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World War Blue, Vol. 1

July 9, 2013 by Sean Gaffney

By Anastasia Shestakova and Crimson. Released in Japan as ‘Aoi Sekai no Chūshin de’ by Micro Magazine, serialized on a mobile service. Released in North America by Seven Seas.

I wasn’t quite sure what to expect of this series going in. Its author is supposedly Russian (though that feels like a pen name), and it originally ran in Japan, as far as I can tell, as a cellphone manga. Those are a lot bigger there than they are here, and it’s gotten up to nine volumes. The gimmick, as it were, is that this is a shonen fantasy re-imagining of the console wars between Sega and Nintendo in the 1980s, with our heroes on the Sega side battling the evil Nintendo Empire. (I do admit this does not look good for our heroes, if we stick to established history…) I know a little bit about gaming, but not much. So how confusing would this title be to me?

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The answer is not very. Honestly, if it weren’t for the obvious Kingdom names – “Segua” vs. “Ninteldo” – and the author’s interspersed notes giving a brief history of gaming in the 80s, I may not even have noticed the metaphor. The leads are supposed to represent a different game – Gear, the hero, is Sonic the Hedgehog; his childhood friend Nel is Phantasy Star 2; his tsundere love interest Opal is Fantasy Zone, etc. I didn’t know this until the notes told me. More importantly, these are stock shonen characters – the author even admits she created Gear to be a shonen manga role model, and that he is.

Because when it gets right down to it, this isn’t really for fans of computer games as much as it is fans of Fairy Tail. Gear is a fast fighter who wants to avenge the death of his friend. He goes to the capital city and joins the army by means of simply defeating everyone in it. Opal is even more stock character, immediately hating and challenging the young man who appears out of nowhere, but falling for him the second she is defeated. Even the perverse mentor who shows our heroes how to get stronger while constantly making suggestive remarks feels right out of Dragon Ball.

This has the feel of a Magazine title more than Jump, mostly due to the sexual overtones. There’s actually very little fanservice so far (much to my surprise), but the aforementioned perverse mentor (who’s meant to be Tetris, I think) keeps talking about plugging the gaping holes in everyone’s defenses with his rod, and also gropes the heroine to teach her a lesson after she’s magically exhausted. And the army commander, Ramses (she’s meant to be Columns, I guess?) gets sexually aroused seeing Gear fight (we see her naked, in the one piece of fanservice in the volume) and is describes as having ‘unspeakable hobbies’. But again, these types of sexualized ‘guy jokes’ would not be out of place in Magazine or Champion.

In all honesty, this is pretty generic shonen. I’m interested in seeing how Ninteldo (which is, of course, led by Mario) looks once we see them in action as more than just evil guys. That said, I am totally behind Seven Seas licensing this and putting out more of it, for one very good reason: it’s nothing like anything else they publish. Seven Seas is trying to expand a bit away from their mainstay market of ‘otaku fanboys’, as we’ve seen with the female-oriented Alice spinoffs. This is another step in that direction, showing off a series that appeals to the shonen boy in all of us; a young man vowing to fight for his country against the bad guys, using powerful moves. Let’s see how Gear can differentiate himself from Luffy or Natsu.

Filed Under: REVIEWS

Pick of the Week: Omnibuses & More

July 8, 2013 by Michelle Smith, Sean Gaffney and MJ Leave a Comment

potw-revisedMICHELLE: This week’s manga is full of tempting omnibus editions! I think I’ll cast my vote for the series that we haven’t talked about a great deal on Manga Bookshelf lately, since it finished its initial run in late 2011, and that would be Fullmetal Alchemist. Reading the series in multi-volume chunks really is best—I actually marathoned the whole thing for an Off the Shelf column celebrating the series—and I’m delighted that new audiences might be able to discover the series and keep us talking about it!

SEAN: I agree that my favorite out of this week’s group would be FMA, but since that’s been chosen, I am left with a few “huh, that’s not too shabby” picks. I suppose I will go with Vol. 2 of Tiger & Bunny, which interested me far more than I expected when I read it last. It’s Japan’s take on Marvel-style superheroes, but it’s also very fond of biting the corporate hand that feeds it. I expect things may get a little more serious with this second volume…

MJ: There are so many books for me to get excited about this week, including Fullmetal Alchemist, Flowers of Evil, and of course the latest Loveless omnibus! But I’ll give my vote this week to the second and final omnibus edition of CLAMP’s Tokyo Babylon, out this week from Dark Horse. Everyone knows by now that this is my favorite CLAMP series, and Dark Horse’s new editions with their refreshed English adaptation and big, fancy trim size have already impressed me quite a bit. I’ve had this on pre-order for months, and I can’t wait for it to arrive. It’s this week’s must-buy for me!

What looks good to you this week?

Filed Under: PICK OF THE WEEK

So, what happened at AX this past weekend?

July 8, 2013 by Brigid Alverson

DeadmanWonderland1Here’s a quick roundup of Anime Expo news:

Item: Digital Manga announced that they are joining up with Tezuka Productions to publish all of Osamu Tezuka’s works in North America. They may do some print editions as well.

Item: Viz is bringing back Deadman Wonderland, which was originally licensed by Tokyopop; they will finish the series, which is up to 12 volumes and about to end in Japan. This is an awesome manga and deserving of a license rescue; my review of vol. 1 is here. And they had another new license, Kohske’s Gangsta, as well as an unflipped edition of Ranma 1/2, a print edition of Nisekoi, and what sounds like a very nice oversized edition of Dragon Ball Full Color.

Item: Vertical has licensed Insufficient Direction, Moyoco Anno’s gag manga about life with her husband (and collaborator on this book), Neon Genesis Evangelion director Hideaki Anno.

Hetalia 4

Item: Tokyopop, Gentosha, and RightStuf are teaming up to publish volumes 4 and 5 of Hetalia: Axis Powers this winter; after the initial print run sells out, it will go to Print on Demand. No word on digital rights.

Item: Kodansha announced that Attack on Titan will go to a volume a month, with simultaneous print and digital release, and Kodansha manga will now be available digitally on Kindle, Nook, Google Play, and iBooks.

Item: Shonen Jump will now be available outside North America, specifically in the UK, Ireland, South Africa, Australia, and New Zealand, via the iOS app, with Android coming “soon,” according to panelists. Here’s a longer account of their panel, which was an informative history of the magazine, both in Japan and the U.S., with the editors of both editions talking about their experiences. Also, SJ has a special deal running through July 14: A one-year subscription is $19.99, down from the standard price of $25.99, with the promo code on this page.

I rounded up Friday’s anime and manga news with some commentary at MTV Geek. Sean Gaffney adds a bit of commentary on the new license announcements at his blog.

Lissa Pattillo brings us up to date on the past week’s new releases at Kuriousity, and she also files her con report on Animaritime.

Meanwhile, the Manga Bookshelf team looks ahead to this week’s new manga.

At Heart of Manga, Laura looks at the new shoujo manga due out this month, including what I believe are the final volumes of Jiu Jiu and Sailor Moon.

This month’s Manga Moveable Feast will focus on the work of Yun Kouga (Loveless) and will be hosted at Manga Bookshelf; here’s the call for entries.

In her latest Manga Dome podcast, Lori Henderson helps you sort out three manga based on Alice in Wonderland: Are You Alice?, Alice in the Country of Hearts, and Pandora Hearts.

News from Japan: Takehiko Inoue, creator of Slam Dunk, Vagabond, and Real, has donated 1 million yen worth of manga to schools in his hometown of Isa-city.

Reviews

Anna N. on vol. 1 of 7 Billion Needles (Manga Report)
Ken H. on vol. 4 of Attack on Titan (Comics should Be Good)
Leroy Douresseaux on vol. 19 of Bakuman (The Comic Book Bin)
Leroy Douresseaux on vol. 57 of Bleach (The Comic Book Bin)
Lesley Aeschliman on vol. 7 of Fullmetal Alchemist (Blogcritics)
Leroy Douresseaux on vol. 5 of Jiu Jiu (I Reads You)
Josh Begley on vol. 2 of Kingdom Hearts: Final Mix (The Fandom Post)
Connie C. on Magic Knight Rayearth, Neon Genesis Evangalion, and Bokurano: Ours (Comics Should Be Good)
Matt Cycyk on vol. 2 of Mobile Suit Gundam: The Origin (Matt Talks About Manga)
Sean Gaffney on vol. 2 of Mobile Suit Gundam: The Origin (A Case Suitable for Treatment)
Alex Hoffman on Monokuro Kinderbook (Manga Widget)
Lesley Aeschliman on vol. 10 of Oh My Goddess (Blogcritics)
L.B. Bryant on vol. 1 of Puella Magi Kazumi Magica: The Innocent Malice (ICv2)
TSOTE on vols. 2, 3, and 4 of Q.E.D. (Three Steps Over Japan)
Ash Brown on vol. 1 of Sankarea: Undying Love (Experiments in Manga)
Jocelyne Allen on vols. 9 and 10 of Song of the Wind and Trees (Kaze to Ki no Uta) (Brain Vs. Book)
Drew McCabe on vol. 11 of Tenjho Tenge: Full Contact Edition (Comic Attack)
Sean Gaffney on Utsubora: The Story of a Novelist (A Case Suitable for Treatment)
Matt Cycyk on vol. 1 of Wolfsmund (Matt Talks About Manga)

Filed Under: MANGABLOG

Kaze Hikaru, Vol. 21

July 8, 2013 by Anna N



Kaze Hikaru Volume 21 by Taeko Watanabe

Kaze Hikaru is one of those titles that makes me feel happier just because it exists. The new volumes come out very slowly now, so when one appears it is always a good excuse to celebrate! This volume was particularly rewarding for any long-time reader of the series, as Sei and Soji begin to acknowledge their feelings about each other although they remain very much constrained by Sei’s disguise as a male Shinsengumi recruit and the customs of the times.

In the aftermath of Sei’s mission, it is announced that she’s going to be reassigned to Saito’s troop. Soji decides to create more distance between him and his young protegee by telling her that he requested the transfer and abruptly ordering her to leave him alone, saying “I got sick of your chasing me around like a girl.” Sei assumes that Soji thinks her feelings are burdensome and decides to run away. She leaves, fortunately during her rest period so she won’t be executed for desertion. Soji is relaxing, assuming that he’s fixed everything but he’s alarmed when Saito informs him that he’s in love with Sei.

Sei travels to a nunnery where she’s taken refuge before, learning about village healing from the head nun Suigetsuni. Sei has decided to sever the ties to her old life and join a nunnery, because it is the only way to sever her ties with her previous life. Soji becomes more and more worried as he realizes that no one knows where Sei is, and with his position in the Shinsengumi he can do nothing but sit, wait, and be forced to execute her for desertion if she doesn’t come back. The parallel stories shifting back and forth between the couple were particularly effective in this volume, as Soji’s growing concern forces him to confront his own feelings about Sei, and Sei grapples with her thoughts about healing and death as she learns more about Suigetsuni’s life story.

Watanabe is a master at spinning out a story, as 21 volumes into Kaze Hikaru, I’m in no hurry to see it wrapped up. Even though so much of this manga revolves around the characters being unable to express their emotions to each other, it is easy to see just how much Sei and Soji have changed each other through their unconventional friendship. As always, the author notes manage to distill an incredible amount of research into a few pages focusing on an element from the historical setting of the manga. This volume focuses on clothing and her reasons for depicting the Shinsengumi a certain way. If you aren’t reading this manga yet, give it a try! This is such a thoughtful, well-executed historical series that really stands out as having much more substance than most shoujo manga.

Filed Under: REVIEWS Tagged With: kaze hikaru, shojo beat, viz media

7 Billion Needles, Vol. 1

July 7, 2013 by Anna N

7 Billion Needles, Vol. 1 by Nobuaki Tadano

I was happy when I saw that Vertical was releasing some of their titles for the Kindle, but I already had print copies of the main series I was following like Twin Spica. I remember hearing interesting things about 7 Billion Needles, so I decided to give the first volume a try. Hikaru is a typical teenager, spending most of her time shutting out the world by keeping her headphones on. She’s a teenager with something other than angst churning inside her though. On a school trip she had an encounter with an extraterrestrial object that vaporized her body, leading to an alien intelligence named Ciel who reconstructed her body and establishes a symbiotic relationship with her.

Tadano does a good job establishing a slightly unsettling slice of life tone for this manga. Hikaru goes through her life someone aimlessly, and gradually more and more strange events begin to occur around her. Ciel makes contact and tells his host that he’s hunting an even worse threat – an entity called Maelstrom that might also be inhabiting a human. The title 7 Billion Needles refers to the needle in a haystack like task of hunting down an evil alien intelligence hiding somewhere in the human population. The manga is based on the Hal Clement novel Needle, and Tadano does manage to strike a good balance between the thought experiment vibe of classic science fiction and manga action as Hikaru and Ciel strike an uneasy truce and start hunting together.

The reading experience on my Kindle Paperwhite was just fine. I was intrigued by the first volume, and this is the type of digital series I can easily see myself stocking up on when I’m about to go on a trip and can’t haul around a bunch of physical copies of manga with me.

Filed Under: REVIEWS Tagged With: 7 billion needles, vertical

Licensing Round-Up – Anime Expo 2013

July 7, 2013 by Sean Gaffney

I’m not at AX, but through the magic ability of being able to follow the tweets of those who are, I can give you my thought on what’s happening over there! There’s actually quite a bit of stuff brewing.

ax1

We started off with our friends at Vertical, Inc. They only had one license, but it looks like a lot of fun! Moyoco Anno is not only an award-winning mangaka, but she’s also married to otaku legend Hideki Anno. The one-volume Kantoku Fuyuki Todoki ran in Shodensha’s Feel Young magazine, and is a comedic yet heartwarming autobiographical look at what it’s like to be married to such a legendary otaku. Vertical will put it out under the title Insufficient Direction.

ax2

Digital Manga Publishing had some of the biggest news of the con, as they announced an agreement with Tezuka Pro for digital release in North America of the unlicensed Tezuka titles – all of them, supposedly. I admit, I’m not expecting some of the weirder, more adult or ‘problematic (antisemitism, etc.) titles anytime soon, but for the Tezuka fan this has to be an incredibly happy day. Much of his work had been released lately through Vertical, but DMP has been doing a few as well, including the Kickstarter projects of Barbara, Unico, and Atomcat. Given that it’s DMP, I’m also hoping these will be downloadable rather than cloud. Looking forward to more about this.

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Most of Right Stuf’s announcements were, understandably, in the anime arena. But they surprised us at the very end by announcing, in partnership with Tokyopop (still around, in case you were wondering) the release of Axis Powers Hetalia Books 4 & 5 before the new year! I’ve made no secret that I really enjoy this goofy gag manga about anthropomorphic nations, which has moved beyond its sketchy WWII origins and embraced exaggerated stereotypes of every era! If you pre-order, you’ll get color pages as well, which are only available in the first printing.

ax4

Kodansha Comics didn’t have any new titles to announce (they indicated that SDCC in two weeks might be a different story), but this did not stop them from having a few big things to say anyway. It’s no secret that Attack on Titan has EXPLODED in fandom, particularly with the release of the anime. Kodansha, therefore, has decided to speed up the releases, similar to what they’re doing with Fairy Tail, till they catch up with Japan by the start of 2014. One a month, that’s a lot of titans.

Bigger news, though, particularly for me as I’ve been begging for it, is that they will be releasing their titles digitally on Nook, Kindle, and Google Play (and, in fact, shuttering their iTunes app, though you get to keep the books you have on it.) They’ve been Apple only for years, so this is fantastic news, as they were the last holdout (bar Seven Seas, who don’t have digital for their Japanese titles yet). Now Android users (such as myself can enjoy the following titles digitally:

Arisa
@ Full Moon
Attack on Titan
Bloody Monday
Cage of Eden
Danza
Fairy Tail
Genshiken (omnibus)
Genshiken: 2nd Season
I Am Here!
Kitchen Princess (omnibus)
Mardock Scramble
Missions of Love
Ninja Girls
No. 6
Sankarea
Sayonara, Zetsubou-Sensei
Until the Full Moon

In other words, most of their current lineup, with the major exception of Sailor Moon, which I suspect would require a lot more negotiating with Naoko Takeuchi. In particular, it’s great to see Zetsubou-sensei there. By the way, Kodansha still insists it’s not cancelled, but it’s still on hold due to low sales and being a pain in the ass to translate. Having tried my hand at the endnotes for Vol. 10, I can sympathize.

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And that leaves Viz Media. They did not disappoint. There is a new seinen title (I am assuming it will be in the Signature line) called Gangsta, that runs in Shinchosha’s Comic @ Bunch magazine. It’s apparently very similar to Dogs: Bullets & Carnage. Nisekoi, which has its first three volumes out digital only, will start to run in print in January. They are re-releasing Dragon Ball in larger trim, around the size of US comics.

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Deadman Wonderland is not only a Tokyopop license rescue, but also more than 10 volumes and still running, making it a surprising pickup in my mind. It’s a Shonen Ace series from Kadokawa that is another in the ever popular survival game genre… this one set in a very strange prison. And, big news for us old fogies… Ranma 1/2, back in print, unflipped! 2-in-1 omnibus volumes, starting in March! Given the digital app doesn’t do flipped, I wonder if this is a way to get it out digitally. In any case, great news for old-school fans!

Lastly, some hope for fans of cancelled Jump series Gintama and Reborn – SJ is looking into bringing them back digitally, though no promises just yet. I imagine if they do well they may look into continuing them digitally as well.

What in this list excites you the most?

Filed Under: NEWS, UNSHELVED

Manga the Week of 7/10

July 5, 2013 by Sean Gaffney, Michelle Smith and MJ 11 Comments

SEAN: Not as big as week 1 of July, but there’s plenty of tasty treats to check out as the summer continues to be hot.

tokyobabylon2

Dark Horse has the 2nd and final omnibus of Tokyo Babylon. I didn’t buy this one, so will forever imagine it ends with a big picnic, and possibly puppies and unicorns. :)

MICHELLE: I will allow you to have your dreams.

MJ: I’m sure everyone can guess how eagerly I’ve been anticipating this release. I was over the moon for Dark Horse’s first omnibus, and since I actually like to be beaten into a sobbing pulp by my fiction, I’m willing to move forward without those puppies and unicorns. Note: This volume will also contain Hokuto’s side story of epic awesomeness, so there’s that.

SEAN: Digital Manga Publishing is finally returning to print manga, and what better title to see returning to our shelves than the 7th volume of Vampire Hunter D?

MICHELLE: While this personally doesn’t excite me much, I was very pleased to see that the tenth volume of Itazura Na Kiss is now available for pre-order. Hurray for print manga!

SEAN: SubLime has two new debuts. False Memories has a cute cover, so I have less to say about it. It’s by the author of Devil’s Honey and Dash!

MICHELLE: The cover is very cute indeed. I confess that was all it took to convince me to read it, and I didn’t connect the author with Devil’s Honey. The latter was pretty good, though, so I’m definitely intrigued.

MJ: Agreed!

hideandseek

SEAN: Oh Dear Lord. Look at the cover for Hide & Seek. Have you seen two people you want to punch in the face more than these two? :) This is by the author of Bond of Dreams, Bond of Love, which if I recall also had ridiculous covers. Recommended for those who enjoy large yaoi hands.

MICHELLE: *snerk* While I liked Yaya Sakuragi’s Stay Close to Me, Bond of Dreams, Bond of Love was so generic and the characters so unappealing that I now view anything else by the author with trepidation.

MJ: Heh. I deeply disliked Bond of Dreams, Bond of Love, but on the upside, at least these two characters both look like adults, so I’ll give it a try.

SEAN: Vertical has the 6th volume of Flowers of Evil, whose sales will hopefully be bumped by the recent conclusion to the anime version.

MJ: I hope so, too! I’m looking forward to this volume in any case.

SEAN: Viz has Case Closed Vol. 47. In Japan, Vol. 79 came out this April. Sadly, I suspect we will not be seeing the great Case Closed speedup anytime soon.

MICHELLE: I find this series to be fun occasionally, but it’s one of those cases where I’m very grateful my local library purchases it so I don’t have to. I can’t imagine housing dozens of volumes of goofy, episodic mysteries.

SEAN: The 5th Fullmetal Alchemist omnibus contains Vols. 13-15 of this shonen series that everyone should own. And I hope Viz can negotiate digital rights back now that Square Enix shuttered their digital site.

MICHELLE: It’s a classic.

rinne12MJ: Fullmetal Alchemist is absolutely a must-own, and I’m glad it’s being given a second run like this.

SEAN: The 4th Loveless omnibus, with Vol. 7 & 8, I think catches us up with Viz’s newer releases, right?

MICHELLE: It does, as volume 11 came out in June. It also catches us up with Japan.

MJ: I honestly can’t wait. The new volumes have been mocking me from the shelf for so long.

SEAN: Rin-Ne has hit a dozen volumes, and is doing well enough that it doesn’t have to worry about getting as behind as Case Closed is. Not that this means any legitimate plot is happening, mind you…

MICHELLE: I’m happy that RIN-NE exists for whenever I want a dose of Takahashi, but it’s true there’s not really anything to get excited about.

SEAN: Finally, we see the second volume of superhero manga Tiger & Bunny. He’s a superhero. He’s also a superhero. THEY FIGHT CRIME!

Anything here catch your fancy?

Filed Under: FEATURES, manga the week of

Mobile Suit Gundam: The Origin, Vol. 2

July 5, 2013 by Sean Gaffney

By Yoshikazu Yasuhiko; Original Story by Yoshiyuki Tomino and Hajime Yatate; Mechanical Design by Kunio Okawara. Released in Japan by Kadokawa Shoten, serialized in the magazine Gundam Ace. Released in North America by Vertical, Inc.

When we last left our heroes, they’d finally gotten back to Earth. Of course, this proves to be only the beginning of their troubles… they’re in enemy territory, and are being told by their allies in South America “get here first, then we’ll tell you what to do next.” Their ace pilot is having a bit of a PTSD attack, and wants no part of all of this. The refugees they picked up are resorting to taking hostages just to be allowed to leave. And our man in charge, Bright Noah, just can’t seem to get any respect. But then, this is what happens when your enemies call your ship the “Trojan Horse”… you have all the luck that Troy did.

gundam2

To get the obvious out of the way first, most of what you enjoyed about the first book is present and correct here in the second. The battles are done very well, with lots of attention to detail and realism (given that these are robot wars), but don’t take up so much of the book that you get bored with all the combat. The overall tone is serious, but there are some very amusing dashes of humor, including Lieutenant Reed’s ulcer, Fraw Bow’s jealousy (and a flash of the same thing from Amuro), and every exasperated face Noah makes. But overall, the message continues to be what Gundam does best: war is a horrible thing that destroys entire cities, and one should never revel in it.

I think my favorite party of the volume was watching every single interaction between Char and Garma. After all the earnestness that our heroes fall into, it’s great seeing two people who clearly despise each other attempting to one-up each other in how politely smug they can be. Char’s needling of Garma, and manipulation as the story goes on, really shows of his people skills, albeit not in a good way. He spends much of this volume simply watching things develop (well, that and taking long showers so that he can properly show off his fantastic naked body to the reader). This makes his arrogant sneering at Garma right at the end all the more startling, and reminds you once again that he may be the bad guy you love to hate, but he’s still the bad guy.

As for Amuro, he gets the bulk of the second half of this volume, as he reunites with his mother. I’ll be honest, I totally expected him to return and find his mother dead – all the signs were pointing that way – but then, this series has pointed one way and gone another before, so I shouldn’t be surprised. What we got was even better, though – his mother has no context for what’s happened to Amuro at all, and all she can see is that her little boy has become a killer. This is far more visceral than most stories of this time, given Amuro has to lethally fight his way out of the encampment his mother is living in. It’s the emotional heart of the story.

And then there is the titular Garma. The Gundam story makes sure that we don’t simply see the Zeon enemy as “space Nazis”, and Garma’s desire to be worthy of his name, as well as his romance with an Earth girl, is part of this. I was never quite sure till the end how invested he was in Icelina, but it seems to be more genuine than I thought, and I wonder if she’ll return at some point down the line. But in the end, this is a story about war and the prices that one pays during it, and the final images we see are a father brutally gunned down in front of his daughter, and a father stunned to hear of the death of his son.

I admit I would perhaps have slightly fewer mech battles if I were plotting this, but oh well. Gundam is still a riveting and fascinating series, and fully justifies why it has endured all these years. And the presentation, again, is fantastic – a real coffee table book. It’s hard to wait three more months to see what happens next.

Filed Under: REVIEWS

Shonen Jump gets Akira Toriyama’s Jaco the Galactic Patrolman

July 2, 2013 by Brigid Alverson

jaco

Here’s the big news of the week: Dragon Ball creator Akira Toriyama will launch a new series in two weeks, Jaco the Galactic Patrolman, and Shonen Jump will be carrying it in English the same week it comes out in Japan.

I rounded up some new manga releases, the Megatokyo Kickstarter, and other manga news in my latest Manga Tipsheet at MTV Geek.

Among those news bits: Viz confirmed it has licensed Tiger & Bunny: The Beginning. Lissa Pattillo has more.

SuBLime announced a new license as well: Kou Yoneda’s NightS.

The Digital Manga folks post an update on their plans for Anime Expo, new digital releases, delays in print volumes, and more.

Erica Friedman brings us the latest edition of Yuri Network News.

The Manga Bookshelf bloggers discuss their latest Pick of the Week, and they take a look at this week’s new releases as well.

Laura rounds up the Skip Beat! Manga Moveable Feast posts at Heart of Manga.

Jason Thompson takes a fond look at one of my favorite manga, Twin Spica, in his latest House of 1000 Manga column at ANN.

Lissa Pattillo opens up the Swag Bag and shows off her latest purchases.

Lori Henderson talks about Skip Beat! and Umineko When They Cry in the latest two episodes of the Manga Dome podcast.

Erin discusses relationships in Otomen, where the nice guy gets the girl for a change, at Gagging on Sexism.

Jocelyne Allen reads two volumes of collected works from the alt-manga magazines Garo and Com (the latter was started by Osamu Tezuka), and finds some great reading by Shigeru Mizuki, Yoshihiro Tatsumi, and Leiji Matsumoto.

Who reads Manga Bookshelf, and what manga do they like? MJ presents the results of their recent survey.

News from Japan: The big news out of Japan this past week Sad news: Comic LO Magazine artist Yasuda, who was active in doujinshi circles, has died after a brief illness; he was only 24. Deadman Wonderland, which returned from hiatus in January, will end in the July 26 issue of Kadokawa Shoten’s Monthly Shōnen Ace. Maid Sama! is also drawing to a close. On the upside, though, Mari Yamazaki plans to launch a Thermae Romae spinoff in Comic Beam in September.

Reviews: The Manga Bookshelf team keep it short and sweet in their latest Bookshelf Briefs. Ash Brown takes us through a week’s manga reading in Experiments in Manga.

Victoria Erica on vol. 2 of Attack on Titan (Inside AX)
Lesley Aeschliman on vol. 6 of Bleach (Blogcritics)
Manjiorin on vol. 2 of Blood-C (Organization ASG)
Sean Gaffney on vol. 3 of Blood Lad (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 5 of Children of the Sea (The Comic Book Bin)
Matthew Alexander on vol. 22 of Claymore (The Fandom Post)
Anna N. on vols. 7 and 8 of Cross Game (Manga Report)
Justin on chapter 38 of Cross Manage (Organization ASG)
Leroy Douresseaux on vol. 3 of Demon Love Spell (The Comic Book Bin)
Lesley Aeschliman on vol. 8 of A Devil and Her Love Song (Blogcritics)
Matthew Warner on vol. 8 of A Devil and Her Love Song (The Fandom Post)
Matthew Warner on vol. 1 of Doubt (The Fandom Post)
Erica Friedman on Futari (Okazu)
Sean Gaffney on vol. 5 of GA: Geijutsuka Art Design Class (A Case Suitable for Treatment)
Matthew Warner on vol. 4 of Is This a Zombie? (The Fandom Post)
Sean Gaffney on vol. 1 of Lone Wolf and Cub (omnibus edition) (A Case Suitable for Treatment)
Sean Gaffney on vol. 22 of Higurashi: When They Cry (A Case Suitable for Treatment)
Lissa Pattillo on vols. 1 and 2 of Kingdom Hearts: Final Mix (Kuriousity)
Helen on vols. 1-3 of Mars (Narrative Investigations)
Leroy Douresseaux on vol. 67 of One Piece (The Comic Book Bin)
Greg McElhatton on The Passion of Gengoroh Tagame (Read About Comics)
Lesley Aeschliman on vol. 16 of Pokemon Adventures (Lesley’s Musings… on Manga)
Matthew Warner on vol. 10 of Psyren (The Fandom Post)
Leroy Douresseaux on vol. 11 of Psyren (The Comic Book Bin)
Erica Friedman on vol. 11 of Rakuen Le Paradis (Okazu)
Philip Anthony on vol. 8 of Sailor Moon (Manga Bookshelf)
Lesley Aeschliman on vol. 11 of Sailor Moon (Blogcritics)
Justin on vol. 1 of Sankarea (Organization ASG)
Erica Friedman on Shishunki Seimeitai Vega (Okazu)
Derek Bown on the latest issue of Shonen Jump (Manga Bookshelf)
Ash Brown on vol. 1 of Skip Beat! (omnibus edition) (Experiments in Manga)
Leroy Douresseaux on vol. 1 of Sleeping Moon (I Reads You)
Matthew Warner on vol. 3 of Strobe Edge (The Fandom Post)
John Rose on vol. 1 of Umineko: When They Cry – Legend of the Golden Witch (The Fandom Post)
Connie C. on Utsubora (Comics Should Be Good)
Ash Brown on vol. 4 of Wandering Son (Experiments in Manga)
Sean Gaffney on vol. 4 of Wandering Son (A Case Suitable for Treatment)

Filed Under: MANGABLOG

It Came from the Sinosphere: Island, End of Nightmare (Manhua)

July 2, 2013 by Sara K. Leave a Comment

The cover of the manhua, featuring Luonian (blue) running towards the reader, and Huaizhen (orange) taking up most of the background.

Why couldn’t I find this image in a bigger size?

Hello, everyone! I’m back.

The Story

During a trip to an island in the South China sea, a teenager called Luonian has an encounter with a phoenix, and then a giant dog (a demon?) pins him to the ground. Then Luonian wakes up in a hospital in Taiwan. Was it just a nightmare?

A picture of Luonian with the island in the background.  We see a jungle and a seagull.

Back in his hometown, Banqiao, Luonian gets attacked by a demon … which gets taken down by some fellow senior high school students. Apparently, a number of teenage demon hunters attend Luonian’s senior high school, but demon hunters are generally pretty discreet about their work, so he wasn’t aware of their activities before. Now that he knows, their offer to train him and let him join their demon-hunting club.

To make matters worse, that “dog,” who is actually a nine-tailed fox and is called “Huaizhen,” comes back. Huaizhen had waited 3000 years to get the “aura” of that phoenix … and Luonian had “stolen” that opporunity by getting the “aura” of the phoenix instead.
Therefore, Huaizhen wants to eat him. However, they strike a deal – Luonian lets Huaizhen suck his phoenix-aura-laden-energy (note: this might not be the best way to translate this from Chinese), and Luonian will let him live. Furthermore, since demons are attracted to the phoenix-aura, Luonian should expect a lot more demons in his life from now on.

In case you’re not familiar with Chinese-mythology, men are supposed to feel extreme sexual attraction towards nine-tailed-foxes. In Huaizhen’s experience, this is generally true … with the notable of Luonian, who doesn’t have the least bit of sexual interest in Huaizhen. Huaizhen finds this … intriguing.

Finally, Huaizhen urges Luonian to join the demon-hunters because a) they can help protect him from the demons (and if the demons get him, she can’t suck his energy) and b) she wants to know more about the demon-hunters. But Huaizhen makes a point of hanging around Luonian a lot, pretending to be Luonian’s teenager sister, and if the demon-hunters learn about her true nature…

Background

This manhua is adapted from a series by a very popular online novelist called Moren. Moren is known for mixing fantasy, wuxia, and science fiction together. I myself have only read the first couple volumes of Island, End of Nightmare, and I would call it fantasy with elements of wuxia and science fiction rather than blend (I feel it has a lot more in common with the YA fantasy I’ve read than the wuxia or science-fiction I’ve read).

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The artist YinYin with Han Baobao, who did the writing for the manhua adaptation.

The manhua edition is drawn by YinYin, who also drew the illustrations and book covers for the original novels. YinYin is a regular contributor to Crative Comics Collection, and has produced her own original manhua.

The Artwork

YinYin says in the interview at the end of the volume that, when drawing for manhua, her first priority is to communicate the story, and aesthetic considerations (i.e. is the artwork pretty) are secondary. I think this is a good set of priorities since comic books are storytelling media, and there are many other media for artists who want to put aesthetics first.

SURPRISE! Fellow senior high school student nabs demon.  There is a big, clear panel showing the main action, with supporting panels with reaction shots.  Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

SURPRISE! Fellow senior high school student nabs demon. There is a big, clear panel showing the main action, with supporting panels with reaction shots. Also, notice that the demon hunter is erect and vertical, while the demon is horizontal, making a nice right-angle.

And I think YinYin gets the “storytelling” part down. The artwork does an excellent job of clearly communicating the story. Though the plot summary above may seem a bit complicated, it’s actually quite easy to follow in the manhua itself, and I think the artwork definitely helps. It took much less effort to follow the manhua than the original novel, and the novel itself is not hard to follow.

I also don’t think putting the story first costs the aesthetics anything.

First of all, the more I look at it, the more I like the cover illustration of the novel. I really dig the blue/orange theme – and it’s very appropriate that Luonian is blue, and that Huaizhen is orange, since they act as opposite personalities. Come to think of it, this is a beautiful example of storytelling and aesthetics coming together.

This 'big main panel with supporting reaction panels' composition really works.

This ‘big main panel with supporting reaction panels’ composition really works.

The artwork clean and smooth. I think the trick is that YinYin makes sure there is enoguh detail to give the artwork meaning, yet it stays simple enough that everything is focused and the reader’s eye is not distracted by minutiae. And YinYin knows how to make a page pop with a simple, striking image. Most pages are not like that, but then again, if they were, then they wouldn’t pop.

Getting nabbed by a giant dog definitely pops.

Getting nabbed by a giant dog definitely pops.

And some of the images are simply, well, graceful.

I like this page for some reason.

I like this page for some reason.

In fact, I think this is the best work I’ve seen from YinYin.

The phoenix, of course, is lovely.

The phoenix, of course, is lovely.

YinYin also says that, while obviously there is a strong Japanese influence on her work, she tries to express her own style rather than try to make her artwork look like Japanese manga.

Where Have I Seen This Before

If you have read a significant amount of general manga – heck, even if you’re just reasonably familiar with YA fantasy – this should seem like familiar territory. The question is: what sets this tale of teenage demon-hunters apart from other tales of teenage demon-hunters?

One way to stand out is to have superlative writing. Though this story is well-written … and there are definitely touches I like (for example, the fact that Luonian’s senior high school just happens to have a demon-hunting group, and of course he didn’t know about it since there was no reason for him to know about it) … the storytelling alone is not exceptional enough to make it stand out from the other well-written stories in this genre.

Alas, the story's attempts at puberty/sexual humor is not one of the things which makes it stand out.

Alas, the story’s attempts at puberty/sexual humor is not one of the things which makes it stand out.

The thing which does make this story stand out is that it is set in Taiwan.

All other things being equal, people are usually more interested in stories about their own society and themselves than stories about other societies and other people. Taiwanese people are no exception. While Taiwanese people love Japanese manga, all other things being equal, they find things even more interesting if it’s about Taiwanese people in Taiwan than Japanese people in Japan.

While it’s not apparent in the first volume of the manhua (though I’m sure this will come through in future volumes), this story really does run all over Taiwan, and I think that is on purpose. There is such variety in Taiwan itself that one can find quite a variety of interesting locations without ever going abroad. As someone who has travelled extensively in Taiwan, I really enjoy this aspect of the story.

Availability in English

Ha ha ha ha ha.

Conclusion

I have no intention of continuing with this manhua, or with continuing the original novel series. It’s good enough that I don’t mind reading it, it’s just that there is so much more out there that I’m much more excited to read.

This manhua seems to be part of a campaign by the publisher Gaea to promote local manhua, particularly manhua which is distinctively Taiwanese. Making one of the first manhua an adaptation of a popular novel series is probably a good move, at least as far as getting readers’ attention. Considering the recent successes of movies made in Taiwan, I think there is definitely an audience out there for good, distinctively local manhua. The main thing needed to build that readership is to create and publish consistently high-quality manhua to attract and, more importantly, keep them.

However, though this volume was first published last August, volume 2 has yet to appear. That conceivably could be because the artist is too busy … but I think it’s a sign that the manhua has not been selling well.

Next time: The Iron-Crane Pentalogy (novels)


So much has happened in the past few weeks, where can Sara K. begin? Well, she is now one of rare people in the world who can honestly say that she has soked in an outdoor seawater hotspring in the middle of a thunderstorm. There are only three seawater hot springs in the world, and considering her geographic location, Manga Bookshelf readers can probably figure out that she did not go to the one in Sicily.

Filed Under: It Came From the Sinosphere Tagged With: Island: End of Nightmare, manhua, Moren, online novels, YinYin

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