not Aurora’s this time, though.

This was better than the second book, mostly as I was able to see better the reason that everyone in the cast is, to a greater or lesser extent, a whiny manbaby. Char discovering that Aurora is actually Lam went much better than both the reader and Lam herself expected, and he is finally – finally! – able to convey to her by the end of the book that the reason he keeps hugging, kissing, and saying he’s fond of her is he loves her. The second half of the book is less “let’s have a big magic battle” and more “let’s try not to have Lam kill herself the exact same way that Aurora did five hundred years ago”, which relies on convincing her that it’s OK to rely on others and that sometimes they can protect themselves. When you’re used to doing it all, realizing someone else can do it to can be very hard.

The webnovel ended here, but apparently there’s more of this coming. I still prefer the Lady Bumpkin series by the same author, but this was a decent new volume.

Haibara’s Teenage New Game+, Vol. 8

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

Stage fright (I’m sorry, I just can’t bring myself to call it “the yips”) is a terrifying thing that can happen to even the most experienced performers, and though it may not always lead to literal fainting spells like what happens in this book, it’s something that can’t really be solved by just pure gumption. Unfortunately, Nanase plans to do just that. She may now be inspired to try to get over her issues and try again, but that doesn’t mean that the same dark fears don’t come to the fore when she makes the effort – and the fears she’s thinking of may not be the ones actually causing the problem. Fortunately, in addition to the magical protagonist powers of Natsuki and Hikari, she has actual medical professional help, which makes this one of the rare Japanese light novel series where there are therapists. I am pleased. Admittedly, that makes the climax of this book a bit less dramatic than a big punch out, but you can’t have that every book.

It’s almost time for our cast’s third year of high school, and as with a lot of Japanese high school, they have to make the choice: science or arts? They know this will mean being separated in some way, but so goes life. As it turns out, Nanase seems to be choosing a different path than in Natsuki’s first life, as she’s going to try again to do a piano competition. She used to be a prodigy, just like her mother, but a couple years ago she got terrified and passed out, and since then she hasn’t been able to play for an audience. But seeing Natsuki’s band has made her want to try again. Speaking of the band, they’re getting offers to open for bigger bands, and Natsuki now has to make a serious decision: does he want to pursue a career in music in this second life?

I must admit, I was *so* relieved when Nanase admittedly that she saw Natsuki as what a big brother must be like. First of all, it made all the NTR and threesome jokes being bandied about in this volume actually funny, as opposed to worrying. For another, I think there have already been a few too many people attracted to Natsuki in this series, and we don’t need more, especially as I’m still worried about his future with Hikari. So is he, in fact, as when he sees she’s chosen a pen name for her books that uses his own name, and he worries that she may come to regret that if they split up. To her, of course, this is a horrifying thing to say, as they’re 2-gether 4-ever and would never split up, but Natsuki has a few more years experience, and has seen teenage love turn sour. That said… I can’t see this series ending that realistically and bittersweet after all the volumes we’ve had. I think they should be fine.

I think the 9th volume is out soon, but it’s likely another 6-7 month wait till the next one. Which will start the “final arc”. Romcom fans should be very happy with this.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 5

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Lex Reno.

Content warning: this book’s main plot contains, and my review discusses, pedophilia, grooming, and brainwashing people through drugs and gang rape. The last two are implied but not seen, the first two are definitely seen. Reader discretion is advised.

I’ve called these books difficult to read before, but none of them quite hit like the middle of this book, in which Claudia has to deal with a village of people whose “Chieftess” (does that word get gendered?) is easily one of the worst antagonists in the series to date – see above for why. Fortunately, this is what Claudia and Sylvester are here to fix, though both of them castigate themselves that they didn’t even know it was happening till she conveniently got kidnapped. Sometimes being royalty means finding out about problems that people are deliberately keeping from you. Especially when they’re once again a plan of Nigel’s, the series’ overall big bad, who isn’t in this book but whose presence is felt. Corruption turns out to be – literally – an incredible drug.

By now everyone agrees that the running for the fiancee position is over, and Claudia and Sylvester’s engagement party date is set. Unfortunately, before this can happen, Claudia and Helen – out on the town incognito, with Claudia also disguised as a maid – run into a boy who is dressed as a child detective – because he is one, in fact – and he’s on the run from some goons. They quickly hide in a cart… which then drives off to a remote village, and that village turns out to be the one the boy (Kiel) was investigating. (Helen was able to get away and is getting help.) They find the villagers are all very happy and content… a bit TOO happy and content. The whole village feels a bit like The Stepford Wives. What’s more, people seem to occasionally disappear for no reason. What’s really going on?

So yeah, as indicated earlier, things are very screwed up in this book. What started as a discovery of a pain reliever that allows the village to make a bit of extra cash has suddenly become a village-wide “ritual” when the girls in the village have their first period or the boys have their first “nocturnal emission” to drug them with an aphrodisiac and then have the others in the village rape them till they grow happy with it. The girls in the village who have NOT gone through this yet are quick to side with Claudia and Kiel. The chieftess in particular is a hedonist and pedophile, who literally gropes Kiel to see if his balls have dropped, and openly leers at Claudia. The book is well written as always, and help arrives in the nick of time. But I have to ask, was this trip really necessary?

The series is still ongoing in Japan, and a glance at the blurbs of future books suggests things don’t get easier for Claudia even after her engagement. Hopefully, though, they involve a few less things for me to warn the reader about.

A Tale of the Secret Saint, Vol. 8

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

I’ve talked before about how Fia has this odd canny intuition and ability to connect the dots combined with an absolute ironclad airheaded dumbassness. This may be the volume where the reader’s tolerance of this is pushed to the absolute limit, though things are not helped by others around her also failing to get a clue either. It’s not quite Airheadception, but I was thinking that. The main plotline in this book revolves around Fia simply not understanding, despite seeing evidence of it for the last seven books before this, that the saint powers are a lot less powerful than they were in the past. (Indeed, we hear in a side story that she was ludicrously more powerful in the past as well, but things HAVE decayed.) This means that all her attempts to brush off what she thinks are minor use of saint powers to heal someone up turn out to be astonishing miracles to everyone around her – including a crowd of commoners. She’s VERY close to finally blowing her cover.

We open with Fia and Charlotte meeting the current frontrunner to be Head Saint, Priscilla, and boy, she has a chip on her shoulder and does not like Fia at ALL. Fia barely notices this, of course. Fia then has a bit more of the world explained for her, but not enough to make much of a difference, as she suddenly decides o put on a show when she hears that Commander Saviz will be marrying a saint soon. And who better to ask for ideas about how to entertain then the jesters we met in the previous book… who are the literal king and the top duke in the country, but Fia barely pays attention to this. They have their own agenda, however, which is to dress Fia like a saint and parade her around. Their goal is to get more info about how she found the rose that supposedly had been extinct since 300 years ago, but everything goes to hell when they run into a noble with a dying daughter – a noble that the two jesters seem to hate.

As ever with this book, I tend to appreciate the moments when it gets a bit more serious. We hear about Duke Alcott’s younger sister, who supposedly died ten years past but in reality is in a coma, and is also the reason that the king has been getting younger by the year. We get a few flashbacks with Colette, and honestly she reminds me a lot of Fia – I bet they’d get along great. Unfortunately, when Colette was dying, an earl opposed them using the powers of a saint to try to heal her. As a result, now that the earl has a dying daughter (who is also a saint) himself, their first thought is petty revenge. Fortunately, Fia may be an airhead but she’s also airhead Jesus, so you know there’s no way she’s going to do anything other than heal her using ridiculously powerful magic and then hem and haw about how she did it. Fia is Big Dumb, but also Big Good.

Things are left a bit cliffhangerey, so it’s not clear if Fia is going to be able to wake up Colette, or if this is finally the straw that breaks the camel’s back and gives away that she’s a reincarnation. Recommended to those who love to see the most powerful tennen boke in the world.