Manga Bookshelf

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Sean Gaffney

Fruits Basket Collector’s Edition, Vol. 12

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By Natsuki Takaya. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

At last we come to the end of one of the most influential manga series out there, at least in North America. Fruits Basket brought so many new people into the fandom, and also made so many more want to create. It was almost like lightning in a bottle – Takaya’s two series after this are good but did not have nearly the same amount of popularity, and the less said about Fruits Basket Another the better. But Fruits Basket itself is compulsively re-readable, incredibly emotional, and thoroughly satisfying, even if it is also flawed, as this last volume so amply shows. The curse is now broken, but the aftermath still needs to be dealt with, and nothing is going to be the same again.

My favorite moments in the book were the things that didn’t quite happen, even though they should have in order to provide closure. Akito attempts to apologize to the rest of the zodiac, but can’t quite pull off the words, instead giving what amount to exit interviews to most everyone as she deals with her tortured feelings for Shigure, who is at last willing to reciprocate them, since they’re entirely on his own terms now. The Shigure/Akito relationship is easily the most problematic of the series, and trust me that’s saying something. It leaves me with a vague sense of emotional dissatisfaction, even as it makes the most sense in story terms. Takaya even says she felt a bit uncomfortable with it. Meanwhile, Rin is looking at everyone else smiling and moving on and wondering why she’s still filled with rage and hatred. Healing is something that happens different ways for everyone, and it doesn’t have to happen overnight, especially when you’ve been abused as much as Rin has. And the Sohma’s head maid is offered a chance to help Akito forge a new path with the Sohma Family… and walks away from it, unable to let go of the past, in one of the starkest and best moments in the volume.

As for the main cast, everyone gets a brief few pages to show how they’ve changed and grown, and also to show that almost everyone is now romantically paired. You have to feel bad for Momiji and Kagura – if you’re going to pair everyone up in the most cliched way possible, why not simply go all the way? In general, the more attention paid to the couple during the manga itself, the better the scene – Kyo and Tohru get the bulk of the pages, obviously. Some pairings are a bit last minute hookup, like Hatori and Mayu. And some pairings feel like a gag taken one step too far, like Kazuma and Hanajima, where you get the sense that Takaya simply finds the idea of this too funny to not go through with, even though it doesn’t really work. It’s also nice to see Shigure’s editor happy at last, but again, this reads like connecting the dots. Fruits Basket works best when the romance is focused on Kyo and Tohru.

The second half of the omnibus, as predicted, was a sort of combination of various parts of the two fanbooks, showing off favorite scenes/pairings/characters along with some discussion of clothing and the like. There’s also an interview with Takaya that was done recently, where she looks back at the series. I don’t think the extra content is worth buying in and of itself. But if you want to upgrade your old Tokyopop paperbacks, and don’t mind that the series has a noticeably different translation (“you did your best”, FYI) , you should absolutely get this, and relive a magical shoujo classic. Also, the second to last chapter still makes me cry every single time.

Bookshelf Briefs 4/24/17

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D-Frag!, Vol. 11 | By Tomoya Haruno | Seven Seas – I keep emphasizing in these reviews that D-Frag! is a comedy first and foremost, and that’s still true. That said, there’s no denying that there are some romantic undertones in the series—Takao and Funabori most obviously, but also Roka more subtly loves Kenji. So it’s no surprise that we end up with both of them having to live at Kenji’s house for a bit—Roka due to a meteor strike (yes, really), and Takao simply due to fretting over having Roka get the drop on her. Thankfully, D-Frag! knows that its tsukkomi is always more important than its rom-com, and the jokes still fly fast and furious. Also, bonus points at the start of the book for remembering this is a school and there are actual grades involved. Great fun. – Sean Gaffney

Horimiya, Vol. 7 | By Hero and Daisuke Hagiwara | Yen Press – Last time I noted how little losing their virginity changed the lead couple in this series, and that’s still the case, but more interestingly, we get to explore consensual kinks in this volume. To be precise, Hori is turned on by Miyamura being forceful towards her—she’s not sure why, but her father’s explanation for it likely fits the bill. That said, it makes Miyamura uncomfortable, so I’m not sure how far they’ll take it in the future. In the meantime, Yuki takes the stage for most of this volume, as she asks Tooru to be her pretend boyfriend in order to help answer a guy’s confession. Only the guy quickly becomes a member of the main cast, and what’s more, the fake boyfriend thing is going to completely torpedo Sakura’s love. Will this end well? Probably not. – Sean Gaffney

Kiss Him, Not Me!, Vol. 10 | By Junko | Kodansha Comics – I suppose, given this has become one of the more popular Kodansha shoujo titles and therefore is not ending anytime soon, that we were due for a new rival. He’s a tough one, too—not only is he a voice actor who plays Kae’s latest obsession, but he and Kae were childhood friends—in fact, they were both fat at the time! It’s actually Kae’s weight that drives a lot of the plot—Takeru finds out about her harem, and due to some misunderstandings thinks that they only care about her thin, cute, busty self. (In fact, the main cast went through this several volumes ago, and (mostly) concluded it didn’t matter.) So now he’s kidnapped her and seems to be force-feeding her, as he’s also a bit evil. Fun, but highly variable. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 4 | By Natsuki Takaya | Yen Press – It is becoming more apparent that the shot we saw in volume one of Liselotte taking up arms against her brother is not what actually happened, and in fact the more we find out about her the more we realize that she’s another of Takaya’s favorite kind of heroine, the plucky Pollyanna with the hideously broken past. That said, there are a few signs that her brother isn’t completely evil here. We also get a lot more information on witches, including the fact that Vergue and Hilde were once human, and clearly becoming a witch was something very painful and isolating to both of them. There’s still some shots of light humor—Anna is shaping up to be a smiling villain in the best way—but for the most part things take a turn for the serious here. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 4 | By Natsuki Takaya | Yen Press – Liselotte is attempting to live a peaceful life with her friends, sewing frilly shirts and tending to her vegetable garden. The back cover promises an attack by the witch Vergue, and though it’s true that he ends up significantly damaging her house, he’s also driven away simply by her shoujo heroine powers of empathizing with his rejection of humanity in favor of a place he belongs with the witches. The most interesting parts of this volume are actually the flashbacks the Vergue situation evokes, as Liselotte recalls more of what happened with her brother, who maybe isn’t actually her biological sibling, and who seemed to be giving her the chance to get away from the capitol and find happiness. That’s far more intriguing than a straight-up villain, so I hope we learn more about him in the next volume! – Michelle Smith

Tokyo Tarareba Girls, Vol. 2 | By Akiko Higashimura | Kodansha Comics (digital only) – After her unexpected hookup with hot model and younger man Key, Rinko struggles to figure out what it means. With the help of her pals, both real and hallucinated, she ultimately concludes that it was just a spur-of-the-moment whim on his part, but that doesn’t keep her from being curious about him, especially when she learns that a woman he loved passed away. Meanwhile, we get some very welcome chapters from the points of view of Kaori and Koyuki, Rinko’s friends. I love that, in time, they too start experiencing hallucinations, although it’s pretty heartbreaking that they both end up in sexual relationships without love or future prospects. This series is funny and whimsical, but also fairly bleak and depressing. I do love it, but it’s probably best in small doses. – Michelle Smith

Welcome to the Ballroom, Vol. 4 | By Tomo Takeuchi | Kodansha Comics – Fujita learns some important lessons in this book—actually, the entire book is filled with important lessons. For Fujita, it’s that he’s still a beginner and has a long way to go, and that until he grows he’s going to come last. For Mako and Gaju it’s that they weren’t really observing the other person when they danced, and they want to reunite in order to compete properly. For Shizuku it’s that she can still feel jealousy over someone being judged to be more beautiful than she is—and also hate herself for having those feelings. Even Hyodo is beginning to rediscover a passion for dancing that has been cooled by his injury. But most importantly, there is the dancing, and the art conveying the dancing, and that is still amazing. – Sean Gaffney

Yowamushi Pedal, Vol. 5 | By Wataru Watanabe | Yen Press – The Inter-High race begins! Before we get to that, though, we have to establish what some of the rivalries are. Kinjou will face off against Fukutomi again, the rider who caused his defeat the previous year, while Imaizumi is up against creepy Midousuji. We’ve been hearing about Midousuji since the beginning, but this is the first time he’s actually appeared and he looks and acts like some deranged creature from a horror manga. After that, though, the race is on and it’s a mad rush for the sprinters to claim the top spot at the first checkpoint. As usual, it’s riveting and the enormous volume goes by too quickly. The climbers take center stage next time, but we’ll sadly have to wait until August for that. – Michelle Smith

Pick of the Week: Happiness Will Prevail

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MICHELLE: I’m both excited and grateful for more digital josei from Kodansha, but of course it’s sports manga that gets me stupidly excited, which is the case for Tuesday’s debut of Days.

SEAN: I’ll go with the 3rd Bakemonogatari novel, which promises to dig into Tsubasa Hanekawa’s psyche at long last, as well as metatext, annoying sexualized scenes, and more insults hurled with love than you can shake a stick at.

KATE: I only have eyes for one title this week: Shuzo Oshimi’s Happiness. For my money, Happiness is the best title Kodansha is publishing right now: it’s smartly drawn, expertly paced, and meticulously plotted, with a memorable, sympathetic lead character and a well-rounded cast of supporting players. More impressive still is that the horror elements feel fresh and surprising; this isn’t just another teen vampire manga. If you do give it a try, be prepared to squirm or cringe from time to time — not because it’s gory, but because it captures the special awfulness of being fifteen in vivid detail.

ASH: I’m with Kate. I don’t have much to add after such an eloquent description, but Happiness is definitely the manga release which commands my attention this week.

ANNA: OK, Happiness wasn’t on my radar before, but now it certainly is! This week would be much smaller without Kodansha’s digital releases, they are bringing back older unfinished series and producing more and more digital josei, which is a very good thing. My pick of the week is Kodansha’s digital program in general. I hope it inspires other publishers to bring out more titles that might be too noncommercial for print release.

MICHELLE: At the risk of sounding like a broken record…. Like 7SEEDS?!?!

ANNA: 7SEEDS!!!!!!!

MJ: So, first I have to decide whether I can forgive my co-bloggers for momentarily making me think that someone had actually licensed 7SEEDS. If I ever manage that, or indeed manage to recover from that brief moment of excitement, I will pick… something else? I haven’t started Happiness, but it sounds like I should.

Konosuba: God’s Blessing on This Wonderful World!: Love, Witches & Other Delusions

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Chūnibyō demo Majo ga Shitai!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

First of all, I would like to state, for the record, that it was Yen On’s decision not to use an oxford comma in the subtitle. I am merely replicating their choice. And if you think that’s a somewhat silly way to start a review, then you’re clearly not the right audience for KonoSuba, whose second light novel is content to replicate the choices of its first, showing that it is quite happy to have its dysfunctional cast behave badly in hilarious ways. Kazuma whines and moans (and tries to get laid with a succubus, which works about how you’d expect); Aqua is the brattiest goddess you’ll ever see (indeed, the book begins with a much nicer example); Megumin cares about explosions and nothing else, and Darkness’ masochism is in full force. There’s a hint the next book will advance what passes for a plot, but in the meantime, enjoy the antics.

The book starts off on the right foot – indeed, it may be my favorite part – with a story about a foolish young man, seeing Kazuma surrounded by hot girls and not much else, offering to switch parties with him for the day. Kazuma, who is no fool, accepts, and you’d think we’d stick with other guy and watch the fallout. But no, instead we follow Kazuma and see his normal day with a normal party. He uses his adventuring powers wisely, helps save the day, gains the respect of his teammates – it’s peaceful, heartwarming, and would no doubt be incredibly dull it it lasted any longer than it does. We then return and see the aftermath of Dust’s day with Aqua, Megumin, and Darkness… and yup, he’s begging to switch back. Predictable, but still hilarious.

Even when the book takes a turn for the slightly serious, there’s still gags lurking in the background. That’s a good thing, to be honest – this really isn’t a series you want to see depth and feeling in. Taking it too seriously would ruin the point. So when we get the climax with everyone fighting against the giant spider mecha with the bomb inside it, it’s undercut by the creator’s hilariously mopey diary about the building of the thing. There’s even some mild romance in this, though as ever I see the group as more of a family than anything else. When Kazuma requests a “dream visit” from a succubus, he’s clearly expecting Darkness based on his reactions – we’ve heard before that were it not for her masochism, she’s exactly his type – and Darkness’ atypical reactions seem to suggest she’s far more open to this than you’d expect a comedic harem girl to be. Of course, nothing comes of it…

The book ends on a cliffhanger, and the afterword is already announcing side-stories to be released (which have not, as of yet, been licensed here, I add for clarification). Clearly it was a runaway success in Japan. You can see why. It’s mocking a very popular Japanese light novel genre, and doing it well.

Toppu GP, Vol. 1

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By Kosuke Fujishima. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America by Kodansha Comics.

It is somewhat mindboggling that we did not arrive at this point a good 35 years ago. No one has put more effort into writing motorbikes into series that did not necessarily need a lot of motorbike attention as Kosuke Fujishima has. You’re Under Arrest was a buddy cop manga, but right from the start it was clear that both girls were about driving fast, and making their cars and bikes as fast as possible. Oh My Goddess! had goddesses, demons, heaven, hell, and so many motocross races it wasn’t even funny, to the point where entire volumes barely focused on anything but racing. Even minor series such as Paradise Residence or EX-Driver have found a way to show off bikes and souped-up engines. Yet somehow, Fujishima has never written a pure, modern-day racing manga until now. Can we blame Initial D?

For the most part, it’s been worth the wait. You can argue all you want that Fujishima sometimes skimps on characterization, but there’s no doubt the man knows how to write a race. The racing here is sort of like the dancing in Welcome to the Ballroom – exciting, understandable, fast, and it makes you want to find out more about it yourself. The hero, as you might guess from the title, is Toppu, a young kid who was just interested in building Gundam models and not much else. But he has two big things going for him to get him into the world of Grand Prix racing: a) an ability to analyze how to best race by merely watching others, and b) a massive crush on the girl next door, Myne, who’s a very talented GP rider and is convinced that Toppu could be even better. And, after finally getting on a bike to try it, he discovers a love of racing himself.

As you might guess from Toppu’s grumpy mug on the cover of this volume, he’s not exactly filled with the joy of everyday living. Myne makes up for that, being such a force of pure cuteness and verve that I had to check to make sure this wasn’t being written by Mitsuru Adachi. (Actually, like Adachi, I wonder if Myne might end up being a posthumous character as this goes on – Toppu’s “I hope you’re watching this” to the skies in the starting flashforward is ambiguous – but I suspect Fujishima is not the sort to kill off his cast quite like that.) She gets some development as well – when two brothers bend the rules in their favor to try to topple Toppu (say that three times fast), she goes after them in the next race out of pure vengeance – which she realizes, thankfully, pulling back and reminding herself of the joy of racing.

And really, that’s why you want to read this, more than the plot or characters. It is a giant love letter to motorbikes, their care and maintenance, and the way that they move around a track. I’m not sure when the next volume will be out – we’re already caught up with Japan – but I can’t wait for more.

The Asterisk War: The Phoenix War Dance

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Melissa Tanaka.

The Asterisk War, quality of writing or no, has a tendency to be overly cliched. Sometimes, in fact, it’s so cliched it actually throws me off my game and surprises me. We’re introduced to a pair of sisters here, who end up fighting Ayato and Julis towards the end of the book. Given that we first meet the older sister literally chained up in a subbasement, I expected her to be the barely controllable psycho one gets chained up in subbasements. As it turns out, she loves to fight, but is far nicer than it would seem (though she was right to ditch the weapon trying to overpower her mind). As for the younger sister, I naturally expected her to show that the sweet girl act was a facade, and that she was really the evil one and the brains of the outfit. Hope. She’s just as sweet as she seems, and is there to cook and be rescued. You can second guess yourself on how cliched this book can be.

This is not to say I did not enjoy the book – I did. It’s as deep as a puddle, but that’s not what I’m looking for. Actually, the one time I think that the book really succeeded in creeping me out was when Claudia (who gets the cover art this time) explains the price she pays for the ability to use her weapons, and what it does to almost everyone who isn’t her. One wonders just how much of the flirty yet manipulative student council president is an act – though probably not much, I’ve already learned my lesson on second guessing myself. As for the rest of the harem, Julis is tsundere, though as always it’s a mild case; Saya is cool and seemingly stoic, and Kirin is shy, and they all still like Ayato a lot. I suspect we can also add Priscilla by the end of this book. Ayato is, of course, completely unnoticing, not getting at all why the girls want him to rub their head.

As you may have gathered, we’ve entered the tournament arc part of the story, and it appears it’s going to last more than one book. This allows us to see Ayato and Julis curbstomp a few opponents into the ground, as we know that they’re going to make it close to the finals as, well, they’re the heroes. In fact, given Julis’ wish, I suspect they pretty much have to win. Not so for Saya and Kirin, and I was pleased to see that they also live to fight another novel. Of the new characters, easily the most memorable – even more than the sisters who are the focus of the book – are the two AI robots, who seem deliberately written to be cartoon cliches. In fact, their interaction reminded me a lot of The Poet and Sickle from the later Baccano books, though thankfully Ardy does not speak nearly as floridly as the Poet. They to pummel their way through the contest, and I suspect we’ll get a confrontation between them and our heroes soon.

To sum up, this book is much like the last two books – hilariously unoriginal and yet fun to read in spite of that. It’s the perfect book to take on a vacation – just be aware the books are short, you’ll likely need to take something else as well.

Ghost Diary, Vol. 1

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By Seiju Natsumegu. Released in Japan as “Kaidan Nikki” by ASCII Media Works, serialized in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Krista Shipley, Adapted by Shannon Fay.

For a while now, there has been a war going on in manga, though some may not have noticed it. Here at Manga Bookshelf, though, we pride ourselves on observational skills, and have watched the fallout with much interest. I am referring, of course, to the battle between manga being licensed about yokai and manga being licensed about monster girls. Both seemingly involving the same thing, but in reality these are very different beasts. Monster Girl series, with one or two exceptions, show us various types of creatures living alongside humans in society, while yokai series tend to involve humans investigating said creatures as dangerous and mysterious phenomena. Ghost Diary ran in Dengeki Daioh, so honestly I was expecting the former, but make no mistake about it, this is a relatively serious work, and its dark turns surprised me.

The plot involves a group of high-school occultists who go around searching for mysterious things. That said, most of the club are there to fill out the cast, and the real stars are Kyouichi, a teen exorcists who is haunted by a tragic past, and Mayumi, the standard cardboard cutout tsundere who likes him. Kyouichi’s older sister disappeared after a battle with a yokai that was coming after Kyouichi himself, and he’s vowed to find her. Luckily, he has help. Unluckily, it’s the worst kind of help. Chloe is a grim reaper who seemingly wants to find Kyouichi’s sister as well so she can get her memories back, and offers to help him out when he needs it, to the point of moving into his house. Unfortunately for Kyouichi, Chloe is not going to be one of those quirky mentors you see so often in these sorts of series.

As you may have guessed by my brief snarkiness in the prior paragraph, I wasn’t all that impressed with the love interest in this series, and the rest of the club is also a bit underwhelming (even the shy girl who speaks through her doll has been done better elsewhere, though I admit the overweight yakuza is new). But make no mistake about it, you want to read this manga for the relationship between Kyouichi and Chloe, as she kills his friends (then resurrects them, to be fair), destroys what might otherwise have been a heartwarming chapter about a dead baker who was moved by Kyouichi’s sister, and otherwise behaves like she may be the villain of the series. But she may not be – certainly at times she does behave very much like the mentor she wants to be, and it’s unclear if she’s the antagonist of the whole series or just a horrible creature. I want to see more of her.

This series is not for everyone – the last chapter has some disturbing rape threats from a man trapped in the body of a prepubescent boy – but overall I was pleasantly surprised. This is a dark take on a genre that already gets pretty dark. And it’s only three volumes, so I’m definitely interested in finishing it. Let’s hope that Kyouichi can survive it.

Manga the Week of 4/26/17

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SEAN: For a non-Yen final week of the month, this is pretty ridiculously busy.

J-Novel Club has the 2nd volume of The Faraway Paladin, whose first volume I greatly enjoyed. Looking forward to this more serious take on the ‘reincarnated in another world’ genre.

Kodansha has piles of new volumes for fans of their old Del Rey series out digitally. Gakuen Prince 12, Nodame Cantabile 18, Princess Resurrection 12, Pumpkin Scissors 11, and School Rumble 19.

ASH: Oh! Nodame Cantabile! I actually still have the volumes that Del Rey released; glad I’ll be able to finish the series. (Though, as always, I will continue to hope for a print edition, as unlikely as it is.)

SEAN: There’s also new digital volumes of their newer series. The Full-Time Wife Escapist 2, House of the Sun 4, and Peach Heaven 2. Definitely interested in more Wife Escapist, which I really enjoyed.

MICHELLE: Yay for Nodame and House of the Sun and escapee wives!

ANNA: I can’t believe I’m so far behind in digital releases, wait, it it is totally believable. Sounds like I need to check out the Full-Time Wife Escapist for sure.

SEAN: In new digital releases, though you can’t seem to preorder them yet, we have DAYS, another soccer manga from the creator of Over Drive that runs in Weekly Shonen Magazine.

MICHELLE: Being sports manga, I am of course duly excited for DAYS. In fact, I think I’ve now officially lost count of how many sports manga series are being released here.

ASH: I’m enjoying this surprising sports manga renaissance, too!

SEAN: And there’s also Tsurezure Children, a 4-koma romance series from Bessatsu Shonen that deals with a varied cast. It looks cute.

In print Kodansha, we have the 21st volume of Attack on Titan. Will we finally get to that pesky basement of Eren’s dad?

ASH: One of these days, maybe!

SEAN: The 4th and final volume of the Fairy Girls spinoff is out.

And a 4th volume of Happiness.

ASH: I already need to get caught up with Happiness. I’m not especially interested in vampires, but I really liked the first volume.

SEAN: Seven Seas has an 11th volume of D-Frag!. Get your tsukkomi ready!

And also a 12th Devils and Realist.

Magical Girl Apocalypse has somehow made it to 11 volumes, despite all the hate rays coming from my eyes.

And Monster Musume has a Vol. 11 as well.

Mushoku Tensei: Jobless Reincarnation’s 5th volume will satisfy fans of (again) reincarnated in another world series.

And My Monster Secret has a 6th volume. I always look forward to this series.

Vertical has the 3rd and final volume of the Bakemonogatari novels, this one focused on Tsubasa Hanekawa, the bespectacled class president. Fear not, though, Nisemonogatari begins in June.

Vertical Comics has the 8th and I believe final omnibus of Tokyo ESP.

Viz has a digital only debut this week: ēlDLIVE, a shonen sci-fi series from the creator of Reborn! and will likely appeal to fans of same, though I’m not sure if it has as much BL tease as Reborn! did. It’s definitely harder to type, though.

Yen Digital has a 9th Aoharu x Machinegun, and a 10th Corpse Princess.

Lastly, Yen On shuffles out four more volumes of the Spice & Wolf novel series digitally – Books 11-14.

April brought a shower of manga and light novels. What are you getting?

Baccano!: 1932 Drug & The Dominoes

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By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

This was the final Baccano! light novel that was used in the 2007 anime adaptation, but even if you’ve seen the anime you should read this anyway, as it’s startling how much was left out and how much was changed. The anime needed a little bit more plot to add to its “let’s move back and forth between various time periods” style, and Eve’s subplot seemed to fit the bill. They had little to no use for Roy Maddock and his drug addiction, though, and so he was completely eliminated. Which is a shame, as while I have little use for Roy himself, who is not as interesting as virtually everyone else in this book, his girlfriend Edith is awesome, and having Roy also means we meet Kate Gandor, Keith’s wife – and actually hear Keith speak more than a few lines of dialogue!

Eve Genoard, younger sister to ne’er-do-well Dallas, is front and center on the cover, and I’d wager that she gets to have the hero’s journey here – as I said before, Roy is a bit too flat for me to really grant that to him. You could argue that Luck Gandor may also qualify – he’s worrying that he’s lost an essential humanity since becoming immortal, and it’s through dealing with Eve and the Runoratas that he comes to accept who he is now and realize that he hasn’t changed as much as he thought. He’s certainly unrepentant about what he did to Dallas – who, let’s remember, killed several men in the Gandor mafia clan – but he allows Eve a chance to possibly rescue Dallas from his watery grave. (Luck wonders why he was so soft-hearted, which is hilarious given that earlier in the book, all three Gandors were terrified about the idea of having to punish a woman, mafia-style, for betrayal – they end up giving her a haircut.)

This happens right after the last two books – in fact, the first third of it actually happens before the last two books, as it begins in late December 1931 and ends in early January 1932. And we do see characters from the previous books. Isaac and Miria have a smaller role than usual, but it’s their theft of the Gandor Family Fortune which sets most of this in motion, and their obsession with dominoes that gives us some more comedy, though I think it’s REALLY OBVIOUS that Narita only added that plot so he could use the title, which comes from Eric Clapton’s band Derek and the Dominoes. Firo spends most of the book grumbling and whining, which seems a bit out of character for him. And we also see a few people who look like they’re being introduced for future books, such as Tick, the Gandor family’s smiling torture specialist, and Maria, a walking Mexican stereotype who can’t stop saying “amigo” but who is a lot of fun anyway. The Daily Days also get a lot more here to do than usual, and the one morally dubious guy of their bunch gets his after a ride on the Rail Tracer express (not lethal, for once).

That said, the book ends with a sort of tragedy, and it involves another immortal who appears throughout the book – Begg, who seems to have been one of Maiza’s group who became immortal back in 1711. He’s now the Runorata family drug expert, and spends his years trying to perfect a drug that will make everyone live in their own happy world, with no problems or worries. Given the halting, jittery way he speaks, you get the feeling he’s tested a lot of drugs on himself. And, despite an attempt at a heartwarming scene with Czeslaw (which is also rife with foreshadowing), in the end we see him at the start of the 21st century, burned out in an institution, barely able to respond to Maiza. Immortals may live forever, but they can still damage their mind, and it’s sad to see, even if you question the entire premise of what Begg wanted to achieve.

All in all, a good addition to the series, with lots of fun stuff happening, though I don’t think it hits the heights of Book 2. Next time we’ll move forward a bit – quite a bit – and see what the cast is up to in 2001.

Yona of the Dawn, Vol. 5

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

In general, I’m always a bit wary of ‘chosen one’ narratives, which Yona of the Dawn is shaping up into being. The difficulty is striking a balance between following the chosen one because you know they will be a good person who can change the world, and following the chosen one out of a literal compulsion you can’t control that draws you to them. Yona of the Dawn tries to have this both ways, and I like that the new Dragon, Jaeha, is reluctant to follow his supposed destiny, being very happy being what he is, which is a showboating, girl-loving pirate with the classic Hana to Yume “sleepy eyes”. Of course, this is still a shoujo manga, and thus the cliffhanger has him running into Yona and immediately his heart skips a beat, because of course it does – if you’re going to write romance cliches, do them properly.

Meanwhile, as predicted, the Blue Dragon decides to come with them, and even gets named by Yona, who is, of course, still the Chosen One but balances this out by being caring and loving and sweet and nice, etc. Names turn out to be pretty important in this book, as the male cast who aren’t Hak gradually start to call Yona by her first name. Hak is an exception, though, and this is the best scene in the volume, as Yona tells him the reasons that she wants him to still call her “your highness” and treat her as royalty. It’s so that they don’t forget her father or what he did. This is immediately followed up with the heartbreaking revelation that most people in the country seem to regard the late King with contempt as a terrible King, much to Yona’s distress. (In reality, putting the distance between her and Hak may be authorial fiat – let’s face it, this is a reverse harem manga with an obvious endgame, and it’s best to delay it as much as possible.)

Most of this volume is, of course, the standard quest, as Yona and company continue wandering the land hunting for Dragon Warriors. This means that they have to stop and fight injustice whenever they can, of course, even if they’re supposed to keep a low profile (Yona’s red hair really does not help with stealth missions). The humor in this book is fairly predictable, mostly revolving around Hak’s inability to practice what he preaches, and everyone (including Yona) seeming to think that he spent time in a brothel, much to his frustration. Jaeha looks like an excellent addition to the cast, balancing nicely with the other guys’ personalities. This of course assumes that he does join the main cast, and I suspect the next volume will show us Yona trying to convince him of the righteousness of her cause.

In the end, this is another top-notch volume of Yona of the Dawn, which continues to be one of Shojo Beat’s best series.

Bookshelf Briefs 4/17/17

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The Demon Prince of Momochi House, Vol. 8 | By Aya Shouoto | VIZ Media – Even though they both involve a girl with modest spiritual powers and a sexy, white-haired, fox-eared ayakashi guy, The Demon Prince of Momochi House is quite a distinct entity from Kamisama Kiss. That said, this volume’s plotline is somewhat reminiscent, as Himari goes in search of Aoi’s past in order to help him with a present predicament. What she finds out is quite sad, as readers likely expected, but the part I liked the best was when she was presented with the choice to either delve into Aoi’s past or her own. After indulging in a single pang for the things she was passing up, she chooses Aoi without hesitation. I always seem to say that this is Shouto’s best series by far, but it continues to be true. – Michelle Smith

Domestic Girlfriend, Vol. 1 | By Kei Sasuga | Kodansha Comics (digital only) – This manga begins with the hero losing his virginity to a girl he just met, a somewhat unusual start for a romantic drama. Said hero, Natsuo, has a crush on his young teacher, and hopes this might get it out of his system. He then finds out that his father is remarrying, and the new wife is bringing along her two daughters. If you guessed the girl he slept with, one point, but you get ten points if you guessed that the teacher is ALSO now part of his family. And so begins a torrid soap opera of a manga. I found it worked best when not focused on the romance—Natsuo’s attempts to help stoic Rui make friends was hilarious, as was his dramatization of two people having an affair. A decent start, recommended for those who like more mature titles. – Sean Gaffney

Kuroko’s Basketball, Vols. 9-10 | By Tadatoshi Fujimaki | Viz Media – There’s a lot of character development in this omnibus—everyone’s trying to improve, even Kuroko, who’s practicing a secret move. We also get even more new characters, one of whom thankfully has long hair so I can easily pick him out from all of the crew-cut guys in this series. The sports manga cliches are all present and correct, but they’re well done—one of the best ways to tell a sports manga is exceptional is that you care equally whether they’re in a game or not. The game provides the cliffhanger, though, as Seirin gets a rematch with Shutoku and we find out that Midorima has been working on improving as well. Each volume seems to coincide with a desperate cliffhanger—bring on the next one. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 23 | By Shinobu Ohtaka | Viz Media – I knew we’d get more flashback here, but I wasn’t aware it would take up all of this volume (and presumably some of the next). In addition to hooking up Solomon and Sheba (who no doubt have Aladdin as their child), a romance that is honestly a bit rushed and underdeveloped, we also get discussion of the difference between a strong leader who rules with the will of the people and a king who rules by fiat. Solomon wants to avoid becoming power mad, a good lesson to learn, and is not being helped by everyone asking him to essentially be their chosen one. Meanwhile, David is still around, and not quite dead. A lot of good stuff, and even a bit of humor, but I’m wanting to get back to our main cast. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 23 | By Shinobu Ohtaka | VIZ Media – Aladdin’s tale of the fate of Alma Tran continues. Solomon was the son of King David, an arrogant and authoritarian ruler, and desperately did not want to become like him. He strove to unite all species, aided by several faithful companions, including powerful magician girl named Sheba who falls in love with him. In time, he ends up reluctantly accepting the mantle of kinghood, and fathers a child with Sheba who I am assuming will turn out to be Aladdin. It’s not that it isn’t a compelling story, but it drags in spots when delving into deep discussions of rukh, and it still isn’t over, as the volume ends on a cliffhanger. I continue to be impressed with how complex Magi is for a shounen manga, but this might be a better volume to read when you’ve got the next one handy. – Michelle Smith

Pandora in the Crimson Shell: Ghost Urn, Vol. 7 | By Shirow Masamune and Rikudou Koushi | Seven Seas – Lots of action this time round means less wacky fanservice comedy, though there is an “activation” sequence, and the villain finds that opening what he thinks is the final firewall to what he wants merely uploads Buer’s upskirt pics to the entire world. Fortunately, most of it really is the cool action sequences, which are reasonably well done and clever, and show strong heroes and easy-to-hate villains. Lots of amusing cameos as well—in addition to Kabapu and his secretary as always, I saw “Sader” at one point, as well as Tatsuya and Miyuki from Mahouka. Pandora will always be a combination of mecha (Shirow), fanservice (both authors), and whatever the heck Rikdou wants to do. Pandora is Pandora. – Sean Gaffney

Pick of the Week: Endings and Beginnings

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SEAN: An avalanche of stuff this week. Baccano!, Horimiya, Sword Art Online… so many things. I think I have to go with the final Fruits Basket, which has been a fantastic re-release, and one of the best shoujo out there. Buy it and be frustrated by the final side pairings!

MICHELLE: I love Horimiya and Liselotte and Fruits Basket, but my most exuberant squee is reserved for the latest omnibus of Yowamushi Pedal!

KATE: I don’t know much about Yokai Diary, though the cover art and promotional blurb irresistibly remind me of the kind of manga TOKYOPOP used to license by the truckload. Count me in for this one!

ASH: I’m definitely torn this week. Like Michelle, I’m probably most excited for Yowamushi Pedal (and the wait between omnibuses seems far too long), but like Kate, the debut of Ghost Diary has definitely caught my attention.

ANNA: Ghost Diary does look interesting, that will have to be my pick as well!

MJ: There’s a big part of me that wants to go with Ghost Diary but the cover art has me all conflicted… Do I trust Seven Seas enough to give it a shot? I don’t know. In the interest of safety, I’ll join Sean in celebrating the last of the gorgeous Fruits Basket omnibus series. I’m pretty thrilled with that.

Paying to Win in a VRMMO, Vol. 2

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By Blitz Kiva and Kuwashima Rein. Released in Japan as “VRMMO wo Kane no Chikara de Musou suru” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

Having established its premise and characters in the first book, the Paying to Win series goes about trying to tweak and fix a few things that weren’t as strong as they could be in the second. This involves a) introducing a new potential love interest who isn’t in middle school and Ichiro’s cousin, and is also able to be a little more critical of Ichiro’s callous lack of tact; b) have a flashback to show us how he managed to get so ridiculously leveled up before Asuha was able to join him, and also explain things like how he got a suit of armor that is literally a business suit. But most importantly, and most effectively, this second volume doubles down on showing you how obviously, knowingly, and teeth-grindingly irritating Ichiro is to everyone and everything around him, and the effect this has on both the secondary characters and the reader.

I cannot emphasize this enough: holy Mother of God, Ichiro is annoying. You will want to punch him in his cool, smug, self-satisfied face multiple times as you read this book. It’s far more clear in this second novel that it’s deliberate, and reader sympathy is meant to be with the young gamer and wannabe fashion maven Iris rather than him. He is the sort of character that, were he an antagonist or a villain, would receive the absolute best retribution possible, possibly while screaming “THIS CANNOT BE!!!”. Sadly, Ichiro is the hero, and the book’s whole purpose is that he really is this good at everything. Only King Kirihito was able to actually challenge him in the game, and since this is a flashback to the previous week, you know that he’s going to succeed at everything ridiculously easily here. That said, I liked his insistence that it doesn’t matter if Iris’ butterfly brooch is aesthetically good or not – he likes it, so therefore it’s fine.

Iris herself is a good character, far more developed than Asuha/Felecia, mostly as she gets to express everything the reader wants to. Every time Ichiro praises her creations, it sounds like he’s really calling them awful, simply due to how bluntly he speaks all the time. I liked the glimpses of her real-world life, and showing off how talented kids who are used to being the center of attention can get crushed when they go to a school that specializes in talented kids and realize other people are, in fact, better than they are. She also has a nice sense for biting retorts, as I’ve said. The author’s afterword says that webnovel readers have nicknamed her “the Evil God”, and I look forward to seeing why, though I can hazard a guess or two.

Other than Iris, the main reason to plow through this book despite Ichiro is the writing style – it’s funny and assured, and the narration has its own distinct voice, something I always enjoy. This is also due to the translation, of course, which is excellent – probably my favorite J-Novel Club translation to date in terms of noticing the quality (though Sera did get gendered at one point, which only serves to remind us how ridiculously difficult it is to avoid giving away gender in English). Recommended to anyone who loves seeing smug jackasses win effortlessly and be smug about it. Also, bonus points for having Voltron show up, only one volume after the SAO sentai team parody.

The Water Dragon’s Bride, Vol. 1

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By Rei Toma. Released in Japan as “Suijin no Ikenie” by Shogakukan, serialization ongoing in the magazine Cheese!. Released in North America by Viz Media. Translated by Abby Lehrke.

Holy catfish, this is dark. Don’t be thrown off by the cutesy picture of the heroine looking adorable on the cover, this is a fantasy that comes close to pure horror at times. Starting off with every parent’s worst nightmare, we move from crisis situation to crisis situation, and it’s a small miracle that Asahi (the aforementioned heroine) manages to be as strong as she does throughout. The water dragon in question is one of those “what are these strange things called human emotions” types, who has to be reminded of things like “humans eat in order to stay alive” She manages to find a good friend in a small village, but sadly Subaru’s mother comes from the School Of Evil Moms (TM) and Asahi ends up in probably worse trouble than if she’d just stayed hidden. There’s a lot going on here, so it’s a good thing you can’t tear your eyes from it.

We actually start off in modern times, as Asahi is a normal and seemingly somewhat spoiled girl who ends up being literally dragged into her family’s backyard pond by a wave of water and winds up in a fantasy-style world. (I have a sneaking suspicion the parents will never be seen again, and shudder to think of their reaction to their daughter literally vanishing when they turned away briefly.) Luckily, she meets Subaru, a nice young kid about her age. Sadly, she has pink hair and purple eyes, something that this world does not seem to have run across, and therefore must be EEEEEVIL. As a result, they perform a ritual to the local Water God and offer up Asahi, which is to say they tie a large rock to her ankle and throw her to the bottom of the lake. Then she meets the Water Dragon, who reminds me a bit of Ayame from Fruits Basket. Sadly, it’s Ayame before he grew up and wised up, so he’s pretty much a callous jackass.

Things move on from there, and I won’t keep describing the plot, but I will once again say that there’s some amazingly traumatic stuff in here, and the artist captures it beautifully. Asahi’s sacrifice, the starvation, the skeletons in the water, the hallucinations of each other that she and Subaru see… there’s a good reason this runs in shoujo/josei hybrid Cheese! and not, say, Ribon. That said, it’s not all doom and gloom, mostly thanks to Asahi’s basic spunky personality, as even when she’s despairing she still tries hard. And there are a few laughs in the book, mostly involving the Water God getting roundly mocked by the other nature gods for being, well, a petulant manchild. I have no doubt that his maturation, with the help of Asahi, is the point of this book. That said, Asahi is about 8-9 years old, so if it does end up being a romance I’m rooting for her kid friend rather than the God. I suspect a timeskip in the near future.

In short, I was somewhat blown away by this new series. Dark it may be, but I can’t wait to read more.

Manga the Week of 4/19

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SEAN: It’s another one of those weeks next week. Hunker down.

We start off with J-Novel Club, which has the 3rd volume of Grimgar of Fantasy and Ash. This is the first book that wasn’t adapted to the anime (which stopped with Book 2), and is apparently even more grim than Grimgar normally is.

Kodansha has its usual plethora of digital-only license rescues next week. Alive 13, Gakuen Prince 11, Pumpkin Scissors 10, and Yozakura Quartet 9.

ANNA: I liked some of these when they were coming out, but probably not enough to snag them as digital only. Still, this is so nice for fans of these series who were left in limbo before!

SEAN: If you enjoy Attack on Titan’s anime adaptation, which has just started up again, Kodansha has Attack on Titan: The Anime Guide.

And Attack on Titan: Before the Fall has now reached double-digits, and still has more plot to go.

ASH: Overall, I do like the Before the Fall manga more than I like the original light novel; it seems more well-developed to me.

SEAN: Kodansha had some digital-only debuts THIS week, which I didn’t mention last week as Kodansha didn’t announce them till the day they came out, much to my frustration. The first is Domestic Girlfriend, a shonen romantic drama from the creator of fan-favorite GE Good Ending. It’s the shonen equivalent to those “shoujo potboilers” I talk about.

The second is a more familiar face: GTO: Paradise Lost has its first volume out. This has been running on Crunchyroll’s manga list for some time. It features Onizuka… in jail?

MJ: Hmmmm, I’m always a fan of GTO, so I may check this out.

SEAN: Back to next week: Kiss Him Not Me! has also reached double digits, and will likely go longer now that Kae has been reassured she doesn’t have to worry about stringing her guys along.

Maga-Tsuki has 13 volumes, and this is the 7th, so it’s the halfway point.

And there’s a 4th Welcome to the Ballroom, which I expect features our lead collapsing in exhaustion.

MICHELLE: Heh.

ANNA: Already behind on this series!

SEAN: One Peace has more than one title out this week! The first is the 4th volume of heartwarming, oddball, and sort of creepy Kuma Miko.

And there’s a 7th volume of Rise of the Shield Hero, for those who like isekai-style male power fantasies.

Seven Seas has an 11th Dragonar Academy.

Ghost Diary is the debut from Seven Seas, a supernatural fantasy from Dengeki Daioh that, at 3 volumes, is at least short. That said, it looks more on the Ancient Magus’ Bride end of the spectrum.

ASH: I’m really curious about this one! (Also, I didn’t realize it was only three volumes.)

ANNA: Huh, that sounds manageable.

SEAN: I missed a SuBLime title last week; they also have a 2nd volume of Spiritual Police.

MJ: Somehow I must have missed this first volume. But based on the title alone, I’m inclined to check it out.

SEAN: Vertical Comics gives us a 4th volume of Immortal Hounds.

Viz has a double dose of Tokyo Ghoul. Not only do we get the 12th volume, but we also get another novel based off the series, called Past.

And now let’s jump into Yen, starting with the light novels from Yen On. The Asterisk War has a 3rd volume of magical school battles.

Baccano! has a 4th volume the last one to be adapted to the anime. That said, the anime cut about half the novel from its adaptation, so there’s lots of new content for fans to get into here.

Black Bullet’s 6th volume wraps up another two-volume arc. Will it be depressing? Bet on it.

The Devil Is a Part-Timer! has a 7th volume that is composed of short stories set towards the start of the series.

Goblin Slayer’s 2nd volume promises a lot more… well, goblin slaying.

The Irregular at Magic High School’s 4th volume will wrap up its tournament arc, and is a very long book. It would be the longest out this month except…

Is It Wrong To Try To Pick Up Girls In A Dungeon? tops it, with this 8th volume (ALSO composed of short stories) hitting 400 pages or so.

KonoSuba rolls out its 2nd volume only two months after its first (I think the first was meant to be December), and hopefully will be as hilarious as that first volume was.

The debut novel is much anticipated. Rokka: Braves of the Six Flowers, a fantasy with heroes and stuff that… OK, I know extremely little about, but I look forward to finding out.

Sword Art Online has a 10th volume, and Kirito is still stuck in Alice-land. Will he and Eugeo be able to rescue her? And will our other regulars get mentioned at all?

MJ: i have fallen way behind in my SAO reading… going to have to fix that.

SEAN: As for Yen’s manga titles, there’s a 10th Akame Ga KILL!.

Alice in Murderland has a 6th volume of very very pretty looking murder.

Aoharu x Machinegun has a 4th print volume.

ASH: So far I’ve only read the first volume of Aoharu x Machinegun, but I found it entertaining and so plan on reading at least a few more volumes.

SEAN: And A Certain Magical Index’s 9th manga volume is adapting the 7th light novel.

Fruits Basket’s Collector’s Edition comes to an end with the 12th and final omnibus. Given the series only had 23 volumes, I expect there will be a lot of extra content at the end to fill it out.

ASH: I’m really glad that Fruits Basket is back in print again. I’ve been meaning to give it a re-read; looks like the time is right for that.

MICHELLE: There was at least one fan book, and maybe two. So I guess a bunch of that stuff will be at the end.

MJ: So much love for this. So much.

ANNA: Looking forward to fan books!

SEAN: Horimiya’s 7th volume will have great romantic comedy and hopefully not have the binding fall apart on me like the 6th volume did.

ASH: Oh, no!

MICHELLE: Yay, Horimiya!

SEAN: KonoSuba also has a 3rd volume of its manga adaptation.

Liselotte & Witch’s Forest has a 4th volume, for a double shot of Takaya.

And everyone’s favorite guilty pleasure, Scum’s Wish, has volume 3.

ASH: I was surprised by how much I enjoyed the first two volumes.

MICHELLE: Me, too.

SEAN: Taboo Tattoo has a 6th volume, and I’m sorry this is starting to sound like a broken record, but I have little to say about these titles.

And I believe this is the 3rd and final volume of survival game manga Tohyo Game.

Finally, Yowamushi Pedal gives us a 5th omnibus or this cycling manga and its desperately earnest hero.

ASH: Woo-hoo! I enjoy Yowamushi Pedal so much! I wish there wasn’t such a wait between omnibuses.

MICHELLE: Same! For a series so long, even the omnibus treatment is going to take forever.

SEAN: That’s a ridiculous amount of manga. Are you getting any?