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The Asterisk War: Whispers of a Long Farewell

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

Last time Saya stole Claudia’s thunder a bit, but in this volume Claudia definitely takes the spotlight: this is her book, and we get glimpses of her childhood, how she’s been changed and affected by wielding the Pan-Dora, and just what her REAL wish it, as everyone agrees it can’t simply be “I want an interview with a known political prisoner”. In fact, it’s a lot more close to home than that, and a lot darker. That said, in amongst the darkness we do get some good fights, as Ayato finally has to face off against his roommate, who turns out to be from a family of ninjas, to the surprise of absolutely no one. And of course the other girls are somewhat stunned at Saya admitting her feelings directly to Ayato, and are wondering what comes next, though honestly, knowing how harem titles work, they should not be surprised the answer is “not much.”

I did give Saya credit for confessing last time, but it’s hard to take “you don’t have to answer me right away” as anything more than backing away at the last minute. That said, that’s more on the author than on Saya herself, and she’s right that she doesn’t want to affect the Gryps team while they’re still competing. Julis and Kirin are both providing what little humor is in this volume with their reactions, which are pretty much exactly what you’d expect. Additional lightness is provided by Laetitia, Claudia’s childhood friend and “rival”, the sort of rival that you always see in these sorts of things, who is constantly talking about defeating Claudia one day but in reality is caring and worried. Just because I really enjoy each new volume of Asterisk War does not mean it isn’t hitting each cliche with perfect precision.

The bulk of the book stems from Claudia’s somewhat open declaration of war last book, and the Powers That Be deciding that things are so dangerous now that assassinating her in a very obvious way is actually the lesser of two evils. Fortunately, she’s clever and able to avoid getting killed right up till Ayato can show up. Unfortunately, Ayato is related to her REAL wish, and to his horror, it’s a bit of a death wish. As I said before, given what Claudia endures is using her Orga Lux, it’s unsurprising that she’s gotten somewhat jaded and tired – she’s seen being killed by the entire cast, including Julis, Kirin AND Saya. But not Ayato, and this leads to the second confession of the book. I’ll be honest, I did briefly wonder if the author had the stones to kill Claudia off. But honestly, having her survive was not only the more cliched (and thus Asterisk War) option, but it allows for a really lovely it where Ayato asks what she plans to do now, and she literally has no idea – she hadn’t imagined surviving.

I’m not sure how her newly “repaired” relationship with her mother and the rest of the PtB will go, but I do know that the next book will have the next tournament bout, and it’s not good news for our heroes – Claudia and Ayato are very depleted on resources. Are they really going to lose? OK, probably not. But Asterisk War remains good frothy fun, with some really good character development this time around as well.

Yona of the Dawn, Vol. 17

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona of the Dawn doesn’t quite reach the absolute heights of the previous two. Of course, since that downgrades it to merely “excellent”, there’s no need to worry. We start a new arc, as it turns out that one of the latest outbreaks of war is happening right where Yona and her crew are going to next. Imagine that, huh? (Seriously, there’s a wonderful self-aware moment midway through this volume where Yona wonders what her life would have been like if Hak and Su-Won had not been at odds, and she realizes she’d be a sheltered princess in the palace, not caring about the outside. Moreover, there would be no Yona of the Dawn. And so, as a reader, we are delighted that instead Yona is out and about and doing things like “Starving child? Huh. Better shoot down a bird from the sky for him to eat!” without even batting an eye. This is the Yona I want to read about.

The starving kid is what kicks off the story – he’s from a village that is now part of the Kai Empire, but decades ago was part of the Kohka Empire. Shifting borders happen all the time when large nations are at war, and one of the points of this book is that people don’t care enough about the little villages along the border that are forced to deal with all this. For the most part the village has tried to stay out of the way of everyone, but that’s not going to work anymore, as, having suffered a humiliating defeat, decide that rather than let Kohka retake the land they lost, they’re going to burn it to the ground and kill everyone in it. Fortunately, they’ve got the Happy Hungry Bunch in town. Unfortunately, almost the entire group is down with a bad illness.

Hak is not ill, but even he can’t take on a huge group of soldiers all by himself. Yona is fine as well, but Hak knows very well this is not a fight for her no matter how much she’s improved – the numbers are too bad. And then there’s Zeno, the last of the not-ill group, who has been, for the past several volumes, “the goofy one” for the most part, who has to fly into action after all the others (including the sick guys, who try their best but are severely underpowered) are taken down and Yona is surrounded, and… well, immediately gets a sword through the chest. Ow. Fortunately, it turns out that Zeno has a few secrets of his own, though given that it’s part of the cliffhanger, it will be till the next volume before we get to see that. There’s also a short story at the end showing Jaeha’s past with his predecessor, which again reminds us of the difficulties of being a Dragon.

Yona is always exciting and fun (even in the most serious of scenes, there’s usually one or two asides that are hilarious – my favorite this volume being Yun’s “I know I’m a great catch, but I’m a boy.” Rest assured, this volume of Yona will keep you thoroughly entertained.

My Hero Academia: School Briefs, Vol. 1

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By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

Shonen Jump series tend to have a lot of light novels based off their parent series, but just because those come out in Japan does not mean they are a success over there. Even Naruto, the juggernaut, had its post-series light novels quietly dropped after only three of the six books were out. But My Hero Academia is the new Juggernaut, the Deku to Naruto’s All Might, and so it seems appropriate that we give it a try with this first in a series of books about the “daily lives” of the cast. No major plot points, just fun. This book seems to take place around the 7th volume of the series, though if you haven’t read the 11th volume you may be spoiled for Bakugo’s mom. As that sentence indicates, the subject of this book is Parent’s Day, where out student heroes have to have the family visit. This being UA, the teachers have a surprise in store for them, however…

As you might guess, with a cast this big, not everyone gets a spotlight – even Bakugo is mostly sidelined. Not everyone is fond of Parent’s Day either, particularly Todoroki, who wants his mother to go but knows that she can’t, and really does NOT want his father to know about it at all. (Which leads to a great punchline at the end, that does not shy away from Endeavor being a horrible dad.) Fortunately, his sister is able to go. Meanwhile, Iida has tickets to an amusement park, and invites the main cast, but none of them can make it. So we end up with the odd foursome of Iida, Tokoyami, Kaminari, and Mineta. Meanwhile, Uraraka is trying to buy supermarket bargains (the book is great at reminding us how poor she is compared to the rest of the cast, particularly Yaoyorozu), but is distracted by an apparent shoplifter. And then there’s Parent’s Day itself, which turns out to be a lot more dramatic than the kids thought.

There’s good and bad in this volume. It’s trying to strike a balance between “engage new readers” and “write for fans of the series”, so there’s a lot of introductory stuff telling us who the cast is and how quirks work, etc. It makes it feel like a book that’s geared towards younger readers… were it not for Mineta, who is in this book quite a bit, and remains the worst thing about the series. Even something that is meant to be heartwarming, such as Tokoyami bonding with a lost little girl who’s scared of birds, gets ruined by Mineta saying that when she grows up, she’ll be a hottie and hitting on the girl’s mom. I hate him. He also drags Kaminari down with him, though that’s true in the manga as well. The book is best when it’s delving into things that Horikoshi has not had the time to really delve into, such as what’s it’s like for a child when their quirk first manifests (it can be terrifying), or enjoying the friendships of a group that is still learning about each other at this stage.

This is a fast read (don’t let the page count fool you, it’s short) and, Mineta aside, a lot of fun. There’s even a few touching scenes, particularly with Todoroki and Tokoyami. Fans of the series should like it quite a bit.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 13

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Winifred Bird.

When I had reviewed the Lyu spinoff of this series, I had wondered why we did not get the actual flashback showing how her Familia were all killed, and what set her on her roaring rampage of revenge. As you read this novel, it becomes clear: the author wanted to save it till we got to this point. Picking up right where the last book left off, and not even allowing Bell and company to emerge from the Dungeon (Hestia gets a small cameo to remind us she exists), this volume points and laughs at all the people who thought that we couldn’t possibly get even more over the top. A murder that sees Lyu as the prime suspect drives a bunch of 18th floor mercenaries and adventurers to hunt her down, and Bell’s team tag along because they think something more is going on here. They’re right, but the murder investigation soon becomes secondary to something far more important: trying not to be killed and left in a bloody mess.

As noted by the author in the afterword, we also get a much larger role here for Cassandra, the adventurer who, like her namesake, has prophecies that no one ever believes. She’s aware of this, and so this time decides not to lay it all out for people (it’s hard to interpret anyway, beyond “everyone will die), and instead tries to go along and see what she can do to help stop it from happening. Sometimes this is really great – the extra armor she has Welf make for Bell (which, amusingly, is a scarf, making it look like a present from a girlfriend) is ridiculously strong, and Bell would absolutely be dead by the end of the book without it. Unfortunately, she can’t really stop a landslide once it’s actually started, and once the true monster of the book gets going, she almost completely shuts down in despair and fear.

Speaking of which, this is a very different Lyu to the one we’ve seen before. To no one’s surprise, she’s not the murderer, but that doewsn’t mean that she isn’t rampaging through the dungeons, having spotted someone she thought long dead – because she killed them all. As I noted above, here we get the full story of what happened to her Familia, and why she’s so traumatized by the whole thing – in addition to the juggernaut killing everyone, she actually “sacrificed” some of her family members to escape… or at least that’s what she and the bad guy think, I suspect the actual reality is likely a bit different. Fortunately, she has Bell by her side, who is ridiculously impressive in the fights towards the end of this book, which are mind-bogglingly good. No one writes non-stop action and deep emotions at the same time quite like Omori does. The 5th chapter is worth the price of the book alone.

Sadly, and with the author apologizing to us for doing it again, there’s a cliffhanger here, so we’ll have to wait till the summer to see how Bell and Lyu get out of this. Not to mention Cassandra and the rest of Hestia Familia are still down there. I suspect it’ll all work out, but I dunno, DanMachi can get pretty dark. It’s still in the top tier of light novels right now.

Transparent Light Blue

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By Kiyoko Iwami. Released in Japan as “Toumei na Usui Mizuiro ni” by Ichijinsha, serialized in the magazine Comic Yuri Hime. Released in North America by Seven Seas. Translated by Katrina Leonoudakis. Adapted by Asha Bardon.

This yuri manga, right off that bat, had something different from the usual that made me raise an eyebrow: there’s a guy in it. In a major role, no less. A lot of the more recent yuri titles tend to avoid having men in them altogether, taking place at all-girls’ schools and the like. There’s a good reason for this: yuri fans tend to regard any guy in a title where they have ship preferences as the absolute worst. Just ask old-school Tomoyo fans about Syaoran in Cardcaptor Sakura. Having a cast be all girls does not remove the drama, necessarily, but it does allow the drama to happen without the worry of “what happens if this is just a tease and the het couple winds up together?” That said, that’s unlikely to happen here, as the magazine this comes from, Comic Yuri Hime, has yuri as the definition. So we do get a guy, and even worse, he’s a childhood friend.

Ritsu, Ichika, and Shun are all childhood friends. Unfortunately for Ritsu, Ichika and Shun have begun to date. This is particularly unfortunate as Ritsu is also in love… with Ichika. Yes, it’s a standard love triangle, only in a yuri fashion. Ritsu is torn up by this, but at least Ichika remains close to her, even allowing the other girl to clean her ears (a very intimate act in Japan). Ichika’s trust moves Ritsu to kiss her while she’s sleeping… which Shun walks in on. From that point, there’s lots of melodrama, discussion of who likes who and why, and teen angst. In the end, though, Ichika feels safest when she’s with Ritsu, and likes her back. I really liked that the manga makes Ritsu morally dubious while keeping her the heroine, and also doesn’t make Shun a villain, keeping him the childhood friend who realizes that his girl is going to go off with another girl. I could have done without the ear cleaning porn noises, admittedly, both at the beginning and as a plot point.

As with a lot of these sorts of single volume titles, there’s not enough material for a full volume, so we get Apron, a story of a girl at a cafe who’s in love with another female employee. She’s caught sniffing said employee’s clothing by her coworker, who has a similar height and build to the other girl, and therefore is semi-blackmailed into wearing her apron so that she can pretend. Unfortunately, the girl she has a crush on is fooling around with the (male) manager. Fortunately, the coworker she’s been using also has a secret they’ve been keeping. This chapter is not really allowed to get as deep as it possibly needs to, and feels a bit too pat as a result. That said, the author is very good at drawing crying faces of angst, and we get some good ones here.

This promises a quick-hit volume with some yuri, and that’s what it delivers. I think fans of the genre will enjoy it.

The Irregular at Magic High School: Visitor Arc, Part III

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

A word of warning that I’m still mostly grumpy about this volume, as I have become about this series in general. I think it’s become something where I’m interesting in seeing where the author takes things, but hate every decision he makes when he takes them. This volume wraps up the arc with Lina coming to Japan and Shizuku going to America, and also the killer “parasites” that do, in fact, kill more people before they are taken down. There’s also graduation, as Mayumi and the rest of her year move on to University – though not, the author reassures us, away from the story, though no doubt they will appear less. And there are some nudges towards the main plotline, as Erika figures out what family Tatsuya is really from. I was thinking at the start of this arc that she, like Honoka, might actually confess to him, but that’s unlikely to happen now. Besides, we know which ship will win.

I am almost at the point with Tatsuya and Miyuki where I wish they DID sleep together, if only as it would provide an excellent dropping point. But no, we continue to have Miyuki try to be the dutiful little sister even as her thoughts are growing more and more romantic and sexual as she gets older. As for Tatsuya, well, he’s ambivalent to everyone else, and seems to be pushing back on Miyuki when she takes things too far, but it’s hard to gauge his feelings on the matter given his past and lack of emotions. That said, I’m not really rooting for Honoka here either, who seems to have forgotten she confessed to Tatsuya and was rejected several volumes ago and is goaded by Shizuku (over the phone, and likely sleep-deprived) to press her case harder. This does lead to the funniest part of the book, where Honoka “makes herself useful” against the forces tailing them in a way that you know would have made Tatsuya facepalm if he had the ability.

As for Lina, her arc overall was “there’s always someone better than you”, in this case Tatsuya and Miyuki, showing her that she’s not as terrific as she thinks she is. Which is fine. I was far less happy with the “you’re too nice to be a soldier” bullshit from Tatsuya, which I’m fairly sure he would not have said had Lina been a man – but then if Lina had been a man I suspect her character would have been killed off anyway. It’s also a bit off that we never really see Lina reuniting with her superiors, or how they felt about her performance. I’m sure she’ll show up again, but it’s likely going to be a while, and I bet I’ll never really see resolution there, just as we never really resolved the 2nd part of the Nine Schools Competition after it got attacked. The author drops loose ends like crumbs.

We start the new school year next volume, which seems thankfully to be a single volume arc. I’ve no doubt that we’ll expand the cast with exciting new freshman. Till then, I’m honestly happy to see the back of this arc.

86 –Eighty-Six–, Vol. 1

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

I have a certain reputation for being a softie, and will freely admit that I drop series sometimes just because I find them too bleak and depressing – in fact, see my review of WorldEnd a few months ago. But sometimes I get a book that, even though it is unrelentingly downbeat and cruel, I end up enjoying far more than I thought, simply because the writing is so damn good. Such a book is 86, a blunt look at war and racism seen from an alternate universe that seems eerily close to our own at times. It examines how easy it is for people to fall into hatred and murder, how being idealistic and thinking something is wrong is not really enough when you’re in a position of great privilege, and the constant physical, mental and emotional strain of being a disposable soldier whose “leaders” want them to die. I was depressed while reading most of the book, but I absolutely could not put it down. It’s stunning.

The Republic of San Magnolia is at war with the Legion, weapons of the Empire. Fortunately, they have unmanned drones to fight the battles for them! Unfortunately, their technology isn’t great, so their “unmanned” drones are manned by the Eighty-Six. There are 85 Sectors in the Republic, and it decided to take all those who weren’t “pureblood” and put them in an 86th, which is essentially a concentration camp, and send them out to fight the war. They’re not people, after all, just subhuman pigs, so it doesn’t matter what happens to them. Our story follows Lena, a young idealistic “handler” who thinks this is wrong, but also thinks that she can do something about it by virtue of forcefully making her point. She’s assigned to a new group of Eighty-Six, the crack squad who are on the front lines preventing an invasion of the Republic. Unfortunately, her squad is getting diminished by the day. And they have no respect for her. And the enemy are horrifying.

This is absolutely a book with an agenda, make no bones about it. It’s about human dignity and rights, and how easily everyone can throw away someone else’s for their own. The technology of the “Legion”, which is a bit higher than the Repiblic’s, allows for a truly terrifying scene where we see what has happened to many of the 86s who have died in battle, and it causes Lena to have a bit if a screaming fit. There’s also several scenes where Lena has her hypocrisy and privilege pointed out to her in the most caustic of terms, and she’s the one who grows the most in this book, to the point of sacrificing almost everything – but not her ideals. Despite being unrelentingly grim, the book somehow avoids being cynical. I honestly felt it was a one-volume series till the very end – it was apparently written for a competition, so had to be self-contained. (It won.)

I hate to repeat myself, but I don’t think I’ve been this blown away by a first volume in quite some time. If you are tired of isekais, or tired of fascism, or just love good prose, and don’t mind a lot of death and degradation, 86 is absolutely a series you should be reading. Highly recommended.

Plunderer, Vol. 1

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By Suu Minazuki. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Yen Press. Translated by Ko Ransom.

Yes, yes, OK, I should have known better. Sometimes I preorder new series without paying much attention to what’s actually going on. Like, for example, the fact that this is written by Suu Minazuki, creator of Gou-dere Sora Nagihara, which I wasn’t fond of; Judas, licensed digitally by Viz but looking to be along the same lines; and Heaven’s Lost Property, whose length is probably the only reason it too was not brought over here. The author has a reputation for fanservice, let’s put it that way. Now he’s turning his attention to fantasy with this series, which features a plot which made so little sense that I had to go back and read the explanation again. It also gets pretty dark, to the point where I wonder if the editor said “can you add some blatant panty shots to cheer the reader up?” and the artist smiled and gave a thumbs up. That said… it’s written for an audience of teenage boys, and boy, does it know that market.

We start off with Hina, a young girl (she seems to fall into that “am I eight years old or sixteen?” type) who is searching for the Fabled Ace, a war hero who may or may not be a legend. Instead she finds a perverted guy who wears a mask, whose goal is to look up her skirt, and a nice bartender woman, whose goal is to explain why everyone has number tattooed on them. Each number is a thing that a person can achieve – the bartender has a number that’s the times her food has been called good, while Hina’s is apparently the miles she’s walked – and when that number hits zero, the person is sucked up by black tentacle things and sent to “The Abyss”. The achievement can be ANYTHING, which makes it simply confusing. Moreover, Hina is naive and trusts too easily. Fortunately for her, she has an ally, sort of. Unfortunately, it’s the pervert in a mask.

This series runs on fanservice to a large degree – when Hina has to disappear from the plot for a bit, we are introduced to a young sergeant major in the military who fills much the same position – and I absolutely do not recommend it to anyone whose tolerance for panty shots is low. That said, what about the rest of it? Well, I’ve made my opinion of the “count” thing clear, I think it’s overly confusing and a plot convenience. The actual plot is following Hina and Licht (the guy in the mask) as they try to avoid everyone going after her as she has a “ballot”, which is another macguffin that means essentially “whoever holds this has power”. The overall tone of the manga suggests it’s going to be fairly grim, and I suspect a few of the cast are not going to survive. That said, this is written by a creator who’s been around for several years, so the composition is fine, and the fights are exciting enough.

Basically, this is a volume that hits its demographic, but ONLY its demographic. If you’re a teenage boy, you’ll love this. All others should read something else.

True Tenchi Muyo!: Washu

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By Yousuke Kuroda and Masaki Kajishima. Released in Japan as “Shin Tenchi Muyo! Ryo-o-ki” by Kadokawa Shoten. Released in North America by Seven Seas. Translated by Lillian Olsen. Adapted by AstroNerdBoy.

The subject of this book may come as a surprise, given that the first two books in this series focused, not on Ayeka and Ryoko, but on Ayeka’s father and Tenchi’s grandfather. But yes, the third book is out, and finally we have one that gives us backstory on one of the main cast. The prologue to this story takes place after the Tenchi OAV episode where they all have to take care of the baby, and expands on Washu’s past that came out in that episode, which was that she’d had a husband and child, but they were immediately taken from her. As such, the bulk of the book goes back in time – way back – and shows us Washu as a young woman, leaving her adopted home planet and going to the Imperial Academy’s Department of Philosophy… at the age of eighteen, smashing all records. There she meets a familiar young man…

First of all, it’s simply odd to have most of the book dealing with a Washu that isn’t 20,000 years old (cryofreezing notwithstanding). Washu here is young and idealistic, though she’s already starting to work on her snarky side. This is helped along by her sempai at the academy, Naja, who seems to be another one of those characters that all Tenchi fans should know about because they read the ancillary material. Naja basically fulfills the function of Airi in the last book, only without the romance (mostly: there is a hint that Naja’s moaning about boyfriends is a front for something else, but it never goes anywhere and also plays into uncomfortable “watch out for the predatory lesbian” territory once or twice). No, the romance comes from a young man who has a knack of walking in on Washu even when she’s in libraries with very tight security. They fall in love quickly, and have a child, but he has a Secret Past (a theme in all these books), and their love is quickly shattered.

It is, to me at least, a bit disconcerting that Washu’s husband is basically a Rule 63 Mihoshi. It’s a bit less surprising for those who’ve seen the other OAVs and know that Mihoshi’s family and ancestors all look almost exactly the same, but disconcerting nonetheless. The best part of the book is simply watching Washu have to deal with being a big fish in a very big pond – everyone wants to treat her like a VIP, and she hates that. It’s also amusing to see Dr. Clay, the pathetic villain in the 2nd Tenchi OAV series, as a pathetic younger villain in these books – well, villain is the wrong word. Jerk? The best part of the book may be Washu’s covert meeting with her husband’s new wife, which leads to a jaw-dropping bit that the narrative, thankfully (if sadly), did not take. Very well done.

There were supposed to be three more books after this one. I believe the fourth was about Mihoshi’s family, and may have finally given us the backstory to her that only the OAVs really had (it was hinted she was a crack, serious police officer till something broke her). Alas, it’s been twenty years, so I think this is all we get. Still, it’s a wonderful nostalgia trip for Tenchi fans.

Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer), Vol. 3

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By Tsukikage and bob. Released in Japan as “Darenidemo Dekiru Kage kara Tasukeru Maou Toubatsu” by Famitsu Bunko. Released in North America by Yen On. Translated by Caleb DeMarais.

It’s becoming clear that these books live or die based on the “guest” characters. The last book had a poor orphan girl who was so fed up by the antics of Ares and Amelia that she willingly went along with the villain at the end. But she was somewhat grounded, and this made everything easier to take. This time around we have Stephenne, whose joke is that everyone assumes her to be faking her “dojikko” personality because no one could truly be that dumb and unaware, but nope, what you see seems to be what you get. If anything, Stephenne helps to highlight one of the points of the book. Everyone is appalled at her basic personality, especially because she’s a super high level and can crush most things. Why would you not have her in the party? Well, because she’s like that. Yes, I just describes Ares. Replace “dojikko” with “asshole” and they’re the same character. No wonder his boss gets headaches just talking to him. It’s like watching Maxwell Smart and the Chief.

The premise is much the same as last time – our hero party has entered a new place, but they need to level up and get stronger, so Ares and company tail them and try to facilitate things. Stephenne is supposed to help on both sides, but she’s such a walking disaster that no one wants anything to do with her. In the meantime, Golem Valley, where this book takes place, seems to be distressingly free of dangerous golems. Oh, there’s enough so that the hero can defeat them, but where are the super strong ones? As Ares investigates, he finds that the demon lord has also sent a party to Golem Valley. A confrontation is needed, and Ares has to do the only thing he knows how to do really well: piss everyone off.

Last time I found Ares slightly less obnoxious and awful, but that’s changed once more – he’s really terrible in this book, and you absolutely can see why most sensible people want nothing to do with him. Amelia, who is in love with him, isn’t much better, as for God’s sake, WHY? Seeing her jealousy at Stephenne hanging out with Ares and her increasingly unsubtle hints just makes me wince. They’re helped by a half-giant turned priest, who’s the nicest, most relatable character in the book and ends it by now speaking to Ares. Meanwhile, the hero party are suffering from now being good enough to defeat most low-level threats. All the major flaws from the first book have been explained or are about to be fixed. Unfortunately, that makes them all rather dull, with most of the interest, again, coming from Stephenne interacting with the party and being herself.

I’m not sure how much we’re supposed to sympathize with Stephenne here – the author doesn’t seem to like her much either, and the ending where her spirit familiar abandons her seems to be mean. But then the book runs on mean, because Ares is its star. It’s well-written and I like the plot beats, but man, you grit your teeth reading it. The fourth volume seems to be the last so far in Japan – perhaps Japanese readers feel the same? (EDIT: No, it’s apparently that the author is working on more than one series. It is still ongoing.)

Total Eclipse of the Eternal Heart

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By Syundei. Released in Japan as “Gesshoku Kitan” by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas. Translated by Amber Tamosaitis. Adapted by Lora Gray.

I was quite happy to read another manga by this author, Go for It, Nakamura-kun!, and so I decided to pick this up, figuring it would have more entertainingly mild BL and wacky retro-style humor that reminded me of Rumiko Takahashi. In a way, I was right, this did remind me of Rumiko Takahashi. But it’s along the lines of Mermaid Saga rather than Ranma 1/2. Total Eclipse of the Eternal Heart is another done-in-one series from Syundei that ran in Opera, but there the similarities to Nakamura end. This is a brutal horror story, filled with murder, revenge, reincarnations, and reincarnated revenge. It’s very much a mood piece, and while I did end up enjoying it I’d say it doesn’t quite reach the same audience as Nakamura did. It’s also a lot more explicit than Nakamura was – here be blowjobs, and there’s some non-consensual sex sprinkled throughout. That said, if you like dark BL and suspense/horror, this is definitely worth picking up.

Hoshino is a young man at an all-boys’ school with a crush on his classmate and a recurring dream where he’s killed by an older man. His crush, Yamada, comes on a bit too strong, and is a lot more comfortable being gay than Hoshino seems to be. Things get a bit more complicated when, after suddenly getting kissed in the park after school, a blond boy shows up and brutally murders Yamada. Horrified, Hoshino calls the police… only the body is gone. Now he’s in trouble with the cops. What makes things worse is that the next day Hoshino sees the blond on the street… and the blond has no memory of anything that happened the previous day. What exactly is going on with Yamada? Is he really dead? Is he also connected to Tani, another classmate in their school? Or the writer that Yamada lives with… and sleeps with? And what does this have to do with Hiroshi’s dreams of getting killed in the past?

This is a riveting read, and I really enjoyed the story, but I’m not certain that I’d call it fun. There’s no consensual sex here – even the kiss Yamada gives to Hoshino is forced on him – and Yamada is a twisted villain… well, sort of a villain. As I also said, there’s a lot of brutal murders here, of various kinds, from stabbings to drownings, and the book, while it doesn’t revel in the violence, does not back away from it either. The best reason to get the book is the creeping sense of doom and suspense that goes along with turning the pages. The mystery, being somewhat supernatural in tone, isn’t much of one, but the mood is great, and there’s a twist at the very end that I really loved, one that only works with the logic of everything that came before – or rather, a lack of logic that comes with this type of story.

This isn’t for everyone, but if you like your BL with a side of suspense and don’t mind the violence – sexual or otherwise – it’s a good read.

Everyone’s Getting Married, Vol. 9

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Everyone’s Getting Married Volume 9 by Izumi Miyazono

I’m always glad when Viz puts out stealth josei under the Shojo Beat imprint, and while it might mean only one josei series from them running every year or so, I’ll take what I can get. The final volume of Everyone’s Getting Married reminded me a bunch of a last episode of a Korean drama, because Ryu and Asuka keep quasi breaking up and getting back together after long periods of time pass. Couples separating and reconciling in a dramatic fashion after many years is such a Korean drama staple!

everyone's getting married 9

All along, Ryu’s fervent opposition to marriage and Asuka’s total commitment to becoming a homemaker as her ultimate goal created plenty of dramatic tension throughout the series. It was difficult to envision a happy ending where both of them would be fulfilled, but this final volume showed in an episodic fashion how their personalities shifted a bit after they paused their relationship. Asuka started finding more fulfillment and rewards at work, while Ryu realized that he can’t be solely committed to his career. It takes the wedding of an equally unlikely couple, Rio and Hiroki, to bring Asuka and Ryu back together for good. This volume was much more episodic in nature than previous volumes, with the story unfolding more like a series of vignettes. I put down this volume appreciating all the emotional depth Miyazono brought to the story. Since most of the Shojo Beat imprint focuses on high school romance, it was refreshing to have a series featuring adults dealing with relationships and commitment issues. Now I’ve just got to be patient for fall when the Maki Enjoji series An Incurable Case of Love comes out for my next mainstream josei fix from Viz.

So I’m a Spider, So What?, Vol. 5

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

There are a few series where you simply have to wait a few volumes/episodes for it to get really good. In fact, that’s the cry of the obsessive fan trying to get someone to try things. “By the way, it only REALLY gets good about the 26th episode!” they say, and then cry as they watch the interest in their new friend’s eyes die. But it’s true. Take, for example, the series So I’m a Spider, So What?. The first few volumes, while entertaining, suffered from a very real problem, which is that the spider slowly making her way out of the dungeon, along with the endless leveling up and pages of stats, was not inherently interesting. There were moments of excitement in the fights, and some plot development, but having her totally separate from the rest of the main cast was annoying – especially as it turned out she was separated by time as well. But now the spider is on the surface and interacting with the world. The result? The best book in the series, by far.

As with prior volumes, the books are divided into two segments which alternate. The first deals with our spider, who has run into a fellow reincarnated student, who is a vampire baby. Her parents are human, though, “vampire” is just the role she got when reincarnated. Spider takes an interest in her, and ends up getting embroiled in a fight between two countries that is turning deadly. There’s also a very familiar elf who wants to get that vampire baby… and kill her. Oh yes, and there’s also the demon lord, who is rapidly becoming a bit… different, personality-wise, thanks to one of Spider’s other minds hacking away at her own. Now I know why I thought Ariel was our heroine when I first met her. She has the “narrative voice” in her outward personality. But the spider (who I won’t name just yet, but we do seem to find out her identity here) is actually, when we’re not in her headspace, socially awkward and mostly silent.

Meanwhile, in the future, the demon lord’s army is taking on the elf village. The elves were not exactly nice when we went into the village last time, and here we find they’re possibly worse than the so-called villains – they’re dismissive of humans, physically abusive towards Anna, the half-elf girl, and in general you are not all that troubled by the idea of them getting wiped out in this battle. Which is good, because it’s leaning that way. Sure, the kids’ teacher is the elf leader’s daughter, but there’s only so much she can do, especially as everyone doesn’t trust her. And there’s the revelation that most of the “missing” kids – and indeed, one who was presumed dead – are on the side of the demons. It’s troubling for Shun, who is still a very shiny and noble hero. That said, one of the two or three cliffhangers we get here implies that may be changing soon.

While the “spider” part of the book ends in a very satisfying place, the “hero” part of the book is riddled with “what happens neeeeeeeext?” questions. Sadly, we’ll have to wait till the summer to find out. Till then, though, enjoy a book with excellent plot and character development, less stats than previous books, and some gripping fights. Really loving this now.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 2

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Shobo. Released in North America digitally by Yen On. Translated by Andrew Cunningham.

Here we are with the second volume of everyone’s favorite parody. Last time, I was very pleased with the over the top humor and the fact that, desp[ite “lol incest subtext” being the premise, the book did not lean overheavily on any actual incest subtext. That’s still the case with the second book, which is not QUITE as funny but still has lots of amusing moments. Now that it’s an ongoing series, the author has to figure out how much it can rely on “this is a parody” and how much it actually has to take its plot seriously. Sometimes it doesn’t succeed – there’s a couple of stock fanservice moments in the middle of the book that are meant to be funny but made me cringe. Fortunately it fares better with its ongoing plot, which is comparing and contrasting Mamako to other moms in this game and realizing that she is, in fact, pretty awesome.

As the cover might have warned you, this second volume gets Mamako into a sailor suit school uniform. Our heroes find their next quest involves taking a week of school at a stock high school with NPC Teacher guy and a class so generic that their faces are literally ASCII art. Technically it’s kids-only. In reality, Mamako is there as an “observer”, and of course can’t resist taking up the spotlight and embarrassing her son. Also there is a pretty newcomer, Medhi, and her own mother (who is named “Medhimama” throughout the book, but I’m assuming that’s shorthand, as opposed to Mamako’s blatant actual name). Medhi is saddled with a classic “Education Mama” to the nth degree, who insists she be number one in everything. And while Medhi seems to be taking this with grace and patience, in reality she’s a seething cauldron of resentment waiting to go off.

Let’s get this out of the way immediately: the middle of the book has Mamako briefly molested by a tentacle monster, though it doesn’t get very far. There’s also a scene where Mamako has to apologize to customers for something (school festival booth), and her bouncing breasts are leered at quite a bit. These two tropes are not particularly part of what Mom Isekai is parodying, and so I am less inclined to give them a pass. They’re bad. Also, and possibly running the risk of taking this series too seriously, the relationship between Medhi and her mother is pretty abusive and toxic, a fact explicitly spelled out. As a result, I was a bit annoyed that Medhimama was possessed by some sort of illegal “dark item” (it came up last time as well, if I recall) that made her much worse. This makes it sound like the abuse was not her fault, which isn’t what the author wanted to say, I suspect. On the brighter side, the relationship between Mamako and her son is much better in this volume. He’s a good kid, and she’s a good, if overly affectionate, mom.

I still enjoyed this volume in general, even with my carps above. Those who like wacky parodies will still enjoy it, those looking for hot hot mom-son love will probably be frustrated. And it definitely needed more of Mrs. Shiraaase, who appeared far less this time around.

Ran the Peerless Beauty, Vol. 1

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By Ammitsu. Released in Japan as “Takane no Ran-san” by Kodansha, serialization ongoing in the magazine Bessatsu Friend. Released in North America digitally by Kodansha Comics. Translated by Nate Derr.

One of the running themes of this blog has been about how a manga can be good even if it is not original. Trying to describe Ran the Peerless Beauty simply by the plot and characters alone might have a reader who’s very familiar with shoujo rolling their eyes and moving on, or at least asking how much it felt like reading a secret, 31st volume of Kimi ni Todoke. (Answer: a whole lot.) It’s true that the premise does not really surprise. But I enjoyed this first volume immensely. The romance was sweet, both leads are nice people who get along with a minimum of teasing. Ran is introverted without being a shrinking violet. Akira is ‘the popular guy’ but lacks the ego that frequently goes with it (I’m looking at you, Hatsu*Haru.) It’s also frequently funny without actually being a comedy. It’s kind of like finding a new burger place. It’s still a burger and fries, but man, it’s tasty. You want to come back.

We are introduced to the titular Ran, who is tall, gorgeous, gets great grades, is good in sports, family is well-off, etc. She’s so maxed out on perfect attributes, in fact, that most guys never even try to approach her. It doesn’t help that she’s fairly stoic and introverted. She’s on the school’s gardening committee, but that’s more to fill out its ranks than anything else. One day, while watering flowers and thinking about other things, she accidentally soaks one of her classmates, Akira. He’s a popular guy in her class, nice, talks to everyone… grades not so great, but hey. He thinks she’s cute. He also has a dark secret. OK, not so dark. His family runs a florist shop, and he’s very good with flowers! Ran discovers this, and the two gradually become closer.

I like these two a lot. Ran is sort of like a less intense Sawako, as she soon comes to appreciate things around her and open up to Akira. Akira is the sort of boy you’d call ‘refreshing’. The rest of the cast hasn’t quite opened up yet (Ran’s best friend is there to be the extrovert to her introvert, but we know little about her except that she had a boyfriend, then broke up with him.) Mostly, though, I enjoyed this so much as I did because of the little stylistic things. The artist has lots of side comments and funny background events that reminded me of the old cluttered Hana to Yume manga. It’s not a comedy per se, but there’s lots of funny bits that come from this, and I like that Ran’s family is a normal goofy shoujo family. Best of all may be the portrayal of the Student Council, who are all, men and women, the complete cliche of the “student council member”, as if they were chosen based entirely on their looks.

So yes, the plot is “cute buy meets cute girl and they cute together”, but that’s fine by me, and I found a great deal to enjoy here. There’s far too many Kodansha series that are digital only for me to keep up with, but this is going to be one I’ll definitely make an effort on.