Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Reign of the Seven Spellblades, Vol. 10

by

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Longer than usual content warning here: with this volume, the rating for these novels rises from Teen to Older Teen, and the content bears that out. There’s sexual references, discussion of a horrific sexual assault, discussion of a graphic and horrific torture and murder, a graphic amputation scene, use of a swear word that is far less problematic in the UK than in the US, and, worst of all, I’m going to have to discuss that series about the boy at the wizarding school with the scar again. Reader discretion is highly advised.

When I was about halfway through this volume, I pretty much knew what I was going to be talking about. There would still be a content warning, of course. After all, there’s not only a relatively explicit sex scene between Oliver and Nanao here, but also Leoncio is in this, so there’s a lot of talk of big dicks here. Oh yes, and Miligan is called a cunt. To be fair, she absolutely deserves that one, especially because I’m sure it’s in the British English sense. But yeah, the front half was filled with things to talk about. The “polycule” that our heroes have become, and how much I love it. Katie’s backstory was jaw-dropping, and really deserved me talking about it, as well as the fact that almost everyone has written her off as next to snap. The fights were all awesome, the election results were terrific. Teresa is growing up, and she hates it. That was great. . And I saw that the last half of the book was ALL battle against one of Oliver’s targets. Meh. A lot of fighting. Won’t have much to say.

Kee-rist.

I do appreciate that the series does give a real backstory and sympathy to some of its antagonists. We get Demetrio Aristedes’ backstory here, and like a lot of this series, it involves idealistic attempts to make things better turning into something horrific and tragic. That said, his backstory is dwarfed by what we finally get in this book: Oliver’s life to date. We get some adorable and heartwarming scenes with him and his parents, because gut punches don’t work if everything has been bad from the start. We get the brutal, graphic death of his mother, and see how she was betrayed by one of her closest friends (and oh boy, that’s a can of worms I can’t even get into in this review, it will have to wait.) We get his adoption by the Sherwoods, which unfortunately is because their patriarch sees him as an experiment rather than as a person. We see that, on the cover with Oliver and Demetrio, is Shannon Sherwood, and possibly wonder why she’s give n such an important placing. And then we find out why. Of all the horrific scenes in this volume, the flashback of Oliver being drugged and mind controlled to rape and impregnate Shannon is the worst, and it really throws their relationship into sharp relief. Oh yes, and there is, of course, Yuri. Whose story ends here, but at least the way he goes out is one of the few triumphant moments in this pummeling book.

Sigh. So OK, let’s talk Harry Potter. This series has been compared to those books from the very start, but we’re now ten volumes in, and “oh gee Guy and Katie sort of have a Ron and Hermione vibe” is not only the least of the comparisons, but also mostly wrong. It’s at its most obvious in this book in the flashback to the torture scene, when Darius, Oliver’s first victim from Book One, takes point to be the first to torture Chloe to death, and he revels in it in a way that HAS to remind people of Severus Snape. There’s also a definite James and Lily vibe to Edgar and Chloe, though (because this series glories in subverting Potter as much as it pastiches it) what the two of them do for Oliver is far darker and more interesting. I’m not sure where this series if going to end up, but there is absolutely no way it’s ending up with the next generation of the cast going off to school 15 years later.

As with Eighty-Six I am very concerned, and half convinced, this will end with nearly the entire cast dead. Hell, a lot of them will deserve it. With Eighty-Six I’m hoping that the main couple will make it out OK, but Seven Spellblades has a much higher bar to clear. I’ve joked before about the main six being a polycule, but it’s made explicit here. They’re family. They’re probably all going to be lovers soon (Oliver and Nanao are mostly there, only held back by his past trauma). They have a bond that deserves to live on. I desperately want them all to survive and make the worst a nice place. A swell place. A place where magic kids can play stickball in the street with their athames without fear of being consumed by anything. It’s not going to happen, I am aware. But God, it’s a great dream. Let these kids stop suffering.

Bibliophile Princess, Vol. 7

by

By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Tara Quinn.

I suppose this was inevitable. Bibliophile Princess is coming off its strongest arc, one that had lots of action, drama, tragedy (that wasn’t actually tragedy, but let’s leave that aside for now), and romance. It came to a thrilling conclusion last time… and now we get the comedown the next day. Elianna has been overworking herself for the last couple of months, and tries to do so again to help Chris after she returns, and it all just catches up with her and she collapses. Unfortunately, this means that a good 3/4 of this volume is told from the POV of people other than Elianna, and that’s not really what I’m here for. I don’t really object to it, and we get some decent short stories here. But that’s what this feels like, a short story volume, interspersed with dollops of plot. Fortunately, unlike the third volume, this doesn’t feel like something we’ve read over and over again. Well, except for one thing, which I’ll get to below.

After the events of the last three books, Chris has a lot on his plate. What’s worse, the person behind all of this was the Queen’s brother, meaning she’s basically going to have to retire to avoid further trouble. As such, he needs to get married to Elianna even faster than he’d planned… and she’s been taken away to the Bernstein estates by her father and brother, who (of course) blame Chris for her being in this state at all. Fortunately, proposing to Elianna properly is the ONLY thing that goes well for him in this book. Elsewhere, we get a flashback where we learn Alan’s past as a plucky young orphan, Elianna catches up with family and reads a ton of books while her friend Anna reminds us of the romance she was plotted into a few books back. Oh yes, and there’s a library ghost (no, not Elianna) and a Halloween candy contest.

So I am starting to grow a bit weary of the Bernstein’s overprotectiveness towards their pride and joy. I mean, I absolutely get it. Elianna almost died several times in the last few books, all of it stemming from her position as Chris’ betrothed. And she did indeed desperately need to rest as she was nearing the verge of collapse. That said, this isn’t really framed as that. The writing still kind of frames it like “we’ll never let you marry our little girl!”, which feels more like a hoary old cliche, especially as it does not take Elianna’s own feelings into account. I hope she tells them what for at some point. As for the rest of the book that is not fluff, there’s Alan’s subplot, which… well, it very cliched, right down to the three people who secretly run the town, and the “I want to rape you because you are an androgynous hot teenage boy” threat. It wasn’t bad. I missed Elianna.

So this tides me over, yes, but I really hope we get a good, meaty plot again soon. Or a wedding. One of those.

Pick of the Week: Last Chances and Old Friends

by , , , and Leave a Comment

SEAN: Sometimes I’m surprised how much I enjoy a series, and that’s certainly been the case with the My Daughter Left the Nest and Returned an S-Rank Adventurer light novels. The 11th book is the final one, so that’s my pick this week. Enjoy a daddy & daughter series that was (for once) wholesome!

MICHELLE: There’s not a whole lot that appeals to me this week, but I really enjoy what I’ve read of Usotoki Rhetoric so far and look forward to catching up on the series.

KATE: Party like it’s 1990! The second volume of Tokyo Bablyon arrives in stores with a new minimalist cover but the same old story that Tokyopop and Dark Horse have offered North American readers before. I have a feeling this series hasn’t aged well, but I may still buy a copy out of sheer nostalgia: Tokyo Babylon was one of the first manga I ever read.

ASH: None of the debut releases this week have managed to capture my attention, but if My Daughter Left the Nest and Returned an S-Rank Adventurer managed to remain wholesome to the end, I really might need to give it a look!

ANNA: Not much appeals to me either, I’m going to take a moment of silence for the ending of X/1999 that no one will ever see.

The Apothecary Diaries, Vol. 10

by

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It’s a very odd feeling reading this volume at the same time as the anime is adapting the second one. The setting of the first eight books (OK, minus Book 5) is entirely absent, as we’re still doing Maomao and Jinshi’s Excellent Adventure. This is not to say that there is not political wheeling and dealing – in fact, the climax of this volume depends on that fact. But this book is ten volumes in, and we’re not concerned with the ways of courtesans and court ladies anymore, but with potatoes, crops and insects. It would be the perfect book for a certain insect-loving court lady to make her triumphant return, but alas (Maomao does think of her, at least). And while we do get a bit of Maomao’s standard detective schtick, for the most part this book is a race against time against an all-powerful enemy… one that arrives near the end of the book and wipes out nearly everything. This is what Jinshi and Maomao have spent a while trying to avoid.

We’re still out in the West, where Maomao, Tianyu, and the quack doctor are theoretically there to maintain the Moon Prince’s health (because, lest we forget, he gave himself a horrific wound to show off the depth of his love), but in reality they’re there to try to figure out how to stop the impending famine. Arriving at a local village (and joined by Lahan’s older brother, who, since the quack doctor got a name in the last volume, becomes the new running gag), they find that the villagers don’t really care about the crops that much, as whether they’re good or bad the Governor will subsidize them. (Does this sound familiar?) There is one old man who is doing all the right things… because of a tragic backstory, of course. A tragic backstory that becomes very important as Maomao and company realize that the Biblical plague of locusts is coming towards them NOW.

The book is excellent, with a fantastic climax, and a nice twist showing that for all his supposed status Jinshi can still be used by others who are better at dirty politics. But you’ll pardon me if I talk about the romance in this one. For the most part, the romances in this series tend to be either “toxic but also the main draw” (Maomao/Jinshi), or are established couples. But we did see a hint of something purer in Book 6, which sadly could not really develop because Book 6 was a giant nightmare for them. Yes, Lishu is back, and she’s raising ducks in the West. And taking to them like… well, like a duck to water. Frankly, she looks far happier here than she ever was as a Consort. Her reunion with Basen, though it does not lead to an actual commitment (she claims to still be too weak for that, and she has a point), is so sugary it will give you diabetes, but that actually tastes really good next to the toxicity that is Maomao and her Moon Prince.

That said, the character I really want to see after this book is Gyoku-ou, who is being set up to be the next big antagonist. Cannot wait for Book 11.

Oh yes, and Chue is still practically perfect in every way. But you knew that, of course.

Death’s Daughter and the Ebony Blade, Vol. 7: Exordium

by

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Always lovely when I have to eat my words. You may remember at the end of the last review I did, where I said that Ashton’s death likely wasn’t permanent, as this was not that kind of series. Well. Um. Guess it is now? I feel a bit guilty, given I recently dropped a series (The Mythical Hero’s Otherworld Chronicles) for getting too dark and cynical, but in this volume Death’s Daughter also doubles down on the dark. The good news is that it’s not nearly as cynical, and gives us some hope that the series will not end with everyone slaughtered (the flashforwards to how various dead commanders will be remembered helps). the bad news is that Ashton’s death does not seem to be the sort that can be undone by magical means, and also lots of other regulars die here as well. The very bad news is that the author couldn’t cram all the plot into this book, so the 2nd part of Vol. 7 is still to come.

The final battle between the Asvelt Empire and the Kingdom of Fernest ends up being completely upended by the arrival of ghouls controlled by the new emperor, who is not remotely evil at all, of course. This has always been a “war is bad” series, but the ghouls also help to remind you that even though war is bad, there are still ways that it should be fought, and these corpses do not do any of that. This is also bad news for the United City States of Sutherland, who get a “become my vassals or be destroyed” message from the empire, with one of the states serving as an example of what will happen. Even the Holy Land of Mekia can’t deal with this, and the Seraph finds that the ghouls are not a product of mage tactics. As for Fernest, well, let’s just say a lot of the cast who’ve been around since Book 1 gets one last battle. And, um… where’s Olivia, anyway?

The reason I spoil that Ashton is found dead in this volume is that it happens right at the start of this book. We then spend almost the ENTIRE book waiting for Claudia and Olivia to find out about it. We don’t even see Claudia till 4/5 of the way through the novel, and Olivia, after a brief scene showing her happily training with Z, is also absent for the bulk of it. There’s two reasons for this. First, I get the sense that if Olivia and Claudia were actually present throughout this volume, there’s no way that the series couldn’t avoid killing them off too, which would make the end a bit bleaker than I think even the author wants. The other reason is, of course, to show their devastated reactions at the book’s climax, because otherwise this would feel a bit too much like “the book was just cut in half arbitrarily”. The counterattack needs to start next time, even if the romantic resolution isn’t going to happen anymore.

So what’s next? There’s certainly a lot more cast we can kill off, but I suspect the last book will have a bit less of that. Till then, oof. This was a punch to the gut.

The Manga Review: Freeze Frame

by Leave a Comment

I usually start The Manga Review with industry news, but the announcement that Pitchfork was being folded into GQ has been on my mind this week. Whatever its faults, Pitchfork was one of the few websites still offering idiosyncratic, thought-provoking music reviews in 2023. Their critics could be gratuitously nasty—Jeremy Larson’s scathing assessment of Greta Van Fleet’s Anthem of the Peaceful Army comes to mind—but I always appreciated their efforts to promote obscure artists, hold the music industry to account, and challenge the critical consensus around established acts like Sonic Youth. (Brett DiCrescenzo predicted their 2000 album NYC Ghosts & Flowers “will be heard in the squash courts and open mic nights of deepest hell.”)

We’ve seen something similar happen in the comics sector with CBR and Comics Alliance, two once-independent sites that were acquired by big media companies. For a brief moment, it seemed as if the acquisitions were a positive development, but over time, CBR and Comics Alliance’s owners phased out the in-depth journalism and serious criticism that defined the original sites in favor of click-bait articles, press releases, and toothless reviews. There are still a handful of great sites covering manga and anime—Anime News Network, The Beat, WWAC—but there’s less meaningful criticism overall, and fewer distinctive voices writing manga reviews. We need more of those spaces; they provide a meaningful alternative to the group-think and fan orthodoxies that prevail on Twitter, TikTok, YouTube, and Reddit, and the industry-cozy reviews on platforms such as CBR. Maybe this is the year YOU start your own site.

NEWS ROUNDUP

Everybody wants to go to Anime NYC 2024 it seems, as three-day passes for the annual convention sold out less than two hours after they went on sale… Yen Press published a list of its top-selling books of 2023… Azuki just announced four new titles… Hayao Miyazaki’s The Boy and the Heron is setting box office records around the world… and the Fifth Circuit just ruled that Texas cannot require book sellers to use a rating system when selling materials to libraries and schools. Brigid Alverson has the full details on this ongoing case.

ESSAYS AND PODCASTS

Tony Yao explains why My Girlfriend’s Child is a refreshingly honest look at the challenges facing teen parents in Japan and elsewhere. [Drop-In to Manga]

Kevin Lainez lists his five favorite manga of 2023. [Comic Book Review]

And speaking of best-of lists, Jordan and David announce the winners of the Shonen Flop Awards for 2023, “the most prestigious awards in canceled manga.” [Shonen Flop]

Also looking back on 2023 are Ray and Gee, who name their five favorite debuts of 2023. [Read Right to Left]

The Manga Machinations team devote their latest podcast to a discussion of Eldo Yoshimizu’s Hen Kai Pan. [Manga Machinations]

ICYMI: Lisa De La Cruz offers five recommendations for readers who share her love of BL manhwa. [The Wonder of Anime]

REVIEWS

Adam Symchuk gives high marks to Since I Could Die Tomorrow, an all-too-rare manga about a career woman in her forties… D. Morris declares Shiro Moriya’s Soloist in a Cage a promising debut… WWAC assembles an all-star team of reviewers to recommend manga and comics worth reading… and the gang at Beneath the Tangles offers an assortment of short and sweet reviews.

Manga the Week of 1/24/24

by , , and Leave a Comment

SEAN: After waiting for Yen Press to show up this year, we are finally here.

ASH: Hold on tight, folks!

SEAN: No debuts for Yen On, but we do see Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside 10, Hazure Skill: The Guild Member with a Worthless Skill Is Actually a Legendary Assassin 7, The Irregular at Magic High School 21 (a mere 15 months after Vol. 20), Is It Wrong to Try to Pick Up Girls in a Dungeon? 18 (a mere 16 months after Vol. 17), Kunon the Sorcerer Can See 2, The Princess of Convenient Plot Devices 4, Reign of the Seven Spellblades 10, and Sentenced to Be a Hero 2.

ASH: You know, if the titles were shorter, the list wouldn’t seem nearly as long.

SEAN: Three debuts for Yen Press, but one is sort of a “next arc” debut. Bride of the Barrier Master (Kekkaishi no Ichirinka) is the manga adaptation of the light novel Yen is also releasing, and it runs in B’s-Log Comic. A young woman in the shadow of her more powerful sister finally comes into her own power, but hides it so as to avoid making waves. Good luck with that.

Higurashi When They Cry: MEGURI (Higurashi no Naku Koro ni Meguri) is the manga version of the new anime’s Answer Arc, and runs in Young Ace Up. If you love Rika and Satoko, read this. If you love Keiichi, Rena and Mion… there are other arcs.

Witch Life in a Micro Room (Rokujou Hitoma no Majo Life) is a shonen manga from Gangan Joker about two young witches living together in a small apartment, and their attempts to get more important jobs to do.

Also from Yen Press: Apparently, Disillusioned Adventurers Will Save the World 4, Bocchi the Rock! 2, Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 7, Chained Soldier 6, Cheeky Brat 9, Chitose Is in the Ramune Bottle 5, CLAMP Premium Collection Tokyo Babylon 2, Daughter of the Emperor 6, Dead Mount Death Play 11, The Deer King 2, The Executioner and Her Way of Life 4, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 5, Hakumei and Mikochi: Tiny Little Life in the Woods 11, Handyman Saitou in Another World 3, The Holy Grail of Eris 6, I Don’t Know Which Is Love 2, I’m a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl’s Pet 8, In the Land of Leadale 5, Maiden of the Needle 2, My Dear, Curse-Casting Vampiress 3, No Longer Heroine 5, Please Put Them On, Takamine-san 7, A Reincarnated Witch Spells Doom 3, Stray Cat & Wolf 2, Sword Art Online Progressive Scherzo of Deep Night 3 (the final volume), and Words Bubble Up Like Soda Pop 3 (also a final volume).

MICHELLE: I should probably check back in with No Longer Heroine at some point.

ASH: So. Many. Things. No wonder I forgot that a new edition of Tokyo Babylon was being released.

ANNA: With each rerelease of previously published CLAMP material, my anger and sadness about X/1999 never getting a conclusion grows exponentially!

ASH: Saaaaaame.

SEAN: Viz Media gives us Boy’s Abyss 4, How Do We Relationship? 10, and JoJo’s Bizarre Adventure: Part 6–Stone Ocean 2.

ASH: I ought to catch up with How Do We Relationship?; I really liked the earlier volumes I read.

SEAN: Udon Entertainment has a 2nd volume of Team Phoenix.

There is Lullaby of the Dawn 2, Sengoku Youko 5, and UNDEAD: Finding Love in the Zombie Apocalypse 2 from Tokyopop.

Steamship debuts a done-in-one omnibus, My Boss is a Giant: He Manages My Every Need With Enormous Skill (Kowamote Joushi no XL Size ga Hairimasen!), a josei manga from LoveParfait. The copy tries to sell it as “he’s a big guy, she’s a tiny girl”, but the titles will clue you in as to what he really has that’s enormous.

MICHELLE: I have cleverly deduced what that might be!

ASH: Oh, myyyyyy.

ANNA: I’m assuming like, elbows or ears?

SEAN: Square Enix has a 13rd volume of Soul Eater: The Perfect Edition.

Debuting from Seven Seas is Modern Dungeon Capture Starting with Broken Skills (Koware Skill de Hajimeru Gendai Dungeon Kouryaku), the manga adaptation of the light novels Seven Seas also releases. It runs in Comic Gardo.

They’ve also got Does it Count if You Lose Your Virginity to an Android? 3, Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound 3, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 7, My Stepmother and Stepsisters Aren’t Wicked 3, The Summer You Were There 4, Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 9, and Who Made Me a Princess 4.

One Peace Books has a 5th volume of Usotoki Rhetoric.

MICHELLE: Oh! I really need to catch up on this!

ASH: Same! I’ve enjoyed what I’ve read.

SEAN: Kodansha Manga has no debuts, but we get print volumes for A Condition Called Love 6, The Darwin Incident 3, The Ghost in the Shell: The Human Algorithm 4, The Great Cleric 7, I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness 3, and The Iceblade Sorcerer Shall Rule the World 8.

While digitally we see Boss Bride Days 13, DAYS 39, Gamaran: Shura 16, Miraculous: Tales of Ladybug & Cat Noir 3, My Home Hero 12, Space Brothers 43, Teppu 5, and You’re My Cutie 7.

Again, no debuts for J-Novel Club. But we get new volumes: Ascendance of a Bookworm Arc 2 Volume 8 (the manga), Back to the Battlefield: The Veteran Heroes Return to the Fray! 3, D-Genesis: Three Years after the Dungeons Appeared 5, Doll-Kara 7, the 5th Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte manga volume, Gushing Over Magical Girls 9, I Shall Survive Using Potions! 9, I Surrendered My Sword for a New Life as a Mage 5, Isekai Tensei: Recruited to Another World 6, La Ragazza: Living with Francesca 3 (the final volume), and My Daughter Left the Nest and Returned an S-Rank Adventurer 11 (the final volume).

Ghost Ship has the 9th volume of Creature Girls: A Hands-On Field Journal in Another World.

Dark Horse gives us a 13th volume of Mob Psycho 100.

ASH: Yet another series I’ve been meaning to read but have fallen behind on.

SEAN: From Airship, in print, we see The Haunted Bookstore – Gateway to a Parallel Universe 7 (the final volume) and I’m the Evil Lord of an Intergalactic Empire! 6.

And there is an early digital release of Reincarnated as a Sword 14.

Not too bad. What’s on your list?

ANNA: Maybe I’ll just start to reread X/1999 and sob in a corner.

ASH: I might just join you.

Raven of the Inner Palace, Vol. 5

by

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.

Bookshelf Briefs 1/16/2024

by and Leave a Comment

A Cat from Our World and the Forgotten Witch, Vol. 1 | By Hiro Kashiwaba | Seven Seas – Jeanne, an elderly witch, summons Torata, an ordinary house cat, to protect her from the local villagers who view her very existence as a threat. Through a series of flashbacks, we learn more about both characters: Jeanne has been harassed, imprisoned, or shunned for her magical powers, while Torata recently lost his kindly human owner. Can these two wounded souls forge a meaningful connection? All signs point to yes, though the maudlin plotting and cartoon bad guys dampened my enthusiasm for their friendship; both characters’ backstories are so overwrought that the reader feels more cudgeled into submission than persuaded that Jeanne and Torata deserve our sympathy. At least the cat is cute. – Katherine Dacey

Gold Kingdom and Water Kingdom | By Nao Iwamoto | Seven Seas This was a very odd series, with an art style that I’ve seen before in Japanese magazines, especially josei and seinen, but rarely licensed over here. It’s unique. As for the plot, it was a good story, but I’m also pleased it was complete in this volume. Two kingdoms, each with their own issues, arrange a truce, and a wedding between their two countries. Unfortunately, both countries sabotage said wedding. It’s up to the groom from the Water Kingdom and the bride from the Gold Kingdom to try to pretend that this was exactly as planned so that they can find a way to avoid war. There’s some nice intrigue, and an action-filled ending of sorts. It’s a series I’m happy I read, though I’m unlikely to come back to it too much. – Sean Gaffney

My Hero Academia, Vol. 36 | By Kohei Horikoshi | Viz Media – This is one of those volumes that is almost entirely drowned out by its cliffhanger ending, which shows Bakugo with a fatal injury to his heart. Now, we all read shonen manga, so we know he’s not REALLY dead, but the question is how long that will be up in the air. That said, my favorite part of this otherwise all-action volume was seeing All for One have to briefly struggle… against Jiro, riding on top of a flying Tokoyami (and apparently having too sexy an ass for him to handle). Now that most fans read the series weekly, it’s easier to have instant reactions, and I loved the one brief, shining moment when it gave the impression that All for One would be taken down by the cool rocker girl. Still, yeah, Bakugo’s dead. Totally. What now? – Sean Gaffney

Neighborhood Story, Vol. 1 | By Ai Yazawa | Viz Media This was such a deeply nostalgic experience, even though I’d never read it before. Anyone who’s read Paradise Kiss will want to get this. Taking place a generation before that story, it’s still drenched in fashion and style, and the complicated, messy shoujo art is also very indicative of the early 1990s, when it first appeared. Our heroine, Mikako, clearly has a thing for her childhood friend Tsutomu, but his own popularity with girls and her desire to be her own woman cause them to constantly push each other away. Well, OK, more like she’s doing 90% of the pushing. Mikako is an amazing ball of fun, and I love the “Waaaaarrrp!” she shouts as she runs off very fast (I think this was in ParaKiss as well). It’s not all fun and games, but this was an absolute joy to read. – Sean Gaffney

365 Days to the Wedding, Vol. 1 | By Tamiki Wakaki | Seven Seas When reading this, I remarked on Twitter that it was an Izuku Midoriya/Yui Kodai AU fanfic from AO3, and that’s not too far off. Two workers at a travel agency are horrified to find it’s opening an office in Russia, and single people are more vulnerable to being sent abroad to start it. So Rika decides that she and Takuya will pretend they’re getting married in order to avoid the issue. There’s just one slight problem, which is that they’re both deeply introverted. Takuya’s deepest relationship is with his cat. Rika tends to enjoy looking at maps more than dealing with others. But the two of them have a nice chemistry, and are slowly starting to enjoy each other’s company. This has about ten or so volumes to it, so won’t resolve immediately, but this is a good start. – Sean Gaffney

Tsugumi Project, Vols. 1-2 | By ippatu | Kodansha Comics – In this post-apocalyptic thriller, a plane full of convicts parachute into Japan in search of a secret weapon; the first to successfully retrieve it earns his freedom. What they discover is a strange wilderness populated by apemen and monsters with nary a human in sight. The hero, Leon, is a stock action type—stoic, resourceful, and determined to succeed at all costs—as is his on-again, off-again companion Doudou, a motor-mouthed bumbler with a knack for getting into trouble. The real star of the show is the artwork, as ippatu has a flair for drawing stunningly beautiful creatures and wastelands; among his most striking creations is a humanoid with the face and torso of a young girl and the body of an ostrich, an elegant gloss on the ancient Roman harpy. If only the rest of the story didn’t feel so rote. – Katherine Dacey

The Two of Them Are Pretty Much Like This, Vol. 4 | By Takashi Ikeda| Seven Seas – This is the final volume of the series, and as you’d expect, there’s no big ending climax or great revelations. Wanko gets a good role this time that looks like it might actually work out, Ellie decides to collaborate with her friend on a new project. (Said friend was in love with her as well, which seems to be news to Ellie.) Even the “drama” in this series is not all that dramatic—they deal with a potential stalker, but it’s just someone who is dealing with gender identity issues and wanted to know how Ellie made such a good “man.” Aheh. And there are any number of chapters that just open with our two ladies in bed together, sleeping peacefully and happily. A definite feel-good series; I’m so glad we got to see it. – Sean Gaffney

We Started a Threesome!!, Vol. 1 | By Katsu Aki | Seven Seas As with other briefs this week, reading this was an exercise in nostalgia, as Katsu Aki’s art style has not changed one iota since he began his career, meaning this really reads like a late ’80s/early ’90s series, even though it’s only from a few years ago. As for the plot, childhood friends Lia, Suisei, and Emito are in a polyamorous marriage. Lia has past trauma, Suisei suspects he’s only in this because he’s good in bed, and Emito is a sheltered young man who worries the others are carrying him. Honestly, given the cover, and the sheer amount of sex in this volume, it’s a lot more serious than I expected. That said, the seriousness is all “soap opera” stuff, albeit with some attention paid to poly dynamics, as well as a possible repressed attraction between the two guys. Recommended for fans of the author. – Sean Gaffney

Pick of the Week: Samurai and Kings

by , , , and Leave a Comment

KATE: There is SO MUCH GOOD MANGA coming out this week, y’all, I don’t know where to begin! VIZ is unveiling two new series with grown-up appeal—Steel of the Celestial Shadow and Tokyo These Days—and bringing the long-running Golden Kamuy to a bloody close. Another strong contender for Pick of the Week is King in Limbo, a new series from Ai Tanaka, the creator of Apple Children of Aeon. The cover isn’t really doing it for me—one of the characters looks like Jason Statham’s second cousin—but the premise is intriguing and the early buzz is strong.

SEAN: It wasn’t on my radar at all, but man, that cover to Steel of the Celestial Shadow is amazing enough that I’m going to check it out. That one is my pick.

MICHELLE: I’m going to throw my support behind King in Limbo. I’m totally a fan of josei romance, but *non*-romance josei is enough of a rarity that it makes me very excited we’re getting some!

ANNA: I join with Michelle on being intrigued by King in Limbo!

ASH: I’m totally on board for everything above! It’s definitely going to be a good week for reading manga, but not such a good week for my wallet…