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Satan’s Secretary, Vol. 1

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By Kamotsu Kamonabe. Released in Japan by Earth Star Entertainment, serialization ongoing in the magazine Comic Earth Star. Released in North America by Seven Seas. Translated by Jennifer O’Donnell. Adapted by Jamal Joseph, Jr.

Western publishers have had quite a few titles lately that fall into the broad category of “one-gag concept” manga. In other words, the premise of the series revolves around a gag. This can be dangerous if it quickly grows wearisome, but if it’s a good gag, then it can frequently do very well playing variations on the basic theme. Satan’s Secretary has just such a gag. To be fair, we’ve seen this sort of thing very recently – As Miss Beelzebub Likes has essentially the same concept. But there the series was less about “the demon king has a secretary” as much as the everyday life of the demon king and her secretary. This one, though, is entirely dedicated only to the one gag: The Lord of Darkness has kidnapped a secretary, and she’s very good at her job. In fact, one might argue she’s TOO good at her job.

Not that her talents aren’t really needed here. The Lord of Darkness is pretty half-assed, to be honest, and in his slumber the demons have gotten really pathetic. When he finally awakens (13 years late… he was sleeping in, give him a break!), he orders a minion to kidnap one of the human’s wisest scholars to torture for information so that he can go about his conquest and defeat the chosen hero. He winds up with the local kingdom’s secretary, who is deadpan and somewhat reserved, but seems to be all in for destroying the humans. The subtitle of the series seen on the cover is something of a running gag (particularly the “except me”), and it’s not till the end of the book that we get any motivation for her actions beyond “is a really good secretary prepared to help the company”. What does this mean? It means job interviews. It means salaries and benefits. It means plans to wipe out humanity that are not merely “go out in a group and get killed by adventurers”. Satan is… a bit taken aback, to say the least.

As I noted before, Satan is in fact pretty annoying throughout the book, being the very picture of a lazy boss coasting on past victory and not wanting to put in much time at his actual job. As such, the secretary carries the bulk of the plot, characterization and gags – there are a lot of other demons, but for the most part we don’t really get to know too many of them beyond genericness. There are some very funny gags here, such as getting the demons going out to kill humans to sign a liability waiver, or the secretary’s reaction to being fed an aphrodisiac they’re testing – she’s certainly all in for the demon lord breeding, but not her, and it’s all related to her job. I appreciate that this is not really a fanservicey manga, beyond a shot of the secretary in her slip at one point. There’s even a bit of depth at the end, when she reveals that she’s never even had a name, and tells Satan (and the reader) why she’s perfectly happy to let humanity burn.

The cliffhanger seems to suggest we’ll be seeing the supposed hero soon, and that may shift the focus a bit… but I doubt it. Satan’s Secretary works best when it’s fulfilling its genre of “demonic office comedy”, with the secretary running the ship with an iron hand. Better than it sounds, I definitely recommend giving this title a shot. Death to humanity (except her)!

Manga the Week of 6/6/18

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SEAN: June arrives this Friday, and with it comes even more manga. Here’s what’s out next week.

Bookwalker has a 4th volume of The Combat Baker and Automaton Waitress light novel, reminding me that I’m behind on it.

J-Novel Club has a large number of releases out next week: Demon King Daimaou 5, Invaders of the Rokujouma!? 13, I Saved Too Many Girls and Caused the Apocalypse 8, and Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea! 2. That’s a lot of light novel title damage.

Kodansha has a nice number of print titles coming out. The biggie for Manga Bookshelf peeps is the final omnibus of Princess Jellyfish, Vol. 9. There’s also a 3rd Battle Angel Alita: Mars Chronicle, a 7th Descending Stories, and a 10th Vinland Saga.

MICHELLE: I am really, really looking forward to Princess Jellyfish, though I can’t believe it’ll actually be over.

ASH: Yes! Princess Jellyfish has been wonderful; I’m so glad that it was released in print. I’m looking forward to continuing Descending Stories, too, and am thrilled for more Vinland Saga! (This is a good Kodansha week for me.)

ANNA: Also very happy about Princess Jellyfish and Vinland Saga!

MJ: I’m embarrassed to admit that I never even started Princess Jellyfish. Maybe the release of the final omnibus is what I need to spur me on.

SEAN: Digitally we have the debut of Those Summer Days (Ano Natsu), an Aria shoujo title about time travel and bittersweet romance.

MICHELLE: I’m in for bittersweet romance. The cover’s very pretty, too.

SEAN: We also have a 2nd You Got Me, Sempai!, and a 2nd Beware the Kamiki Brothers.

Seven Seas has two debuts. My Solo Exchange Diary is the sequel to My Lesbian Experience with Loneliness, and I am really looking forward to it.

ASH: My Lesbian Experience with Loneliness was tremendous, so the sequel is very high on my list.

MJ: This!

SEAN: Satan’s Secretary (Maou no Hisho) is a bit more typical manga title, about how well a demon invasion would actually go if the Demon King had a really capable secretary at his side. It’s from Earth Star Entertainment, and runs in their Comic Earth Star magazine.

Vertical gives us a 6th volume of Flying Witch.

Viz, as you’d expect, has a large pile. No debuts this time, so let’s divide into Jump and Beat titles. For Jump, we see Astra: Lost in Space 3, Blue Exorcist 19, Food Wars! 24, Haikyu!! 24, the 12th Kuroko’s Basketball 2-in-1, My Hero Academia 13, One Piece’s 24th 3-in-1, and The Promised Neverland 4. MHA and TPN are my choice from there.

MICHELLE: Forsooth, though there are a few other faves in that mix for me, too.

SEAN: On the shoujo end, we have Queen’s Quality 4, Takane & Hana 3, Yona of the Dawn 12, and The Young Master’s Revenge 2. Yona always jumps to the top of my pile whenever it comes out.

MICHELLE: I’ll be getting all of these!

ASH: So much Viz! (And so many that I’m following!)

ANNA: Yay for Viz shoujo!!!!!!

SEAN: And Yen Press has some stragglers. On the novel side we have Napping Princess, an adaptation of the movie of the same name.

Éclair: A Girls’ Love Anthology That Resonates in Your Heart is what it sounds like, a collection of short stories that deal with romance between girls. I’d expect a lot of school settings. The authors of Kiss & White Lily, Gosick, and Bloom into You make contributions.

ASH: I’m really looking forward to this anthology.

MJ: This sounds great.

SEAN: After being delayed for over a year, we now finally have the continuation of the Durarara!! manga, with the start of the Re;Dollars arc, weird punctuation and all.

There’s also a 3rd ACCA: 13-Territory Inspection Department, a 7th Akame Ga Kill! ZERO, a 3rd Angels of Death, a 6th Kiss & White Lily for My Dearest Girl (so a double dose of Canno next week), and the 2nd Laid-Back Camp.

ASH: ACCA may not be for everyone, but it’s definitely for me.

ANNA: I still need to read the first volume, for some reason I have not been in an ACCA frame of mind. Glad it is being translated!

SEAN: Bare your soul! What manga are you buying?

Arifureta: From Commonplace to World’s Strongest, Vol. 6

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

Arifureta is taken from a web novel, which the author and publisher then rewrite, add to, and extend in order to make the published light novel version. As such, it seems a bit ridiculous to suggest that the author was told by the editor to move things along as they need to cut to the chase. But that’s what seems to be happening here, as several plot threads wrap up so fast that you expect some other hand behind it all. Aiko was rescued so quickly that I actually was worried that a chapter had been skipped, and the resolution of who is the traitor among Hajime’s fellow students also seemed to happen very fast (though if you looked at the cover and said “who the heck is that?”, you might have had an inkling). Other than that, this is a typical volume of Arifureta – over the top fighting, the occasional really good character introspection, and turning very bad when the author tries to be funny – something he shares with other light novel authors I could name.

The strengths of the book are quite obvious. The author likes to write overpowered fights, and is good at it. Seeing Yue and Shea team up to fight a horde of demons was fun, especially as absolutely nothing seemed to faze them. This contrasts with Hajime’s fight with an Angels sent to kill him, which goes very badly for him, mostly as he’s trying to fight while also holding Aiko. Once that problem is solved, things proceed to go Hajime’s way a lot more. Aiko is once again probably the best character in the book, as she’s forced to use her powers in order to completely wipe out the church bishops and priests (yes, her farming powers – it makes sense in context) and feels hideous amounts of guilt and shame for murdering people. The aftermath of this, and Hajime’s response to her, is beautiful, and makes the entire book worthwhile.

Some other parts don’t make the book worthwhile, sadly. As I said before, the pacing of this volume seems incredibly rushed, and a lot of it felt like the author wanted to clear the decks so he could start on the second half of the series (I think we’re about halfway through it right now). Our villain, once she gets revealed, gets to fall straight into the yandere stereotype, and is far duller than I’d hoped based on past manipulations. I’ve no doubt we’ll see her again, but I doubt she’ll have any more significant successes. And I hated absolutely everything about the scene with the okama muscle guys, which is grotesque negative stereotype central. Hajime’s harem stays the same size here, though he is aware Aiko loves him, and the narrative is aware that it’s only a matter of time for Shizuku. Oh yes, and Kaori’s now got an Angel body after being murdered by her insane classmate, meaning she gets to be as ludicrously overpowered as the others – which is what she’s always wanted, to be fair.

Arifureta is always going to have that air of “I am getting back at the bullies who tormented me in school” to it, and the villains this time round make that comparison more painfully apt than usual. Still, it’s fun mostly, provided the author isn’t being humorous, and should definitely please ongoing fans.

Devilman: The Classic Collection, Vol. 1

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By Go Nagai. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Seven Seas. Translated by Zack Davisson and Adrienne Beck.

Devilman was one of those series that I always knew about but never got around to reading, mostly as the one spoiler that everyone knows is… well, a spoiler, but let’s just say that this sort of series is usually a bit too dark for me. But this is a really nice release, in a deluze, 700-page hardcover, and it’s the original manga from 1972, so I couldn’t really resist. And for the most part, I’m very happy to have read this series. The first 450 pages of Devilman are absolutely riveting – the storytelling is old-fashioned, but you quickly lose yourself in the world of Akira, Ryo and Miki, as well as the grotesquely bizarre demons that are attempting to retake the world and will kill every human in order to do it. It’s incredibly violent, and there’s lots of nudity, but it’s a trip. That said, I was… a lot less enthusiastic as the manga carried on.

The book can essentially be divided into three parts. The first part, about 450 pages, was clearly written as a limited series, and is very big on action sequences, fast page turning and grotesque horror. Akira is a nice, somewhat meek sort of guy who is going to school with Miki, who clearly likes him but would also like him to get a bit more manly. (She’s something of a delinquent, carrying knives in her skirt, though she tries to act the “girly girl” in front of Akira.) Enter Ryo, Akira’s best friend, who has a dark secret he needs to tell him… about demons. This dark secret leads them through a tragic family horror, ancient demons who have returned, naked hippie orgies (yes, really), and a whole lot of demons trying to kill them. The only way to save the world is for Akira to become Devilman… and hope that his innate goodness is enough to keep back the demon within him. As I said before, this entire section reads fantastically.

We then get much shorter chapters, as the series clearly has now been picked up as a regular ongoing one and Go Nagai has to come up with new stuff. The first two chapters are pretty good in a dark, horrific way, both dealing with the brutal murder of young children, and serve to show off that Devilman is a grim, bloody world where no one is safe. (Note this ran in a magazine for 12-17 year old boys.) And then we come to the final five stories in the book, aka “Akira and Ryo time-travel through history and find demons trying to pervert humanity’s destiny.” First of all, “Oh, Akira can travel through time” made me shake my head. Secondly, demons trying to crush humanity is fine, but I am not really a fan of “demons are behind history’s worst moments” stories. The chapter with a young Adolf Hitler, in particular, reaches a low that I’d call “godawful”. This was not a good direction for the series to go in.

[I have been informed by Zack Davisson that this collection is actually from several different variants of the Devilman manga, and that the ‘time travel’ chapters are from Shin Devilman, a 1979 sequel. This would help explain why they feel so out of place.]

That said, over half this volume is still a fantastic read and a good look into the twisted mind of Go Nagai. It’s not for everyone (there really is a LOT of bloody violence and nudity), but if you love classic manga you’ll want this in your collection, though I’d advise putting a bookmark at page 530 and saying “stop here”.

Again!!, Vol. 2

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The phenomenal success of Yuri!!! On ICE turned out to be a boon for manga fans, too, as American publishers snapped up two of Mitsurou Kubo’s better-known comics: Moteki: Love Strikes!, a seinen romance about a thirty-something loser who reconnects with women from his past, and Again!!, a time-travel comedy about two teenagers who get a second chance at high school. I won’t lie: Again!! was my hands-down favorite of the two, both for its raw honesty and its sharply observed characters.

Again!! avoids the sophomore slump by briskly advancing the plot without sacrificing the humor or heart that made the first chapters so appealing. Kinichiro and Fujieda both get a turn in the spotlight, with Kinichiro discovering the pleasures of cheering, and Fujieda experiencing loneliness for the first time. Volume two also introduces three new characters, all of whom used to belong to the ouendan: Okuma, the drummer; Masaki, the vice-captain; and Suga, the cheer sergeant. Although the trio’s ostensible role is comic relief, their real function is helping us understand why the ouendan failed, revealing the degree to which their unwanted advances, passivity, and flagrant sexism undermined Usami’s authority as captain and poisoned group morale.

While this information is crucial to the story, it also points to Again!!‘s biggest problem: Usami. Mitsurou Kubo is frank about why Usami resorts to shouting, scolding, and shaming to prove that she’s “man” enough to lead the ouendan — a compassionate insight into a character who often seems more harridan than human. Yet Usami’s actual personality remains a mystery. Everything we learn about her is revealed through other characters, whether they’re discussing her beef with Abe, the head cheerleader, or describing the flurry of media interest in Usami when she first joined the ouendan. We don’t know how Usami feels about her teammates, or why she’s so passionately interested in cheering — two questions that need to be addressed if she’s to become a full-fledged character.

Despite these flaws, Again!! manages to wring fresh laughs from its time-travel premise while depicting high school in all its unpleasantness. Fujieda, for example, vacillates between trying to profit from her knowledge of the future and lamenting her lack of friends. Kinichiro also is caught between past and present: he’s angry that his first kiss didn’t go as planned, and deeply self-conscious after a loud, public declaration of how miserable he feels — an exquisitely awful scene that acknowledges the depth of his pain while recognizing that his brusque behavior directly contributes to his sense of isolation and victimhood. It’s this kind of insight that makes Again!! such a compelling story, reminding us that our memories of being shunned, wronged, or ridiculed can be so one-sided that we’d make the same mistakes if given the opportunity to relive our teenage years. Recommended.

Again!!, Vol. 2
By Mitsurou Kobu
Translated by Rose Padgett
Rated OT, for Older Teens (16+)
Kodansha Comics

Strike the Blood, Vol. 9

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

After a couple of volumes that were deeper and more complicated than usual, we’re back to business as usual at Strike the Blood, Inc. That means we get a new girl for Kojou to save, lots of cool battles that do a tremendous amount of property damage, a number of blatant flirting attempts that Kojou completely misses because this simply isn’t one of whose kind of harem titles, and lots of jealous rages that allows Kojou to get snubbed for “humorous” effect, although as always Mikumo’s attempts at being funny are funny only in a 90s anime “hey, what if the girl is a tsundere!” sort of way. And yes, you know things are back to normal when Yukina says her catchphrase, though it’s slightly less of a proclamation than usual. That said, this is, as always, a solid, average volume of Strike the Blood, and those who’ve been following along will be pleased by it – while also grumbling that Yukina is on the cover again, no doubt.

The girl being saved this time around, is Yume, who seems to be a standard “child who’s lost her parents” at first but ends up being a succubus. Fortunately, given that Yume looks to be about 12, she doesn’t do any seducing herself, but instead slips into the minds of the girls and brings out their inner desires. Unfortunately, the fact that she is about 12 means we get a lot of “lol Kojou is a lolicon” jokes, though mercifully there aren’t as many as I expected once I gleaned the plot. She’s a sympathetic character, and the way that she tries to get past her trauma reminds me a bit of Beatrice from Umineko, but unfortunately the author has too much fighting going on to really give her tragic backstory much of a look-in – a flashback to her abusive parents and classmates might have helped. The other new character here is Kiriha, who looks like she’s Yukina’s dark mirror, and I strongly suspect we haven’t seen the last of her.

Speaking of Yukina, the more we delve into her agency and the various other agencies connected to or in competition with it, the more suspicious they become. Indeed, at times it feels like Yukina is the only one who doesn’t know what’s going on. After seeing Kojou’s actual secrets in the last book, here we get someone finding out the truth about Asagi – but tellingly, it’s Sayaka, rather than Asagi herself, Kojou, or Yukina, those who would be most impacted by knowing that secret. It’s unclear if Sayaka will ever reveal this secret to anyone else, but I’m going to guess probably not. On the bright side, the action sequences are always the best part of Strike the Blood, and tehre are a lot of them this time around (to the point where, as I noted before, I felt some could have been replaced with better backstory). When your “villain” is a 4km-long sea monster, you’ve certainly hit the big time. And we get a new Beast Vassal, meaning of course more sexy vampire biting.

I feel somewhat sad that after the highs of the previous two books we’re back to business as usual with Strike the Blood. But it’s still a decent title, and reads very quickly and easily. And as always, it reads like it was meant to be animated – which it has, as there are now OAVs with this volume’s story. I’ll be back next time to see where the series goes.

Bookshelf Briefs 5/28/18

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Crisis Girls, Vol. 1 | By Hiroaki Yoshikawa | Seven Seas – If My Hero Academia is the Japanese shonen take on the standard “training superheroes” story, then Crisis Girls is the “moe for guys” version. Our superhero wannabe is Kaede, who can control zombies to help her protect the city, but is unfortunately a giant flake and something of a crybaby as well. She does have a more sensible minder, who tries to lecture her on occasional about morals and ethics. Why he wears full facial bandages and a metal face mask… is something we will no doubt find out later. There are the occasional villains who drop by, most of whom are about on Kaede’s level. This is cute-ish, but you can tell it’s not really up to much given that it’s not getting a full review from me. – Sean Gaffney

Golosseum, Vol. 1 | By Yasushi Baba | Kodansha Comics – I approached Golosseum with some amount of trepidation (honestly, that feeling hasn’t completely left after reading the first volume), but the series would seem to be an oddly addictive and pulpy ultra-violent manga. After highly-advanced technology known as “Peacemakers” have rendered most weapons obsolete, battles are fought and won through suplexes and hand-to-hand combat. It’s a premise that starts to fall apart under close scrutiny, but to be fair Golosseum really isn’t a series meant to be taken too seriously. The manga is incredibly over-the-top, its appeal originating from the absurdly extreme martial arts (and bodies) on display. Supposedly, Golosseum is also intended to be a political satire of sorts. Along with not-Hulk Hogan and not-Bruce Lee, important appearances are made by not-Hillary Clinton and not-Vladimir Putin (as well as actual-Grigori Rasputin). However, it remains to be seen how successful that particular aspect of the manga will ultimately be. – Ash Brown

New Game!, Vol. 2 | By Shotaro Tokuno | Seven Seas – We get to see the rest of the game release in this volume, as everyone works really hard to make sure it gets out and has been properly tested. This allows Aoba’s friend Nene to temporarily join the cast herd, and let’s her get as fleshed out as anyone is ever going to be in this genre. We also meet Umiko, who also tests the games but in general wants to tell you about her gun hobbies a lot more. As for our heroines from the first book, they’re still here, doing cute 4-koma things and doing their best today. If it sounds like I’m mocking New Game!, it’s only a bit—it really is a fun title to read and the girls are cute. But this is not exactly the most ambitious title in the world. Recommended for fans of the genre. – Sean Gaffney

Requiem of the Rose King, Vol. 8 | By Aya Kanno | Viz Media – It has to be said, whenever a woman in this series kicks ass, it always comes back to do them the most harm later. Here it’s Anne, who I praised in my brief for the last book, finally married to Richard but not at ALL in the way she wanted after what happens in the aftermath of book seven. And poor Isabelle just ends up dead, seemingly from a “witch,” though I’m somewhat skeptical about that. Richard, meanwhile, is at his broodiest yet, and even with a timeskip in the middle of the book seems to have shut himself off completely after the death of Henry. Of course, this assumes that Henry is actually dead. Requiem of the Rose King may be wandering off the Shakespeare track at times, but remains addictive. – Sean Gaffney

Requiem of the Rose King, Vol. 8 | By Aya Kanno | VIZ Media – Nobody ever really has a good time in this series, but that’s really true in this volume, with the possible exception of Edward, who is throwing drug-fueled orgies with his new favorite mistress, who happens to be a witch. She’s also behind the plot that brings down George and Isabella, which Richard allows to play out because George really is a threat to the House of York and his insulting behavior towards the king has not gone unnoticed. For his part, Richard is disgusted by the king, too, and makes a pact with Buckingham to start working towards taking the crown for himself. Meanwhile, he’s cold as hell to Anne and claims his soul died when he had to kill Henry. But did he really? Twisted, but essential. – Michelle Smith

Scum’s Wish, Vol. 7 | By Mengo Yokoyari | Yen Press – This is still well written, but I can’t say I’m enjoying Scum’s Wish anymore. Part of the problem is the ongoing Ecchan plotline, which goes exactly the way that I thought it would and just leaves everyone upset. No surprises, it was never going to end happily, but part of me sort of hoped Ecchan’s sexuality might be gone into a bit more. As for Akane, this volume delves into her past and why she’s acting the way she does, which essentially amounts to a combination of “I’m really good at it” and “I’m empty inside.” Unfortunately, the idea that the reader is rooting for her to end up with Narumi is ludicrous at this stage. The layout, plotting and dialogue of Scum’s Wish is superb. I’ll finish it, but I wish I liked it more. – Sean Gaffney

A Strange & Mystifying Story, Vol. 3 | By Tsuta Suzuki | SuBLime – This was a reread for me, but it’s been quite a few years. I had forgotten how utterly lovely and charming the romance is between forty-something museum director Minamiura and the unfriendly-seeming-but-unexpectedly-honest twenty-something Hatoki. Hatoki is captivated by Minamiura’s easygoing air, and I love that eventually Minamiura grows tired of waiting for Hatoki to do something about it that (in the brief bonus store) he eventually pounces on him. I wish the whole series were about these two, in fact. The second half of the novel is about Minamiura’s former stepson and the guardian beast who was expecting a girl to be his bride, and it’s fine, but I hope we don’t go back towards supernatural smuttiness of the first two volumes. Still, I’m looking forward to volume four finally being available in English! – Michelle Smith

That Time I Got Reincarnated as a Slime, Vol. 5 | By Taiki Kawakami | Kodansha Comics – I will readily admit that I have been enjoying That Time I Got Reincarnated as a Slime far more than I ever thought I would. There have been a few missteps here and there, but overall the series has been a highly-entertaining read that plays around with well-established tropes of the fantasy and isekai genres. This volume focuses on the conclusion of Rimuru’s fight against the Orc Lord and the immediate aftermath of the battle. Despite Rimuru being so incredibly superpowered, the showdown was still an engaging one because the potential for failure remained. Rimuru himself may be able to survive just about anything, but that outcome isn’t guaranteed for his allies. More and more monsters have joined forces with Rimuru over the course of the series–goblins, ogres, lizardmen–at this point it seems like he’s being setup to become something of a saviour figure. – Ash Brown

To-Love-Ru, Vols. 7-8 | By Saki Hasemi and Kentaro Yabuki | Seven Seas – To-Love-Ru is a title that by its very nature is always skirting around the edge of being bad. So when you get a subpar volume like this, it’s hard not to sigh and try to flip ahead a bit. We see investigating haunted houses, trapped on a deserted island, and more of the tsun-heavy prefect, which means that Rito gets the crap beaten out of him even more than usual. Why does he get the crap beaten out of him, you ask? Because To-Love-Ru is for teenage boys, and thus the girls are frequently naked and he is always falling into their boobs. It’s never a good sign when you’re longing for the subtlety of Love Hina. To-Love-Ru gives its readers what they want, but I’m pretty sure I don’t want it anymore. – Sean Gaffney

Pick of the Week: Still Fighting It

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MICHELLE: I’ll definitely be picking up the latest Waiting for Spring, and I’m somewhat curious about A Kiss, for Real, but the release that really makes me squee this week is the third volume of Shojo FIGHT!. The first two volumes hooked me good and I’m extremely happy to get to read more about Neri, the girl who sometimes turns into a jerk when she lets herself play volleyball without restraint and who wants to change. It’s good stuff!

SEAN: I’m a sucker for a good Guide Book, given how few of them are actually translated over here. So my pick goes to The Ancient Magus’ Bride: Merkmal. That said, I also want to read the new Shojo FIGHT!, and Kabukimonogatari is definitely near the top of my list too.

KATE: I was mourning the demise of Crimson Hero for years… that is, until Kodansha started publishing Shojo FIGHT!!, the best sports manga you’re not reading. It’s got great characters, great volleyball matches, and real-life conflicts that remind us how hard it can be for competitive female athletes. So I’m joining Michelle and Sean and bumping this one to the top of my list. (Sorry… not sorry.)

ASH: Alas! If only Shojo FIGHT!! was being released in print, I’m sure it would be my pick, too. And so instead, this week have my eyes on The Ancient Magus’ Bride: Merkmal.

ANNA: I have to join everyone else in picking Shojo Fight!! Good sports manga with female protagonists is hard to find in translation, so a new volume is a treat for sure.

How to Treat Magical Beasts: Mine and Master’s Medical Journal, Vol. 1

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By Kaziya. Released in Japan by Mag Garden, serialization ongoing in the magazine Comic Blade. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Jaymee Goh.

I am pleased with the fact that this sort of manga has now become a popular genre over here. Oh sure, it’s no doubt due to the fact that sales for The Ancient Magus’ Bride really took off and Seven Seas is doing its standard “grab titles that are sort of similar to that”, but hell, when it’s not ‘monster girls rub themselves all over guys’ but rather ‘mellow magical fantasy series in a quiet community’, I’m not going to be saying no. So far this one is not as dark as The Girl from The Other Side or Frau Faust, nor with as problematic a starting point as The Ancient Magus’ Bride. It’s just the story of a young girl and the veterinarian she’s apprenticed to, dealing with magical creatures in a world that is slowly losing magic to SCIENCE!. The thing that really makes this title sing is that he’s learning as much from her as she is from him, and their working relationship is a lot less imbalanced than you’d expect.

The heroine is Ziska, who is one of those adorable young girls with a deep abiding love for everything. She has some magical abilities, mostly handed down from her family in books, but lacks much experience, and can’t really progress past what’s already been written down. She’s working as an apprentice to a vet, Niko, who looks like a smiling villain but is really just a nice but practical guy. Together this series finds them working on various magical creatures who have either gotten injured or are ill, working to save them with Ziska’s knowledge and Niko’s experience. As the book progresses, Niko decides that he wants to learn more about the magic that Ziska does, and Ziska starts to try to branch out from what’s in her tomes and create her own medicines, even though that may be dangerous.

Despite the fact that there’s a lot of animal surgeries here, with intestines and the like, as well as seeing a rabbit in the advanced states of cancer, the basic feel of the book is ‘peaceful’. Ziska is frankly adorable, but tries too hard, and you get the sense that she’d burn herself out without Niko being there to help her out. Aside from one comedy scene where Ziska accidentally gives herself an aphrodisiac, there’s also no indication that this is going to get romantic, and even that scene is polite enough to have Niko immediately cut things off. This is just a nice anthology where Ziska sees something that needs care, she and Niko try to figure out what care is needed to heal them and how to give it (easier said than done, especially with magical creatures), and free them back into the world. Even when it doesn’t work out – the rabbit with cancer is too far along to do much of anything except prolong its pain – Ziska manages to find a way to turn things hopeful, or Niko is able to put his own human knowledge to good use.

This has just started in Japan, So I’m expect it on a twice-a-year schedule. But I’d definitely go get it, it’s a great addition to Seven Seas’ ‘young girls in magical situations’ genre.

A Certain Magical Index, Vol. 15

by

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Last time I said that Index was not in the book at all. Well… she’s not in this book either. More importantly than that, however, is that Touma is entirely absent from this book as well, though one might argue that his presence is felt in terms of the two protagonists who take over for him. In fact, as the series goes on and expands, we’re going to see this more and more. A Certain Magical Index is not just about Touma anymore. And so we have other protagonists that step up. (No, sorry, Mikoto, you aren’t in this one either. But you get the more popular side manga anyway.) The first protagonist should be very familiar to Index readers, as it’s Accelerator, who’s still calling himself a villain and thinking of himself as the worst, despite the fact that he saves more lives in this book than anyone else, and has a guardian and adopted daughter more than willing to lay down their life to stop him going mad and destroying the world. As for the other protagonist, I’m afraid I’m going to have to get EVEN NERDIER than usual.

I’m limiting “Introduced in this volume” only to those who either appear in future books or have an impact on future books. So: Shizuri Mugino, Rikou Takitsubo, Saiai Kinuhata, Frenda (Seivelun), Xochitl, Baba Yoshio, Kakine Teitoku, “Girl in the Dress”, Chimitsu Sunazara, Shiage Hamazura, Hattori Hanzou. The Railgun manga is ongoing, which may explain why Kazari Uiharu gets a bigger role in this book than she ever did before or will again. In terms of timeline, it’s the day after Book 14, so presumably Touma and Index are flying back from France. By the way, I mentioned the Railgun manga. Fans of that series will note that over half the people I just mentioned as debuting in this book had large roles in the ongoing railgun storyline to some degree or another, particularly the members of ITEM. Indeed, Frenda pretty much gets all her development in Railgun, for reasons that will become apparent once you finish Index 15. (She doesn’t even get a last name in this book!) Xochitl too is expanded on quite a bit in that series.

As for the obvious, I told a little white lie in the “this volume” above. Shiage Hamazura and Hattori Hanzou are introduced in the first volume of Index short stories, which came out between Books 13 and 14. Yen Press generally does not license side story volumes, so we’re not seeing this. Fortunately, some of the important stuff is covered in the anime, as it adapted the “Skill Out Uprising” story which introduces Shiage Hamazura and has him confront Touma as a rather two-bit villain. Touma, needless to say, kicks his ass. This happens about 9 days prior to the events in this book, in the long break between Books 13 and 14. At some point after that, Hamazura gets picked up by ITEM and turned into their lackey, which is where we see him in Railgun, and also at the start of this book. (The SS volume also shows us Sasha Kreutsev, who Index readers with long memories will remember had her form used by the villain of the 4th novel.) So while I hate to say “go watch the anime” in my light novel review, go watch the anime.

As for this book, it’s rather hard to review, mostly as I’m coming at it about ten years after it was published, and after the author has spent most of Railgun trying to expand on several of the groups and people introduced here. I have trouble judging if something felt forced or if the reader at the time would shrug and move on. As an example, Mugino going completely berserk and attempting to kill the rest of her team is something that I suspect might have had a reader going “huh, where the heck did that come from?” to someone who is meeting her for the first time here, to the point where Hamazura actually has to spell out her motivations to us in one of his speeches. But fans of Railgun will likely be thinking “I was waiting for her to finally snap, and now it’s happened”.

I’d mentioned Touma was absent here, but he’s very much on the minds of both Accelerator, who puts him on a pedestal that can’t possibly be lived up to, as well as Hamazura, who is inspired by him to actually fight back against a Level 5 for the sake of the girl he loves. (In general Kamachi is not great at writing romance, but I give him props for trying. Hamazura and Takitsubo are pretty cute here, and there are one or two hints dropped before the climax that they like each other.) Most of what occurs here, as with much of Index’s plot lately, is a consequence of the previous volume. In this case, all of Academy City’s heavy hitters being called to Avignon means the villainous groups are running amock. Naturally, our group of villains emerges victorious, meaning it’s the last group standing at the end.

I also want to take the time to praise Uiharu, who only gets about 3 pages to show off her badassery, and gets her shoulder and collarbone dislocated for her troubles, but standing up to the 2nd most powerful person in Academy City, and even sticking her tongue out him? That’s amazing. (I also note that Japan, for some reason, has fanart pairing her and Kakine romantically. To which I have to say: NO.) Also kudos to Yomikawa and Last Order for being able to talk Accelerator down. That said, I suspect that every single person in Academy City knows what his weak point is now, and if I were Last Order I would not feel safe.

There’s little humor in this book, and a lot of action and betrayal. As such, it’s playing on Kamachi’s strengths, and ends up being a quick and exciting read. I would like to check back in on Index next time, though. She is in the title.