Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Ao Haru Ride, Vol. 1

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By Io Sakisaka. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Viz Media. Translated by Emi Louie-Nishikawa.

This is a shoujo manga, so most of you should probably be unsurprised that it is about teenage kids in high school falling in love. Actually, it starts off in middle school where we meet our hero and heroine, who meet cute, work up to going on a date… and then he never shows up, and transfers soon after, and it all falls apart. It almost feels like a one-shot, but that would be far too bitter a pill, I think, so instead we jump forward to high school, where Futaba is now slightly more outgoing and “one of the girls” (though it’s clear that she’s forcing herself), Kou returns, only he too is different from the young boy he was, and seems uncomfortable with seeing Futaba once more. Or is it just that he’s uncomfortable with seeing the company Futaba is keeping?

High school is a difficult period, and many people are still finding out who they really want to be. This is especially true in Japan, where your high school cast can be completely different from the people you knew in middle school. Futaba is a “nice normal girl”, but high school being what it is, this means that she has to smile and nod while her friends pick on the ostracized girl for being too cute and attracting the attention of the guys too much. Honestly, even without Kou breaking in and saying that her friends are fake, this was not a friendship built on a strong foundation. It’s clear that the two other girls (who I suspect we may simply never see again) were also feeling uncomfortable with Futaba in the group, and were waiting for it to break up. I really liked that the author made it clear that even though the cliche is that this is what young girls are like, she got the idea from two guys working in an office. Twisting the cliche to use it for good.

Speaking of good, the highlight of this first volume is the relationship between Futaba and Kou. Even after they reunite and she realizes that he’s become incredibly moody, standoffidh, and, well, teenage boy-ey, the chemistry between them really resonates well. This was also true of Strobe Edge, Sakisaka’s previous series, which I also enjoye4d. Futaba is seeing working to try to improve and stay true to herself, at first befriending the bullied girl “on the sly”, then defending her despite what it costs her. As for Kou, clearly the issues surrounding his family’s split are going to be resonating through the volumes to come. Hopefully then we will also get more information on the bullied girl, who seems like a sweetie pie, as well as the standard shoujo ice queen with long black hair, who seems to have an overenthusiastic boy trying to get her to make friends.

In other words, this is just the start of a long ride, which fits in nicely with the title. Fans of shoujo romance should absolutely check this out, as it’s got interesting characters and a sweet nature to it.

The Irregular at Magic High School: Visitor Arc, Part 1

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Nothing quite says “The irregular at Magic High School” quite like introducing one of North American’s top magician agents, almost ungodly in her strength, speed, and power, and then having her get crushed by Tatsuya and Miyuki as a reminder that it’s their series. There are various “outs” given for Miyuki, as Tatsuya has to remove the limiter she has on him to let her fight with the strength to defeat Lina, and the occasional reminder that North America does have the occasional magic tech that Japan does not have (to Tatsuya’s irritation), but for the most part the first of this three-volume arc is meant to introduce a new girl and then show how she’s not QUITE as good as the dynamic duo. This is not something limited to this series, of course, it’s pretty standard in light novels/anime/manga. But there is a certain smugness in Irregular at Magic High School’s narration that makes it grate just a bit more.

As you can see by the cover, Lina is out new American transfer student, who is also not so secretly a soldier with the North American forces sent to Japan to try to find out who was responsible for what happened in Yokohama two volumes ago. She’s a terrible spy, as she herself admits, but she’s better as a supersoldier, complete with secret identity superhero costume, which helps her feel very “American”, along with her stubbornness and desire to see everything as a competition. It’s more of an exchange program, so we also see Shizuku leave the stage and go off to UC Berkeley for (I assume) the remainder of this arc. This is a shame, as I quite like Shizuku, and also with her gone Honoka does not get much to do except have a crush on Tatsuya. The plot is about a “vampire” who is killing magicians, though it turns out that it may be more than one.

Irregular at Magic High School is not at the point (and I don’t think it ever will be) where it can kill off one of its regulars to amp up the drama. But some drama is required, so Leo runs afoul of the ‘vampire’ folks and is hospitalized for the rest of the book, and it’s noted that without his monstrous (and bioengineered) constitution he’d likely be a lot more dead. This leads Erika to start prowling the streets as revenge for what happened. The relationship between Erika and Leo continues to be very odd – the rest of the group seems to treat them like they’re going to be a couple and are just in denial about it, but if that’s the case there’s a curious complete lack of romantic tension between them. We see Erika flush in embarrassment later on, but that’s when she gets her outfit torn to shreds in a fight and is showing off to Tatsuya and Mikihiko a bit more than she feels comfortable with.

The Irregular at Magic High School continues to be a series that’s easy to read but hard to like. At times it feels like, just like its main character, the author seems unable to write strong emotions beyond the surface. Still, this is just the first part of a long arc, and I’m hoping for stronger depth next time. Mahouka fans should enjoy this – or enjoy complaining about this.

Bookshelf Briefs 10/9/18

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The Ancient Magus’ Bride, Vol. 9 | By Kore Yamazaki | Seven Seas – Well, the author does indeed seem to be trying to establish Chise and Elias as a romantic couple after all. That said, she seems aware that there was a hideous power imbalance involved, and most of this volume involves Chise working independently to try to rescue Stella and deal with Cartaphilus and his long, long live and mountain of complexes. As for Elias, he has to figure out how to apologize and stop doing things for Chise’s own good—even if that does mean she runs him ragged. Their relationship is a lot more equal by the end of this book, and I’m less wary of it. And now we apparently enter a new arc! Oh yes, and since I haven’t said so in a while, the art is utterly gorgeous. – Sean Gaffney

Blue Exorcist, Vol. 20 | By Kazue Kato | Viz Media – We still don’t know Shiemi’s secret, but we’re getting closer to having Yukio and Rin learn their own secrets. Despite the fun of a Christmas party (which gets wiped out by one Rube Goldberg-esque flipover from Shiemi’s familiar) and Renzo’s infinite family relations, complete with wedding, the gravity of Yukio’s pain and rage envelops this volume. Rin knows something is wrong but can’t help. Shiemi tries to comfort but can’t. He’s taken off active duty because he’s a loose cannon. And finally, in a shockingly brutal scene, he shoots himself in the head. This being Blue Exorcist, he’s not actually killed, but it’s still hard to read. This is starting to get to a point where we need another release of tension soon. – Sean Gaffney

Fate/Zero, Vol. 7 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – Spoiling the cliffhanger from last volume, no, Tokiomi does not actually do anything. Instead, as you can see from the cover, we get a lot more of Caster and his master, though mercifully there’s slightly less (though still some) child murders and lots more philosophizing on the nature of God. Everyone’s taking stock of who they are—Waver feels useless, even when Rider tries to pep him up. Iris’ body is having issues that remind me of what happened to Shirou in some FSN arcs, and Archer spends a lot—a LOT—of time psychoanalyzing Kotomine. There is so much talking in this book that when Caster summons a Giant Sea Beast to destroy everything, it’s a mercy. Recommend for Fate fans. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 26 | By Yuto Tsukuda and Shun Saeki | VIZ Media – The team shokugeki between Central and the resistance continues. The resistance swept the first bout, eliminating three members of the opposing team, but in response Central has sent out their heavy hitters. Yukihira sits this round out as Kuga gets his opportunity for a rematch against Tsukasa (but is not too proud to accept help from a teammate) and we learn a little bit more about two uber-manly students whose individual specialties are ramen and sushi. This volume is somewhat more fanservicey than the series has been of late, which I don’t love, and ends on a cliffhanger as all six chefs participating in the second bout prepare to have their dishes judged, but it’s still fun. Too, I appreciate that there are now some truly impartial judges overseeing things. I’ll still be happy when this arc is over, though. – Michelle Smith

Golden Kamuy, Vol. 6 | By Satoru Noda | Viz Media – The first half of this book, which is essentially a horror-comedy set in a hotel with infinite winding corridors, is hilarious, if grotesque. It’s reminiscent of an English farce, with lots of opening and closing doors and people missing each other—at one point we get a cross-section of the hotel to show this off. The second half doubles down on the violence, though, as Hijikata’s group is trying to find tattooed skins and also help a young pregnant woman avoid being used as a hostage. It’s a letdown, but that’s only because the first half of the book was so much fun. It also lacks Sugimoto and Asirpa, who are still the best reasons to read the book. Very little cooking this time around, too. – Sean Gaffney

The Manga Cookbook, Vol. 3 | By The Manga University Culinary Institute and Ryo Katagiri | Japanime – The third volume in the Manga Cookbook series collects twenty-five or so recipes (depending on how one counts variations) described as Japanese fusion food. The various dishes, ranging from drinks to dinner to desserts, all incorporate ingredients and flavours from or inspired by Japan. The Manga Cookbook combines food with a little bit of fun. Each recipe is associated with a character that could have come straight out of a manga (mobile suit pirate, personal butler, class president, etc.) and is preceded by a one-page comic which introduces both the character and dish in a humorous fashion. The cookbook is intended to appeal to young adults and is largely suitable for beginning cooks–the fully-illustrated recipes aren’t overly complex but are still intriguing, ready substitutions are recommended for some of the ingredients that might be more difficult to find, and even I learned a few new tricks and techniques! – Ash Brown

Natsume’s Book of Friends, Vol. 22 | By Yuki Midorikawa | Viz Media – I love stories with Natsume, Tanuma, and Taki, as I’ve said about eighty times, and so was delighted to see a two-parter starting this volume off which has them visiting an inn with some old yokai documents, which turns out to be guarded by a yokai who loves the view. Like most Natsume stories, it’s beautifully told, and what seems bittersweet becomes sweet later on. Things turn sad later on, though, with a flashback to Reiko’s first victim in the Book of Names, and her reluctant bonding with a young high school girl who at first I thought was dying of some wasting disease but apparently not. Reiko is always going to be prickly and difficult, but seeing her compassion in spite of that is terrific. – Sean Gaffney

Takane & Hana, Vol. 5 | By Yuki Shiwasu | VIZ Media – Normally, I don’t read a manga and think, “Man, this needs to be an anime,” but I had that thought a few times during the opening chapters of this volume, which include some great scenes with Takane at Hana’s school festival. I was a little worried when a bratty cousin and clinging love rival are introduced one after another, but each scenario yields something valuable story-wise. In the former, Hana learns a little bit about Takane’s family situation and in the latter, she’s forced to finally say out loud that she likes him and, in the end, recognizes that the rival’s feelings are genuine, also. Too, kudos for a reasonably good handling of this rival’s secret, which is probably the best I’ve seen in manga so far. All in all, a thoroughly enjoyable volume. I hope Takane & Hana keeps going strong for a long time! – Michelle Smith

Eromanga-sensei, Vol. 1

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By Tsukasa Fushimi, rin, and Kanzakihiro. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Dark Horse Comics. Translated by Dinky Spatz.

I’m pretty sure most of my regular readers are surprised to see me reviewing this title at all. I do try to give most Vol. 1s a chance, but let’s face it, this is by the author of OreImo, which reminded fans that yes, incest ships CAN sometimes piss off a fanbase. It features another brother/sister romance combo, only they’re stepsiblings so it’s “safer”… but they’re also far younger. There’s an obnoxious princess-type rival, also very young. If I’m going to be honest, my favorite character in the first volume is the editor, and that’s half because she resembled Bazett from Fate. And of course the final indignity, I have to type “Translated by Dinky Spatz” with a straight face. Even the pseudonyms are mocking me. Now, with all of that said… if this IS your sort of thing, I see nothing wrong with reading it aside from the occasional “Christ, how old are they?”. It does its job.

The premise has a young high school writer, Masamune, trying to deal with the fact that his stepsister Sagiri hasn’t left her room in about a year. He brings her food and attempts to get her to leave the room, but no dice. He’s also dealing with the fact that he recently ended his light novel series and has to start another one, despite mediocre sales and a 4-chan style board that is tearing him apart. In fact, it turns out that the instigator of the online abuse is none other than his illustrator, who goes by the name Eromanga-sensei. I will now pause to see if the reader can guess the stunning plot twist. (pauses, sips tea) Yes, that’s right, the illustrator is none other than his shut-in sister. After discovering this, he slowly attempts to break her out of her shell, and she starts to open up to him, though her heavy tsundere personality is not really helping. Can he get her to school? Can he establish a familial bond. Or… something more?

Please God, not something more, though I know I’m likely fighting a losing battle there. In any case, I was not entirely grumpy. Masamune’s approach to getting Sagiri out of her room is respectful and subtle, and he seems a lot more “with it” than most protagonists of this sort. Nor does he have an immediately obvious little girl/little sister fetish, which is sadly refreshing in this genre. The classmate of Sagiri’s who goes to the house to try to get her into school takes a refuge in audacity that made me laugh in a horrible sort of way, and her solution on how to get Sagiri out of her room was dead on. And the ojou rival girl is also over the top in an amusing way, and I liked the way not-Bazett shut her down and threw her out when she grew too arrogant.

This is based on a light novel series, which mercifully is not licensed here. I think it may work better in manga format anyway. There is an audience for this sort of title, and if you are that audience, or enjoyed OreImo, then this is definitely a title worth picking up. It just hit all the wrong buttons for me.

Pick of the Week: Satoko and Nada

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MICHELLE: I am completely unable to resist a tale billed as “a charming tale of friendship between a Japanese woman and her Muslim roommate.” Slice-of-life hilarious adventures involving mutual respect? Yes, please!

SEAN: Same. Seven Seas has done wonders this year to make everyone sit up and pay attention to them, and this is one reason why. Satoko and Nada is definitely my pick this week.

ANNA: This sounds absolutely adorable. Looking forward to checking out Satoko and Nada.

ASH: As usual, there are a few things I’m interested in this week, but nothing else has quite captured my attention like the debut of Satoko and Nada! It should be a delight.

KATE: Ditto!

MJ: I was so determined to find something different and unpredictable to say here, but yeah. It’s Satoko and Nada for me too. All the way.

Strike the Blood, Vol. 10

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

I debated copying and pasting the start of my review of the 9th volume of Strike the Blood into this one, because the verses and chorus are the same. We get a new girl in peril, this time a Latin American girl (or the Strike the Blood equivalent) who is the titular Bride of the Dark God, and who gets mailed to Kojou in a suitcase to keep safe. She’s abusive and rude to Koujo, but gradually warms up to him after he keeps trying to save her life. Meanwhile, we get a new girl added to the “help Kojou summon a new Beast Vassal and regenerate to 100% health” rack, as Kanon (and Astarte, for added erotic appeal) allows him to drink her blood. And he and Yukina spend the entire book avowing that they aren’t boyfriend and girlfriend, while acting exactly like a couple would. There are no surprises, there is no ambition. It’s a predictable story, well told.

The cast is starting to get a little large and unwieldy, and so we winnow it down a bit for this book. Kojou and Nagisa’s dad takes Nagisa off for a shrine visit for the duration of the book, and Sayaka doesn’t even get mentioned, much less make an appearance. As for Asagi, who can’t actually leave the island, she ends up being locked in the computer room for her own safety, much to her annoyance. This allows Kanon and Astarte, who had not really done much at all lately, to make more of an impact. And then there’s Vattler, who sparks the plot here but doesn’t really show up till almost 2/3 of the way through the book. You get the sense he’s trying to be a trickster mentor to Kojou, putting him in life-or-death situations so that he can finally come into his own as the Fourth Primogenitor.

There’s also Celesta, the new girl I mentioned above. Her fury towards Kojou has a bit of the “Latin Spitfire” cliche to it, but she’s also the weak point of the book, as she’s a normal girl, so mostly exists to get into peril. Unlike a lot of the other heroines we’ve met in previous books, I’m not sure if we’ll actually end up seeing her again. Her peril does lead to some well-choreographed fights, though, and I expect that when this was animated it turned out quite well, given (as I’ve also said before) this reads like an anime novelization. She also resonates with Yukina in the “call Kojou a pervert” running gags, which are as tiresome as ever – I wouldn’t even mind the standard shonen jealous girl stuff if it were done well, but it’s tedious. The author is much better at drama than comedy, as most authors are.

So, in the end, Strike the Blood 10 doesn’t bring much new to the table. It’s a book to read if you’ve read the previous nine. But if you’ve read the previous nine, you won’t be too disappointed.

After the Rain, Vol. 1

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

In general, when reviewing manga that involves a relationship between a young girl and a much older guy, I have been pretty wary. This is because for the most part it’s either had the older guy be a replacement father who ends up with his adopted daughter, a trope I can’t stand, or the guy exists in a position of power over her, such as the classic student/teacher romances that litter shoujo manga. But After the Rain’s restaurant manager and waitress is not all that big of a power imbalance. In addition, the discomfort involved in such a relationship seems to be the point with this series – Masami is well aware that Akira is still only 17 years old, and that he is 45. What’s more, the audience sees that Akira is desperately searching for a purpose in life after an injury forced her to quit sports. Is this romance just a passing thing?

I’d mentioned that Akira’s face on the cover reminded me a lot of School Rumble’s Yakumo. It gets even worse when I read the series itself, as Masami is a very close match to Captain Goto from Patlabor. It feels a but like I’m reading someone’s AU crossover fanfic. That said, behind the character designs is some very pretty art and deft panel work, and you can see why this title won awards when it was coming out in Japan. Akira starts off dealing with her crush and trying to hide it, but resolves herself to confessing fairly quickly – especially for a series like this. That leaves the latter half of this omnibus for us to see how Masami (entirely referred to as “Boss” throughout by Akira, in case you wanted the power imbalance shoved in your face) deals with it – as he is very well aware what the world would think. That said, he’s not exactly unattracted to Akura either.

The audience is helped by Akira’s other romantic options, which range from pathetic (her hopeless male classmate) to loathsome (the playboy chef, who blackmails her into going on a date with him, smugly creeps on her throughout fully knowing she dislikes it, and straight up says that he feels that her love for the manager is not going to work out. The fact that he’s likely right about the last one is particularly galling, and nicely sets up the audience to root for the couple despite the age difference – we want them to prove this smug ass wrong. Unfortunately, I really don’t think Akira is in a position where romance is good for her right now. A scene where she sees her track friends running and having fun, and flees in raw shame and self-hatred when they try to resume their friendship – shows she’s in a very delicate place now. I think Masami knows this – so what does he plan to do about it?

We’ve got four more omnibuses to go, so I think the drama will play out for a while to come. What’s more, this apparently was made into an anime at some point, so I think most readers are well ahead of me in knowing what happens. Still, this was good solid seinen drama, deftly handling an uncomfortable subject. I want to see what happens next.

Sword Art Online Alternative: Gun Gale Online: Second Squad Jam: Start

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

If you read the first volume of this series and thought “I’m here to read deep characterization and cool gun battles, and I’m all out of deep characterization”, then I’ve got some good news for you. Now, there is some attempt at character, which I’ll get into later on, but for the most part you are not here to see what makes Pitohui tick or reading about Llenn’s desire to save her. You are here to read about guns, and fights, and gunfights. And in this regard, the Second Squad Jam offers just what the first did, and does a very good job of it. There may be a few too many long descriptions of makes and models for my taste, but the concept and strategy of what’s going on here is top notch. You can tell this is the main thing Sigsawa wants to write – in fact, he wrote so much of it that this is a two-parter, with the second half due out early next year.

On the cover we see Llenn with a new partner, Fukaziroh, who is Karen’s real-life best friend Miyu. Miyu is not meant, so far, to have much depth. She is in this book to be FUN, and she succeeds admirably. She’s bubbly, extroverted, acts before thinking, and is also hellaciously strong in game, so is a good contrast to Llenn’s speed and agility. Llenn’s former partner, M, can’t pair up with her as he is pairing up with Pitohui, and this Squad Jam is – stop me if you’re surprised in a SAO title – a matter of life or death for the both of them. Why that is has a lot to do with Pitohui’s twisted personality, and also a lot to do with the original Sword Art Online, which Pitohui was not involved with – in fact, that’s the problem. This is handled pretty well, though if I hear yet another thing tying into Laughing Coffin again I may scream. M has a plan to fix things, though we don’t hear the specifics, for the sake of suspense.

These are not the only returning characters, of course. The squad of huge muscular women who turned out to be cute Japanese schoolgirls is back, and anxious to have a rematch with Llenn. That may have to wait, though, as Llenn is on a direct course to confront Pitohui, who we finally see in action, and it is both amazing and terrifying. She’s sort of broken, but the fact that this really IS just a game means that her cruelty and callousness comes off merely as cool rather than as any form of sociopathy. We also see the paramilitary unit, as well as the machine gun idiots. Now that we’ve gotten the plot out of the way, I expect the back half of this two-parter to be incredibly cool fights from beginning to end. As this is the first volume, there’s a lot of necessary setup that gets in the way.

Still, this is frothy fun. It’s never going to win awards for depth or emotion, but if you need a light novel equivalent of Pixy Stix, then by all means this SAO spinoff is absolutely the title for you.

Manga the Week of 10/10/18

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SEAN: The pile of October continues. Join us!

Dark Horse gives us the 2nd volume of Gantz G.

And Ghost Ship has a 3rd World’s End Harem, which I imagine continues to have our hero resolutely not having tons of sex.

J-Novel Club has 3 ongoing series, with Clockwork Planet 4, How NOT to Summon a Demon Lord 5, and Lazy Dungeon Master 2.

Kodansha announced its new October digital releases literally an hour after I posted last week’s titles, making me grit my teeth. So already out is Are You Lost? (Sounan desuka?), a title about teens stranded on an island, though at least it’s not a survival game story.

Next week’s debut is Kira-kun Today (Kyou no Kira-kun), a shoujo manga from the creator of Kiss Me at the Stroke of Midnight and Love’s Reach. It ran in Betsufure.

Also out digitally next week are Boarding School Juliet 5, Drowning Love 11, I’m Standing on a Million Lives 3, and Tokyo Alice 4.

MICHELLE: I had every intention of reading Drowning Love and Tokyo Alice, but keep falling further behind.

ANNA: I never even tried. Too much manga!

SEAN: No print debuts, but we do see To Your Eternity 7 and Tokyo Tarareba Girls 3.

ASH: Definitely picking both of these up!

SEAN: Seven Seas has what I suspect will be Manga Bookshelf’s Pick of Next Week with the debut of Satoko and Nada. The story of a Japanese woman and a Saudi woman sharing a room at an American college, it sounds fantastic. It runs on an online site, Twi 4.

MICHELLE: It does look fantastic!

ANNA: That sounds great. Going to see if we can purchase that at my library.

ASH: I’m really looking forward to giving this series a read.

MJ: This was entirely off my radar! I will definitely be picking this up!

SEAN: There’s also Himouto Umaru-chan! 3, How to Treat Magical Beasts 2, Made in Abyss 4, and Spirit Circle 5.

ASH: The first volume of How to Treat Magical Beasts was enjoyable, but my (shattering) heart lies with Spirit Circle.

Vertical debuts APOSIMZ, the newest title from the creator of BLAME! and Knights of Sidonia. It looks pretty hard SF, as usual.

MICHELLE: It does, which is not normally my thing, but I do like Nihei’s art a lot, so will probably check it out at some point.

ANNA: Is there a talking bear? This is what I need to know.

SEAN: They also have a 12th Ajin.

Viz’s debut is a short story collection based on the world of NieR:Automata, entitled Long Story Short. Anyone else have Spandau Ballet in their head?

MICHELLE: Alas, I only know their big hit.

ASH: NieR: Automata was a huge hit among my circle of friends–hopefully the short story collection will be, too!

MJ: I’m there with you and Spandau Ballet

SEAN: Lastly, Viz has new volumes for Case Closed (68), Magi (32), and Sleepy Princess in the Demon Castle (3). I’ll be getting those last two.

ANNA: Yay for more Sleepy Princess!

ASH: The series is such a delight.

SEAN: It’s a lot, but keep saving up, there’s even more out in the coming weeks. What are you getting?

Last and First Idol

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By Gengen Kusano. Released in Japan by Hayakawa Publishing. Released in North America digitally by J-Novel Club. Translated by Andrew Cunningham.

It needs to be said right up front, this is not remotely a light novel. In fact, it’s not even a novel, but rather, a collection of three large-ish short stories. The first one, which gives the book its title, won the Japanese Seiun Award, their equivalent of the Hugos, and the other two are essentially variations on a theme. This is not to say that they aren’t related to anime and manga – each of the three short stories revolves around a different otaku obsession, and indeed the first story is a repurposed NicoMaki fanfic (as explicitly stated in the afterword). But this is at its core science fiction. Even more importantly it’s of the genre known as hard science fiction. The majority of all three stories is made up of long, detailed, and mostly fascinating discussion of science concepts and themes, sometimes related to our own sciences, and sometimes off on a different tangent (such as the aether in the final story). To enjoy this book, you REALLY need to love science.

It’s not quite accurate to call the three stories in here “variations on a theme”, but they are definitely of a piece. In Last and First Idol, a young girl obsessed with idols finds reality impossible to accept, but her friend is there to ensure that she fulfills her dreams, even after death. In Evolution Girls, a young woman obsessed with Gatcha games is killed and reincarnated in a gatcha-themed world, where she has to fight to survive. And in Dark Seiyuu, we follow a murderous sociopath and her ditzy partner as they kill seiyuu, travel through space, and try to discover the meaning of life. All three stories, to a greater or lesser degree, feature “yuri” sort of relationships, though, appropriately given the inspiration for these stories are shows like Love Live and Madoka Magica, they don’t really progress beyond akogare all that much. All three stories also feature a grotesque amount of violence, laid out in loving and bloody description.

I was impressed with the premise and development of the stories. The characters may not have been all that likeable some of the time, but they were easy to follow as protagonists, and a couple of the stories even had stabs at a happy ending. I was expecting a bit more satire – honestly, despite the concept of things like “immortal idol girls”, “gatcha games that consume your soul”, and “seiyuu piloting spaceships with their evolved uvulas”, there’s not really much commentary on said industries, as the author is more interested in exploring science using the otaku-esque premises as a springboard. The science, it has to be said, can be deadly. I never really did get into hard science fiction as a genre, and my academic career is strictly humanities, so my eyes were glazing over a lot. Also, it has to be said, a great deal of this book involves cute girls killing other cute girls in very detailed ways. There’s a reason I don’t read the Magical Girl Kill ‘Em All books, you know?

So in the end, this is a book that is easy for me to admire and be impressed by, but I can’t really say I enjoyed it. That said, if you are the sort who likes hard SF and Madoka Magica knockoffs, this is absolutely something for you to pick up.

Pop Team Epic

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By Bkub Okawa. Released in Japan by Takeshobo, serialized in the magazine Manga Life Win. Released in North America by Vertical Comics. Translated by Yota Okutani.

Many who read my reviews are familiar with me saying “This was made into a popular anime, which I haven’t actually seen.” That’s not the case here, as I am very, very familiar with the Pop Team Epic anime. In fact, this manga may be operating at a slight disadvantage in that I think almost every single person who buys it will be someone who has seen the anime that came out at the start of 2018. So, the question here is not so much “is this book funny?” (it is, in a PTE sort of way) or “is this book worth my money?” (yes it is, if only for the cover not having mosaics like the CR anime OP did) but more “what does this book have that the anime didn’t?”. There are several comics that weren’t adapted into anime gags, of course, and I will admit that for the most part you can easily see why they chose what they did. But the gags are still fun and worth reading, and it’s interesting to see hwow one gets translated into the other.

In case you are that rare person who bought this sight unseen (and given that cover, I can imagine it), Pop Team Epic is a 4-koma gag strip about two girls, Popuko (the short one) and Pipimi (the tall one). They’re dressed in school uniforms, but we never see them attending any classes. Instead, the strip is an excuse for various pop culture gags, fourth wall breaking exercises, and whatever random humor Bkub thinks of to throw at us. A good comparison might be Nichijou or CITY, though I worry comparing Pop Team Epic to anything just invites criticism. For anyone who’s seen the anime, all the most famous gags are present and correct: “Are you upset?”, “Beef or Chicken”, “Doesn’t get it at all”, etc. In fact, some of the gags look odd for an anime watcher, as Bob Epic Team used them for their own distorted art, and seeing things like the scorpion or zoo scenes as normal quick gag strips is actually a bit unnerving.

For those who had been wondering about how they would translate possibly the most memed of the PTE memes, “You Are Mother Fucker?” is left as is, which might be seen as cheating but is probably the safest option. The translation is, appropriately for a series like this, a bit of a mish-mash. Translation notes are minimal, with the occasional explanation of things like the Slit-Mouthed Woman. For the most part the pop culture gags are left alone, relying on the reader being as big a nerd as the author. There is the occasional adaptation that I noticed – in particular, I’m pretty sure the M*A*S*H reference wasn’t in the original comic – but for the most part the translation is fairly straightforward. Popuko swears quite a bit, though again, not as much as I think the “fan” reading the manga would like.

If you enjoyed the Pop Team Epic anime and want to read how it began, this is an excellent manga to buy. If you didn’t watch the PTE anime and are just curious, I’d make sure you like gag comics with a liberal definition of what “humor” is first. And if you’re a yuri fan, yes, “I wuv you lots” is in here, though don’t expect any hegemony.

The Magic in This Other World Is Too Far Behind!, Vol. 6

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By Gamei Hitsuji and himesuz. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Last time I said that it wasn’t all that surprising that another hero came from Japan, and now after this volume we find that there’s actually a close connection between this fantasy world and Suimei’s own. Given the sheer amount of backstory we’ve gotten on Suimei and his own magic studies, this isn’t too surprising. It’s not good news for anyone who isn’t as powerful as Suimei, though, and there’s some genuine concern at the end of the volume over his splitting with Hatsumi and heading off to once again research a way to return to his own world. Fortunately, through the magic power of trauma, Hatsumi has finally regained her old memories, and so now she recalls enough awesome sword experience… to know that she can run away if need be. Not win. These new enemies are tough. The old enemies are pretty tough too, actually, and the book itself is essentially devoted to three huge fights and an epilogue.

The most interesting of the three fights, though not necessarily the most enjoyable, is the one on Reiji’s side. Reiji is a fairly dull hero, but he’s also pretty pure and noble and cliched as a hero as well. This is why the bad guys seem to think that he, rather than Hatsumi, is going to be the one they make their “main hero” to save the world – he’ll inspire the little people more. Of course, that assumes he’s actually doing heroic things, rather than yelling at Mizuki. Mizuki has been a flat character for a while now, and I wanted her to develop and be able to do more. But not like this. Weaponizing her chuuni tendencies makes her just as annoying as it sounds, and I fear we may have to deal with this version of her for some time. (Combining this with Lefille becoming a little girl again, it’s like the author was asking what things I dislike the most in Too Far Behind and then leaving heavily on them.)

Suimei does get a bit more complicated in this volume, not always for the better. Seeing him terrified of fighting the dragonewt because of past trauma involving his father was interesting, but in the end it didn’t really seem to hamper his battle abilities. More interesting was the discussion at the end with whatever entity is possessing Mizuki and making her fantasies reality. We get a glimpse of a Suimei who did something very nasty, and I’m fairly certain that it’s going to come out in the next book or two and have horrible consequences. Mostly, through this book, Suimei has been a pretty nice guy despite pretending that he isn’t. But he’s not perfect, and he’s a teenager. That said, it’s sort of hard to square this backstory with him and Mizuki and the “dur hur, I don’t know why all these girls are mad at me” harem idiot except “convenience of the plot”.

Overall, this is a good volume of Too Far Behind! if you like fights, and there’s some good plot-related stuff as well. It just had a couple of issues that kept niggling at me through the book. It also had no interstitial illustrations, the second volume to be missing them. Someone should have a chat with the illustrator.

Bookshelf Briefs 10/1/18

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CITY, Vol. 3 | By Keiichi Arawi | Vertical Comics – I apparently never reviewed the second volume of this, which is fun if you like Arawi but it’s getting really difficult to see why it’s not simply more Nichijou. The three main characters are very hard not to think of as Mio, Yukko and Nano, and they get into similar wacky situations. The manga works best, unsurprisingly, when they’re all playing off each other, such as when they argue over the treasure map, or just be funny. Unfortunately, when the manga is away from the main cast, it simply doesn’t hold the reader’s attention enough to have it pull off the weirdness. Nichijou had a similar issue, to be honest, but faked it better. This is still a good read if you want more Nichijou (which it technically isn’t). – Sean Gaffney

The Delinquent Housewife!, Vol. 1 | By Nemu Yoko | Vertical Comics – Usually when I review volume ones as a brief, it’s not a good sign, but I quite liked this first volume, I just don’t have much analysis of it. It has a strong premise—a young woman is brought into a household that is not all that warm to her, the husband then leaves for Singapore on business, and it turns out that she’s an ex-yanki and also can’t cook, clean, or anything else. With a premise like that, the gags write themselves, but fortunately Komugi has a few allies in the groom’s younger brother and his not-as-senile-as-he-seems grandfather. Komugi the yanki is a lot more interesting than Komugi the housewife, but seeing how long she can keep this up is what will make this manga fun. I’ll read more. – Sean Gaffney

Dementia 21 | By Shintaro Kago | Fantagraphics – A few of Shintaro Kago’s works have previously been released in English by Hollow Press, a small Italian publisher, but Dementia 21 is only the second collection of Kago’s manga to be released in North America, the first being Super Dimensional Love Gun. Much of Kago’s work falls within the tradition of ero guro and can be pretty intense, but overall Dementia 21 is relatively tame when compared to some of Kago’s other work. The stories are not nearly as eroticized or as visually gruesome as, say, those collected in Super Dimensional Love Gun, but they are still incredibly bizarre, strange, and surreal with a wickedly dark sense of humor. The short manga in Dementia 21 all follow Yukie Sakai, a young woman who works as a home health aide caring for elderly patients. The astonishing and frequently horrifying situations she finds herself in are entertainingly absurd, the volume rife with satirical readings. – Ash Brown

The Girl from the Other Side: Siúil, a Rún, Vol. 5 | By Nagabe| Seven Seas – This series is so many things simultaneously. The relationship between Teacher and Shiva is incredibly charming—especially near the end of this volume where they’re trying to evade a persistent soldier and she’s attempting to cheer up Teacher with optimism and silly faces—but that makes their plight especially worrisome. For the first time, I really appreciated the distinction between original Outsiders and beings of Teacher’s ilk, especially since Auntie was one of the latter and quickly succumbed to a sad fate that seems to be Teacher’s eventual path, as well, particularly given the dream Shiva has about one day being left all alone. I desperately want things to be okay for these two, but I just really don’t see how that’s going to be possible. What a great series to evoke so many feels! – Michelle Smith

Haikyu!!, Vol. 27 | By Haruichi Furudate | Viz Media – I missed a Haikyu!! brief somehow. I blame the format of sports manga in general, where games can stretch out for six to seven volumes at times. We don’t really see anything here we haven’t seen in the last few volumes, but that’s the point —all the extra work everyone did in the last few volumes is showing here, and we’re marveling at how much our heroes have grown since the early days. I especially liked the little things—how fast Kageyama adjusts to the far larger stadium he’s playing in, the fact that Hinata has learned to read the flow of the game, the fact that the opposing team finds Tsukishima as annoying as the reader always has. This is a great sports manga, for better and worse. – Sean Gaffney

Skip Beat!, Vol. 41 | By Yoshiki Nakamura | Viz Media – There’s so much going on in this volume, and all of it is about Kyoko and how far she’s grown as an actress. She may still be unable to love, which is the main reasons she’s in the Talento group, but her method acting, ability to learn fast and well, and sheer physical ability are jaw-dropping. I’d suggest buying two copies of the manga just to lend it to a friend for the fight scenes, and I love how much it’s emphasized that these are fake stage fights, meant to look cool, not be dangerous—in fact, it can be hard NOT to be dangerous. So Kyoko may have won a role, but will she get to act with Kanae at last? And what about Ren, who’s back in Japan and ready to meet up with a strangely reticent Kyoko? – Sean Gaffney

Toradora!, Vol. 8 | By Yuyuko Takemiya and Zekkyo | Seven Seas – Now that Seven Seas has licensed the Toradora! light novels, I can put the manga in the briefs. That said, it’s been about 36 months since the last volume dropped, so I would not blame those who have completely forgotten what’s going on. The cover art is an enraged Taiga, and the fight between her and Kanou is easily the highlight of the volume. The rest of it is the lead-up to Christmastime, but the main issue is that something’s wrong with Minorin, who’s been avoiding everyone. She says it’s due to softball humiliation, and to be fair knocking over the tree really was a shocker, but there’s something else happening, and I suspect we’ll find out next time. Unless the light novels catch up first. – Sean Gaffney

Wake Up, Sleeping Beauty, Vol. 6 | By Megumi Morino | Kodansha Comics – Ah, what a satisfying ending! The spirits who have been borrowing Shizu’s body know that soon they will have to go. The more Shizu becomes herself, the less time they’re able to spend in control of her. I couldn’t have predicted who’d be the first to go, though, and it was bittersweet, even though Shizu gained a new friend in the process. I loved that after they’re gone, the story doesn’t just end. Shizu is really distraught without them, and of course it’s Tetsu who helps her pull through, and we get the suggestion that just because she can no longer interact with them doesn’t mean that they’re not still hanging around, watching over the new couple. The we’ll-get-through-it-together vibe is strong between the two leads, especially regarding Tetsu’s mother, who is still unconscious. But man, that final panel is a doozy. Highly, highly recommended. – Michelle Smith

Wake Up, Sleeping Beauty, Vol. 6 | By Megumi Morino | Kodansha Comics – The conclusion to this series gives almost everything a reader could ask for. Another of the ghosts manages to find peace and come to terms with the manner of their death, and as an added bonus Shizu gets a new friend. The ghosts hang around enough to help Shizu, who has simply not had the life experience to be able to see the signs, realize what she’s feeling for Tetsu. The finale is heartwarming, and while the resolution of Tetsu’s mom’s fate is left as a cliffhanger rather than being explicitly laid out, I think that works just as well. In the end, this was a sweet little winner of a shoujo manga, just the right amount of volumes. A greater starter for those wondering about the genre. – Sean Gaffney

Pick of the Week: Blue Spring in Fall

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SEAN: My pick of this week is the massive 1500+-page tome, Ao Haru Bleach Exorcist’s Basketball and Volleyball Academia at the Promised Neverland, starring The Water Dragon’s Bride and Yona of the Dawn, with gags brought to you by Pop Team Epic. It’s sure to be an absolute stunner.

(Or, if I don’t massively cheat, Ao Haru Ride. And Pop Team Epic. Oh, and Neverland. And… dammit.)

KATE: Since I’m one of five people in the mangasphere who knows nothing about Pop Team Epic or Ao Haru Ride, I’m casting my votes for the next installments of Again!! and The Promised Neverland. The evil you know, y’know?

ANNA: Surprising no one, I am going to pick Ao Haru Ride, I’ve been looking forward to it for a long time!

MICHELLE: I’ll be reading most of what else has been alluded to, but yes, it’s gotta be Ao Haru Ride for me.

ASH: So many great continuing (and debuting) series this week! I’d particularly like to highlight Captain Harlock as I’m really digging Seven Seas’ line of classic manga.

MJ: Ao Haru Ride! That’s the one for me. How predictable.

Cutie Honey: The Classic Collection

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By Go Nagai. Released in Japan by Akita Shoten, serialized in the magazine Weekly Shonen Champion. Released in North America by Seven Seas. Translated by Zack Davisson.

This one-volume omnibus of the original Cutie Honey came out here in North America after the sequel volume, Cutie Honey a Go Go!, and unlike the other recent classic property where the sequel came first (Harlock), I think it’s for the best. A Go Go had most of what made the original so attractive, but packaged it in a modern way, complete with Natsuko as an adult police officer. Here we get unfiltered Nagai, and… it can be a lot to take. The constant nudity, the lesbian tease used solely for male titillation, the cartoon violence and horror, the fourth wall breaking. This is almost a college course in what classic manga of the 70s was like, and reminds me why it didn’t get brought over for so long. Still, at its heart this is worth reading, if only to see why Cutie Honey also ended up inspiring female readers. Honey fights evil and wins WITHOUT the help of a guy. In fact, the guys are useless.

The premise, in case anyone was unaware: a scientists builds an android named Honey, who doesn’t even know she’s an android at first, and stashes her at a girl’s private school, where she befriends the young, cheerful, and prone to getting captured Natsuko. But the evil organization Panther Claw want the secrets that Honey has within her body… and kill her father to get at them. Together with a reporter who happened to be interviewing her father when Panther Claw attacked, his family, and Natsuko, Honey fights back against the all-female villain team of Panther Claw. Heads will roll. Indeed, they frequently do. Is there anything that can stop this senseless battle? Possibly one of the villains being attracted to Honey, but alas, the series is cancelled before that goes anywhere.

Yeah, that’s right, this is done in one because it got dropped pretty fast (though it wasn’t axed as fast as Cutie Honey a Go Go0. Honestly, in many ways it’s for the better. Cutie Honey is a Warner Brothers Cartoon in most ways. The characters are two-dimensional and stereotypical, the humor is broad and sometimes verges on gross, it can be fairly sexist despite its empowering premise, and it’s super violent, with most of the cast ending up dead. That said, the sheer verve and imagination of Go Nagai kept me turning pages, and I was never bored. The wisecracks may be vaudeville-style, but they’re frequently hilarious anyway. And the fights are really nice to see, with Honey pretty much going all out on her own – the reporter is far more useless here than he is in A Go Go – and showing off her assets. So to speak.

By the end of the book you can see that Nagai has sort of ground to a halt – the series should have ended after the school is destroyed and Natsuko dies, but the manga was tying in to the anime that was running at the same time, and so it staggers on a bit, complete with annoying cameos from one of Nagai’s other gag manga. It ends like a 5-car pile up, with a naked Honey singing her anime theme song while blushing and asking readers not to look. But they do. While certainly a product of its time, I can appreciate the zest that Cutie Honey brought to shonen manga, as well as a lighter side to Go Nagai’s works.