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Manga the Week of 4/30

April 24, 2014 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: As usual with a fifth week, it’s small, but not as small as you’d think!

Another DMP blast from the past, as we get the 2nd volume of Otodama: Voice From The Dead, the first having come out in 2010. Does anyone remember what it was like?

ASH: Wow, that is from a ways back!

MICHELLE: I thought I had read and reviewed this one, but evidently not!

SEAN: There’s also Vertical, with its debut of a new series that surprised me when they announced it. Cardfight Vangaurd is a card fighting game, along the same lines of Yu-Gi-Oh!, and has a large cult following. Its manga ran in KeroKero Ace magazine.

Everything else this week is Kodansha. We see the 12th Attack on Titan manga, and I greatly enjoyed it. Which may be the last time for a while, as having read the chapters on Crunchyroll, the series is getting into some very problematic areas for me.

ASH: I’ve been waiting for the print releases, so I’m interested to see where things head with this volume.

SEAN: Sankarea rolls on, and no one is permanently dead yet, nor has anyone consummated their harem relationship. Still, it’s a lot of fun and has some exciting sequences.

They also debut the 2nd series from Dessert magazine in 2 months, this one called Say “I Love You” (Kodansha left off the quote marks from the Japanese version, which I think is a shame). It has an anime I expect a lot of folks have already seen.

MICHELLE: I haven’t! But I’ll definitely be checking this one out.

SEAN: Vinland Saga hits its third omnibus, meaning I’m now 4 volumes behind. The curse of omnibus releases.

ASH: Vinland Saga has become one of my favorite series currently being released. What are you waiting for?

ANNA: Vinland Saga is wonderful. I agree with Ash, I’m surprised you aren’t reading it!

SEAN: Lastly, xxxHOLIC begins its sequel… or is it a reboot? What on Earth is going on here anyway? In any case, it has the Sean seal of approval, i.e. it does not mention Syaoran once.

MICHELLE: I must admit that I never actually finished the original xxxHOliC! But the omnibus releases will make it easy for me to finally get the final volumes I missed picking up. But, nevertheless, it’ll be a while before I read the sequel/reboot thing.

MJ: xxxHolic xxxHolic xxxHolic, that is all I have to say this week! Also, <3

SEAN: Are April Showers bringing manga flowers?

Devils and Realist, Vol. 1

April 24, 2014 by Sean Gaffney

By Utako Yukihiro and Madoka Takadono. Released in Japan as “Makai Ouji: Devils and Realist” by Ichijinsha, serialization ongoing in the magazine Comic Zero Sum. Released in North America by Seven Seas.

It’s timely that Dictatorial Grimoire has just ended, because this series has a very similar feel to it. A young, somewhat serious man discovers that he has a larger role to play in the supernatural, and is attended by a somewhat smug older man who can explain the plot to him. The man in this case is William Twining, whose family business (I’m guessing tea, from the name) has just collapsed, leaving him struggling to figure out how to stay at his expensive English public school. Luckily, he stumbles across a magic circle that summons a Duke of Hell, which is having a bit of a succession crisis.

This is the sort of series that lies of dies by its protagonist, and luckily Devils and realist has a protagonist who is up to the job. William Twining is the Number One Reason to read this manga, as his humorless bullheaded approach to life is alternately his one saving grace and also completely hilarious. We sympathize with his inability to immediately accept that such things as Dukes of Hell and Goat Butlers exist (clearly he hasn’t read enough Umineko), but as the volume goes on and more and more supernatural things and people come into play, his denial starts to drive the humor as well as the plot. He can calmly explain to his friend what’s really going on, and then immediately denounce everything he just said with cries of “SCIENCE!”. I loved him.

I am less enamored with the rest of the volume. Dantalion, the Duke of Hell in question, is a lot less interesting, though it’s good that he doesn’t have the completely invulnerable aura of smug that so many of these characters do. (It’s there, it’s just not invulnerable.) William’s friend Isaac seems to be thrown into the mix merely as contrast, as he’s a magic user and believer in all sorts of occult things (naturally, this means he gets our heroes into trouble.) And far too much of the plot relies on people explaining the machinations of Hell and its elections to William, instead of them coming naturally from the plot. Honestly, I want to go back to Hell for a bit, rather than lurking around the school.

Still, there’s a good foundation to build on here. The cast can be pleasingly snarky, particularly William. There’s clearly something going on with his one remaining servant, Kevin, which I’m sure we’ll see in future volumes. There’s also lots of BL tease for those who are inclined. I’m not sure whether I really care who ends up being the new King of Hell (the Kings seem to be the Permanent Secretaries to Lucifer’s Prime Minister), but I do very much want to see William having to decide everything and finding it incredibly annoying. And saying so. At length. A good fantasy, recommended for fans of Black Butler, Dictatorial Grimoire, and the like.

What Did You Eat Yesterday?, Vol. 1

April 23, 2014 by Ash Brown

Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130389
Released: March 2014
Original release: 2007

I have been a fan of Fumi Yoshinaga and her work for quite some time now. English-language readers have been fortunate in that so many of her manga have been translated. I and many others were very excited when Vertical announced the license of her series What Did You Eat Yesterday?, a series that I have been hoping would be picked up for years. The first volume was one of the manga releases that I was most looking forward to seeing in 2014. What Did You Eat Yesterday?, Volume 1 was originally published in Japan in 2007; I am thrilled that it is now available in English. There were several reasons why I was particularly interested in reading What Did You Eat Yesterday?. It’s by Yoshinaga, from whom I’ve come to expect great stories and complex characters. The series is also a food manga, a niche that I am known to enjoy. (Actually, food often plays an important role in Yoshinaga’s manga.) And I was especially interested in the incorporation of contemporary Japanese gay life in What Did You Eat Yesterday?–the two main characters are boyfriends in their forties who live together.

Shiro Kakei is a successful lawyer at a small firm, but his real passion is food. He’s a great cook, and an extremely frugal one, too. Kakei simply enjoys a good meal. The palate of his boyfriend Kenji Yabuki, a flamboyant hairstylist, isn’t nearly as refined as Shiro’s but he certainly appreciates his partner’s creativity in the kitchen. The two of them have been dating for three years, so their relationship is well established, but they still face some challenges. Although both of their families know that they are gay, Shiro prefers to be much more discreet about his homosexuality when dealing with his coworkers and strangers. Kenji, on the other hand, is happy to have a chance to brag about his boyfriend. And just because they’ve been together for so long doesn’t mean that they don’t have to deal with old flames and jealousy. But at least they can always depend on delicious cuisine to help smooth over the bumps in their relationship.

The food in What Did You Eat Yesterday?, both the description of the meals and the care that Yoshinaga has put into drawing them, can be mouth-watering. Even the most simple dishes are beautifully portrayed, in part because food is so important to Shiro and he puts time and effort into its preparation, but also because Yoshinaga shares that same passion. There is enough instruction in What Did You Eat Yesterday? that adventurous readers could easily duplicate the featured recipes. However, the food in What Did You Eat Yesterday? works best when it is directly tied into the manga’s plot and story. Occasionally that ideal balance is missing in the first volume. The meals, while lovely, can from time to time feel tangential, almost as if there are two different manga sharing the same series–one focusing on food and one focusing on people.

I do enjoy the food and the important role that it plays in What Did You Eat Yesterday?, but in the end I’m even more interested in the characters, their relationships, and their lives. Shiro and Kenji make an intriguing couple. Out of the two of them, Shiro is the least secure with who he is and is very concerned with keeping up appearances. He comes across as very brusque and some find him unlikeable as a result, but it’s a defense mechanism. Kenji seems to be much more comfortable with himself. The two of them aren’t frequently affectionate, at least not overtly so, but they do care about each other. It can be seen in the little things that they do–such as simply offering to carry a heavy bag–and in their more subtle interactions. Shiro often tries to smooth over arguments and hurt feelings the best way he can: through cooking. And that’s one of the things What Did You Eat Yesterday? does best–showing how people connect and communicate through food.

Vinland Saga, Vol 2

April 22, 2014 by Anna N

Vinland Saga Volume 2 by Makoto Yukimura

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It says a lot about the quality of writing in Vinland Saga that the most memorable moments in the manga for me aren’t the Viking battle scenes but instead quiet moments that reveal more about the characters in the story. The clash of wills between determined young warrior Thorfinn and the conniving Askeladd becomes even more intriguing with the plot development in this volume. The story opens with a bit of a flashback to Thorfinn’s early adventures in infiltration for Askeladd, when he is taken in by an English family who he ends up having to betray. Thorfinn attempts to tell them to run before the Viking invasion is about to crush their village, and his concern turns to resignation as he sees the destruction coming at the hands of the Vikings.

Thorfinn has an encounter with a crazed Viking commander named Thorkell. Thorkell’s glee in battle contrasts with Askeladd’s more cerebral and cynical approach. Thorfinn is defeated, but Thorkell cheerfully waves goodbye with the stumps of the fingers that Thorfinn sliced off, saying of the fight “I enjoyed our battle! We should do it again!” The name of Thorfinn’s father still functions as an element of protection, because Thors was such a legendary warrior that Thorfinn’s Viking opponents are immediately curious about his capabilities.

Askeladd has his own agenda to execute as his band begins to march across the English countryside. They encounter the timid Prince Canute, and Askeladd strikes an unusual bargain with the Welsh. There’s an element of impending doom referenced multiple times, as Askeladd references a prophesied end of the world. The clash of religions between Christianity and paganism is also explored, as is the absolute brutality of the Vikings as they plunder a village in the winter. Yukimura’s art is always strong, and I appreciate the clarity of the battle scenes, as well as the attention to detail with the characters’ emotions as they react to the events on their journey.

While Thorfinn fits in with the traditional model of a hero, I’m finding myself more intrigued by Askeladd, simply because he’s such an unreliable narrator. I’m not sure if his stated reasons for acting are the truth, which creates quite a bit of dramatic tension in the story. The deluxe production for these volumes is always a treat, and I’m looking forward to the next volume of this saga continuing.

Editors talk shop, plus a manga starter kit

April 22, 2014 by Brigid Alverson

Justin Stroman talks to Yen Press freelancer Abigail Blackman about manga editing and the ins and outs of licensing manga. And here’s an interview with translator Adrienne Beck about translating Food Wars.

Helen McCarthy dishes a bit about her new book, A Brief History of Manga.

Zainab Akhtar lists five books that helped her get into manga, and since it’s Zainab, they are all great choices: Black Blizzard, Sunny, Pluto, Yotsuba&!, and Uzumaki.

News from the Vertical Tumblr: Knights of Sidonia will be available as an e-book, starting this week with vols. 1 and 2.

News from Japan: Yoshihiro Togashi will resume work on Hunter x Hunter after a lengthy hiatus. Ouran High School Host Club creator Bisco Hatori has a new series in the works. So does Mochi, creator of Cuticle Detective Inaba.

Reviews

Maggie on vol. 11 of Attack on Titan (Organization Anti-Social Geniuses)
Kristin on vols. 16 and 17 of Black Bird (Comic Attack)
Matthew Warner on vol. 11 of Blue Exorcist (The Fandom Post)
Sean Gaffney on vol. 9 of A Certain Scientific Railgun (A Case Suitable for Treatment)
Justin Stroman on vol. 1 of Food Wars (Organization Anti-Social Geniuses)
Lesley Aeschliman on vol. 14 of Kamisama Kiss (Lesley’s Musings… on Manga)
A Library Girl on vols. 1 and 2 of Midnight Secretary (A Library Girl’s Familiar Diversions)
Rebecca Silverman on vols. 1 and 2 of Monster Musume (ANN)
A Library Girl on Olympos (A Library Girl’s Familiar Diversions)
L.B. Bryant on vol. 1 of Puella Magi Madoka Magica: The Different Story (ICv2)
A Library Girl on vol. 1 of The Secret Notes of Lady Kanoko (A Library Girl’s Familiar Diversions)
David Brothers on Space Brothers (4thletter!)
Sarah on vol. 9 of Strobe Edge (nagareboshi reviews)

A Certain Scientific Railgun, Vol. 9

April 22, 2014 by Sean Gaffney

By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas.

Last time I noted that Academy City was fostering an entire world of superheroes, and this new volume shows us how dark that world really is. Every time we’ve seen a science or research project in either Index (now licensed by Yen Press!) or Railgun, it’s been bad news for those being experimented on, those uncovering the conspiracy, and even random passersby. And now with this new volume we have two of the bigger ‘experiments’ meeting each other, as Misaka and Shokuhou reluctantly team up to try to save the sisters. Unfortunately, the sisters are not the endgame of our latest mad researcher villain, Misaka is – which means we once again get a really nasty cliffhanger.

It is not particularly a surprise that Shokuhou turns out to not be quite as evil as she seemed, but her similarities and differences with Misaka are fascinating nevertheless. They both grew up as lab rats and are now having to deal with the results of that, either a) through destruction (Misaka) or b) through manipulation (Shokuhou). Of course, growing up as a mind reader and manipulated the way she was, Shokuhou also ends up being VERY PARANOID INDEED, which is what drove most of her actions against Misaka in Vols. 7 and 8. She doesn’t want to deal with anyone whose mind she can’t get at. As for Misaka, once she finds out that there’s a different enemy behind all this she allies with Misaki, though there’s a halthy dose of mistrust on her end as well (leading to a wonderfully amusing scene where Misaka thinks she’s been betrayed only to find it’s just Shokuhou’s bad physical exertion.)

The rest of the cast get some nice things to do, bar Uiharu who is sadly just used as bait this time around. Kuroko gets to be badass with a wheelchair, one of the most dynamic shots of the entire volume. (I’m a little annoyed at her ‘I’m straight’ towards Misaka at one point (this is during her memory loss). Are we supposed to read this as her not being gay but just obsessed with Misaka? Either way it makes me grumpy, really, but then Kuroko’s character is problematic in general.) As for Saten, she gets to do some detective work and show off that being a Level 0 does not mean you are merely cannon fodder in this world. Oh yes, she also meets A Certain Protagonist for the first time…

I’m not sure how I feel about Touma showing up here, particularly as I suspect it will lead to Misaka being in peril and having to be saved by him (judging from the cliffhanger). Now admittedly the entire plot of Index can be summed up by “X in in peril, Touma saves them”, but this is Misaka’s series, and so far the only time she’s really had to rely on Touma bailing her out is during the Sisters arc, which was already canon in Index so couldn’t really be written around. We’ll see how well the manga carries it off, but I suspect we’ll be seeing a lot of Touma’s right hand in Vol. 10.

Another excellent volume, overall, though, with a pleasingly smug villain who it will be lovely to see get his eventually. Sadly, given we’ve caught up, we’ll have to wait till January to see what happens next. In the meantime, enjoy everyone fighting against the conspiracy (which, this being the Indexverse, is almost all true).

Sakuracon roundup, plus what editors really think of scanlations

April 21, 2014 by Brigid Alverson

More license announcements from Sakuracon: We covered the Yen Press news over the weekend, and Dark Horse announced some new licenses as well: CLAMP’s Legal Drug (previously published by Tokyopop) and the sequel, Drug & Drop; two by Satoshi Kon, OPUS and Seraphim: 266613336 Wings; and an Oreimo spinoff, Oreimo: Kuroneko. Also, Dark Horse will start publishing CLAMP manga digitally, starting with Clover in May and then Cardcaptor Sakura and Chobits in June.

Sean Gaffney has plenty of commentary on all the new Sakuracon licenses at his blog.

The manga lineup at TCAF was looking pretty solid already, with Moyoco Anno and est em slated to be guests, and now they have added Akira Himekawa, the two-woman team that draws the Legend of Zelda manga and the Japanese version of My Little Pony.

Justin Stroman gets opinions from several manga editors about scanlations and whether or not they drive demand. Ben Applegate of Kodansha Comics leads off with an interesting comment as to why manga publishers don’t use scanlations as a guide:

The biggest reason is that, unfortunately, heavy social media users are just not representative of a majority of English-language manga fans. But it can’t help that most of the target audience has already read the series online, and thus isn’t very motivated to buy.

Ichiro Marutani takes a look at the way that Japanese publishers and the Japanese government are fighting piracy.

Justin also has an interesting roundtable with manga adapters about what they do.

Moyoco Anno’s Insufficient Direction is now available on Crunchyroll.

The Manga Bookshelf team discusses this week’s new releases and their Pick of the Week.

Erica Friedman brings us up to date on the world of yuri in the latest edition of Yuri Network News at Okazu.

Lori Henderson chats about what she has been reading and presents her weekly wish list in the latest Manga Dome podcast at Manga Xanadu.

At nagareboshi reviews, Sarah explains why she wants to be just like Nanami Momozono (from Kamisama Kiss) when she grows up.

Reviews: Ash Brown rounds up a week’s worth of manga reading at Experiments in Manga. The Manga Bookshelf bloggers take a quick look at some new releases in their latest Bookshelf Briefs column.

Sean Gaffney on vol. 12 of Attack on Titan (A Case Suitable for Treatment)
Matthew Warner on vol. 60 of Bleach (The Fandom Post)
Leroy Douresseaux on vol. 50 of Case Closed (The Comic Book Bin)
Leroy Douresseaux on vol. 2 of Deadman Wonderland (The Comic Book Bin)
AstroNerdBoy on vol. 34 of Fairy Tail (AstroNerdBoy’s Anime and Manga Blog)
Anna N on Insufficient Direction (Manga Report)
Matthew Cycyk on vol. 8 of Knights of Sidonia (Matt Talks About Manga)
Sean Gaffney on vol. 11 of Library Wars (A Case Suitable for Treatment)
Sarah on vol. 11 of Library Wars (nagareboshi reviews)
Matthew Warner on vol. 11 of Library Wars (The Fandom Post)
Kory Cerjak on vol. 4 of Magi (The Fandom Post)
Leroy Douresseaux on vol. 5 of Magi (The Comic Book Bin)
Ash Brown on vol. 1 of Maka-Maka: Sex, Life, and Communication (Experiments in Manga)
Lesley Aeschliman on vol. 19 of Naruto (Lesley’s Musings… on Manga)
Leroy Douresseaux on vol. 65 of Naruto (The Comic Book Bin)
Sarah on vol. 65 of Naruto (nagareboshi reviews)
Ash Brown on Nijigahara Holograph (Experiments in Manga)
Johanna Draper Carlson on Nijigahara Holograph (Comics Worth Reading)
Kate O’Neil on vol. 1 of Phantom Thief Jeanne (The Fandom Post)
Erica Friedman on vol. 5 of Pretty Guardian Sailor Moon (perfect edition) (Okazu)
Matthew Warner on vol. 14 of Rin-ne (The Fandom Post)
Lori Henderson on vol. 2 of Sailor Moon Short Stories (Manga Xanadu)
Johanna Draper Carlson on vol. 1 of Say I Love You (Comics Worth Reading)
Sean Gaffney on vol. 1 of Say I Love You (A Case Suitable for Treatment)
Sean Gaffney on vol. 1 of The Seven Deadly Sins (A Case Suitable for Treatment)
Derek Bown on the April 7 issue of Shonen Jump (Manga Bookshelf)
Sarah on vol. 17 of Soul Eater (nagareboshi reviews)
Sarah on vol. 8 of Strobe Edge (nagareboshi reviews)
Sean Gaffney on vol. 1 of Sweet Blue Flowers (A Case Suitable for Treatment)
Leroy Douresseaux on vol. 2 of Sweet Rein (The Comic Book Bin)
Erica Friedman on vol. 1 of Torikaebaya (Okazu)
Sarah on vol. 1 of Umineko When They Cry (nagareboshi reviews)
L.B. Bryant on Sword Art Online: Aincrad (ICv2)
Erica Friedman on vol. 1 of What Did You Eat Yesterday? (Okazu)
Sean Gaffney on vol. 1 of What Did You Eat Yesterday? (A Case Suitable for Treatment)
Sean Gaffney on vol. 1 of xxxHOLIC: Rei (A Case Suitable for Treatment)

My Week in Manga: April 14-April 20, 2014

April 21, 2014 by Ash Brown

My News and Reviews

There were two in-depth reviews posted at Experiments in Manga Last week. The first review was of Torajiro Kishi’s manga Maka-Maka: Sex, Life, and Communication, Volume 1 as a part of my Year of Yuri review project. Maka-Maka is definitely a mature title and there’s quite a bit of sex and physical intimacy, but I think it’s one of the best adult-oriented yuri manga to have been released in English. Sadly, it’s very out-of-print. The second review was of The Black Lizard and Beast in the Shadows, a collection of two of Edogawa Rampo’s better known short novels of suspense. I though they were pretty great, but then again I tend to be rather fond of Rampo’s works.

As for a few other interesting things: Jason Thompson takes a look at the mahjong manga The Legend of Koizumi in the most recent House of 1000 Manga column. (Ed Chavez apparently wanted to license the series. It’s unlikely to ever actually happen, but we can dream!) Yen Press had quite a few license announcements of its own to make, including the establishment Yen On, an imprint specifically devoted to light novels. Dark Horse also announced some exciting licenses–more manga by CLAMP and Satoshi Kon. Toh EnJoe won the Philip K. Dick Award Special Citation for his work Self-Reference Engine, one of my favorite books released last year. And speaking of awards, the 2014 Eisner Award Nominees have been announced. Manga up for an Eisner Award include The Heart of Thomas, The Mysterious Underground Men, Showa: A History of Japan, 1926–1939, The Summit of the Gods, Volume 4, and Utsubora: The Story of a Novelist in the Best U.S. Edition of International Material—Asia category and The Strange Tale of Panorama Island in the category for Best Adaptation from Another Medium.

Quick Takes

Bad Teacher’s Equation, Volumes 4-5 by Kazuma Kodaka. Bad Teacher’s Equation has come a long way since its first volume. The series was nearly a decade in the making, so it probably shouldn’t be too surprising that it underwent some significant evolution in both artwork and storytelling, including some unexpected plot developments. In the series’ afterword, Kodaka notes that Bad Teacher’s Equation “mirrored the history of boy’s love comics throughout the ’90s” and that it was her first foray into the genre. It started out as a comedy, but by the end of the series, while there is still a fair amount of humor, it has become much more serious and even addresses some of the challenges that face same-sex couples in a more realistic fashion. I particularly enjoyed the fourth volume because of this and because of its focus on Masami and Toru’s relationship. They are the most consistently believable couple in Bad Teacher’s Equation. Although I wasn’t always convinced by Masayoshi and Atsushi’s relationship in the series, for the most part I did really like how things played out for them in the final volume.

Click, Volumes 1-4 by Youngran Lee. The basic premise of Click is fairly absurd–Joonha’s family has a strange genetic mutation which causes their bodies to change sex shortly after they reach puberty. Of course, this was never actually mentioned to Joonha and so he’s understandable concerned when at the age of sixteen all of a sudden he seems to have turned into a girl. At first, I thought that Click was going to be a comedy, but that’s not entirely the case. There are humorous elements, Joonha’s parents, for example, are a rather unusual pair and their scenes are generally played for laughs, but the manhwa is much more about the drama (and melodrama). It might not be the most realistic series, but there’s actually some interesting exploration of gender, gender roles, and gender identity in Click. Joonha isn’t a particularly pleasant person and on top of that he’s a misogynistic jerk, too. His sex change is a rather traumatic event for him and he’s now stuck in between genders. His body is female, and he tries to live as a girl, but his personality and way of thinking hasn’t really changed that much.

Drifters, Volume 3 by Kohta Hirano. I’m still not sure that I entirely understand what the underlying plot of Drifters is supposed to be, but I’m not entirely certain that it matters much at this point, either. At least not to me. I enjoy Drifters for the series’ outrageous characters and battles more than any sort of coherent story. I also appreciate Hirano’s use of historic figures in the series, although it does help to have at least some vague idea of who they are outside of the manga. Admittedly, Hirano’s interpretations are extraordinarily liberal and irreverent. Most of the characters exhibit varying degrees of insanity and there’s not much subtlety or nuance to their characterizations, either. So far, Drifters has been a very violent series. The third volume is no exception to this and battle after battle is fought. I have noticed some continuity errors in the artwork which can be distracting or confusing, especially when they occur in the middle of a fight scene. (Past volumes had this same problem, too.) In the end, Drifters still doesn’t make much sense yet, but I continue to find it to be highly entertaining.

Fairy Tail, Volume 37 by Hiro Mashima. It’s the final day of the Grand Magic Games, the results of which will literally determine the fate of the world. The danger of course is that Mashima may have over-hyped the Games’ finale; the victory of the guild that ultimately wins is described as being impossible and highly unusual. But if there’s going to be a tournament arc, that’s certainly one way of making it crucial to the development of the story. I consider it to be a good thing. While the Grand Magic Games were diverting, for a while there they didn’t seem to have much of a point except to serve as an excuse to have high-powered wizards doing battle. And there’s plenty of fighting in the thirty-seventh volume, including several confrontations that occur simultaneously. Sadly, compared to previous battles, I didn’t find them to be especially engaging. The most interesting fight is the one between Erza and two other extremely skilled and strong women, Kagura and Minerva, which has several scenes which are particularly dramatic. Mashima does have to cheat and mislead readers with the artwork a bit to achieve some of those moments, though.

SamuraiFlamenco Samurai Flamenco directed by Takahiro Omori. Samurai Flamenco is an anime series that celebrates superheros and superhero shows. It uses a strange mix of silliness bordering on parody and seriousness, but it somehow works. Samurai Flamenco begins very realistically, with Hazama acting as a vigilante. He’s not particularly competent at first, but he makes up for that with his enthusiasm, passion, and belief in justice. It also helps that other people are drawn to him and his cause. On the surface, the middle portion of the series seems like a very typical superhero show with monsters and evil organizations. The villains’ character designs are frankly ridiculous. But then the anime returns to a more serious approach and the final episode pulls everything together perfectly. I did enjoy the humor of the series but I probably appreciated the more realistic examination of what it means to be a superhero even more. I quite enjoyed Samurai Flamenco and found the characters, all of whom are just a little bit strange, to be both likeable and interesting.

Weekly Shonen Jump Recap: April 7, 2014

April 21, 2014 by Derek Bown 3 Comments

If you like western themed fantasy then you really need to pick up The Seven Deadly Sins. The storytelling is very much in the style of other manga, but the aesthetic of the design is one hundred percent medieval european. Even the swords are styled properly, which for a manga artist must take an insane amount of self control not to insert any curved or katana styled swords in there.

That’s about it for my reading this week, I haven’t had much free time to read during so I haven’t had a chance to read anything new. Besides the latest chapters that is.

Naruto Ch. 671
I warned you Kishimoto. I warned you what would happen if you went the clichéd and tired route. That’s it. I’m done. Call me when the manga ends so I can see how much that is screwed up too.

Okay so not really, I’d really like to use this as an excuse to stop reading this manga forever, but the truth is that this is hardly the worst thing Naruto has ever done. Oh it’s terribly written, and a complete bore to boot. The truth is that Naruto long ago lost any chance it ever had for me to be invested. So to see a plot development like the one in this chapter doesn’t really make me angry as much as it just makes me shake my head and move on.

Basically my review comes down to this: Copy and paste my opinion from last week only this time double it.

Stealth Symphony Ch. 007
Again, I feel like I’m supposed to care about what’s happening, but the fact that I haven’t had any time to develop a connection to any of these characters before we start moving into a fight is pushing Stealth Symphony onto my naughty list. the few chapters that were meant to serve as our introduction to the characters just didn’t hack it because the characterization does not ever extend beyond basic tropes that manga authors keep repeating. So to see the manga try and focus on battles and spectacle gives me a bad vibe, suggesting that this manga will not last much longer.

One Piece Ch. 743
I imagine there are two things people are growing tired of in my writing, how often I dump on Naruto and how often I do the exact opposite for One Piece. The difference is that one tries to pass something the author thought of last week as an overarching thread, while One Piece manages to not only make a great spectacle, but also drop subtle hints suggesting how the story will progress. I dare not spoil anything, but in regards to the climax of this chapter, let us remember that not all is necessarily as it seems. This arc isn’t over yet.

World Trigger Ch. 055
I’d normally hate a series that has to stop and explain what is going on, rather than focusing on the action. But with World Trigger those short breaks in the action really help me appreciate the action a lot more. Would I appreciate what I’m seeing if I didn’t know that Tamakoma use a special kind of trigger? Probably not. And the flow of who has the advantage over whom really is handled quite expertly. While Border does seem to be at a disadvantage, there is still enough room to let the flow of battle ebb towards the side of our protagonists.

Bleach Ch. 575
Kenpachi is badass, do I really need to say anything else about this chapter? There really isn’t a plot worth speaking of, so I’ll just let the chapter speak for itself.

One-Punch Man Ch. 034.3
While I do have my reservations with One-Punch Man being a straight up action series, I do have to say that Saitama does make a good serious action lead. In that he’s completely not serious even when the battle seems to be going against him. There’s just a certain refreshing nonchalance to him that makes me wish more time was focused on him rather than the ancillary characters.

Nisekoi Ch. 117
Besides making me incredibly nervous about my recent stomach aches, this week’s Nisekoi is a perfectly told joke. One does not normally think of manga being structured in terms of a joke, but from the setup to the punchline this chapter just might have been perfect. Add in Marika being the best character ever and you have my favorite Nisekoi chapter since the short Ruri story we had a couple weeks ago.

All You Need Is Kill Ch. 011
Oh yeah, Keiji, he’s the main character isn’t he? I wouldn’t have thought we’d get any kind of emotional resonance with this series, but this chapter’s end was pretty well done, and worked well because the setup had been done properly through the last several chapters. I do ask myself how Rita can be uncertain of Keiji being trapped in a timeloop, but I suppose it makes sense if she herself is not caught in the same timeloop. She may have realized it during the battle, but in the morning she would have forgotten, which is why Keiji answering the question she was going to ask tomorrow is relevant.

Toriko Ch. 272
It was a nice little break to see all the characters from the manga’s past before we set off on the long arc that the gourmet world will be. I hope it won’t be too long before we see some of these characters again, because I would be really disappointed if we do not.

I also still stand by my opinion that Rin is being written as a beard for Toriko by Shimabukuro. “Please don’t mind that I’m leaving behind a hot woman who wants to marry me to go on a trip with four other guys.” Still, it’s refreshing that a shonen manga artist besides Toriyama actually has his main character discussing marriage, it seems so oddly absent from almost every other series I read, so this is a nice breath of fresh air and the source of many jokes for me.

Blue Exorcist Ch. 056
Dr Gedoin is an odd character, on the one hand he is too disgusting to keep around, but on the other hand he was moderately amusing this chapter, mostly because he is so clearly oblivious to how things will turn out that it’s almost endearing. Ignoring of course the lolicon vibes the guy gives off. And the fact that he’s clearly a misogynist. Can we please move away from him? But at least we get weird Frankensteinian zombies, which despite the fact that they are different from the ghouls we saw at the beginning of the series clearly resemble the ghouls at the beginning of the series. Hopefully the characters will realize next month that the doors in their cells have clearly been left open.

Special Bonus Story – Dragon Ball
When it comes to sharing my opinion about manga I normally do so without fear. After all, it doesn’t matter what I say, I’ll step on someone’s toes. But it’s not often that I find myself on the precipice of writing something that I know will piss off pretty much every manga fan online. But I am committed, so here I go.

I didn’t think this bonus story was very good.

Besides the fact that Toriyama’s art looks strange coming back to Dragon Ball after such a long time, all the characters look oddly proportioned, too skinny I might say. It was really neat to find out what Planet Vegeta looked like before it blew up (though it reminds me a lot of Namek, and earth for that matter with how Toriyama draws them). I think everyone can agree that Goku’s mom looks like nothing we imagined, and in general this was a fun little experience.

The problem is that it’s impossible not to draw comparisons between this little chapter and a very famous story relating to a comics icon. Almost beat for beat this is the origin story for Superman. Planet about to be destroyed, father called it, sends son away. I’d always imagined Goku was legitimately on a mission to destroy earth, not sent away to save his life, and that would have been a perfectly fine story. This version works in that it lines up with everything Toriyama wrote in the past about it. But at the same time the similarities are so close that I can’t help but wonder why no effort was made to avoid the comparisons?

It’s a fun little chapter, but anyone with a passing knowledge of western comics will more more than a little distracted while reading it.

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Pick of the Week: Endings & Beginnings

April 21, 2014 by Sean Gaffney, Ash Brown, Michelle Smith and MJ 1 Comment

SEAN: Given I have the least surprising pick of the week, I guess I will go first. This is probably the last chance for me to urge you all to give Higurashi: When They Cry a try. Umineko has more depth, but also is a lot more depressing and filled with broken suffering people. Higurashi also has those people, but the entire story is about the power of friendship and learning to trust each other and managing to work past your issues and deal with your past without letting it rule you… or, in the case of Miyo Takano, letting it rule you after all. It’s been quite a ride. Let’s see how it ends.

ASH: I’m not sure if my pick will be surprising or not, but I’m going to go with the final volume of Bunny Drop. I loved the early series, and there are some great things about the later part, too, but it’s been a long time since a manga has been able to make me so incredibly angry. It wasn’t so much the direction that the story turned that upset me as it was how Unita handled it. I felt cheated. And yet I’m intensely curious about this volume of short stories.

MICHELLE: I have mixed feelings about how Bunny Drop turned out, certainly, but volume ten is still the only thing coming out this week that appeals to me, so I guess it’s my pick by default.

MJ: My pick may indeed be surprising, but I’m leaning overwhelmingly toward the first volume of the light novel series Sword Art Online. I do not watch much anime, but my husband introduced me to the anime adaptation of this series (available on Crunchyroll, for those who might be interested), and I absolutely loved it—particularly the first arc, “Aincrad,” which is the subject of this novel. Though the series’ second arc features more “damsel in distress” than I would like, I’m thrilled to have the opportunity to re-experience my favorite storyline in its original format. I’m so glad to see this being published in English!

What looks good to you this week?