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Sean Gaffney

The Saga of Tanya the Evil: Abyssus Abyssum Invocat

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

The subtitle of this volume is translated as “Hell Follows Hell”, or more colloquially, one mistake leads to more. Tanya learns that here in a book that shows off how imperfect all the sides are. Tanya herself, due to her rabid anti-communist mindset (and the salaryman inside her, who I honestly tend to forget about most of the time) is slow to realize that the not-Russians fighting them are actually fighting for their homes and native land… not for communism. This is huge because it changes the entire way they have to fight the enemy. She also runs into Mary Sue for the first time, and while there’s clearly a much larger fight still to come, it’s a difficult battle that depletes her elite unit of a quarter of its entire force. (That said, rest assured all the characters whose names we can remember survive.) And of course Britain and Russia are having their own issues with lack of manpower, lack of supplies, lack of materials… we’ve reached the attrition stage of the war.

The cover art has Tanya standing at the gravesite of the soldiers who fell in that battle, and it reminds us that just because the title is “Tanya the Evil”, and Tanya frequently does morally reprehensible things, does not means she is 100% black of heart. She cares about her subordinates, mourns them, and has long passed the Tanya of the first book who was merely looking for “meat shields”. Likewise, General Zettour, at the end of the book, as he attempts to coerce/cajole the separatist parts of the Federation to join them, thinks that as a good person, he’s appalled, but as a soldier fighting for the Empire, he’s willing to be evil. A person who commits mass murders but feels really bad about the whole thing is still a mass murderer. And, on the other side of the coin, we have Mary, who is bright and shiny and filled with thoughts of revenge and I suspect is so naive that she will be led by the nose whenever she runs into someone manipulative.

Other things to note: as I feared, Loriya is still around, and still a pedophile. It’s not played for laughs as much, but still disturbing. Speaking of which, the soldiers joke at one point about Tanya marrying Visha for her coffee-making skills, and Tanya briefly ponders whether, as a male mind inside the body of a young girl, he would qualify as gay or not, but then promptly decides to not think about it. Which is fine, I won’t either. Tanya is twelve. In fact, the fact that Tanya is twelve comes up an awful lot here: after four volumes of mostly having everyone ignore the fact that she’s so young, we get a bunch of scenes to reinforce it: she can’t interrogate the Federation prisoners as they won’t take her seriously, she can’t get into the celebratory party at the Officer’s Mess as she can’t drink, etc. It’s a nice reminder that the basic premise of this entire series is meant to be, deliberately, very screwed up. War makes people send a child to battle.

I’ve heard that Tanya light novel fans and Tanya anime fans disagree quite a bit, and I suspect this book definitely falls on the reader side, being interesting more for the discussion of warfare than for the short, yet well-written battles. There’s also a lot of great wartime sarcastic banter between the soldiers here, which I enjoyed. For those who don’t mind long, lecturing tomes, this is still very good.

The Promised Neverland, Vol. 9

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

At long last, we get to meet the famous William Minerva… or at least his echo. I liked the self-awareness that both Emma and Lucas had when they got to the elevator and went “…really? An elevator to freedom/ Is it THIS easy?” No, of course it isn’t that easy. In fact, it turns out that William Minerva may no longer be with us, though that doesn’t stop him from leaving a recording that helps our heroes to buckle down and not give up. It also reveals that this WAS meant to be a safe harbor, and it’s the demons who corrupted Goldy Pond and turned it into a hunting ground. There’s lots of odd otherworldly touches in the early part of this book, like the literal pond of gold whose water doesn’t get you wet, that reminds the reader that The Promised Neverland is as much science fiction as it is horror or mystery.

Meanwhile, I’ve been saying ever since he was removed ffrom the plot that Norman would prove to not be dead, and that is the case. That said, the chapter featuring him is one big “what the hell?” after another, and is meant to plant seeds, especially given that one of the kids in Emma’s group at Goldy Pond (who seems to have a learning disability) keeps repeating Norman’s number. How long has it been since the start of the series? Norman’s in much the same place he was at the first volume – solving tests, amazing folks with his intelligence, and trying to escape even though it’s even more impossible than it was at Grace Field. What’s more, the guy who’s his minder is the same guy who betrayed “William Minerva”. And, lest you forget that Promised Neverland is also a horror title, there’s that two-page spread of the room of experimental humans Norman walks past. In just one chapter you get about thirty things to think about.

Back at Goldy Pond, the next hunt has been scheduled early because the demons want to eat Emma SO BADLY. Fortunately, our heroes are prepared for it, and so we get a few chapters of the kids showing they’ve been holding back and taking out the mook demons. This includes one who leers at the reader and says “How Cute”, which makes me wonder if this homage to Kaguya-sama was in the original Japanese or if this is just a Viz invention. There’s lots of scenes of the kids seemingly cornered only to win out in the end, which I will happily read over and over again, and not every battle runs along the same lines, which is important in a long-running shonen title like this. That said, I doubt this series will be going to 90+ volumes like One Piece. But it is going to double digits, as the cliffhanger shows Emma confronting the strongest and cleverest of the hunting demons.

I hope I don’t need to repeat myself: Promised Neverland is consistently excellent, and I like how it’s really showing off that just because it left Grace Field (the cliffhanger to the first anime season) does not mean it’s all over. Essential.

The Asterisk War: Whispers of a Long Farewell

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

Last time Saya stole Claudia’s thunder a bit, but in this volume Claudia definitely takes the spotlight: this is her book, and we get glimpses of her childhood, how she’s been changed and affected by wielding the Pan-Dora, and just what her REAL wish it, as everyone agrees it can’t simply be “I want an interview with a known political prisoner”. In fact, it’s a lot more close to home than that, and a lot darker. That said, in amongst the darkness we do get some good fights, as Ayato finally has to face off against his roommate, who turns out to be from a family of ninjas, to the surprise of absolutely no one. And of course the other girls are somewhat stunned at Saya admitting her feelings directly to Ayato, and are wondering what comes next, though honestly, knowing how harem titles work, they should not be surprised the answer is “not much.”

I did give Saya credit for confessing last time, but it’s hard to take “you don’t have to answer me right away” as anything more than backing away at the last minute. That said, that’s more on the author than on Saya herself, and she’s right that she doesn’t want to affect the Gryps team while they’re still competing. Julis and Kirin are both providing what little humor is in this volume with their reactions, which are pretty much exactly what you’d expect. Additional lightness is provided by Laetitia, Claudia’s childhood friend and “rival”, the sort of rival that you always see in these sorts of things, who is constantly talking about defeating Claudia one day but in reality is caring and worried. Just because I really enjoy each new volume of Asterisk War does not mean it isn’t hitting each cliche with perfect precision.

The bulk of the book stems from Claudia’s somewhat open declaration of war last book, and the Powers That Be deciding that things are so dangerous now that assassinating her in a very obvious way is actually the lesser of two evils. Fortunately, she’s clever and able to avoid getting killed right up till Ayato can show up. Unfortunately, Ayato is related to her REAL wish, and to his horror, it’s a bit of a death wish. As I said before, given what Claudia endures is using her Orga Lux, it’s unsurprising that she’s gotten somewhat jaded and tired – she’s seen being killed by the entire cast, including Julis, Kirin AND Saya. But not Ayato, and this leads to the second confession of the book. I’ll be honest, I did briefly wonder if the author had the stones to kill Claudia off. But honestly, having her survive was not only the more cliched (and thus Asterisk War) option, but it allows for a really lovely it where Ayato asks what she plans to do now, and she literally has no idea – she hadn’t imagined surviving.

I’m not sure how her newly “repaired” relationship with her mother and the rest of the PtB will go, but I do know that the next book will have the next tournament bout, and it’s not good news for our heroes – Claudia and Ayato are very depleted on resources. Are they really going to lose? OK, probably not. But Asterisk War remains good frothy fun, with some really good character development this time around as well.

Yona of the Dawn, Vol. 17

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona of the Dawn doesn’t quite reach the absolute heights of the previous two. Of course, since that downgrades it to merely “excellent”, there’s no need to worry. We start a new arc, as it turns out that one of the latest outbreaks of war is happening right where Yona and her crew are going to next. Imagine that, huh? (Seriously, there’s a wonderful self-aware moment midway through this volume where Yona wonders what her life would have been like if Hak and Su-Won had not been at odds, and she realizes she’d be a sheltered princess in the palace, not caring about the outside. Moreover, there would be no Yona of the Dawn. And so, as a reader, we are delighted that instead Yona is out and about and doing things like “Starving child? Huh. Better shoot down a bird from the sky for him to eat!” without even batting an eye. This is the Yona I want to read about.

The starving kid is what kicks off the story – he’s from a village that is now part of the Kai Empire, but decades ago was part of the Kohka Empire. Shifting borders happen all the time when large nations are at war, and one of the points of this book is that people don’t care enough about the little villages along the border that are forced to deal with all this. For the most part the village has tried to stay out of the way of everyone, but that’s not going to work anymore, as, having suffered a humiliating defeat, decide that rather than let Kohka retake the land they lost, they’re going to burn it to the ground and kill everyone in it. Fortunately, they’ve got the Happy Hungry Bunch in town. Unfortunately, almost the entire group is down with a bad illness.

Hak is not ill, but even he can’t take on a huge group of soldiers all by himself. Yona is fine as well, but Hak knows very well this is not a fight for her no matter how much she’s improved – the numbers are too bad. And then there’s Zeno, the last of the not-ill group, who has been, for the past several volumes, “the goofy one” for the most part, who has to fly into action after all the others (including the sick guys, who try their best but are severely underpowered) are taken down and Yona is surrounded, and… well, immediately gets a sword through the chest. Ow. Fortunately, it turns out that Zeno has a few secrets of his own, though given that it’s part of the cliffhanger, it will be till the next volume before we get to see that. There’s also a short story at the end showing Jaeha’s past with his predecessor, which again reminds us of the difficulties of being a Dragon.

Yona is always exciting and fun (even in the most serious of scenes, there’s usually one or two asides that are hilarious – my favorite this volume being Yun’s “I know I’m a great catch, but I’m a boy.” Rest assured, this volume of Yona will keep you thoroughly entertained.

Manga the Week of 4/10/19

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SEAN: Last week we gushed about Viz, I suspect this week will be Kodansha, with two killer debuts. (Debuts reflect release date on Kodansha’s website, not Amazon)

But first, Drawn & Quarterly has a new Kitaro volume, Kitaro’s Yokai Battles.

ASH: Yes! It seems like forever since the last Kitaro release.

SEAN: J-Novel Club snuck Invaders of the Rokujouma!? 20 out on me for this week, plus we also have Cooking with Wild Game 2 and Seirei Gensouki: Spirit Chronicles 4 next week.

Kodansha has a bevy of digital, including a debut. The title is My Pink Is Overflowing (Atashi no Pink ga Afurechau), which sounds filthy, and runs in Ane Friend. It’s about a girl who finds out her manager at work is a virgin, which excites her to no end. This sounds so trashy that I have to read it.

MICHELLE: After having given in to trashy temptations with Love Massage, I think I’ll sit this one out. :)

ANNA: Me too, there’s plenty of other things to catch up on instead.

MJ: Yeah, so not into this. Probably. Well, maybe.

SEAN: Also digitally? The third and final Crocodile Baron, I’m Standing on a Million Lives 6, Love Massage! Melting Beauty Treatment 2, My Sweet Girl 2, The Walls Between Us 5, and World’s End and Apricot Jam 3.

MICHELLE: I’m reading several of these (hint: not Love Massage). World’s End in particular is better than I thought it would be, given its premise.

SEAN: We also have some print releases from Kodansha. O Maidens in Your Savage Season (Araburu Kisetsu no Otomedomo yo) is written by Mari Okada, famed anime screenwriter whose autobiography was put out by J-Novel Club, and drawn by Nao Emoto, who did Forget Me Not. It’s a Bessatsu Shonen title with an anime coming out this summer, and is a coming of age drama starring five high school girls.

ASH: I’m particularly interested in this due to Okada’s involvement.

MJ: That sounds interesting!

SEAN: There’s also Witch Hat Atelier, which runs in Morning Two, looks AMAZING, is award-winning, and follows a girl who becomes a witch’s apprentice so she can learn magic to save her mother from… um… well, her own impetuousness.

MICHELLE: It’ll be interesting to compare this to Ran and the Gray World.

ASH: I’ve heard really good things about this title.

ANNA: I’m officially intrigued.

MJ: I mean, even just the title. Definitely interested in this.

SEAN: And we have Attack on Titan 27, Grand Blue Dreaming 5, Land of the Lustrous 8, and Tokyo Tarareba Girls 6.

ASH: I’ll definitely be picking up those last two!

Seven Seas gives us Space Battleship Yamato: The Complete Collection. It’s so old it ran in Akita Shoten’s Bouken Ou, which no longer exists, and is better known in North America for its adaptation as a cartoon, Star Blazers. As with all Matsumoto, it’s a must-buy hardcover.

ASH: Yup. Picking this one up, too.

ANNA: Yay!

SEAN: And they also have, digitally, the 6th Make My Abilities Average! novel. Print will come later.

Tokyopop has a 4th Konohana Kitan.

Vertical has the first Knights of Sidonia Master Edition, with larger size, 2.5 volumes per omnibus, and colored inserts. Come for the bear, stay for the strangest harem manga ever.

And Viz ends things next week, as we have a NeiR:Aotomata short story volume called Short Story Long.

As well as Case Closed 70, Magi 35, and Sleepy Princess in the Demon Castle 6.

ASH: Sleepy Princess in the Demon Castle is a consistently fun series.

ANNA: I need to get caught up!

SEAN: There’s some heavy hitters out next week. What’ve you got?

My Hero Academia: School Briefs, Vol. 1

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By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

Shonen Jump series tend to have a lot of light novels based off their parent series, but just because those come out in Japan does not mean they are a success over there. Even Naruto, the juggernaut, had its post-series light novels quietly dropped after only three of the six books were out. But My Hero Academia is the new Juggernaut, the Deku to Naruto’s All Might, and so it seems appropriate that we give it a try with this first in a series of books about the “daily lives” of the cast. No major plot points, just fun. This book seems to take place around the 7th volume of the series, though if you haven’t read the 11th volume you may be spoiled for Bakugo’s mom. As that sentence indicates, the subject of this book is Parent’s Day, where out student heroes have to have the family visit. This being UA, the teachers have a surprise in store for them, however…

As you might guess, with a cast this big, not everyone gets a spotlight – even Bakugo is mostly sidelined. Not everyone is fond of Parent’s Day either, particularly Todoroki, who wants his mother to go but knows that she can’t, and really does NOT want his father to know about it at all. (Which leads to a great punchline at the end, that does not shy away from Endeavor being a horrible dad.) Fortunately, his sister is able to go. Meanwhile, Iida has tickets to an amusement park, and invites the main cast, but none of them can make it. So we end up with the odd foursome of Iida, Tokoyami, Kaminari, and Mineta. Meanwhile, Uraraka is trying to buy supermarket bargains (the book is great at reminding us how poor she is compared to the rest of the cast, particularly Yaoyorozu), but is distracted by an apparent shoplifter. And then there’s Parent’s Day itself, which turns out to be a lot more dramatic than the kids thought.

There’s good and bad in this volume. It’s trying to strike a balance between “engage new readers” and “write for fans of the series”, so there’s a lot of introductory stuff telling us who the cast is and how quirks work, etc. It makes it feel like a book that’s geared towards younger readers… were it not for Mineta, who is in this book quite a bit, and remains the worst thing about the series. Even something that is meant to be heartwarming, such as Tokoyami bonding with a lost little girl who’s scared of birds, gets ruined by Mineta saying that when she grows up, she’ll be a hottie and hitting on the girl’s mom. I hate him. He also drags Kaminari down with him, though that’s true in the manga as well. The book is best when it’s delving into things that Horikoshi has not had the time to really delve into, such as what’s it’s like for a child when their quirk first manifests (it can be terrifying), or enjoying the friendships of a group that is still learning about each other at this stage.

This is a fast read (don’t let the page count fool you, it’s short) and, Mineta aside, a lot of fun. There’s even a few touching scenes, particularly with Todoroki and Tokoyami. Fans of the series should like it quite a bit.

Bookshelf Briefs 4/2/19

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Ace of the Diamond, Vol. 21 | By Yuri Terajima | Kodansha Comics (digital only) – It’s still the finals of the West Tokyo preliminaries for Koshien, and Seido is still facing off against Inashiro Industrial. Tanba is obviously in trouble, and since what trailing Seido needs is an injection of heart, it’s Eijun to the rescue. His confidence and trust in his team exude from his every pore and it’s this spirit that gets the momentum going in Seido’s favor. It’s so nice to see Eijun doing really well and exhibiting some reliability—after spending so much time with him as a hothead with poor pitching control—and that his grandfather is there to see it. Of course, there’s yet another cliffhanger, as we make it to the bottom of the ninth with two outs to go before the volume ends way too soon. Can Seido manage to hold onto their lead? Tune in next time! – Michelle Smith

A Centaur’s Life, Vol. 16 | By Kei Murayama | Seven Seas – In this volume we get: social justice discussion; historical backstory with violence and slavery; Nozomi dressed like a girl and getting hit on; volleyball fanservice complete with a double-page “swimsuit malfunction” spread; the triplets somehow traveling in time to the past and meeting their big sister as a little kid; Kyouya talking with one of her male classmates who’s pretty good-looking and nice, but she’s not really that into him; How To Centaur For Beginners; a human teacher dealing with her new job at a frog school in a very clear racism allegory; a girl telling her male date—after the date—that she’s gay, and Manami’s Daily Life. All in a day’s work for a series that is anything but predictable. – Sean Gaffney

The Delinquent Housewife!, Vol. 4 | By Nemu Yoko | Vertical Comics – Everyone gets shot down here. Yoshino is too nice to go through with her “revenge,” and gives up on Dai. Dai and Komugi takes longer, and is more problematic, but eventually he gives up on her as well. The best parts of the book deal with Komugi and her mother-in-law, who discovers the truth and has to deal with it, as well as resolving to “train” Komugi as a housewife. As expected, the series ends with Tohru coming home; also as expected, we do not see this homecoming, cutting out just before it happens. This series lived and died on its premise, and I must admit I found Komugi’s struggles as a housewife more interesting than the romantic entanglements. I’m still happy I read it, though. – Sean Gaffney

The Girl from the Other Side: Siúil, a Rún, Vol. 6 | By Nagabe | Seven Seas – The good news is that Shiva and her teacher actually touch in this book, and nothing untoward happens to her, so his fears were not justified. The bad news is that, of course, he has been distancing himself from her all this time because of that. Oh yes, and also everyone else is still after them, because Shiva’s uniqueness makes her either something to kill or something to experiment on. We also get a bit of teacher’s past as a doctor, though not much, as he doesn’t recall it himself. Throughout the series, it’s been Shiva’s innocent conversation that’s kept me reading, and that’s still true here, in a lighter volume for this series—and given how dark the volume gets, that says something about the series. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 8 | By Canno | Yen Press – Yukine and Ayaka crawl towards being a couple, but we’ve got two volumes after this, and it’s clearly the endgame, so it’s only a crawl. As is the case with this series, most of the focuses goes on another couple, Hikari and Nagisa, whose first names just make me think of Strawberry Panic!. They’re both running for student council president, despite living together due to circumstances. (Ayaka is ALSO asked to run, but decides against it.) As is often the case with this series, both Hikari and Nagisa are nicer than the other one thinks they are, and slowly fall in love, though given they’re the volume couple, not AS slowly as our heroines. This is good, but I’m ready for the end. – Sean Gaffney

MachiMaho: I Messed Up and Made the Wrong Person into a Magical Girl!, Vol. 2 | By Souruu | Seven Seas – How long I stay with this series depends on how much it can continue to be ridiculous. It does its best her—I liked the reporter girl who’s dragged along by events, as well as a taste of Kayo’s actual home life and what she’s rebelling against. When there’s a more serious plotline, such as when Nako’s seemingly dead classmate is possessed and Nako has to be convinced to fight against her, it can’t quite ride the cliches as fast, and gets stuck. Kayo is a very entertaining and foul-mouthed main character, though, and despite a high death count this does not seem to be “watch magical girls suffer” like some other series. Mildly recommended. – Sean Gaffney

New Game!, Vol. 5: The Spinoff! | By Shotaro Tokuno | Seven Seas – This is something rare for a 4-koma series like this—a full-volume flashback, that was not serialized, that shows Aoba and Nene in high school, and how Aoba came to work at Eagle Jump straight out of it. We are introduced to two other “regulars” for this volume: Hotaru, a frail art student who is actually better than Aoba, and is going to art college; and their teacher Chinatsu, who is a “Sensei-chan” type who is one of the girls but occasionally dispenses good advice. There’s so much cute 4-koma humor that this could easily be a volume of Hidamari Sketch or GA: Art Design Class instead, but it does show us how Aoba got up the gumption to follow her dream. – Sean Gaffney

Precarious Woman Executive Miss Black General, Vol. 3 | By jin | Seven Seas – I still enjoy laughing as I read this very dumb but very funny title. MVP this time around goes to the evil overlord’s secretary, who I’ve taken to calling Riza Hawkeye because of her general appearance and disposition. She’s attacked by a rival henchwoman, and also accidentally drinks a love potion. Hijinx ensue. As for the General and Braveman, situation much the same. We do get a beach episode, which shows us that even on vacation, everything still descends into chaos. The funniest chapter sees the urban legend Slit-Mouthed Woman attack some little boys… and General, trying to recruit her, instead verbally tearing her apart completely Silly, silly, silly. – Sean Gaffney

That Blue Sky Feeling, Vol. 2 | By Okura and Coma Hashii | Viz Media – I greatly enjoyed the first volume of That Blue Sky Feeling and was very pleased to find the second volume is just as strong if not stronger. The series is both heartwarming and heartbreaking, realistically addressing with compassion some of the challenges faced by gay high school students. A large part of the manga’s effectiveness is due to the exceptionally well done characterizations of its two main leads. Noshiro is an earnest if somewhat naive young man. He has such an incredibly kind heart but in his efforts to help others he still makes the occasional mistake. As for Sanada, it’s wonderful to see him start to open up a little bit more in this volume. But, because of his sadly understandable efforts to protect himself, he hasn’t yet been able to be completely honest with even his closest friends. I look forward to seeing their friendship continue to develop. – Ash Brown

Total Eclipse of the Eternal Heart | By Syundei | Seven Seas – Nearly a hundred years ago, a famous novelist raped and murdered nine boys, all of whom he subsequently wrote about in one of his books. Now, Yamada Omihiko, a teen who writes exactly like that novelist, is classmates with (and on the verge of becoming more-than-friends with) a boy named Hoshino Terumichi, who keeps having a recurring dream about the death of a boy named Tsukimura Shou. It’s not much of a spoiler to say that reincarnation is a factor here. I enjoyed the bulk of the story, though the ending is a little baffling, and much of that is owing to Syundei’s easy-to-read retro-ish artwork. I’ve said previously that her style reminds me of Rumiko Takahashi, but owing to this volume’s theme, I actually got more of a Please Save My Earth vibe, which I’m not complaining about whatsoever. I’m definitely keen to see more of Syundei’s work translated in the future! – Michelle Smith

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 13

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Winifred Bird.

When I had reviewed the Lyu spinoff of this series, I had wondered why we did not get the actual flashback showing how her Familia were all killed, and what set her on her roaring rampage of revenge. As you read this novel, it becomes clear: the author wanted to save it till we got to this point. Picking up right where the last book left off, and not even allowing Bell and company to emerge from the Dungeon (Hestia gets a small cameo to remind us she exists), this volume points and laughs at all the people who thought that we couldn’t possibly get even more over the top. A murder that sees Lyu as the prime suspect drives a bunch of 18th floor mercenaries and adventurers to hunt her down, and Bell’s team tag along because they think something more is going on here. They’re right, but the murder investigation soon becomes secondary to something far more important: trying not to be killed and left in a bloody mess.

As noted by the author in the afterword, we also get a much larger role here for Cassandra, the adventurer who, like her namesake, has prophecies that no one ever believes. She’s aware of this, and so this time decides not to lay it all out for people (it’s hard to interpret anyway, beyond “everyone will die), and instead tries to go along and see what she can do to help stop it from happening. Sometimes this is really great – the extra armor she has Welf make for Bell (which, amusingly, is a scarf, making it look like a present from a girlfriend) is ridiculously strong, and Bell would absolutely be dead by the end of the book without it. Unfortunately, she can’t really stop a landslide once it’s actually started, and once the true monster of the book gets going, she almost completely shuts down in despair and fear.

Speaking of which, this is a very different Lyu to the one we’ve seen before. To no one’s surprise, she’s not the murderer, but that doewsn’t mean that she isn’t rampaging through the dungeons, having spotted someone she thought long dead – because she killed them all. As I noted above, here we get the full story of what happened to her Familia, and why she’s so traumatized by the whole thing – in addition to the juggernaut killing everyone, she actually “sacrificed” some of her family members to escape… or at least that’s what she and the bad guy think, I suspect the actual reality is likely a bit different. Fortunately, she has Bell by her side, who is ridiculously impressive in the fights towards the end of this book, which are mind-bogglingly good. No one writes non-stop action and deep emotions at the same time quite like Omori does. The 5th chapter is worth the price of the book alone.

Sadly, and with the author apologizing to us for doing it again, there’s a cliffhanger here, so we’ll have to wait till the summer to see how Bell and Lyu get out of this. Not to mention Cassandra and the rest of Hestia Familia are still down there. I suspect it’ll all work out, but I dunno, DanMachi can get pretty dark. It’s still in the top tier of light novels right now.

Pick of the Week: We Love Viz

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SEAN: I mean, can I pick Viz’s releases as a unit? If not, I will certainly pick My Hero Academia as a unit. With Vol. 18 of the main series (which wraps up the “Overhaul” arc), the 4th Vigilantes, and the debut of the light novels, there’s enough here to satisfy any fan.

ASH: Viz really has most of my attention this week, too! But as previously mentioned, it’s the Shojo Beat fantasy titles that are holding my heart. If I can only pick one of them it would be Yona of the Dawn, but I’m also very much enjoying The Water Dragon’s Bride.

MICHELLE: Oh, man. Decisions! I really do love both of the shoujo titles singled out by Ash, but my Academia love knows no bounds. Ultimately, I have to go with “What Sean said.”

KATE: I won’t lie: The Promised Neverland is 100% pure manga crack, and I’m jonesing for my next fix. The story gets darker with every turn, but Emma’s pluck, brains, and heart make me optimistic that at least SOME of the escapees will eventually find their way to safety.

ANNA: I’m with Ash, Viz’s shoujo fantasy titles are always something to celebrate.

MJ: I’m going to go with the latest volume of Ao Haru Ride! I feel like I should be on the Promised Neverland bandwagon, but I’m a sucker for Viz shoujo, so here we are.

Transparent Light Blue

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By Kiyoko Iwami. Released in Japan as “Toumei na Usui Mizuiro ni” by Ichijinsha, serialized in the magazine Comic Yuri Hime. Released in North America by Seven Seas. Translated by Katrina Leonoudakis. Adapted by Asha Bardon.

This yuri manga, right off that bat, had something different from the usual that made me raise an eyebrow: there’s a guy in it. In a major role, no less. A lot of the more recent yuri titles tend to avoid having men in them altogether, taking place at all-girls’ schools and the like. There’s a good reason for this: yuri fans tend to regard any guy in a title where they have ship preferences as the absolute worst. Just ask old-school Tomoyo fans about Syaoran in Cardcaptor Sakura. Having a cast be all girls does not remove the drama, necessarily, but it does allow the drama to happen without the worry of “what happens if this is just a tease and the het couple winds up together?” That said, that’s unlikely to happen here, as the magazine this comes from, Comic Yuri Hime, has yuri as the definition. So we do get a guy, and even worse, he’s a childhood friend.

Ritsu, Ichika, and Shun are all childhood friends. Unfortunately for Ritsu, Ichika and Shun have begun to date. This is particularly unfortunate as Ritsu is also in love… with Ichika. Yes, it’s a standard love triangle, only in a yuri fashion. Ritsu is torn up by this, but at least Ichika remains close to her, even allowing the other girl to clean her ears (a very intimate act in Japan). Ichika’s trust moves Ritsu to kiss her while she’s sleeping… which Shun walks in on. From that point, there’s lots of melodrama, discussion of who likes who and why, and teen angst. In the end, though, Ichika feels safest when she’s with Ritsu, and likes her back. I really liked that the manga makes Ritsu morally dubious while keeping her the heroine, and also doesn’t make Shun a villain, keeping him the childhood friend who realizes that his girl is going to go off with another girl. I could have done without the ear cleaning porn noises, admittedly, both at the beginning and as a plot point.

As with a lot of these sorts of single volume titles, there’s not enough material for a full volume, so we get Apron, a story of a girl at a cafe who’s in love with another female employee. She’s caught sniffing said employee’s clothing by her coworker, who has a similar height and build to the other girl, and therefore is semi-blackmailed into wearing her apron so that she can pretend. Unfortunately, the girl she has a crush on is fooling around with the (male) manager. Fortunately, the coworker she’s been using also has a secret they’ve been keeping. This chapter is not really allowed to get as deep as it possibly needs to, and feels a bit too pat as a result. That said, the author is very good at drawing crying faces of angst, and we get some good ones here.

This promises a quick-hit volume with some yuri, and that’s what it delivers. I think fans of the genre will enjoy it.

The Irregular at Magic High School: Visitor Arc, Part III

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

A word of warning that I’m still mostly grumpy about this volume, as I have become about this series in general. I think it’s become something where I’m interesting in seeing where the author takes things, but hate every decision he makes when he takes them. This volume wraps up the arc with Lina coming to Japan and Shizuku going to America, and also the killer “parasites” that do, in fact, kill more people before they are taken down. There’s also graduation, as Mayumi and the rest of her year move on to University – though not, the author reassures us, away from the story, though no doubt they will appear less. And there are some nudges towards the main plotline, as Erika figures out what family Tatsuya is really from. I was thinking at the start of this arc that she, like Honoka, might actually confess to him, but that’s unlikely to happen now. Besides, we know which ship will win.

I am almost at the point with Tatsuya and Miyuki where I wish they DID sleep together, if only as it would provide an excellent dropping point. But no, we continue to have Miyuki try to be the dutiful little sister even as her thoughts are growing more and more romantic and sexual as she gets older. As for Tatsuya, well, he’s ambivalent to everyone else, and seems to be pushing back on Miyuki when she takes things too far, but it’s hard to gauge his feelings on the matter given his past and lack of emotions. That said, I’m not really rooting for Honoka here either, who seems to have forgotten she confessed to Tatsuya and was rejected several volumes ago and is goaded by Shizuku (over the phone, and likely sleep-deprived) to press her case harder. This does lead to the funniest part of the book, where Honoka “makes herself useful” against the forces tailing them in a way that you know would have made Tatsuya facepalm if he had the ability.

As for Lina, her arc overall was “there’s always someone better than you”, in this case Tatsuya and Miyuki, showing her that she’s not as terrific as she thinks she is. Which is fine. I was far less happy with the “you’re too nice to be a soldier” bullshit from Tatsuya, which I’m fairly sure he would not have said had Lina been a man – but then if Lina had been a man I suspect her character would have been killed off anyway. It’s also a bit off that we never really see Lina reuniting with her superiors, or how they felt about her performance. I’m sure she’ll show up again, but it’s likely going to be a while, and I bet I’ll never really see resolution there, just as we never really resolved the 2nd part of the Nine Schools Competition after it got attacked. The author drops loose ends like crumbs.

We start the new school year next volume, which seems thankfully to be a single volume arc. I’ve no doubt that we’ll expand the cast with exciting new freshman. Till then, I’m honestly happy to see the back of this arc.

86 –Eighty-Six–, Vol. 1

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

I have a certain reputation for being a softie, and will freely admit that I drop series sometimes just because I find them too bleak and depressing – in fact, see my review of WorldEnd a few months ago. But sometimes I get a book that, even though it is unrelentingly downbeat and cruel, I end up enjoying far more than I thought, simply because the writing is so damn good. Such a book is 86, a blunt look at war and racism seen from an alternate universe that seems eerily close to our own at times. It examines how easy it is for people to fall into hatred and murder, how being idealistic and thinking something is wrong is not really enough when you’re in a position of great privilege, and the constant physical, mental and emotional strain of being a disposable soldier whose “leaders” want them to die. I was depressed while reading most of the book, but I absolutely could not put it down. It’s stunning.

The Republic of San Magnolia is at war with the Legion, weapons of the Empire. Fortunately, they have unmanned drones to fight the battles for them! Unfortunately, their technology isn’t great, so their “unmanned” drones are manned by the Eighty-Six. There are 85 Sectors in the Republic, and it decided to take all those who weren’t “pureblood” and put them in an 86th, which is essentially a concentration camp, and send them out to fight the war. They’re not people, after all, just subhuman pigs, so it doesn’t matter what happens to them. Our story follows Lena, a young idealistic “handler” who thinks this is wrong, but also thinks that she can do something about it by virtue of forcefully making her point. She’s assigned to a new group of Eighty-Six, the crack squad who are on the front lines preventing an invasion of the Republic. Unfortunately, her squad is getting diminished by the day. And they have no respect for her. And the enemy are horrifying.

This is absolutely a book with an agenda, make no bones about it. It’s about human dignity and rights, and how easily everyone can throw away someone else’s for their own. The technology of the “Legion”, which is a bit higher than the Repiblic’s, allows for a truly terrifying scene where we see what has happened to many of the 86s who have died in battle, and it causes Lena to have a bit if a screaming fit. There’s also several scenes where Lena has her hypocrisy and privilege pointed out to her in the most caustic of terms, and she’s the one who grows the most in this book, to the point of sacrificing almost everything – but not her ideals. Despite being unrelentingly grim, the book somehow avoids being cynical. I honestly felt it was a one-volume series till the very end – it was apparently written for a competition, so had to be self-contained. (It won.)

I hate to repeat myself, but I don’t think I’ve been this blown away by a first volume in quite some time. If you are tired of isekais, or tired of fascism, or just love good prose, and don’t mind a lot of death and degradation, 86 is absolutely a series you should be reading. Highly recommended.

Manga the Week of 4/3/19

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SEAN: Normally I have fairly strict rules about Manga the Week of. Alphabetical by publisher, then alphabetical by title (aside from Vol. 1s). But occasionally I decide to shake things up and go… in reverse! Let’s do that.

That does mean we start with Yen On, which (assuming no delays till 2025) has the 8th volume of No Game No Life.

And now Viz, aka the reason I reversed things, because OMG the Viz next week is AMAZING. There are technically no debuts, but we do get (drum roll please)…

—Yona of the Dawn 16, one of the best manga being published.
—We Never Learn 3, a promising romantic comedy.
—The Water Dragon’s Bride 9, headed towards its climax.
—Takane & Hana 8, still funny enough to make me ignore the age difference.
—The Promised Neverland 9, one of the best manga being published.
—Platinum End 8, which… eh. MJlikes it. I think.
—My Hero Academia, one of the best manga being published. Not only that…
—My Hero Academia Vigilantes 4, a series some like better than its parent. Not only THAT, but…
—My Hero Academia: School Briefs, a new light novel spinoff with illustrations by the creator, with this first volume focusing on Parent’s Day.
–the final 4th volume of Juni Taisen: Zodiac War, which isn’t great but it’s Nisioisin so I can’t really dis it.
—Food Wars! 29, which has basically become Bleach, so Bleach fans should love it!
—Ao Haru Ride 4, one of the best new 2018 debuts!

MICHELLE: Sooner or later, I’ll be reading 75% of those!

ASH: That really is an impressive week for Viz! I’ve particularly got my eye on Shojo Beat’s fantasy series.

MJ: MJhas never gotten past volume two of Platinum End but really really wants to like it. Wow, what a week, though!

ANNA: Very excited for Yona and Water Dragon’s Bride and many other things!

SEAN: Isn’t that magical? But wait, there’s more! That’s right, folks, don’t touch that dial!

Vertical has the Movie Edition of BLAME!. It’s what it sounds like, the manga adaptation of the movie, and it ran in Shonen Sirius.

Udon has the 9th volume of Persona 3.

Seven Seas debuts a done-in-one title with Transparent Light Blue (Toumei na Usui Mizuiro ni), which runs in Ichijinsha’s Comic Yuri Hime, and so I guess is yuri.

ASH: I’ll probably make a point to check it out eventually, then.

MJ: Could be interesting.

SEAN: Seven Seas also digitally debuts Mushoku Tensei: Jobless Reincarnation, a light novel that essentially kicked off “reincarnated in another world” books. Will it take off here? Or will this be a case of “what’s the fuss all about?”.

Also from Seven Seas is Non Non Biyori 11, Lord Marksman and Vanadis 10, the 5th Arifureta light novel (print version), and Akashic Records of Bastard Magical Instructor 6.

Kodansha Digital debuts Momo’s Iron Will (Inuwashi Momo wa Yuruganai), an Aria title from a creator who was seen in Neo Parasyte F, and is better known for her BL. It’s about a girl with a brother complex, but looks like it may rise above that suspicious premise.

MICHELLE: Yeah, I’m rather wary of that premise.

MJ: Same.

SEAN: We also got Yozakura Quartet 23, Is Kichijoji the Only Place to Live? 6, and Chihayafuru 16.

MICHELLE: Yay, Chihayafuru!

ANNA: Woo hoo!

SEAN: Lastly, J-Novel Club has the 4th Seirei Gensouki: Spirit Chronicles digitally…

And also has a slew is print books! Debuting is If It’s For My Daughter I’d Even Defeat a Demon Lord 1-2, as well as The Magic in This Other World Is Too Far Behind! 1-2. And we get 3rd print volumes for How NOT to Summon a Demon Lord and In Another World with My Smartphone.

ASH: Oh! I might have to give If It’s For My Daughter I’d Even Defeat a Demon Lord a try now that it’s in print.

SEAN: It’s a reverse list! getting you are What?

MICHELLE: ziV fo daolparc A!

MJ: elggig em edam ellehciM!

Plunderer, Vol. 1

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By Suu Minazuki. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Yen Press. Translated by Ko Ransom.

Yes, yes, OK, I should have known better. Sometimes I preorder new series without paying much attention to what’s actually going on. Like, for example, the fact that this is written by Suu Minazuki, creator of Gou-dere Sora Nagihara, which I wasn’t fond of; Judas, licensed digitally by Viz but looking to be along the same lines; and Heaven’s Lost Property, whose length is probably the only reason it too was not brought over here. The author has a reputation for fanservice, let’s put it that way. Now he’s turning his attention to fantasy with this series, which features a plot which made so little sense that I had to go back and read the explanation again. It also gets pretty dark, to the point where I wonder if the editor said “can you add some blatant panty shots to cheer the reader up?” and the artist smiled and gave a thumbs up. That said… it’s written for an audience of teenage boys, and boy, does it know that market.

We start off with Hina, a young girl (she seems to fall into that “am I eight years old or sixteen?” type) who is searching for the Fabled Ace, a war hero who may or may not be a legend. Instead she finds a perverted guy who wears a mask, whose goal is to look up her skirt, and a nice bartender woman, whose goal is to explain why everyone has number tattooed on them. Each number is a thing that a person can achieve – the bartender has a number that’s the times her food has been called good, while Hina’s is apparently the miles she’s walked – and when that number hits zero, the person is sucked up by black tentacle things and sent to “The Abyss”. The achievement can be ANYTHING, which makes it simply confusing. Moreover, Hina is naive and trusts too easily. Fortunately for her, she has an ally, sort of. Unfortunately, it’s the pervert in a mask.

This series runs on fanservice to a large degree – when Hina has to disappear from the plot for a bit, we are introduced to a young sergeant major in the military who fills much the same position – and I absolutely do not recommend it to anyone whose tolerance for panty shots is low. That said, what about the rest of it? Well, I’ve made my opinion of the “count” thing clear, I think it’s overly confusing and a plot convenience. The actual plot is following Hina and Licht (the guy in the mask) as they try to avoid everyone going after her as she has a “ballot”, which is another macguffin that means essentially “whoever holds this has power”. The overall tone of the manga suggests it’s going to be fairly grim, and I suspect a few of the cast are not going to survive. That said, this is written by a creator who’s been around for several years, so the composition is fine, and the fights are exciting enough.

Basically, this is a volume that hits its demographic, but ONLY its demographic. If you’re a teenage boy, you’ll love this. All others should read something else.

True Tenchi Muyo!: Washu

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By Yousuke Kuroda and Masaki Kajishima. Released in Japan as “Shin Tenchi Muyo! Ryo-o-ki” by Kadokawa Shoten. Released in North America by Seven Seas. Translated by Lillian Olsen. Adapted by AstroNerdBoy.

The subject of this book may come as a surprise, given that the first two books in this series focused, not on Ayeka and Ryoko, but on Ayeka’s father and Tenchi’s grandfather. But yes, the third book is out, and finally we have one that gives us backstory on one of the main cast. The prologue to this story takes place after the Tenchi OAV episode where they all have to take care of the baby, and expands on Washu’s past that came out in that episode, which was that she’d had a husband and child, but they were immediately taken from her. As such, the bulk of the book goes back in time – way back – and shows us Washu as a young woman, leaving her adopted home planet and going to the Imperial Academy’s Department of Philosophy… at the age of eighteen, smashing all records. There she meets a familiar young man…

First of all, it’s simply odd to have most of the book dealing with a Washu that isn’t 20,000 years old (cryofreezing notwithstanding). Washu here is young and idealistic, though she’s already starting to work on her snarky side. This is helped along by her sempai at the academy, Naja, who seems to be another one of those characters that all Tenchi fans should know about because they read the ancillary material. Naja basically fulfills the function of Airi in the last book, only without the romance (mostly: there is a hint that Naja’s moaning about boyfriends is a front for something else, but it never goes anywhere and also plays into uncomfortable “watch out for the predatory lesbian” territory once or twice). No, the romance comes from a young man who has a knack of walking in on Washu even when she’s in libraries with very tight security. They fall in love quickly, and have a child, but he has a Secret Past (a theme in all these books), and their love is quickly shattered.

It is, to me at least, a bit disconcerting that Washu’s husband is basically a Rule 63 Mihoshi. It’s a bit less surprising for those who’ve seen the other OAVs and know that Mihoshi’s family and ancestors all look almost exactly the same, but disconcerting nonetheless. The best part of the book is simply watching Washu have to deal with being a big fish in a very big pond – everyone wants to treat her like a VIP, and she hates that. It’s also amusing to see Dr. Clay, the pathetic villain in the 2nd Tenchi OAV series, as a pathetic younger villain in these books – well, villain is the wrong word. Jerk? The best part of the book may be Washu’s covert meeting with her husband’s new wife, which leads to a jaw-dropping bit that the narrative, thankfully (if sadly), did not take. Very well done.

There were supposed to be three more books after this one. I believe the fourth was about Mihoshi’s family, and may have finally given us the backstory to her that only the OAVs really had (it was hinted she was a crack, serious police officer till something broke her). Alas, it’s been twenty years, so I think this is all we get. Still, it’s a wonderful nostalgia trip for Tenchi fans.