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Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 6

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

First of all, let’s get the most important thing out of the way: this volume features the triumphant return of “I’m good on wolves”, the running gag that made the first volume such a delight for me. It’s very welcome, and yes, the fact that it’s back means that Sara ends up going ALL the way back to Rosa this volume, courtesy of the plot. Also returning is the author continuing to not confirm but nevertheless convince me that Sara is a monster attractor, and that anywhere she goes will see an increase in their population, ranging from hellhounds and wyverns to the surprise guest monster we’ll be talking about in a bit. Oh yes, and we also get more attempted marriages, with Sara turning all of them down. She’s still not thinking of Allen as anything more than her bestie and family, but we may finally be starting to crack that a bit. His almost dying in this book helps, no doubt.

Sara has returned to Hydrangea, where she is living the happy apothecary life, despite acquiring another suitor – Liam’s younger brother Noel (I see what you did there), who fortunately is a lot nicer than his sibling. Unfortunately, suddenly a lot of dangerous monsters appear in the dungeon where they shouldn’t be, including crossing supposed no-monster zones. After finding mysterious invisible portals in the dungeon, Sara and company come across something much bigger and more dangerous – a continental turtle, which has decided to get up and start to walk. It’s the size of a three-story building, and the last time it did this it caused untold destruction. Now everyone’s got to get together to try to nudge its path slightly so that it does not run through any major cities. What? Kill it? Don’t be silly, it’s invincible. Who would be stupid enough to try that?

So this book is filled with a lot of people learning their life lessons at last. Ted has been exposed to life outside the noble city he grew up coddled by, and gets as close as he ever will to thanking Sara. Liam may be coming up with dumb plans, but he at least is self-aware enough to know that “find a scapegoat and throw them in jail” is not the answer when said plans don’t work, and he DOES apologize. As for Sara and Allen, it’s amusing that they both accuse each other of going with the flow and avoiding confrontation too much. We’re more used to seeing it in Allen, as Sara is the POV character, but he’s right – for all her snarking and complaining, she’s only now getting around to actually refusoing to do things. They’re not together by the end of the book, but they’ve basically admitted that they’ll never be apart from each other.

That said, the cover of the 7uth volume suggests another slow-burn romance may get resolved first, and we might see that next time. Till then, enjoy your fill of wolves, turtles, and teenagers who try to do far too much, and mostly succeed.

Kuma Kuma Kuma Bear, Vol. 19

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Sigh. So not only does this volume retread a lot of ground I talked about last time when I was reviewing Kuma Bear (Yuna is a big softie but hates when people call attention to it), it’s also a huge battle volume, which means that 2/3 of it is made up of fights that I also can’t really review very well. It is nice to see Yuna having to think about various ways to try to defeat the fire orochi head, whose strengths actually block Yuna to a degree, and seeing her try some stuff that, back in Vol. 2 or so, was an immediate win move end up doing nothing whatsoever. She’s having to think on her feet and be clever, even though a lot of this is just “I can do things everyone else can’t because of the bear costume”. And we get a flashback showing how the orochi was first sealed, which is interesting if you’re invested in the fox spirit. Which… I wasn’t really. So yeah, still struggling.

Sorry, cover art fans, but Yuna spends barely any time in the white side of the suit this book – this is powerful, punching things Yuna through and through. Everyone realizes that the orochi’s seals are breaking, especially now that Mumulute shows up and it starts to really try to break its binding. The answer is to just fight and actually defeat it this time, but the orochi has four heads and its huge body, and even Yuna can’t duplicate herself. So Shinobu and Kagari also get involved, and unfortunately Shinobu is injured and has to be sent to the penalty box (the penalty box being Yuna’s home, where Fina is called over to nursemaid her). As for Sakura and Luimin, two of the latest girls to revolve around Yuna’s “10-year-old girls seem to dog me” orbit, well, they can at least try to stop it waking up for as long as possible. Still, in the end, it takes a bear. A bear who really, really does not want a reward.

So, stop me if you’ve heard this one before, but Yuna hates being praised and deflects attempts to credit her for anything, saying she just wants to live a life where she’s not viewed as the hero. That’s getting increasingly difficult, and it doesn’t help that Kagari (who, by the end of this book, is also in the body of a little girl – The Author’s Barely Disguised Fetish is always the weakest part of this series) is doing the same thing. On the bright side, I did enjoy seeing Luimin and Sakura bond immediately, to the point where they vow to travel the world together once they grow up, and it might even eventually be yuri if I thought the author was ever going to do anything of the sort, which I don’t. And we got to see Fina pouting and hitting Yuna with her fists like an anime cliche. That was cute.

We’re only a little behind Japan now, which has Vols. 20 and 20.5 out. Next time should see the start of a new arc, and no doubt new things for me to complain about. But I’ll read it. Yuna is as Yuna does.

Manga the Week of 9/11/24

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SEAN: It is getting cooler? No? Ah well, had to ask. Back to manga.

ASH: I had hope there for a moment.

SEAN: Airship has two print titles out next week: She Professed Herself Pupil of the Wise Man 11 and There’s No Freaking Way I’ll be Your Lover! Unless… 5.

ASH: Unless!

SEAN: The early digital debut is Witch and Mercenary (Majo to Yōhei). Everyone knows witches are evil. Witches should be dead. Everyone but the witch, who’s wondering why everyone seems to hate her. So she hires a mercenary to go with her on adventures.

Dark Horse have a deluxe edition of the old Trigun manga, containing all the volumes (this is just Trigun proper, not the continuation) in a handsome hardcover.

ASH: I’ll admit, I do like this trend of deluxe releases.

SEAN: There’s a mature Seven Seas debut I will slot here, a manwha they are calling Perfect Buddy and also known as XXX Buddy, but you can probably fill in the x’s and you’ll be correct. Co-worker catches another co-worker doing naughty things in the company bathroom. Sex follows.

ASH: Uh-oh!

SEAN: Ghost Ship also has an 11th volume of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.

ASH: One of these days I really will get around to giving this series a try.

SEAN: No new series for J-Novel Club next week, but we do see The Brilliant Healer’s New Life in the Shadows 4, Death’s Daughter and the Ebony Blade 7-2 (the final volume), Heavenly Swords of the Twin Stars 3, I’m a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic 3, Let This Grieving Soul Retire 5, My Quiet Blacksmith Life in Another World 9, The Mythical Hero’s Otherworld Chronicles 8, the 2nd manga volume of The Reincarnation of the Strongest Exorcist in Another World, To Another World… with Land Mines! 9, and You Like Me, Not My Daughter?! 7 (the final volume).

For print, Kodansha Manga has FAIRY TAIL: 100 Years Quest 16, Kei X Yaku: Bound By Law 3, Turns Out My Online Friend is My Real-Life Boss! 2, and the 4th and final volume of Virgin Love.

The digital debut is Manchuria Opium Squad (Manshuu Ahen Squad), a dark seinen series from Comic Days. A soldier in 1930s Manchuria loses an eye, so is banished to an agricultural station where he’s abused by everyone around him. Then he finds… poppies. Unfortunately, this just leads to more problems. At Anime NYC, this was compared to Breaking Bad.

MICHELLE: It sounds depressing.

ANNA: Indeed.

ASH: Huh.

SEAN: Also digital: Altair: A Record of Battles 26, Gang King 21, Nina the Starry Bride 13, Quality Assurance in Another World 11, and Tokyo Tarareba Girls Returns 2 3.

ANNA: Always happy for more Nina the Starry Bride!

ASH: And Tokyo Tarareba Girls 2!

SEAN: Two debuts from One Peace Books next week! Hero Without a Class: Who Even Needs Skills?! (Mushoku no Eiyuu: Betsu ni Skill Nanka Iranakattan daga) is the manga version of an as-yet unlicensed light novel, which runs in Earth Star Online. Betcha know the plot. Yup. Son of two famous people in a world where your fantasy “class” determines everything doesn’t have one. Cue bad things.

ASH: Bad things happen, ya know?

SEAN: Kurokiya-san Wants to Lead Him Around by the Nose (Tedama ni Toritai Kurokiya-san) is a romcom from Comic Meteor. Our heroine is about to flunk out of her year, so she gets her unflappable childhood friend to tutor her. She wants to seduce him. Alas, he’s unflappable.

ASH: Ha!

SEAN: Debuts from Seven Seas. Hatsune Miku: Cantarella ~Poison of Blue~ (Cantarella – Ao no Dokuyaku) is based on a Vocaloid song, and imagines Hatsune Miku as Lucrezia Borgia. It ran in Age Premium, and is a one-shot.

ASH: I feel like it’s been a moment since we’ve had a Borgia manga.

SEAN: Otonari Complex is a Kurofune Momo series about a guy who has pretty features and his childhood friend, a girl with handsome features, who both have to deal with gender presentation, their own feelings for each other, and other friends of theirs who may also have romantic feelings.

MICHELLE: I have heard good things about this one!

ANNA: It does sound intriguing!

ASH: My curiosity is piqued.

SEAN: Also from Seven Seas: A Cat from Our World and the Forgotten Witch 3, The Duke of Death and His Maid 14, The Eccentric Doctor of the Moon Flower Kingdom 7, Grandmaster of Demonic Cultivation: Mo Dao Zu Shi The Comic 7, His Majesty the Demon King’s Housekeeper 7, Hunting in Another World With My Elf Wife 5, The Invisible Man and His Soon-to-Be Wife 4, Karate Survivor in Another World 6, Last Game 6, Monster Musume 17, Mushoku Tensei: Roxy Gets Serious 12 (the final volume), and The White Mage Doesn’t Want to Raise the Hero’s Level 3.

Square Enix has The Strongest Sage with the Weakest Crest 20 and Tokyo Aliens 7.

SuBLime’s one release is a BL title, Takara’s Treasure (Takara no Biidoro), a Dear + done-in-one. Three years ago, a man was consoled while going through grief by the titular Takara. Now he’s come to Tokyo to find Takara… even if Takara wants nothing to do with him!

Viz has a debut. Disney Twisted-Wonderland: The Manga – Anthology is exactly what you think it is.

ASH: Indeed.

SEAN: Also from Viz: Animal Crossing: New Horizons 7, Call of the Night 17, Fly Me to the Moon 25, Frieren: Beyond Journey’s End 11, Helck 11, Love’s in Sight! 8 (the final volume), Mao 18, and Naruto: Sasuke’s Story—The Uchiha and the Heavenly Stardust: The Manga 2 (the final volume).

ASH: I should really read Frieren at some point; more than one of my coworkers have been enjoying the series.

SEAN: Yen Press has some J-Novel Club print editions, as we see Ascendance of a Bookworm 26, In Another World With My Smartphone 28, the 5th Tearmoon Empire manga, and the 10th The Unwanted Undead Adventurer manga.

ASH: Bookworm! (I won’t be able to say that for too much longer, will I?)

SEAN: And they’re also releasing Bungo Stray Dogs: Dazai, Chuuya, Age Fifteen 2.

Something for everyone. What are you getting?

Private Tutor to the Duke’s Daughter: The Great-Tree Warden’s Testament

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I am prepared to eat a bit of crow here. Last time I mentioned how all the characters were getting something to do and character development except maybe Ellie. Well, character development is still thin on the ground (she’s meant to be the pure, naive one, and I think at times the author overdoes it) but certainly in terms of plot function and battle readiness she’s advanced by leaps and bounds. Her magic is strong enough to be able to take on giant monsters to protect Allen and Stella, and we also find out that she’s a Great-Tree Warden, something that was thought to have died out. Oh, and she gets to link mana with Allen. So yes, this is absolutely the book for Ell.ie fans. That said, this harem is large, and you know that no one can stay in the spotlight for too long, so by the end of the book she makes way for Book 14, which promises to be all Stella. Who, um, may be evil now.

We’re now back from the City of Water, after leaving everything to Niche Nitti (which, for some reason, makes Felecia intensely jealous), our cast return home so they can set up for the next part of the plot. Some of that is put off till future books – the Church is still lurking in the background, and every single bad guy who hasn’t died seems to have converged on the same country that’s right next to our heroes. But some of it needs to be dealt with now. There’s an oracular prophecy that may help to fix Stella’s magic issues, but it requires Allen, Stella and Ellie to go visit an underground archive that happens to be controlled by the very people who despise Allen. Now, this would not be an issue if Allen had a title – but he keeps rejecting, deflecting, and avoiding them. So we just have to make it so he can’t refuse…

Allen’s position makes a lot more sense after this book – there are some people who are doing their damndest to try to not only make sure he’s a failure but also, if the ending is accurate, .literally kill him. It’s all related to the Beastmen, because surprise, there’s prejudice. As for the harem, for once we actually get a long look at the Princess, Cheryl Wainwright. The author apologizes for his being unable to shoehorn her into past volumes, but it makes sense – she’s in line for the throne, and unlike Lydia can’t run away at the spur of the moment just cause. She was fun, and at times seems to possess the common sense the rest of Allen’s harem lacked. But I’m sorry, even with that title, she’s lagging behind the rest of the harem.

I’m not sure when we’ll get the next volume – it’s unscheduled in English at the moment – but it’s likely to finally resolve Stella’s issues. Whether she actually does turn villainous is up in the air… well, not really. This isn’t that kind of series. But she may turn for a while. Till then: good job, Ellie. Sorry I doubted you. Headpat from Allen!

The Crown of Rutile Quartz, Vol. 2

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y Surume Enoki and ttl. Released in Japan as “Rutile Quartz no Taikan: Ō no Tanjō” by DRE Novels. Released in North America by J-Novel Club. Translated by Alice Camp.

Siiiiiiigh. Great, another attempt to review a book which is “okay, I guess”. Again, it would be so easy to paste the review of the first volume here. It’s a decent read, it held my attention, the battles are well-done, and I like Slaine as a character. But it’s again using a fantasy world as an excuse to get people to read a generic military history book, and Monica, Slaine’s lover and later in this book wife, is painfully undercharacterized. The book is happy to have her there to cheer Slaine up and pat his head, as well as glare at anyone who does anything vaguely insulting to him. And that’s really about it. She reads like a prize, which, honestly, I thought authors knew better than that now. On the bright side, the court mage is shown to have another woman as her partner, and even if gay marriage isn’t legal in their country, they call each other wife and wife. Maybe Slaine should do something about that in between fighting to save the kingdom.

Slaine and Monica are now lovers, which you’d think would be an issue given her low noble status, but as it turns out the kingdom’s nobles are balanced so precariously following Slaine taking the throne that everyone’s actually okay with Monica being the Queen provided her family doesn’t get extra perks – well, at least publicly acknowledged extra perks. Meanwhile, Slaine’s reign is still regarded as “laughable” by far too many people, and so he suffers an assassination attempt, then an invasion by a noble who regards him as beneath contempt because he was a commoner… and finally by the Third Prince of the Empire, Florenz, who was behind the noble’s attack in the first place and who seems to think that invading will be easy from their impregnable fortress. Can Slaine perhaps make that fortress less impregnable?

The men in this book fare a bit better than the women, though honestly only three characters really stand out, and one of them is Slaine himself. We get two varieties of “evil ruler” here. Julius is the sort who’s actually good to his men, and goes out to fight with them, etc. The ‘noble bigot’ sort. The bigot coming because he is deeply,. deeply classist to the point where he’ll gladly go to war over it. This goes badly, mostly as Slaine has very well trained troops who know how to perform obvious sucker moves without making them LOOK like obvious sucker moves. Then we get the third prince of the Empire, who is the ‘entitled dickhead’ sort of villain, who assumes that anything he does can be taken care of after the fact provided he wins… and then when he loses literally goes mad. I did like Slaine’s idea for how to take the impregnable fortress, which felt very much like him, as opposed to “tactics that we’re supposed to handwave the enemy couldn’t think of”. More cleverness, less pushing soldiers around on a map, please.

This comes out slowly, so I’m not sure when the next volume will be. And it’s a DRECOM title, so who knows if the third is the last. The webnovel suggests 7 books in total. I’ll read the next one, though. Even though I’ll go “that was all right, I guess” at the end.

High School DxD: Mages of Career Counseling

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I’ve said before that this is a series where you come for the boobs and stay for the worldbuilding, but if I’m being honest this is a series where you come for the boobs, stay for the boobs, and there is also worldbuilding. This series is never going to shy away from what its readership wants. Sona Sitri plays a major role in this volume, and you’d expect a color page showing her, say, directing the combat against the mages as she does towards the end. Instead, we see a shot of her cooking in an apron and panties, whipping up cake batter in a way that leaves her covered in white goo. Needless to say, this scene does not exist anywhere in the book. I think the artist thought that this book had too much actual fighting and a lot less service, which is… wrong given that we see seven naked or near naked girls in Issei’s bed during this, but also correct. This is a more serious volume.

Issei is back from the dead, though most of the girls around him are still traumatized by his death, to the point where EVERYONE is sleeping in his bed at night. Meaning he has to sleep in a chair. Yeah, sorry, still no sex here. In the mean time, stuff continues to happen even though Issei is recovering and Draig is still inactive. He has to train to get better, as to the rest of Rias’ peerage. They’re all being buried in offers to work with mages, and they have to filter down to the actual good offers, which includes a former enemy, Le Fey Pendragon. And there’s a war between vampire clans, and one of them shows up and tries to bully and blackmail Gaspar into joining them or else his childhood friend will fall into darkness. Needless to say, that really does not go over well, and Rias and Kiba head off to negotiate with the vampire clans in Europe. Which means they’re not there when rogue mages kidnap Ravel, Koneko and Gaspar…

Generally speaking fantasy light novels tend to start off with mages in Book 1, then work their way through vampires, and finally end up with angels, demons, and wars in heaven. High School DxD is not afraid to do things ass-backward, of course. Nor is it afraid of asses, though Issei prefers boobs. Seriously, though, this is a clear transitional volume, setting up the table for the plot that will likely carry through the rest of the series (which ends at Book 25, though yes, there’s a “sequel” that just continues it). We get to see some characters show off their talents. sometimes comedically (poor Asia, though at least Issei promises to be with her forever), and sometimes seriously (Ravel, who makes it as clear to Issei that she is in love with him without saying the words, and he reacts… like Issei would, of course. “Please be my manager forever” will have to do for now). And there’s a really cool final battle, and some cool new bad guys, who are very bad, and also related to the cast – literally in one case.

So yeah, we’re back and ready to go!… what? More short stories next time? Oh, *half* a short story volume. I have no idea what that means. Anyway, next time I hear Irina gets something to do. Looking forward to that.

Pick of the Week: Bye, Bye, Bookworm

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SEAN: Apologies to Ai Yazawa, and I’m sure someone will pick her later on. But this is the final volume of Ascendance of a Bookworm, and I have to pick it. It’s made choices I wouldn’t, but it’s a series that has had some of the best worldbuilding in light novels for the last few years, and Myne/Rozemyne is a fantastic main character. Long May She Read.

MICHELLE: I’ll gladly accept that responsibility. *Last Quarter* for me! I don’t know anything about it but it’s Ai Yazawa and that’s enough for me.

ASH: I wholeheartedly support both of those picks, but I’m still going to add a third one into the mix; Giga Town: The Guide to Manga Iconography is a release that I’ve been very curious about since I first heard about it. I’m looking forward to some educational reading.

ANNA: New Ai Yazawa for me!

KATE: I’m joining Ash in making Giga Town my pick of the week; I’ve been excited about this title since the Mangasplainers first announced it last year.

Rascal Does Not Dream of Santa Claus

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Santa Claus no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

You know, Rascal Does Not Dream turned into a horror series so gradually, I didn’t even notice. Oh sure, each volume has had its share of horror and suspense – far more than you’d normally expect from a high school romcom. Starting with Mai potentially disappearing and Sakuta’s horrible scars, each volume has sometimes looked deep into the abyss. But I don’t think we’ve had a volume lean quite so hard into actual horror than this one. Even Vol. 6 and 7 was meant to be a tragedy, not horror. Here we get the ongoing Touko plot blending into loss of identity, and over the course of the book we realize that it’s not just Nene who’s dealing with the loss of identity, but A LOT of other people. And now they’re all invisible Santas. And they’re trying to kill Mai. As I said. Creepy as hell. Sakuta manages to resolve the immediate issue this time around, but only by getting physically injured to protect his love. Also, the ending is not reassuring.

Sakuta has a Christmas dream that Mai is singing at a concert, then announced publicly that she is Touko Kirishima. What’s worse, a whole lot of other people had similar dreams. Other, more disturbing dreams are also happening. Kaede dreamed she had reverted to her alternate self again. Futaba dreamed that she and Kunumi were on a happy date together, which is ominous given that he’s still together with Kamisato. And Mai… didn’t have a dream at all. It all has to relate to the Santa-wearing Touko, and Sakuta spends most of the book looking into Touko, as well as the girl he thinks she is, Nene. The answer to how to solve her problem is a lot closer to Sakuta than he thinks, but… is that really the actual problem? Is he just treating a symptom? And what’s with the dream of Mai getting injured and falling into a coma?

As I said, there’s a lot of scary stuff here. Particularly the ending, showing Mai surrounded by about 100 Santa-clad Toukos that no one else seems to be able to see. I did enjoy the wrapup on Nene’s plot specifically, but it also made me wonder how she and all the other Toukos are meant to reintegrate into society after having “vanished” for about 10 months. The book, unsurprisingly, decides to elide over that. I also enjoyed seeing the friendship/codependent helper relationship that he and Ikumi have, is only because it’s just nice to see him have someone reliable to talk to who can help deal with everything even when no one else can. And, honestly, that may end up tying into the next book. Because anyone who thinks the next book is not going to start with Mai saying that she’s Touko is fooling themselves. The whole volume is a setup for that.

There are two books to go, and they come out only two months apart (the final one is in October in Japan), so Yen may wait and try to release them the same way here. The identity of the antagonist is not hard to guess (hint: what major girl hasn’t got a cover yet?) but I have no idea how it’s going to resolve. In the meantime, there is fun banter here, I promise, but it’s getting thin on the ground.

Sabikui Bisco, Vol. 8

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By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

OK, this is starting to irritate me. This is not the first time we’ve had a volume of Bisco that felt like the final volume except that there are clearly more coming, but it’s the first time I felt angry about it, because this really was a fantastic ending. It wrapped up most of the plots we’d had so far, it featured an epilogue that screamed “this is it, I have finished the series”, and it’s also one of the best books in the series. Sadly, after that ending you get the usual “movie trailer” preview that says Book 9 will be BISCOOOO… IN… SPAAAACCCEEE!. Now, this could be quite good, and I’ll definitely be reading it. But I’m getting kinda tired of this author wrapping everything up and then just continuing to roll along. Sometimes series can just END, y’know. In any case, back to Book 8 itself. If you’ve been annoyed by the heterosexuality in this book, particularly Bisco and Pawoo having a kid, boy do I have good news for you. It’s mpreg time, baby!

A mysterious ark, led by someone who looks and acts suspiciously like a United States President (not a specific one, honest, just… in general) is sucking up valuable specimens around the world, which ends up including most of our cast. Meanwhile, Milo has been trying to hide from Bisco that he’s been having mysterious morning sickness. That’s right, when they merged their powers earlier, it led to a magical daughter with Milo as the “mother” and Bisco as the “father”, who they name Sugar. Sugar rapidly grows to be a child from hell, especially when Milo and Bisco are taken in by the ark and made into specimens. Fortunately, she has a cat guardian to help… except she’s not really listening to them. More fortunately, Maria, Bisco’s mother, has shown up to help out… wait, WHAT?!? Wasn’t she dead? And is she really helping?

Maria is easily the best addition to this book, and she’s exactly what you’d imagine Bisco’s mother to be like. Her reasons for faking her death are… well, understandable is the wrong word, but they make sense for the character. I also really enjoyed her scenes with Pawoo, who still doesn’t get a lot to do here, but gets a lot more to do than she has in the last few Bisco books. This includes giving birth, which surprised me. The cover art made me think we’d get a time skip, but no, Sugar just grows up almost immediately. Then I thought we’d get one near the end, as Pawoo was only a couple months pregnant…but we live in magical mushroom country, and we’re also here to fight God, so babies need to be born when it suits them. I also really enjoyed the epilogue, which I don’t want to spoil too much, but I feel may have drawn from the author’s own experience… and also reminds us that, no matter how big a fantasy this is every time, it’s still Japan, not an isekai.

So yeah. Space Bisco. FINE, I guess. In the meantime, this was fantastic, and a great ending to the series.

My First Love’s Kiss, Vol. 1

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By Hitoma Iruma and Fly. Released in Japan as “Watashi no Hatsukoi Aite ga Kiss Shiteta” by Dengeki Bunko. Released in North America by Yen Press. Translated by Kiki Piatkowska.

Tempted as I am to just write “Christ on a cracker” and let that be my review, I suppose I should get into the nuts and bolts of this thing. First of all, I feel retroactively annoyed with Adachi and Shimamura 11. I’ve mentioned many times before how this author has a cast of characters that are all part of the same “world”, and they flit in and out of each other’s series. That was the case with Adachi and Shimamura 11’s review as well. Little did I realize just how MUCH those characters took up all of Book 11, to the point where it now reads as nothing more than an ad for the author’s darker yuri series. (A&S 11 came out the same day as the final volume of this one.) The author also states in the afterword that this is a “romantic comedy”, then admits readers will get annoyed at them for saying it. Which is very true. This is a trawl through the sewers of love, and it will make you feel dirty.

Takasora is very, very surprised when her mother one day brings home someone she knew when she was in school, along with the woman’s teenage daughter, and announces that they’re now living there. The other teen, Umi, is very pretty (a fact Takasora will mention over and over again throughout this book), but also doesn’t seem all there, and there’s clearly something going on behind the scenes that Takasora… really doesn’t want to get involved with. Unfortunately for her, not only does she slowly begin to get obsessed with Umi as the days go by, but she also notices Umi going out late at night and frequently staying out all night. And there are rumors that she’s doing compensated dating. Are the rumors correct? The other half of the book is Umi’s story, which tells us that a) yes, they are correct, and b) it’s far more desperately awful than we’d like.

So, first of all, the opening of this novel features physical abuse of one of the heroines. FYI. Secondly, the rest of the book features emotional manipulation of the same heroine. Takasora is the easier part of this book. She’s immediately very attracted to Umi, can’t really work out why, and spends the book realizing that she’;s in love. Umi has spent most of her life bouncing from house to house with her mother. The better households ignore her, the worse ones abuse her. Then six months ago, she meets a gorgeous older woman who wants to pay her lots of money to have sex with her. And Umi falls for this lady HARD. It’s the first caring and affection she’s ever really received, and even though she knows the woman is a creepy pervert, and that this is illegal, and that love is not involved, she still confesses and begs her to NOT pay her anymore and just date her normally. (Something which the other woman notably does NOT do.)

A brief extra note to talk about the connections to Adachi and Shimamura, for fans of that series who I know are curious. The first half of A&S 11 can pretty easily be understood after reading this volume. The “kimono lady” 15-year-old Shimamura meets, who acts creepy but states straight up that Shimamura is one year too young for her, is the lady who is involved with 17-year-old Umi in this series. The last half of the book might be more confusing, as I’m pretty sure the senpai that Shimamura meets on her vacation with Adachi in Takasora from this book, only their personality is literally NOTHING like this Takasora, so I may be wrong. Most ominously, Chiki (the kimono lady) at one point apologizes to Umi for being a) late and b) in an out-of-place yukata, as she was “visiting Hino”. Hino as in Hino and Nagafuji Hino?!?! It’s even implies she stays at their estate. Given everything about Chiki makes me recoil in horror, I kind of hate this.

I will probably read the other two books in this series, as I want to see what happens and how it ties in to a yuri series I do enjoy. But man, I cannot recommend this at all unless you revel in the most toxic yuri and do not mind feeling like your skin is crawling while reading most of this.