Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Plus-Sized Elf, Vol. 1

by

By Synecdoche. Released in Japan as “Elf-san wa Yaserarenai” by Wani Books, serialization ongoing in the magazine Comic Gum. Released in North America by Seven Seas. Translated by Jennifer O’Donnell. Adapted by David Lumsdon.

As those who follow me on Twitter know, I frequently make comments about manga as I’m reading them, before I do a review. This are usually glib, off-the-cuff, and not meant to be taken seriously. Case in point: while reading Plus-Sized Elf, I noted that it was an odd combination of a fetish manga and an exercise manual, and several people actually sounded more interested in it than they were. So I want to clarify here: we’re talking about 85% fetish manga and 15% exercise here. You have to really, really like seeing large breasts, large butts, and the women who possess them, as they’re on pretty much every page. That said, when I heard that this was a title that ran in Comic Gum, I was actually expecting much worse than I actually got. Plus-Sized Elf is, in the end, goofy fun, and far more interested in gazing at plump girls than in doing anything sexual with them.

That’s our heroine on the cover, clutching her McDonald’s fries and glaring at us. She’s Elfuda, an elf (the names are not exactly world-beaters in this title) who has come to the human world to eat, because additives and preservatives are unheard of in fantasy land, and things TASTE SO GOOD with them. Unfortunately, this means she’s gained more weight than she’d really like. She ends up at an osteopath clinic and meets Naoe, a young man who does a combination of massage therapy and diet/exercise advice. After taking care of her horribly out-of-alignment bones, he recommends a diet that works… at first, but Elfuda quickly backslides. As the title goes on, we meet more fantasy creatures that are hanging out in Naoe’s town, all of whom have various reasons for being on the hefty side: a dark elf who’s standing at her job all day, a mandragora girl whose large flower on her head (and possibly other large things) leads to poor posture, an ogre who loves booze, etc.

As I said above, there’s something that so far is very obviously missing from this title, and that’s any sense that it’s a “harem” series. Naoe clearly appreciates full-figured women, and he can be seen blushing a number of times. But none of the girls who he helps and meets up with really seem to be that into him. This is not about a guy amassing a bunch of women, it’s about a bunch of women and the guy who hangs around them. The manga also manages to walk that fine line between finding amusement in Elfuda’s inability to resist junk food and keep weight off without actively mocking her for it. And a lot of Naoe’s advice is pretty good, too – there is a BIT of exercise manual in here, as I said. Again, this is still a title you should only get if you don’t mind fanservice – there’s several shots of the women eating food and getting massages that are basically orgasm face art. But if you don’t, Plus-sized Elf proved to be more fun than I expected.

Manga the Week of 10/24/18

by , , , and Leave a Comment

SEAN: October continues to push out new titles to break our banks.

First, I missed another release in last week’s list. Out tomorrow is the 6th Combat Baker and Automaton Waitress from Bookwalker.

Dark Horse has a debut I’m excited about. Mob Psycho 100 is by the author of One-Punch Man, and this time he’s also the artist. It runs in Shogakukan’s Ura Sunday, is based off the webcomic, and is about a psychic boy.

MICHELLE: Ooh, interesting!

MJ: This also sounds interesting to me!

ANNA: Me too!

ASH: Yup, count me in!

SEAN: J-Novel Club has some ongoing series, with a 4th Infinite Stratos, a 2nd Kokoro Connect, and a 3rd volume of The Unwanted Undead Adventurer.

Kodansha print debuts another Fairy Tail spinoff, Lightning Gods.

Kodansha digital is a different story. We begin with Forest of Piano, a series I never thought would make it over here. A long-running award-winning story about a piano prodigy, it ran in Morning magazine (actually, it debuted in Uppers, which tells you how old it is) and has its first seven omnibuses all debut digital-only next week. Will this be the title that forces Ash to buy digitally?

MICHELLE: Woot!

MJ: I don’t often buy digital either, but I kind of want this. Like, a lot.

ANNA: Wow, that sounds like something I should pick up.

ASH: Aaaaah, I really am going to start buying digital titles one of these days, aren’t I?

SEAN: On a more shoujo note, Mikami-sensei’s Way of Love is a Betsufure title about a girl who hasn’t had a love affair yet and her persistently annoying teacher who is likely the reason why. For those who like amusing jerk heroes.

And we have Ace of the Diamond 16, Defying Kurosaki-kun 5, Is Kichijoji the Only Place to Live? 4, Liar x Liar 7, and The Quintessential Quintuplets 5.

MICHELLE: I love Ace of the Diamond and one of these days I’ll read Kichijoji.

SEAN: Seven Seas has two debuts. Machimaho: I Missed Up and Made the Wrong Person into a Magical Girl! is not based on a light novel, despite the lengthy title. It runs in Shinchosha’s Kurage Bunch, and does not seem to be quite as dark as Seven Seas’ other Magical Girl titles. Violent delinquent turned magical girl is the premise.

Plus-Sized Elf is the other debut, from Wani Books’ Comic Gum. Given that it’s from Comic Gum, I would expect the fanservice to also be plus-sized. Also, despite the titular elf, I have a suspicion this is a monster girl title in general. It’s seemingly about an elf hooked on junk food.

ASH: I’ll admit I’m curious. Also, I will be very disappointed if there aren’t French fries.

Seven Seas also has Harukana Receive 2, Made in Abyss 4, Magical Girl Apocalypse 16, Nameless Asterism 3, and There’s a Demon Lord on the Floor 6.

Vertical Comics has a 4th omnibus of The Flowers of Evil.

Lastly, Viz has a 7th digital-only volume of élDLIVE.

I suspect Manga Bookshelf is thinking of pianos next week. How about you?

How a Realist Hero Rebuilt the Kingdom, Vol. 7

by

By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

This is a strong volume of Realist Hero, getting back to what most people reading the series are here for. No, not harems, though there’s a lot of that going around. No, not sex, there’s none of that here. But diplomacy gets to be front and center again, as Souma and his entourage end up traveling to not-Turkey to see what that nation is all about. There they find themselves designing syringes and scalpels, dealing with a boisterous yet forward-thinking young prince, heading off the discovery of quite a nasty dungeon (and seeing what it does to the poor villagers who lived next to it), and negotiating a three-way trade agreement involving doctors, drugs, medical tools, and the power of HOVERCRAFTS! And all this is only in the first two-thirds of the book, so there’s plenty of time for short stories involving things like dragon meteorologists and Juno (from the group of adventurers) finally learning the truth about her mysterious adventuring companion.

Sadly, our main heroine, Liscia, is totally absent from the story. She’s pregnant, you see, and so has gone off to live away from all society in case something should happen to the child. In reality, I do sort of wonder if she’s been exiled due to her Saberface. Probably not, though, given that this volume sees the introduction of Yuki and Mikuru from the Haruhi Suzumiya series. Well, OK, not really, but close enough. They’re childhood friend and bodyguard, respectively, of the Turgis prince, who is filled with fresh new ideas and also a head full of teenage stupid, which is what leads him to doing things like proposing to 12-year-old fox girls. You’re meant to get the sense that when he matures he’ll be an excellent leader, and there’s hints of that here, though you can also see why not-Yuki calls him dumb all the time. You also get the sense his polyamorous relationships are shaping up nicely. Speaking of which, Hal has recovered nicely from accidentally getting a dragon bride last book, only for us to find that he’s adding an elf soon as well. the book does not have to pair off Souma with EVERYONE.

The worldbuilding is the highlight of the book, once more. There’s a real feel that the author remembers what he wrote before and is building on and adding to it constantly, which is not only the case in books adapted from webnovels, where often you get the sense the author is just thinking “what is the next cool thing?”. Admittedly, sometimes I could do without the worldbuilding – Komain’s refugees are meant to echo the plight of Native Americans, but having her literally look like a Native American stereotype, complete with war paint and feathers, is a bit much. Still, for the most part I am happy and content to see where the book leads me next. Will we finally deal with the demons? Will Souma be reaching out to yet another country? Will he ever work up the nerve to go to bed with another one of his fiancees? This is apparently a big seller for J-Novel Club, and it’s easy to see why. Go get it.

Yona of the Dawn, Vol. 14

by

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

As I’ve mentioned before, Jaeha is my favorite of the Dragons, and I suspect I’m not alone there. He fits into a lot of characterization buckets that appeal to me. Indeed, he frequently puts himself in those buckets, behaving a specific way either because he wants to be seen that way, or in order to distract from how he’s really feeling. And traveling with Yona and company is troubling him, as he’s falling for Yona hard, which would be fine except that a) he totally sees the writing on the wall with Yona and Hak, and b) he worries that it’s his dragon blood MAKING him feel this way for her. As a result, in this volume we see Jaeha at his most reckless, sneaking off to a brothel partly to piss off Hal but mostly as he senses there’s something wrong about the new town they’re in. And unfortunately, Jaeha’s “always save the girl” mode also kicks in, leading him to be drugged with something quite potent.

Fortunately for Jaeha, his attempts at acting like everything is TOTALLY FINE and he is just being a horndog are doomed to failure, so Yona ends up rescuing him. Unfortunately, rescuing the town will take some doing, as its residents are in various stages of addition. Once again, Yona decides to stick around to see if this is something that can be fixed, with relatively little argument for once. Indeed, for part of the volume Yona and company are seen as they might be from the outside – as the most obviously suspicious ones. This is because we’re introduced to the young and idealistic princess of the water tribe, Riri, who is there to remind us of what Yona used to be like back at the beginning of this series. Indeed, she’s even got her own female equivalents of Hak and Jaeha as her bodyguards, though one of them might not survive an end-of-volume stabbing.

I do find it amusing that no one seems to recognize Yona, but instead Hak is the one that they find familiar – he’s not exactly an unknown face either. This ia a fantasy world with little modern technology, which is probably why The Dark Dragon and the Happy Hungry Bunch can get away with as much as they do, but they’re getting famous too, and eventually Su-Won is not going to be able to run into Yona on the battlefield and just go “whoops”. This series is long-running, and we’re nowhere near finished, but I am wondering what the endgame for it is going to be. In the meantime, Yona is far more concerned with saving Tetra (the Jaeha-ish bodyguard who was stabbed) and showing off that, even if her sword skills are rough and unpolished, facing off against Hak is a lot harder than facing off against nameless goon #2.

I feel like I’m ending each review the same way, but it’s always true. Yona of the Dawn is one of the best series Viz is putting out. You should be reading it.

In Another World with My Smartphone, Vol. 10

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Three-fourths of this volume is a fairly typical Smartphone volume, with the added bonus of actually resolving some long-standing plot developments and introducing a “new” character who, while I may not love her, certainly has the ability to put a lot of things in motion. Unfortunately, that leaves one-fourth of Smartphone which is absolute garbage, having all the worst tendencies of this series wrapped up in an awful bow. Touya’s sociopathy, villains who sneer and cackle but are also cowardly and ugly, barely disguised hatred of China. It’s all here, and it sucks. I’ve talked before about how I sometimes wonder if Touya is meant to occasionally be a deconstruction of some sort, but it just doesn’t hold up all that well. The author thinks that having the occasional character remind Touya that he’s in danger of becoming a monster, and Touya essentially going “Oh, OK”, will take the curse off of it. It does not.

The cover features Sakura, whose backstory is finally revealed as Touya, hilariously, realizes he could have cured her amnesia all along with a simple spell. The recovery of memories allows us to be introduced to yet another smothering father type, a running gag in this series (to the point where the girls all admit that Touya will certainly become one of those as well), and also allows Sakura to join the harem, which is now “complete” at nine wives, though some of them girls are a bit wary of accepting that it’s a closed circle now, given Touya is, well, Touya. They’re more concerned about succession than actually jealous, though. The cover also features a young girl who, I’m sad to say, is Professor Regina Babylon, now in the present day and also in the body of a child-sized gynoid because, I think, the author finds it amusing. She’s just as perverse as ever, and when she and Cesca team up it’s bad news for everyone. I could have easily done without the spanking, though.

Touya also finally admits to his wives that he’s not from this world, something which they accept fairly easily. He also starts to show them anime, which may be a mistake, especially with the Professor watching Gundam. We also get a short story developing Ende and the Phrase, and explaining what happened in the past and why the Phrase keep on attacking Touya’s world. It is, at heart, a love story, and I liked Touya admitting that, despite the hideous loss of life, if it were him he may have been the same. (This is not hard to imagine given how much Touya doesn’t care about Yulong or anyone in it, though admittedly he only seems to meet bad guys there due to the whims of the author.) I suspect the majority of the Phrase are still evil, though, which means expect to have more giant robot battles in the near future. Which now include Sue, who is getting into the swing of things very fast.

Despite wanting to punch Touya and the author in the face for the Daydream Believer chapter (which also ruins one of my favorite Monkees songs), I’m still somehow still reading Smartphone. It’s one of the rare series which is at its best when doing dumb harem slice-of-life, as Touya needs to be constantly belittled by near everyone or else he becomes a monstrosity. Oh yes, added points to the illustrator, as the first three black and white illustrations in the book each made me laugh out loud, combining the text and a picture perfectly.

Bookshelf Briefs 10/15/18

by , and Leave a Comment

Bleach, Vol. 74 | By Tite Kubo | Viz Media – I have never actually reviewed Bleach as a brief… or indeed at all. I followed its periphery, keeping track of what was going on and trying not to be too invested. The final volume shows off many of its strengths and weaknesses… I enjoyed seeing Ichigo and Orihime fighting together, and the finale was sweet, but far too often the volume was Yhwach screaming “can’t you see your powers are USELESS against me!” like an MST3K villain. Still, say what you will about Bleach, it was always itself. It may feel like it was cancelled for not getting on with it (it probably was), but changing anything seems churlish. It’s that middle son who’s always a hot mess, who always gets forgiven. – Sean Gaffney

Dragon Half, Omnibus 2 | By Ryusuke Mita | Seven Seas – This continues to be a giant nostalgia trip, feeling very much like the sort of anime and manga that North America was getting in the early 1990s. Which it essentially is. Even the translation and adaptation feels like it’s a “dub,” and a good one like Shinesman. It’s not easy to analyze—aside from one or two heartwarming moments that last about one panel, it’s balls to the wall comedy every single page. But the comedy is ridiculous fun, with Mink shedding her skin and becoming stronger (and bustier), the villains still being 100% useless, and Lufa being 100% DTF. I think there’s one more omnibus to go, and theoretically this is coming to an ending, but the plot is irrelevant compared to the laughs. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 26 | By Yuto Tsukuda and Shun Saeki | Viz Media – Eventually, theoretically, this arc will end. But it’s not this volume, or indeed the one after that. That said, it is nice to see Soma punted to the side here so that we can focus on some of the other cast. Kuga has a grudge, and wants to make his name remembered—I suspect the name will be remembered but he’ll lose. As for Mimasaka, it’s quite interesting to see his stereotypical evil cheat powers used in the name of good. And then there’s Megishima, and though we find out why he’s helping Soma and company in this book, I have to admit I simply like Rindo more, and I hope that she pulls it off. So yes, a good volume, but pretty sure the bad guys are gonna win, which means… more tournament arc. – Sean Gaffney

Haikyu!!, Vol. 28 | By Haruichi Furudate | Viz Media – We are nearly caught up with Haikyu!!, which goes to “once every three months” starting with the new year. It’s been fun reading this volleyball title every week, and it helped me keep track of what’s going on better. The bout against Inarizaki takes up much of the second half, and is up to the usual high standards. I was also amused to see a hint of boy/girl romance in this book, as Ryunosuke’s childhood friend—there with her women’s volleyball team—clearly has a thing for him, but in the end, like a lot of shonen titles, she decides to emulate his SPORTS PASSION rather than confess. Besides, he’s still crushing on the manager (has she retired or not?). Haikyu!! is great fun. – Sean Gaffney

Himouto! Umaru-chan, Vol. 3 | By Sankakuhead | Seven Seas – We are reminded several times in this volume why the two siblings are the way they are—they’re very much on their own in the apartment. Here we learn their mother has passed away, and it seems there’s no father either. This explains a lot of Umaru’s immaturity, as well as Taihei’s tendency to let her do what she wants. I think I like the series best when it shows off the occasional sweet moment. Still, it’s because it’s occasional that it works so well—most of the time this series is content to rely on funny “Umaru is lazy” humor, such as accidentally screwing up the modem and having… NO INTERNET!… or forgetting about her New Year’s Resolution to be less slothful. Cute. – Sean Gaffney

How to Treat Magical Beasts: Mine and Master’s Medical Journal, Vol. 2 | By Kaziya | Seven Seas – There’s not much here beyond “heartwarming stories of a magical vet,” but sometimes that’s all you need, and if this is going to be manga’s equivalent of All Creatures Great and Small I’m content to be along for the ride. The chapters are named after either the magical beast or their ailment, and despite involving supernatural creatures manage to be rather educational—the discussion of rye bread was particularly fascinating. Ziska is cute, Niko is patient and caring, and you root for both of them, even as some of the situations prove to be a lot more difficult to solve than others. This is the sort of title that will run as long as the audience is there to enjoy its peaceful, relaxed mood, and I’m one of that audience. – Sean Gaffney

Natsume’s Book of Friends, Vol. 22 | By Yuki Midorikawa | VIZ Media – Twenty-two volumes in, and Natsume’s Book of Friends is just getting better and better. The first two stories involve Natsume’s classmates—first, the story of an inn beloved by good yokai where the staff forget to display the curtain to ward off bad yokai one night, and second, the story of a mysterious nightly visitor who uses Natsume’s face to befriend Nishimura—and seeing events from their perspective ramps up the creepy atmosphere tenfold. As if those weren’t enough, the final story involves Natsume meeting the first yokai whose name appears in the book and learning more about Reiko in the process. It’s a tale both melancholy and lovely and I loved it very much. The twenty-third volume only came out in Japan last month, so sadly we’ve probably got a long wait for our next installment. – Michelle Smith

New Game!, Vol. 3 | By Shotaro Tokuno | Seven Seas – There’s some workplace development here—with Kou’s promotion, Hifumi is also encouraged to take a step forward, which she does shyly and reluctantly. Kou and Aoba also manage to collaborate on a character design, after some brief but well done drama, and the game looks ridiculously cute. For the most part, though, this continues to be about a group of girls and their everyday life, the same as many of these 4-koma titles. I had honestly thought there would be more yuri, but it’s mostly invisible—Rin clearly as a thing for Kou, but there’s no forward movement there. If you enjoyed the anime, or just like this style of manga, it’s a good volume. Needs to have the cast holding hands and jumping in the air. – Sean Gaffney

To Your Eternity, Vol. 6 | By Yoshitoki Oima | Kodansha Comics – Every single volume of this series has managed to shatter my heart and the sixth is no exception. To Your Eternity remains a manga that is both astonishingly beautiful and incredibly devastating. Oima utilizes a fantastical narrative to explore deeply philosophical and existential themes. Even as an immortal, Fushi struggles to survive in a world full of death. Fushi continues to learn, grow, and evolve, but the process is an exceptionally painful one requiring difficult decisions to be made over and over. The sixth volume dramatically concludes the Jananda arc–on an island populated by exiled criminals, Fushi is forced yet again to confront the complexities of human morality and mortality. Yes, there are crushing losses, but along with the sadness comes some amount of hope. The strength of the relationships that Fushi develops with others is a shining, guiding light in a life frequently punctuated with darkness and tragedy. – Ash Brown

Pick of the Week: Loving the Demon

by , , , and Leave a Comment

SEAN: There’s nothing that screams BUY ME! this week, but there are some ongoing titles I quite like. I will go with the 3rd Dead Dead Demon’s Dededededdestruction as my pick, as it’s reliably excellent so far.

MICHELLE: I’ve already sung the praises of Giant Killing several times, but I continue to enjoy this seinen take on sports manga very much. It’s my pick this week.

KATE: I’m going to shill for Dead Dead Demon again, since it’s currently one of my favorite new series of 2018. For anyone who’s been on the fence about this title, I encourage you to give it a try; it’s dark and funny without ever tipping into misery porn, a la Goodnight Pun-Pun or The Girl on the Shore.

ANNA: I haven’t read Dead Dead Demon yet, but I’ve been stockpiling the volumes. I expect I will like it just as much as Kate does, so that’s my pick too!

ASH: Dead Dead Demon is absolutely worth picking up (and I certainly will be), but for me this week the series also has to contend with the newest Junji Ito manga to be released in English–Frankenstein.

The Promised Neverland, Vol. 6

by

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

For all that Ray insists that he’s not going to sacrifice his life at the end of the last volume, he is a small child running at full speed against a number of demons who are essentially horses in this scene. Sure, he’s rescued, but it was an impetuous thing to do. And of course there’s also Emma, who is almost literally working herself to death to get this escape on the road. So I really enjoyed the scene in this volume where Dona, Gilda and the other kids tear into the two of them for taking everything on themselves. The Grace Field kids are ALL smart – sure, Ray, Norman and Emma were the tip of the top, but they’re all bright lads and lasses who can see what’s really going on here. If you’re going to escape with everyone, everyone has to work as a unit and decide things as a unit. Which is good, as when they get to the map coordinates it’s a big bunch of nothing.

We also get a lot of answers this volume as to how this world works, and while Emma tries to paint it in as optimistic terms as she can, it’s not good news. They’re on the wrong side of a great divide, this has been going o0n for a thousand years, and I suspect if they do make it back to humanity, they may have to watch out for being killed there as well. Despite that, Emma is right, there is some hope. And honestly, we learn that being at their own farm was possibly the best place to be, given that most demons seem to eat the equivalent of fast food – which is to ay humans kept in tanks and barely cognitive, there to be eaten and forgotten. It’s a chilling sight. There’s also the demons who rescued them at the start, who seem to be “religious converts” but may be a lot more sinister than that. I wonder about them…

In the meantime, there’s a new area to explore, and to no one’s surprise, it’s not quite as barren as expected. Now they’re in an underground shelter, and meeting an actual adult human who… seems to be one of those “I am a jerk on the outside, but wait till you see my soft core” types. Sadly, he’s the cliffhanger, so we’ll have to wait for next time to see what his deal is. Ray and Emma are pretty good about having a healthy level of suspicion about their “saviors”, but also being willing to trust people. When you don’t have much choice, that’s where you are. I suspect that the next volume of The Promised Neverland will begin a new “arc”, but I also suspect it will involve a lot of almost getting captured and escaping, because that’s why we read the series. Well, that and seeing the kids be cute.

JK Haru Is a Sex Worker in Another World

by

By Ko Hiratori. Released in Japan by Hayakawa Shoten. Released in North America by J-Novel Club. Translated by Emily Balistrieri.

Before I begin, let’s state the obvious: this book is for those over the age of eighteen. The review will not have strong language itself, but reader discretion is advised.

Wow. I didn’t know much about this going into it. When I first heard about the license, I thought it sounded absolutely dreadful, but I was assured that it was not actually meant to be a servicey title and that it would reward the patient and tolerant reader. The assurance was correct, as I am very grateful to have read this title, which I thought was excellent. That said, I know several people who started to read this and were unable to get past the first two sections or so, and I can understand why. The premise sounds like your standard isekai: two kids are run over by a truck and die, meet God, and the buy gets cheat powers because this is an adventuring isekai sort of world they’re going to be dropped in. Unfortunately, it’s also virulently misogynistic. The basic roles for adult women are slave, wife, or sex worker. Haru chooses the last.

What follows is Haru going about her daily life, which involves blunt descriptions of the sex work she does. Haru’s narration is one of the main reason to get the book, as she pulls no punches about the sort of life she has to lead. The boy she came from Japan with is an absolute creep, the sort of guy who thinks he would be doing Haru a favor by letting her become his maid. This is not, by the way, a book to read for those who want to be aroused by talk of sex. There IS a lot of talk of sex, but it’s not meant to arouse you in the slightest. There are several rape scenes throughout the book, and they are as horrible as you can imagine. Haru tends to “dull her emotions” a bit during them, but as a reader you’re still horrified. That said, you do also learn to enjoy the happier times in her life as well, such as tea with her colleagues and, in the most positive and fun chapter in the book, playing “Kick the Can” with a group of kids.

About 2/3 of the way through the book there is a spoiler, which I won’t disclose, but it does tie into the main plotline and also makes sense in terms of what’s come before. Aside from Haru and Chiba (the Japanese guy), the most interesting character to me was Kiyori, a pure Japanese priestess type who wants to go adventuring, but is not allowed to without a guy. Kiyori’s the only other one whose narrative perspective we get in the book (which is otherwise Haru’s), and you get the sense as you get to the end of the book that she’d much rather be in a relationship with Haru than with any of the horrible adventurer creeps who are trying to team up with her. Unfortunately, that is not a very likely option either because, as I said earlier, virulently misogynistic world.

There are a bunch of other things in the book I enjoyed, at times the writing is very subtle. (Discussion of a reincarnation made me smile a bit, especially given the plot that leads up to it.) It apparently was a polarizing book in Japan, though not so much for the explicit sex worker content as for being an isekai at all – this is a novel, not a light novel, and fans of the publisher were upset they sank to publishing one. It’s a novel that needs warnings before you read it, but I feel that overall it ends on a positive and forward-looking note. Indeed, it feels a bit open-ended, and the final short story implies the author has a lot more they’d like to write about. If you’re tired of the standard “hero goes to another world and gets superpowers and a harem of girls” stories, this is a grim yet well-told response to it.

Satoko and Nada, Vol. 1

by

By Yupechika and Marie Nishimori. Released in Japan by Seikaisha, serialization ongoing on the online site Twi 4. Released in North America by Seven Seas. Translated by Jenny McKeon. Adapted by Lianne Sentar.

The premise of Satoko and Nada feels a bit fresher because it has an extra twist to it. When you see the series takes place at an American university, and features two roommates learning more about each other, you’d expect that one of them would be a stereotypical American. In fact, Nada is Saudi Arabian, and her new roommate Satoko is Japanese. Thus they’re not only learning about their own culture and personal foibles, but also learning about life as a foreign woman in America. It’s the sort of premise that works well as a 4-koma, as I think in extended chapters the lessons of “no matter what nationality, religion, or culture you are, you can still be friends” might be a bit didactic. Here each new strip resets things, and the result is a manga that’s light and funny while also making its aims very clear. And, if you’re just here to be entertained, Satoko and Nada does that as well.

A large number of these pages are typical “college roommate life” filtered though the culture of both women. We see Satoko gradually opening up and becoming more confident. It helps that Nada is the extrovert of the two, which also helps to show that the woman under the Niqab is not going to be the stereotype you’d expect. Satoko’s food is too bland, Nada’s food is too spicy. Satoko also seems to lack a sense of self-awareness at some points, leading to the one serious scene in the book where she accepts a ride with a sketchy guy and is thankfully rescued by Nada. Even on campus, America is not Japan (and it doesn’t seem they live on-campus, but in housing somewhere else.) Thankfully, most of the time the “life lessons” are more humorous, such as when Nada lectures Satoko about the different kinds of Muslim women and the outfits they wear, then berates her for an unfashionable dress.

The cast is fairly minimal. Nada has a few other Muslim friends, who sometimes come over for a “girls’ night out” and prove to be just as extroverted as Nada. Of course, this is just in comparison with the introverted Satoko – I do wonder how much of this story is based on real life experiences, as it can sometimes feel like a biographical comic with added punchlines. We also meet an American girl called Miracle (she apologizes for her parents’ “phase” when she was named), who’s a Christian church-goer, to add to the religious balance. (Satoko, as a typical Japanese woman, is technically Buddhist but in reality not all that religious, which leads to some amazement among her other friends.) I was also amused and sympathetic to Kevin, an American who’s trying to get a job teaching in Japan… but he’s Asian-American, and they only want Americans who “look white” to teach.

Satoko and Nada is not revolutionary, but I spent my time reading it with a smile on my face, and I did learn a thing or two as well. (Praying towards Mecca now has an app to help with the direction.) It’s something I’d recommend to any fan of slice-of-life manga, or those who enjoy seeing manga starring and about women.