Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Darkest Hour by Meg Cabot: A

by

From the back cover:
Sixteen-year-old Susannah Simon acts as a middleman between ghosts and the real world. As a mediator, she helps the spirits move on into their next life, whatever that might be. Even though she tried not to, Suze has fallen head over heels for a 19th-century ghost, an extreme hottie named Jesse.

Most ghosts try not to antagonize a mediator when they want their help. So when Suze wakes up to a knife at her throat, she is scared and stunned to be facing such a disturbing dilemma. Should she find the secret to Jesse’s murder and lose him forever, or concede to the demands of his ex-fiancee’s ghost and condemn Jesse to spending eternity in her bedroom?

Review:
Darkest Hour is the best of The Mediator books so far for the simple reason that finally there is a plot that affects Suze personally. I never really believed that Jesse would be lost forever, but it gave a focus and a drive to the story that previous installments haven’t really had.

There were some Buffy parallels that I liked: Suze is forced to consider a lot of the things Buffy did regarding her relationship with Angel, like what sort of future could she and Jesse possibly have together? Later, events have made her numb, so hurt she can feel nothing but anger anymore. We’ve seen Buffy in this state a couple of times.

Not that the book wasn’t without flaws. The ghostly villains, Diego and Maria, were kind of lame. And if they’re new ghosts, then where have they been all this time? There was also another continuity error, this one having to do with the location of Suze’s bedroom. Shadowland makes a point of specifying that the windows in her room open onto the roof of the front porch. Yet somehow, in this book she manages to fall from said porch into a hole being dug in the backyard.

Darkest Hour also has the best ending of the series so far, including an intriguing mystery about another possible Mediator that was left in cliffhangery status. More like this, please!

The Children of Men by P. D. James: B-

by

From the back cover:
The human race faces extinction. It is annihilation brought not by disease or nuclear war, not by crashing meteorites or colliding stars. Men and women have ceased, simply, to procreate. In 1994, sperm counts hit zero; pediatrics wards were rapidly and permanently depleted. Overnight, it seemed, the human race had lost its power to breed.

Now, 25 years later, a pervasive lethargy blankets the world. In Britain, one man has set himself up as “Warden,” and as his power grows, morality and hope deteriorate. The Warden’s cousin, the insular and aloof Theo Faron, is shocked out of his apathy when he is approached by a group of dissidents who call themselves The Five Fishes.

Amused and irritated by these amateurish rebels, Faron is drawn into their fragile circle in spite of himself. What they offer him could be the only future he’s got.

Review:
The Children of Men starts off promisingly. Theo (not at all Clive Owen-y) isn’t a particularly likeable protagonist, but he’s interesting enough in his cold detachment. Book One relates to his contact with the dissidents, his taking notice of what’s been going on around him, and his unsuccessful attempt to compel the Warden to do something about their concerns.

The implications of a world without children are chillingly explored—no schools, no playgrounds, children existing only as images and voices on recorded media. After humanity dies out, the buildings will sit idle until reclaimed by nature, and no one will ever again read the books. All of the world-building was excellent and thought-provoking.

Book Two begins six months later. The group has been discovered and seeks Theo’s help once again. The novel quickly degenerates into a description of their flight to evade capture. An interminable series of cars and concealing copses ensues. By the time the book dragged itself to a disappointing (but possibly ominous) conclusion, my primary feeling was relief.

I’ve also got a non-plot-related complaint. I’m definitely a fan of P. D. James’ writing style, but I didn’t care for the alternating first and third person narration she employed here. My guess is that this was done because Theo eventually stops writing in his journal and the rest of the story needs to be told, but it certainly doesn’t add anything to the experience.

Ultimately, the book is decent reading, if only for the ideas presented. I plan to see the movie at some point, since I suspect they culled the good bits and eschewed the monotonous ones.

What the Dead Know by Laura Lippman: B

by

From the back cover:
Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness?

Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been, why has she waited so long to come forward?

In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

Review:
On a mystery level, this book succeeds. Initially one believes in the claims of the disoriented woman, but as the story is revealed, and subsequent details come to light, doubt creeps in. The story is well-paced, unpredictable, and makes sense, even with the jumping about in time. I found myself taking slightly longer routes home just so I could hear more of it and was not disappointed in the conclusion.

The characters are more of a mixed bag. The Bethany family itself—daughters Heather and Sunny and parents Dave and Miriam—were by far the most defined. Significant time is spent on showing them before the abduction and also on the relationship of the parents afterwards. In some aspects, I was reminded of The Lovely Bones, as it deals similarly with a family coping after the disappearance of a daughter.

The present day cast—the detectives, the social worker, the lawyer—involved with determining the veracity of the woman’s story are more nebulous, some of them downright flat. I sincerely hated the primary detective, Kevin Infante. He’s incredibly crude, profane, and misogynistic.

What the Dead Know is ultimately worth reading. It was never boring, and though I never mustered any particular care for any of the characters, I enjoyed the suspenseful plot. I don’t see myself reading it again or acquiring my own copy, but I’d probably read more by this author.

Hikaru no Go 9 by Yumi Hotta and Takeshi Obata: A-

by

From the back cover:
Practicing at Go salons is turning out to be more fun than Hikaru thought. But at one salon he meets his match in Suyong Hong, a sullen 12-year-old who is studying for the pro test in his native Korea. By mistake, Hikaru insults Suyong, and now the only way they can settle their differences is by playing a grudge match!

Review:
This volume picks up where the last left off, with Hikaru and friends playing against adults in various Go salons around town. Through the experience, Hikaru learns valuable confidence, as well as the ability to count points during play and control the outcome of a game to force a tie. These bits are okay, but not very suspenseful.

The match with Suyong is surprisingly enjoyable, even though Suyong is annoying. I liked how the other patrons of the salon really got into the match. The most significant bit, however, is that Kaio’s Go coach happens by and praises Hikaru, comparing his play to that in the first junior high tournament he entered, when Sai was actually dictating the moves. Hikaru is elated, but Sai is worried.

We end up with a couple of chapters devoted to the resumption of the pro test, which is about where I started bemoaning the small amount of pages left, because these bits are so crazily addictive. Akira, who had already shown that he feels Hikaru on his trail, checks the results from home and freaks at Hikaru’s winning streak, accepting a lowly teaching job with another kid in the test just to indulge his curiosity on his rival’s progress.

Although a manga about a board game might seem dull (the uninspired back cover text doesn’t help this impression), this volume disproves that notion when it focuses on the rivalry between Hikaru and Akira and how it fuels each of them to improve. The earlier chapters weren’t bad, but it was the latter half of the volume that was truly exciting. Also, though I’ve seen the anime and know what is coming, I’m still eager to see the plot with Sai play out because it brings a lot to the story.

Ouran High School Host Club 8 by Bisco Hatori: A-

by

From the back cover:
The first-years in Class 1-A are taking part in a test of courage, where the loser will receive the dubious honor of being dubbed “Best of Cowards.” Kazukiyo Souga, the class president and a fraidy-cat at heart, is happy to be on a team with the levelheaded Haruhi, but will he be able to stomach the antics of his other teammates—the twins Hikaru and Kaoru Hitachiin?

Review:
The first story in this volume involves a test of courage, which is really not very interesting in and of itself, though it does bring up again the feelings of the twins for Haruhi. The next episode is about how Kyoya and Tamaki first met in junior high and eventually decided to start the Host Club. It’s cute and fun, and I liked it a lot.

The rest of the volume (three episodes) is devoted to a story about a tough-looking yakuza heir called Kasanoda. Kasanoda (nicknamed Bossa Nova) unintentionally scares off people he wants to befriend and comes to Mori for tutelage. This story did not interest me much at first, but got much better as it progressed.

As the Host Club seeks to interrupt perceived flirting between Kasanoda and Haruhi, Kaoru is led to present an insightful hypothesis (much to Hikaru’s surprise): Tamaki pretends the Host Club is a family in an effort to keep the relationships they all have now from changing.

I normally don’t care much for episodic manga, and if there weren’t enough suggestions of impending developments on the relationship front, I think all the comedy and cuteness in Ouran would wear thin. This volume did a good job combining all the elements into a consistently entertaining whole.

Princess on the Brink by Meg Cabot: B+

by

From the back cover:
At last, Mia is a junior. An upperclassperson. Free of her responsibilities as student body president. So why is it that everything is going so terribly wrong? What is she doing in Intro to Creative Writing? When she has made it through Algebra and Geometry, why must she be faced with Precalculus? And for the love of all that is Genovian, why has Lilly nominated her for school prez again? All this is nothing compared to the news Michael springs on her, however. On top of all the mathematical strife, her beloved boyfriend is leaving for Japan for a year. Precalc has nothing on preparing for the worst separation ever!

Turns out there is one way she might convince Michael to stay. But will she? Or won’t she? No matter what, Mia seems headed for disaster.

Review:
Mia and Michael had to deal with a very interesting issue that I haven’t previously seen addressed in YA fiction: What happens when you find out that someone you’ve assumed shares the same beliefs as you actually doesn’t? Can you be understanding or will you be judgmental?

Neither Michael nor Mia manages to handle this well. Mia freaks when she learns Michael has given the “precious gift” of his virginity to a girl he didn’t love, and Michael fails to understand why this bothers her so much. This results in Mia breaking up with him, even though she doesn’t want to.

Although often stupid or misguided, Mia’s actions and reactions are believable from a sixteen-year-old girl, and I was at least capable of empathizing with her a lot of the time. Michael is finally revealed to have some “typical boy” characteristics, which makes him a lot more realistic. Sex is discussed responsibly and with a variety of viewpoints.

Instead of wrapping up tidily as I expected, things with Michael are unresolved by the novel’s end. I wish Cabot would’ve passed on Mia’s “accidental” smooch of J. P., however, as it just adds unnecessary angst and complication to what is already an important moment in Mia and Michael’s relationship. The resulting fallout with Lilly and Mia’s incredible stupidity in taking J.P. up on what is clearly a date makes for a very irritating ending.

Ouran High School Host Club 7 by Bisco Hatori: B+

by

From the back cover:
Hunny’s little brother, Chika, pays a visit to the Host Club—and immediately starts attacking Hunny, using all his martial-arts prowess against his older brother! Chika seems to be the absolute opposite of his sweets-loving, Bun-Bun-toting sibling, but why is he so angry with Hunny? The Host Club is determined to find out the cause…

Review:
This volume as a lot more consistent than the last, unified by the theme of Haruhi is contemplating the wall that she feels separating her from the other members of the host club. Learning some of the family backgrounds of the others might gradually be helping her make progress in understanding them.

The first story is about Kyoya in a commoners’ store, and is quite cute. He looks especially nice in his casual clothes, and I love the panels where he’s rummaging in his pockets for money or a cell phone. The chapters about Hunny’s brother were better than I expected them to be, and also reveal how Tamaki lured Hunny from the karate club to the host club. Insight into the twins comes from a tale about their first time crying in public.

Rounding out the volume are a pointless chapter about Roberia Gakuen and a fun bonus story in the “Love Egoist” saga, continuing the tale of the cold-blooded teacher and the student who fancies him.

Valentine Princess by Meg Cabot: B

by

From the inside flap:
Valentine’s Day means flowers, chocolates, and all-out romance.

That is, it usually means those things. But when you’re Princess Mia, nothing happens the way it’s supposed to. For one thing, Grandmere seems determined to prove that boy (or Michael, as he is commonly known) isn’t the right one for the crown princess of Genovia. And Mia isn’t having much luck proving otherwise, since Michael has a history of being decidedly against any kind of exploitative commercialization (Valentine’s Day, as it is commonly known).

Boris can declare his love openly to Lilly, and even Kenny comes through with a paltry Whitman’s Sampler. So why can’t Michael give in to Cupid and tell Mia he loves her—preferably with something wrapped in red or pink and accompanied by roses—in time to prove he’s Mia’s true prince?

Review:
Well, with a book this short and frivolous, one doesn’t have very high expectations. Suffice it to say that I wasn’t disappointed by this little book but neither was I blown away.

Good stuff: It made me giggle a few times and marks the first time I have ever seen the word ‘snerk’ appear in print.

Not so good stuff: This takes place in the past (Mia found an old journal), so it’s supposed to be amusing when Grandmere’s astrology buddy predicts unlikely celebrity couples that Mia scoffs at (Tom Cruise and Katie Holmes), but it isn’t.

Random stuff: I had to look up a slang term that I was unfamiliar with (“blow-out,” a type of hairdo). It made me feel kinda old. There’s also confusion about the numbering of this book in the series. Cabot’s site calls it 7.75, but the series listing in the front of the book calls it 4.25. Based on the material within, and all the stuff that’s supposed to foreshadow what ultimately happens, I think reading it after book 7 would make the most sense.

Reunion by Meg Cabot: B+

by

From the back cover:
Suze Simon, a teenaged mediator who guides ghosts to the afterlife, is having a great time with her best friend Gina from New York. That is until four ghosts, the “RLS Angels,” show up looking for revenge. The angry spirits died in a car accident and they blame Michael Meducci, a nerdy boy with a crush on Suze.

Suze starts spending time with Michael to protect him. After all, she’s one of the few people who can see the ghosts. And Michael isn’t too bad—under those glasses he is even somewhat of a hottie. But there’s something strange about the accident that took the Angels’ lives. Is it possible they are rightfully seeking revenge on Michael? Could he be their killer?

Review:
This was definitely an improvement over Ninth Key. And, interestingly, Suze seems to’ve remembered that boy who asked her out in Shadowland. Maybe somebody else busted Cabot over that error.

The plot in Reunion is pretty similar to the first book, though it wasn’t bad. The most irksome thing was the unrealistic portrayal of popular kids. I just really have a hard time believing that they would really say some of the stuff said here.

In the positive category, Suze’s character also seems back on track, as she is less focused on boys and more on being snarky and protecting a classmate from vengeful ghosts. There were a few moments when she put herself in the path of danger and was a bit reckless/ruthless, and while these actions were pretty dumb, they also played up her resemblance to Veronica Mars, which was pretty much missing in the last book.

Ninth Key by Meg Cabot: B

by

From the back cover:
Mediator Susannah Simon is a go-between for ghosts and the living. No hand-holder, this teenager is tough on the spirits who need her help. When the ghost of a murdered woman wakes Suze up one night to insist that she deliver a strange message, the 16-year-old just wants to get rid of her. But the ghost won’t give up.

Soon Suze is looking for a wealthy man called Red, who has an aversion to sunlight. When she finally meets him, he keeps staring at her neck, and Suze sees big trouble. Although he’s the father of the hottest boy in her class, he just might be a vampire.

Review:
I didn’t like this as much as Shadowland. Suze wasn’t as amusing and snarky. Instead, she suddenly became obsessed with her lack of a boyfriend and we got a lot more info on the topic of boys and the state of their abs.

As an additional bonus, there was an extremely irritating and stupid continuity error! Suze mentioned a couple times that no boy has ever asked her out. Except one just did in the last book, which took place a mere week before! I think Meg Cabot cranks out too many books to actually remember the specifics of what happened in each one.

The plot was more ambitious this time, and included a couple of twists I didn’t expect. These would’ve been more successful if the outcomes of the twists hadn’t been immediately obvious to me. I also couldn’t help from wanting to superimpose Buffy arcs upon this story, like Suze letting her friends in on the secret, or becoming more serious about her job.

All of these things aside, it was still pretty good and was a quick read. At least I still liked all of the Suze/Jesse interaction. Perhaps this is just a sophomore slump and the others in the series will be better.