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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Manga the Week of 9/4

August 29, 2013 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 4 Comments

SEAN: As I’ve noted before, Diamond Comics and Amazon’s street dates are looking farther apart than ever before. As a result, this list is a fusion of Amazon (the major, book-company publishers) and Midtown Comics (the comics-first publishers).

Dark Horse brings us the 4th volume of Blood Blockade Battlefront, the alliterative series from the Trigun creator.

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There’s also a new Evangelion spinoff coming out as well, with the first volume of Shinji Ikari Detective Diary. From the description, it sounds like this is aimed squarely at the BL Evangelion shippers, in much the same way that the Raising Project manga is aimed at harem fans.

Fanfare/Ponent Mon has the 4th volume of mountain climbing manga Summit of the Gods, one of those “blogger popular” titles I keep meaning to catch up on but have never quite done so. It is supposed to be excellent, though.

MICHELLE: Oh, nice! I really like Jiro Taniguchi, but have been waiting for this series to come out in full before reading it. I think there’s one more volume still.

ASH: Oh! I’m one of the reasons this is a “blogger popular” title. Summit of the Gods is easily my favorite Jiro Taniguchi collaboration; I’m very happy to see that Fanfare/Ponent Mon is continuing to release the series. Only one more volume to go after this!

MJ: Count me in for this one as well!

SEAN: Amazon has Wandering Son 5 listed for November 2nd. If Kodansha is the publisher that is consistently always arriving at bookstores first and comic shops later, Fantagraphics is the classic example of the opposite. Here’s Wandering Son 5, hitting comic shops. In this volume, I believe we get to high school and introduce some new supporting players.

MICHELLE: I am lamentably several volumes behind with Wandering Son, but it’s still nice to see new volumes make their appearance!

ASH: We actually have a few years of junior high to get through before reaching high school, but you’re right about the new supporting characters.

ANNA: I really need to catch up on this series!

MJ: I adore this series, and I can’t wait to read volume five, whenever it appears!

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SEAN: Seven Seas has the final volume of one of my favorite series from them, Young Miss Holmes by Kaoru Shintani (of Area 88 fame). This omnibus, containing Books 5-7, is even larger than the previous two, and is filled with mysteries, mayhem, and killer maids. There’s a sequel in Japan, featuring 17-year-old Christie continuing to solve crimes. Seven Seas has noted its possible license (Slightly Older Miss Holmes?) depends on sales of the first, so go get it! Also, there’s only one Conan Doyle story in here (the rest are originals based on ‘unseen cases’, so less danger of offending Holmes purists.

ANNA: I somehow missed that this was by the mangaka of Area 88! I still have all my ancient Eclipse Comics/Viz editions of Area 88 stashed in a box somewhere. Now, I might finally pick up Young Miss Holmes. I hope there are scenes of people in flight suits with floppy hair looking incredibly emo in Young Miss Holmes, because Area 88 was awesome at that.

SEAN: There’s also a 2nd omnibus from Seven Seas, with Vols. 3-4 of Zero’s Familiar. I was surprised that the dark shroud of fan opinion surrounding the tsundere heroine turned out to be more of a off-white silk scarf more than anything, and wonder if my opinion will stay the same as we go further into this fantasy harem series.

I presume that those who read Bleach either have done so for years, or are likely never to do so. But if you’ve been catching up via the omnibus, the 3 volumes collected in the 6th one are some of the very best, and remind me of those olden days when Kubo could pace properly.

MJ: Agreed. I have much nostalgia for those early volumes, and this is a particularly strong little set.

SEAN: Demon Love Spell has been one of Shinjo’s best titles at walking that fine line between ‘sexy, forceful guy’ and ‘complete ass’, and I’m hoping that Vol. 4 continues that balance.

ANNA: I have just read this and it was hilarious. This is rapidly becoming my favorite Shinjo series, despite my long-standing fondness for Sensual Phrase.

MJ: I’m absolutely addicted to this series.

SEAN: Dragon Ball has an omnibus as well, and it’s hit Vol. 2. New Dragon Ball readers are born every day! This omnibus is probably for them more than those of us who bought the VIZBig, or the original volumes. Or the digital volumes. And stay tuned for Dragon Ball cranial ports, coming in 2015.

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Midnight Secretary has a lot of good buzz. So much good buzz, in fact, that Viz has already licensed another title by the same author before this one has even come out. You know they trust it will do well. And why will it do well, you ask? One word: vampires. That said, the heroine is also apparently an excellent draw, and is not your usual Petit Comic office lady. I’m very intrigued about this one. Can’t wait.

ANNA: I think this will be a must get for paranormal romance manga fans. I am also looking forward to this. I mean, the title alone is fantastic.

MJ: Agreed on all counts!

SEAN: The 6th Naruto omnibus is out. I still need to catch up on this title. So… ninjas?

ASH: Yes. Ninja. Lots and lots of ninja.

SEAN: One Piece has reached Vol. 68. There is an awful lot of fighting happening here, and several of our heroes continue to be in the wrong bodies, leading to humorous situations. Recommended as top-drawer entertainment.

MICHELLE: I continue to love One Piece.

SEAN: Last time, Psyren turned its attention to our villains, and did a damn good job of fleshing them out. I expect it will go back to the heroes this time, as we’re getting near a climax (I think we’ve only 5 volumes to go).

MICHELLE: I need to catch up on Psyren. So many books (and responsibilities), so little time.

SEAN: And Strobe Edge hits its second half with Vol. 6. We may have resolved one of the obstacles standing between our two lovebirds last time, but the course of true love definitely doesn’t run smooth in this title. Something bad’s going to happen, I can feel it. Be there to read it when it does.

MICHELLE: I really love Strobe Edge, and I admit I kinda wouldn’t mind seeing something bad happen.

ANNA: This is one of those shoujo series that just seems to get better as it goes along.

MJ: This is a strong week for addictive shoujo, I see. Lovely, lovely.

SEAN: Any manga jump out at you this week?

Filed Under: FEATURES, manga the week of

Bookshelf Briefs 8/26/13

August 26, 2013 by Sean Gaffney, MJ and Michelle Smith 4 Comments

This week, Sean, MJ, & Michelle look at recent releases from Yen Press, Seven Seas, Viz Media, and Vertical, Inc.


bunnydrop9Bunny Drop, Vol. 9 | By Yumi Unita | Yen Press – I went into this final volume with a great deal of trepidation, but I actually didn’t dislike it. True, I did find one big reveal terribly convenient in terms of making a relationship between Rin and Daikichi less icky—were there hints about this that I missed?—and I remain unconvinced that Daikichi feels something genuinely romantic towards Rin, but there were some aspects that I liked, as well. Daikichi’s reaction to the situation has some genuinely riveting moments—“That is the cruelest thing you could’ve done to me”—and I got a fuller sense of how Rin sees Daikichi that made her side of the relationship make more sense to me. I can imagine them forming a contented little family and dwelling in domestic bliss, but I certainly can’t imagine rollicking sexy times between them. Perhaps that is for the best. – Michelle Smith

limit6Limit, Vol. 6 | By Keiko Suenobu | Vertical, Inc. – I’ve been a fan of Limit from the start, and though I’ve often seen the series’ later volumes described as “melodramatic,” I personally find use of that word somewhat perplexing when discussing a story in which a group of not-necessarily-friendly teenagers has been stranded in the wilderness after an enormous trauma without necessary sustenance, training, or supplies. Does it really require the use of melodrama to imagine that things might go horribly wrong? I’m thinking not. High stakes naturally lead to life’s Big Moments, and this series is certainly full of those, quite a number of which occur in this tense, final volume. The series’ wrap-up is both predictably dramatic and surprising simple in equal parts, and gratefully hard-won. Compact and satisfying, Limit is hard to beat. Recommended. – MJ

nura16Nura: Rise of the Yokai Clan, Vol. 16 | By Hiroshi Shiibashi | Viz Media – I had been making fun of the last few volumes of Nura for having a Kyoto arc that would never end. it finally does this volume, but the point still remains: this felt really dragged out far longer than it ever should have been. As a result, when the tragic revelations are revealed (as they are here), there’s not as much weight to them as by now we just want to get it over with and move on. Luckily, we start to do that here. Tsurara/Yuki-Onna gets her own mini-arc, showing that she can control a group with her own force of personality and not just moon over Rikuo. As a reward, she gets a cute ship tease with an umbrella. The next arc looks like it involves a shrine where teens go missing, and introduces Rikuo’s new teacher, who knows more than she should about it. At least it’s not in Kyoto. – Sean Gaffney

pandora17Pandora Hearts, Vol. 17 | By Jun Mochizuki | Yen Press – As I pick up each new volume of Pandora Hearts, filled as they have been with increasingly shocking and painful revelations, I find myself thinking, “This is it. This must be the last. Nothing could be more shocking or painful than this.” I am always wrong. I had no idea, Pandora Hearts, where you were headed—what darkness and pain you had in store. I was a fool. I was a babe in the woods. Fortunately, this is not a bad thing by any means. Though I’ve often wondered just how far Jun Mochizuki will be able to stretch her increasingly complicated series before it collapses under its own weight, that day looks to be far off, indeed. For those who have made the sixteen-volume investment required to reach this point, you’re in for some spectacular drama. And the rest… what are you waiting for? Still recommended. – MJ

blacksmith2The Sacred Blacksmith, Vol. 2 | By Isao Miura and Kotaro Yamada | Seven Seas – For those who enjoy fantasy manga, there’s a lot to like here. Sword battles, magic battles, magic sword battles. I find that pretty boring myself. Luckily, there is a bit more than that here. We meet Aria, a human-looking woman who turns out to be a demon sword – one highly prized by many people who have mayhem on their minds. Most of the volume is spent protecting her (see previous discussion of fights), but we also wonder, as Aria does, how responsible she is for the deaths she causes when wielded by others. Combine this with Lisa’s own revelation as a demon – and low self-worth, it would seem – and the scene where Cecily helps exorcize a demon merely so a man can die as a human rather than possessed, and I think we’ve found this manga’s major theme. – Sean Gaffney

toriko17Toriko, Vol. 17 | By Mitsutoshi Shimabukuro | Viz Media – The first half of this volume consists of one-shot chapters, designed to help cleanse the palate after several long story arcs. Komatsu pulls Excalibur (or its equivalent) out, they worship at a shrine, they try to amaze some apples (that story has a great, if immature, punchline) and they talk to an old man about obsession and lost loves. The second half of the book begins a new arc proper, as they team up with Sunny to go after a fish that’s well-nigh impossible to get to. (We also get more people saying they want Komatsu to be their chef and companion – really, there’s not much difference between Toriko and a harem manga at times.) There’s nothing earth-shattering here, but it’s still big goofy shonen fun, which is exactly what I want out of a title like Toriko. – Sean Gaffney

wwb2World War Blue, Vol. 2 | By Crimson and Anastasia Shestakova | Seven Seas – The best scene in this volume involves our hero, finally meeting his father after so long, and immediately having to make a horrifying decision. It points out the fantasy aspect of this world, allows a sort of tortured bonding and grieving at the same time, and has some nice heartbreaking depth to it. Sadly, this is offset by the rest of the volume, which is really, really generic RPG-style manga fighting. There are, perhaps, more masturbation jokes than you’d normally find in a more mainstream manga, but other than that, there’s better shonen elsewhere. Even the ‘draw’ of this series, that the characters are based on 80s video games, is wearing a bit thin – particularly as we don’t have a glossary given all the time. Still, that one scene was very good. Perhaps it will gain more depth like that later. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Chi & More!

August 26, 2013 by MJ, Michelle Smith, Sean Gaffney, Ash Brown and Anna N Leave a Comment

potw8-26MJ: It’s a bit of a slow week for me coming up, filled with things I’ve fallen behind on, things I don’t read, and things I might read but haven’t just yet. And then there’s Chi. If there’s any manga guaranteed to bring a smile out of me, even in my crankiest moments, it’s the warm, funny, occasionally sad, but consistently adorable Chi’s Sweet Home. Volume ten gets my pick this week. There’s simply nothing else that will do.

MICHELLE: I’m in the same boat, and feel just the same about Chi. It’s a guaranteed mood-lifter, and something that I not only like, but my coworker’s elementary-school-aged daughter likes, too. Perfect gateway manga for kids!

SEAN: I’d love to make it a unanimous pick this week, but oh no, Chi, you have to suit up and fight the Titans so you can defend your family! Attack on Titan has become one of the biggest hits of this entire year, partly due to a strong anime, but mostly due to a great story, and the author finally fleshing out his characterization of our desperate heroes. I’d argue Vols. 4-5 are where it really began to kick in, and the new Vol. 6 will probably only ramp up the tension further. Now if only the art could get a little better…

ASH: My initial reaction was to select the most recent volume of Chi’s Sweet Home as well. It’s been nearly a year since we’ve last seen that delightful little kitten romping around. But, I think I might have to join Sean in picking the sixth volume of Attack on Titan this week. The artwork has admittedly been inconsistent and even downright bad at times, but I have been thoroughly engaged with the story and worldbuilding from the very beginning of the series.

ANNA: I’m going to go with Crimson Empire just because I do plan to pick it up soon, and based on the first volume I suspect it is a good manga to read when you want to turn your brain off. Also, I find the assassin maid reverse harem scenario amusing.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 8/28

August 22, 2013 by Sean Gaffney, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: As the month of August draws to a close, it’s a quiet week for manga. Peaceful. Let us see what mild, calming titles we have out. But soft, lest we disturb the young ‘uns!

titan6We have a trio of titles from Kodansha. First is Attack on Titan 6, beginning its speedup! Oh dear, this doesn’t seem quiet and peaceful at all. In fact, it may involve people getting killed messily. Despite that, it really is a fantastic title that deserves your attention. Perhaps if you whispered the dialogue as you read.

MICHELLE: I still haven’t read any of this one, and now six volumes is seeming like quite an investment. I dunno…

MJ: I’m thinking that when I finally get around to restarting this series, I’ll definitely whisper the dialogue in my head.

SEAN: Fairy Tail has proven to be loud and boisterous in the past, and I suspect that Volume 29 will be no different, meaning it’s really not adding to the appeal of this quiet, peaceful week of manga. Still, it has a good heart, and is a great title for those who love a strong sense of loyalty and justice, the bonds of family and friendship, and punching things.

MICHELLE: Hee.

MJ: I *heart* punching things. You know. Quietly.

SEAN: The second volume of Sankarea is also shipping. I’m afraid that zombies are really never mellow and friendly. I blame their upbringing. That said, the first volume was funnier and more heartwarming than I expected, and has a father character who looks to explore a dark side to overprotective anime dads. A very dark side.

MICHELLE: That upbringing line is priceless.

MJ: What can I say? You’re weirdly making me feel like reading this.

chi10SEAN: Seven Seas has the second volume of Crimson Empire. I suspect the main reason this series was licensed is so that the company could release more volumes of the far more popular Alice in the Country of Hearts, whose one-shots tend to have Crimson Empire short stories in the back. Nevertheless, it’s filled with swordplay and battles, so absolutely does not meet our criteria at all.

MICHELLE: Zzzz.

MJ: What she said.

ANNA: I enjoyed the first volume, but I have a high tolerance for reverse harem titles.

SEAN: Lastly, there’s Chi! Yes, perfect! Chi’s Sweet Home 10 from Vertical gives us an adorable cat and her adventures with her family! It’s like floating downstream on a quiet river. Everyone loves Chi.

MICHELLE: I certainly love Chi!

MJ: A lovely addition to the week! Every week could use a little Chi.

SEAN: A perfect way to end this quiet, peaceful week of manga. Well, except for those other four titles. What looks good to you?

Filed Under: FEATURES, manga the week of

Pick of the Week: Helter Skelter

August 19, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ Leave a Comment

helterskelterSEAN: Yeah, it’s Vertical again. Sorry, but josei from Vertical has proven to be something to be cherished in the past, and I’m not expecting that to change with the release of Helter Skelter: Fashion Unfriendly. I expect this to be a somewhat different take on modeling from what we saw in Paradise Kiss. Good times.

MICHELLE: There are a couple of things out next week that I’ll definitely be reading—Bunny Drop 9 and Pandora Hearts 17—but I’ll not miss the chance to rally behind a done-in-one josei release. Count me in for Helter Skelter, too!

ANNA: I’m going to have to pick Helter Skelter too, because new josei from Vertical makes me happy.

MJ: I have to agree with everyone else here. I’ve been interested in this title since Vertical first announced it, and it’s absolutely my must-buy for the week. There’s nothing else that comes close.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 8/21

August 15, 2013 by Sean Gaffney, MJ, Michelle Smith and Anna N 4 Comments

SEAN: Third week of the month, which is traditionally Yen Press time, and that’s true this month as well. But before we get to Yen, we have a few choice tidbits.

Kodansha has the 11th volume of Cage of Eden. Now that it’s getting serious enough to kill off some of its main cast, will things continue to take a turn for the deadly? And what will this mean for the female cast’s ability to strip naked and bathe in rivers? (Likely not much.)

helterskelter

Vertical continues to dip its toes into the josei market, this time with Kyoko Okazaki’s Helter Skelter: Fashion Unfriendly, a done-in-one manga volume from the pages of Shodensha’s Feel Young. The premise reminds me of the movie Death Becomes Her, though I suspect this won’t be as funny as that was. It’s still a highly awaited release.

MJ: I’m absolutely looking forward to this, and have been since the announcement last year at NYCC. I’ll be picking it up for sure.

MICHELLE: Me, too!

ANNA: I am looking forward to this as well! I think Vertical putting out more josei is a great thing, and I’ll absolutely be picking this up.

SEAN: Viz has its annual release of Ikigami: The Ultimate Limit, but it’s almost over, as I think the series ends with 10. I’m not sure if it’s still doing the ‘let’s see how people deal with impending death’ thing or if it’s moving into a big climax. Honestly, it was a bit too depressing for me.

MJ: I haven’t read this in a long time, and had actually thought it was already over. Oops?

MICHELLE: I have a bunch of volume of this but I haven’t read beyond volume two ‘cos it was too depressing for me, too.

SEAN: And now about that Yen. There’s Vol. 3 of BTOOOM!. Indeed. There is that.

MJ: Um. No.

MICHELLE: Big fat no.

SEAN: We have reached Vol. 9 of Bunny Drop, which ends the main storyline, though there is one more volume of side-stories coming out next year. This is the biggie, and now at last everyone can discuss THAT spoiler. Though not till next week, please. (It’s also still quite well-written, but I fear any discussion of it tends to be dwarfed by THAT.)

MJ: I’m diving in… with a little fear, I’ll admit, but I wouldn’t miss this for the world.

MICHELLE: I definitely feel that I have to read it for myself before formulating an opinion, but there is definitely some trepidation.

ANNA: I honestly stopped reading this because of THAT spoiler, I think I stopped at volume 3 or so.

SEAN: For those who liked the Doubt omnibus, we have Vol. 1 of Judge. I didn’t, so will be passing. But hey, more students trapped in a survival game who die one by one. We can never get enough of that. Apparently.

MJ: Heh.

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SEAN: Pandora Hearts 17 will no doubt excite MJas much as 15 and 16 did. Or perhaps even more. One day I’ll read it. (Likely whenever Squeenix titles are available digitally again.)

MJ: Definitely more! After volume 16, I’m pretty much dying for what comes next. DYING, I say.

MICHELLE: Big fat yes!

ANNA: Everyone is such a fan of this, one of these days I’m going to have to check this series out.

SEAN: Puella Magi Kazumi Magica is apparently the fluffier of the two spinoffs, but that’s really not saying much. Any series with Kyubey in it is guaranteed to get very dark, very fast. Vol. 2 is here.

Spice and Wolf’s 9th novel drops. Wolves. Economics. Econowolves.

Lastly, Umineko: When They Cry wraps up its 2nd Arc, Turn of the Golden Witch. In case you needed reminding, this manga contains some scary scenes that may not be suitable for children. PARTICULARLY the tea party. (shudder)

MICHELLE: I gave up on this a while ago. Has that kid stopped going “Uuuuu! Uuuuu!!” yet?

SEAN: Pretty much no, though we do eventually find out why she does that.

What manga are you reading with your tea and cake?

Filed Under: FEATURES, manga the week of

Pick of the Week: Variety

August 12, 2013 by Michelle Smith, Anna N, Sean Gaffney and MJ 1 Comment

potw-8-12MICHELLE: This week, I’m awarding my pick to the second volume of Shoko Hidaka’s Blue Morning. As I wrote back in June, “Complex, dark, and a bit twisted, Blue Morning is the best BL I’ve read so far this year.” With praise like that, you can bet I’ll be back for volume two!

ANNA: There’s a ton of manga coming out this week, but I think that what looks most interesting is the latest Tezuka release, Triton of the Sea. I think it is great that we’re getting so many manga translated from this prolific author.

SEAN: This week hurts my soul, with a promising manga debut I’ve wanted to see for ages in Magi, and one of my favorite experimental series in Dorohedoro also coming out. But I have to stay true to my core principles, otherwise I’m just no good as a man. Thus I have to pick Excel Saga this week. It’s arrived at the climax of the entire story, and is actually getting around to giving us answers. Well, some answers. I absolutely cannot wait.

MJ: Well, okay, my first choice this week is probably Blue Morning, as I loved the first volume quite a lot. But since Michelle has already spotlighted it so nicely, I’ll give my vote to the sixth and final omnibus volume of CLAMP’s X. These large-trim omnibus editions have turned me around on this series to a rather stunning extent, mainly on the strength of its gorgeous, shoujo-rific artwork. Viz’s omnibus collection is a must-have for any fan of CLAMP, or frankly any fan of early 90s shoujo. It’s a mess, in many ways, but it’s a beautiful, beautiful mess.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

BL Bookrack: Totally Captivated, MMF Edition

August 10, 2013 by MJ and Michelle Smith 1 Comment

TC1 TC2 TC3 TC4 TC5 TC6

MJ: Back in the spring of 2010, I undertook a digital marathon read of Totally Captivated, a Korean boys’ love series by Hajin Yoo, in preparation for a review of its final volume, which was soon to be released in print by its North American publisher, NETCOMICS. It was an intense 48 hours, to be sure, and at the time, I enjoyed the series so much that this quote from my review turned up on the back of that print volume: “In its early volumes, Totally Captivated was smart, sexy, and fabulously dramatic. Now at the end of its final volume, it has also grown into an unexpectedly satisfying love story, rivaling the best of its genre.”

Since we love Korean manhwa in general (and BL manhwa in particular), for our contribution to the BL Manga Moveable Feast, Michelle suggested that we devote a column to Totally Captivated. I was excited by the idea, but a little worried that I might not love the series as much after so much time (and so much BL), and in some ways my worry was justified. Having been a relative newcomer to both manga and manhwa back then, it’s only natural that my tastes would have evolved, even over the course of just three years. Fortunately, the things I loved most about Totally Captivated have endured, and I can ultimately stand by the quote above.

So what is Totally Captivated? Since I’ve always found summarizing a story’s premise to be the most difficult part of a review (no, seriously), I’ll let my 2010 self do the heavy lifting:

Ewon Jung is a 23-year-old scholarship student in Seoul, whose curiosity over whether or not it is possible to have great sex without love (“It was possible.”) leads him to cheat on his boyfriend, Jiho.

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Devastated and yearning for revenge, Jiho persuades his new boyfriend, a small-time loan shark named Mookyul Eun, to force Ewon into service at his office where he is expected to run errands, clean, and balance the books, all without payment. Unfortunately for Jiho, Mookyul soon develops an interest in Ewon, and it isn’t long before Jiho ends up shunted aside once again. Mookyul is controlling and occasionally violent, and Ewon is far from a pushover, but they eventually reach a mutually beneficial arrangement and begin living together. Things do not continue peacefully for long, however, as Ewon becomes aware that he is falling harder for Mookyul than he intended and experiences his first real taste of jealousy. Though the story’s premise initially seems contrived, its real function is to provide a stylish, humorous background to what is essentially a very moving story about two deeply damaged men learning how to love.

Care to add to that summary, Michelle?

MICHELLE: Man, am I ever glad to see you say that your worry was justified, because up to volume four I was a bit fretful that I wasn’t enjoying the series as much as I had hoped to. Happily, that did change.

I don’t think I have anything in particular to add to the summary other than the fact that it takes these guys a long time to figure out where they’re coming from, and there are a lot of scenes (especially in volumes three and four) where you wonder, “Why on earth does Ewon stay with Mookyul?!” It’s like the stereotypical sadistic seme turned up to eleven. It’s only later that you start to gain some insight into why Mookyul is behaving like he is, so it’s definitely worth it to persevere even when you’re disgusted by him.

MJ: I was re-reading my full review of volume six, and I see that I’d mentioned there how hard it was to continue to root for the relationship during a few of the middle volumes, and that’s definitely what I found even harder to deal with this time around. Yet I had a similar reaction by the end as I’d had originally—that once we knew enough about both of them to understand why they were who they were, it was actually a really romantic story. I don’t know that any other story with such a controlling love interest has managed to redeem itself with me to that extent, which makes Totally Captivated special, indeed.

The thing that makes this really work, in my opinion, is Ewon, because he’s such a consistent character all the way through, and even if we don’t understand everything about his past from the beginning, everything we learn as we go slots right into Ewon as we know him. From the beginning, he avoids commitment and real emotional connection, he’s absolutely clear with himself about what he’s willing to put up with and what he’s not, and he’ll find a way to extract himself from a situation he can’t tolerate, one way or another (I think this is why I was able to stomach him staying with Mookyul during their worst times—because when he’s done with something, he actually does leave).

But most of all, something that I think is made very clear is that (and I think this answers your question), with all that emotional avoidance in mind, the reason Ewon gets together with Mookyul, and even the reason he stays with him for a long time, is that he finds him incredibly attractive. Mookyul is exactly Ewon’s kind of hot, and he’s pretty honest with himself about the fact that this is a highly motivating factor for him, even to the end.

MICHELLE: Yeah, I know Ewon has essentially regarded Mookyul as his dream guy since middle school, but still… No matter how attractive a guy, I wouldn’t endure what Ewon endures! That said, he does also mention at one point that, because of what happened between them in the past—young Ewon pledged to wait for delinquent Mookyul to return to school, and though he did wait, his adult self forgot all about it, when to Mookyul it became a sustaining memory—he feels somewhat responsible for how messed up Mookyul has turned out. So that’s part of it, as well.

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The big turning point for me came in volume four, when Ewon’s friends pressure him to invite Mookyul out to drink with them, and it all goes horribly wrong. I loved seeing how concerned Ewon’s friends are with how controlling his new lover is, and I love the argument that results when Ewon and Mookyul get back home. “All I wanted was to introduce you to my friends. Just like other normal people get to do!”

I feel like this was the point where we realize that this isn’t going to just be some standard BL romance, but an in-depth character study. From here on out, we start to realize that Mookyul may actually be pretty clueless, despite how suave he seems to be. He has no idea how to be in a real relationship, and he’s going about it the wrong way because he can tell that Ewon is just looking for that thing that’s going to give him an excuse to bolt.

MJ: I love that volume four argument as well (and I actually adore pretty much all of Ewon’s school friends whom we meet during the series, but I expect we’ll talk about a few of them in-depth later), and the fact that Ewon never just takes any of Mookyul’s crap—there’s always a fight.

As I was reading your response, though, it also occurred to me that I think Mookyul’s bad behavior is maybe even part of why Ewon is willing to be involved with him, because he is always looking for an excuse to bolt. And since Mookyul is providing those excuses on a pretty much daily basis, it keeps that escape route always open for Ewon. Unlike with Jiho, a genuinely sweet, devoted guy whom Ewon couldn’t help but feel guilty for betraying, Mookyul is someone he could betray almost out of a sense of righteousness. Who could ever blame him for stepping out on Mookyul? He’s practically asking for it, right? And Ewon actually does this at one point early on in their relationship (more than once, if you consider his behavior with Dohoon). In a twisted way, a jerk like Mookyul is the perfect match for someone who always has one foot out the door, and that’s Ewon all over.

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MICHELLE: I can see that. I want to be clear, though, that I’m not putting responsibility for Mookyul’s horribly controlling ways on Ewon’s inability to commit. Because Mookyul really does and says some horrible things, from threatening to kill Ewon a couple of times to forcing himself on Ewon in volume four just after that argument in which it seems like he’s beginning to see the light, to concealing the fact that he’s in a sexual relationship with “Chairman Lee,” the father figure in his life, when his declarations of love had persuaded Ewon that it was safe to give his heart—that one, precious possession that he clung to when he had nothing else—to Mookyul.

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MJ: I should be clear that I’m not, either. Mookyul is 100% responsible for every shitty thing he says and does to Ewon. Ewon’s only responsible for his decision to stay with him (which, even then, I’d probably still lay on Mookyul, given all the threats he makes, if Ewon hadn’t made it perfectly clear time and again that he’s totally capable of leaving when he wants to—and does at least twice over the course of the series), and that’s where I see his inability to commit coming into play. I’m saying that Mookyul’s abusive behavior is is attractive in some way to Ewon because it makes it easier for him to avoid dealing with his real feelings. But that doesn’t erase the fact that Mookyul’s behavior is abusive.

In fact, I’d say Mookyul is unbelievably lucky—much more than he deserves to be—in that he’s managed to find someone (Ewon) who, over time, is willing to wade through all his abuse and teach him how to be a person. I think it might make me angry that he gets to have that, actually, if Ewon didn’t ultimately get something he really needs out of the relationship. The fact that Yoo is able to write all this in a way I can stomach at all is pretty incredible.

MICHELLE: Yes, I agree with that completely.

It’s only in the second half of the series that we start to see that Mookyul is actually pretty desparate to keep the people he cares about from leaving him. He’s jealous of any other guy Ewon talks to, and attempts to restrict his behavior, and yet also continues to sleep with Chairman Lee because he can’t just toss aside his own “father,” to whom he owes so much. Because he’s compartmentalized those two parts of his life, it’s almost like he can’t even see that sleeping with Lee qualifies as cheating on Ewon, which is something guaranteed to drive him away.

MJ: And, you know, I have so little sympathy for cheaters (it’s a thing), you think I’d have at least a moment of satisfaction when Ewon gets a taste of his own medicine (after all, the first thing we see Ewon do in the series is cheat on Jiho), but Ewon’s so genuinely distraught when he realizes that his pain over the discovery of Mookyul and Chairman Lee’s relationship is the same pain he’s inflicted on Jiho… I couldn’t even get there. And oh, Ewon’s pain. Yoo writes this perfectly, because it isn’t just pain Ewon feels, but also the humiliation of discovering that he’d been essentially made a fool—that he’d stood by, smiling, while Mookyul was cheating on him in the next room. Ewon’s sickening reaction and his remorse towards Jiho… it’s all written with such emotional truth.

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MICHELLE: Exactly! What I really loved about all of this is that it honestly, genuinely shocked me. We’re so conditioned by romantic fiction of all kinds to believe the behaviorally challenged (seriously, I tried out and rejected ten adjectives here) hero when he claims that his beloved is the only one for him that I totally did believe it when Mookyul said so. It never even occurred to me that Yoo would let him be lying. But, of course, in reality people lie all the time, and they hurt each other like this all the time. It’s a complication to Ewon and Mookyul’s relationship that I can love deeply because it is realistic and not just some genre trope.

MJ: Yes! And actually, there is a ton of lying in this series, perpetrated by characters we care about—in fact, Ewon does more of it than anyone. He lies frequently, sometimes to save himself from grief (or serious harm), sometimes to save someone else, and sometimes just because it’s easy to do and it makes a potentially complicated situation less complicated for him. And because he’s our POV character, we know about all of it.

MICHELLE: I love that, even though he’s our POV character, Yoo still lets him do some pretty shitty things. Like when he leaves Mookyul’s place and goes straight to Dohoon, the friend he knows has a thing for him, and proceeds to sleep with him. Poor Dohoon thinks that Ewon has chosen him at last, but it turns out not to be the case. Ewon’s just distracting himself from his
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MJ: Help! I’m torn between two emphatic responses!

First, yes, I so agree with what you’ve said here. I love the fact that Ewon is not always a good guy, at least when it comes to the way he treats his romantic and/or sexual partners (and in Dohoon’s case, his romantically-interested friends). Which isn’t to say that he’s an anti-hero by any means. He’s a protagonist you can’t help but love. It’s just that he’s a mess in a lot of ways, and one of the ways in which that manifests himself is in the way he takes advantage of his attractiveness to other men.

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But what I maybe love even more is the way his circle of friends feels like the real thing, in all the best and worst ways. Dohoon is a fantastic character (one of my favorites in the series, actually), but more than that, I know that guy. Not necessarily in the most obvious sense—I don’t have many close friends from wealthy, connected families—but that friend, that long-time friend with whom one has weird sexual tension that is maybe mostly one-sided, but you’d do anything for each other no matter what shit is going down… I know that guy. And Ewon’s whole circle feels like that. They drink together, they date, they break up, they sometimes hate each other, but mostly love each other to bits. They can hurt and use each other and ultimately be forgiven. Those are friends I know and love. And though Ewon’s friends are sort of in the periphery of this story, they are fully realized all the same.

MICHELLE: I find I’m partial to a guy whose name I don’t know, so I’ll just call him the Peacemaker. He’s the one in the scene with Mookyul and Ewon’s friends who is trying to smooth things out, reinterpreting what other people are saying in order to foster understanding and avoid unpleasantness. I mean, he’s just a bit character, really, and we already can tell so much about him by how he acts in that situation.

MJ: I know that guy, too! I think I used to be that guy!

MICHELLE: I pretty much am that guy!

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MJ: I think you’ve articulated something here, too, that is key to the success of this series. The fact that Yoo creates a character like the Peacemaker, whose name we don’t even know, but who is so immediately familiar and fully fleshed-out for us in his tiny role—that’s exactly what she does throughout the series, and she kind of does it on the sly. Particularly early on, before we start getting into the meat of Ewon and Mookyul’s histories (which takes a while, partly because Ewon avoids thinking about his past and because he lies so often), Totally Captivated is a deceptively light read. It’s over-the-top and genuinely funny (I’d forgotten, really, how funny it is), and on the surface it appears to be pretty much just a stylish romp. But Yoo is so skillful with things like characterization, that before you know it, you’re hooked into something much deeper, and you’re not even sure how you go there.

MICHELLE: And the story is just well constructed in general. The most significant action takes the form of conversations (or arguments), which I liked, but there’s also the storyline about the power struggle within Chairman Lee’s organization, and I thought that was handled quite well. There’s not too much of the gangster stuff to make it boring, but it ties together reasonably well and impacts our leads in significant ways.

MJ: Yeah, gangster stuff is not usually something I’m extremely interested in, but not only does it support the main romantic story in various ways, especially in terms of dealing with Mookyul’s relationship with Chairman Lee (which did not play out as I expected!), but the day-to-day stuff in the office of a loan shark actually provided some of my favorite moments in the series! Obviously the main relationship is developing in that office, but I also really love the way Ewon makes a place for himself with Mookyul’s underlings, and the way they all support him. There’s a scene somewhat early on in which Ewon is studying in the office and though he’s already asked everyone if they needed coffee, Mookyul fails to ask for any until later on. When he then does ask for coffee, his guys basically reprimand him, “You should have raised your hand when he asked.” It’s such a heartwarming little moment.

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Then, of course, there’s all the stuff with Byungsoo Yoo, which is so interesting. He’s an underling working for Mookyul, who gets kicked out early on for embezzling from the organization—a feat he clumsily accomplishes by convincing Ewon to let him temporarily take over the office bookkeeping (it had originally been his job before it was Ewon’s) while Ewon is busy with schoolwork. There are a whole slew of things I love about Byungsoo’s story, though not for his sake, but rather for what his story reveals about both Ewon and Mookyul over the course of the series.

First, during the scene in which he asks to take over the bookkeeping, Byungsoo makes a homophobic remark to Ewon, and Ewon’s reaction is so much exactly who he is. He doesn’t try to defend himself (why should he have to defend his existance to anyone, especially a guy like that?) or engage him on the subject at all, he just quietly writes him off as a person.

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Then later, as the increasingly clueless Byungsoo walks away, spouting promises to buy him a drink, Ewon just gives him the finger. “I don’t want some stinking homophobe to buy me a drink.” It’s just Ewon all over. He’s totally comfortable with himself and his sexuality, and anyone who’s not simply isn’t worth his concern. And yet, still, when the shit inevitably hits the fan, Ewon throws himself to the lions (Mookyul) in order to save Byungsoo from a grisly death. Which, incidentally, ends up being a surprisingly hilarious moment, in the way that Yoo creates hilarious moments.

TC-homophobe3MICHELLE: I think that was our first inkling, too, that Ewon isn’t going to necessarily be completely honest about everything. Because he didn’t ever really confess that he pretty much knew that the guy was going to embezzle, only that he wanted to take over the accounting and Ewon let him.

MJ: Yes, you’re right. This is our first really clear glimpse of Ewon’s lying for self-preservation, something that happens a lot, and which I don’t even totally disapprove of, I find, which is interesting for me as a reader.

Then, later, when Byungsoo re-enters the story, it’s Mookyul we end up learning things about—namely that he’s smarter and more forgiving than I had realized, though it all seems so obvious once it’s out there.

MICHELLE: We start to see new facets of Mookyul once he’s given up everything for Ewon. It’s like he can relax at last because Ewon has come back to him. There’s a great scene early in volume six just after they’ve been reunited when he is still clearly himself and yet exudes a completely different vibe, saying, “It’s strange… I have nothing left now. But I’m happy.”

MJ: This brings up something that’s a point of discomfort for me in the series, and that definitely bothered me more on my second read than it had originally. Both Ewon and Mookyul have epic abandonment issues that make them each who they are, and it all feels very real. It rings true, even during the most super-dramatic portions of the series. Mookyul needs to control and Ewon needs to detach—this is how they’ve each learned to cope. Obviously each character’s behavior is destructive to himself and his relationships, and we watch that happening, over and over. Nobody, including Mookyul, Ewon, and the author thinks this behavior is healthy. It just is what it is.

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Where I feel uncomfortable is where they ultimately end up, but I wonder if that’s just because it pings my own issues. By the end, they’ve each finally accepted that the other *isn’t going to leave* and that’s a huge relief for them both. They can worry about losing each other to outside forces, but they’re also there to keep each other safe from those things. And I really appreciate that this intense universe of two, which is so often just written as a super-romantic vision of controlling, over-protective behavior, is instead here a mutual coping mechanism that can help these two seriously damaged men build a happy life together—one happier than either of them ever hoped to find. It’s brilliant, actually. Yoo has taken an overused, unhealthy romantic cliche and turned it into something understandable and actually not creepy.

But a little bit? I’m still creeped.

MICHELLE: I’d say I’m more concerned than creeped. It’s just not healthy to be so dependent on another person that you declare “I won’t be able to breathe without you.” But, as you said, it’s understandable given what they’ve gone through. I hope that, with time and maturity, they’ll be able to achieve the ability to function separately as need be while retaining a feeling of certainty about their relationship.

MJ: The other thing that bothers me is that I worry that Ewon doesn’t get his way often enough in the bedroom, and this also was a bigger issue for me on my second read. Now, I’m not even talking about the non-con early on. The power dynamic is seriously screwed up in the beginning, and even though Ewon proves he can get out of situations he doesn’t want to be in, it’s still clear that he sometimes goes through with things he doesn’t want just because it’s easier, which isn’t the same as actual consent. This is a problem, and though it’s handled in a more complex manner here than in a lot of BL, it’s still yucky.

But what I’m talking about here is just their general bedroom dynamic. Ewon finds Mookyul to be pretty impossibly sexy, and clearly wants to sleep with him, so that’s not the issue. The issue is that they always have sex the way Mookyul wants to have it, and I never get the feeling that this is really okay with Ewon.

Yoo tackles the whole seme/uke (if we’re talking Japanese BL tropes), top/bottom business in a way that feels more authentic than what we usually see (I’m not saying it is authentic—how would I know?—just that it reads like it is, so I’m able to buy in), but where it works well in her scenes with Ewon and Dohoon (both exclusively “pitchers” who aren’t particularly interested in experimentation, which leads to verbal sparring), the arrangement between Ewon and Mookyul (also two “pitchers”) just reads as perpetually unsatisfying for Ewon. I’m unhappy with this state of affairs, and Ewon should be, too.

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MICHELLE: I wondered a bit about that myself. I think Ewon only makes one complaint about that aspect of their relationship, and it’s not followed up on. But after he leaves Mookyul and goes on his sex-as-distraction spree, he starts off by being “catcher” for Dohoon. I’m not sure what he does with those other guys, but I kind of thought maybe he realized he liked it after all. I do note here that this title is rated 16+, so we don’t get any kind of intimate details of bedroom relations, for which I’m grateful.

And I wonder how flexible Mookyul is in that department. When Ewon discovers that Mookyul and Lee are sleeping together, he implies that Mookyul is the catcher in that scenario and Mookyul doesn’t deny it, but doesn’t confirm it, either.

MJ: Hmmmmm, perhaps you’re right. I suppose my overall reaction is based on a sense that we mostly see Ewon just exhausted from sex with Mookyul, rather than basking in the afterglow. So I kind of felt that he never really liked it as much as he could. And when he goes to Dohoon, it’s out of a pretty destructive kind of need, so I’m not convinced he actually wants the sex then either, but rather just to be wanted, which is something Dohoon can easily deliver (unfortunately for Dohoon). I mean, Ewon’s a guy who clearly likes sex, but I’m not sure that particular spree is representative of his healthiest impulses.

Speaking of Chairman Lee… wow. There are very few characters I hate more than Chairman Lee, between the semi-incestuous (and definitely abusive) relationship with his “son,” to his downright *mean* behavior with Ewon, he enraged me more often than anyone else in the series, with a healthy side of SKEEVE. Though, true to form, Yoo managed to surprise me with him in the end.

MICHELLE: While majorly, majorly icky, I still found Chairman Lee pretty fascinating. Yoo could’ve easily turned him into a mustache-twirling villain, but he never feels like that at all.

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MJ: Yeah, he’s significantly less that kind of villain than, say, Papa Dino in Banana Fish. Fortunately, he’s also never portrayed as actually sympathetic, which I don’t think I could stomach. But he is a more fully-formed character than your average sexual abuser might be, and that at least makes it easier to understand Mookyul’s extreme loyalty. And this makes it feel that much more profound when he actually does cut Lee out of his life in order to be with Ewon, too. As twisted as Mookyul’s relationship is with Lee, I think they actually love each other. It’s just that this love is constantly compromised by Lee having established a deeply inappropriate sexual relationship with Mookyul.

And speaking of twisted relationships… oh, Jiho. Poor Jiho. Want to talk about him a bit?

MICHELLE: Sure! I actually grew to like him quite a lot. I like that he was still able to care about Ewon, despite everything that happened, and felt close enough to challenge him on some of his bad behavior. I think this may be another case of someone finding love and security—Jiho eventually acquires a sweet and adoring boyfriend—and then being able to move past some of their past hangups.

MJ: I was surprised to end up liking Jiho as much as I did, even though he was initially wronged by Ewon. I thought his revenge (or what I interpreted as simple revenge at the time) was disproportionate to the crime. But he absolutely won me over, and actually his friendship with Ewon is one of my favorites in the series. It’s one of those times where I think maybe they just got it wrong the first time around, and they were always meant to be friends. I love watching the two of them care for each other, which they do over and over. And Jiho’s little declaration of independence is possibly the cutest thing ever.

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And here’s another area where Yoo just really gets it right. When Ewon is going through his self-destructive sex spree, Jiho can’t help but care, and he kind of scolds himself for worrying about who Ewon is sleeping with when he’s got his own awesome boyfriend to care about now. And that’s exactly what would happen. It’s not like we stop caring about people who wrong us… if we did, they wouldn’t have been able to hurt us in the first place. So Jiho can’t help but care.

MICHELLE: And, of course, there’s that great moment above when Ewon is able to apologize to Jiho for the pain he caused, finally knowing what it feels like to be betrayed by the one to whom you’ve given your heart. I think we’re back to the “Ewon has great friends” point again. :) But actually, Mookyul has some loyal friends, too. Especially Sangchul, who’s his right-hand man in many ways.

MJ: You’re right, of course! I mean, technically Mookyul’s friends are kinda paid to be on his side, but it’s obvious that their loyalty to him is real. And later, when Mookyul really needs them, they come through, particularly Sangchul and, surprisingly, Byungsoo.

MICHELLE: I guess we are Friend Fangirls for this series. They provide a good deal of the humor, too.

MJ: It’s true, they do. Like the entire section where the the boys in the office are trying to cover up the fact that Ewon’s in hiding after having accidentally broken an important vase? That whole thing is hilarious, from start to finish.

Heh, I was going through the books to pick out some of my favorite bits of humor, and there are just so many! Humor is so much a part of the fabric of Yoo’s storytelling, I get the feeling that she’s barely trying; humor just happens. Sure, sometimes she takes the time to go all chibi-like to punctuate the humor (and her chibis are freaking adorable, I have to say). But so often it’s just part of the drama. I mean, there are are, in the middle of a life-or-death scene, and somehow there’s nothing funnier than Ewon suddenly exclaiming, “The crazy fucker that tried to grab your sac in elementary school was me!”

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MICHELLE: I thought it was a good sign when I snickered on, like, page three. That “It was possible.” line is just so well-timed.

MJ: Heh, yes, it really is. I suppose this is what you get when an author is just plain funny herself, rather than trying to make jokes. She can’t help but endow her protagonist with the same natural comic timing she has. And the same self-deprectating humor, too.

TC-doujinshiWe get to see that directly aimed at Yoo, even, from time to time, during occasional breaks in the fourth wall. One of my favorite instances of this is in volume two, before Ewon is sexually or romantically involved with Mookyul, and he’s gossiping about Mookyul’s relationship to Chairman Lee with Sangchul. “Hajin Yoo says she’s gonna elaborate on the relationship between Mookyul and the big boss in a doujinshi,” says Sangchul. Ewon responds, “How can you trust what that lazy-ass says?” at which point he is punched in the eye by the text bubble.

MICHELLE: Hee. I’d forgotten that bit.

So, are we basically saying that Totally Captivated has it all (save for gratuitous sex scenes)? Good points, bad points, humor, romance, well-developed characters, and loads of profanity?

MJ: And eyes! I love the heavily-lined, detailed eyes we see in so much female-aimed manhwa. Yoo totally delivers on the eyes.

But yes, I guess that’s what we’re saying. Now that you’ve laid it all out there like that, it makes me want more.

MICHELLE: Alas, this appears to be Yoo’s only work released in English. It looks like she did follow through with writing a few doujinshi based on the series, though—including one featuring Ewon’s fourteen-year-old little sister.

MJ: I procrastinated on picking up the volumes that NETCOMICS printed (they were awfully spendy) and they sold out long ago. Though, given the 18+ rating, I suppose none of these is the little sister story. Sad.

MICHELLE: I actually had no idea they’d printed any of the doujinshi!

MJ: I still have some hope for a manhwa resurgence over here, and given how much I’ve enjoyed most of the Korean BL I’ve read, more of that (and more of Hajin Yoo) is absolutely on my wish list.

MICHELLE: Mine, too!


All images © Hajin Yoo, English text © NETCOMICS. This article was written for the 801 Manga Moveable Feast. Check out Otaku Champloo for more!


More full-series discussions with MJ & Michelle:

Moon Child | Fullmetal Alchemist | Paradise Kiss
The “Color of…” Trilogy | One Thousand and One Nights | Please Save My Earth
Princess Knight | Fruits Basket | Chocolat
Wild Adapter (with guest David Welsh) | Tokyo Babylon (with guest Danielle Leigh)

Full-series multi-guest roundtables: Hikaru no Go | Banana Fish | Basara | Gerard & Jacques | Flower of Life

Filed Under: BL BOOKRACK Tagged With: Manga Moveable Feast, manhwa, MMF, totally captivated, yaoi/boys' love

Manga the Week of 8/14

August 8, 2013 by Sean Gaffney, Anna N, Michelle Smith and MJ 3 Comments

SEAN: First of all, I’m giving up on moving Yen to when I get it. Diamond is shipping it next week to me, but that would mean 25 books this week, and only 3 to discuss next week. That’s just imbalanced. I’ll go back to using Amazon’s street date, and just revel in things on my own earlier.

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We start off with another Tezuka manga, as Vol. 1 of Triton of the Sea hits stores via Digital Manga Publishing. Another late 60s/early 70s Tezuka title, this was serialized one page at a time in Kodansha’s daily newspaper Sankei Shimbun. The story involves humans and mermaids, and is not as peppy and cheerful as Unico and Atomcat were.

ANNA: This looks interesting!

SEAN: DMP are slowly returning to print, which means more BL titles as well. The Tyrant Falls in Love has hit 8 volumes, and judging by the description it’s done that by basically being a giant soap opera. Expect emotions.

MICHELLE: I’ve never read any of this series, but I’m very happy to see DMP returning to print editions.

ANNA: I’m also glad to see that DMP is returning to print.

MJ: I hated the first volume of this series and then loved the second. I’ve been warned off later volumes of the series by fans who know my tastes, but I’m still glad to see it returning to print.

SEAN: Meanwhile, Wild Honey is a one-and-done volume that involves… sigh… werewolves. Really hot werewolves, no doubt.

Kodansha has the 2nd Battle Angel Alita: Last Order omnibus. I think this volume will feature the title’s descent into the Tournament Arc from Hell, which it takes several years to emerge from. That said, the fights are quite well drawn.

And the second volume of No. 6 drops, where no doubt our hero continues to find out how this world really operates and has more not-quite-ship tease with his newfound companion.

MICHELLE: I’m going to give this series one more volume at least, but I’m feeling a little meh so far.

SEAN: SubLime has the 2nd volume of Blue Morning, for those who want butlers and masters and really well-done cover art.

MICHELLE: Yay!

MJ: I kinda can’t wait for this.

SEAN: For those who don’t want well-done cover art, there’s Embracing Love, debuting here in a 2-in-1 omnibus. See how the leads stare at you. They are serious about being gay. VERY serious.

MICHELLE: *snerk* I believe this is considered a BL classic, so I’m interested to read it.

MJ: Agreed.

SEAN: Viz has some amazing titles coming out this week, making my Pick of the Week either a chore or something I will have to cheat on. Dorohedoro hits double digits, which I am honestly delighted by. Still my favorite SigIkki title, and it looks like it may be hitting a point of no return soon in regards to Caiman.

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EXCEL SAGA 26! The second to last volume! Do you realize that we are almost at a point where you will not be buying new volumes of Excel Saga? This makes me so sad! And yet, new volume! Everyone must buy it! It has Homestuck, Warehouse 13, and Welcome to Night Vale cameos in it! Really! Trust me! Would I lie to you?

MJ: Someday, Sean, I’m going to try to read this series, and it will be entirely because of your undying enthusiasm.

SEAN: InuYasha’s VIZBIG edition hits Vol. 16, containing… (calculates) 3 more volumes! Honestly, I can’t remember. I think it’s somewhere in the 40s. Takahashi fantasy at its most popular. I really must catch up one day.

MICHELLE: I still haven’t finished InuYasha. I think I have the last ten volumes hanging around here unread.

ANNA: I am frightened by the length of this series, but it is totally something I would check out of the library one day.

SEAN: Itsuwaribito 9 brings us to a village ruled by women who have no use for men. Oh dear. In a shonen manga? Please don’t have the village learn a valuable lesson about how awesome the male lead is…

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I’ve been waiting for this debut for a while now. Magi is one of Shonen Sunday’s more successful current titles, and I hope the title breaks out here in North America in a big way. Retelling the Arabian Nights the shonen fantasy way, with verve and sass. And yes, starts slow. All Sunday titles start slow.

MICHELLE: I was pleasantly surprised by volume one, so if it gets even better from here, that’s definitely promising.

ANNA: Hmm, this sounds like a good shonen series for me to try out.

MJ: I’ve definitely got this in my queue!

SEAN: Neon Genesis Evangelion 3-in-1 gives us Vol. 4, containing Vols. 10-12 of the original title, and everything begins to go completely to hell here. Not that it had all that far to wander, honestly.

If you can’t get enough of the main Tiger & Bunny series, how about a doujinshi anthology? No, not like that, you pervs. This is 100% clean, though no doubt FILLED with ship tease. Vol. 1 of the anthology debuts from Viz.

MJ: I gotta say… meh. Unfortunately.

SEAN: Lastly, the X 3-in-1 hits Vol. 6. If I’m not mistaken, this is where the volumes will have to end, at least until CLAMP returns to the title to wrap it up. Which ain’t happening anytime soon. In the meantime, enjoy where it leaves off.

MICHELLE: I have no idea if it’s still available, but the anime did offer an ending of sorts. Or at least a reasonably satisfying stopping point.

ANNA: This is really one of my favorite CLAMP series despite the lack of ending.

MJ: I’m actually really looking forward to this, even though I’ve already read the not!ending. These lovely editions really have given me a new appreciation for the series.

SEAN: Besides EXCEL SAGA!, what else interests you here?

Filed Under: FEATURES, manga the week of

Bookshelf Briefs 8/5/13

August 5, 2013 by Anna N, Sean Gaffney and Michelle Smith 4 Comments

This week, Anna, Sean, and Michelle look at recent releases from Viz Media and Kodansha Comics.

dawn10Dawn of the Arcana, Vol. 10 | By Rei Toma | Viz Media – This fantasy manga featuring a misfit red-headed princess struggling with her gift to see into the past and future has developed into an engrossing story with a focus on expansive worldbuilding and political machinations. The tenth volume heads into a new direction as Nakaba and Caesar are remarried to other people, while still determined to somehow build the better world they envisioned together. Nakaba has come a long way since her more tentative appearance in the first volume, so I’m looking forward to seeing what she does as she seeks her own political power with only Loki by her side. – Anna N.

devil10A Devil and Her Love Song, Vol. 10 | By Miyoshi Tomori | Viz Media – It isn’t often that a shoujo manga volume leaves me with conflicting feelings a few days after reading it, but I’ve come to expect the unexpected from this manga. While Shin has been warned off from physical intimacy with Maria due to her psychological issues, he does force the issue with traumatizing results. Maria has unsettling flashbacks as her repressed memories are triggered, and Shin continues for a bit despite her clear distress. In a way this scene almost feels like Tomori’s commentary on the way similar set-ups are romanticized in manga, but in A Devil and Her Love Song it is genuinely unsettling. I predict fallout from this volume will continue for awhile. This is one manga that is always a bit unpredictable, which is why I enjoy reading it. – Anna N

fairytail28Fairy Tail, Vol. 28 | By Hiro Mashima | Kodansha Comics – Several people may have been surprised, even a bit annoyed, at Cana ignoring her friends’ plight in order to reach the goal of the S-class battle that is clearly cancelled. Now we find out why – it’s tied in to finding her father, whose identity is someone we all know. Cana’s past is rather sad and lonely, and reminds me a bit of Wendy. Meanwhile, the villains strike back in the quest to secure victory on the island, and at one point are so strong they even take out Gildarts (who, it has been said, rarely appears as he’s such a game-breaker). Luckily, Erza wins the day by, well, her psychic connection with Jellal – sorry, folks who hate him. As for Grey, he quickly sees through Ultear’s false crocodile tears. But is that going to do him any good? Still a fun shonen battle manga. – Sean Gaffney

kaze21Kaze Hikaru, Vol. 21 | By Taeko Watanabe | Viz Media – Volume 21 focuses on the fallout from Sei’s stint as an undercover spy—as a result of Okita’s feelings for her jeopardizing the mission, Sei is transferred to another company. She’s never been one for just following orders and so demands an explanation, and when Okita claims he requested the transfer because he’s sick of her, she contemplates giving up on bushi life and becoming a nun until an actual nun helps her gain perspective. I enjoyed this volume, but I was troubled by the number of times various characters equate being a girl with impetuous thinking. Too, Sei blames the female part of herself for wanting love, but isn’t it equally the girl part of her that wants to be a bushi and avenge her father and brother? This is something that Basara got right, and which I thought Kaze Hikaru did too. I must say I’m a little disappointed, though my love for the series remains intact. – Michelle Smith

magi1Magi, Vol. 1 | By Shinobu Ohtaka | Viz Media – I knew absolutely nothing about Magi going in to this debut volume, but it turned out to be pretty fun! The first chapter introduces Aladdin, a young boy with a penchant for good food, pretty ladies, and super-deformity. He’s on the search for a metal vessel for his friend, Ugo the djinn, who currently resides in the flute Aladdin wears around his neck and who can be summoned in times of need. When Alibaba, a destitute young man looking to strike it rich by “clearing” one of the mysterious and deadly treasure-laden dungeons that have sprung up around the world, witnesses Ugo in action, he decides that Aladdin must be his servant friend and accompany him in this perilous endeavour. Magi‘s tone is light and the RPG influence strong, resulting in something that’s familiar and yet sort of refreshing. I’ll definitely be checking out volume two. – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Abundance

August 5, 2013 by Michelle Smith, Sean Gaffney, Anna N and MJ 8 Comments

potw-8-5-newMICHELLE: There’s a lot of good stuff coming out this week, but since I only get to do this once a year… my pick of the week goes to volume 21 of Kaze Hikaru. Even though this particular volume disappoints me just a little (see today’s briefs column!) the series still ranks among my favorites.

ANNA: If someone else hadn’t picked Kaze Hikaru, I would have gone with that! So I will pick the first volume of Happy Marriage?! because I am always ready to celebrate new josei titles.

SEAN: It’s gotta be Kitaro for me. Ever since I first saw an anime adaptation at Otakon in 1999, I’ve been fascinated by this series. Kitaro, the mostly stoic boy hero; his father, who is an eyeball with legs; his not-quite-girlfriend Neko Musume, and most importantly, Nezumi Otoko, the worst friend ever. Creepy yokai galore. It’s gonna be great.

MJ: This is a tough week, for sure. I do like to applaud endings, so it’s difficult to pass on the final volume of Bakuman, especially now that I’ve begun to care about its primary romance, and I’m interested in all the titles listed here, as well as the second omnibus edition of Lone Wolf and Cub. But I’ll give my vote to volume four of Tsutomu Nihei’s Knights of Sidonia, out this week from Vertical. It’s got everything I could want in a mecha series, which is to say, everything I could want in any series—action, complicated characterization, heartbreak, and truly stunning artwork. I’m all in for Knights of Sidonia.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 8/7

August 1, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 9 Comments

SEAN: Can’t talk, too much manga.

Dark Horse has the 2nd Lone Wolf and Cub omnibus. I enjoyed the first one more than I thought, and will hope that the 2nd gives us just as much assassination intrigue and adorable toddlers with killer eyes.

MICHELLE: I also liked it more than I expected.

ANNA: I read the first five or so volumes of this back in the day, and am glad it is getting reissued.

MJ: I’m surprised to find myself really looking forward to this second omnibus!

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SEAN: Drawn and Quarterly finally, after a long gestation period, has the first in what I hope becomes a series of books based on Shigeru Mizuki’s 60s yokai classic, Gegege no Kitaro. Retitled Kitaro for North America (Gegege is sort of an untranslatable sound of fear), it’s over 400 pages of 60s shonen goodness. For those who love all the yokai manga coming out these days, here’s the King.

ANNA: I am intrigued by this!

MJ: Same here!

SEAN: I know only I care, but I still do care: Kodansha Comics has Vol. 31 of The Wallflower. 31 volumes! That’s more than Kenshin! Lots more than Fruits Basket! It’s 30 volumes more than Gaba Kawa! It’s a long series that rewards me with comedy, not romance.

MICHELLE: Back in the day, I bought the first six or seven volumes of this. But then I learned about its length and its episodic nature and I just went “Ugh.”

ANNA: I had a very similar reaction to Michelle’s. I found the first few volumes amusing but wasn’t willing to sign up for a neverending series.

SEAN: Seven Seas has a significant presence this week. There’s another Alice spinoff, The Clockmaker’s Story. The spinoffs are starting to glut the market, but I really enjoy Julius and his grumpypantsness. He reminds me of Austria from Hetalia. So I have hopes for this.

MICHELLE: I kinda like Julius, too, but I have really lost count of these spinoffs.

ANNA: I am pro-Julius!

SEAN: Hooray, a new volume of A Certain Scientific Railgun, the manga that reminds you once again that spinoffs can not only do better than the original, but inspire flamewars about the original! The athletics festival continues here, and we find out what Misaka does when her support team of good friends is taken from her.

Dance in the Vampire Bund continues to omnibus itself with Vols. 7-9. I understand it has vampires.

Kanokon also gives us an omnibus, featuring Vols. 3 and 4. I think I’ve already said what I need to about this series.

MICHELLE: I don’t even know what Kanokon is. Should I be glad?

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SEAN: The Sacred Blacksmith has a second volume, for fantasy swordplay fans. I seem to recall I liked this slightly better.

And World War Blue, Seven Seas’ attempt to license a Fairy Tail that’s all their own, has its own Volume 2, just a month after Vol. 1.

It’s rare I discuss artbooks, but I’m also a giant Haruhi Suzumiya fanboy, so this dovetails nicely. Udon is putting out the first of a series of Haruhi artbooks, this called Haruhi-Ism: Noizi Ito Artworks. I suspect, as opposed to Udon’s amazing Read or Die artbook, we’ll see more art and less infotext here. But hey, getting it anyway.

MJ: I’m actually kind of interested in this, too.

SEAN: Vertical gives us the 4th volume of Knights of Sidonia. What’s the chance they go back to the wacky harem comedy this time around? I’m guessing it’s more likely there will be body horror and space battles instead. But it’s good. I’m just being churlish.

MICHELLE: But it’s creepy body horror of the best kind! I love Sidonia a lot.

ANNA: I guess I am now two volumes behind on this series, but I look forward to getting caught up. I’m happy that Vertical is bringing over mecha manga like this and Gundam: The Origin.

MJ: I *heart* Knights of Sidonia very much.

SEAN: And Viz. Bakuman comes to an end with its 20th volume, and has proven to at least be a slightly happier ride than Death Note. Certainly more people know about the workings of Jump now…

MICHELLE: Stay tuned for a special Off the Shelf devoted to Bakuman., coming next month!

MJ: I’m really looking forward to the discussion with Michelle. This series surprised me at intervals, throughout, and I was especially surprised to find myself actually caring about the romance during the last volume. Can’t wait to see how it plays out!

SEAN: A Devil And Her Love Song hits double digits with Vol. 10. Given where last volume left off, it’s expecting this one will be a big ol’ angstfest, but you never know.

MICHELLE: I think angstfest is a good bet.

ANNA: I have read this and haven’t been able to write my review yet, but I would say that it goes beyond angsfest and heads strongly into severe emotional traumaland.

MJ: Oh, my.

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SEAN: Happy Marriage?! is the new josei title from Shojo Beat, being another foray into the magazine that gave us Butterflies, Flowers. I must admit, I’m a bit wary – Butterflies, Flowers succeeded for me because of its ridiculousness – this may not have as much of that. But hey, any Petit Comic over here is good.

MICHELLE: I’m wary, too, but I’ll give it a shot.

ANNA: I liked it just fine! It is a lightweight, fun to read josei title. Not as goofy as Butterflies, Flowers, but still enjoyable.

MJ: I’m interested, for sure. Wary, but interested.

SEAN: Kamisama Kiss has caught up with Japan, at least as much as Viz allows itself to do, so it’s been a while since we’ve seen it. Lucky Number 13 should give us yokai manga of the week #2.

MICHELLE: I’m going to try to get caught up on this soon.

SEAN: Kaze Hikaru 21! Squee! OK, I admit, I’m still 20 volumes behind on this series. But hey, any series that comes out yearly is always in my wheelhouse, given Excel Saga was there for a while as well. Highly underrated shoujo, from what my friends tell me.

MICHELLE: I love Kaze Hikaru very much. Everyone should read it! But especially MJ.

ANNA: I adore this series and I always feel a bit giddy when a new volume comes out.

MJ: *hangs head in shame*

SEAN: Kimi ni Todoke 17. I have little to say about this series, even though I love it to bits. Just expect everyone to be even more sweet and adorable, OK?

MICHELLE: Works for me!

ANNA: Works for me too!

MJ: Count me in!

SEAN: Another series hits double digits as Library Wars: Love & War gets to Vol. 10. I think this got delayed a month or so, so I hope it’s worth the wait.

MICHELLE: I’m kind of surprised how much I’ve been enjoying Library Wars lately.

ANNA: I was always going to be a fan because it is not that often that my profession gets featured in a manga, but I think that this series has gotten more enjoyable several volumes in.

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SEAN: Naruto 62. That’s a whole lotta ninja.

Nura: Rise of the Yokai Clan wraps up Kyoto here at last, and moves on to a few side stories before the next big arc. It’s also yokai manga #3.

There’s always one Viz manga Diamond ships to my store late, and this month it’s Otomen 16. But the rest of you will get it. As always, I’m there for the Ryo.

Slam Dunk is in its closing volumes, but still not quite there yet. Here’s Vol. 29.

MICHELLE: It is taking a lot of willpower not to read the three unread volumes I have now collected, but this series is so good when read in chunks, so I’m tying to hold out ’til volume 31 gets here.

ANNA: I have less self control and generally read Slam Dunk as soon as it arrives because I can’t ration out my reading of this sports manga masterwork.

SEAN: Tegami Bachi is bachi-ing its tegami with Vol. 14. (Sorry, this has been a long post, I’m tired, and I don’t read the series.)

Lastly, Toriko 17 wraps everything up with some more tasty food fighting.

Assuming you didn’t move on halfway through this endless list, what are you getting this week?

Filed Under: FEATURES, manga the week of

Bookshelf Briefs 7/29/13

July 29, 2013 by Sean Gaffney, MJ and Michelle Smith Leave a Comment

This week, Sean, MJ, & Michelle look at recent releases from Yen Press, Seven Seas, Viz Media, and Vertical, Inc.


cheshire5Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 5 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Once again, we have half a volume of the main story and half a volume of a side story, though at least the side story is about Alice and Boris. Aside from that niggle, this volume has a couple of interesting things going on. Ace is back to being the psychopath I like after the miserable Ace of Hearts spinoff, noting he only loves Alice when she’s miserable and indecisive. We also see two faceless spies who actually seem to have motivation and an agenda, which gives a whole new impression as to the real roles of the faceless. Mostly, though, this is Boris and Alice still feeling out their new relationship: what I noted are the interesting irrelevant bits. Still worth getting if you don’t mind the romance and can put up with side stories galore. – Sean Gaffney

limit6Limit, Vol. 6 | By Keiko Suenobu | Vertical, Inc. – The final volume of Limit is filled with dramatic, expository speeches that play to the back of the house. It is over the top, it is emotional, it is theatrical, and it has a truly ridiculous plot twist right at the end. Despite that, it’s also highly enjoyable and cathartic… precisely for those very reasons. No one wants a dull blase book about teens fighting for survival in the wilderness. Moreover, teenagers are by definition over the top, emotional creatures – heck, even Kamiya, the closest this series had to a stoic, is losing it by the middle of this book. And so we accept the ridiculous plot twists, and the drama. These are likeable characters put through the wringer, and I liked seeing how they all ended up by the end. Which I will try not to reveal here. I’m pleased that Vertical picked this up, though if it had been any longer I think I might have broken. – Sean Gaffney

pandorahearts16Pandora Hearts, Vol. 16 | By Jun Mochizuki | Yen Press – The best description I can come up with for the events of recent volumes of Pandora Hearts is “dizzying.” And as if volume 15 weren’t painful enough, with its heartwrenching revelations and noble self-sacrifice, volume 16 shows absolutely no signs of relenting. Oh sure, there’s a brief interlude at the beginning in which it seems that our heroes are going to be able to have a moment’s peace to process what has happened, but this is quickly shattered by a thoroughly creepy meeting with their new nemesis, still more betrayal, followed by still more hints of betrayal to come, or at least of intentions concealed and origins heretofore unknown. Now I honestly find myself worrying about the allegiance of everyone Oz is associated with, particularly Break, who in the past seemed to be attempting to strike up an alliance with the Baskervilles. I’m genuinely on edge! Kudos to you, Mochizuki-sensei. – Michelle Smith

tigerbunny2Tiger & Bunny, Vol. 2 | By Mizuki Sasakibara, based on the franchise created by Sunrise, Masafumi Nishida, and Masakazu Katsura | Viz Media – The beauty of series like these is that I get to write much less than usual, as the list of authors takes up half the review. There’s nothing particularly wrong with this volume of Tiger & Bunny – the art is sufficient, we get more of Barnaby’s backstory which I presume drives the plot, and I liked seeing that the other superheroes are all just as goofy as these two – but there’s nothing really that makes me want to keep reading more. It’s not gripping, and it still feels very corporate – for those who enjoyed the anime, here it is again in book form. Thus I’d recommend the manga for those who love Kotetsu and Barnaby, but it’s easily skippable for those who have no investment in it. – Sean Gaffney

twinknightsTwin Knights | By Osamu Tezuka | Vertical, Inc. – In this sequel to the original version of Tezuka’s Princess Knight, Sapphire, now happily married to Franz, has given birth to twins—a boy and a girl. Thanks to an internal dispute over the right of succession, the two are separated, and the princess, Violetta, finds herself on an epic journey in search of her lost brother, Prince Daisy. Though Violetta’s path as a cross-dressing swashbuckler is exciting and thankfully devoid of the unfortunate boy’s heart/girl’s heart drama that so heavily compromised the feminist potential of Princess Knight, her ultimate destiny as a conventional princess feels a little disappointing, as does the silliness that so often overwhelms any truly empowering moments the book might have had. Still, Twin Knights is undeniably fun and action-packed, and its heroine is glorious, indeed. Quibbles aside, it’s definitely worth a look. – MJ

Filed Under: Bookshelf Briefs

Pick of the Week: Sugiura & Tezuka

July 29, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 1 Comment

potw-7-29SEAN: There’s a few interesting items this week, but none catches my attention more than Picturebox’s Last of the Mohicans, by Shigeru Sugiura. I’ll admit, I find the original Fenimore Cooper to be absolutely wretched. But I’m always up for a good adaptation, especially if it’s by an artist known to be as surreal as Sugiura was. Who knows, perhaps Natty Bumppo will be killed off horribly or something. In any case, this is a rare case where I know next to nothing about the content but am still excited to see it.

MICHELLE: And I know next to nothing about Tezuka’s Twin Knights, but I’ll still name it as my Pick of the Week. I really wanted to like Princess Knight more than I did, and I’m hopeful that somehow this sequel (though it actually came out before the remake we got here) will avoid some of the more problematic ideas, like female hearts being weak. I hope I don’t hope in vain!

ANNA: I’ll also throw in for Twin Knights as it is the manga from this week that I see myself reading soon!

MJ: Though I, too, have high hopes for Twin Knights, I’ll go with Sean’s choice, Shigeru Sugiura’s adaptation of Last of the Mohicans! I’m fascinated by everything I’ve heard about Sugiura’s art style, and though I’m skeptical about this story in particular, I’m willing to give it a try. It’s a unique opportunity, and I don’t intend to miss it.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Off the Shelf: Cats, Rats, & First Love

July 27, 2013 by MJ and Michelle Smith 10 Comments

MICHELLE: I looked for a dumb joke that was not utterly unfunny, but I couldn’t find one, so you are all spared this week.

MJ: … is it weird that I’m kind of disappointed?

MICHELLE: Actually, it’s kind of gratifying!

Anyway, it feels like forever since we’ve done a “normal” column. What’ve you been reading lately?

MJ: Well, this will probably come as a surprise to no one, but the truth is, I’ve spent most of this week eagerly, painfully anticipating the launch of Chromatic Press’ new online magazine Sparker Monthly, due out sometime over the next couple of days. And though I’m looking forward to delving into the publication’s promised mix of female-focused comics, illustrated prose, and audio dramas, I’ll admit that the intensity of my anticipation is fueled largely by the long-awaited revival of Off*Beat, Jen Lee Quick’s manga-influenced comic that has been in publishing limbo ever since the demise of Tokyopop’s OEL manga initiative in 2008.

I read the first two volumes of Off*Beat in 2009, when they were already officially out of print, and immediately fell in love, though as the years flew by, it seemed less and less likely that we’d ever get to see its final volume. I’ll admit to having pretty much danced with glee when Chromatic Press announced its Kickstarter campaign to continue the series. I backed that project, of course, and I’ve been fawning over my new print editions of the first two volumes ever since. But, like every fan of Off*Beat, it’s new material I’ve been dying for, so when I was offered the opportunity to review the first new chapter in advance, I leapt at it in the least dignified manner possible.

MICHELLE: I have yet to read Off*Beat, so I am going to imagine your squeeful ecstasy as akin to what happened to me, a Veronica Mars fan since 2005, when the Kickstarter campaign for the movie first started. And also there are books coming! But, I digress.

MJ: I think that is probably an apt comparison!

offbeatcoverOff*Beat tells the story of Christopher “Tory” Blake, an exceptionally smart teenager who lives with his divorced mom in Queens. Tory’s a capable kid, but the sense of abandonment brought on by his father’s absence has manifested itself in an odd habit—meticulous record-keeping of every single thing that happens to him and those around him. And when a new kid, Colin, moves onto Tory’s block under potentially mysterious circumstances, Tory’s obsessive attention becomes focused on him, and he goes so far as to get himself transferred to Colin’s private school on Long Island, even though it takes him two hours (by subway, rail, and bus) to get there every day. Tory soon discovers that Colin and his guardian are involved in some sort of top-secret scientific project, and he’s able to convince himself that it’s the project he’s obsessed with, but it clearly all comes around to Colin.

Colin is initially cold and resistant to interaction with pretty much anyone, but thanks to Tory’s persistent (stalkerish?) approach and Colin’s failing grades, the two eventually begin to form a friendship. To the reader, it’s long been obvious that Tory’s falling in love, but just as he’s on the brink of maybe coming to terms with his sexuality (and the possibility that his feelings for Colin may even be reciprocated), his secret diaries are discovered and everything falls apart.

When we last saw Tory, he’d just been punched in the face by Colin … and that’s where Tokyopop left us hanging back in 2007. Fortunately, the new chapter picks up just where we left off, and it suddenly feels as if no time has passed at all. There’s always the danger that anticipation of a thing will turn out to be tragically superior to the thing itself, but I’m happy to report that this is not the case at all with the newest chapter of Off*Beat. The transition is seamless and Quick gratefully gets right into the meat of things, including the nature of Colin’s top-secret project, and the boys’ obvious mutual attraction, both in the same grounded, thoughtful manner in which the comic has conducted itself from the beginning.

I was thinking as I prepared for our column today about the contrast between Off*Beat and something like Loveless, which we lovingly discussed last week. Both series fall somewhere on the boys’ love spectrum (at least as far as their fans are concerned) and both succeed largely on their commitment to emotional truth. But where Loveless expresses that truth by way of the supernatural, Off*Beat feels very much like a celebration of the natural, the endless wonder of the everyday people and things that are just right in front of us, and the epic gloriousness of the most naturally human thing of all—honest connection with other human beings. Despite the whole “top-secret project” thing going on in the background of Off*Beat, the series is so deeply grounded in its environment and in Tory’s teenaged existence, its focus is really on the plain wonder of growing up and being a person. And I love it for that.

Also, there are cats, Michelle. Lots and lots of cats.

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MICHELLE: That really does sound wonderful. And y’know, for all the praise I’ve heard about Off*Beat over the years, no one has ever focused on the secret project as one of the reasons why it’s so compelling.

Do you know whether there are plans for a print edition of the new material?

MJ: Indeed there are! Chromatic Press’ publishing model is based heavily on Japan’s serialization-to-tankoubon process, so once the third volume has been completed in serialization, it will be made available in full, both electronically and in print. The first two volumes are already being sold this way, with print volumes priced at $13.99 apiece (plus some extra options) or downloadable ebooks (epub, mobi, or pdf) for $6.00 each. The ebook deal in particular is pretty unbeatable, I think, when you compare it with other download-to-own manga. I’m tempted to buy them all in both formats, just for the convenience.

So what have you been reading Michelle? And were there any cats involved?

MICHELLE: No cats, but quite a few rats!

number6My solo read this week was the first volume of No. 6, a new shoujo series from Kodansha. Originally a series of novels by Atsuko Asano, the manga adaptation is by Hinoki Kino and ran in Kodansha’s Aria magazine. (I confess that I had to look this up to confirm its shoujo bona fides, because Kino’s art does not have that traditional shoujo look.)

Shion is an elite student in a futuristic city called No. 6, which is lauded for its low crime rate, excellent medical care, etc. In this “ideal” city, everything is managed, from the weather to the people, and testing at the age of two put Shion on his current academic path. He has just been accepted into the advanced ecology program when his world is forever changed when Rat, a prison escapee from the wrong side of the tracks, slips through his open window. Seeing that Rat is wounded (and around his age), Shion stitches him up and shelters him for the night, which costs him his placement in society. But Shion doesn’t seem to mind, because he never held with all the conformist attitudes anyway. He regrets nothing.

Fast forward four years when mysterious insects are draining the life out of human victims. Shion has the bad luck to be nearby a couple of the resulting corpses and the government, attempting to bury the news, attempts to pin it all on him. Rat reappears just in time to repay his debt by rescuing Shion, and urges him to abandon all connection to his former life if he wants to survive.

If this summary seems very plot-driven and light on character, then that’s because No. 6 is the same. Despite attempts to depict a restrictive future society—which succeed about as well as those in Library Wars for a frame of reference—the setting feels generic and the characters flat. I couldn’t connect with any of them at all. There’s a particularly weird scene in which Shion is bidding farewell to his childhood friend Safu as she heads off to study abroad. Out of nowhere, and with barely any interaction between them (that readers have been privy to, at least), she blurts, “I want to have sex with you.”

In the end, I can’t label this “a mess,” because it flows coherently enough, but it’s rather blah. I’ll probably give it another volume to see if it improves, though.

MJ: I feel quite disappointed, not so much because I’d eagerly anticipated this release (though I was interested, for sure) but because all the way through your summary here, I was thinking that it really should be interesting. I mean, the story sounds like something I’d enjoy, but in my head, it magically contained awesome characterization, despite the lack of such in your description. I’m so disappointed. I’d rather it be “a mess,” as long as the characters were compelling. So sad. I hope the second volume is an improvement!

MICHELLE: The first volume ends with Shion on the verge of discovering the world that exists beyond No. 6, so hopefully that should be interesting. We shall see.

Anyhoo, want to take a stab at introducing this week’s mutual read?

kare-first-loveMJ: Sure! So, we’ve been delving into quite a number of Viz’s digital re-releases of older shoujo series—particularly those from their now-defunct “shōjo” imprint. So far, we’ve been focusing on supernatural and schoolgirl-in-another-world series such as From Far Away, Red River, and Angel Sanctuary, but this week we went for regular ol’ high school romance with the first two volumes of Kaho Miyasaka’s Kare First Love, originally released in North America between 2004 and 2006.

Karin is a quiet, bespectacled high school student who has never had a date with a boy, and whose school friendships revolve around Yuka, a vapid, popular girl who mainly uses Karin to get out of doing her own homework. On the bus to school one day, Karin overhears a group of boys making snide comments about her looks, but when one of them sees that she’s reading a particular photography book, he comes over to talk to her. The encounter ends in embarrassment for both of them, as the boy, Kiriya, accidentally lifts up the back of Karin’s skirt while trying to return the book to her. Kiriya turns up later at Karin’s school, again in an attempt to return her book, and the two are swept up in plans for a group date, spearheaded by Yuka.

In true shoujo manga form, Yuka sets her sights on Kiriya (who only has eyes for Karin), and tries to bully Karin into supporting her efforts. Fortunately, another girl from their class, mature, independent-minded Nanri, sticks up for Karin and even lets Kiriya in on what’s going on so that he can step up and become Karin’s knight in shining armor. Which he does. And they’re in love, whee! First love! Next: the group trip to the beach!

If my summary sounds a little jaded, I suppose it is, as there is truly nothing original to be found in Kare First Love. Its premise, its conflicts, even its artwork are so closely painted by the shoujo manga numbers, it’s maddening, truly. Yet, perhaps more maddening is the fact that, as a reader, I still care. These tropes endure because they mostly work, and they work on me here, despite myself. Even though I know what comes next, I still want to watch it play out. And though that may be sad on a number of levels, it’s undeniably the truth.

MICHELLE: I didn’t like Kare First Love as much as I expected to, either, which was disappointing. I do lay some of the blame for this on the back cover copy, though. Consider this excerpt from volume two:

The age-old dilemma of choosing between your friend and the one you love is the lesson for the day for these bubbly high-schoolers.

Okay, number one, none of them is bubbly. But more importantly, and established immediately… Yuka is not really Karin’s friend!

I was lead to expect exquisitely poignant angst, with Karin knowing how much her friend truly loves Kiriya, but still deciding that she’s not willing to sacrifice a chance at love and happiness for her friend’s sake. Something like Yano and Takeuchi in We Were There, for example. But that’s not what we get. Instead, Yuka is a “shallow skank,” to quote one of Kiriya’s friends, and completely unsympathetic. When things don’t go as she plans, she engages in tiresome mean girl shenanigans for a volume and a half, until Karin finally declares “You were never my friend,” at which point Yuka disappears from the story and we move on to more traditional couple drama.

Now, granted, I thought the story improved from this point, as I liked the increased presence of Nanri (my favorite character) and the depiction of Karin’s pressure to succeed in school, but it’s not really what the blurb originally promised.

MJ: Agreed on all points. And honestly, it’s Nanri who will probably keep me going through subsequent volumes, assuming she sticks around. Well, Nanri and the annoying fact that, in spite of everything, I still want to find out what happens. I would bet all my money and meager possessions that they get married. They totally get married in the end. Am I right?

MICHELLE: You’re right. And possibly in a few volumes there’ll be some focus on Nanri and her older (possibly married) boyfriend, and then perhaps she’ll end up forming a couple with Kiriya’s friend, or something.

MJ: And don’t forget the inevitable parental disapproval! Surely that is yet to come. Also, what dark secret lurks in Kiriya’s past??

*Sigh* I’ll probably read it all.

MICHELLE: Hee. Me, too. We are shoujo’s bitches.

MJ: Amen.

Filed Under: OFF THE SHELF Tagged With: kare first love, no. 6, off*beat

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