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Pick of the Week: Ill Communication

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SEAN: My pick this week, as I may have hinted in Manga the Week of, is Komi Can’t Communicate, which takes the standard ‘aloof beauty is just an introvert’ and takes it to eleven, as Komi seems to have an actual communication disorder. The manga is lighthearted but apparently really sweet. I want to read it.

ASH: I’ll admit, the manga I’m most curious about this week is actually I Married My Best Friend to Shut My Parents Up. Though it’s a story of a completely different type, the title and underlying premise immediately reminded me of Kaori Ekuni’s novel Twinkle Twinkle, which is a favorite of mine.

MICHELLE: Even though I’ve somehow already managed to get several volumes behind, it’s Ran the Peerless Beauty for me!

KATE: I’m also curious about Komi Can’t Communicate, but am otherwise underwhelmed by this week’s bounty!

ANNA: I’m going to check out Komi Can’t Communicate, but this week also represents a chance for me to get a little caught up on my stack of unread manga.

MJ: So, I’m going to go in a different direction this week and check out Crest of the Stars. I missed it the first time around, when Tokyopop was publishing it, and I’m in the mood for some great science fiction. That’s my pick this week!

Aria The Masterpiece, Vol. 2

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By Kozue Amano. Originally released in Japan by Mag Garden, serialized in the magazine Comic Blade. Released in North America by Tokyopop. Translated by Alethea and Athena Nibley.

Starting with this omnibus Aqua renamed itself Aria and moved to its new home in Mag Garden’s Comic Blade, where it would remain until it finished. Comic Blade is technically for male readers but tended to be sui generis a lot of the time, And Aria doesn’t really have the fanservice that you’d expect from a guy title – the cast go to a hot springs here, but everyone keeps their towels on for the most part, and it’s meant to be peaceful and relaxing, just like the rest of the series. There’s no sign that the title moved magazines at all, as it picks right up where it left off with Akari and company, not doing one of those “reintroduction” chapters. There’s not really much to reintroduce. It’s a girl and her gondola, on a planet of water, and god, it’s pretty. The second omnibus helps to introduce us more to the customs and festivals in this world, adds a new minor character, and shows off the art, which is why we’re here.

(Sorry about the cover art – I spent several minutes trying to find a picture that did not have a banner in the corner and was unable to. Grump.)

Saying I’m only here for the art, though, seems rude to the main characters, who I also deeply love. Akari is such a ray of sunshine that you can’t stop smiling while reading about her, whether she’s happily cleaning her gondola, gathering firewood, or almost getting spirited away by foxes, a chapter that verges on unsettling but doesn’t quite make it because it’s hard to imagine anything bad ever happening to Akari. Alicia continues to be the big sister we all wish we had, quietly mentoring Akari, marveling at Akari’s shininess, and getting Akari drunk with some peach wine she brought out. Aika tries to hard to be cool and elegant like her crush Alicia, but she’s simply too grumpy and hyper to pull it off, but that’s what makes her charming – and hilarious. Even President Aria is here, and I still find his chapters boring, but they’re part of the mood as well, really.

We’re also shown some of the ways in which Aqua is a terraformed planet, as we meet the gnomes who make sure the gravity works properly – well, one gnome, Al, who looks like Harry Potter… erm, a little kid, but is actually a few years older than Aika and Akari. And there’s also another appearance by Cait Sith, the giant cat leader who seems to have a soft spot for Akari, as she sees him with astonishing regularity. As for the scenery, well, it’s simply fantastic, and you will pause on some two-page spreads just to take it in. There are one or two chapters where the entire point is to see Akari meander through Neo-Venezia and take in the gorgeousness. She’s not any closer to promotion (the race she competes in turns out not to be a test at all), but she’s having fun.

If you’re on the fence about getting this, because you already have it, or because you’re worried it might get cancelled – again – I urge you to pick it up anyway. It’s a coffee table manga.

Strike the Blood, Vol. 12

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

At the end of my review of the 11th book in this series, I had a lot of questions that I wanted to see answered in Vol. 12, and unfortunately, and somewhat frustratingly, none of them are. Natsuki isn’t even mentioned, and since it takes place entirely off the island we’ve no idea what things will be like the next time she sees Kojou. Yukina does run into two other members of the Lion King Agency, but they seem to get along just fine, and there seems to be no real consequences as of yet to her breaking off from doing what the Agency says last time. In fact, Kojou and Yukina almost end up being guest stars in their own series, as while they do eventually show up and figure in the climax (and yes, the “this is my/our fight” running gag is present and correct), much of the book seems designed to introduce us to those two other Lion King Agency members, one of whom gets stacked on the harem pile. As you’d expect.

In case you’re curious, Yukina is the heroine on the cover of this volume of Strike the Blood. It’s always interesting to see who’ll be featured next. Meanwhile, she and Kojou do finally get off the island, mostly due to Vattler, who is here to save the day and even donates his harem of young princesses – who also seem to be a crack combat squad A-Team style – to help with this latest crisis. And it is a crisis, because kidnapping Nagisa to try to kill off what’s inside her proves to be a big mistake, and now there’s lots of things to deal with. For one, there’s a dragon named Glenda, who can also turn into a young teen girl (and gets to be Koujo’s snack of the week so that he can get a new beast vassal). And there’s also the JSDF, who seem to spend half of all Japanese light novels being useless until our heroes arrive, and the other half being evil. It’s a little of both here.

As always, the book reads fast and the fight scenes are good. Thre’s always one bit of annoying fanservice that I twitch at, and this time around it’s Asagi spending the entire volume in a school swimsuit-like plugsuit for no real reason other than to be humiliated and gawked at. That said, as always Asagi doesn’t do much but her scenes count – I liked her relationship with the descendant of the Second Primogenitor, Iblisviel, and her complete lack of fear or loathing at his existence – not to mention her airport ramen recommendations, which may be the funniest scene in the entire series to date. That said, at the end of the book I have even MORE questions (we also find Asagi may not be the ONLY Priestess of Cain) and even fewer answers. If I’m going to sit here and read about Yukina getting jealous at every single thing Kojou does, I need to have some sort of plot payoff. Maybe I’ll get that next time when we get back to the island. Till then, enjoy some fights and heavily dropped hints.

The Water Dragon’s Bride, Vol. 9

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The Water Dragon’s Bride has always explored issues of humans using religion to justify terrible actions, and this is brought home even more when a god who is actively seeking to meddle gets turned loose. The Water Dragon God’s aloof personality and general lack of interest in humanity other than Asahi was a bit of a protective factor for humans. The God of Darkness, with his damaged human sidekick Kurose has nothing holding him back from some active and severe meddling.

I appreciate the way that Toma has developed Kurose’s character. The intense trauma that he’s experienced in the past gives more context for his turn towards darkness, and although he’s an antagonist for Asahi he’s much more complex than a typical villain. The God of Darkness is portraying the other gods as weak by inventing a Sun God for the humans to worship. By covering up the sun temporarily with darkness, and then letting the sun shine again, the humans are led to dismiss the Water Dragon God as evil and ineffectual. The emperor gets dethroned and Asahi wants to aid him, but she’s again a target of hatred for the humans.

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Kogahiko shows how malicious the combination of human and an evil god can be, even more than Kurose, as he deliberately manipulates everyone around him through the God of Darkness in order to get more political power. He still sees a use for Asahi, as a way of bolstering his new position by parading her in front of his subjects. Throughout this volume the Water Dragon God’s protectiveness and attitude towards Asahi is striking. When she asks him to forgo using his powers he complies, but his affection for Asahi ensures that he’ll find a way to protect her. As always, Toma’s deceptively simple art makes the most of the symbolism in this volume, as the humans turn towards the darkness in the guise of worshiping the sun. The Water Dragon’s Bride is surely one of the most philosophical shoujo series that I’ve read, which is also why it is a series I can see returning to and rereading in future years.

Yona of the Dawn, Vol. 18

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

The concept of living forever, and being forced to see everyone you care about move on and pass away is not a new one, but that doesn’t mean it’s not a story worth telling again in context. In this case, the context is via Zeno, whose backstory is finally revealed in this harrowing volume of Yona of the Dawn Picking up where the last volume left off, we see Zeno seemingly killed any number of times (in graphic detail – even for a series filled with violence as Yona is, this is a blood-spattered volume, please be warned)driving off the threat for the moment, and earning a group hug from the rest of the Happy Hungry Bunch. He then goes on to reveal more of his past – both his desire to make sure that Yona “proved herself” before he joined up with her (which she has most assuredly done), and then seeing how he’s been around as a Dragon far longer than the others.

Zeno is not just a Yellow Dragon, but the first and only Yellow Dragon, and flashbacks show him with the original Crimson Dragon King and his fellow Dragons. He’s not particularly strong or skilled, but, as we discover, he can recover from any grievous wound up to and including having his head chopped off, and as the attacks go on his skin gets harder. This allows him to fight with Yona’s crew… or at least inspire a terrified retreat… but back in the past, he’s horrified that he has essentially become an undying monster. Then, as he confesses his fears to his beloved King, said king tr4ies to reassure him but almost immediately dies. The two are unrelated, but they drive home something that haunts Zeno for the rest of the volume… he can’t die, and everyone else he knows can. This book very much believes in Heaven, and Zeno can’t be with his friends in the next world.

Or his wife, as we also see Zeno befriend and fall in love with a young woman who lives by herself as she’s dying of an unnamed illness. She tries to politely drive him away, but he’s rather persistent, and their love story is very short-lived but also quite sweet. But of course, she has to die too, despite Zeno’s begging the heavens for a way to have her life on with him. (This is likely one of the reasons why he’s the only Dragon not to harbor romantic feelings for Yona.) Fortunately, we end the volume with Zeno, having essentially shown this flashback to the reader while he recovers, waking up to see the current Dragons and Yona hovering over him, and he joyfully glomps them all in a big group hug. I am happy to see that, while Zeno’s happy ditzy self is indeed a mask of sorts, that he is not secretly in constant agony or anything. He’s found joy once more with his new friends, and I hope that, if he does live past them, he is able to accept it.

A must read volume of Yona (unless you’re against a lot of blood and gore, as I noted), this was a gut-punch to read but all the more rewarding for it.

Classroom of the Elite, Vol. 2

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By Syougo Kinugasa and Tomoseshunsaku. Released in Japan by Media Factory. Released in North America by Seven Seas. Translated by Timothy MacKenzie. Adapted by Jessica Cluess.

Tempting as it is to paste my review of the first volume in for the second and see if anyone notices, I will make an effort to say new things. The series’ strengths and weaknesses remain the same. It’s compulsively readable, always a good thing. Its premise can be teeth-grindingly annoying, especially when everyone turns into a vicious sadist for no reason, with a lot of “ha ha, you will fail forever now” sneering. I’m still not entirely clear if this school has a purpose beyond abusing 1/4 of its student body, and I suspect this is not a question I’m going to get answered anytime soon. We do get a couple of new characters here, though, including one who I actually did not want to punch in the face, which is a monstrous improvement from the first book. Sadly, she isn’t in Class D, meaning I am probably out of luck unless we get a spinoff series or something. Plus honestly, shee likely has a dark side too.

The other new character introduced is Sakura, who isn’t annoying so much as passive. In fact, her very passivity is the problem, as she’s also an important witness to an assault by Class D hothead Sudo on three Class C students. He now faces suspension, of course, and every single thing over the course of the entire book does not help his cause. First off, he’s claiming self-defense, but that’s hard to prove when you beat up three guys and you’re fine. Secondly, no one believes him anyway because his first response is to punch everything. Of course, if Sudo gets suspended Class D will lose the few points they gained from the first book (which aren’t given to them as money, by the way – it’s implied they never will be). Can the rest of the class overcome their antipathy towards Sudo and apathy in general and help clear his name? Or will they need to be a bit more… creative?

As I said, there’s also a girl from Class B that we briefly met in the first book but who gets a genuine introduction here. Ichinose is so refreshingly normal that I was almost crying in happiness. She’s friendly and outgoing without (so far) having a scheming dark side like Kushida. She tries to use Ayanokouji to help her with a problem (girl is confessing to her, need a pretend boyfriend). She ends up being of great help to them in the climax of the book. Really, I want her to be the star. She’s certainly more fun to read than grumpy Horikita, who spends the book attempting to help Sudo while being miserable about it, or our “hero” Ayanokouji, whose desire to be average and not stand out is so great that even his own inner narration lies to us – frequently he talks about Kushida as if he knows nothing about her secrets, and there are other points where I suspect he’s straight up lying to the reader. Which is the point – their teacher is trying to get Horikita to figure out why he’s like this – but again, it’s not what I’d call fun.

I can see why this is popular – I sped through it very quickly, and want to read more. This despite the fact that I was frowning most of the time and occasionally wanted to slam the book against a wall. Classroom of the Elite is a war between the writing and the characterization, and it may take more than two volumes to figure out who’s winning.

Manga the Week of 6/12/19

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SEAN: Usually the 2nd week of the month is the smallest one. NOT NEXT WEEK.

ASH: Yeah, let’s do this!

SEAN: Ghost Ship has a To-Love-Ru omnibus, Vols. 13-14, and the 5th World’s End Harem.

J-Novel Club debuts Crest of the Stars. Tokyopop released this way back in the day, but it’s been out of print forever, and I’m very happy to see it back with new translation and cover art. It’s also great science fiction.

MICHELLE: Oh, neat!

ASH: I have at least one of the Tokyopop editions floating around somewhere; nice to see this series being revived.

ANNA: I think I missed this the first time!

MJ: I missed it, too!

SEAN: It also has How NOT to Summon a Demon Lord 9, and Seirei Gensouki: Spirit Chronicles 5.

Kodansha, print-wise, has Boarding School Juliet 6, That Time I Got Reincarnated As a Slime 10, Tokyo Tarareba Girls 7, and, for those with long memories, Noragami: Stray God 20. This was the HOT NEW SERIES till it hit the “caught up with Japan” wall.

MICHELLE: I watched a bit of the anime recently and it was pretty intriguing.

ASH: I haven’t seen the anime, but I’ve largely enjoyed what I’ve read of Noragami manga. Tokyo Tarareba Girls is a must-read series for me, though it packs quite a punch.

SEAN: Digitally Kodansha has Drowning Love 12, Kira-kun Today 8, Love Massage: Melting Beauty Treatment 4, Ran the Peerless Beauty 4, and Tokyo Revengers 8. Ran needs a print release stat.

MICHELLE: Forsooth.

ASH: I’d likewise like to see it in print!

SEAN: One Peace has an 11th volume of The Rise of the Shield Hero.

Seven Seas debuts I Married My Best Friend to Shut My Parents Up (Oya ga Urusai Node Kouhai to Gisou Kekkon Shitemita), which if nothing else has a very eye-catching title. It’s a yuri one-shot, which I reviewed here. It ran in Ichijinsha’s Comic Yuri Hime.

ASH: I’ve been curious about this one, and appreciated Sean’s review, so I’ll likely be picking the manga up.

MJ: Same here!

SEAN: There’s also the print debut of Skeleton Knight in Another World, a light novel I was unable to finish the first volume of when it came out digitally.

Seven Seas also has Dragon Quest Monster + 2, Magika Swordsman and Summoner 11, Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 5, and the 2nd digital volume of Restaurant in Another World. I’ll take the Restaurant over the Skeleton Knight, easily.

SuBLime has Candy Color Paradox 2 and Escape Journey 3.

ASH: Which reminds me I still need to read the first volume of Candy Color Paradox!

MJ: Oh, oops, so do I!

SEAN: Vertical has a 7th Flying Witch.

Vertical also announced that the first seven Monogatari Series novels are now available digitally! Great news for those of us phone readers. These are already out, so go get them.

Viz’s manga debut is Komi Can’t Communicate (Komi-san wa Komyushou Desu), a Shonen Sunday title that I’ve really been looking forward to. Its premise may seem familiar: the cool and aloof beauty of the school is just really poor at socialization. It’s also a 4-koma, for those who seek out/avoid those.

MICHELLE: The covers for this series are really cute! It runs in Shounen Sunday, and I’ve liked slice-of-life shounen from that magazine before, so I’m hopeful about this one, 4-koma or not. (The best 4-koma is still Monthly Girls’ Nozaki-kun, though!)

ASH: Monthly Girls’ Nozaki-kun is the best of a lot of things.

ANNA: I’ll check it out.

MJ: I’m very hit-or-miss with 4-koma, but I’ll usually give it a chance.

SEAN: Viz also has a giant Evangelion artbook, with illustrations from 2007-2017.

And there’s Magi 36, Sleepy Princess in the Demon Castle 7, and Splatoon 6.

MICHELLE: I am hoarding Magi until the final volume. Just two more months!

ANNA: One of these days I’m going to do a full Magi marathon.

SEAN: See? Not a small week at all. What’s here for you?

Classmates, Vol. 1: Dou Kyu Sei

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By Asumiko Nakamura. Released in Japan by Akaneshinsha, serialized in the magazine Opera. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lillian Diaz-Przybyl.

This is the latest in a series of “OMG, I can’t believe we’re finally seeing this title!” LGBTQ releases that we’ve seen in North American this spring. Technically, we’ve seen this one before, as it came out digitally via JManga, then digitally again via the Digital Manga Guild. But this is a print release, newly translated, and looking very nice. It’s not a new title, having come out in 2006, but the story is certainly timeless. There’s a handsome, outgoing boy. There’s a serious, introverted young boy. They fall in love. But as with most really popular titles, it’s not just the story that makes people want to read it. Classmates has a number of individual story beats that I paused and read slower, or went back to read again, because they were handled so well. There’s also some excellent art here as well, as sometimes even a sketchy background shot carries impact. It’s a manga by an author who knows craft.

Hikaru is the easygoing, handsome, long-haired blond, who’s cool, in a band, etc. He’s in an all-boys school, which is practicing for a choral presentation, and notices that a classmate, Rihito, is only pretending to sing. Later he finds Rihito in an empty classroom, trying to learn the song (his vision is poor, so he couldn’t see the music earlier) and Hikaru offers to teach him. Over the course of this, the two fall in love, helped along by Hikaru’s kissing, which is not entirely consensual at first but eventually reciprocated. As the volume continues, you see the passion they have for each other, but is there anything behind it? Moreover, college is coming up, and Rihito, pressured by his parents, is boning up to get into a prestigious university. Is this a long-term thing, or is just another high school romance?

As I said earlier, individual chapters or scenes were what caught my attention here. Student/teacher relationships are a staple of Japanese manga, but you usually see them coming from the POV of the student. Here we get a chapter devoted to Manabu, their music teacher, who tells us why being a gay guy at an all-boys’ school is not all it’s cracked up to be (they’re mostly immature brats), but then runs into Rihito and falls for him immediately (Rihito has a knack for being unconsciously smooth). There are also a couple of fights that were very good, the first after Rihito sees a girl hitting on Hikaru at a concert and drunkenly runs off (Page 114 made me smile hugely) and Rihito’s explosion of emotions (he’s normally pretty repressed) about how he knows nothing about what Hikaru is doing for college or the future. (To be fair, I don’t think Hikaru knows either.) It’s scenes like this that make a series really enjoyable, and I’m very pleased that Seven Seas has also picked up the two-volume sequel to this.

If you like teen romance with passion or classic BL, this is absolutely a series to buy.

Toradora!, Vol. 5

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

This is a light novel series that is coming out in America well after both the manga and the anime (though the manga remains unfinished as it crawls along in Japan), so to a certain degree there’s very little “surprise” involved in the contents. I knew that we would eventually be dealing with the volume with Taiga’s father, and here it is. As such, a good deal of the book consists of the reader yelling at Ryuuji “NOOOOO, DON’T TRUST HIIIIIM, YOU IIIIIDDDIOOOOOTTT!”, which to be fair Minori does as well. It’s actually rather refreshing, as usually Ryuuji is the sensible, down-to-earth core of these books, so it’s somewhat startling to see him so taken in by Taiga’s dad. Of course, it’s spelled out why he is; he longs for a relationship with his father he can never have, and now he can sort of get it via Taiga. Of course, this means it’s not about what Taiga wants at all, something that he realizes in a horrified sort of way when everything goes wrong.

Before we move on, I want to note that, while Toradora! is quite funny and has some excellent gags, it does lean on one running gag through this book that I wasn’t very fond of. Yuri, the class teacher, turns thirty in this book, something that she and the author make you very aware of. There is a bit of sympathy for her near the end (bless you, Ami), but for the most part the joke is that she’s 30 and unmarried, and the constant (30 years old) tags after her name grow annoying. Of course, without that we would not have had the class wrestling play, which has to be read to be believed, although I admit I think it worked better in more visual mediums. Taiga and Ryuuji really do make an excellent evil duo. And then there’s the race at the end, where Ryuuji and Minori, both incredibly furious with themselves, get involved in a nasty little race to see who can crown Miss Taiga with a tiara of “I’m most important to you!”. The race is fantastic, though I do wonder, given the apparent injuries that occurred during it, why no one got in trouble.

Ryuuji and Minori have a huge fight here, of course, Ryuuji coming from a position of ignorance and Minori from one of having been here before. She withholds that from him, though, deliberately. Minori is upset that Taiga is not only closer to Ryuuji these days, but seems to be getting herself hurt again by making up with her father purely for Ryuuji’s sake. The series to date has been about Taiga and Ryuuji having one-sided crushes, and in the last book we wondered if Ryuuji’s was really one-sided after all. Now we see Minori wondering, out loud, after her struggle to be the one most dear to Taiga, if she’s a lesbian. Leaving aside Ryuuji’s response, which is understandable but won him zero points in the fandom, it’s an interesting question, and I wonder if the author will develop it later on or if it merely serves as an odd coda to this excellent volume.

Bookshelf Briefs 6/4/19

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Black Clover, Vol. 15 | By Yuki Tabata | Viz Media – The tournament arc wraps up, and the winning team is not really a surprise—Asta may be the hero, but he’s not ready to be a winner just yet. That said, he does get to be a Royal Knight because he showed off his skills—along with Noelle and Luck. This means they get to fight against the Eye of the Midnight Sun. Meanwhile, back at the Black Bulls HQ, a new enemy appears, and almost everyone is away except for the most socially awkward of the group. Fortunately, we meet a new member of the group who’s a … ghost? House? Whatever he is, the fight that follows is visually very, very clever. Black Clover is still Jump‘s answer to Fairy Tail, but it’s almost standing on its own by now. – Sean Gaffney

Kino’s Journey, Vol. 2 | By Iruka Shiomiya, based on the novels by Keiishi Sigsawa | Vertical Comics – A word of warning as we get into Kino proper: it’s not the subtlest series in the world. It has a message, and you are going to get that message. This is not to say that I did not very much enjoy this dark little volume, but this is very much a case of “well, it can’t get more horrifying than it already is—oh wait, yes, it can.” At first we see a city with one survivor in it, and learn how majority rule led to its extinction. Then we see a city which is filled with peace—provided you don’t live in the village outside its borders. Kino and Hermes travel through this, making occasional pointed comments but mostly acting as observers who want to get the hell away. Very good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – The most interesting thing to me about this volume is seeing Kei instantly regret telling Mitsuru to back off at the cliffhanger to last volume, as it pretty much wasn’t needed at the time, and eventually has the opposite effect. The group goes off to a vacation home for a good portion of the volume, and we see Mitsuru and Mako get closer, as well as some flashbacks that show off how Mako is not merely dense when it comes to romance, but danger in general—seeing her hanging off a ledge to get a good shot was mind-boggling. I was a bit disappointed with the Saionji subplot, which cried out for “they’re a guy” as the answer, but no, it was “they’re married to my brother.” This is still pretty good. – Sean Gaffney

Love in Focus, Vol. 2 | By Yoko Nogiri | Kodansha Comics – I was annoyed with Kei for his possessiveness in the first volume, which renders me even more impressed that Nogiri-sensei manages to flesh him out into a sympathetic character in this one. By having him experience another spate of panic over how close Mako and Amemura seem to be getting, followed by another impulsive declaration (this time telling Mako that he likes her), his warning Amemura away in the previous volume is revealed to be another instance of this same behavior rather than any kind of entitled assholery. Indeed, this volume establishes how very important Mako is to Kei and how he has loved her for a really long time. I thought her ending up with Amemura was a foregone conclusion, but now I’m not so sure. Once again, I end up liking one of Nogiri’s works more than I initially thought I would. – Michelle Smith

Popocomi, Vol. 1 | Published by Eriko Obayashi | Popotame – Between Mejiro and Ikebukuro in Tokyo is an art gallery and bookshop called Popotame, described as “a place full of unique things hard to find anywhere else” by its manager Eriko Obayashi. One of Popotame’s projects is Popocomi, an anthology series featuring artists, illustrators, and designers who also release independent manga. For the 2019 Toronto Comic Arts Festival, fourteen manga published in the original Popocomi collections were selected to be released in English. I found the resulting anthology to be consistently delightful as well as occasionally surreal. And since it’s titled Popocomi 1, I’m hopeful that more will be translated in the future. The volume doesn’t really have an overarching theme or subject, although space and/or aliens happen to be present in a fair number of the stories. The style and tone of the short manga vary as well, but that range is one of the reasons the collection is so satisfying. – Ash Brown

The Quintessential Quintuplets, Vol. 3 | By Negi Haruba | Kodansha Comics – This series isn’t We Never Learn, where you can at least rely on each of the girls being geniuses at something. These five are genuinely not very good at studying or test-taking—which is a problem given that their father sets mid-terms as a drop-dead date—if they don’t pass, Futaro stops being their tutor. This despite the fact that he’s making serious inroads—not in their grades, but getting to know each of them better. There may also be some mysterious past going on here, as Nino briefly wonders why she recognizes a blond guy from a photo—my money’s on our hero, frankly. Will they bond further on a camping trip? Now that they can actually go… This is cute. – Sean Gaffney

Ran and the Gray World, Vol. 3 | By Aki Irie | Viz Media – This is so gorgeous and well-drawn that I am almost tempted to continue to read it despite the fact that I spent the entire time screaming at the pages in rage and anger. But not quite. From the dream-sequence first chapter, where Ran tries to rescue Otaro from his bugs and he rewards her by trying to sexually assault her, to a chapter where Ran’s brother, who seems to be in heat, cannot keep it in his pants (and does not seem to get how much Sango likes him), to the final chapters, where Ran (upset at Sango being “taken away” by Jin), runs off to live with Otaro, who still doesn’t know how young she really is and thus this turns into a cavalcade of NOPE. This series, in the end, really makes me wish the author was drawing something else. (Which they are!) – Sean Gaffney

Requiem of the Rose King, Vol. 10 | By Aya Kanno | VIZ Media – Rumors have been spreading about Richard’s body and Buckingham is determined to learn the truth. Before he can do so, Edward suddenly dies, setting off a whole lot of Woodville scheming for the throne. Richard is determined to defend the Plantagenet line, but when Buckingham literally lays bare his secret, Richard finally admits that he wants the crown for himself. By the end of the volume, Richard and Buckingham have embarked on a twisted sexual relationship and Richard is installed as regent, with only the princes standing between him and the throne. We’re heading into the most infamous part of Richard III’s history and I eagerly anticipate seeing what Kanno does with it. Coldly ambitious Richard is a sight to see, too. Such a great series! – Michelle Smith

Tales of Wedding Rings, Vol. 6 | By Maybe | Yen Press – Is this book about saving the kingdom and getting stronger, or is it about which girl gets to have her virginity taken by Satou? Honestly, it can’t quite make up its mind, and I sort of which it would lean one way or the other. The girl on the cover is NOT a new Ring Princess, but instead Hime’s little sister, who stayed behind to learn magic while Hime was off in another world, and is here to teach it to her big sister like it or not. There’s definitely need for it, sa the evil Abyss King also has a bunch of rings that make him stronger, and now I wonder if there will be EVIL ring princesses. Meanwhile, Satou and Hime… still aren’t getting any. But they’re close. For a harem manga, this is decent. – Sean Gaffney