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Neon Genesis Evangelion: Anima, Vol. 4

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By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Michael Rachmat. Adapted by Peter Adrian Behravesh.

I will be honest, midway through this volume I was getting exhausted, and not in the good way. Fortunately things turned around, but let me tell you, you can only draw out an apocalypse so far before it grows wearying. To be fair, things were not helped by current events – a large part of the book features a series of earthquakes, and it was written about the same time as Japan was also dealing with deadly earthquakes, so things had to be delayed. As such, a large, large portion of this book is the main cast all having a giant fight on top of a chunk of the moon headed for Earth. This includes Shinji (who is now in the Torwachter that stole his heart – don’t ask, it’s convoluted – and about to start Third Impact, three different Reis, Asuka, who is finally becoming herself again, and Mari, who isn’t. The result is fantastic if you love mecha battles and nothing else.

The biblical imagery in the book is still there, but it feels more like Star Trek technobabble than anything else. What’s important is that, by three quarters of the way through the book, Shinji is .83 seconds from dying – and him dying will bring about Third Impact. For reasons that are somewhat murky but likely involve the late Rei Cinq, who seems to also be Yui, most of the cast end up at the old high school classroom, dressed in uniforms from Yui’s time, possibly so that the illustrator can draw the Reis in a different uniform style than the usual. Shinji, unfortunately, is perfectly happy to be there, though others soon vanish. What’s needed is a strong, forceful presence to get Shinji out of his dream sequence torpor. And fortunately for the readers, she’s back and she’s pissed off.

I cannot emphasize enough how much having Asuka back to her old self means for this series. Aside from a couple of amusing parts during Rei Six’s adventures on the moon, where she honestly sounds like Little Orphan Annie, this was a book seriously devoid of snappy dialogue. Asuka can fix that. The best bit involves Mari, who was trying to either add Asuka to her pack. She’s now lost the pack and is dealing with not being a feral child as best she can – mostly by sobbing. Asuka’s response is to save her, so that she could “see what being around me is *really* like”. This is funny stuff! She also gets to be badass – after hearing about Shinji’s dream sequence school, she promptly shows up (with her hair cut short!), saunters into the room like a model, and smashes his reality to bits. I love her.

The next volume is the final one in the series, and it’s due. I hope that we get a slightly better ending than Shinji and Asuka strangling each other on a beach, but this is Evangelion, so who knows? Till then, enjoy your fearsome mechs and headscrewing philosophy.

Manga the Week of 12/16/20

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SEAN: As we get closer to the holidays, we get more and more books being published.

ASH: This turn of events pleases me.

MJ: And me.

SEAN: Cross Infinite World has a new title, I Reincarnated As Evil Alice, So the Only Thing I’m Courting Is Death!. Our heroine dies and is reincarnated in an otome game, and she *is* the heroine this time… but the game is notorious for having almost all bad ends. Expect a lot of Alice in Wonderland vibes here as well.

No debuts for J-Novel Club, but a heaping helping of ongoing digital light novels. We get An Archdemon’s Dilemma 11, Arifureta 11, I Refuse to Be Your Enemy! 4, The Intrigue of Marielle Clarac (Book 5 in that series), Slayers 4, and The Sorcerer’s Receptionist 2. Phew!

Kodansha has some print. We get Drifting Dragons 7, Fairy Tail: 100 Years Quest 6, Gleipnir 8, the 2nd Magic Knight Rayearth manga box set, which will finish the series, and also has a bonus artbook. That Time I Got Reincarnated As a Slime 15 and UQ Holder 21 are also out.

ASH: I’ve really been enjoying Drifting Dragons. I’ve also somehow never actually read Magic Knight Rayearth yet.

SEAN: Digitally the debut is I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World (Isekai de Saikyou Maou no Kodomo-tachi Juunin no Mama ni Nacchaimashita), which sounds like your standard isekai but is also by Ema Toyama, author of Missions of Love and other shoujo classics. This is not shoujo: it runs in Shonen Sirius. A girl whose mother has died plays the game the mother never finished… and finds herself in another world.

ASH: Ema Toyama, you say? That piques my interest a bit more than just the title alone.

MJ: I don’t read much digitally, but this intrigues me as well, almost entirely because of the author.

SEAN: There is also Dolly Kill Kill 9, Dr. Ramune -Mysterious Disease Specialist- 2, GE: Good Ending 12, Heroine for Hire 4 (the final volume), Kakushigoto 10, Orient 9, Shaman King: The Super Star 2, Shojo FIGHT! 14, and The Writer and His Housekeeper 3.

MICHELLE: I really, really need to get caught up on Shojo FIGHT!.

SEAN: One Peace has a 3rd manga volume for The Reprise of the Spear Hero.

Debuting from Seven Seas is Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures! (Watashi, Nichijou wa Heikinchi de tte Itta yo ne!), the 4-koma spinoff of Mile’s antics that everyone wanted. It runs in Comic Earth Star.

Also out from Seven Seas: Goodbye My Rose Garden 3 (the final volume) and Kuma Kuma Kuma Bear’s 4th novel (digital-first).

MICHELLE: I wouldn’t say Goodbye, My Rose Garden was an amazing series, but it was certainly good enough to read the third and final volume.

ASH: I still need to read the second volume (and now soon the third), but I found the first volume to be enjoyable.

SEAN: Sol Press, after what seems like 80,000 years, has the second Saving 80,000 Gold in Another World light novel.

Tokyopop has the 2nd and final volume of No Vampire, No Happy Ending.

Vertical gives us the 4th Katanagatari omnibus digitally (I will keep repeating this till it’s correct), Kino’s Journey 7, and With a Dog AND a Cat, Every Day is Fun 2.

MICHELLE: I really liked the first volume of With a Dog AND a Cat, Every Day is Fun and am eagerly anticipating the second.

MJ: Always here for Kino’s Journey, too.

SEAN: They also have Zoku-Owarimonogatari, the final, absolutely the last, no take backs, Monogatari Series novel. Unless they license the others that came after this.

Viz’s debut is Remina, another helping of Junji Ito just in time for winter. This is sci-fi, but still just as terrifying. It ran in Big Comic Spirits.

MICHELLE: I am down for this sci-fi/horror blend!

ASH: Yup! I’m here for this one, too.

MJ: Yes!

SEAN: Also from Viz: Blue Flag 5, Golden Kamuy 19, Levius/est 7, Maison Ikkoku Collector’s Edition 2, and No Guns Life 8.

ANNA: Glad that Maison Ikkoku is being rereleased and looking forward to Blue Flag.

MICHELLE: What Anna said.

ASH: I should actually read Maison Ikkoku now that it is readily available again.

MJ: I should be buying them, since I never managed to acquire a full collection of the original release!

SEAN: Yen On has a truly terrifying number of light novels coming out. The first debut is The Angel Next Door Spoils Me Rotten (Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken). We’ve seen a mini-rebirth of the non-fantasy romcom in recent licenses, and this falls into that category. A guy lends his neighbor his umbrella one day, she offers to help around his house in return, and a relationship blossoms.

The second debut is a spinoff, Goblin Slayer Side Story 2: Dai Katana. This apparently goes into the past of Sword Maiden.

There is also (deep breath): Accel World 23, The Alchemist Who Survived Now Dreams of a Quiet City Life 5, Baccano! 15, The Demon Sword Master of Excalibur Academy 2, The Devil Is a Part-Timer 18, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 5, Suppose a Kid From the Dungeon Boonies Moved to a Starter Town 4, and Torture Princess 6.

ASH: That is a fair number of light novels!

SEAN: On the Yen Press side, there’s even more. Debut #1: 86, the manga adaptation of the grim military fantasy light novel series. It runs in Young Gangan.

Carole and Tuesday runs in Young Ace, and I believe is the rare case where the anime comes first and the manga follows. Girls who want to be musicians… on Mars!

ANNA: I watched half of the anime….

ASH: I do like musicians… and Mars…

MJ: I… kind of want it. Though I’m not sure how to interpret the fact that Anna only watched half of the anime.

SEAN: Not quite a debut, but we do see Overlord: The Complete Anime Artbook.

Strawberry Fields Once Again (Strawberry Fields wo Mou Ichido) is a yuri romance that seems to have a twist to it. It ran in Mediaworks’ @ vitamin.

And Wolf & Parchment is the manga adaptation of the sequel to Spice & Wolf.

Also from Yen: ACCA 13-Territory Inspection Department P.S. 2, The Devil Is a Part-Timer! 16, Goblin Slayer 9, King of Eden 2, KonoSuba 11, Lust Geass 2, No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! 17, Plunderer 6, Rascal Does Not Dream of Petit Devil Kouhai (another omnibus), Re:ZERO -Starting Life in Another World-, Chapter 3: Truth of Zero 11 (the final volume of this arc), Reborn As a Polar Bear 4, The Saga of Tanya the Evil 12, A Witch’s Printing Office 4, and Yowamushi Pedal’s 16th omnibus.

MICHELLE: I am fixin’ to have a YowaPeda catch-up spree and am very happy about that.

ASH: Same! And I always look forward to reading Natsume Ono’s manga, so I plan on picking up the ACCA continuation as well.

SEAN: Any presents from this list you’re giving out?

Last Round Arthurs, Vol. 3: The Snow Maiden & The King Who Killed Arthur

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I must admit up front: I did not enjoy this book as much as the last two. There’s a big reason for that: Luna, who is probably the best reason to read the book, spends most of it sidelined by the latest villain, and the series is simply far less fun when she’s not around being the Big Dumb Girl With A Good Heart. The other reason is an odd one, as the afterword explicitly lays it out for me: Rintarou changes over the course of the book, becoming far more of a shonen hero-type of character rather than the grumpy cynic he’d been so far. The author says this is a common development in manga and light novels, but I’m not sure it’s as common as he thinks, and I’m not sure it fits the character well. I don’t really want to see Rintarou become Touma. Other than that, though, the book is doing what it does best: lots of Arthurian backstory, lots of big shonen battles, and lots of betrayal.

The titular snow maiden is Nayuki Fuyuse, who readers may have forgotten was introduced in Book 1 as Rintarou’s mysterious classmate. The fact that she’s part of all this is not that much of a surprise. The fact that she’s secretly in love with him is also not that big a surprise. What *is* a surprise is that Rintarou, who is usually fairly clever, does not immediately realize who she is when she says the one thing she can’t do is tell him who she is. All he has to do is think of the person who betray4ed Merlin back in the day and bing! There’s your answer. In any case, she’s more support here. The actual King candidate is a whiny young creep named Hitoshi, his Jack Sir Tristan, and a mysterious young woman named Reika, who seems to be a mass murderer but there’s more to her than we think. And, as always, Elaine is pulling all the strings.

Apologies for spoiling a bit, but to be fair, it is in the book’s subtitle: the best part of this book is the subplot with Mordred. There is rare subtlety in the writing at her portrayal, and I particularly liked her own Jack, Sir Dinadan, casually mentioning that all the King candidates she’s supposedly murdering are not actually dead yet. It also reminds us of the story’s Arthurian background, and the fact that Arthur basically fell from grace, as it were. Unfortunately, there’s one more big minus in this book, and that’s the villain, Hitoshi. If Last Round Arthurs is a Fate ripoff, then here’s Shinji, whining, demanding, and threatening to rape the cast. What is it with light novel writers and their desire to make all the villains super, super, SUPER bad?

This is still a quick, easy read, and I might get the next volume, if only to see if Kay (barely in this book) will do anything at all. But I must admit this volume is no more than a C+.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 10

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

This may be a first for this series. For the first time, I got through an entire volume without wanting to throw Hachiman out a window. This isn’t to say that he’s all smiles and warm fuzzies, but his cynical “this is what teenage life is really ,like it’s a jungle out there man” monologues are kept to a minimum and his attempts to solve the problem of the book involve actually talking with people about the problem rather than, say, throwing himself under the bus again. This volume was adapted into the final chunk of Season 2, so also is probably the calm before the storm that will be the final arc of the series. Things are moving pretty slowly – you can tell the author wants to wrap this up before they become third years – but we are starting to think about the future, which in Japan means what “track” will the kids be taking, arts or sciences?

Haruno is on the cover, and actually has a significant presence in the book as the “not quite evil but close” antagonist. The main focus of the book, though, is Hayama, who is the perfect boy that everyone wants to hang out with/date, but he’s refusing to say whether he’s taking the arts or sciences track, which has thrown his group into turmoil. Particularly Miura, who has a crush on him but is also concerned for his well-being – nearly everyone by now can see that Hayama is wearing a mask to hide his real self. She asks our heroes to find out what his choice is, which proves to be a very tough nut to crack, and mostly involves Hachiman doing a lot of detective work. In the interim, though, there is an ominous cloud on the horizon, and we see part of that cloud here, as we meet Yukino and Haruno’s mother, who is exactly what you’d expect she would be like. Oh yes, and there’s a rumor that Hayama and Yukino are going out which has spread like wildfire.

It’s pretty clear that Yukino’s family issues are gonna be the series’ endgame (which is bad news for Yui, and indeed she once again doesn’t have much of a role here – this love triangle is a bit imbalanced). For the moment, though, we’re dealing with Hayama, whose feelings for Hachiman are very conflicted – at one point he holds out hope that Hachiman is concerned about him as a friend, only to realize that it’s for his Service Club after all. It comes to a head in the school’s marathon, where Hayama bluntly talks about how he hates Hachiman, who may be Hayama’s opposite but also has managed to draw people to his actual self, crappy though that self may be. I was also very amused at the discussion of arts vs. sciences, some of which is “what am I best at” but a lot of which is also “how can I improve my social image?”.

So yes, this was a strong volume in the series, and I also really love the brother/sister relationship between Hachiman and Komachi, which is realistic and sweet. I am totally ready for Book 11. Sadly, the author is not, so get ready for 10.5, more short stories, next time.

Pick of the Week: Food and Mystery

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SEAN: I generally try not to double dip light novels and manga, and the novel this manga is based on is coming out in two months from J-Novel Club. But The Apothecary Diaries has gotten so much good buzz that I feel I have to make an exception. A pharmacist is kidnapped and taken to the Imperial harem. She tries to live quietly and not get into trouble, but constantly finds herself drawn into mystery and politics I’m down.

MICHELLE: The combination of mystery and politics in manga will never not appeal to me, so I’m definitely planning to try out The Apothecary Diaries, but even more up my street is Manly Appetites: Minegishi Loves Otsu, with its BL/food combo. I love What Did You Eat Yesterday?, I loved Our Dining Table… I hope I love this, too.

ASH: I’m absolutely with Michelle on this one – I simply cannot resist BL food manga, so Manly Appetites gets my pick this week. That being said, I’m also really looking forward to the debut of The Apothecary Diaries and reading more of How Do We Relationship? among other releases!

ANNA: I agree, Manly Appetites and The Apothecary Diaries both sound great.

MJ: Like Michelle, despite a number of alluring releases this week, I’m going to let my track record of satisfaction with foodie BL tip me towards Manly Appetites: Minegishi Loves Otsu. Though I’ll admit the title gives me the slightest pause.

KATE: I just finished season four of The Crown and am still jonesing for a little more palace intrigue, so I’m picking The Apothecary Diaries. (I was going to make a bad joke about “curing what ails me,” but… 2020.)

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 8

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

There are many times during my reading of the Killing Slimes for 300 Years series that I realize that not only are the characters treating this world as an excuse to relax and do inconsequential things, but so is the author. The author has many, many light novel series under their belt, some of them running simultaneously via different publishers, and you get the sense that this series is the one where the author can just kick back and not have to worry too hard about plot or characterization. It’s essentially a short story collection. The biggest thing that happens in this book is that Beelzebub has finally gotten the side stories that appeared in Books 5-7 farmed out to her own official spinoff (which has already been licensed over here for the spring) and so the last sixth of the book or so is devoted to Halkara, who gets a spinoff, seemingly set before the main series, where she… reviews restaurants. Don’t expect this to get spinoff novels anytime soon.

A breakdown of this book: Sandra goes through a Flowers for Algernon-style transformation after some super fertilizer turns her into a teenager with a high IQ (that said, there’s zero angst here); Pondeli invites the cast to the new Demon Arcade that she’s opening, whose games are hit-or-miss; the hippie pine spirit who does weddings finds that the flaky God who brought Azusa over is muscling in on her territory; that same God tries to reason with a fellow, more traditional God in order not to lose followers (and Azusa ends up leveling up EVEN MORE); they return to the ghost nation’s temple and tell ghost stories, most of which have a familiar bent; Azusa gets stranded on a desert island and meets what she thinks is a native tribe; a strange butterfly woman insists of staying with Azusa a week for no reason whatsoever and not because The Crane repays A Debt or anything; and Pecora starts a Youtube stream service from the demon world.

That last one may drive home the point that, aside from having elves, dragons, and slimes, this series is absolutely uninterested in building its own world, but would much rather leech off of Japan’s own past and present. The ghost stories Azusa tries to tell, common ones from Japan, are also very well known here. the cuisine Halkara samples is essentially variations on what you can get in any mid-sized town, complete with a conveyor belt sushi place. It’s… very low bar, to be honest, but it’s also relaxing for the reader, who might get a bit annoyed at streamers being a thing in this land of Gods and demons, but will likely quickly get over it. The stories are all basically about the same – cute – though I might have critiqued the desert island one more had it not ended how it did. (At least the natives did not go “unga bunga bunga’ a la Bugs Bunny.)

It’s cute, it’s fuzzy, and you will forget about it the moment that you finish it. And sorry, yuri fans, Azusa still insists that her house is home to family, and not, and I quote, “a special, gay dimension”.

Banner of the Stars: The Screech of Space-Time

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

In the Afterword for this book, published in Japan in 2004, the author apologizes for taking so horribly long to write it (the previous book had come out in 2001). Which makes me wonder how the next book, which came out in 2013, is going to top that. It’s also been a while since the last volume came out in English, but that’s OK, because the reader is dropped right back into one of the main features of Banner of the Stars: Epic Space Battles. Sadly, that is a mark against it for me, as I’ll be honest: I find a lot of the space battle writing in this book tedious. It is no doubt more realistic than, say, the ‘let’s fall out of our chairs’ battles in Star Trek, but there is a certain sterility to it all. Actually, this volume has quite a few marks against it. Jin and Lafier end up playing smaller roles, which is a shame as they’re the reason I read the books. More to the point, the Abh are still just not that likeable.

As I said, a lot of this book is space battles, as it reminds us that the Abh are at war with the various human federations that vie against them. But that might change soon – one of the minor players on the other side wants to negotiate a deal that might actually shift the tide and lead to the end of the war. This is good news, despite all the Abh talking about how much they love being in battle. That said, can the deal really be trusted? It helps that the idea for the deal came about watching the way that Jint handled his own planet recently, giving everyone ideas. As for Jint and Lafier, as I said, they don’t get as much time together as before, and what little there is is more down to showing off how Jint is still trying to assimilate and not quite making it. That said, given the cliffhanger the two of them will soon have much bigger things to worry about.

As I said, I like Jint and Lafier, and I like their scenes together here, but there are simply too few of them. We get a long stretch devoted to the current Empress and her discussions with aides on whether to accept the offer they’re being handed. It’s good f you like political realism, but again shows us that the Abh, in general, are simply too blase and matter of fact about everything, and it does not make for the most scintillating writing. It reminds me of bad Star Trek books that tried to write Vulcans but fell too hard on the “logical” side. At least there’s banter, and we’re reminded that the Abh basically run on it, but that’s sometimes not enough, especially when it’s not really clear if we’re meant to see them as the enemy or the protagonists.

Fortunately, we do not have a nine-year wait for the next book to come out. Unfortunately, I get the feeling I’ll be seeing a lot more space battles in it, given the events towards the end of this book. In the meantime, more Jint and Lafier being an obvious couple but never doing anything about it, please.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 15

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Paul Starr.

This volume is similar to Volume 8, in that it is essentially a short story collection with wraparounds. The stories are all (almost) on a basic premise, which is “let’s lay out the backstories of how everyone arrived in Orario and how their lives have improved 8000% now that they have family and friends”. As such, there is an air of melancholy to this book, as while we do admire how far everyone has come, we’re seeing a depressed Bell, a rejected Hestia, an abused Lilly, a disillusioned Eina, a frustrated and angry Welf, a bitter Lyu, and… well, we’ve mostly gone into Mikoto and Haruhime’s stories already, so theirs is the exception to the rule. And then there’s Aiz, who doesn’t show up till the end, but who provides the perfect capper to the book, even if it leaves you with an ominous feeling. After several volumes in a row that are just dungeon fights, this one also seems happy to give everyone a chance to rest.

Bell and Hestia are on the cover, and they get the first flashbacks, as they (independently) recall how they arrived in the city. Their stories are downbeat, but end on a high note as they meet each other. There’s a later mirror of them with Lyu’s story, which features similar beats – she really needs to join a Familia, but her preconceptions and prickly nature are driving everyone away. Lilly’s story was a high point – showing off how wretched her life has been from the moment of her birth (sorry, Soma, giving Lilly potato puffs once does not make me forgive you) while contrasting it with the glee and happiness she feels as Hestia tells her that she’s gone up to Level 2. That said, when it comes to her past, she’d still prefer to deal with it indirectly rather than confront it head on. Which is her own choice, of course.

Welf’s story is fairly predictable, and Haruhime and Mikoto’s suffers from being the ‘light’ story in the book (though it is nice to see Haruhime slowly try to get herself out of “clumsy foxgirl” status – the maid stuff really doesn’t help). The epilogue, though, is the true best part of the book. It features the one day a year when the city mourns all its fallen, something that has to be explained to Bell (who, we are reminded, has not even been there a year yet). Seeing the funeral elegy being sung by everyone – even those such as Freya – was hauntingtly beautiful. That said, Bell and Aiz are not headed down the same path, and this epilogue serves to underscore that. Aiz is not here to be anyone’s hero. And, while Sword Oratoria readers already have a good inkling of her past secrets, here Bell finally connects the dots, and is stunned.

Unfortunately, the 16th volume only came out in Japan two months ago, so we may have another long wait. And, given the cover to 16 has Syr and Freya on it, Aiz may not even be the focus. Still, for a collection that was written as “take the short stories from the anime releases bonus DVDs and create wraparound material”, this is surprisingly solid.

Manga the Week of 12/9/20

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SEAN: Two manga enter! One manga leaves! Who will prevail?

J-Novel Club has two debuts, both manga. One is Mapping, the long title of which I will not quote here, and an adaptation of the light novel.

The other one is I Love Yuri and Got Bodyswapped with a Fujoshi (Ore ga Fujoshi de Aitsu ga Yuriota de), whose title is also its plot. It’s by the author of Failed Princesses, ran in Comic Flapper, and can be described as “yuri adjacent”.

Also out next week: Demon Lord Retry’s 4th manga volume; Infinite Dendrogram 13; Lazy Dungeon Master 13; Tearmoon Empire 3, and The Unwanted Undead Adventurer 7. Of those, Tearmoon is my clear pick.

ASH: I’ve heard really good things about Tearmoon Empire. (And not just from you!)

SEAN: Time for Kodansha, where I carefully double check the site before posting and STILL end up wrong as they shift release dates at the last second. Debuting this week in print is Life Lessons with Uramichi-Omiisan. It’s a black comedy that runs in Ichijinsha’ Comic Pool about a children’s TV show host who is… not a fun guy.

MICHELLE: I’m not sure I’ll like this, but the premise is interesting enough that I will at least check it out.

MJ: Hm, yeah, maybe.

SEAN: Also in print: Heaven’s Design Team 2, Perfect World 4, Rent-a-Girlfriend 4, Something’s Wrong with Us 4, To Your Eternity 13, and The Witch and the Beast 3.

ASH: I’m actually reading quite a few of these, but most of my attention is going to To Your Eternity.

SEAN: Two digital debuts. Shangri-La Frontier just debuted in Weekly Shonen Magazine, and is from the artist who does Attack on Titan: Lost Girls and Fairy Gone. That said, it’s an MMORPG manga based on a webnovel, so you know what you’re getting here.

The other is The Story of Our Unlikely Love (Kimi ga Kirai na Koi no Hanashi), a quick 2-volume shoujo series from Betsufure. He was a bad boy. She was a good girl. Can I make it anymore obvious?

ANNA: I seem to have a short attention span for digital shoujo, but 2 volumes might be just right.

MICHELLE: Yeah, I probably will end up reading this, too.

MJ: I haven’t really been reading anything digital at all lately, but this might be the right length for it.

SEAN: We also get All-Out!! 17 (the final volume), Peach Boy Riverside 2, Practice Makes Perfect 3, Seven Shakespeares 14, Shaman King: Flowers 5, Space Brothers 38, and We Must Never Fall in Love! 4.

MICHELLE: I had been waiting for that final volume of All-Out!! to hit so I could marathon the whole series in one chunk. That sounds like a nice project for my holiday break.

SEAN: One Peace has The New Gate 4.

Manly Appetites: Minegishi Loves Otsu (Minegishi-san wa Outsu-kun ni Tabesasetai) is one of Seven Seas’s debuts next week. It combines BL and food, and looks to be quite amusing.

MICHELLE: I’m very excited about this!

ASH: Same!

MJ: Always here for this combo.

SEAN: The other Seven Seas debut is the manga version of The Saint’s Magic Power Is Omnipotent.

Digitally we also get a light novel debut: Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells. Class transported. Our hero has no powers. Left for dead. Powers are actually really cool. We’ve read this before.

We also get: Cube Arts 2, The Hidden Dungeon Only I Can Enter novel 2 (print), The Ideal Sponger Life 7, Nurse Hitomi’s Monster Infirmary 11, PENGUINDRUM 2 (novel), Peter Grill and the Philosopher’s Time 3, Plus-Sized Elf 6, and Uzaki-chan Wants to Hang Out! 4.

ASH: Every time Penguindrum is mentioned I remember that I still need to catch up with Penguindrum in many of its forms.

SEAN: Square Enix debuts the manga version of the acclaimed novel series The Apothecary Diaries (Kusuriya no Hitorigoto). It runs in Big Gangan, and is about a servant in training who finds herself in the midst of palace politics. It’s apparently VERY good.

ANNA: Huh, sounds interesting. This wasn’t on my radar before.

MICHELLE: Same! I might check it out.

ASH: I’m really looking forward to this one!

MJ: Well, wow. Sounds great!

SEAN: They also have the 2nd volume of the Wandering Witch manga.

SuBLime has Caste Heaven 4 and Punch-Up! 6.

Tokyopop has The God and the Flightless Messenger (Kamisama to Tobenai Tsukai), a one-and-done BL manga from Printemps Shuppan’s Canna. As you might guess by the title, it’s a fantasy.

Vertical gives us Bakemonogatari manga 6 (yes, I know I said this last week) and a digital release of Katanagatari 4 (yes, I know I said this two weeks ago).

Viz has no debuts, unless you count Super Mario Manga Mania, whose audience I suspect is adjacent to the normal Manga Bookshelf one.

ASH: That being said, I do know at least a few people who will be interested in this release!

SEAN: They do have How Do We Relationship? 2, Komi Can’t Communicate 10, and Pokemon Adventures Collector’s Edition 5.

MICHELLE: I’ve fallen a bit behind with Komi, but I’m in the mood now to get caught up.

SEAN: Yen Press has one debut: Slasher Maidens (Kaijin Reijoh), a Gangan Joker series that manages to combine horror manga and horny teen boys. It’s from the creator of Akame Ga KILL!.

Also out: As Miss Beelzebub Likes 11, Durarara: Re; Dollars 6, Happy Sugar Life 7, the 13th and final Hatsu*Haru, Restaurant to Another World 3, and Toilet-Bound Hanako-kun 6.

ASH: I’m reading the more recent Toilet-Bound Hanako-kun in preparation for this one as we speak.

SEAN: So, which manga won?

Reign of the Seven Spellblades, Vol. 1

by

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Alex Keller-Nelson.

This was one of the two “big names” licensed a while back, and it had a huge amount of buzz to live up to. It not only lived up to the hype, it sailed over any other hurdles. This book is good. Really, hard-to-put-down good. This is all the more surprising given that it runs on some very common fantasy novel themes. Our heroes are first-years who are arriving at a prestigious magic school in not-Britain. Most of the characters will be a recognizable type, but this doesn’t make them annoying or boring, rather it makes it easier to identify and sympathize with them. The exceptions are our two lead protagonists, both of whom clearly have a lot more to their backstories than our first meeting would initially suggest. They go to school, learn magic, learn swords (more on that in a bit), and end up in trouble about every 30-40 pages or so. That said… this is surprisingly dark.

Our group of first years are: Oliver, the main protagonist, a serious young man with a talent for intricate spells; Nanao, the other main protagonist, a foreign student who knows nothing in the world except fighting to the death; Katie, the daughter of demi-human rights activists who shares their activism; Guy, a goofy everyman sort; Pete, who comes from a nonmagical family and is here to study and prove himself; and Michela, the noble girl with princess curls who, for once, turns out to be the nicest person in the book. They get into adventures right off the bat when a troll goes berserk at the run-up to the opening ceremony, and can’t seem to stop stuff happening to them after that, from getting trapped in the labyrinthine hallways after school to fighting a duel that goes horribly awry to finding that most of their upperclassmen are completely, 100% bonkers.

As I said, this book is darker than you’d expect. It’s made very clear at the start by the headmaster that a lot of the students die. We also see several fourth and fifth years who are happy to torture, battle, or experiment on anyone that catches their fancy. It’s also a school that combines swordsmanship with magic, after a magical duel in the past ended in death because the mage was no good at up-close fighting. The “spellblades” in the title are legendary blades that are essentially “one hit kill” blades, and there are not many on the world at all. It’s not hard to guess who’s going to be spellblading by the end of this book, but that’s OK. Plus there’s a lovely twist at the end that throws a lot of what we were assuming about one of the characters out the window, and makes me wonder if this cute romance I was hoping for is going to end at all well.

There’s more I could talk about. Nanao is, as I said, trained only for battle, but she’s surprisingly innocent and goofy otherwise. There’s a nasty rival character who appears to be set up to just be a constant antagonist, but then is dealt with and starts becoming a better person. There’s everything about Chela, who may be my favorite character in the book, despite essentially being Rin Tohsaka with Luvia’s hair. (There are a lot of characters who you could say are “essentially __________”, and you will note I have avoided mentioning a certain series that will come to mind.) Most importantly, the book is gripping and makes you want to read fast and immerse yourself in the world, despite being pretty lengthy (it’s over 280 pages). This is absolutely worth the hype.