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An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 2

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

The color illustrations of most light novels tend to spoil, and a lot of readers who hate spoilers know that they should avoid them before reading the book. That said, even if you looked at the color pages for the second volume of Archdemon’s Dilemma, you can’t have been TOO surprised. Having used Vol. 1 to set up the premise of adorable ‘villain’ and his even more adorable ‘slave’, with them essentially being a married couple, the fact that they gain an adopted daughter is not exactly a surprise if you’ve read any sort of manga or light novels. Seeing Chastille dressed up as a maid might be more of a surprise, but given what happened to her in Book 1, and the fact that this volume begins with her execution being discussed, it’s not hard to connect the dots either. Archdemon’s Dilemma is trying to balance out the cute found family stuff with the badass archdemon stuff, and so far… well, so far it’s a bit overbalanced on one side, I will admit.

Speaking of Chastille, I hadn’t mentioned her at all in the last review, probably as she very nicely filled the ‘other girl who likes him but isn’t going to get anywhere’ slot. That said, Zagan was impressed with her power, and I appreciated the fact that although she spends most of this book either at the peril of the Church, an Archangel who has supposedly arrived to kill her, or a dragon girl with a grudge against Archangels who keeps pranking her, she eventually does get over her deep depression and manage to take up her sword again – and once she does, she manages to kick ass. (It was also nice to see that it was Nephy, not Zagan, who was the one to talk her out of her funk.) I’m not sure how well she’s going to do at trying to get the angels and demons to talk to each other, but I’m rooting for her, despite her basically being Emilia from The Devil Is a Part-Timer! with a few serial numbers filed off.

As for Zagan, there are a few moments in the book where we get him and Nephy being adorable together (helped along by the illustrations, which do a much better job than the text of conveying his emotional awkwardness), but I wish there were more of them, as most of the rest of this book is devoted to showing off how super-ungodly powerful Zagan is. He’s still saying the wrong thing most of the time, but the things he says are designed to make him sound cool and brooding, and there’s not enough of his inner self NOT being cool and brooding. In other words, he feels too much like an OP protagonist. Things aren’t helped by the fact that the final battle sees Nephy staying behind at the castle like a dutiful wife, waiting up and preparing his dinner. Nephy helps make Zagan more down to earth.

Still, overall it was a good book, provided you don’t mind the battles being a bit boring because Zagan is always in control. And we even get a butler at the end, who I’ve decided I will call Sebastian. As with most fantasy light novels, recommended for those who like these sorts of books.

Manga the Week of 10/31/18

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It’s Halloween, and the trick is being able to stand under the weight of all this manga.

Ghost Ship has a 7th volume of “porn or not?” series To-Love-Ru Darkness.

J-Novel Club has a trio of ongoing titles, as we get the 8th Arifureta: From Commonplace to World’s Strongest, the 7th The Magic in This Other World Is Too Far Behind!, and the 2nd Sorcerous Stabber Orphen.

Kodansha’s print debut is Hiro Mashima’s Playground, which as you might guess is a collection of short stories from the creator of Fairy Tail.

Speaking of short story collections, we also get Battle Angel Alita: Holy Night, which collects previously unseen one shots from the Gunnm universe. (What’s Gunnm?, I hear you cry. Well…)

ASH: Oh, I had missed this one being picked up, though I’m not surprised that it was.

SEAN: There’s also the 14th and final volume of Animal Land, a series whose first volume came out in North America sometime in 1643.

MICHELLE: I legitimately forgot this series existed.

MJ: Same.

ASH: It really is a shame that this series hasn’t gotten more attention. It’s a little strange, but quite good.

SEAN: The digital debut is a sequel, as we get the first volume of Princess Resurrection: Nightmare, the sequel to… well, Princess Resurrection. It still runs in Shonen Sirius, and seems to be more of a Tokyo Ghoul-style reboot.

Also out digitally: Beware the Kamiki Brothers! 6 and Heaven’s Design Team 2.

MICHELLE: I read the first volume of the latter and it was.. odd. We’ll see if the author varies the already established formula at all with volume two.

SEAN: Seven Seas is hitting us with lots of stuff. The debut is Versailles of the Dead, which does not feature Oscar but does feature Marie Antoinette and zombies. I think it’s currently running in Hibana, though it’s changed magazines a few times.

ANNA: I have to admit I am intrigued by the title, along with historical zombies.

ASH: As am I! It’s by the creator of Afterschool Charisma, too.

SEAN: There’s also The Ancient Magus’ Bride Supplement, yet another in-depth guidebook to the series.

ASH: I’ll be picking this one up!

SEAN: And we have an 8th Dreamin’ Sun, the 8th Grimgar of Fantasy and Ash novel in print, the 2nd manga adaptation of If It’s For My Daughter Etc., the 3rd Mononoke Sharing, the 13th My Monster Secret, the 8th Nurse Hitomi’s Monster Infirmary, and 2nd True Tenchi Muyo! novel, and the 4th and final Yokai Rental Shop.

ASH: I wasn’t as enamored with the beginning of Yokai Rental Shop as I was hoping I would be, but I have been meaning to read more of the series.

SEAN: Udon has a 3rd volume of Infini-T Force.

Vertical has Onimonogatari, which theoretically is about Shinobu but Mayoi is going to steal the show.

That leaves Yen Press, but that’s still a lot.

ASH: It really is.

SEAN: Starting with Yen’s digital-only manga, we see Corpse Princess 19, Toilet-Bound Hanako-kun 8, and IM: Great Priest Imhotep 9.

JY is Yen’s imprint for younger readers, and we have two titles to point to. The first is Crush, the 3rd in Svetlana Chmakova’s series that began with Awkward and Brave. It is sure to be as awesome as both of those were.

JY also has a Japanese title debuting. Zo-Zo-Zombie is from the kids’ magazine Corocoro, and is the most adorable zombie manga you’ll ever read.

ASH: D’awww.

SEAN: Yen On debuts Mirai, the latest ‘novelization of a popular movie’ title. There’s also Final Fantasy VII: On the Way to a Smile, in which Aerith is, like Francisco Franco, still dead. Though given these are short stories, possibly not in this volume.

Goblin Slayer, now a hit anime, also gets a side story novel, called Year One. I expect goblins.

Yen On also has new volumes of The Empty Box and Zeroth Maria (4), Is It Wrong to Try to Pick Up Girls in a Dungeon? (12), Is It Wrong to Try to Pick Up Girls in a Dungeon? Sword Oratoria (7), Re: ZERO (8), Spice and Wolf (20), and its sequel Wolf and Parchment (3).

Theoretically there is also the long, long, long delayed 7th volume of No Game No Life, but I won’t believe this without actual evidence.

And then the manga. So much. Only one debut, which is High School Prodigies Have It Easy Even in Another World!. Based on an unlicensed light novel, it’s another isekai, as you can see, only the kids finding themselves in another world are all insufferable geniuses. How will they cope? Easily, apparently.

That leaves the ongoing series. Let’s divide it, as I tend to do, in half. First, NOT based on light novels. There’s Anne Happy 8, Aoharu x Machinegun 13, Demonizer Zilch 5, Gabriel Dropout 5, Hakumei & Mikochi 2, Hatsu*Haru 3, Kakegurui: Compulsive Gambler 7, Kiss and White Lily for My Dearest Girl 7, Murcielago 8, Prison School 11, Sacrificial Princes and the King of Beasts 3, the 5th Sekirei omnibus, Shibuya Goldfish 2, Silver Spoon 5, Spirits & Cat Ears 7, Taboo Tattoo 12, Teasing Master Takagi-san 2, Triage X 16, and Val x Love 4. … I’m actually getting a lot of that. Yikes, that’s a lot.

MICHELLE: Hatsu*Haru, Sacrificial Princess, and Silver Spoon for me.

ANNA: You know, if I don’t read any of this, I’m not behind. That’s what I will tell myself. Although somewhere I have first volumes of Sacrificial Princess and Silver Spoon squirreled away.

MJ: Obviously Silver Spoon. Always Silver Spoon.

ASH: Silver Spoon is likewise at the top of my list, but I’m reading (and falling behind with) a few others, too.

SEAN: On the light novel adaptation side, we have A Certain Magical Index 15, Death March to the Parallel World Rhapsody 5, The Devil Is a Part-Timer! 12, Durarara!! re;Dollars 3, the 5th DanMachi: Sword Oratoria manga, Napping Princess 2, The Saga of Tanya the Evil 4, and the 4th So I’m a Spider, So What?.

ANNA: Why are there so many light novels, and no one has released any Library Wars titles, or finished 12 Kingdoms????

MICHELLE: Or Saiunkoku Monogatari???

ANNA: YES! Someone bring out Saiunkoku Monogatari!!!!

ASH: I would love to see those series translated, too! I’d add No. 6 and the rest of Moribito as well, though those might not technically be light novels.

SEAN: Are you gorged on all these treats? What’s in your bag?

ASH: SO MUCH.

I Saved Too Many Girls and Caused the Apocalypse, Vol. 10

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

More volumes, more girls. And perhaps a sneak peek at the bad future that R keeps talking about. No, we’re not actually seeing said future – since the author is nothing if not predictable, I suspect that we’ll get that in Books 15 or 16, the final ones – but thanks to a ditzy and morally questionable angel, we do get a sneak preview of what the war of Rekka’s fiancees would be like. It’s not a pretty sight. Rekka’s girls have never been as tight-knit a group as, say, Rokujouma, but jealous glaring is all we’ve previously been a party to. Unfortunately, the girls he’s saved who are in love with him also happen to possess insane amounts of power, power which could easily be destructive in nature. And so when the limiters are taken off… well, thank goodness it’s limited to property damage this time. As for Rekka? Still acting clueless, though even he is finding that front hard to keep up with Iris in full throttle mode.

The girls in this book are: the aforementioned Angel, who needs “love energy” to survive, though “jealousy” might be more accurate, and too much of it leads to the plot; an intergalactic producer trying to have another big hit by producing a sentai show, which sounds like a good idea till Rekka falls on her lead actor and puts his back out; and a magical girl dedicated to love and justice, not in that order (at least not at first), who is somewhat started to find herself in the wrong genre when a kaiju starts to wreak havoc. Unlike the last big and dramatic arc, this one is fairly easy to resolve – indeed, the book’s very much on the short side, so one might say it’s a bit too easy to resolve. Since Little Apocalypse runs on cliches, it’s good to see they’re all present and correct here, as the magical girl, now in a sentai/kaiju story, powers up by others believing in her, a la “clap for Tinkerbell”. Unsurprisingly, Rekka believing in her has far greater an effect.

How much you enjoy this book might depend on how much you enjoy harem antics at their most obvious. This takes place on the first day of school, but we don’t even make it there, as Iris (helped along by the love angel) decides to take Rekka on a date to an interstellar amusement park. Iris hasn’t gotten as much to do lately, so this gives her some good face time, and as one of the most “forward” of the heroines she comes very close to actually, if not scoring with him, at least making him acknowledge her love. But it’s Vol. 10, not Vol. 16, so instead we get half a volumes of girls attacking each other (and Rekka). R spends much of the volume frustrated, and you can see why.

We have six books to go till the end, and I think even the author knows he can’t string this along forever. But he’s strung it along enough. This is a decent Little Apocalypse, with two of the three heroines being pretty likeable. I also enjoyed the theater references. Sides!

Bookshelf Briefs 10/23/18

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DAYS, Vol. 10 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Seiseki has advanced to the finals of the Tokyo tournament, where they’re up against Toin, the reigning champions. Before the game actually begins, we get a rather neat sequence in which Ubukata, who hasn’t given anything her all in years, works diligently to gain intel on Toin and develop a strategy for Seiseki. Yasuda-sensei does a great job ramping up the tension for the big game, and it’s great to see Tsukamoto’s training beginning to pay off. Now, not only can he steal a ball, he can evade a skilled defender and take a shot. His first attempt fails, and the volume ends just as he gets another, but it’s still very satisfying. I realize the protagonist’s gradual evolution in skill is the point of every sports manga, but I wholeheartedly appreciate it every time just the same. – Michelle Smith

Kuroko’s Basketball, Vols. 27-28 | By Tadatoshi Fujimaki | Viz Media – Another “darkest before the dawn” volume, this second to last omnibus of Kuroko’s Basketball can be rather heavy going, as it involves a lot of finding out things don’t work and then trying new things that also don’t work. As with a lot of sports manga, there is a whole hell of a lot of “that’s it, there’s no way they can come back,” with faces looking like it’s a literal death sentence. (Which it feels like, because sports.) Fortunately, we’re seeing that Seirin are at least keeping it from being a total blowout. And trying to be a Kuroko is harder than it looks, too. Next time’s the finale. Will our heroes win? It’s not always certain in Japanese sports manga. We shall see. – Sean Gaffney

My Hero Academia, Vol. 15 | By Kohei Horikoshi | Viz Media – Midoriya now has his internship, but it’s running him ragged, and he’s in danger of losing it. Before that, though, there’s a young girl that needs to be saved, one who seems to have a mysterious quirk that Overhaul is using. We thus get together several groups of heroes and interns, including Uraraka, Tsuyu and Kirishima, to try to rescue her. Unfortunately, that mostly means this volume is all setup and not much payoff. It is pretty nice if you’re a Kirishima fan, and he does really well here. I think the main issue with this volume is that everyone’s so down— Midoriya’s depressed the whole book, and Nighteye is moaning about his quirk as well. I suspect next volume will be ALL ACTION, which will help. – Sean Gaffney

Precarious Woman Executive Miss Black General, Vol. 2 | By jin | Seven Seas – This continues to give me exactly what I want from a title like this—lots of laughs. Our heroine is settling down a bit, but that’s only compared to the first volume—she’s still thinking up various ways to get closer to Braveman and is not going to let anything stop her. We also meet a few more heroes, who unfortunately find that just because the Black General is a comedy goofball does not mean she’s not dangerous, and they are brought down to size very quickly. The best chapters involve her infiltrating the Hero League to become Braveman’s sidekick—but her idea of “heroism” is as suspect as you’d expect. This has become a fast favorite of mine, as it puts a big grin on my face. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 3 | By Kagiji Kumanomata | Viz Media – Our favorite princess continues to barrel through her problems like a berserker, leaving mayhem and chaos in her wake—and, of course, amusement for the reader. She’s gotten a nice windowpane for her room, as well as a kotatsu and woolen underwear, as the season is changing to winter. In fact, Christmas is here. Fortunately, the manga is self-aware enough to know that the Princess is, if not completely evil, at least utterly amoral, and so she gets the equivalent of coal in her stocking. That’s not changing her ways at all, though, and she even goes outside the castle to try sleeping and tormenting in the fresh air. As long as you don’t care about lack of consequences, this is still hilarious. – Sean Gaffney

Takane & Hana, Vol. 5 | By Yuki Shiwasu | Viz Media – The culture festival concludes this volume, but really it’s all about the latter half of the book, as we’re introduced to Rino, a former underclassman of Takane’s who is harboring feelings for him, and she’s not all that fond of Hana. This culminates in a Christmas party the main cast is going to, where we discover Rino’s secret and her actual relationship with Takane. It’s hard to discuss this without spoiling things, but I was very impressed with the way it was handled, which is shockingly modern and forward thinking for Japan. As for Takane and Hana, Rino’s appearance forces Hana to admit a few things to herself, but honestly what we mostly get is why I read this in the first place—Takane and Hana digging at each other constantly. – Sean Gaffney

Tokyo Tarareba Girls, Vol. 2 | By Akiko Higashimura | Kodansha Comics – Being a fan of Princess Jellyfish, it’s probably not much of a surprise that I would seek out more of Higashimura’s work. And so I happily found myself reading Tokyo Tarareba Girls, a manga series about the lives of three thirty-something women as they struggle to come to terms with the fact that they aren’t getting any younger. All three of them find themselves asking “what if” over and over as they contemplate past decisions and lost opportunities. Their friendship, along with their frequent nights out drinking, tend to see them through the worst of it. While the first volume of Tokyo Tarareba Girls primarily focused on Rinko and the ups and downs of her relationships, romantic and otherwise, the second volume turns to those of her best friends Kaori and Koyuki. Tokyo Tarareba Girls is a lively manga with humor that both highly entertains and cuts to the quick. – Ash Brown

The Water Dragon’s Bride, Vol. 7 | By Rei Toma | Viz Media – Well, Asahi isn’t quite back at the start of this volume, as I said last time, but she does end up returning to the fantasy world and her water god. This causes her a lot of anguish, as she sees how much her family suffered while she was gone, and is slowly bonding with her brother. But in the end she can’t resist returning to him, and just in time too, as there’s a drought in the land due to his depression of Asahi’s departure. Of course, all is not well going forward, as the new mini-villain snatches Asahi away and transports her to the equivalent of the underworld. I’m not sure that we’ll ever return to Asahi’s family, but I’m glad we saw them, even as I’m also pleased she returned to her grumpy tsundere god. – Sean Gaffney

The Water Dragon’s Bride, Vol. 7 | By Rei Toma | VIZ Media – I’ve enjoyed The Water Dragon’s Bride from the beginning, but the series has gotten even better in recent volumes. I think Toma-sensei is getting a little better at expressing everyone’s feelings now that the Water Dragon God is beginning to experience some of his own, so that Subaru ends up with some strong character moments of his own even though the bulk of the story is about Asahi’s time back at home and how much she misses the Water Dragon God. I seriously got verklempt when she impulsively decides to return (leaving her poor, adorable little brother behind) and the Water Dragon God simply cannot contain the strange emotion he finally identifies as joy. She has changed him for the better, and I very much look forward to seeing how the final volumes in this story play out. – Michelle Smith

Captain Harlock: The Classic Collection, Vol. 2

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By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson. Adapted by Snati Whitesides.

This second omnibus of Captain Harlock settles down a bit, with a lot less goofy comedy but also without the tragedy that I was expecting. What we end up getting are a series of scenes/arcs of the Arcadia and its crew going after the Mazon in deep space, and having adventures. It reminds you that manga titles back in the day were far more concerned about any casual reader being able to pick up and follow along even after missing the previous seven months. There’s not a lot of intercontinuity here. That said, it’s certainly not dull; once you get your head around the Harlock pacing and remind yourself that these characters don’t speak, they declaim, you can see why Captain Harlock is still a beloved character today, even as he spends the entire book talking with his computer or getting upset about (seemingly) being saved by his hated enemies.

The cover art has the Mazon Queen, who spends most of this volume standing in her place of power and trying to get more inside information on Harlock and company. At one point a Mazon pilot, who seems to be not quite as fanatical as the others, boards the ship and speaks briefly to the crew, finding them “united in body and heart”, much to the horror of the seemingly heartless Mazon Queen, who in reality is about as cold and ruthless as the Cybermen in Doctor Who’s 80s period, which is to say not at all. A lot of the conflict in Harlock tends to be glossed as “men” (Harlock and his crew) vs. “women” (the all-female Mazon), and we get to see the men be the ones who are stronger because of their emotions and bonds, while the cool, heartless women are doomed to never understand. Harlock’s crew does have two women in it, of course, and possibly my favorite sequence of the book was seeing Kei pretending to be in trouble and letting herself get rescued by Daiba to satisfy his grumpy male ego. This is laid out explicitly so that the reader gets it. That said, I’d feel better about Matsumoto’s handling of women if he didn’t draw most of them looking the same.

At one point the Arcadia is almost destroyed by a gravity planet, and is rescued at the last second. Harlock thinks it was the Mazon who did it, and is suitably angry and humiliated – it’s not just Daiba, Harlock too has an ego that is easily bruised. The Mazon Queen, though, is also wondering who it was that saved Harlock, because it didn’t seem to be them either. As a result, there is a tiny bit of forward plot motion in this volume that is otherwise a series of static paintings. I think there’s one more omnibus of this series, and I’m interested to see if it wraps up nicely and neatly, or if its ending is open. In the meantime, if you like classic manga, you should give this a read.

Added bonus for Doctor Who fans: the Sontaran fighter who makes an appearance. (OK, he’s not meant to be Sontaran, but come on, look at him.)

Pick of the Week: Psycho vs. Piano

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ASH: Were I a reader of digital manga, my pick this week would most likely be the debut of Forest of Piano. Alas, that is not yet to be. Fortunately, I’ve also been greatly looking forward to the release of Mob Psycho 100, so that’s what I’ll be choosing this time.

MICHELLE: Those are definitely my top two pics, too, but I can’t help but feel that by Kodansha releasing so much Forest of Piano at once, I’m already somehow behind on it. Mob Psycho 100 seems a little easier to commit to at the present moment.

SEAN: Actually, given the page counts, it’s 7 omnibuses, so probably 14 volumes. And yeah, I’m gonna be so far behind. Love you, seinen piano manga, but Mob Psycho 100 for me as well.

KATE: What Michelle said!

ANNA: Like everyone else, I’m torn between Forest of Piano and Mob Psycho 100. But due to me feeling extra guilty about being so far behind in other digital titles like Chihayafuru, that just pushes me further in the direction of Mob Psycho 100.

Clockwork Planet, Vol. 4

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By Yuu Kamiya, Tsubaki Himana, and Sino. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by fofi.

This volume gives a lot of attention to Halter, who has tended to serve as the realist and voice of reason for our little band of terrorists. To be fair, this role seems to be his by default; Naoto and Marie are such shiny idealists it’s a wonder you can look straight at them without going blind, RyuZU would destroy the world if Naoto asked her to, and as for Vermouth… yeah, let’s not. So it’s fallen to Halter to explain that, in fact, the world does not end up being sweet and caring just because you wish really hard. Especially when they’re in the steampunk Thailand, where anything and anyone can be bought and sold. So it’s not a big surprise when he turns out to “betray” Naoto and Marie in order to make sure that they aren’t, well, killed in eighteen different ways. That said, while Halter may be the sensible one of the goup, that’s only by a matter of degrees. Because this group is, to a man, utterly broken. In a gaming sense.

The cover girl is TemP, the newest of RyuZU’s siblings to show up, but she’s arguably the weak point of the book, being something of an airhead and lacking a purpose in life beyond “get revenge on her sister” and “be silly”. No, as ever, it’s the main group that commands the most attention, particularly the way that they react to each other. We’ve seen this before, but it’s spelled out explicitly here: Naoto, Marie, AND Halter all think of themselves as being “normal” people surrounded by insane geniuses who do the impossible every day. Since Naoto thinks of his hearing as something that’s typical, he can’t appreciate that he does what no one else can do. Marie’s own self-deprecation frequently gets in her way whenever she runs into a fresh new obstacle. And, as we really see in this volume, Halter is not merely a bodyguard and mercenary, he is possibly THE bodyguard and mercenary, able to take out whole divisions by himself with ease. Each of the three help each other in this book (indeed, Marie helping Halter is almost framed religiously), and are reminded that they can’t stop chasing in Y’s footsteps, but have to create something new. Be artists, not artisans.

At the end of the book we’re headed further west, and it’s definitely open ended. The afterword talks about the anime that was being made, and does mention the 5th book being written in among its goofiness. That said, it’s now nearly three years on, and there’s still no 5th book in Japan. One of the two authors has been dealing with health issues, and also writing the (more popular) No Game No Life books, which have also had lots of delays. The other author (who you get the sense wrote most of this book, if only as it’s slightly less lewd than the other three) started another series for Kodansha in 2017, but that also seems to have stalled out. And so we may be left with this as the final volume, and it’s not too bad a way to go out. You get the sense that Naoto and Marie will eventually achieve the heights they dream of, and manage to have the whole of RyuZU’s siblings around them. As to how that happens… well, the reader is invited to spin their own tale.

Yona of the Dawn, Vol. 14

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Yona of the Dawn Volume 14 by Mizuho Kusanagi

I always put down each volume of Yona of the Dawn feeling like Kusanagi has just served up a master class in plot and character development, but I felt that way even more in this volume, which shows Yona traveling to visit the Water Tribe and confronting some very serious issues along the way. As soon as they arrive on Water Tribe land, Jaeha takes the opportunity to invite Hak along to visit the Red Light District, because the women of the Water Tribe are legendary for their beauty. Yona’s cloaked reactions as this conversation unfolds underscores how much she cares. Hak turns Jaeha down, and Jaeha heads out to explore the city solo, sensing that something is very wrong with the town. He meets up with a couple ladies, who burn some suspicious incense and offer him some of the special local rice wine. Jaeha goes along with everything, as he suspects that someone is watching both him and the girls.

Yona of the Dawn 14

Yona and her crew rescue Jaeha and go out to investigate, learning that the Kai empire is flooding the town with a drug called Nadai. Yona is determined to stay and fight the drug traffickers, even though Jaeha urges her to leave. The leadership and confidence Yona has developed over the course of 14 volumes has me confident that she’ll leave the Water Tribe lands in a better state than when she arrived. Yona’s group also attracts the attention of some local dignitaries, Ladi Riri and her two companions Ayura and Tetra. Riri first thinks that Yona is suspicious, but eventually realizes that the groups have similar goals. Seeing Riri’s assessment of Yona shifting as she learns more about her just serves to underscore Yona’s strength. There’s time for a little bit of situational comedy as Riri is horrified that Yona routinely sleeps outside, surrounded by men.

After some army battles in the last volume, there’s a return to close action sequences featuring Yona’s determination as well as the unique abilities of her protectors. This volume ends on a cliffhanger, but I’m very curious to see how Yona and her companions change and grow after being challenged by the situation in the Water Tribe kingdom. I’m also happy to see Yona getting some more female friends as she continues her travels.

MachiMaho: I Messed Up and Made the Wrong Person into a Magical Girl!, Vol. 1

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By Souryu. Released in Japan as “Machigatta ko wo Mahou Shoujo ni Shite Shimatta” by Shinchosha, serialization ongoing in the online magazine Kurage Bunch. Released in North America by Seven Seas. Translated by David Musto and Wesley Bridges. Adapted by Jennifer Geisbrecht.

Longtime readers may be rather surprised I’m reviewing this at all, as I’ve made no secret of my distaste for the current genre of “Magical Girl Splatter”. Technically starting with Madoka Magica (which I have far less of a problem with), the more recent Magical Girl titles – all meant to be read by teen or adult men – seem to have an audience that wants to see cute girls get mentally broken and then killed off in gory ways. It’s not so much a deconstruction of the genre as a carpet bombing of it – “see, girls? THIS is what happens to magical girls! Dream of something else!” So I was not all that thrilled when I saw that Seven Seas had picked up another take on “magical girls for men”. And indeed, for the most part that’s exactly what this is. Still, there’s at least something here that made me finish the title and be curious for more.

Myu, one of those classical magical girl mascots who speaks cutely and acts as a catalyst for the plot, is being chased by a killer demon. Myu needs to find a magical girl fast, and spots a seemingly cute young girl with princess girls. Quickly it makes her the chosen one… whereupon she pulls out a cigarette and starts smoking, complaining about her teacher and acting like a stereotypical delinquent. Whoops! The demon shows up, and honestly she’s able to give it a good pounding just using her own power and lust for violence. She’s not really all that happy with the transformation either, given it strips her in the classic magical girl tradition. Now Myu has to deal with a grumpy, video-game obsessed heroine and continue to fight the bad guys… whose attacks now center entirely on Earth, allowing other mascots to take a vacation and leave it all to Myu. Even worse, the class president of another school has been turned into a dark magical girl… maybe? Who’s the dark one here?

First things first: after reading only about 15 pages of this title, you will have more panty shots than most other series put in an entire volume. If you thought “this is one of those authors where everything else he’s ever done has been porn”, you’d be absolutely correct. There’s also a relatively high body count, as (typically for the “male” magical girl genre) there are lots of victims gorily killed by the demons… or indeed by the magical girls… who don’t magically come back to life later. All of that said… it is nice to see that Kayo, the titular magical girl, is not here to be anyone’s tragic victim, and the delinquent guy who’s in love with her is essentially her lackey and whipping boy. (As a sign that this is not meant to be taken entirely seriously, the “pointy delinquent hairstyle” he sports is a wig, and he’s actually a bishonen underneath it.)

I don’t recommend this to anyone but the intended audience, let’s get that straight. That said, if you’d like a somewhat lighter, or at least more amusing, tone of nihilism in your magical girl splatter manga, MachiMaho is entirely up your alley.

Invaders of the Rokujouma!?, Vol. 16

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

We’re now in the 2nd half of this long series of light novels, and the author is taking the time to wrap up the plots. Sanae was first, mostly as her plot tied into others and was fairly easily resolved. Yurika and Maki’s has honestly barely been touched beyond introducing various strata of evil magical girls, and there’s a sense there’s much more to it. Theia’s is, most like, the main plotline, and thus is not wrapping up anytime soon. And that leaves Kiriha’s, and unfortunately, it’s really not as good a climax as I’d like. I mentioned last time that Kiriha’s antagonist was a classic laughing villain type, and thus he’s pretty dull. He’s so dull that the more interesting villains assisting him just wander off when it becomes clear he’s going down. We’re also introduced to “surprise villain”, but he barely ties into the cast and no one really cares. The battle scenes are cool, though.

The plot is divided into two parts, as Kiriha and Koutarou head underground to deal with the villains trying to use a giant earthquake machine to destroy the world (the fact that I had to type that sentence out in a review that is not about MST3K says a lot about this arc), while Theia and her group head to the machine itself to try to destroy it. Everyone gets to use their powers to do something cool, and we get to see that the reason our heroes are always able to succeed so easily is their empathy and compassion. There’s a lost of discussion of justice in this book (actually, there’s a lot of lecturing about justice in this book), and the idea that justice means you are doing the right thing only works if you’re not, say, a cackling madman convinced that the right thing is to RULE THE WORLD!

Honestly, when all is said and done this feels like the ending to a sentai series or something like that. Even Kiriha is not immune to the tropes, giving Koutarou her trading card back in a blatant “I am going to sacrifice myself and die so that you can all be happy” ploy, which the reader will be unsurprised to hear gets her yelled at by EVERYONE afterwards. The addition of the sentai rangers also helps to sell this as being along the lines of a pastiche, which is fine in and of itself, but if we’re genuinely resolving the issues that make up Kiriha’s arc in the series (as we seem to here), it feels rather undercooked. There is a very nice scene at the end, despite some Yurika abuse for comedic affect again (could be a concussion… eeeeh, she’ll be fine) where Kiriha essentially proposes while admitting the status quo has to stay the way it does. The romance in this series is still well handled.

The next volume appears to be a “let’s do a lighter book” type, as it’s summer and we’re all going on a vacation. I look forward to that, but I also look forw3ard to getting back to the alien and magical girl plots, both of which seems to have more dramatic heft than the underground dwellers did.