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Reviews

Division Maneuver: A Hero Reincarnated

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By Shippo Senoo and Nidy-2D-. Released in Japan by Kodansha. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Dayna Abel.

I’ll freely admit, I had not originally planned to read or review this at all. We have come to a point in the North American light novel market where you simply can’t read absolutely everything. And that cover made me say “Oh boy, another masturbatory aid for teenage boys!” But I had a gap in my schedule before Yen’s March light novels hit like a bat to the head, and I thought “OK, I guess.” In the end, it balances out that I’m pleased that I read the book, and I’ll likely pick up the second (and final) volume. So I’m here to tell you about why yet another book with teens in powered suits at a magical academy is something that you might want to take notice of, rather than, say, Infinite Stratos, or Seirei Gensouki, or The Asterisk War, etc. And I will also warn you that my first impression of the book is ALSO very true. If you’re reading this book, hope you like endless descriptions of boobs.

So once there was a hero. He was a bit headstrong and stubborn. He fought to save the Earth from hideous tentacle monsters (who thankfully only want to eat humanity, not do anything else with it) and he sacrificed himself to take out the evil queen monster. Unfortunately, she’s not quite dead. So he’s reincarnated back into the world as a young man and resolves to get stronger and try again. The big problem there is his new self has virtually no magical aptitude. Fortunately, he runs into his old teacher, who also happens to be the headmaster of the magical academy for awesome magical students. She trains him in fencing, martial arts, and the like to the point where even though he has virtually no magic, he can still beat most everyone. When he arrives at the school, he joins an elite unit, learns to actually use teamwork (something his former self was bad at), and falls in love with his sempai, who is also the little girl saved by his former self right before he died.

I’ll start with positives. Hanabi, the heroine, is not the sort of heroine I was expecting when I picked up this book – cool, hands off, tsundere, constantly yelling at the hero, etc. She’s a bit battle hungry, actually, and falls in love with Kuon faster than he does with her. He’s 13, by the way, which makes this relationship a bit “ergh” (she’s 18), but nothing seems to happen beyond making out. I also liked her best friend, who is a standard character type, but it’s one I like. Honestly, by the end of the book I was thinking that some of the cast were going to die – it gets fairly brutal at times. Now for the downside… well, you saw the cover. The color illustrations merely exacerbate it. Hanabi is a walking pinup and the author and illustrator want you to know it. Kuon thinks about her breasts all the time. It gets very aggravating for anyone over the age of 19. Oh yes, and our hero has no magic aptitude – except that he can STOP TIME. Which is apparently a martial art? I dunno.

So I liked the character relationships and plot enough to read more, but unfortunately, the fanservice and the questionable romance mean we once again have a light novel that I can only recommend to its intended audience. Teenage boys, go get it.

Takane & Hana, vol. 7

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Takane and Hana Volume 7 by Yuki Shiwasu

This volume continues to explore how Takane and Hana deal with his changed circumstances as he adjusts to live as an ordinary businessman. It is a slightly more serious volume than usual, but there’s some great character development.

Takane and Hana 7

Hana continues to show up at Takane’s shabby apartment to feed him dinner, although he’s started to get a little better about fending for himself without the advantages of his former wealth. They share a genuine moment of connection when Takane says “Thank you” without his usual posturing and bizarre grimaces. Hana immediately checks to see if Takane might be coming down with a cold because she’s stunned at his behavior. One thing that this descent into poverty confirms is that Hana is indifferent to Takane’s wealth and status. She’s been commenting all along that his over the top gifts and lifestyle doesn’t impress her, and her willingness to hang out with him in poverty just reinforces everything she was saying earlier. Takane might not totally internalize this shift in their relationship, but he actually starts acting less arrogant in his job, and starts making moves to pull off some complex business deals independently. Takane and Hana eventually achieve a sort of new normal in their relationship, and the roles get reversed a little bit when she gets sick and he has to take care of her. This continues to be an entertaining series, and I’m finding this shift away from over the top wealth-related shenanigans to have more emotional depth and resonance than I was originally expecting. I’m curious to see if the series continues to have more of this emphasis on the character relationships or if it goes back to more broad comedy. Shiwasu is executing this series so well, I’d be fine with either option!

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 7

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

After the bleakness of the last volume, it’s good to see that this one is at least slightly more light-hearted, though as always the author can’t seem to resist ending on a downhearted note. That said, things are a lot warmer here, and the extra side-story that adapts a drama CD even tries to retcon the last book by showing that Hachiman was eventually roped into an after party anyway. This brings together most of the main protagonists, and features what may be the funniest part of the book, where Hachiman’s “hobbies” are found to be wanting (people watching doesn’t count) and they try to find him some new ones. It does reinforce a running theme of this series, though, which is that as much as Hachiman wants to push everyone as far away from him as possible, there is a growing core of people who worry and care about him. The trouble is, some are also falling for him, and at this point, that’s not a good thing.

It’s time for the traditional trip to Kyoto, with temple visits galore, something that has most people excited, even Yukino, who seems to be far more into the trip than she pretends. That said, the Service Club also has a new request, and it puts the “romantic comedy” back in the spotlight. Tobe, best known so far as “Hayama’s #2”, is in love with Ebina, best known so far as “that BL fangirl”, and wants to ask her out, but is nervous, so wants to enlist the help of Hachiman’s group. Needless to say, given this group, this involves 2/3 crushing verbal abuse and 1/3 sympathy, and even Yui is finding it hard to bring the sympathy. The trouble is, as it becomes apparent, Ebina does not want that sort of relationship – not now, and not with Tobe. And that makes everyone nervous, because the way Hayama and Miura’s cliques are set up, if a confession results in awkwardness and pulling away, it will destroy both groups.

If you guessed the solution to this was “Hachiman taking things on himself so as to deflect everything to him”, then congratulations, you are familiar with how this series works. That said, much as it was interesting to see a more serious and even poignant side to Ebina, the “main” romance is mostly there to highlight the main love triangle of Hachiman, Yukino and Yui. There’s plenty of ship tease between him and both girls here, as he holds Yui’s hand as they go through a dark and creepy temple set, and sneaks out for ramen with Yukino and Shizuka (a chapter that features Yukino at easily her cutest and most vulnerable in the series to date). But, just as everyone knows with Ebina and Tobe, the reader is aware that if the love story advances further, the core friendship of these three is going to be broken. Especially if Hachiman keeps up his “please crucify me” solutions to everyone’s problems.

So the question is, what’s next? Can the Service Club maintain its status quo? Well, my guess is yes, as the next volume is “7.5”, and is a collection of short stories. (Note that unlike, say, Devil Is a Part-Timer, these .5 volumes were not released as DVD extras, and are therefore able to be licensed here.) That said, this seventh volume of OreGairu is a bit less bleak, but you’re starting to see that the train is rushing forward towards a final destination that may simply be “crash”.

Der Werwolf: the Annals of Veight, Vol. 3

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

The author described this as being a “slow” volume, which is a bit of a stretch given that one third of the way in our heroes are fighting a kraken. The plot of this book is essentially “Veight goes around to the rest of the Southern Territories and convinces them to join forces”. One area has the aforementioned kraken that needs to be taken out. Another, a town made of labyrinths designed to trap enemies, is already being targeted by the villainous Senate, and Veight and company have to convince people that a) they’re not responsible for the assassination of the ruler, and b) stop all the assassins who are. Fortunately he has help from a number of old friends as well as a new character, Parker, who is… well, he’s Brook from One Piece. Though he can at least disguise himself as “not a skeleton”. The puns, unfortunately, are still there. That said, does Veight even need help?

Veight continues to be the best reason to read these books. We’re used to harem protagonists that are clueless about the girls who like them, but Der Werwolf has little to no romance as of yet, so with Veight it’s more “he is unaware of his nature”. It’s not clear if he’s doing this deliberately to avoid the issue or not, but Veight’s tendency to pick the most dangerous solution has been noticed by most of his subordinates, and they aren’t very happy. It’s especially funny when he chastises others for the exact same thing, and is somewhat amazed when called out on it. To be fair, Veight probably COULD take out everything that goes against him by himself. We see more of his ludicrous “I can use magic and am also a werwolf” combos here, and they’re enough to get an enemy army to run away in fear.

The rest of the characters are not as good as Veight, sadly. I’d mentioned Parker was Brook from One Piece, and am wondering if “undead skeleton + puns” is a thing in Japan. There’s also a viceroy who decides, to make himself stand out, to act flamboyantly gay, and all the little stereotypical tick boxes are checked there, but fortunately he only shows up near the end. And we also get a glimpse of the Senate, which seems evenly divided between “evil” and “stupid AND evil”. Probably the best new character was Shatina, the daughter of the murdered viceroy, who starts off as a terrified teenager but, by the end of the book, has to be talked down from turning her city into a tool to get monstrous revenge on all those who have wronged her. The author would seem to agree, as the short story after the main book has her and Firnir, the centaur girl, bonding as they explore the underground labyrinth below Shatina’s own labyrinth of a city.

Der Werwolf’s most impressive feature continues to be its readability – you never get bogged down in prose the way you do in so many other light novels. I look forward to seeing more of Veight being ridiculously overpowered and totally unaware of it.

Aria The Masterpiece, Vol. 1

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By Kozue Amano. Originally released in Japan by Enix, serialized in the magazine Stencil. This edition released in Japan by Mag Garden. Released in North America by Tokyopop. Translated by Alethea and Athena Nibley.

Third time’s the charm? This is definitely the year of lost causes getting another break. First we had Urusei Yatsura, cancelled over and over by Viz back in the 90s, getting a deluxe omnibus treatment. And now Aria, beloved by bloggers and a cult classic, but cancelled when ADV Manga collapsed and then cancelled again when Tokyopop hibernated, is getting its own deluxe treatment. These editions came out in 2016 in Japan, and this volume has the “Aqua” volumes, i.e. the start of the series before the Enix split that led to Kozue Amano moving to Mag Garden. It is a standard Japanese omnibus, meaning that it looks great but also eliminates most of the author’s end comment pages and extra side stories. What you get here are the first nine chapters, looking significantly better in this format than they did on first release here. The translation is the same, I’m fairly sure.

The series is a LOT more popular than it was back in the day, though, mostly as the anime was a bigger hit than expected. For those still unfamiliar, the series takes place on Mars, now renamed Aqua, sometime in the future. It’s been terraformed to be a water planet, and Neo Venezia is one of its stunning cities, done up to be just like Venice. This means they need gondoliers, and that’s where our heroine, Akari, comes in. She’s flying up from Earth… erm, Manhome… to join Aria Company, one of three companies in the city that are considered the cream of the crop. Of course, when she gets there she discovers that the company is just her and her mentor, Alicia. Plus President Aria, who I will discuss later. Even worse, her rowing technique, while awesome in terms of speed and flair… is less awesome as she’s rowing backwards. Fortunately she quickly gains skill, and also acquires a best friend/rival (who has a crush on Alicia) and a teasing guy friend/rival (who also has a crush on Alicia).

That said, as Aria fans know, the plot and characters are great, but they’re secondary to the scenery. Neo Venezia is the star here, and the larger format shows off the art to an even better degree. I especially loved the chapter that introduced Cait Sith, the huge, vaguely supernatural cat that will also, in a way, mentor Akari throughout the series. I was also very amused at how quickly everyone falls for Akari’s shining optimism and love of life. Aika attempts to be grumpy, with “no sappy lines allowed!” being a running gag, but it doesn’t work at all. It’s also not hard to see why everyone (including me) loves Alicia… she’s a fantastic gondolier, clearly cares for those around her, especially Akari, but most importantly, is the very definition of “ara ara”, the phrase that she spouts constantly in the original Japanese.

Manga or anime, Aria is the equivalent of a peaceful breeze running through your hair as you go down the river in a slow boat. It’s worth buying again.

Kokoro Connect: Michi Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

A running theme of both Kokoro Connect and Book Girl, a series I’m finding it very easy to compare to, is that, unlike your typical anime or manga, problems and traumas are not magically “solved” or gotten over just because the characters now realize they exist. The first volume of this series had Iori talking about how she’s never been able to really figure out who her true self is, and theoretically she had moved past that. But it’s not that easy, especially when you’re a teenager, and Kokoro Connect is pretty much using a sci-fi plot to examine the mindset and foibles of emotional teens. And the phenomenon this time around, where the five protagonists occasionally broadcast their thoughts to each other, is the absolute worst for someone like Iori who’s hiding her darker self. As a result, everything blows up after Taichi decides to finally confess to her on Valentine’s Day. The confession does not succeed, but that’s only the start of everything being terrible. Oh, and they also have to save their club from losing its advisor.

The rest of the cast also gets a good look in. Yui and Aoki both have POV scenes, which is important as they both individually meet Heartseed, something that’s unusual. Yui in particular is getting a lot more aggressive and natural, and is slowly coming to terms with liking Aoki, though despite her inner thoughts she’s not ready to act on it yet. And of course Taichi confessing means Inaba is on the losing end… but let’s be honest, most readers never saw Taichi and Iori as the main couple, mostly as, due to her core issues, Iori is a lot less developed than Inaba is. I think Taichi is better off with Inaba, particularly if he’s going to remain as stupid as he is in this volume, sacrificing first his reputation and then his body in order to solve the issues. Sure, Inaba’s main character description is basically “hot mess”, but at least the two are sure of themselves. That said, we aren’t even halfway through this series of books, so who knows?

I was not all that enamored of the dramatic ending, which featured Inaba getting kidnapped and tied up by thugs (somehow I doubt THAT fear will linger into future books) and everyone coming to the rescue. Better was confronting Iori, which amounted to Inaba basically yelling at her until she broke down. It’s something that should be obvious, but the entire book talks about how it’s easier to think of solutions than to actually put them into action. The book also amusingly has a lot of “but this isn’t fiction, this is real life” references, which I might have appreciated more were it not for the rescue from thugs fictional drama. That said, the dialogue (wonderfully translated as always, though with Inaba in this book it’s at least an R rating just for language) is fantastic and quotable, and I really like these kids. Next book is short stories, so perhaps we can take a break from teen angst and move into teen comedys being SNAFU.

Oh yes, and “Random Paths” seems to be the translation of the title.

Maiden Railways

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By Asumiko Nakamura. Released in Japan as “Tetsudou Shoujo Manga” by Hakusensha, serialized in the magazines Melody and Rakuen Le Paradis. Released in North America by Denpa Books. Translated by Jocelyne Allen.

We’ve seen the occasional short story volume in North America, but they’re still a rarity compared to picking up long-running series. Sometimes, though, you’re in the book for quick bites… or in this case, short trips. As the title might suggest, this volume’s short stories revolve around trains and train stations. Except for one chapter, they’re not interested in makes and models in a trainspotting sort of way. The train is a vehicle into the heart, as we see various couples and singles meet, interact, and move forward around the train setting. The author is known for being skilled in the shoujo and josei world, and also has some noteworthy BL to her name, including Doukyuusei, which came out digitally here eons ago and which Seven Seas is finally putting out in print this summer. There’s no need to worry about the engineer here – this train is in good hands.

The stories are interconnected only in the setting, though there is a final chapter that shows all the protagonists of the previous stories moving past each other in a nice callback. The first story is mostly from the POV of a young wannabe pickpocket as she gets involved with a husband who thinks that his wife is cheating on him with his younger brother. It’s honestly probably a good thing she’s there, as I found the husband really aggravating (deliberate, of course, but still…) and the story works better from her semi-detached POV. Things work out well, mostly as she’s very familiar with the schedules. (OK, not so well for her, but don’t pick pockets, OK?) The second story involves a love triangle/square among high school students who are graduating, and also involves catching a lover by knowing the timetables- I was reminded of the Monty Python skit about murder and train schedules.

The third story, if I’m honest, may be what a lot of readers are here to see, as it’s the “yuri” story in the book. A high school girl who’s getting romantic attention but isn’t interested… at least not in that person… runs into an older woman who’s breaking up with her lover. Loudly. The difference between the two personalities is the reason to read this (though the height difference is also cute). The fourth story may have been the one I enjoyed the most, as a husband buys cakes every Thursday from a shop, but is hiding a deep, dark secret. Is he cheating? His wife resolves to follow him, but we know the answer isn’t that. This is the story in the book most closely related to trains and their makes and models, and I found it rather sad and sweet. The last story is also sweet and sad, and has two women bonding at the station after the last train leaves about their boyfriends. This is really the only story with a spoiler, so I’ll leave it at that, but it was also quite good.

As noted, the book ends with a story that interconnects all the other ones (though I could have done without the implication that the pickpocket might be romantically involved with the security guy) and shows that this sort of thing happens all the time on this train. It’s a nice gimmick that leads to some well-told stories. Definitely worth a read, and I’d love to see more by this author.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 4

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

De-aging characters is an old and honored narrative tradition, usually used to show how characters who are currently emotionally broken/closed off were adorable little sweeties when they were kids. And that’s exactly what happens here, as during a visit to her abandoned hometown, Nephy runs afoul of a mystery villain and is turned back into a five-year-old girl. Much of this is played for comedy, as you might expect – Nephy as a child is “adowable”, and when you combine the effect with Foll as a “big sister” and Gremory, who has shown that she can not only turn into a young woman but also a little kid, the “cuteness” factor is overwhelming, especially to Zagan. That said, there’s a serious point being made here: Nephy was once a sweet and optimistic child, and years of abuse at the hands of everyone she knew made her emotionally dead. It’s why Zagan ends up wanting to burn the entire town to the ground as a sort of belated revenge.

The main cast continues to increase. Nephteros returning is not really a surprise, but we also see Gremory and Kimaris, the two most visible sorcerers from the previous book, stick around. Nephteros is mostly there to be a grumpy tsundere, which she excels at. It does make you wonder about Chastille, whose role that was originally supposed to be but it quickly went off the rails when the author realized that he just liked her freaking out and crying all the time. That said, the author has realized this and actively points it out in this book, where Zagan sees Chastille “on the job”, so to speak, and she’s revealed to be quite competent and analytical. This is mostly used for comedy, with Zagan repeatedly asking why she can’t just be like that all the time, but is a semi-serious attempt to do something with her. There’s also one or two hints of ship tease with her and Barbatos, which might end up going somewhere, because lord knows she’s not getting anywhere with Zagan.

Elf Bride is not meant to be a harem book, I think, despite the increasing number of women in the cast. Age4 regression or no (and thankfully Nephy is treated purely as a little girl when she is a little girl), Zagan and Nephy are both over the moon for each other, and the only thing holding them back has been their awkward personalities. Seeing what Nephy had to go through as a child has galvanized Zagan, though, and the two finally confess to each other in a scene that would be the most heartwarming in the book if it weren’t for the rest of the cast watching and undercutting it. As to whether this will lead to them going any further romance-wise in future books… I doubt it, somehow. This kind of series runs on adorable.

The cliffhanger implies that next volume will focus once more on Nephy’s dark twin, who’s rapidly coming to be a second protagonist, possibly as she has a more varied emotional response than our favorite repressed elf. I look forward to seeing what happens.

Today’s Menu for the Emiya Family, Vol. 1

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By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

In the beginning there was Fate/Stay Night, a visual novel with three routes, a whole lot of dead cast members, and infinite anime and manga spinoffs. Then there was Fate/Hollow Ataraxia, a sequel to the visual novel which asked the question “what if everyone in the cast was still alive?”. That too has a manga. This… is not that manga. Sorry, Bazett. Instead we have Today’s Menu for the Emiya Family, which asks the pertinent question “what if we adapted FHA but removed everything that wasn’t making food and sweet, heartwarming scenes?”. This also had an anime, which was just as heartwarming. Now we have the original manga, which is kind enough to not only give us the recipes, but also still has Shirou talking himself/the reader through each meal. The result is the perfect Fate adaptation for those who want to see everyone stop dying and just being really nice to each other. It’s as sweet as pie.

The “Emiya Family”, at its core, are the five who tend to eat dinner at Shirou’s house almost every evening: Shirou, Saber, Sakura, Rider, and Taiga. That said, worry not if you’re a Rin fan, she’s all over this volume and a frequent visitor, as are Illya, Lancer and Caster. Heck, even Assassin gets a chapter devoted to him and delicious sandwiches. Archer is around as well, though for most of the volume the joke is that we never see his face. Each chapter follows a similar trajectory: we set up a situation, find the perfect food for the situation, and the food is made over the course of the next few days. This could be salmon Lancer recommended, sweets celebrating Hinamatsuri nd Illya growing strong and healthy, Chinese food to celebrate Rin and Sakura’s new bond, etc. Even when there’s a brief hint there may be conflict, such as when Saber sees Shirou teaching Caster how to cook, it’s quickly defused.

The manga does, I will let you know, assume that you are familiar with the original Fate visual novel and what happens in it. (Though my guess is that, in regards to the chapter with Shinji, they’d rather we forget about it. It’s the only chapter that left an unpleasant taste in my mouth, though at least it’s less “Sakura is trying to please her abusive brother” and more “Shinji is the pickiest eater around.) In particular, if you don’t know the relationship between Rin and Sakura, you might wonder why they’re flirting with each other. They’re embarrassed for a different reason. That said, apart from that, the manga can be read by anyone who enjoys Fate and doesn’t mind a complete lack of conflict. Even Caster is on her best behavior here.

Most importantly, as every good foodie manga should, this volume made me hungry, and wanting to try some of the recipes. If you are like Shirou, Rin and Sakura and love to cook, or are just like Saber and love to eat, this is a terrific pickup. And for anime fans, there are one or two things here that weren’t animated, though future volumes should have even more of that.

Invaders of the Rokujouma!?, Vol. 19

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

This wraps up, for now, the dark magical girl arc of the series, though I’m sure they’ll be back in some capacity. They’re not likely to be the Big Bads of the entire series, though – Maya and Elexis are clearly filling that position. We can also tell by the fact that Darkness Rainbow is slowly losing its cohesion – not that it had much to begin with. Maki defected to the side of the heroes, Crimson is happy to do whatever as long as she gets a fight, Green is, frankly, in denial about a crush on Crimson and also wishes the group could be better friends, and as for Purple, well, she’s the Big Bad of this book specifically. The moment we saw her backstory in the prologue we knew it wouldn’t be pretty. Maki’s defection means we need a new Dark Magical Girl to contrast with Yurika, who has friends, a guy she likes, and magical powers and the smarts to use them. Given all that, why WOULDN’T Purple try to open a hell portal?

Speaking of which, time to gush about my favorite character again. She’s still in “awesome” mode here, and the author says in the afterword that he intentionally made her super weak and whiny because her magic had the potential to be a deus ex machina. Now she’s matured (though I’m sure when they get back to Room 106 and she’s studying she’ll backslide), and we also find out an interesting tidbit from Nana, her predecessor – Yurika became an archwizard in about half the time anyone else did. Including Nana. I also really loved the dialogue about love between her and Koutarou, as both of them hate to see the other looking like a “soldier” rather than a happy-go-lucky teenager. This is what the others want to see from Yurika – not necessarily the lazy whining, but Yurika at peace and not worrying about the next threat.

This wraps up an arc, but there’s plenty of setup for the next few books, which promise to take the action back into space. We learn that the People of the Earth and Yurika and Nana’s magical kingdom (I’ve given up on figuring out if Yurika is from Earth or Folsaria, frankly) are the descendants of the evil alchemists and mages that Koutarou and Clan helped defeat in the past. And, of course, everyone got away – again. So while Folsaria has settled down, I’ve no doubt that after a volume or two of fluff (gotta have contrast), we’ll be headed back to Forthorthe for a while. (We’re right about at two/thirds through this series, though given the short word count of each book it doesn’t seem that long.) In any case, Yurika and company saved the day, and even got a kiss out of it. Well, she and Maki initiated the kiss. And it’s on Koutarou’s cheek. But it’s a start! Please fix this emotionally broken boy.

So a good Rokujouma, with lots of fighting and desperate measures and the like. Also, Yurika, Maki, Clan and Kiriha fuse, which made me imagine this as a Steven Universe crossover.

Re: ZERO ~Starting Life in Another World~, Vol. 9

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Jeremiah Borque.

This review is, by necessity, going to be divided into two parts. The first part, above the cover art, covers the first three quarters of the book, which goes up to the end of the anime. The second part, after the cover art, spoils the last quarter of the book, which the anime did NOT adapt. If you want to be surprised, stop reading early.

This was a very solid ending to Re: ZERO’s third arc, which ended up being six books long. Subaru comes up with a different plan after the last one went a bit pear-shaped: take out the Fingers and do the evacuations first, THEN go after Petelgeuse. It also relies on Subaru putting his trust fully in Julius, who he still dislikes on principle, but you can tell that it’s the dislike that “rivals” have for each other, and I would be very unsurprised to hear there’s slash of them on AO3. The fights are strong, Subaru actually gets to be cool and intelligent for once, and he even gets to have a dramatic confession. Plus, Emilia lap pillow! You can absolutely see why the anime wrapped it up here – it’s a great, heartwarming ending that resolves most of the plotlines of this arc.

And then we see why, when asked why Season 2 of re: ZERO has not been greenlit, fans who follow the webnovel tried to avert their eyes and hem and haw. So yeah, not QUITE the happy ending we envisioned. Two more Witch Cult members attack Crusch, Rem, and the others heading back to the city, and the outcome is dreadful. Half the force is killed, Crusch loses an arm and also all her memories, and Rem’s body remains sleeping, but everyone else has forgotten HER – including Ram. This was foreshadowed a few times in the book earlier, where Ram looks puzzled at Subaru implying she has another sister, but it does lead to the beautifully dramatic (it gets a full page all to itself) “Who’s Rem?” from Emilia. Even worse, the author really drives in the knife by giving Rem fans a short story that shows off what would have happened if she and Subaru HAD run away together – they’re both happy, have two kids, joke about his libido – it’s the sweetest thing you can imagine. And also not what actually happened.

I was very impressed with the final chapter, which skipped Subaru finding out about all this and went to the aftermath, where he looks over Rem’s comatose body and tries to figure out what to do next. We hear about his despair – he kills himself to try to “return” to save Rem, but finds his savepoint is him looking at her body, so that’s out. Worse, after what’s happened to Crusch, Ferris is ready to break their alliance, and has to be talked down by Wilhelm and Crusch herself, who is a lot meeker and milder than the woman we love, but is just as determined. More importantly, Emilia has her groove back, and is ready to move forward with Subaru at her side. The next arc is implied to give her the character development that Rem got in earlier books.

The trouble is, of course, that we’re not sure how long the books will have Rem in a coma. Rumor has it there will be a long wait – the next arc is supposed to also be six books long. Good news for the EMT fans, but given how for 95% of all anime fans Rem is the only thing to care about in Re: ZERO, you can see why producers have been vacillating. That said, here it is, and it’s well written, and… sorry, Rem fans? Enjoy the Rem Natsuki story, if nothing else.

Shortcake Cake, vol. 3 and Ao Haru Ride, vol. 3

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Third volumes are when I feel longer running series start to settle in a bit. The reader knows all the main characters and the ongoing story lines have been established. In the case of most shoujo manga, it also means it is love triangle time!

Shortcake Cake Volume 3 by suu Morishita

Shortcake Cake 3 opens with a rainstorm, and the unsettling weather continues to mirror the turbulent emotions associated with teen romance throughout the volume. Ten continues to be fascinated with Chiaki, while Chiaki and Ten are pretending to date to throw off the odd obsessive impulses of Riku’s brother Sei. At the same time Chiaki is feeling guilty because he thinks that Ten should be with Riku, even though Ten already previously rejected him. This all sounds like teen-age soap opera insanity when I type out a summary, but Shortcake Cake delivers this all to the reader with a level tone, interspersed with the slice of life aspects of the characters being thrown together in the same boardinghouse and having to deal with issues like fending for themselves when their House Mom gets sick. Riku and Ten have a few moments together where it is clear that he’s not yet gotten over her, as he casually asks what she thinks of Chiaki. This encounter happens when they are crouched under a table cleaning up after a kitchen mishap, showcasing Morishita’s ability to make every day incidents seem oddly intimate.

Shortcake Cake 3

Rain shows up as a background image to the panels where Ran contemplates this moment, thinking “It was as if he was saying all over again that he likes me.” Chiaki keeps his feelings to himself, and keeps pushing Ten towards Riku. One of the reasons why I like Shortcake Cake so much, is that this point I’m genuinely unsure of who Ten might end up with, and she’s not portrayed as fickle or uncaring, just a girl who is uncertain of her feelings. This volume was much more somber in tone than the previous volumes of Shortcake Cake, but it explored new emotional territory for the characters. I’m continuing to be fascinated by the way they influence each other, and that makes for an intriguing series.

Ao Haru Ride Volume 3 by Io Sakisaka

In contrast with Shortcake Cake, I am firmly convinced that Futaba and Kou are going to end up together, but seeing how this unfolds with the pressures of teenage friendship and Kou’s newly acerbic personality is what makes Ao Haru Ride interesting. The volume opens with Futuba dealing with the fact that her new friend Yuri also has a crush on Kou. Futuba cycles through a variety of feelings, as she wants to be supportive to one of her first real friends, but she can’t escape her attachment to Kou. First, Futuba vows to like other boys, but this resolution does not last long. I’ve mentioned before that one of the things I enjoy about Ao Haru Ride is the characters’ tendency to get things out into the open fairly rapidly, so it doesn’t seem like there will be multi volume story lines revolving around people not talking to each other.

Ao Haru Ride 3

Futaba isn’t really able to deal with her feelings honestly, and attempts to come up with arbitrary tests like “if Kou follows me off the train, I’ll keep loving him.” Sakisaka’s excellent paneling makes a conversation near a subway platform look filled with dramatic emotion. Futuba and Kou keep getting thrown together, which doesn’t do much for Futuba’s impulse to bury her feelings to maintain her friendship with Yuri. One of the things I liked most about this volume was seeing Futuba, Yuri, and Murao bond over their romantic tribulations. Futuba is starting to piece together what type of person she wants to be and pondering how to be a good friend. This volume finishes on a bit of an emotional cliffhanger, so I’m curious to see what happens next.

Silver Spoon, Vol. 7

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

The middle of this volume has some cute, funny, and heartwarming moments, and thank God. I’m not sure how intentional it was, but if you enjoy having misery as the bread for your sandwich, then Silver Spoon 7 is absolutely for you. Now, to be fair, we knew the start was going to happen. Hachiken’s in the hospital, so of course his parents come to see him. Everything we’ve seen about his dad says this is not going to go well, and it doesn’t. Even the bacon, the one thing that Hachiken thought he’d made inroads on, was just his mother trying to be considerate of his feelings. Now, don’t get me wrong, I know what his dad means. He feels that Hachiken is wasting his intellect here, and is especially frustrated given the nature of his other son. But man, he’s such a bitter pill to swallow that I can’t feel any sympathy for him at all. And, unfortunately, the visit causes Hachiken to have a brief hissy fit at his mom as well.

This is important because, probably because he’s still upset about that, he donates his change to charity when he buys new glasses, and as a result has to walk back to the school… meaning he misses everything. Fortunately, he is blessed with classmates who a) really care about him, and b) will not take his shit, because he was all set to be a miserable “I don’t deserve to have any fun” type. Luckily, Mikage is there to remind him that the festival was a huge success because of his planning. And they wrote a book of memories he can read and then sob over. It’s really sweet. As for his date with Mikage… well, they try to have it. But it’s more going to a shrine. And of course it ends up being most everyone else as well. You can tell the cast is rooting for these two dorks (every other woman in Mikage’s class shows up to ensure she doesn’t get blocked at the last minute), but they’re still nowhere near a confession. That said, at least he can make fun of her accent, which he does. Repeatedly.

And then there are the baseball games. To an extent, this was also foreshadowed as well. We’ve seen that Mikage is a LOT more invested in Komaba’s team winning and going to the Nationals than the rest of the school, and Hachiken’s attempts to find out about it have gone badly for him. We’re still not quite sure why, but we can hazard a guess, because after they lose in the finals, he never returns to school. I have a sneaking suspicion this will be another lesson in how farming is hard and not everyone can succeed, but it’s a blow as Komaba, despite being so stoic, has been one of the more prominent characters to date, and you feel horrible for him. I suspect most of the next book will go into the aftermath and explain why he left school.

You probably don’t need me to tell you how good this series is by now, but I will anyway. Really good. I want more immediately.

Welcome to Japan, Ms. Elf!, Vol. 1

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By Makishima Suzuki and Yappen. Released in Japan as “Nihon e Youkoso Elf-san” by Hobby Japan. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

When you have so many isekais coming out in Japan all the time, it’s inevitable that someone’s going to want to try the reverse. Take a stock fantasy character and have them experience the wonders of Japan. We’ve seen this in manga a few times, mostly for comedy (Plus-Sized Elf comes to mind), but, though there are funny moments, this new series doesn’t really have comedy in mind. Arguably you could say it’s romance – the two leads are clearly sweet on each other, but she’s too shy and he’s too dense, as always. I don’t expect a relationship upgrade anytime soon. No, the Japanese parts of this book seem to have two goals in mind: first, to show off the cuteness of its female lead and show her having adorable slice-of-life situations. And second, so show off how wonderful Japan is and how swell the people in it are. Honestly, at times when I was reading this I wondered if it was a government mandated product (J-Novel’s licensing hint didn’t help).

That said, there was far less Japan in this first volume than I expected. Our hero is Kazuhiro (“Kazuhito” in the fantasy world), a 25-year-old salaryman who’s always had the ability to travel to a fantasy world in his dreams. He’s been doing this for some time, and is now a Level 72 adventurer. He’s also good friends with Mariabelle (Marie), an elf mage who has assisted him in the past. One day they’re investigating a ruined city and accidentally get killed by a dragon that happens to live there. As always when he’s killed, Kazuhiro wakes up in his bed in Japan. But this time he was holding onto Marie when he died… and now she’s in Japan with him! Now she, like he, can go back and forth between both worlds when they sleep. What’s more, she gets to experience the food, clothing, books, and so much more that Japan has to offer.

So yes, the elf is in Japan, but there’s also a good half of the book that’s in the fantasy world, with all the usual accoutrements. There’s trying to defeat the dragon, dealing with evil bandits, etc. This just wasn’t as exciting, to be honest – it wasn’t bad, but it’s not really why I wanted to read the book. The Japan segments were much better, summed up, as I noted before, by the word “cute”. The author is good at showing the friendly, unconscious flirting between the two leads, and it’s fun without getting too frustrating – you are content to let them awkwardly fumble it out. The cast so far is small, with the only other possibly relevant members being the dragon who killed them (who turns out to be nicer than you’d expect) and a local librarian who knows Kazuhiro (and who is married, the book clearly states – there’s no love rivalries here yet).

This won’t win awards for depth, but it put a smile on my face. It’s nice to see a lead guy who works as a regular Japanese corporate officer worker, though his “fantasy” appearance is still middle school (as is his narrative obsession with breasts). It’s a relatively new series in Japan, so Vol. 2 may be a bit, but I’m looking forward to it.

A Certain Scientific Railgun: Astral Buddy, Vol. 1

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By Kazuma Kamachi and Yasuhito Nogi. Released in Japan as “Toaru Kagaku no Railgun: Astral Buddy” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer. Adapted by Maggie Danger.

Let’s face it, spinoffs from A Certain Magical Index are obvious. Leaving aside the fact that both Mikoto and Accelerator, owners of the two other manga spinoffs, are far more popular than either Touma OR Index, the series is simply littered with people you want to have their own series. Even if you put that aside and regard this as purely in the “Railgunverse”, which it is, there’s still an awful lot that you could focus on besides the adventures of the main four girls in the cast. The most obvious, of course, being Misaki, but she’s already gotten a sizeable role in the Railgun franchise already. So who do you turn to? Who’s the next breakout star? If you answered “that princess curl girl with no name that Misaki mentally abuses”, then you’ve cheated and read ahead. Let’s face it, no one expected this girl to lead a series.

See, even the cover artist agrees with me. Front and center are Kuroko and Misaki, posing as if they know why readers are REALLY buying this book. Way in the background is princess curl girl, who finally gets a name, Junko, and the “astral buddy” (awful pun there, btw) who is haunting/stalking her and drives the main plot. Someone is theoretically assaulting people around Misaki… only it turns out they’re assaulting people around Junko, who is a bright and shiny pile of naivete (as we’ve seen in the main Railgun series when she’s made brief appearances). Once that plot point is resolved, and Junko is assured that girls can in fact like other girls (a constant thread in this volume, no surprise given Kuroko’s all over it), we move on to Junko’s new ghost friend, who may or may not be a ghost. And Misaki’s still around, of course, but for once she’s the damsel in distress.

This takes place right around the Indian Poker arc in Railgun, for timeline fanatics. Mikoto is not in it, probably as she’d match up too well with Junko – Junko is bright and shiny where Mikoto runs on frustration and grumpiness, but they’re essentially very similar people. The rest of the Railgun core all have significant appearances, though. As for Junko herself, the narrative is a bit kinder to her now that she’s the focus of a series. We see she’s a Level 4, and her powers do indeed look pretty damn handy – it’s almost like a “quirk” from My Hero Academia. (Arguably, all of Academy City is.) Even the annoying mind control gag from Railgun, where Junko is always dieting but Misaki, when annoyed, makes her overeat to offset it, gets an “amusing” spin – Junko is gaining weight, but it’s all in her chest. The actual plotline has barely started, but that’s certainly an impressive cliffhanger.

So in the end, I was prepared for this to be the most cynical franchise cash-in yet, given it’s a spinoff starring “who?”, but it proved surprisingly entertaining, and I have new respect for Junko, who’s a bit of an airhead but sweet. Aside from the usual “Kuroko is a predatory lesbian” warnings, this should be an excellent pickup for Railgun fans.