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The Moonlight That Surrounds Me 1 (Japanese) by Saki Hiwatari: C

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From the back cover:
Rin and Alice have brought closure to their past lives and are living happily. Their son, Ren, is a completely normal boy. One day, his guardian angels appear to him. But what is their true form!? And what is the power closed inside Ren!? Inherited thoughts and abilities… The first volume of the long-awaited Please Save My Earth second-generation series has arrived!

Review:
Alas, this is not very good. I didn’t expect much, but reckoned for something better than this.

Ren is likeable (and kind of goofy), but because he couldn’t resist bragging about his parents’ powers at school, everyone there thinks he’s a liar. His only friend is Kachiko, daughter of ESPer Mikuro. In the first of three stories, the spirits of Shion and Mokuren protect him from a villain practically straight out of Sailor Moon.

In the second story, Kachiko and her tiresome angst about her father spending time at his ESP research job in America take center stage. It grows worse when Shion gets involved and imbues Ren with powers so he can go harrass Mikuro for making Kachiko sad. I feel like Shion’s dignity has been sullied.

In the last story, Rin has no memory of promising his son to tell him about Shion and Mokuren, so everyone worries about him acting strangely. Turns out, Shion has been “hijacking his consciousness” because he wanted to interact with Ren.

Also, Shion and Mokuren can now apparently appear in the physical realm to those with ESP ability. The only scrap of explanation given for why they never did this in the first series (that I recall, at any rate) is a lack of motivation. Uh-huh. Shion was pretty motivated to get those passwords.

Lastly, Hiwatari’s artistic style has changed a great deal and I don’t like it as well. Jinpachi looks absolutely nothing like the character did in the original. I realize they’ve grown up, but the rest are still recognizable, even if it did take me a couple of seconds to realize who Shion was upon his first appearance.

I doubt I’ll be continuing with this series. Hiwatari herself admitted she doesn’t know where things are headed. The only truly interesting parts to me were the moments where Alice and Rin were alone together, or when it became clear that Haruhiko still has feelings for Alice, and even those weren’t enough to quell the notion that maybe I should’ve just let the original stand on its own.

Demons Are Forever by Julie Kenner: B

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From the back cover:
It isn’t easy when your daughter’s figured out that her mom’s a demon hunter—and wants to grow up to be just like her. Or when you suspect your dead husband used the forces of darkness to filch the body of another human. Moreover, Kate’s acquired a precious but deadly item that every demon within commuting distance wants. With husband woes playing havoc with her emotions, an ambitious teenage protégée at her heels, and hell to pay, this stay-at-home mom is putting in a lot of overtime.

Review:
I really can’t explain how I wound up kind of addicted to this series. It’s got some major flaws: the demonic threats usually aren’t very interesting, the turns in the story are often predictable, and the protagonist is still pretty bland even after three books.

In this particular installment, a new hunter is introduced who could not possibly be more of a Faith clone, so her inevitable betrayal is not one bit surprising. There’s also no suspense regarding the item the demons are seeking, since the story structure goes like this:

1. An old ring with a ruby gemstone is found in ex-husband’s possessions.
2. Demons demand to be given “the stone.”
3. Good guys are clueless.
4. Readers roll their eyes. “Oh, golly gee, could it be the ring?!”

And yet… I’m kind of caught up in Kate’s dilemma over finding out the soul of her first husband is still around. The ending also promises all kinds of interesting things concerning this plot line, so I find myself actually annoyed that the next volume won’t be out until July. How did this happen?

Holiday ramble

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Happy holidays! I hope you’re all enjoying yours, however you choose to spend them. It’s been a bit of a strange holiday season for me, I admit. This is usually my favorite time of year, but everything has had a bit of a damper on it this time around. This year has been like that overall, I suppose, but I’m still surprised to find myself with anything even approaching the holiday blues. It is very unlike me. I hope this year remains an anomaly, as I don’t especially wish to repeat it. I did enjoy time with family, which was a true pleasure.

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The Man in the Queue by Josephine Tey: B-

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From the back cover:
When they found the stranger stabbed to death in the queue outside the theatre, it was his complete lack of identity which struck everyone as very odd. The labels on his clothes were missing and nobody came forward to claim him. Inspector Grant of the CID has no choice but to travel deep into the theatrical world in his efforts to build up a picture of the nameless man. As the picture builds, Grant must cast his net ever wider as the dead man and the murderer slowly give up their secrets.

Review:
Luck and fingerprints. That’s how Grant seemed to operate. Oh, and much theorizing in advance of the facts with a dash of foreigner-bashing thrown in for good measure.

As the case progressed along by a series of coincidences, I was initially annoyed; it really didn’t make for much of a story. Grant had no clue there was a witness until one showed up to talk to him. And then he just so happened to run into a man fitting the description given by the witness while walking down a London street one evening. There wasn’t much delving into character.

By the end, though, it seemed more like Tey was doing this on purpose to thwart the image of the omniscient detective so prevalent in crime literature of this period. Many, if not most, of Grant’s hunches and assumptions were proven incorrect. He failed to think of things that could have significant bearing upon the case. In fact, he did not actually solve it, though there is closure on the point. For the novelty of that alone, even if the mystery itself wasn’t that great, I enjoyed the book.

I’ll keep running, even barefooted, because I can’t give this up.

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The holidays are quickly approaching, and everything is madness, both in my professional and personal life. Still, we’ve found time for some reading/viewing, most of which has been Kino’s Journey (Kino no Tabi). I wrote a little bit about this the other day, but like most things I love, I can’t seem to stop talking about it.

I have fallen for this series hard, and I think a lot of it has to do with the fact that, while most of my favorite manga and anime characters are men/boys, the protagonist of Kino no Tabi is a …

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“the world is not beautiful, therefore it is.”

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It’s been a while since I’ve written here, primarily due to stress and illness, both of which are still with me. Tonight I am snuggled under and electric blanket with my pup at my feet, and as usual, these things make me want to talk about manga. Actually anime, tonight, I guess. Heavy cold and flu medicine have made reading difficult, though I am still working my way through the Bleach manga, and have re-read Fullmetal Alchemist 13 & 14 in anticipation of the English release of volume 15, which should be sometime this month, I think.

Speaking of Fullmetal Alchemist, I must take this opportunity to tell you all that my workplace Secret Santa (who today was revealed to be our creative director’s assistant, Chelsey) has outdone every Secret Santa in the history of time by making me an Elric Brothers shrinky-dink keychain. I repeat, an Elric Brothers shrinky-dink keychain. That’s right, she drew Edward and Alphonse Elric on a shrinky-dink, baked it, ran a key ring through it, and gave it to me for Christmas. I spent much of this afternoon admiring it, and now my coworkers may believe I am insane. I will attempt to blame this on the illness.

Anyway. Continuing. Not even illness can stop the consumption of anime, so that’s what I’ll talk about tonight. …

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Payment in Blood by Elizabeth George: A

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From the back cover:
The career of playwright Joy Sinclair comes to an abrupt end on an isolated estate in the Scottish Highlands when someone drives an eighteen-inch dirk through her neck. Called upon to investigate the case in a country where they have virtually no authority, aristocratic Detective Inspector Thomas Lynley and his partner, Detective Sergeant Barbara Havers, grapple for both a motive and a murderer.

Emotions run deep in this highly charged drama, for the list of suspects soon includes Britain’s foremost actress, its most successful theatrical producer, and the woman Lynley loves. He and Havers must tread carefully through the complicated terrain of human relationships, while they work to solve a case rooted in the darkest corners of the past and the unexplored regions of the human heart.

Review:
Although I thought the mystery here was better than in the first novel in the series, I still found it to be less interesting than the developing relationship between Lynley and Havers. Payment in Blood was set fifteen months after the events in the first book, and found Lynley and Havers still working together, but not on the same page regarding the partnership. Lynley, in fact, shuddered at the idea of its being permanent, while Havers soon demonstrated that, though he irritated her immensely, she felt a great deal of loyalty to him and would fight to protect him.

I wondered that Lynley did not recuse himself from this case when he found that one of his close friends (he didn’t realize yet that he loved her) was technically a suspect, but the tense conversations he and Helen shared were so riveting that I didn’t mind very much. The resultant jealousy Lynley experienced on finding her there with another man led him to twist facts to suit his conviction that her lover was the murderer. Feeling her superior to be on the wrong track, and desirous of protecting his job and reputation, Havers began her own secret investigation into other areas of the mystery, and eventually Lynley’s friends arrayed against him to confront him about the single-mindedness of his pursuit. All of this was excellent.

The mystery itself was pretty good and featured a more defined cast of suspects than the previous book. The conclusion was exciting, surprising, and emotionally satisfying. And really—who could ask for more than that?

California Demon by Julie Kenner: B

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From the back cover:
Welcome to San Diablo—the perfect place to raise a couple of kids and a lot of Hell, especially if you’re Kate Connor, retired demon hunter. Now, after fourteen years as a suburban housewife, raising two kids, and supporting her husband’s political ambitions, she’s rejoined the workforce… well, secretly, at least. Between fending off demon attacks, trying to figure out why the mysterious new teacher at the high school seems so strangely familiar, and keeping a watchful eye on her daughter’s growing infatuation with a surfer dude, Kate is the busiest—and most dangerous—soccer mom on the block.

Review:
This was a marked improvement over the first book in the series. The book started slowly, with most of the first half dealing with errands and other family issues and the demon stuff feeling like an afterthought. The action eventually picked up, but the plot never transcended its exceedingly flimsy state. However, this time it actually brought up all sorts of things that affected Kate personally, so I didn’t mind all that much.

Kate was still a rather bland protagonist, but I liked the major personal dilemma she had to face in this book, and also the interactions she had with her daughter. The introduction of rogue demon hunter, David Long, brought a lot to the story, and I also appreciated the continuity regarding the failing marriage of Kate’s best friend.

These books are still totally fluff, but they’re sometimes surprisingly thoughtful regarding how Kate’s first marriage still continues to cast its shadow over her life. I am now officially interested to see what happens next.

random items on a sleepy evening

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The weekend can’t possibly come too soon. I’m exhausted in every way, and my creativity is seriously waning.

In better news, my subscription to Shonen Jump has finally kicked in, though they started me with the January issue, so I need to fill in December on my own. (I hear that Paul has picked it up for me this very evening, yay!) Also, I have become mesmerized by Shaenon Garrity’s Overlooked Manga Festival, which includes many series I have been planning to look into anyway, like Please Save My Earth and Sugar Sugar Rune, as well as a delightful write-up of Banana Fish, which I have already started and *love*. The thing you really must look at, though, is her recent entry about Moon Child, which is one of the funniest things I have seen lately. Wow. There is something sublime about that special kind of crack.

Also, I got some really helpful feedback on the most recent summary of the beginning of my graphic novel from the friend whose name I stole for the main character. It was really great to hear what she had to say, and it also left me feeling very positive about the whole thing. I have less than a month to reach my December 23rd goal, and I need all the encouragement I can get right now.

This weekend, we’re hoping to get our Christmas tree, which is honestly one of my favorite moments of the year. For an atheist, I’m bizarrely attached to Christmas. I think the Christmas story is one of the first pieces of fiction that I fell in love with, which may be an offensive concept to some, but I’m fairly certain that my feelings about fiction are not terribly different from many people’s feelings about God, so please understand the gravity of that statement. I very truly, deeply love Christmas, and all the sights, smells, sounds, and feelings that go along with it. My fascination with Christmas trees has been much mocked by my loved ones, and for good reason. Once I’ve decorated one, I have difficulty taking my eyes off of it. Expect photographs in a few days.

Now I shall attempt some script work, and try not to fall asleep.

I walked ten thousand miles, ten thousand miles to see you.

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The past few days have been a mix of wonder and difficulty. On one hand, I came from the long weekend having accomplished more on my graphic novel than I had in weeks, which felt really good. On the other, I’ve been thrown back into the daily grind, and it is not sitting well at all. I’ve never been good at balancing my creative life with my gainful employment, at least not since they stopped being the same thing, and I suppose that problem is simply more pronounced coming out of a long, creative weekend. Someday perhaps I’ll be able to manage this balance (or perhaps the two things will be one again), but that day is probably pretty far off.

To distract myself, I will talk about anime. Surprised? As predicted, we did finish the entire series of the Mushishi anime, and I have also now read the first volume of the manga.

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The Breaker by Minette Walters: B+

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From the back cover:
Twelve hours after Kate Sumner’s brutally murdered body washes up on the beach, her traumatized 3-year-old daughter is found wandering the streets alone. At first, the prime suspect is a young actor, obsessed with pornography. But now, the local English constable has doubts about the victim’s husband. Was he really out of town when she was killed? And why does the child scream every time her father comes near her?

Holding readers in an exhilarating state of anticipation, British author Minette Walters guides them through a startling maze where nothing is at it seems, and even the innocent tell lies.

Review:
The Breaker was a lot different than the other English mysteries I’ve read. Instead of introducing a community of suspects, there were only a few, and details of their personality were revealed only gradually, sometimes shifting when lies were discovered. The role of the local police constabulary in the investigation was given more prominence, with PC Nick Ingram turning out to be the most likable character. The atmosphere was also darker and more grim.

I found the mystery itself to be good, and had no idea who would turn out to be the culprit. The stories of suspects and witnesses changed often, and I also liked that even when caught, the perpetrator still didn’t divulge the entirety of what had really happened. Another neat sidestepping of convention involved the idea of the intuitive leap. In other mysteries, an investigator would have a sudden flash of the (possibly unusual) manner in which the crime was committed, and it’d turn out to be right. Not here, though. PC Ingram made quite a lot of very plausible suggestions that weren’t always proved correct.

This was the first book I’d read by Walters. I’ll be reading more.

Sense and Sensibility by Jane Austen: A+

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Book description:
Jane Austen’s first published novel, Sense and Sensibility is a wonderfully entertaining tale of flirtation and folly that revolves around two starkly different sisters, Elinor and Marianne Dashwood. While Elinor is thoughtful, considerate, and calm, her younger sister is emotional and wildly romantic. Both are looking for a husband, but neither Elinor’s reason nor Marianne’s passion can lead them to perfect happiness.

Startling secrets, unexpected twists, and heartless betrayals interrupt the marriage games that follow. Filled with satiric wit and subtle characterizations, Sense and Sensibility teaches that true love requires a balance of reason and emotion.

Review:
I had never read this before. And I call myself an Austen fan!

There is much to recommend this book, but primarily I would say that the characterizations were its best asset. It can’t be easy to create a very sensible character like Elinor, and yet perfectly convey that she is also a person of great feeling and compassion or to create a very emotional one like Marianne, and yet also make clear that she isn’t flighty or stupid. Additionally, Austen populates the novel with a host of memorable minor characters, at whose expense she occasionally engages in some breezily skewering satire. Here’s a favorite passage of mine:

Sir John was loud in his admiration at the end of every song and as loud in his conversation with the others while every song lasted. Lady Middleton frequently called him to order, wondered how any one’s attention could be diverted from music for a moment, and asked Marianne to sing a particular song which Marianne had just finished.

If pressed to note a flaw, the only thing I could mention is the character of Edward, and Elinor’s feelings for him. Because they are formed before the start of the novel, and then Edward is never quite himself on his subsequent appearances, I didn’t really get why she loved him.

As a random observation, I was struck with how often the Dashwood sisters were compelled to accept invitations they would have preferred to refuse, be it to reside in a certain house for a time or to spend time associating with tiresome people. Once there, they often had to sit around for hours being bored or discussing which of a pair of children was the taller. Dreary! Happily, the same cannot be said of Sense and Sensibility.

The Sandman 2: The Doll’s House by Neil Gaiman: B

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From the back cover:
Rose Walker finds more than she bargained for in the doll’s house—long lost relatives, a serial killers convention, and, ultimately, her true identity. The master of dreams attempts to unravel the mystery, unaware that the hand of another, far closer to home, is pulling the strings.

Review:
There were several things I quite liked in this volume. Two more of Morpheus’s siblings are introduced, and Desire (who can’t be satisfied with just one gender) is a really neat character. I also liked avuncular Gilbert, not a sibling but with mysterious origins of his own, who comes to Rose’s aid and reminded me of Sylvester McCoy as the Seventh Doctor.

The best part, though, was the chapter called “Men of Good Fortune,” which takes place in the middle of the Doll’s House arc but really doesn’t turn out to have much to do with it. In it, Morpheus and his sister, Death, encounter a man in 1389 who claims that he won’t ever want to succumb to death. And so Death decides not to claim him until he desires it, and Morpheus makes an appointment to visit with him every hundred years, accidentally befriending the fellow along the way. The story is neat, but I also really liked how their surroundings and wardrobes changed each time they met.

On the whole, though, I found this arc pretty damned depressing. Maybe I just wasn’t in the mood for so much darkness and surrealism. I also feel like there are probably some big, deep themes here that I’m just not getting.