Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Invaders of the Rokujouma!?, Vol. 11

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Sanae has always had the most difficulty as part of the Koutarou harem. First of all, as the author notes, it’s been about 10 books since she last got any real plot focus. More importantly, she’s a ghost, which is a heck of a larger bar to clear than “alien”, “magical girl”, or “underground dweller”. And so a plot like this one, in which we find that Sanae is both dead and not dead, a ghost and not a ghost, was somewhat inevitable. Its resolution is handled pretty well. It’s not surprising in the least (Rokujouma is frequently anti-surprising, but that’s because it’s trying for Warm and Fuzzy Feelings, which of necessity involves the comfortable and familiar plot twist), but it fits well with what has gone before, only uses Deus ex Machine once or twice, and ties in neatly to the previous book right at the end. Also wow, Sanae’s rich.

Sanae’s plot is not the highlight of this book, though, which excels at the girls analyzing Koutarou and why he keeps a wall up in front of most everyone he knows. This comes up because Yurika is an exception, and they reason out what’s so different about her compared to the others. The difference is, of course, Koutarou thinks of her as a “normal girl” – indeed, that may be a big reason he’s in denial about the magical girl thing – and thus their life together is unlikely to change. The others, though, he’s put in a “eventually they will leave me so I’d better not get too close” bucket, which as Kiriha says may be related to his mother’s death as a child. It feels a bit awkward to have all this character analysis dumped onto the page like this, but it does make for fascinating reading, especially when we see him treating the now-alive Sanae (who has temporarily lost her memories) as a past chapter of his life.

The book is not without its issues. Much as I’m fond of talking about how much the characters have grown since the start of the series, I don’t want the author to talk about it in the actual text – it feels a bit too much like patting oneself on the back. Likewise, The Sanae plot steams over any subplots that might have been happening, including Harumi, who gets a scene at the start implying that something is going to happen when they do club recruiting but then vanishes from the rest of the book. And, in terms of problems actually lampshaded by the character in question, why is Shizuka such a part of the harem group now? I like Shizuka, don’t get me wrong, but she doesn’t seem to be in love with Koutarou (Yurika hasn’t admitted this either, but at least she’s in denial about it). I get the feeling the narrative is edging towards that, but until it gets there, Shizuka feels a bit like an optional extra. So does Harumi, come to that.

In any case, this is another solid volume of the series, which I still enjoy a great deal. Next time looks to be heavy on the magical girl side, so let’s look forward to that.

Pick of the Week: Talking About Boys

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SEAN: Even though I have reservations, I admit My Boy is my Pick of the Week. I’m curious to see how it’s handled, and how good the writing is. I want to know why Vertical wanted to license it. It’s intriguing.

MICHELLE: I’m wary of My Boy, so I reckon I’ll just go the shoujo debut route and pick You Got Me, Sempai. I can’t say I’m super-excited about it, though.

KATE: Hmmmmm… I don’t see anything on this week’s list that feels like a must-buy, so I’m going to focus instead on my ever-growing pile of unread manga. That manga isn’t going to read itself, you know!

ASH: I’m going to follow Michelle’s lead this week and go the shoujo debut route. In my case, I’m curious about Mermaid Boys and its gender-reversed take on The Little Mermaid.

ANNA: I’m sort of half-Kate, half-Ash. I’m most likely to spend my time this week trying to get caught up on the unread stacks of manga in my house, but I am also curious about Mermaid Boys.

MJ: I’m in the same boat as everyone else here this week, in that I’m a little wary of everything. But I think I’ll join Ash and Anna and throw my vote behind Mermaid Boys. That’s a lot to live up to, Mermaid Boys. Good luck.

Bookshelf Briefs 4/9/18

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Ace of the Diamond, Vol. 10 | By Yuji Terajima | Kodansha Comics (digital only) – It’s the fourth round of Koshien and, for the first time, Seido is facing some stiff competition. Akikawa is a college preparatory school that nobody really expected to get this far, except that they now have Shunchen Yang, an exchange student from Taiwan and Japanese baseball enthusiast, for a pitcher. Unlike Seido’s young pitchers, Yang has precise control, which he uses to secure an early lead for his team. Despite the punishing heat, Furuya manages to limit them to those first two runs, and it was neat to see him actually get pissed when Coach eventually decides to bring Sawamura in to relieve him. Too, it was neat to see how Sawamura’s audacity and tenacity revitalizes Seido—the volume ends with the teams tied as they enter the second half. Real-life baseball isn’t half so riveting as this! – Michelle Smith

Assassination Classroom, Vol. 21 | By Yusei Matsui | Viz Media – What remains of the main series here is fantastic, an excellent conclusion showing us the immediate aftermath of Koro-sensei’s death, the class grieving and coping, and a flashforward showing us everyone doing well (though bizarrely Kayano is implied both to be pregnant and not to be seeing Nagisa). Unfortunately, the series was finished with a large chunk of volume to go, and so we get a long 4-chapter side-story with Koro-sensei outside the classroom, and a “pilot” chapter for another series that just shows why it was rejected. But the main series was an amazing ride, and I’m pleased that Viz gave it to us. These were great kids, and a great teacher. – Sean Gaffney

Haikyu!!, Vol. 22 | By Haruichi Furudate | Viz Media – Interestingly, this is an entire volume spent away from our heroes, as it focuses on the games of Nekoma. I’d mentioned last time that Kageyama’s ominous pronouncement wasn’t good news for the team, and the volleyball that ensues is awesome, tense, and shows I was absolutely right. Still, all is not lost. We also get introduced to two young girls who get to fulfill the ‘exposition’ role in the absence of our regular commentators. One is a younger sister with princess curls, the other a somewhat airheaded older sister. A lot of the game’s events are filtered through their perspective, possibly so as to keep the readers interested despite the lack of Karasuno High. Still quite engaging. – Sean Gaffney

Kiss Me at the Stroke of Midnight, Vol. 4 | By Rin Mikimoto | Kodansha Comics – There are some more A+ silly super-deformed faces in this volume, which are not my only reason for reading the series but are right in the top five. My personal favorite is Hinana’s gradual reaction to Kaede’s attempts at playing the piano, which show off a repressed musician trying to get out. (There’s some implied backstory I want to see more of.) Apart from that, I will admit that this is a bit shoujo-by-numbers, particularly in regards to the ex-girlfriend who’s back and wants to get back together. It’s still a pleasant read, though, and hasn’t hit any of the shoujo tropes I really dislike yet. I think it’s worth keeping up with. – Sean Gaffney

My Monster Secret, Vol. 10 | By Eiji Masuda | Seven Seas – Shiragami is back on the cover of this new volume, which should give clever readers the idea that something is afoot. And yes, indeed, we have definitive forward motion here, first brought to us by Aizawa, who confesses in the most ridiculous way possible, and then by Shirigami, who misunderstands in a painful and dispiriting way. Fortunately, Asahi mans up and is able to do what he’s wanted to for so long. There’s lots of amusing humor here as well, along with some “LOL gay” stuff that I could have done without. The reason that folks will remember this volume, though, is the denouement, and to see where we go from here. Fun romantic comedy. Also, extra points for “wild monkey sex.” – Sean Gaffney

Princess Jellyfish, Vol. 8 | By Akiko Higashimura | Kodansha Comics – Well, that didn’t last long. I thought Tsukimi would potentially balk at being rescued by Kuranosuke, but nope. Their getaway is assisted by Fayong, who lets Kuranosuke in on some dirty secrets of the Avidy business before tendering her resignation. Mostly, this volume is about characters coming to realizations. Independently but simultaneously, Tsukimi and Kuranosuke hit upon the brand concept for Jelly Fish as a result of considering what a fashion-inept modern-day woman might desire most from her clothes. Even Jiji hasn’t given up, and it’s good to see her taking some initiative. Also, I didn’t think I would rejoice when Tsukimi turns down Shu’s proposal, because I really do like him, but to see her do so with a clear-eyed sense of purpose was really great. Only one volume left! – Michelle Smith

The Promised Neverland, Vol. 3 | By Kaiu Shirai and Posuka Demizu | VIZ Media – The cliffhanger with Don and Gilda learning that the other kids were lying to them is actually swiftly defused, and I think that lulled me into a false sense of security in the early chapters of this volume. Escape plans proceed, Krone offers an alliance with valuable information and seems willing to conspire against Isabella (it’s very interesting watching the kids try to learn what they can without incriminating themselves), and then…. things go in a direction I did not expect. I really loved the glimpses of Krone’s past and the insight into the power structure of the “higher-ups,” including some hints about William Minerva, who left messages for the kids in donated books. Too, the volume’s conclusion really reinforced the ominous fate awaiting them, especially the character who learns their shipment date is now at hand. I desperately need volume four! – Michelle Smith

To-Love-Ru, Vols. 5-6 | By Saki Hasemi and Kentaro Yabuki | Seven Seas – We’re dealing once again with a very predictable harem comedy, which means that the quality is going to be highly variable. I find, oddly, it works best when taking itself the most seriously (well, relatively)—the scenes with Golden Darkness trying to assassinate Rito, and the response to it, actually works as an action sequence and character-building moment. On the other hand, the scenes where Rito swaps personalities with a dog is so cringeworthy I actively had to skip chunks of it. This is never going to be a good series, or even a good romantic comedy. But as I said last time, it gives teenage boys what they want, and is less shameful about it than most other titles. – Sean Gaffney

The Water Dragon’s Bride, Vol. 5 | By Rei Toma | Viz Media – First of all, let’s be honest, those attendants really should have realized that Asahi did not know what a fertility festival really was about, and while the reaction of “oh, everyone is having “fun” in the forest” is briefly amusing, it rapidly becomes less so. It does underline the fact that Asahi really cannot rely on the protection of a small village, even if she does have the mercurial water god with her. Speaking of which, his character development is a highlight. My favorite scene is when he asks Asahi why he would be angry, and she replies that HE’S the one who needs to figure that out. This remains a reliably solid shoujo title, and I want to see where it goes next. – Sean Gaffney

The Promised Neverland, Vol. 3

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

(As with previous volumes, and likely going forward, these reviews spoil the volume in question. Because that’s exactly what reviews are for.)

I keep waiting for the moment that The Promised Neverland slows down to catch its breath a bit, but it’s become clear by the end of this third volume that that’s never going to happen. Our heroes plot, scheme, learn who to trust and who to betray, get trusted and betrayed, and by the end of the book everything is in ruins. It can honestly be a bit exhausting, and it’s definitely terrifying – there’s some real chilling horror reading this series – but it’s also completely exhilarating, and I want to see these kids succeed. Somehow. Even if what they escape to may end up being even worse. That said, I may not get my wish for a bit, as by the end of this book their plan is up in smoke, Mom knows all, Emma’s got a broken leg, and Norman’s getting shipped out to be delicious. There’s a lot going on.

Despite the presence of most of the orphans on the cover, this is very much a cast of five vs. the world, as Don and Gilda, after a tense discovery and angry confrontation, join forces with our heroes. I enjoyed all of the back and forth with Norman and Ray try to outdo Vizzini in figuring out what Mom and Sister Krone are actually up to, and how they can escape. I also like how they ultimate fail (at least so far) – a lot of clever kids think they’re being super secretive and canny when it turns out Mom has known what they’re thinking all along, and that’s what we get here, and it doesn’t take away from their extreme cleverness. I loved them looking at the books, where they understand some but not all of the code, and Emma’s intuition knowing they’re important but now quite why they’re important.

And then there’s the fall of Sister Krone, as well as her backstory. Despite Norman wondering how much of what she revealed to them was true and how much was false, I’m inclined to believe most of her backstory, especially as we get more flashbacks to it in her final moments. Despite functioning very effectively as a pure force of terror a lot of the time, particularly at the start of this volume, by the end of it all you feel is sad, as well as realizing what horrible monsters we have on “the outside”. Her revelation on how “moms” get chosen is also rather interesting, and makes me wonder if someone from Field House (not Emma, I suspect, but maybe Gilda) was being groomed for a position. That said, Sister Krone was correct – she could try to be scarier and more cunning than Isabella, but in the end there’s only one mom here.

So what’s next? Is this the sort of series that’s prepared to kill off its main cast? What about the rest of the orphans that Emma wants to save? And what *is* going on outside? This is a scary, scary volume, but I desperately want to read more. Highly recommended.

Re: ZERO -Starting Life in Another World – Ex, Vol. 2

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

In Japan, these two volumes came out slightly later than they did here – the first one came out after Book 6, and this second one after Book 7. It didn’t really matter with Crusch’s book, but I get the sense with this second volume that we’re missing the impetus as to why we’re suddenly getting a side story devoted to Wilhelm when he hasn’t really had a large role in these books to date. Of course, as fans will know, the cover of the next volume of Re: Zero out in North America prominently features Wilhelm. In any case, despite feeling as if I came in after the start of the movie, this was a very good volume of Re: Zero’s spinoff, showing us a moody young man who tries to shut himself off from everyone except his sword, and his meeting a lovely and teasing young woman in a construction site with a flower garden. It also manages to have another excellent message that we’ve seen before: war is an awful thing.

The start of the book doesn’t even has Wilhelm as the viewpoint character, though that changes about one-third of the way in. Grimm is his fellow soldier and a far more “normal” person, which is to say he has his doubts, wants to avoid combat and run away when things are bad, etc. Wilhelm seemingly finds him detestable, but the fact that he’s also the only person to repress those feelings and fight valiantly anyway says a lot in his favor. As Wilhelm gradually (very gradually) begins to open up to the reader and to others, Grimm is no longer needed, though I was annoyed that the narrative went so far as to remove his voice from it literally. We also meet what… I guess is meant to be Roswaal’s mother or grandmother? It’s not very clear, and the fact that they talk and act exactly the same makes me wary and suspicious. (If you know, don’t tell me in comments, I’m happy to be unspoiled.) And we also get a whole lot of dead soldiers, both humans and demi-humans, to show that, again, war is an awful thing.

There’s also Theresia, who for most of the book seems to be just an ordinary young girl who likes to hang out in the middle of deserted vacant lots in the poor sectio0n of town for fun, but who turns out to have a much bigger secret. A surprise to you all, I’m sure. Honestly, I wish I could have had more of her – this is a very male-oriented narrative, given that it’s mostly from Wilhelm’s POV, and both he and Carol, Theresia’s friend and retainer, think the same thing: she is made for peace and fluffy things, not as a maiden of war. Which is all very well and good, and I understand that in an anti-war book you want to have that sort of opinion, but a longer section from Theresia’s POV might have helped me not see it as “pretty girls shouldn’t fight!”, which is what it comes off as.

Fortunately, their story is not over yet. This comes as a surprise to me, as after the first Ex volume I came in assuming we’d see another awesome character getting killed off for tragic backstory. But no, the book ends on a triumphant note. And there’s a 3rd volume coming out soon in Japan that looks like it will continue the story. So this is definitely recommended, though readers may want to wait till after Vol. 7 is out before they give it a try.

Yona of the Dawn, Vol. 11

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona of the Dawn is a return to the beginning in many ways. It opens with an extended flashback showing the trio of Yona, Hak and Su-Won as children, sneaking out against orders to see what the town looks like, which ends up turning into a disaster after Yona is kidnapped almost immediately. It’s a terrific sequence, showing off the strong friendship that the three had, as well as showing that Hak and Su-Won each are jealous of the qualities they see in each other. And of course it’s tragic because of what came later, something that is still affecting both Yona and Hak deeply, as we see later on. He has nightmares about Yona, both in regards to Su-Won’s betrayal and also her becoming a warrior rather than a princess. And Yona is feeling the same thing, only she knows what side she’s going to choose going forward.

Yona and company are moving north, arriving in a village that is much the same as the fire tribe one they left, but is much better off due to developments in their grain. This excites Yun so much that he’s willing to do a festival dance in order to get more information about it – or at least have Yona do it, as Yun can’t dance at all. Hak notes that Yona has danced in the past, but it’s been rather awkward and amusing more than anything else. That changes here when Yona uses the dance to show what she’s become and where she’s headed, in a performance that makes everyone’s jaw drop, including Hak’s. For shippers, there’s a giant pile of Hak being in love with Yona here, but he’s fighting back against too many things, including Yona being mostly oblivious, for it to go anywhere. But man, the burning unsaid passion in this book is amazing.

Rest assured the book is also filled with humor – one two-page section had me laughing out loud just from the use of ‘pondering’ and ‘lounge’ as comedic weapons. A lot of this comes from Jaeha, who has become my favorite non-Yona character (those who recall my I Hate You More Than Anyone reviews may guess why – he’s basically Honjo as a superhero. He also knows that Hak/Yona is the endgame, which grates on him a bit – but not enough to stop him giving Hak some good, if needling, advice. That said, I don’t think anything more is going to be happening anytime soon. I do wonder if we’ll be seeing another female cast member soon – this volume has them go to a village with a lot of young women who remind us that Yona is walking around with a bunch of hunky guys, and some female friendships would, I think, do her good and make her a bit less serious.

To sum up, this remains one of the best Shojo Beat titles being released by now, and an essential purchase. Buy it, you’ll love it.

So I’m a Spider, So What?, Vol. 2

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

This series continues, very deliberately, to be a book of two halves, albeit unequal halves. The main thrust of the story remains our spider heroine slowly ascending the dungeon and defeating stronger and stronger monsters while keeping up an inner monologue that sounds like she’s high on a dozen pixie stix all the time. The other half of the story is interspersed in between this, and deals with Shun and the rest of the reincarnated students having a far more normal isekai life… well, normal compared to the spider. The difficulty is that forward plot progression is entirely confined to the latter – a couple of the students have clearly gone a bit mad from the new world, Shun finds being a hero actually involves killing things, there’s a giant demon invasion happening as we speak, and oh yes, the demons are seemingly led by another reincarnated classmate. I want to know more about this. I have to be content with Spider Levels Up And Reads Her Stats.

Spider’s progress is the biggest strength of the book. She is hilarious, and it gets even better when she’s able to subdivide her brains so they can think about different things, and they start arguing with each other. She’s arrogant as heck except when she’s being attacked by killer monsters, and there’s an ongoing disturbing thread about her not realizing that she’s lost any moral or ethical sense – every time she reads about her taboo increasing and wonders why that is, you sort of smack your head. At the same time, spider’s progress is the book’s biggest weakness as well. There is endless discussion of her stats and skills, complete with charts (which are what pile up the page count), and she has to overanalyze all of them. Sometimes this is amusing, but a lot of times it can get very tedious, even with her excitable inner voice.

As for Shun and company, as I said, they’re pursuing a much more common isekai narrative. We’re introduced to Hugo, another classmate who seems to have gone completely insane and power mad, as well as Yuri, who has accepted God as her savior in a very over the top way. (Given that God in this work appears to not only exist but be the sysadmin, not too mad an idea, but she’s a pure “religious zealot” type, so will no doubt be an antagonist.) The most interesting thing going on here is Katia, who was a boy in Japan but was reincarnated as a woman here, and seems to be the ONLY one who’s not the same sex. She becomes very accepting of this, and is also clearly starting to have feelings for Shun, which everyone notices except her. It’s not, perhaps, as amusing as the author wants it to be, but it’s definitely interesting, and handled pretty well.

The book ends with a nasty cliffhanger for those on the surface, even as our spider heroine just keeps rolling along. I’m enjoying these books, but I really hope that the two plots converge soon, as I’m drawning in stats a bit too much.

Manga the Week of 4/11/18

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SEAN: Yikes. Thanks to Yen shifting half their March releases into April, we have another punishing week.

But first, Kodansha once again did a last-minute release on me. Already out this week is You Got Me, Sempai (Mairimashita, Senpai), a shoujo title from Dessert which I will add to the stack.

MICHELLE: I’ll probably check this one out.

SEAN: As for next week, Dark Horse gives us a 2nd volume of Hatsune Miku: Future Delivery.

J-Novel Club debuts Arifureta Zero, a spinoff prequel to the series showing those who built the dungeons in the first place.

They also have a 4th Faraway Paladin (technically the 5th, as the 3rd was split into two parts).

Back to Kodansha Digital, who have two new releases this week. A.I.C.O. Incarnation is based on the anime from Studio Bones, and is a Shonen Sirius title.

And Boarding School Juliet (Kishuku Gakkou no Juliet) is a Weekly Shonen Magazine title about a modern day manga Romeo and Juliet. Of the digital debuts I’ve mentioned, this is the one that most intrigues me.

There’s also plenty of ongoing digital titles. Grand Blue Dreaming 8, GTO Paradise Lost 7, Lovesick Ellie 5, and Starving Anonymous 2. No sports, though, sorry, Michelle.

MICHELLE: I am placated by having had several sportsy releases last week.

SEAN: On the print front, we have Attack on Titan 24, Cardcaptor Sakura: Clear Card 3, The Heroic Legend of Arslan 8, In/Spectre 7, and Love & Lies 5. In/Spectre is supposed to be starting a new manga-only arc.

MJ: I haven’t even tried out the new CCS series. Bad CLAMP fan, bad. I should get on that.

ANNA: I haven’t either but I feel less enthusiastic about late CLAMP as opposed to early CLAMP.

ASH: I’m liking it so far, although it hasn’t really distinguished itself yet.

SEAN: Seven Seas has three titles out next week. There’s a 3rd Akashic Records of Bastard Magical Instructor, a 14th Magical Girl Apocalypse, and the 10th My Monster Secret, which will finally resolve its main plot hook. Not that this means it’s ending, of course. There’s still a lot of laughs to go.

SuBLime has a 6th Deluxe Edition of Finder.

Vertical debuts My Boy (Watashi no Shounen), or as I like to call it, “Hoo boy.” It’s an award-winning title from Futabasha’s Monthly Action, about the growing friendship between a 30-ish office lady and a 12-year-old boy, and how ambiguous their relationship is. It’s apparently very well-written and very tasteful, and I will be giving it a shot, despite my reaction being, as I said, “Hoo boy.”

MJ: Hm. Maybe?

MICHELLE: Same. I’ll wait to see Sean’s review.

ANNA: I will pass on this.

SEAN: Viz has new volumes of Case Closed (66) and Magi (29). Itsuwaribito finally comes to an end as well with its 23rd volume.

Their debut this week is not manga, but will no doubt heavily appeal to anime fans: Homestuck Book One collects the popular and meme-spawning webcomic-ish thing.

ASH: I’m curious to see how well this translates into print considering the multimedia nature of the original. (It’s also interesting to see Viz continuing to expand beyond strictly Japanese content.)

SEAN: And now for the rest of Yen’s March titles, coming to you in April. Yen On has the 13th Accel World.

There are also a few debuts. The Elder Sister-Like One (Ane Naru Mono) is a Dengeki G’s title from ASCII Mediaworks that asks the question we’ve all wanted to know: What if Cthulhu was your big sis? It is based on a pornographic work, but I believe isn’t actually one in this version. Expect fanservice, though.

Mermaid Boys is a shoujo title from the late lamented Aria magazine, and seems to be a gender-reversed Little Mermaid. Can this be the rare Yen Press title that Anna will be interested in?

MJ: Okay, this sounds possibly kind of awesome.

ANNA: Probably! Gender-reversed Little Mermaid sounds intriguing!

ASH: I’m looking forward to giving it a try!

SEAN: And where you have Mermaid Boys, you must also have Monster Tamer Girls (Kaijuu no Shiiku Iin), though the two series are not connected. This is a Houbunsha title from Manga Time Kirara Forward, and I don’t know much about it.

ASH: I don’t know much about it, either, except that it’s a short series about the care and feeding of kaiju.

SEAN: And there is Though You May Burn to Ash (Tatoe Hai ni Natte mo), a Young Gangan horror/thriller title that is a survival game manga and oh wait, I stopped caring.

MICHELLE: Heh.

SEAN: Ongoing Yen titles? We have plenty. Alice in Murderland 8, Angels of Death 2, The Betrayal Knows My Name 8 (MJalert here), Bungo Stray Dogs 6 (Ash alert here), the 4th Erased omnibus, a 7th Love at Fourteen (they’re 15 now, but hey), a 2nd One Week Friends, a 2nd manga volume for So I’m a Spider, So What?, a 5th Spirits & Cat Ears, a 2nd A Terrified Teacher at Ghoul School, the 2nd three-volume omnibus of Umineko: When they Cry: Requiem of the Golden Witch (Sean alert here), and your name 3.

MJ: Noting the alert here. I also like Erased, so there’s that.

ASH: Same! I’m still getting a kick out of all of the literary references in Bungo Stray Dogs, but the penultimate volume of Erased is what I’m really interested in this week.

SEAN: This is, frankly, far far too much. It’s getting ridiculous. Are you getting anything?

Cutie Honey a Go Go!

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By Shimpei Itoh, Go Nagai and Hideaki Anno. Released in Japan by Kadokawa Shoten, serialized in the magazine Tokusatsu A. Released in North America by Seven Seas. Translated by Zack Davisson, Adrienne Beck and Wesley Bridges.

Another day, another reimagining of a classic property that I enjoyed a lot more than I thought I would. Indeed, I enjoyed it a lot more than the Japanese audience apparently did, as not only was this cancelled after ten chapters, but the second volume was never published until this omnibus edition. The afterword is filled with the author’s apologies, but I’m not sure they’re merited, because I thought this was a pretty terrific adaptation. The cynic in me wonders if the series didn’t take off because it’s not filled with high school girls – Natsuko, aka the reason everyone should read this, is an adult police detective in this version, and I can’t help but think that this was Cutie Honey’s StrikerS. But I’m not going to complain too much, as what we do have is silly, over the top fun with lots of fighting, a lot of over the top bloodshed, and some yuri subtext. Everything you’d want from Cutie Honey, in other words.

As noted, Natsuko is a police detective with a penchant for being “a cop on the edge” – she exists in a constant haze of cigarettes and violence, beating the crap out of anyone who pisses her off, which is everyone. She’s having a particular bad day due to Panther Claw, an evil organization which has started destroying the city and its inhabitants due to the city not answering its demands – which no one actually seemed to receive. Fortunately, there is one woman here to save the day and defeat the bad guys (OK, bad girls – Panther Claw is an all-female monster team). Honey Kisaragi is an android built by her “father”, Dr. Kisaragi. She’s a combination of sentai warrior, magical girl and cute young airhead. Unfortunately, her father doesn’t last long in this series, and it’s noted that Panther Claw keeps coming after her. There’s only one thing left to do – go undercover at a Catholic Girls’ school.

If this sounds a bit ridiculous, it’s because it is -despite all the bloodshed, the ‘a Go Go” version of Cutie Honey is very much in the lighthearted vein. It was produced in tandem with the anime “Re: Cutie Honey”, which explains why Anno is listed as one of the creators. Natsuko’s angry reactions have those classic “all teeth” faces you see in a lot of Rumiko Takahashi works. That may be why the manga didn’t do as well – the ending, where the author was clearly told “you’re cancelled, wrap it up”, is noticeably darker than the rest of the series, with people getting their heads cut off and put on display or simply sliced completely in half. The main cast survives to fight another day, though, and readers might want to look towards the anime for a less ambiguous ending. There are other things going on here (a “reporter” who’s meant to be charming and irritating but is mostly the latter), but honestly the best reason to read this is Natsuko vs. everything around her.

The Irregular at Magic High School: Yokohama Disturbance Arc, Part 2

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Last time I mentioned I did not want any more romantic comedy hijinks, and it’s safe to say I got my wish, though that does not necessarily translate into a better book. The focus of this book is the Thesis Competition and the terrorist attack that disrupts it, and I think the entire problem with the book can be summed up by the fact that the competition never finishes after the attack and we never find out who won. It’s irrelevant. That actually pops up pretty frequently in this book, as we see moments that seem like they’re going to lead somewhere or develop a character… except they don’t. They’re there to “look cool” and that’s about it. (Honoka gets hit particularly hard with this.) The exception to this, as always, is Tatsuya. Miyuki seems to long for people to treat her and her brother as normal people rather than superhuman monsters, but it’s getting a tad difficult as the books move on.

As noted above, we start with the Thesis Competition, with our heroes going second to last. Their presentation is awesome, and yet here comes Third High and Cardinal George. But before he can start… explosions, invaders, rampaging monster trucks crashing through the walls. (This may – may – get wrapped up in a book or two with an offhand mention, but I will assume that First High wins. Did Third High even get to present again? “Yeah, look… um, can you just mail it in? We promise we’ll give it equal attention, but everyone’s kind of moved on.”) The rest of the book is taken up with repelling the attack, and, to its credit, it’s only about half “Tatsuya solves everything by dint of superpowerful magic awesomeness.” The rest of it is the rest of the cast contributing in their own little way, from actively killing terrorists with giant swords to using the power of Daddy’s Little Girl to summon helicopters to rescue civilians.

And yes, I said killing. There is a whole lot of bloodshed in this book, as the terrorists (whose identity I will try to keep a secret, in case someone anyone hasn’t guessed) amount to a bunch of cannon fodder. The cast take to it based on their personalities and strengths – Erika and Leo are basically fine with it, some of the others less so. Fortunately, absolutely none of our heroes are hurt all that badly – two of them get mortally wounded, but fortunately Tatsuya pulls out an “I can reverse this” magic that puts them back together again. I tend not to gripe about super overpowered heroes as much as the average light novel fan – I mean, if you’re reading this genre you have to basically accept it – but I admit to rolling my eyes a bit at this. Miyuki helpfully tells us how much pain it causes him, which is all very well and good, but it might have been nice to see that from his point of view, rather than just assume “stoic endurance”.

As the book ends with Tatsuya literally being the trigger of a nuclear magic explosion, one wonders where we’re going to go from here. Not back to the thesis competition, as Book 8 is apparently a prequel taking place three years earlier. In any case, while it is filled with cool battle scenes and the like, I didn’t enjoy this volume quite as much as the previous ones. It’s OK for the other characters to treat Tatsuya like some inhuman God, but don’t let the author do it as well.

CITY, Vol. 1

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By Keiichi Arawi. Released in Japan by Kodansha, serialization ongoing in the magazine Weekly Morning. Released in North America by Vertical Comics. Translated by Jenny McKeon.

It’s always interesting when an established author ends their popular title and moves to a new company to start something new. In the case of Keiichi Arawi, creator of Nichijou, he’s moved to Weekly Morning for this new series, which has a significantly older readership than Young Ace, his former home. That said, I don’t think Nichijou fans need to worry too much about things getting overly serious or normal. CITY contains most of what readers love about Arawi – bizarre situations, a cast filled with overreacting idiots, and the occasional page that reminds you that the author may be at his best when designing backgrounds. And if you already miss Yukko and Mio from his previous series, rest assured, Midori and Ayumu will have you scratching you head and saying “they seem strangely familiar”. Basically, everything you liked before is here again, except perhaps for Mai. (I miss Mai.)

As the title suggests, this is a story of various characters living in the midst of a reasonable-sized city. And I say ‘characters’ rather than people because it’s obvious from the first that funny gags are what’s on the menu. Midori is sort of a main character, the way Yukko was sort of the main character of Nichijou, but as the book goes on it shows itself as more of an ensemble piece. Which is for the best, most likely, as Midori can be difficult to take in large doses. She’s lazy, conniving, and hyperactive, and also has a streak of bad luck, all things that make her very funny, but we haven’t really had any of the heartwarming moments in Nichijou that made us open up to the cast. Probably as this first book is establishing said cast and locale, rather than expanding on them.

There are others in the cast. I mentioned Midiori’s best friend Ayumu, who is meant to be the “normal” one by contrast, but seems to have a few silly interests. There’s a family restaurant, which Midori starts to work at in an effort to pay her rent, staffed by a boy who relies a bit too much on horoscopes. There’s an over-earnest police officer who tries to do the right thing but frequently ends up way over his head. There’s a young woman whose name isn’t given but who is basically Nano from Nichijou without a screw in her back, and she’s sweet and ditzy and obsessed with point cards. There’s even a manga artist and editor, though given the manga artist’s series gets cancelled in this first volume and they replace him with someone far more famous, I’m not sure how long that will last.

CITY likely needs a few more volumes to play out before I know whether I’ll enjoy it as much as I did Nichijou. But the basic elements are all still there, and I still found myself smiling as I read it. Arawin fans will definitely want to check this out, as will fans of “quirky” manga.

Bookshelf Briefs 4/2/18

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ACCA 13-Territory Inspection Department, Vol. 2 | By Natsume Ono | Yen Press – I’m not entirely certain how seriously I should be taken the plotting against the crown here, or indeed the crown’s own attempts to overthrow ACCA. It does seem like Jean has no shortage of people who hate him and want to see a) his department obliterated and b) him arrested for treason. The trouble, of course, being he’s not actually plotting any sort of coup. In fact, he seems to be doing his job more because he has the hots for his superior officer more than anything else, although that’s as much of a lost cause as his own junior who has a crush on him. ACCA is a great series to read, but I don’t think I quite feel the sense of ominous danger I’m meant to. It needs a corpse or two. – Sean Gaffney

Battle Angel Alita: Deluxe Edition, Vol. 2 | By Yukito Kishiro | Kodansha Comics – Having previously read only a portion of the sequel/alternate ending Last Order (parts of which I greatly enjoyed although as a whole the series didn’t overly impress me), I never quite understood the immense popularity of Battle Angel Alita. But now, thanks to the deluxe, hardcover edition from Kodansha Comics, the original manga is back in print in English and I finally get it. The series is terrific, with an appealing lead, intense action sequences, and a striking and visually imaginative cyberpunk setting. The story of the second omnibus (most closely equivalent to the third and fourth volumes), turns to the dangerous and deadly sport of Motorball. After a tragic end to her first romance, Alita leaves behind her life as a bounty hunter to become a rising star of the game. Her search for identity continues as she strives to find purpose and meaning in who she is. – Ash Brown

A Centaur’s Life, Vol. 14 | By Kei Murayama | Seven Seas – I’ve said this before, but the longer this series goes on, and the less the main cast appear in it, the more I suspect that the anti-war story with the frogs that he has going on is the story he really wanted to tell, only he had to write about 7-8 volumes of fanservicey monster girl antics in order to get the series so popular he could get away with it. This is not to say we don’t still see Hime and company, or that there’s not fanservice—just look at the first chapter. But there’s more and more of the warfare in this book, and as it goes on it’s becoming clear that the participants being centaurs or frogs or angels is irrelevant to war being hell for all concerned. Easily the strangest monster girl series coming out these days. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 11 | By Aya Shouoto | VIZ Media – Anyone expecting any sort of evolution of Aoi and Himari’s relationship in the wake of his confession at the end of volume nine will be disappointed, since here we are in volume eleven and the gang is primarily focused on getting control of a spreading darkness at the back of Momochi House. Himari is learning more about what happened to the previous Nue(s) and what fate might await Aoi, too, but for the most part this volume just has a lot of battles between Aoi and his immediate predecessor, whose body has been resurrected by his one of his shikigami. I appreciated the BL vibes I got from them during their final panel, but otherwise this volume was a trifle meh. – Michelle Smith

Flying Witch, Vol. 5 | By Chihiro Ishizuka | Vertical Comics – There actually is some plot development here, as Makoto is starting to get jobs, though the job amounts to ‘babysitting.’ More importantly, Chinatsu has been watching witches and magic for some time, and apparently her body is allowing her to use mana now, meaning… she can become a witch! For the moment that just amounts to squirting people with water, but I’m sure that the series is going to have a lot more to do with this going forward. Other than that, and the affirmation that there really is not going to be any romance in this series, even one-sided, thankyouverymuch, and that it is content to have chapters like “try to cure hiccups.” For fans of Yotsuba&! and similar series. – Sean Gaffney

Golden Kamuy, Vol. 4 | By Satoru Noda | Viz Media – There is… a bit less gore this time around, though that’s mostly relative. In fact, at times the genre of Golden Kamuy seems to be switching with every volume, as this time it’s turning into a political thriller, as there’s a lot more focus about what to do with the gold once it’s found, as well as showing off that the comedy relief character, while still funny, may be a bit less goofy than we expected. But rest assured there’s also lots of what brought people to Golden Kamuy in the first place—cooking wild anmals, lots of discussion of poop, and the occasional bloody death and cool action shot. Also, please do not let your heroine get kidnapped by eagles. She is far too valuable. Thank you. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 5 | By Canno | Yen Press – Another volume, another relationship, this one featuring the classic forgotten childhood friend. Sawa and Itsuki are entertaining on their own, but there’s no real drama as to whether or not they’ll get together The best part is that Sawa takes a while to struggle with “oh, yeah, I guess I do like her this way,” rather than having an immediate epiphany like some other couples we’ve seen. We also get more attention devoted to the main couple, as we see Ayaka dealing with her Education Mama and her frustration at not being able to be number one… even if she’s not sure that should be her goal anymore. This is not the best yuri manga out there, but it’s pretty solid overall. – Sean Gaffney

Twinkle Stars, Vol. 5 | By Natsuki Takaya | Yen Press –Twinkle Stars, Vol. 5 | By Natsuki Takaya | Yen Press – And so, Twinkle Stars comes to a sometimes painful, sometimes lovely close. Just when Chihiro has finally accepted his feelings for Sakuya, he gets a surprise phone call from Sakura, who has actually been awake for some time. He’s afraid that she’ll try to kill herself again unless he shows her what he learned from Sakuya—that kindness and warmth are not an illusion—and so he chooses to leave for Tokyo to be by her side. Not before Sakuya realizes that he’s in love with her, though—in a majorly tear-inducing scene!—and not without telling Sakura that he can’t consider her his girlfriend anymore because he’s fallen in love with someone else. There’s a lot of self-sacrificing going around, including Sakura eventually realizing that she alone can make Chihiro happy… by setting him free. This was such a great series and I look forward to rereading it in the future. – Michelle Smith

Wake Up, Sleeping Beauty, Vol. 3 | By Megumi Morino | Kodansha Comics – Well, that cliffhanger from the last volume went nowhere fast. Instead, we deal with Tetsu’s love of soccer, and the fact that various circumstances led him to leave the team despite that love. This has not sat well with some friends of his, and Shizu and her ghosts end up being dragged into things in order to get him to reconcile with the team. This is pretty heartwarming, and also shows us that Shizu is getting better at being herself when she’s outside, even if the ghosts still occupy her body much of the time. We’re now halfway through the series, and I suspect things may get a little more serious towards the end, so it’s nice to see something like this that is serious yet easily solvable. Also, Shizu’s cute. – Sean Gaffney

Pick of the Week: Manga Strikes!

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MICHELLE: I’m looking forward to so much this week! Ace of the Diamond, Chihayafuru, Promised Neverland, My Hero Academia, to name but a few. However, seinen romantic comedy from Mitsurou Kubo wins in my book. It’s gotta be Moteki. Plus, you get the first half of the series in one package. Nice!

SEAN: There is, frankly, an embarrassment of riches this week. including every single Shojo Beat title, as well as The Promised Neverland, which will be brilliant and make me suffer. But yes, I’m going with Moteki, a title we would never have seen here if not for Yuri on Ice taking off the way it did. I’m not complaining.

KATE: Moteki and The Promised Neverland are my must-read manga of the week. If I had to choose just one title, though, it would be the third volume of The Promised Neverland, since previous installment ended with a game-changing revelation.

ASH: I’m actively following so many of the series coming out this week! But when it comes to the pick of the week, debuts tend to get most of my attention, and so Moteki it is for me! (Although I’m also rather curious about Kenka Bancho Otome… )

ANNA: There’s a ton of great stuff coming out this week! It makes it so hard to pick! Like many others I have to give Moteki the edge though.

The Saga of Tanya the Evil: Plus Ultra

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

So in the afterword to the second volume of Tanya the Evil, the author talks about how much his editors and readers want to see more of the guys in the cast rather than Tanya herself, and how he is adamant about keeping Tanya front and center. And I get that, he’s correct as far as it goes. But I also understand the feelings of the others, because too much Tanya, particularly when we’re smiling and nodding along with her point of view, is not only overpowering but actively harmful to a degree. The Saga of Tanya the Evil works best when it shows us the disconnect between what Tanya is thinking and what the rest of the cast thinks she is thinking, and there are several very amusing moments here where we see that. But it’s not nearly as many as the first book, and pure, unfiltered Tanya, which we get here for long stretches at a time, risks the reader coming over to her point of view. Which is not, I suspect, what the author is going for.

The title is, as are all the titles in this series, Latin, and means “further beyond”. It’s also the national motto of Spain, one of the few countries in Europe that doesn’t have an equivalent here. The “plot” of the second volume reads almost like a book of short stories, and those who expect to see more of Tanya vs. Being X beyond her constant grousing are going to be disappointed. Instead, Tanya and her unit perform like the A-Team, dropping into war zones and magically coming out successful even when they’re unaware of it. We hit the Tanya equivalents of Romania, Norway, and France here, and also take a little bit of time to perform a few wartime atrocities. There are occasional flashforwards to reporters discussing these events as history, and it’s made pretty clear that history is not going to be happy with Tanya’s actions. It’s also made pretty clear the Empire is not going to be on the winning side when the war eventually ends. Now that we’re getting England… sorry, The Commonwealth into it, who knows where the books will take us next?

But again, as I said, there’s a whole lot of Tanya point of view in this book’s 7,963 pages. (That’s a slight exaggeration, but is is punishingly long. Readers may feel better knowing that, although all Tanya volumes are long, none in the future are QUITE as long as this one.) There are a few exceptions – we’re introduced to a new recruit whose job is to boggle in horror at war and Tanya (possibly not in that order), and we also meet a man who looks like he’s being set up as a major antagonist, Anson Sue (whose daughter, god help us, is named Mary Sue)… except he’s promptly killed off without Tanya even knowing who he is, so the whole thing ends up being anticlimactic. We occasionally see some of the Empire higher-ups, or a brief POV of the other side. Even Visha gets very little to do in this book besides be Tanya’s adjutant. The readers want more of the other characters because it provides some balance and different coloring. All Tanya is like eating potatoes every day.

I’m still not ready to drop this series, which is odd given “this is too dark” is the main reason I tend to drop light novels these days. I think Tanya’s odd historical and military tone works in its favor – the book may be filled with ludicrous amounts of discussion of ammo, shells, and the rules of war, but its dry tone sets it at a remove from the actions it describes. And I can’t deny that I find Tanya fascinating, and I’m still not sure how much the author wants us to like her. If you enjoyed the anime (which I admittedly haven’t seen), I can only imagine this is a must buy, as there’s lots of stuff that must have been cut to ribbons in adaptation. As for me, I will read on, but I can’t deny that at the end of the day one word comes to mind reading The Saga of Tanya the Evil: Exhausting.

Laid-Back Camp, Vol. 1

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By Afro. Released in Japan as “Yurukyan △” by Houbunsha, serialization ongoing in the magazine Manga Time Kirara Forward. Released in North America by Yen Press. Translated by Amber Tamosaitis.

Reading this and trying to review it right after New Game! is going to be a challenge. Even though the two series are not all that similar in premise or characterization, they both share that sort of “let’s watch girls do things in a relaxed way” vibe that so many other Kirara titles have. New Game! was about office work and video games, and Laid-Back Camp is about camping. We see a group of four girls with a shared interest, and watch them talk about that interest. The interesting thing is that for most of the cast, talking is what they’re content to do. Another interesting thing is that the cast are for the most part kept separate for most of the book – Rin is a hardcore camper, but camps when and where she does to avoid people. Unfortunately for her, she’s now met Nadeshiko, and so there will be cute interactions in the future. But I was pretty impressed at how long Rin held out.

Give how one of my first exposures to this sort of title was K-On, it’s difficult not to map out Laid-Back Camp’s cast onto the high school band series – only Ritsu is missing here. Rin is one of our heroines, serious about camping and quite good at it. She accidentally runs into Nadeshiko, who is ditzy and flakey but impossible to dislike, and finds that she loves camping as well. Though Rin does not realize it (as Nadeshiko acts years younger than her actual age), they attend the same school, and said school has an Outdoor Exploration Club. With two members. And its room is a supply closet that’s been repurposed. Yes, it’s another club on the verge of failure. Aoi and Chiaki are the members of this club, but to be honest we don’t really get to know them too deeply in this book, which is concerned with Nadeshiko slowly dragging Rin into their inner circle through the power of being a shiny ball of cute.

As you might imagine, the manga is as laid back as its title suggests. There are many shots of the cast (well, mostly Rin) sitting back and looking at lovely scenery. As an advertisement for camping, it’s not bad. There’s also discussion of tents and sleeping bags, and sometimes this feels more like an educational guidebook. I was also very fond of the relationship between Rin and her friend Saitou, which felt very realistic and also very amusing – I loved their text argument. This also allows the series to have a cast member who’s not into camping, which is nice. With all that, the drawback is that the whole volume feels like it’s setting things in place, and two of the four cast members don’t get much to do. This isn’t a series that you’ll be able to tell if it’s a keeper or not with the first volume. That said, I enjoyed myself enough that I’ll pick up Vol. 2. If you want girls relaxing at campsites, Laid-Back Camp lives up to its name.