Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Kobold King, Vol. 1

by

By Syousa. and sime. Released in Japan by Legend Novels (Kodansha). Released in North America by J-Novel Club. Translated by Fatuma Muhamed.

I find myself saying “this is a book of two halves” quite often, but it fits with this one as well, so I’m going to stick with it. Our hero is Gaius, a huge ex-soldier who has left his position in the kingdom for reasons that are hinted at but never quite fully explained, and gone back to his home village… which was destroyed long before. He’s come to put his relative’s ashes to rest. Then he comes across a monster trying to kill what sounds like a child in the woods, but turns out to be a Kobold, which is to say a cute puppy that walks on two legs and talks. She takes him to her village, which is recovering from an attack by humans, and he starts off as a prisoner. But gradually he endears himself to everyone there, and life is wonderful… at least until humanity reinserts itself into his life. From there, the book takes a much darker and more tragic turn.

Frankly, Gaius fits in much better with the kobolds than he does with other humans, and not just because he’s one-quarter troll. He’s a huge bear of a man, really sweet and nice but also tends to act without thinking and does not do well with politics or tactics… you can sense why he left the kingdom, in the middle of a tactical war, without really being given the gist. He’s also one of those “I smile but it looks scary” types. The best part of the book is the first third or so, which is just him and the kobolds, as he ingratiates himself and proves indispensable to them. The middle sags a little by adding a few “this is more like anime” sort of characters – his ex-adjutant is a half-elf who’s in love with him, something which everyone can see except him. There’s also his adopted daughter Darke, whose backstory is not revealed till the end, which means mostly she irritates, as she wants to be Gaius’ first lover. And there is a teenage dwarf, Emon (his name is a pun on Doraemon), who wants to be a strong and brave warrior.

After a middle third of these three joining the cast, the humans (who had already driven the kobolds from their first village and killed a great number of them) return to finish the job. I knew there would be another battle, but I wasn’t expecting it to get so dark – Gaius’ attempt at negotiation is an utter failure, and characters we’ve come to care about die or are permanently disabled. That said, it serves to emphasize the aims of the book, which is “war is hell” and “humans are bastards”. There’s a battle for a throne between two royal family members, and though we never see either royal, both sides look pretty bad to me. The kobolds are dismissed as “monsters” and therefore creatures to be exterminated. We meet a band of evil adventurers (an excellent part of the book that shows off the dark side of adventuring after reading all those isekais) and see how each one is individually the worst.

So in the end this is a good book in getting Gaius to stand up and fight again, rather than simply retreating, but it’s a downer, frankly. Fortunately, it does not seem like the sort of series that’s going to run and run, so things should resolve soon. Worth a read.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 14

by

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Winifred Bird.

This was long. Hideously long. Even by the standards of DanMachi, which has had some very long books, it’s long. It’s longer than Book 8, the previous record holder. It’s longer than almost all the Tanya the Evil books. Arguably, it uses its length wisely, which may come as a surprise given how much of it is just straight up monster fights. But it doesn’t just have fight after fight with no purpose. Each of the fights is meant to develop the character of one of the regulars, mostly Bell and Lyu, who do the heavy lifting in the book, but also Welf, Cassandra, and the rest of the other party who are desperately trying to find them. It earns its length. That said, I do think it could have bee a BIT shorter. I love the way the author writes fights, but by the end of the book I felt like Bell and Lyu do, i.e. mostly dead.

The book is divided into two halves, or rather one third and two thirds. The first third features the rest of the cast down in the dungeon on the 26th floor trying to survive without Bell, and finding strength beyond simply supporting him in his own dream. Welf in particular comes off well here, making an even more magic sword than his others, but Cassandra has perhaps the best emotional arc of the section, even if I’d have liked a bit more payoff where everyone actually admits she was right. Which, yes, goes against her character name. The second part of the book features Bell and Lyu down on the 37th floor, where Bell has to battle Killer Sheep Skeletons, The Juggernaut that he thought they’d killed off earlier back for revenge, a battle arena filled with infinitely spawning monsters, and perhaps most dangerous of all, Lyu’s suicidal tendencies.

Lyu’s backstory is finally given in full here, and it’s pretty much what I expected. It’s broken her to such an extend that, experiencing almost the same events as well as Bell seemingly trying to throw his own life away to save her (which happens… I lost count, but a LOT in this book) is making her want to give up, and the only reason she keeps trying is she wants to save Bell and see him safely off before she allows herself to be destroyed. It’s heartbreaking, and those who wanted Lyu to be a bit more emotional will be happy but also sad. (That said, I could have done without the comedy epilogue with her losing her top… but I guess after the emotional wringer you needed SOME comedy.) As for Bell, he’s had other books that have helped to show off his development more, and this is more Lyu’s. Here he’s just the almost indestructible rabbit that will save everyone in the world. Of course, this also means that Lyu has fallen in love with him. Honestly, given the sheer amount of focus she’s gotten in this series, she may be second only to Aiz in the “what if it’s not Hestia?” love interest sweepstakes.

Thankfully, the next book in the series looks to be much shorter than this, and also less emotionally devastating. Unfortunately, it’s not scheduled yet for North American release, so it may be a bit. Till then, this is one of the best books in the series, assuming you survive the read.

Bookshelf Briefs 1/16/20

by , and Leave a Comment

Anonymous Noise, Vol. 18 | By Ryoko Fukuyama | Viz Media – Welp, I was wrong. Romantically, the final pairing is not what I expected. That said, romance, as always in this series, takes a back seat to the music, and musically the pairing is exactly what I expected. It’s actually quite interesting to see the basic “final volume” beats of a shoujo manga framed in terms of career and musical partner, while the heroine actually ends up with someone else. It’s quite a choice. Elsewhere, the book wraps up the one remaining unresolved pairing. But most of all for me, it goes back to its roots and shows what I loved most about it—Nino screaming the songs like they’re primal. I’ll miss this series, and am interested in what the author is going to do next. – Sean Gaffney

Bakemonogatari, Vol. 2 | By NISIOISIN and Oh!great | Vertical Comics – One thing about the artwork in this manga adaptation, particularly of its lead character, is that it does not shy away from how relentlessly creepy and sexually harassing Araragi can be. The novels made you question how much of it was a narrative device, the anime framed it as so over the top it was almost parody, but the manga makes you squirm at seeing Araragi’s face as he simultaneously beats up and pervs on a little girl. This second volume finishes Hitagi Crab and gets almost halfway through Mayoi Snail, and does a good job at making itself distinct—here the park is a normal park, not the grandiose wonder as seen in the anime. Provided you can tolerate Araragi, an excellent adaptation. – Sean Gaffney

Daytime Shooting Star, Vol. 4 | By Mika Yamamori | VIZ Media – Believing that Shishio has gotten back together with his ex, Suzume tries to see it as an opportunity to forget him. It’s not true, though, and after her friends arrange for them to have an aquarium date, Shishio starts acting different around her. I certainly don’t want him to return her feelings, but it’s also pretty shitty that he treats her like she’s special and gives her false hope when he has already rejected her. At least he’s aware of this. There’s a great sequence where they both stop themselves from calling out to the other in the hallway, trying to avoid falling into their typical patterns, but by the end he’s rushing to rescue her from overbearing upperclassmen and falling pots. I really, really am enjoying this series, but continue to hope that she’s eventually going to get over him once and for all. – Michelle Smith

Dirty Pair | By Haruka Takachiho and Hisao Tamaki| Seven Seas – I was both looking forward to this and also dreading it, and in the end the dread won out. I suppose every generation gets the Lovely Angels it deserves. It’s not as if the original novels did not have Kei and Yuri walking around in Bikini tops and short shorts and cracking wise, and they do here as well. And the novels did indeed have the “we are psychically bonded and get hints about solving crimes that way” jazz as well. But this manga adaptation takes the fanservice to eleven, with the Angels making out and getting orgasm faces as they use their psychic powers. The plot of these is essentially very similar to the originals, and the basic “they solve the mystery, but everything is destroyed” premise is still there and valid. That said, the fanservice makes me recommend this only to hardcore fans of the Lovely Angels. – Sean Gaffney

Haikyu!!, Vol. 36 | By Haruichi Furudate | VIZ Media – After losing the first set to Nekoma, Karasuno wins the second. As Furudate-sensei elegantly shows through a series of panels comparing past scoreboards to the current one, this is the first time that has ever happened. Indeed, throughout the volume, Furudate excels at conveying the significance of things, particularly when the most reserved players on each team experience a moment in which they recognize how much fun volleyball can be. Tsukishima actually smiles when he’s finally able to score a point against his rival/mentor Kuroo while Kenma, whose predictions are usually correct, is happy when Hinata is able to surprise him with a trick shot. And, in turn, Kuroo is happy that the friend who’s been indulging him all these years is finally enjoying himself. It’s all about appreciating the people who get you and who challenge you. I love this series so much. – Michelle Smith

Himouto! Umaru-chan, Vol. 8 | By Sankakuhead | Seven Seas – I always enjoy the way that there is slow, methodical character development for Umaru in these books. She may still be incapable of taking care of herself without her brother around, but she’s beginning to grow up and demonstrate she might be able to function in society. Of course, there is also the usual Umaru humor, particularly when dealing with Hikari, who not only looks and acts like Umaru but is trying to occupy the same place in her brother’s life. (Speaking of which, we also get more shots of Kanau, Hikari’s older sister and Taihei’s boss, who also might have a thing for him, though I suspect if there’s any romance in this series at all it will be with Ebina, who’s had longer to develop.) Cute, cute, cute. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 12 | By Aka Akasaka | Viz Media – I get the sense that the author has figured out how many volumes he wants this series to be now, as the pacing seems to have become more rapid. Not in terms of the gags, but in terms of the plot—Shirogane’s desire to resolve his relationship with Kaguya by the Culture Festival seems to mean it will happen next volume or the one after, and for once he seems quietly determined—I think committing to Stanford lit a fire in him. Elsewhere, Chika once again tries to cheat her way to victory and is punished, and also tries to teach Shirogane something easy and is punished. And there’s a chapter advertising the We Want to Talk About Kaguya spin-off, which… we’re not getting here. A lot of fun as usual. – Sean Gaffney

To Be Next to You, Vol. 1 | By Atsuko Namba | Kodansha Comics (digital only) – Nina Uemura is in love with her next-door neighbor, Kyosuke Tachibana, who has just started his first year of high school. She ends up witnessing the moment when one of his new classmates, Yuiko Asou, kisses him. This ultimately spurs Nina to confess, but when he goes in to kiss her, she freaks out. Meanwhile, Kyosuke and Asou seem to be getting closer. Because Asou is written so sympathetically (she’s genuinely a good person, and her once-kind boyfriend has become a jerk) and Nina comes across as quite immature comparatively, this manga so far reads like she’s the interloper onto Kyosuke’s love story. He’s moving ahead and she’s desperate to stay by his side, even if he’s entering a world that she’s not yet prepared for. It’s good stuff! I look forward to volume two. – Michelle Smith

Vinland Saga, Vol. 11 | By Makoto Yukimura | Kodansha Comics – It’s been a year and a half since the last omnibus volume of Vinland Saga was released. Somehow in that amount of time I had forgotten just how much humor Yukimura incorporates into what is otherwise an incredibly serious narrative. It helps keep the manga from becoming overwhelmingly bleak, but the balance of between the comedy and tragedy in the eleventh omnibus feels a little off—the jokes and occasional pop culture references (while entertaining) at times lessen the impact of the surrounding scenes. Even so, Vinland Saga remains an intensely compelling and powerful work. These volumes bring to a close the battle at Jomsborg. Throughout the conflict, Thorfinn repeatedly comes up against his decision to live without taking the lives of others. His resolve is severely tested when he confronts the man behind his father’s death and the warriors who likewise seek the deaths of Thorfinn and his companions. – Ash Brown

Manga the Week of 1/22/20

by , , , and Leave a Comment

SEAN: More January, More Manga.

ASH: Huzzah!

SEAN: J-Novel Club gives us another debut, Her Majesty’s Swarm (Joou Heika no Isekai Senryaku), again from Kodansha’s new Legend Novels imprint, and by the author “616th Special Information Battalion”. Yes, that’s the real pen name. A college woman who plays a game as an evil character is now trapped in a very similar world… as said evil character.

We also get Altina the Sword Princess 2 and Ascendance of A Bookworm 5.

ASH: I need to catch up on Bookworm.

Kodansha, in print, gives us Cells at Work! Code BLACK 3, I’m Standing on a Million Lives 5, Sailor Moon Eternal Edition 7, and The Seven Deadly Sins 36.

In digital releases, the debut is MabuSasa (Mabuichi-kun to Sasagawa-san), which runs in Kodansha’s shoujo title Palcy. a BL loving girl and a scary guy… can they bond?

MICHELLE: It could be cute!

ANNA: It does sound potentially cute!

MJ: I’d give this a look!

SEAN: There’s also Cosplay Animal 10, Defying Kurosaki-kun 14, My Boss’s Kitten 4, My Boy in Blue 14, and The Quintessential Quintuplets 11.

No debuts for Seven Seas, but they have the 5th Arifureta manga, Magical Girl Site 11, Nurse Hitomi’s Monster Infirmary 10, and Sorry for My Familiar 6.

Tokyopop has a 7th Konohana Kitan.

And Vertical has the 7th CITY.

Viz has Black Lagoon 11. Black Lagoon 9 came out in 2010. I think this series may have a bit of a problem.

MICHELLE: I really loved the first three volumes when I read them long ago, and this release makes me want to get caught up. But then I’ll be waiting years again for the next, most likely.

ASH: Black Lagoon can be really great, but the long wait between volumes can be really hard.

MJ: My memories of Black Lagoon are so fuzzy now…

SEAN: They also have Beastars 4, Children of the Whales 14, Levius/Est 2, No Guns Life 3, and The Way of the Househusband 2.

MICHELLE: Hooray for The Way of the Househusband! I need to check out Beastars, too.

ANNA: I need to catch up on Beastars, and I’m happy about Way of the Househusband 2, the first volume was hilarious.

ASH: Beastars and The Way of the Househusband are what I’m particularly excited about this week.

MJ: I need to catch up with both!

SEAN: And there’s a bunch of Yen. Yen On gives us The Asterisk War 12, Death March to the Parallel World Rhapsody 10, and Strike the Blood 14.

Yen also has, on the manga side, Angels of Death 9, A Certain Magical Index 20 (manga), Hatsu*Haru 10, DanMachi: Sword Oratoria 10, Karneval 9, Nyankees 5, Overlord: The Undead King Oh! 2, Reborn As a Polar Bear 2, and Teasing Master Takagi-san 7.

Manga? Manga!

Saint Young Men, Vol. 1

by

Saint Young Men sounds like the set-up for a George Carlin routine: Jesus and Buddha spend a “gap year” on Earth, sharing an apartment in present-day Tokyo while wrestling with the temptations and banalities of modern life. The manga’s prevailing tone, however, is more silly than satirical, focusing not on big theological or philosophical questions, but mundane ones: how to stretch a monthly budget, where to find the best souvenirs, how to fend off drunken commuters.

Most of the humor stems from Hikaru Nakamura’s portrayal of Jesus and Buddha as opposites, with Jesus as a cheerful spendthrift with a fondness for t-shirts and tschotkes, and Buddha as a frugal “big brother” who agonizes over every purchase. The two have a kind of Ernie-and-Bert dynamic in which Buddha frequently chastises Jesus for his impulsive behavior, whether Jesus has purchased a “shinsengumi set” or wants to wear a pair of Mickey Mouse ears in public. Though their bickering provides most of the series’ comic fodder, there are also jokes about walking on water and turning water into wine, as well as a few sly pokes at Osamu Tezuka’s Buddha.

Anyone hoping to be outraged by Saint Young Men will be sorely disappointed, since its most blasphemous idea is that even Jesus and Buddha can’t resist the temptations of social media and shopping for melon bread. Anyone hoping for more insight into the human condition will likewise be disappointed, as Nakamura settles for easy laughs in lieu of real insight or religious critique—a missed opportunity, I think, since her premise offers plenty of latitude to reflect on Buddhist and Christian teachings, or the perils of modern-day materialism. A few good sight gags land well, but the manga’s eagerness to please blunts the edge of its best ideas. Your mileage may vary.

SAINT YOUNG MEN, VOL. 1 • STORY AND ART BY HIKARU NAKAMURA • TRANSLATION BY ALTHEA AND ATHENA NIBLEY • KODANSHA COMICS • 152 pp.

 

Sword Art Online, Vol. 18: Alicization Lasting

by

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is not, of course, the final volume of Sword Art Online. There’s a 2-part Underworld arc after this one, and Kawahara just started a new arc with surprise twists that’s still ongoing in Japan. But this has the feel of an ending, and you certainly get the sense that had they wanted to, the series could happily have ended here. It’s a good ending, despite all the issues I’ve had with Alicization in the past, A very strong beginning, then a middle that gets a bit tedious and annoying, before a stronger finish. A word of warning to those who love Sword Art Online but hate Kirito: he’s back, and is absolutely ridiculous in this book. He flies, like Superman. It’s even lampshaded. (I was actually startled when the book shifted back to his first-person narration, as I’d forgotten that was the standard.) Do the others get anything to do? Um, no, Kirito’s back. Didn’t you hear? But they do cheer him on really well.

To be fair, Asuna does some things as well. In fact, this leads to what may be my favorite part of the book. The book itself is not shy about showing that, haremettes aside (with Alice a strong #2 at this point – sorry, Sinon) there is only one ultimate pairing, and it’s Kirito and Asuna. That said, when the chips are down and they need some inner strength and resolve, they do not turn to each other. It’s no surprise that Kirito hears Eugeo’s voice telling him to get up and save everyone – their bond is the most important part of this arc, Alice or no, and Underworld is the sort of world where the spirit of a dead person taking form to spur on the living would be par for the course. That said, Yuuki was never in the Underworld, but she’s here as well, reassuring Asuna and giving readers one last chance to see Mother’s Rosario in action. I like how the relationships between Kirito and Eugeo, and between Asuna and Yuuki, are shown to be so impactful and important on their lives going forward.

For those who want to see Kirito being a bit merciless, there’s his dealing with both PoH (who gets an abbreviated backstory here showing his childhood) and Gabriel Miller – both of whom he essentially murders, though Gabriel’s actual ending back in “the real world” is a bit more fantastical than I’d like in a non-game setting, and also reminded me of the end of the movie Ghost. Unfortunately, Kayaba is also still around, despite dying 16 books ago, and Kawahara continues to try to show him as a true hero saving everyone while occasionally dropping the odd “he also killed over 4000 people and there’s no forgiving that” paragraph which really does not convince anyone. To be honest, after Underworld resolves, the rest of the battle on the Ocean Turtle reads as a letdown, and I was relieved when we got to the epilogue.

We get a good look at Kirito’s self-destructive tendencies in his relationships with other people here, and how Asuna and the others have helped cure that mostly. He’s now actively thinking of a future, for both himself and the Underworld, at a Japanese college. (Given what Lisbeth said about them being at a special school and getting counseling that assumes they’re all going to snap at any moment, I assume the government will lean on organizations hard to employ/educate them in the future, as otherwise I can’t see anyone hiring a SAO survivor.) He has Asuna at his side, of course. And also Alice, who is now in the real world via a robot body, which is eyebrow-raising but does lead to the best joke in the book, which I won’t spoil but involves a big box. (It’s also hinted on the back cover.)

And so Alicization is over, and thank Goodness. Kirito is back and taking the spotlight from everyone else, so haters will be thrilled they can get very angry again. That said, there was a very obvious story not told in this book – what happened to Kirito and Asuna in the two hundred years they were trapped in Underworld? We might find out in the 19th book, which stars… Ronie?

The Promised Neverland, Vol. 13

by

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

Well, last time I said that Lucas and Yugo probably were not long for this world, but would go out in a blaze of glory, and I turned out to be 100% right there. This is the fate of ‘mentor’ characters in a lot of series, not just manga, and it makes sense in a story way – their work here is done, they’ve saved Emma and the others, and now they can get the classic ‘yes, they’re really dead this time’ moment (unlike, say, Norman, who didn’t get this and isn’t dead) when they see all their dead friends in the afterlife welcoming them. It really is a cool death, though, and will likely look fantastic animated. Sadly, they did have the main bad guy get away so that he can threaten our heroes once more, and also let them know that they need a new safe space – as Emma cheerfully says at the end of the volume, nowhere is safe for them right now – that’s why they’re doing this.

This is not to say that Emma does not suffer quite a bit in this book. Yugo’s death in particular – which plays out as his coming to visit and give her new advice, then point out that he’s just a dream she’s having – is heartbreaking, and it hits all the kids, including the Goldy Pond ones, really hard. So hard that they’re about to go off half-cocked and try to find Lucas and Yugo. Fortunately, the villain of this arc is so wretchedly horrible that he manages to drive the point home that they have to move on. That said, Andrew’s fate is nasty, as befits someone who is hell bent on murdering about 60 kids. It does feel a bit of a copout that he’s taken out by a demon, though – you get the sense the author is trying to keep Emma’s hands clean. This is even lampshaded by Andrew, who says Emma won’t be able to shoot him dead.

We’re getting more of a sense that the kids here are not the only force fighting back. We’ve heard about William Minerva, even though it seems doubtful he’s still alive. We also see another group of humans trying to save farms… or at least give those within them mercy killings. Given the attitude and personality of some of these people we meet, I suspect that Emma and Ray’s pile of idealistic children may be running into a pragmatic brick wall soon. We also see “William Minerva” from the back, and he looks vaguely familiar… in a way I think the reader is supposed to be able to guess. That said, before they meet Mr. Minerva, they need to save the dying Chris, so there may be another action sequence to go.

This is the sort of manga that cries out to be animated as well, so we’re fortunate that more is coming. Till then, enjoy another solid volume, which promises many changes still to come.

An Incurable Case of Love, Vol. 2

by

An Incurable Case of Love, Volume 2 by Maki Enjoji

As with most romance manga I was totally expecting an additional antagonist to show up to further complicate the non-relationship between Dr. Tendo and nurse Nanase. Dr Kusagi is unfailingly smiling, with a focus on his outward demeanor that seems suspicious. Kusagi quickly keys in to the budding relationship between Nanase and Tendo and attempts to subvert it by plying Nanase with alcohol, even though after an earlier outburst and piggybacking episode with Dr Tendo, she is determined to cut down on her consumption.

Tendo immediately starts acting irrationally territorial, and if you enjoy grouchy and withholding heroes, this manga has plenty of scenes of Tendo attempting to object to things and then realizing that he has little standing to interfere in Nanase’s life. This doesn’t stop him though!

While the story is developing with a very familiar formula, Enjoji is executing it extremely well, with little touches that make the series unique. I continue to be amused by the workplace culture at the hospital, and the gang of nurses who continue on with their nicknames of “Valiant One” for Nanase and “Dark Lord” for Tendo. Their support of this unconventional mentoring relationship developing into a friendship is mainly because no one wants to be the target of the Dark Lord’s criticism, but it all still manages to seem like a relatively supportive and friendly workplace! The hospital setting also feels a bit fresh to me after reading plenty of manga series set in offices. Enjoji doesn’t have a ton of variation in her character designs, but she does draw with great expression as Nanase struggles to deal with her romantic life and move ahead with her goals as a new nurse.

Nanase and Tendo keep getting thrown together for various reasons, and the volume closes with a take on a serious situation that can befall any woman who might be easily targeted in a helping or service profession. The main workplace romance combined with side stories dealing with more serious topics seems like a promising way for this series to develop. I’m also enjoying Nanase’s personality, she’s young but still sometimes blunt about expressing what she wants, and I’m curious about how her character will develop as she becomes more comfortable with her new profession. We might only get one josei disguised as shoujo series being released at a time from Shojo Beat, but An Incurable Case of Love fits in well with the rest of the line, and I’m enjoying it while I wait for even more josei releases.

Chainsaw Man

by

There comes a moment in every manga reader’s journey when they’re no longer dazzled by the sheer variety of genres, styles, or outrageous storylines that an issue of Weekly Shonen Jump or Big Comic Spirits offers—the moment when a manga about killer goldfish or a warrior with lethal nose hair sounds more exhausting than awesome. I reached that milestone around the time I read The Qwaser of Stigmata, a manga so lewdly preposterous I felt uncomfortable even summarizing the plot in my review. So when I heard about Chainsaw Man, a series whose premise is pretty much summed up in the title, I was pretty sure I wasn’t interested in reading it. Then I saw this image:

My first thought was whoa. And then: cool. And so began my Chainsaw Man read-a-thon, an attempt to understand the appeal of this blood-and-testosterone-soaked battle manga.

The character atop the shark is Denji, who begins the story as an ordinary young man struggling to pay off his father’s gambling debts. His only friend is the sweet-faced Pochita, a dog demon with a chainsaw blade where his snout should be. After local mobsters brutally attack Denji, Pochita transfers his demonic powers to Denji, thus enabling Denji to transform from scrawny teen to chainsaw-wielding menace with the pull of a cord. His remarkable abilities attract the interest of Makima, a professional Devil Hunter who recognizes Denji’s potential value as a weapon. Through a mixture of flirtation, cajoling, and threats, Makima recruits Denji for the Public Safety Council, dispatching him to kill monsters.

Going into Chainsaw Man, I was fully prepared for carnage and mayhem and three-eyed sharks. What I didn’t expect were moments of genuine pathos. The interactions between Denji and Pochita, however, are sniffle-inducing, underscoring the poignancy of Pochita’s decision to sacrifice himself for Denji. Later chapters set up an interesting parallel between Denji’s relationship with Pochita and his relationship with Makima, who refers to him as her “dog.” When Denji chafes against the conditions Makima has imposed on their partnership, it spurs a moment of self-reflection about his own treatment of Pochita, making him realize just how much he took Pochita’s companionship for granted.

Of course, no one is reading Chainsaw Man for these kind of emotional beats; they’re hoping for outrageous displays of gore and violence, and on that front, Tatsuki Fujimoto does his utmost to push the boundaries of good taste. Every time Denji reverts to his demonic form, chainsaw blades burst through his chest and head with great clouds of arterial spray, a preview of the even bloodier manner in which he kills his enemies. Though some of the demons are uninspired—how’s a giant bat grab you?—Fujimoto’s most memorable creations are clearly designed to elicit an appreciative “ewww”; the first monster Denji kills, for example, is an enormous tomato devil who looks like something that’s been moldering in the crisper drawer for weeks.

Between the action scenes, Fujimoto peppers the script with crude jokes to remind us that Denji is a teenage boy whose primary motivation for fighting demons is to impress Makima and earn enough money to eat junk food. In that respect, Denji is a more honest shonen hero than the typical Jump lead; he thinks and acts like a real teenage boy, right down to his self-absorption and total objectification of women. (There’s even a chapter called “A Way to Touch Some Boobs.” Yes, really.) I can’t say I ever warmed to Denji as a lead character, but I finished my read-a-thon with a grudging respect for Fujimoto’s excessive, ridiculous creation, which entertained and repelled me in equal measure. Your mileage will vary.

Chapters 1-53 of Chainsaw Man are available at the VIZ website. 

CHAINSAW MAN • STORY AND ART BY TATSUKI FUJIMOTO • VIZ MEDIA

 

Pick of the Week: Sports and Wine

by , , , , and Leave a Comment

MICHELLE: There are several volumes of sports manga coming out this week, which delights me to no end. I will happily read all of them, but my pick goes to the one with a premise slightly different from the rest. Giant Killing, that means you. In this seinen title, we’re dealing with a pro soccer club, not a high school team, and I’m loving it.

SEAN: Speaking of sports manga, will the race that can never end finally end in this Yowamushi Pedal? It’s my pick for this week.

KATE: We’re still six or so weeks out from Lent, so my pick is Liquor and Cigarettes.

ASH: As it appears Yowamushi Pedal is covered, I’ll make Legend of Zelda: Twilight Princess my pick this week. This adaptation has been a bit more involved than Himekawa’s other Zelda manga; I’ve been enjoying seeing the team’s skills applied to a longer series.

ANNA: There’s not a ton that appeals to me this week so I’m going to trust Kate’s manga instincts and pick Liquor and Cigarettes as well.

MJ: I’m pretty much exactly where Anna is this week, so I’ll also go along with Kate! Liquor and Cigarettes it is!