Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

The Combat Baker and Automaton Waitress, Vol. 1

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By SOW and Zaza. Released in Japan by HJ Bunko. Released in North America by Bookwalker. Translated by David Musto.

I wasn’t quite sure what to expect from this series, the first to be licensed by Bookwalker directly from Japan. I had seen it on HJ’s site a while back, and thought it might make a good license at the time due to one specific reason: it didn’t appear to be an isekai, which light novel licenses were currently drowning in. (Still are, to be fair.) I wondered if it would end up being something of a foodie book, focusing on the making of the bread and daily life of the bakery. In fact, it’s nothing remotely like that. But that’s OK, because I genuinely enjoyed what we get, which is a darker story about a country recovering from a vicious war that spanned the continent, the scars it left behind, and one of its veterans trying to repent for his sins with delicious bread.

The baker is Lud, a former soldier who was responsible for much of the devastation and death, and also happened to be on the winning side. He was never happy with it, though, starting off as a child soldier, and his biggest regret is being unable to save the bakery he had stayed in for a spying mission at one point. After the war, he settles into one of the neighboring countries and decides to open his own bakery. There are a few problems with this. 1) He has a face like a hardened combat veteran, and has trouble making his smile not seem like a threat. 2) The town in question is avoiding him and no one will buy his bread. His only friends are Jacob, a young man who stops by on occasion to buy some bread and snark at him, and Marlene, who is the nun in charge of the orphaned kids. Things are looking pretty bad, that is until he hires a young, highly enthusiastic, and extremely odd waitress named Sven.

Sven’s true identity is not unknown to the reader, as it’s the first scene we see in the book, but it is unknown to Lud, who finds her a good employee and friend, but doesn’t connect the dots to his former life till the very end. Sven herself has a very easily triggered jealous and possessive side, but given who she is and her newfound state, this is actually a bit more acceptable than most clingy jealous girls. The large majority of the book is dedicated to the fact that the war may technically be over, but there are still aftershocks spreading through this continent that is clearly meant to be Europe, only not. Neighboring countries that sound suspiciously like Russia are sending in terrorists as moles, or using old men with a chip on their shoulders to repair tanks, or searching for evidence of the old, world-conquering civilization that used to exist a thousand years ago. The book does a very good job keeping the reader’s interest through this, and it reads more like a thriller than a wacky romantic light novel.

Translation was good, on the whole – there were a few times I saw Lud’s name as Luke, but apparently Bookwalker are already fixing that (the benefits of being a digital publisher). As for the heroine being named Sven, well, that’s the Japanese author’s fault – if you can accept Jacuzzi Splot, you can accept this. I will note that I think the book’s formatting works better on a larger tablet than it does on a phone, so Bookwalker readers may want to try reading it that way. On the whole, though, a very good debut, and I look forward to seeing more of the series, which is 6 volumes in Japan.

Land of the Lustrous, Vol. 1

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By Haruko Ichikawa. Released in Japan as “Houseki no Kuni” by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America by Kodansha Comics. Translated by Alethea Nibley & Athena Nibley.

This was a trip. I wasn’t sure what to expect going in, as I didn’t know much about it beyond “fighting gems” and that it’s been nominated for awards. Indeed, Kodansha even says it’s for fans of Steven Universe, presumably because, well, gems. I can see some similarities, but really, this manga is its own thing, and calling Phos and Steven similar lead characters seems a bit insulting to Steven. As for the plot, I honestly found it to be somewhat confusing much of the time, not really a surprise when it’s the first volume. But there are a few very good reasons to read this. The first is that the author is very good at depicting tension and frustration between two different characters, as our lead goes around and annoys everyone into submission. Secondly, the art is really nice, and conveys a sense of wonder and a sense of horror depending on where you are in the story.

The basic premise is that gem people are fighting against Moon creatures. They seem to fight based on the hardness of their base gem – the harder the better. Our lead gem is Phosphophyllite, who is most assuredly NOT on of the hardest gems – indeed, they’re known for being rather fragile and brittle. Phos is also a bit of a ditz, whiny, selfish, and lazy, which makes it very diffifuclt to find them a job. Fortunately, the sensei who’s in charge of the gems has come up with something: Phos will compose a natural history of their world. This seems, on the face of it, a idea that is both good and bad. Good because it’s the sort of this that plays right into Phos’ skill sets, and bad because Phos really has no skills sets beyond “people seem to like them”. Really, what it is is an excuse to have Phos wander around and interact with the other gems, such as the reclusive Cinnabar or the beautiful yet secretly self-loathing Dia. In the second half of the book, Phos accidentally gets eaten by a slug creature, and after everyone spends a long time figuring out how to get them back, now has… the ability to communicate with it? Maybe?

As I said earlier, this isn’t really a title I’m reading for the plot. It also has to be said, for those who get easily annoyed at selfish characters who clearly are going to grow and change as the series goes on, Phos starts out REALLY irritating, and you can easily understand some of why they’re treated so poorly. But not entirely all of it – Phos is also bullied in many ways, and the excessive verbal abuse heaped on them seems a bit much. Even those characters who do seem to like Phos, such as Cinnabar, show this affection by being even meaner than the others, though that ties more into Cinnabar’s self-hatred and suicidal tendencies than anything else. (The gems seem to be genderless, and I’ve done my best to avoid gendering them when writing this review.) To sum up, I’m not entirely sure where this is going, but I find the character interaction excellent and the art captivating. Which is all you can ask of a Volume 1, really.

Nisemonogatari: Fake Tale, Vol. 1

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by James Balzer.

The afterword of this volume of the Monogatari series says that Nisioisin never intended for it to be published, but just wrote it for his own amusement. I hate to call an author a liar, but just reading the text of this first volume of Nisemonogatari makes me think he’s full of it. The book is filled with efforts to make this short series into a much longer one, adding onto running gags and deconstructing them, taking existing characterization and flipping it on its head or making it more ominous, setting the stage for new plot points to be carried over to future books, and the endless references to the fact that the books recently had an anime greenlit, right after the first set of books kept joking about the idea of the characters being in an anime. Nisemonogatari’s metatext is thick. Fortunately, its text is also good, showing off Araragi’s sisters, and how they’re far more like him than he’s comfortable with.

Fitting given that he has two sisters, the Nisemonogatari series is split into two books, and this is the first one, Karen Bee. Karen is his “older younger sister”, and is almost the definition of ‘dumb muscle’, a karate black belt devoted to justice and righting wrongs who seems to forget that she’s just in middle school and that actual villains can run rings around her. She’s a nice kid, but you can see why Nisioisin spent so much time re-introducing the rest of Bakemonogatari’s cast; there’s just not enough in her to justify the 300 pages or so that this book consists of. We also get a better glimpse at Tsukihi, the “younger younger sister”, who Nisio is clearly far more fond of writing, mostly as she’s able to go toe-to-toe with her older brother in the only battle that really counts in any works by this author: wordplay. Tsukihi’s mood swings and temper tantrums will be looked at in more depth in the following book.

As for the rest of the cast, again, they’re shifting from “this is a series of short stories, each about a different girl” to “this is a long-running series that will have several books after this. That doesn’t change the fact that Araragi and Senjogahara are still a couple – indeed, some of the best scenes in the book feature the two of them. But we see that Hanekawa and Senjogahara have clearly had “a chat” in between books, and that – despite Sensjogahara’s attempts to exaggerate it in order to make us dismiss it – there is clearly major tension between them. Possibly because, as Kanbaru states midway through the book, Araragi and Hanekawa are the more obvious couple. Hanekawa herself has cut her hair and gotten contacts in order to show she’s moving on from Araragi, but I’m not sure how much I buy it – she’s willing to say she loves him to his face, but it’s not a confession per se.

Oh yes, can’t forget Shinobu, who has finally decided to stop sulking and become the extremely talkative haughty vampire we met in Kizumonogatari, and she’s not going to let looking like an eight-year-old stop her. She gives Araragi a way to discuss oddities now that Oshino has left town – she gives advice on the supernatural, while Mayoi, who is a wandering ghost, ironically gives advice on more down to earth things like love. And Nadeko is here as well, and her fumbling, overly obvious attempts at seducing Araragi (obvious, that is, to everyone except him) show us that she’s not just a shy, blushing girl in love with him. More on that much later. And then there’s Kaiki, one of the most popular characters in the entire series judging by Western fandom. He’s very good at playing the evil villain, and does like to drone on endlessly (as every character in Monogatari does), but there’s a hint that there’s far more to him than that, and I’m sure we haven’t seen the last of him.

You’ll notice that this volume has a new translator (yes, I’ll mention it). Vertical apparently decided, given the aggressive release schedule, to divide the series up into chunks, so James Balzer is doing the Nise series and Ko Ransom will be back with Nekomonogatari Black and White. For the most part, the change is not all that noticeable. The series is well translated (hang on, getting to it), keeping most of the culture references – I was very pleased to see Araragi’s Read or Die comment left in – and adapting the wordplay and Japanese puns so they are mostly not noticeable. And Shinobu sounds like her old-world vampire self – which may come as a surprise to anime watchers, as most subbers decided not to bother translating her into “old school” speech. Two things, though. First, the book keeps the scene where Hanekawa mocks Araragi for using the -chan honorific to refer to his sisters, which seems odd in a series so otherwise aggressively devoted to avoiding honorifics (My Senior, etc.).

The second thing is a bit more egregious. In the original Japanese, Tsukihi says (in English) that she is “Platinum Mad”, which is a take off of puchi and purachina/platinum. She uses the phrase a few times in the series, and the anime turned it into her OP theme song, “Platinum Disco”. It would not be exaggerating to say that when you think of Tsukihi, you think of “Platinum Mad”. The translator, however, decided that since it’s weird Japanese wordplay it had to be changed to weird English wordplay – as he has done throughout the book. So “a bit” becomes “dagnabbit”. There are several issues here. First off, dagnabbit sounds to a Western ear like something Yosemite Sam would say. Secondly, almost no one noticed the wordplay itself, and just saw that “Platinum” had been changed to “Dagnabbit” for no reason (remember, Platinum is IN ENGLISH in the original). Most importantly, though, it seems to show that the people in charge of translating the series for Vertical are translating the books without paying attention to the other media – anime, singles, or the fandom. I get that – these were books first, and you want to make sure that they can also sell to casual readers. But try not to drive the hardcore fans off. Platinum Mad is a meme, fer chrissakes. Dagnabbit Mad just makes Tsukihi sound stupid. Which she very clearly isn’t – intellectually, she’s her brother’s equal.

OK, rant over. Aside from that, I felt the translation was excellent, and I didn’t really notice a major change between Ko and James. More importantly, for anime fans, there’s still a lot of new stuff here – you’d think given that it got adapted into 7 episodes that they didn’t leave much out, but there’s still many extra and lengthened scenes in here that got adapted out. Fans of Araragi and company will want to pick this up, as it’s excellent. Though be prepared to write “platinum” in your copy with ballpoint.

Bookshelf Briefs 7/3/17

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The Demon Prince of Momochi House, Vol. 9 | Aya Shouoto | VIZ Media – The “delving into Aoi’s past” arc resolves here, after a neat reveal about the true nature of his ayakashi sister. With Himari’s help, Aoi was able to both remember and accept his past, and returns to normal. Yukari then reveals that, long ago, Aoi found a diary from Himari’s parents that mentioned their daughter eventually coming to Momochi House, and that he’s been waiting for her and performing omamori duties all that time so that the house wouldn’t consume her. This feels a little like a retcon, but I’ll allow it. Another thing I’ll oh-so-graciously allow is the final scene—it’s rather silly that Himari and Aoi are riding around on a dragon firework, but I sniffled when she was able to show him the lights of the town he’s protecting. And I was sure we’d end on a cruel cliffhanger ’til I turned the final page. A very strong volume! – Michelle Smith

Fate/Zero, Vol. 5 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – Fate/Zero continues to do what it does best: show off some excellent fights and magics while being about ten times as dark as Fate/Stay Night. The battle between Kayneth and Kirutsugu is fairly one-sided, though the real horror there is Sola-Ui’s fervent desire to cut off his arm and become Lancer’s new Master (it’s impled so she can sex him up). Iris and Maiya take on Kirei, meanwhile, and Kirei gets to show us that he’s good for a lot more than merely verbally abusing Shirou—he’s a major badass. Throw in a funnier omake than usual (the shirt ripping, I should note, not the tasteless Sakura rape joke), and you have a strong volume of Fate/Zero, a series that remains only for the strong of stomach. – Sean Gaffney

Flying Witch, Vol. 2 | By Chihiro Ishizuka | Vertical Comics – Flying Witch is shaping up to be one of those series where not much happens, but it’s enjoyable to spend time in the company of its characters. In this volume, Makoto and her cousins pick and eat some wild plants, meet a fortune teller who believes she’s been the victim of Akane’s (Makoto’s sister) magical experimentation, and make some uncanny candy that plays with snackers’ emotions. Although there wasn’t enough of Chito the kitty for my taste, there were still some funny non-verbal panels, and Chinatsu deciding that she wants to be a witch too will probably result in more hijinks and witchy worldbuilding. I look forward to it! – Michelle Smith

Giant Killing, Vol. 2 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – We’ve waited three months for the second volume of Giant Killing and happily, it does not disappoint! The seinen slant to this series feels surprisingly fresh, dealing as it does with adults, their career trajectories, fan loyalty, etc. In this volume, we’re introduced to a showy East Tokyo United player named Prince who might be irresponsible but has the ability to think ahead that prompts Tatsumi to name him captain. Not everyone is pleased with that decision, but Tatsumi’s strategy is proven valid when ETU scores the first goal in their match against much-favored Tokyo Victory, league champions two years running, thanks to Prince and inconsistent newcomer Tsubaki. Manga soccer matches are so much more interesting than real-life soccer matches! Only a month to wait for volume three! – Michelle Smith

The High School Life of a Fudanshi, Vol. 1 | By Atami Michinoku | Seven Seas – Seventeen-year-old Ryo is a closet fudanshi. He has shared his secret with his friend, Nakamura, and throughout a series of 4-koma strips, proceeds to explain his hobby, fanboy over a couple of guys he thinks are gay, make friends with a fujoshi, attend a doujinshi event, recoil when a couple of attendees think he is gay, etc. Exceedingly few punchlines are even slightly amusing, and most are downright lame. Too, the treatment of a flamboyant gay character is problematic. I did smile at Ryo’s reaction to the squishy sound effects on a BL drama CD, and completely sympathize with the geeky logic of refusing to pay $40 for a shirt while eagerly dropping the same amount on fandom items, but I shan’t be continuing this series. – Michelle Smith

The Honor Student at Magic High School, Vol. 7 | By Tsutomu Sato and Yu Mori | Yen Press – Most of this volume is devoted to manga-only characters and battles, with Amy getting a taste of the spotlight and showing that she can be a funny gag character while still having dramatic scenes. More to the point, her victory here reinforces what we know from the novels—people who have Tatsuya help them win, people who don’t do not. As such, what we really need is a battle between two competitors who Tatsuki can help equally, and that’s Shizuku and Miyuki. The confrontation isn’t going to be seen till next time, and thanks to the books we know how it turns out, but there are some nice scenes with Shizuku and Tatsuya to show off her determination and will. A very good side manga. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 7 | By nanao and HaccaWorks* | Yen Press – There’s certainly a lot more forward movement than we’d had in the past couple of volumes, though I still spend some time needing to remind myself which pretty boy is which when we start a new book. I was happy to see Hina come to the rescue of her brother, even if it meant the realization that she too is not what she seems and not really his sister, though she cherished their time together. As for Yue, he’s still—for some reason—having trouble connecting the dots between ‘eating’ someone and ‘killing’ them, which unfortunately makes his naivete a bit aggravating right now. Still, his basic decency is all that’s standing between this title and a bloodbath, so I’ll give it to him. – Sean Gaffney

The Water Dragon’s Bride, Vol. 2 | By Rei Toma | VIZ Media – I had hoped for something more substantial from this volume, and I think Toma-sensei delivers. By far, the standout character for me in this series is the water god, so I loved seeing him begin to feel compassion, not only healing Asahi, but spending a lot of time watching over her. (These nonverbal panels are my favorites.) In his annoyance with the humans, he lets loose a flood that shows them that Asahi is under his protection, and it seems she is thereafter left alone, for years swiftly pass and we conclude the volume with she and Subaru looking like teenagers. I’m definitely intrigued to see where the story goes from here, and hope I’m able to get a stronger sense of Asahi herself. (I did like the part where she buried a fish, though.) – Michelle Smith

Pick of the Week: KITTY!

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MICHELLE: I’m happy about Days and Haikyu!! and Honey So Sweet, but the debut of Plum Crazy! easily snags my pick for this week. It hadn’t even been on my radar before Sean’s column, but now I’m desperate to read it. And the best part is that the series is sixteen volumes long and still ongoing!

SEAN: I am definitely looking forward to cat manga, and there’s a pile of Viz I want to read as well. My pick this week, though, is Appleseed Alpha, a manga interpretation of the recent movie. Deunan and Briareos were some of the first manga characters I really grew attached to, and I want to read this new hardcover omnibus even if Shirow isn’t writing it.

KATE: Call me a crazy cat lady if you must, but my vote also goes to Plum Crazy!. Cats doing cute things = manga gold.

ASH: There’s definitely a variety of things that I’m interested in and will be making a point to read this week, but since a new volume is released so rarely, my official pick will be going to Berserk. I don’t find the most recent story arc as viscerally compelling as some of the earlier ones but, if nothing else, Miura’s artwork can still astonish.

ANNA: Honey So Sweet has been so consistently adorable, that is my pick this week.

Alice & Zoroku, Vol. 1

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By Tetsuya Imai. Released in Japan by Tokuma Shoten, serialization ongoing in the magazine Comic Ryu. Released in North America by Seven Seas. Translated by Beni Axia Conrad, Adapted by Maggie Cooper.

I spent most of this first volume mostly enjoying what I was reading, but something felt off, and I couldn’t quite put my finger on it. It was reminding me of something else, but I wasn’t sure what. Then I realized it was reminding me of Madoka Magica. Not for any plot or characterization reasons, but because the art in Alice & Zoroku does not match up with what is actually happening on the page. Madoka Magica always felt weird to me because I read Sunshine Sketch first, and had trouble reconciling the uber-moe art with the events on the page. The same sort of thing happens here, and to a degree it’s helped along by the premise. This SHOULD be a series about a young mysterious girl who ends up living with a grumpy old cuss and together they learn to open up to each other. It should be (pardon my age showing here) Punky Brewster. As it turns out, there’s a lot more going on.

The girl on the cover is not Alice – at least not literally. She’s certainly a figurative Alice, though, and there’s Wonderland quotes and motifs throughout the work. Sana is an experimental child who has the ability to make anything she imagines into reality. She’s escaped from her evil research center where she’s been kept (which we’re already starting to see may not be quite as evil as she painted it) and is on the run in the middle of the city. There she runs into Zoroku, an old man who works as a florist, lives with his granddaughter (who seems to be in high school – I’m assuming dead parents here), and seems to spend each day going around being vaguely pissed off. She is, of course, a child who grew up in a lab, so has no sense of social skills or any ability to be sensible. But she’s cute. Oh yes, and who other kids, twins, are trying to kill her, and caring very little about collateral damage. Will she melt his stern heart and be taken in?

The series is eight volumes and running in Japan (I think it got an anime as well), and this first volume definitely feels like a lot of setup for a future payoff. We get a few other cast members introduced, most of whom don’t make much of an impression, with the exception of the granddaughter Sanae, who seems to be an odd mix of airhead and motherly type and is a lot of fun. Zoroku is probably the strongest character here – stubborn as a goat, but he has a strong sense of right and wrong, and is not afraid to tell off a child when he sees them running roughshod over it. As for the research center Sana is escaping from, we get a few flashbacks and expository scenes that hint that Sana’s nature is more that of a tactical nuclear weapon than an actual child – again, metaphorically speaking.

Overall, while I still didn’t quite get past the cognitive dissonance of the artstyle, which says this should be a fluffy slice-of-life series (it isn’t), I enjoyed enough of Alice & Zoroku to try a second volume.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 3

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

The anime adaptation of this series has just ended as I type this, and from what I’ve gathered from various forums and Twitter feeds, was not a success among fans. In fact, that’s putting it mildly. Hate may not be too strong a word. This is a shame as I’m really enjoying the light novel, which continues to show off what Omori does best – writing combat scenes – while also giving development to Aiz and the rest of Loki’s crew. Yes, it also has Lefiya fretting about being useless, but that’s the sort of character she is. You knew she was going to end up doing something awesome by the end, which she did. There’s also a much stronger ongoing plot to this than to the main series, with the main antagonist of the previous book finally getting a name – Levis – and the creepy foetus thing they retrieved in the last book possibly setting itself up as the Big Bad.

The main DanMachi books have tended to show Aiz as an emotionally repressed, hard to read young woman. As such, it’s both a relief and a surprise to see how much of a complete loose cannon she is in these side stories. I feel that my old reviews where I noted Bell loved her but she didn’t quite feel the same are coming back to haunt me. She may not love Bell, but she’s clearly obsessed with him, falling into a purple funk when he keeps running away from her (even achieving Level 6 doesn’t snap her out of it all the way), and going off to the dungeon on her own because, well, that’s how she clears her head. Sadly, she meets up with Hermes Familia, who got hired/bribed/blackmailed into going to the 24th Floor to see what’s wrong with the dungeon there. The answer is that an evil conspiracy has taken it over, and they’ve got lots more of the giant plant monstrosities from last time, along with a group of religious terrorists to help out/be cannon fodder.

As I indicated above, the main reason to read these books is for the author’s fight scenes, which are a treat – and brutal. No named characters die in this one, but it’s a close thing, and there’s an awful lot of horrible wounds taken and crushing despair. (Actually, I’d have liked to see the deaths that do get mentioned – at the end, we’re told some of Hermes Familia were killed, but it’s not the ones we know, and it seems to be there as the author realizes that there needed to be SOME casualties.) Aiz is actually kept out of the main fight till the very end, which works well, and shows off Bete (still an asshole most of the time, honestly) and Lefiya (the Shinji Ikari of DanMachi) to great effect. There’s also a nice subplot of an elf in Dionysus’ Familia, Filvis, and her (undeserved) reputation as a jinx.

So I’m not quite sure what the anime got wrong, but the novel itself is a strong addition to the DanMachi series, and recommended for all fans of same.

Otome Mania!!, Vol. 1

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By Tsukigase Yurino. Released in Japan by ASCII Mediaworks, serialized in the magazine Sylph. Released in North America by Seven Seas. Translated by Angela Liu, Adapted by Rebecca Scoble.

It can be very hard to separate what a person wants as a fan of a genre, or title, and what makes for a good product and good business sense in the real world. Things that make perfect sense talking about them on twitter or in forums suddenly become impossible to navigate as there are sixty extra steps that have to be done first because you’re the ones creating the content. And this only gets compounded when the content is being created by a group. And that’s the concept of Otome Mania!!, a short manga series about a young woman who loves otome games and has finally achieved her dream job of working for a company that creates and makes them, only to find that she has a long way to go before her dreams can come true. And, appropriately, she’s also involved in her own real life otome harem romance (not that she realizes this, of course.)

Yuzumi, as you can imagine, is a very typical otome romance heroine. She’s not very intuitive and has tr4ouble reading the room, and can’t catch up to the high level of speed and decisiveness her colleagues have. Plus she’s learning from the ground up, and thus can’t understand why a 13-page written treatment is something that’s going to be rejected without even looking at it, as opposed to a snappy 2 page treatment with art and character designs. But she has spunk and a tendency not to give up, like every single shoujo manga heroine ever, and that’s good enough. Her colleagues include the stern immediate supervisor who yells at her and puts her down constantly, but may have her best interests at heart after all; the foreign graphic artist who is cheery enough to help Yuzumi out when no one else will; and the reserved and nervous scenario artist looking for a chance to prove himself, who has a hidden core of hotness that comes out at the best times.

The gimmick of this title is that it’s an otome manga about making otome games, and it’s done rather well. It’s not above lampshading its own flaws – there’s a larger cast of guys than there is time for, so we don’t see a few of them for more than a few pages this time – just as in the game Yuzumi is developing, where romantic leads 4-6 are ‘secret content to be added later’. There’s also a little hint of backstory as well, as there’s a much more popular and successful company – also run by hot guys – that seems to have a past with Tachibana, the constantly irritated male lead. It wraps up in two volumes, so I’m not sure how much it’s going to be able to fit into the remaining time, or even if Yuzumi herself will end up with a guy (if she does, my money’s on Tachibana). For for readers who enjoy light romantic titles with a lot of cute guys and a decent reader stand-in, Otome Mania!! gives you what you need.

Accel World: Elements

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

Despite the cover (two of the three people on the cover don’t even show up in the book), there’s not a lot of wacky harem antics going on tin this volume, much to my relief. Instead, it’s the first Accel World to be composed of short stories – impressive given that by Book 10 Sword Art Online already had 2 volumes of short stories to its name. I also think that for those who saw the anime, this is the last volume with material that was used for it, as the middle story was broadly adapted into a couple of episodes, likely to give Kuroyukihime more to do. As with most short story volumes, quality here is variable, but there should be something for most Accel World fans here. A word of warning, though: if you like Accel World but hate Sword Art Online, this may not be the volume for you.

The first story here takes place sometime after the first volume, so we get to see a less experienced Haruyuki. Unfortunately, having made a beginner’s mistake when leveling up, he’s now in danger of being wiped out the next time he logs on. And so Takumu helps him out, saying that there is a “bodyguard” who can protect him till he gets enough points back to stand on his own again. The whole story seems like an excuse to introduce the bodyguard, Aqua Current, who is clearly one of Kuroyukihime’s old team, though it’s never explicitly stated. The second story is the best, mostly as it’s from Kuroyukihime’s perspective, as she’s on school vacation in Okinawa and finds, much to her surprise, that there are Burst Linkers even out here. The most interesting thing about this story is Kuroyukihime’s friend Megumi, who turns out to not quite be what she seems. The more I hear about the Brain Burst program the closer it gets to fantasy hand-waving, but I’ll let it go if it allows for cool and heartwarming scenes like these. I also liked the comparison of lost memories to a book you forget the beginning of.

The final story is the most well known, and possibly the most notorious – a crossover between Sword Art Online and Accel World, as Kirito is doing VR experiments and somehow ends up in the Accelerated World, where he confronts Silver Crow. Those who think that an armored suit that can fly would take out Kirito, a young man wearing a leather coat for armor, are doomed to disappointment – Kirito is still Kirito. Inevitably, we don’t really get to see who’s “better” per se, as the whole thing ends in a draw. Probably for the best, honestly. The author in the afterword tells us that he prefers if we think of SAO and AW as being two separate series, which tells me that the “Kuroyukihime is Kirito and Asuna’s daughter” theory might have hit Japan – given Kuroyukihime’s upbringing in AW< I think it's a terrible theory, but hey.

So three decent stories here, and next volume should take us back to the main plot, as well as take us back to cover art of Kuroyukihime wearing leather bustiers. Not that this cover was any less fanservicey. As always, Accel World is a lot of fun and impossible to read on public transportation.

Manga the Week of 7/5/17

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SEAN: Too many titles, let’s jump right in! What’s the feel-good manga of the summer?

Dark Horse has Berserk 38! For those wondering, the previous volume came out in 2013. Also for those wondering, it just went back on hiatus in Japan once more. Again.

ASH: Yup. This is the one. The feel-good manga of the summer. Seriously though, I’m always glad to see a new volume of Berserk (finally) show up.

SEAN: J-Novel Club thankfully gives us just one Invaders of the Rokujouma, the 4th. I enjoyed it, but am grateful it’s not 3 every month.

Kodansha has just one Del Rey rescue this week, the 18th volume of Alive.

ASH: Oh! I’d almost forgotten about this one! I wonder if the success of Noragami created more interest in this series.

SEAN: After delays that seemed to number in the centuries, we’re finally seeing the release of Appleseed Alpha, the manga adaptation of the 2014 film by the creator of Sexy Voice and Robo. It ran in Morning Two, and should be complete in one hardcover omnibus. More Deunan is always welcome.

ASH: I actually hadn’t realized that Iou Kuroda was involved with the manga.

SEAN: Kodansha Digital has plenty of new titles on tap this week, starting with some sports for Michelle with the third DAYS.

MICHELLE: Woot!

SEAN: There’s also the 12th Fuuka (the previous 11 having come out before I started tagging all the digital titles). Fuuka is a Seo Kouji title, which is its own warning.

GTO Paradise Lost has a 3rd volume. I need to catch up or I’ll end up very behind.

There’s also a 2nd Kasane, for those who like scary things.

And a 4th Tokyo Tarareba Girls, with more women behaving badly.

MICHELLE: It’s simultaneously funny and depressing and now I find I kind of dread discovering the latest heartbreak!

ANNA: I need to read this, I’ve been distracted by some of Kodansha’s other digital offerings.

SEAN: Lastly, we’re back to print with the 14th volume of Yamada-kun and the Seven Witches.

ASH: I did largely enjoy the beginning of the series, but it’s starting to feel like the manga is being stretched too thin at this point.

SEAN: Seven Seas sneaks up on you, as they don’t mass ship on one week the way Viz and Yen do, but they’re putting out a PILE of titles every month now. First up, the debut of Alice & Zoroku, a seinen title from Comic Ryu about experimental kids from a research lab and a grumpy, mostly normal old man.

The Ancient Magus’ Bride has a 7th volume coming, and that should make all of you very happy. I certainly am.

ASH: It makes me happy! This series is still one of my favorites currently being released.

SEAN: As for the 12th volume of Magical Girl Apocalypse, I’m sure some folks are happy there as well.

Monster Girl fans will be pleased by a 6th Nurse Hitomi’s Monster Infirmary.

And if you like light novels from J-Novel Club but hate digital titles, there’s the first Occultic;Nine novel in print with Seven Seas distributing.

Plum Crazy! (Kijitora Neko no Koume-san) is a series from Shonen Gahosha’s magazine devoted to cat manga, Neko Panchi. I’ve heard very good things about this title, plus KITTIES!

MICHELLE: This was not on my radar at all!

ASH: Who doesn’t like a good cat manga?

SEAN: Lastly from Seven Seas, we have Wadanohara and the Great Big Sea (Oounabara to Oounabara), a Gene Pixiv title that seems to be a younger-skewing fantasy title. It’s an omnibus of Vol. 1-2.

The sad thing is it’s a first week and I haven’t gotten to Viz yet. Let’s start with the 5th 7th Garden manga.

Anonymous Noise has a 3rd volume of teenage angst and pop music.

ANNA: I feel weirdly conflicted about this title and yet I’m sure I’m going to read it.

SEAN: Bleach is still churning out manga volumes despite the series ending about this time last year, and we’re now up to Vol. 70.

And Blue Exorcist has a 17th volume, a series I still quite enjoy even if I lose track of the plot at times.

The Demon Prince of Momochi House has a 9th volume, standing above all as the ongoing Aya Shouoto series in North America.

MICHELLE: And the best thus far.

ANNA: SO good!

ASH: I’ve been enjoying it, too!

SEAN: It’s unlucky 13 for Haikyu!!, and hopefully the triskadecaphobia won’t strike the team itself.

ANNA: Woo hoo for volleyball!

ASH: Still loving this series.

SEAN: Honey So Sweet has a 7th volume for is. It’s certainly lived up to its name.

ANNA: SO sweet!

SEAN: Naruto has a 19th 3-in-1, and my guess is there’s a big fight going on somewhere in it.

The 22nd volume of Nisekoi will wrap up Mariko’s subplot, and hopefully not kill her off with Love Story disease.

And there’s a 22nd Oresama Teacher as well, which delights me. Super Bun returns FOR GREAT JUSTICE!

ANNA: I’m behind on this title, but who doesn’t love Super Bun????

ASH: Considering my love for Monthly Girls’ Nozaki-kun, I should really make the point to give Oresama Teach a try one of these days.

SEAN: Rurouni Kenshin has a 3rd 3-in-1. Is it in the Kyoto Arc yet?

ASH: Yup!

SEAN: Twin Star Exorcists has reached Vol. 9.

And The Water Dragon’s Bride has a second volume, and I’m hoping continues to keep the oddly creepy mood of the first.

ANNA: This is a great series.

ASH: Another series I’ve been meaning to try! I greatly enjoyed the creator’s earlier series Dawn of the Arcana.

SEAN: Lastly, World Trigger hits its 16th volume, and I suspect we may be catching up with Japan before long, as the author is ill.

SO MUCH MANGA. Is it making you sweat, or is that just the heat?

Golden Kamuy, Vol. 1

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By Satoru Noda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Young Jump. Released in North America by Viz. Translated by Eiji Yasuda.

Among my many thoughts on finishing the first volume of Golden Kamuy, the strongest one was “the author must be from Hokkaido”. And sure enough, that seems to be the case. Indeed, his other major manga series seems to be a sports manga devoted to the love of ice hockey. The show-covered woods are practically a major character in the series, adn they’re conveyed well, both in their beauty and in their ability to be deadly. And of course, they’re only one of the things that can kill you in this rather violent title. From the hero on the cover page, to various escaped convicts, to vicious bears and wolves, this is a series with the potential for a lot of gore. Fortunately, it doesn’t seem to be about that. Rather, it’s about a young man and the Ainu girl he meets trying to avenge her father and find some hidden gold.

The story takes place after the Russo-Japanese War, but not that far after, so I’m guessing 1906 or 1907. Our hero is a veteran who says he was discharged from the army for killing a fellow soldier, though honestly the way he frames the story makes it sound like he could be making that up. He’s prospecting for gold in the wilds of Hokkaido, only to find, like most prospectors, that easy money schemes don’t actually work in real life. The supposed reason he’s looking for gold is because the wife of a (now dead) war buddy of his needs eye surgery, and the gold will pay for it, but I suspect the real reason is that Sugimoto is one of those soldiers who can’t really survive well without a life of adventure in some way. And survive is what he does – he’s somewhat famous for being alive after several injuries that would have killed most men. He’s also a lot of fun, being written much like a standard “dumb but likeable jock” type from a sports manga, only older and filled with battle experience.

Asirpa is the other star of this manga, a teenage Ainu girl whose father was brutally murdered by the man who theoretically knows where this hidden gold is – in fact, it’s Ainu gold, as the man who is now a convict killed six men and stole the gold from them. Sugimoto frames their journey as her getting revenge for her father, but it’s notable that she doesn’t seem to frame it that way herself, being content to silently going along with him. As first I thought she was going to be one of those emotionless Ayanami Rei types, but she turns out to simply be naturally reserved, and also very competent at living and surviving in the woods. She’s an excellent foil to Sugimoto. The rest of the cast consists mostly of ex-soldiers who are also here to search for hidden gold, ex-prisoners who have a coded “here is the gold” tattoo on their backs, though it doesn’t quite work the way they’d like it to, and of course the appearance of a clearly despicable villain at the cliffhanger of this vo0lume.

Golden Kamuy is a bit of a bunny movie with less comedy, as Sugimoto and Asirpa contrast with each other but work well together. If you don’t mind a lot of death and blood, this is a solid action story, and a good addition to the Signature lineup for Viz.

Sound! Euphonium: Welcome to the Kitauji High School Concert Band

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By Ayano Takeda. Released in Japan by Takarajimasha, Inc. Released in North America by Yen On. Translated by Paul Starr.

One of the biggest surprise licenses from last year was this book, originally released as a stand-alone novel about the struggles of a high school concert band, which got made into a hugely successful anime. Note that I said ‘novel’ and not ‘light novel’ – there are no interstitial pictures in this book, which is the usual way to tell the difference about these sorts of things. But even beyond that, the fact that Sound! Euphonium does not take place in a fantasy world, at a magical academy, or even have Satan working at McDonald’s was a big point against it. But Yen took a chance on licensing the book, and I’m glad they did, as this is really well-written and dramatic, manages to show off in textual form the difficulties of playing music and the difference between ‘really good’ and ‘outstanding’, and most of all, it has in Kumiko one of the most fascinating protagonists I’ve met all year.

Kumiko is not a first person narrator per se, but the POV of the narration never leaves her, so in effect she functions as our eyes and ears for this book. She’s trying to “start anew” at a new high school, but can’t quite escape her concert band past, especially when her new friends also express an interest. Her childhood friend and not-boyfriend Shuuichi is also in the same band, as is her middle-school bandmate Reina. More on Reina later. Kumiko did not have a pleasant middle-school band experience, as most concert bands, where some instruments are more popular than others and some people get to solo while others don;t, is filled with politics and infighting, and the confrontations just wore her down. To a large degree the book is about helping Kumiko rediscover her love of the euphonium and band in general, and showing her how important it is to not simply glide along and have fun.

I had first heard of the anime as a “yuri anime”, and therefore was rather amused to note that the first half of the book featured precisely none of that. Indeed, Reina appears far less than you’d expect – she may as well be a minor character – until the festival, when Kumiko desperately tries to avoid Shuuichi asking her out (as it might actually force her to confront her feelings for him) and grabs Reina, saying they’re going together. Reina is fine with this, and takes Kumiko on a very romantic festival date. Despite Kumiko clearly being set up with Shuuichi, and Reina admitting that she’s in love with their teacher (what is it with Japan and teacher-student romances?!), it’s Kumiko and Reina who have the most chemistry together, as their body language and conversation reads like a couple rapidly falling for one another. I’d also like to mention Asuka here, the most fascinating character after Kumiko. She and Kumiko seem to be contrasted, if not as rivals, then as mirrors of each other, and their few scenes together are also charged – not with romantic tension, but with just tension. They ended up being my favorite scenes in the book, actually.

The book ends with the Kyoto Competition, and indeed ends somewhat suddenly with the reveal of the results. It was meant to be a stand-alone book, but the author ended up writing two more novels and some short stories afterwards, which were adapted into another anime season. So far Yen has only licensed this book, but I’d like to see it do well so we can see more of this cast – especially Kumiko and Asuka. Highly recommended.

Dorohedoro, Vol. 21

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By Q Hayashida. Released in Japan by Shogakukan, serialization ongoing in the magazine Hibana. Released in North America by Viz. Translated by AltJapan Co., Ltd. (Hiroko Yoda + Matt Alt).

I’ve often talked about the fact that I find Dorohedoro very satisfying to read while at the same time immensely confusing. It’s a series with a lot going on, and there’s a lot of characters and locations (and many of the characters also wear masks!). But we’re getting near to the end of the series now, and the author is finally starting to dish out some answers. And it works: this volume felt very strong plot-wise, and I was able to follow Ai’s explanations of what happened to him for the most part. It’s quite a tragic fate, like many of the other fates in Dorohedoro, but looking back on everything with Caiman, Ai, Kai and Aikawa you can nod your head and say “yeah, that makes sense”. Well, except maybe for Caiman, which is openly lampshaded when Nikaido admits she has no idea who he is now.

Speaki9ng of Nikaido, there’s an explanation of that “cliffhanger” ending from last time – she’s turning into a devil more and more, and is now much taller and getting cloven feet. Unfortunately for her, En is back in business, and he’s still obsessed with having her as his partner, but we’ll see how that goes. In fact, most of the band is back together, as Shin is sane again and reunited with Noi, and the rest of the decapitated heads are getting bodies again (though almost immediately they’re mushroomed by En, who’s trying to save them). And yes, poor Ebisu is still roundly humiliated, though as always it’s in the most hilarious ways – En remotely creates a mushroom body from one that’s on Ebisu’s head, which causes her head to end up as the remote body’s crotch – something she finds hilarious, as you’d expect. What follows is a long, protracted mushroom war, as En shows off how powerful and clever he really is – though even he may be no match for the devil Chidaruma, who is gloating triumphantly on the cover for a reason.

I know I’ve said this in seemingly every Dorohedoro review to date, but my God there is a lot of truly graphic violence in this book. Decapitations, eviscerations, blood and gore on almost every page. There’s casual deaths, casual eye gouging torture, and Ai’s entire flashback, which is filled with flesh-melting horror. This all culminates in Chidaruma slaughtering everyone in Haru’s flying house, so that the house itself begins to bleed. Never let it be said that Hayashida doesn’t know how to do grotesque imagery. The art is a plus as always, and even though I still sometimes get a few of the characters confused (particular when they have masks on), it doesn’t matter because there’s always something on the page to marvel at. Dorohedoro is speeding towards a climax (I think – it’s still running in Japan), and now that the books are a good 80-90 pages longer each time, there’s even more reason to run out and buy it.

Bookshelf Briefs 6/26/17

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Assassination Classroom, Vol. 16 | By Yusei Matsui | Viz Media – Most of this volume is taken up by the flashback showing us how Koro-sensei became what he is today. As you’d expect, it’s pretty tragic, but there’s also a bit of cognitive dissonance, as it’s hard to see the Koro-sensei we know today in that apathetic killer who appears at the start. But it’s the power of love that helps turn him, if not away from the dark side, at least into someone who cares about the right way to teach. Also, in case you didn’t hate Yanigasawa enough already, his portrayal as an arrogant abuser will help speed things along. Back in the present, our class is now divided—can they really kill Koro-sensei, or should they try to save him? Each volume of this series gets more and more gripping. -Sean Gaffney

Complex Age, Vol. 5 | By Yui Sakuma | Kodansha Comics – Phew. After a gut-wrenching fourth volume, I was seriously wary about reading this volume. Thankfully, however, it is far more encouraging than the last. True, Kimiko is still planning to give up on cosplay, and though she tries to sell it as wanting to devote herself to photography, it’s clear that what Rui (boo! hiss!) said to her had a role to play in her decision. But Nagisa meets her fiancé and can’t help but be happy for her best friend. Meanwhile, Hayama continues to cosplay and is having fun in her new job as an event coordinator. The bottom line is—the future needn’t be bleak, and Nagisa is left to wonder where her own limits are. With people at work and home seemingly inclined to respect her choices, could we possibly have a happy ending next time? I hope so! – Michelle Smith

Everyone’s Getting Married, Vol. 5 | By Izumi Miyazono | Viz Media – I’d mentioned Kamiya’s ‘aggressive courting’ in the last volume, and here it walks way over the line into blackmail and emotional abuse. Kamiya has become a creep, and Asuka is rightly trying to do her best to pull away from him without it damaging either her career or Ryu’s. Ryu, meanwhile, is having his own battles with Kamiya, as each says that they don’t care about what Asuka is really thinking about. Frankly, I think Ryu’s doing a better job of it, and he’s also able to break things off with Sakura in a more permanent way. Still, Kamiya isn’t going away, and the volume’s end shows him trying to be the Sun rather than the North Wind. Frustrating at times, especially when Kamiya’s being a creep, but still good. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 18 | By Yuto Tsukuda and Shun Saeki | Viz Media – Yes, Soma wins his battle, showing that the power of fantastic food is better than the power of bribery. This also means that the administration’s goons temporarily back off attacking Polaris Dorm, and we get a highly amusing celebration scene (with more horror from newbies at Isshiki stripping). The big impact comes in the middle of the book, as we learn that Erina’s father is attacking Polaris in particular due to a past with Soma’s father. In fact, he was unaware that Saiba was Soma’s father (the danger of taking the wife’s last name, a far more Japanese thing)… and moreover, Erina was unaware of it as well. In any case, more bad things are happening as the book wraps up, and I expect things will get worse soon. – Sean Gaffney

Kiss Him, Not Me!, Vol. 11 | By Junko | Kodansha Comics – Well, new rival turned out to be absolutely terrible, didn’t he? This volume consists of a lot of running around trying to stop Kae from getting forcibly married. Kae spends the entire main storyline in her “overweight” form, which surprised me, but it doesn’t stop her making an awkward but impressive escape attempt. Unfortunately, after that she mostly acts as a passive prize, only snapping and letting Mitsuboshi have it right at the end. And even that seems to be a case where she can only “win” by literally pounding him into unconsciousness with her bulk. There’s also a side story which is terminally ridiculous—which is good, as this manga needs to be over the top silly in order not to drown in problematic shoujo and fat stereotypes. Variable as always. – Sean Gaffney

Kuroko’s Basketball, Vol. 11-12 | By Tadatoshi Fujimaki | Viz Media – It’s rare you see a tie in a sports manga, but given this is only the qualifiers, a tie is what we end up with. Of course, this just means that Kuroko and company have to win their next match, and it ends up being against a bunch of goons who fight dirty. The leader of this team is fantastic in an awful way, showing off a couple of tragic backstories before taking them back with a smirk. Teppei and Junpei also get a lot of focus here, with a flashback that shows how they both joined the team and how Teppei got injured (and also how obvious an OT3 with them and Riko is). But they pass, and the Winter Cup is up next, with all of Kuroko’s old teammates. An extremely compelling basketball manga. – Sean Gaffney

Magi: The Labyrinth of Magic, Vol. 24 | By Shinobu Ohtaka | Viz Media – Did I say the flashback would take up ‘some’ of this next volume? Sorry, I meant 90% of it, as everything turns horribly tragic and awful in the best backstory way, as Aladdin finishes trying to explain why metal users fighting each other leads only to destruction. There is some truly heartrending imagery here, with children burned to death and lots and lots of dead bodies. Couples we loved and found cute are beaten down by events, and of course Sheba dies, but not before giving birth to Aladdin. That said, I suspect we haven’t seen the last of Arba. It is really nice to see the main cast again, and I loved the “Alibaba is undercut” gag’s exquisite timing. In any case, the flashback is finally done—will we get more Morgiana now, please? – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 7 | By HaccaWorks* and nanao | Yen Press – A rather interesting thing happens in this volume: quite a few things are revealed and yet the overall story doesn’t get appreciably clearer! Yue and his friend Akitoshi are trying to rescue Tsubaki from the shrine, but before they can manage to do so, he’s whisked away to be tossed into a pond to give strength to Mikoto, who is fighting off Akashi, whose body now belongs to Yue because Shin stole it hundreds of years ago and oh, also, Shin is the progenitor of the Tsubaki family line and by the way, here’s the deal about Mikoto’s missing tail. So many things to try to keep track of and make sense of! Thankfully, Yue’s personal dilemma is a very compelling one. I’m invested in his outcome, even if I don’t fully grasp what happened in the past. – Michelle Smith

Sweetness & Lightning, Vol. 6 | By Gido Amagakure | Kodansha Comics – This is a particularly good volume of Sweetness & Lightning—there’s a bit more conflict than usual and it doesn’t always get solved through yummy food. Tsumugi gets attached to the lost kitty she and her dad have taken in, only for its real owners to come to claim it. Then, the gang goes camping and a couple of her friends get in a disagreement. Something similar ensues on Kotori’s school trip. And Inuzuka’s bossy brother shows up and offers unsolicited advice on various things. The best part, though, is when Tsumugi stays a while with her grandparents while her dad is chaperoning a school trip. Not the part where they eat locusts, but the time she spends with her great-grandmother, looking at pictures of her dad as a kid, and contemplating complex topics like getting old. Delicious food and some bittersweet feels? I am so on board with that! – Michelle Smith

Pick of the Week: Gems, Witches, Emperors and Vikings

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SEAN: I’ll be honest, most of my attention this week is focused on novels, what with Combat Baker and Nisemonogatari. But I picked a novel last week, so this week my pick is Land of the Lustrous, a new Kodansha series with gem wars but sadly not Steven.

MICHELLE: I’m looking forward to the second volumes of series whose debut volumes I liked a lot. Ordinarily, I’d pick Giant Killing, what with it being sports manga and all, but Flying Witch has an amusing kitty, and that gives it the edge this time.

KATE: I share Michelle’s enthusiasm for manga featuring cute animal sidekicks., but my vote goes to the digital-only release The Emperor and I, a comedy about a family living with an Emperor penguin. The story unfolds in short chapters of three to nine pages, so the formula isn’t as rigid as a 4-koma title; it feels a little bit like reading a collection of Sunday comic strips. Not sold? Here’s what I had to say about it back in May.

ASH: For me, my pick could be nothing other than Vinland Saga this week. The series has been consistently compelling from the very beginning. It’s also had great female characters from the start, but the most recent story arc allows the women in the series to shine like they haven’t before.

ANNA: I agree with Ash, I am very happy that new volumes of Vinland Saga are coming out after the series was paused for some time. It is rare for a series to combine great historical background with a truly compelling story and evocative art. Vinland Saga is my pick!