Ash Brown

What Is Obscenity?: The Story of a Good for Nothing Artist and Her Pussy

May 6, 2016 by Ash Brown

Creator: Rokudenashiko
U.S. publisher: Koyama Press
ISBN: 9781927668313
Released: May 2016
Original release: 2015

Like many other people both inside and outside of Japan, the work of artist and activist Rokudenashiko (the pseudonym of Megumi Igarashi) was brought to my attention following her arrests in 2014 on charges of obscenity. Rokudenashiko is a self-described manko (pussy) artist, challenging preconceived notions and taboos surrounding female genitalia by creating clever, fun, and silly sculptures incorporating realistic molds of vulvas as well as designing Manko-chan, a cute anthropomorphized pussy. One of Rokudenashiko’s responses to being arrested was to create the manga What Is Obscenity? about her experience. It was originally serialized in the Japanese political magazine Weekly Friday in 2014 before being collected in a single volume along with other material in 2015. The English-language edition of Rokudenashiko’s comic memoir, subtitled The Story of a Good for Nothing Artist and Her Pussy, was published by Koyama Press in 2016 thanks in part to the editing, translation, and production efforts of the fine folks behind Massive Goods.

In 2013, Rokudenashiko successfully crowdfunded a project to create a kayak molded from a 3D scan of her genitals. One of the rewards given to some contributors of the campaign was a downloadable vector file of the scan which she encouraged others to use to make their own artwork. In July 2014, this file along with her artwork and other personal belongings were used as evidence to support the obscenity charges that were brought against her. Rokudenashiko was arrested and jailed for a week before being released only to be arrested and indicted again in December of that year. She continues to fight the charges in court and her trial process is currently ongoing, although a judgement on her case is scheduled to be pronounced on May 9, 2016.

What Is Obscenity? collects two short series of autobiographical manga—”What Is Obscenity? How I Became a So-Called Artist” about Rokudenashiko’s first arrest, her time spent in jail, and the immediate aftermath and “Why I Became a Manko Artist” which relates the story of how she almost unintentionally became an activist and started creating pussy-related artwork. Adorable illustrations of Manko-chan are found throughout the volume and “This Is My Story,” a short full-color manga about Manko-chan, is featured as well. The English-language edition of What Is Obscenity also includes additional material such as an introduction by Rokudenashiko, examples of her sculptures and artwork, color photography, cultural notes, and an excerpt of a discussion between Rokudenashiko and the controversial film direction Sion Sono.

Freedom of expression, and especially freedom from governmental censorship, is something that I am very passionate about. One of my particular focuses in the various copyright and intellectual property law courses I took in graduate school actually happened to be obscenity law which, as in the case of Rokudenashiko, can be used to attempt to silence and punish artists and other creatives as criminals and which are notoriously inconsistent in their application. But Rokudenashiko isn’t allowing herself to be silenced. Her arrest and trial, as well as her willingness to publicly fight the obscenity charges, made not only national but international news. This has given her a larger platform that has allowed her to bring even greater attention to the absurdity of the systemic injustice of a society that objectifies the bodies of women while at the same time treating them as something shameful and obscene. I greatly and sincerely admire her work and efforts; what Rokudenashiko is doing is incredibly important both artistically and socially.

One of the things that makes Rokudenashiko so remarkable is that even in the face of infuriating and intimidating circumstances she is able to retain an outwardly upbeat, bright, and strikingly personable attitude which is then reflected in her work. Even while dealing with some fairly serious issues, What Is Obscenity? is sweet and charming with a wonderful sense of humor and art to match. As with much of Rokudenashiko’s work, What Is Obscenity? can be silly and fun, though many of the events portrayed were probably not nearly as funny while she was actually living through them. Her experiences, everything from the utter lows of personal and family troubles and the jail time caused by her artwork to the immense joy sparked by the unflagging support of her friends and fans, are recounted with a cheeky candidness that makes her story and the subject matter approachable and entertaining while still getting her message across. With its gentle humor and creative cuteness, What Is Obscenity? and the rest of Rokudenashiko’s work is subversively powerful, inspiring, and empowering.

Manga the Week of 5/11

May 5, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 1 Comment

SEAN: Glory be! A small week at last! Write this week down in your diary, folks.

ASH: Astonishing!

MICHELLE: “Glory be” is gonna make me have “The Night Chicago Died” in my head all day! :)

SEAN: We start off with Kodansha’s 14th volume of The Seven Deadly Sins, which is at least seven too many sins. Are they just repeating sins now?

For those going to TCAF, you may be aware that Rokudenashiko will be appearing and discussing her genitalia-related art. A manga-style memoir discussing the whole thing, called What is Obscenity?: The Story of a Good For Nothing Artist and her Pussy, will be out next week from Koyama Press.

ASH: It’s a serious topic and an important manga, but it’s also strikingly funny and charming. Highly recommended.

SEAN: And Jiro Taniguchi fans will be delighted to hear about the hardcover Guardians of the Louvre coming out from NBM Publishing.

ASH: Looking forward to reading this! I enjoy Taniguchi’s work, and it’s a part of the series that brought us Hirohiko Araki’s Rohan at the Louvre as well.

MICHELLE: Ooh, I had no idea about this.

MJ: Oh… yes!

SEAN: SubLime has a 5th volume of Love Stage!!.

Vertical has somehow reached double digits with What Did You Eat Yesterday’s 10th volume. That’s a lot of food.

ASH: And a delectable series.

MICHELLE: Yay! I treasure each new release of this series.

MJ: I’m so excited! I always want more of this series.

SEAN: Ranma 1/2 has a 14th omnibus, as we get to see Hinako fall for Soun Tendo, every Ryouga/Ukyou fan’s favorite story (they won’t enjoy the manga version), and Ryu Kumon, possibly the most sympathetic antagonist in all of Ranma.

And Requiem of the Rose King has a 4th volume, as I begin to wonder how closely we’ll be sticking to Shakespeare’s timeline. Is Henry VI not long for this world?

ASH: I still adore this series. The atmosphere! The drama!

MICHELLE: I’m enjoying this one, too.

MJ: I’m head-over-heels for this series! Figures, the first small week in ages, and it’s the one with the most for me!

ANNA: I agree, this is one of my current favorites!

SEAN: Are you going for the arty manga, or the more traditional fare? Or both?

ASH: I’ll apparently be picking up a copy of almost everything being released this week…

Manga Giveaway: Superhero Duo Winner

May 4, 2016 by Ash Brown

And the winner of the Superhero Duo manga giveaway is… Cody Kemp!

As the winner, Cody will be receiving a copy of Batmanga, Volume 1 by Jiro Kuwata as well as a copy of Ultraman, Volume 1 by Eiichi Shimizu and Tomohiro Shimoguchi, two superhero manga that were released relatively recently in English. I don’t really consider myself to be a huge fan of the superhero genre, but when I do finally get around to reading manga featuring superheros of one ilk or another, I generally do enjoy them. So, for this giveaway, I asked that participants tell me a little about some of their favorite superhero manga. For everyone’s detailed responses, be sure to check out the Superhero Duo giveaway comments. (The lesson learned from the responses? If you’re not already reading One-Punch Man, you should be!)

Some of the superhero manga available in English:
Apocalypse Zero by Takayuki Yamaguchi
Batmanga by Jiro Kuwata
Big Hero 6 by Haruki Ueno
Dead End by Shohei Manabe
Duklyon: Clamp School Defenders by CLAMP
Hero Heel by Makoto Tateno
Hero’s Are Extinct by Ryoji Hido
Heroman written by Stan Lee, illustrated by Tamon Ohta
Junk: Record of the Last Hero by Kia Asamiya
Lucifer and the Biscuit Hammer by Satoshi Mizukami
My Hero Academia by Kōhei Horikoshi
No. 5 by Taiyō Matsumoto
One-Punch Man written by One, illustrated by Yusuke Murata
Ratman by Sekihiko Inui
Tiger & Bunny by Mizuki Sakakibara
Tiger & Bunny: The Beginning by Tsutomu Ono
Tiger & Bunny: Comic Anthology edited by Asuka Henshubu
Tokyo ESP by Hajime Segawa
Ultimate Muscle: The Kinnikuman Legacy by Yudetamago
Ultraman by Eiichi Shimizu and Tomohiro Shimoguchi

Depending on your definition of “superhero,” the above list could be much longer (or much shorter, for that matter) but it’s probably not a bad place to start for someone interested in reading super-heroic manga. Thank you to everyone who participated in the giveaway and took the time to share your favorite superhero manga with me. Until next time!

My Week in Manga: April 25-May 1, 2016

May 2, 2016 by Ash Brown

My News and Reviews

April has come to a close and May has begun, but there’s still a little time left to enter April’s manga giveaway for a chance to win a duo of superhero manga: Jiro Kuwata’s Batmanga, Volume 1 and Eiichi Shimizu and Tomohiro Shimoguchi’s Ultraman, Volume 1. In addition to the manga giveaway, I also snuck in my review of Setona Mizushiro’s After School Nightmare, Volume 9 last week. It’s a particularly dramatic volume in the series with some major twists and reveals. I’m very curious to see how Mizushiro will bring things to a close in the tenth and final volume. The review was part of my monthly horror manga review project, and I just barely got it written and posted before April ended. I’ve been super busy and stressed out lately, which makes writing even more difficult for me than it usually is. There are plenty of great and wonderful things going on right now in my life, but sadly the busyness and stress probably isn’t going anywhere anytime soon.

Quick Takes

Fairy Tail: Ice Trail, Volume 1 by Yuusuke Shirato. There have recently been several manga spin-offs of Hiro Mashima’s series Fairy Tail released, but Ice Trail is the first that I’ve read. (For that matter, I’ll have to admit that I’ve not actually read most of Fairy Tail proper.) What primarily interested me in Ice Trail is that it serves as an origin story for Gray Fullbuster, one of Fairy Tail‘s most popular characters (as well as one of my personal favorites). Gray is a badass ice mage with a tragic past and the propensity for walking around without a shirt. Ice Trail shows Gray’s childhood in the brief time between when his home village was destroyed and when he joined the Fairy Tail guild. Despite the cuteness of seeing Gray as a kid, Ice Trail is very reminiscent of Fairy Tail in both style and tone. Apparently the series is only two volumes long, which may partially explain why the manga moves along at a break-neck pace with one action-packed battle after another. Ice Trail can mostly stand on its own, but will likely be most appreciated by readers who are already familiar with Gray and with Fairy Tail as a whole—though not absolutely necessary, that additional context can be helpful.

Kiss Him, Not Me!, Volume 2 by Junko. I do get a kick out of Kiss Him, Not Me! I was a little worried at first since the series’ plot essentially hinges on the heroine’s sudden and drastic weight loss to bring her to the romantic attention of four of the hottest guys at her school. However, the manga quickly moves on from that premise and I don’t think it was even referenced at all in the second volume. Instead, Kiss Him, Not Me! revels in its humor and the comedic situation of a fujoshi finding herself on the opposite side of her usual fantasies. Basically, Serinuma’s life has become an otome game in which numerous young men are vying for her favor. The second volume of Kiss Him, Not Me! primarily focuses on two events: the school festival, during which each of the guys has the opportunity to have a mini-date with Serinuma (with varying degrees of success), and the Winter Comiket, which they all attend together although Serinuma is by far the most enthusiastic about it. One of the things that I particularly appreciate about Kiss Him, Not Me! is that no one asks Serinuma to change who she is at heart—she still gets to be an otaku. The second volume also introduces a new character who greatly intrigues me.

A Silent Voice, Volumes 4-6 by Yoshitoki Oima. One of the manga to debut last year that I found to be particularly notable was Oima’s A Silent Voice and it continues to be a series that greatly impresses me. It’s not necessarily an especially happy read, though. The manga realistically portrays teenage angst compounded by issues of disability and bullying and explores the accompanying relationships which are extraordinarily messy and complicated. Emotional and physical violence takes its toll not only on the people who are being directly targeted, but also on the people who surround them. For better and for worse, the characters are all trying to deal with the repercussions of their past mistakes as best as they can, and even those who come across as antagonistic generally have their own problems they are working through. Just how deep a wound bullying can leave and how it can literally change a person’s life is more fully expressed in these volumes, and frankly it’s devastating. Thankfully, there are still moments of hope and redemption so A Silent Voice, while very serious and at times emotionally wrenching, never seems to become overwhelmingly bleak, but sometimes it does get close.

Pick of the Week: May Flowers

May 2, 2016 by Michelle Smith, Sean Gaffney, Anna N, Ash Brown and MJ Leave a Comment

MICHELLE: Regrettably, I’m not too excited about anything coming out next week. However, I am planning to check out the debut volume of The Heiress and Chauffeur, so I reckon I’ll make that my official pick this week.

SEAN: No question about it, Oresama Teacher is what has me excited this week. Its combination of hilarity, delinquency, and brainwashing (yes, really) has been a must read the last few volumes. Go get it.

ANNA: I also pick The Heiress and Chauffeur. I’m always curious about new shoujo, and the historical setting for this manga sounds appealing.

ASH: It’s a little bit of a cheat for me since my copy arrived last week and I already know how gorgeous it is, but my pick this week is for Takeshi Obata’s artbook blanc et noir. I’ve always enjoyed Obata’s artwork, so having an entire book devoted to it great and Viz has done a fantastic job with it.

MJ: Yes, yes, yes, I gotta go with Ash this week! I own Obata’s gorgeous Hikaru no Go artbook, and I’m incredibly excited about this new one. It’s blanc et noir for me!

After School Nightmare, Vol. 9

April 30, 2016 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617701
Released: November 2008
Original release: 2007

After School Nightmare is a ten-volume manga series by Setona Mizushiro. Darkly psychological with elements of horror as well as social commentary, After School Nightmare can at times be a deeply troubling and challenging read while still being engrossing and oddly compelling. I first started reading the series several years ago, but have only recently been able to bring myself to read beyond the first few volumes of the manga, largely because I did find it so disconcerting and hard-hitting. Granted, the dark, anxiety-ridden atmosphere which makes the After School Nightmare so intimidating to approach is also what makes the story particularly effective and is an aspect to the manga that I can appreciate. After School Nightmare, Volume 9 was first published in Japan in 2007. The English-language edition of the volume was released in 2008 by Go! Comi. Sadly, the entire series has now gone out of print and is becoming more difficult to find.

One by one the students participating in the special after school class which forces them to share their literal nightmares with one another are graduating and disappearing, leaving only a vague memory of their existence behind. Though at times vicious and cruel, the dreams are intended to allow the students to work through their personal traumas, crises, and fears so that they can let go and move on from their troubled pasts. However, the violence and turmoil they experience within the dreams frequently spills over into their waking lives and graduating doesn’t necessarily guarantee a peaceful resolution. Koichiro in particular has reached his breaking point. He is ruthless in his determination to graduate and leave his overbearing and abusive father behind along with his carefully crafted public persona. Triggered by outside events, the nightmare Koichiro brings down upon the other students as he tries to free himself turns into a shockingly brutal and bloody rampage, signalling the beginning of the end for himself and for those who still remain.

A few questions still remain, but for the most part Koichiro’s character arc is resolved in After School Nightmare, Volume 9. Like so many of the other characters’ stories, Koichiro’s is a tragic one and it is heartwrenching to see it play out. The culmination of his anger, pain, and suffering has a direct and devastating impact on the others, ending with a violent attack on Mashiro, the portrayal of which has blatant parallels to a sexual assault. Koichiro was at one point the most stable and seemingly well-adjusted character in the series, so to see such a drastic shift in his outward attitude and behavior is especially startling. He isn’t the only character to have significantly changed over the course of After School Nightmare, though. However, for some the process, while still being extraordinarily difficult, has ultimately been more positive. Just as the dreams have led Koichiro to abandon his self-restraint, they have also allowed Mashiro the freedom to begin to come to terms with his fluid gender identity and the fact that he may feel more comfortable as a girl. Compared to the beginning of the series, Mashiro has greatly matured.

After School Nightmare, Volume 9 has a fair number of major plot twists, surprising reveals, and crucial story developments, many of which call into question everything that has come before in the manga. Some of these things have been foreshadowed and are not entirely surprising but there is still some disorientation as they are revealed to be not quite what they initially seemed. Koichiro dominates the first few chapters of the ninth volume but from there the focus of the manga turns toward Sou as more of his backstory is explored. An explanation of a past that he has not entirely dealt with yet and that has been incredibly damaging both emotionally and psychologically is finally given. After School Nightmare was never a light series, but the ninth volume is a particularly heavy and dramatic one. Considering the very final scene which challenges many of the assumptions that I had made regarding the series, I am very curious to see where Mizushiro takes the story in the final volume. After School Nightmare has been a dark and twisting journey and I have no idea how it will end; I’m almost a little frightened to find out.

Manga the Week of 5/4

April 28, 2016 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: Let’s face it, there are no light weeks anymore. There’s 21 titles next week, and that’s our new normal. We just have to accept it, manga is popular again.

ASH: All right!

MICHELLE: Yay! Now, can we have back some of those series that disappeared in less prosperous times? Like Silver Diamond? Please?

MJ: I’ll second Michelle on this. :)

ANNA: Silver Diamond, Demon Sacred, I could go on!

SEAN: Dark Horse gives us a 5th volume of Oreimo: Kuroneko, showing that non-canon love interests are always more popular than canon ones, especially when they aren’t related.

Seven Seas gives us a 7th volume of underrated techno-thriller Arpeggio of Blue Steel.

Shomin Sample is a harem comedy based on a light novel, whose title I am abbreviating as it’s too long, and I think that says it all. Vol. 1 comes out from Seven Seas next week.

And there’s a second Testament of Sister New Devil, whose title I actually got wrong in my review of the first volume, it’s that hard for me to keep straight.

Vertical has a 2nd volume of Nichijou, whose first volume I was delighted to see was a big hit. Keep it up!

MICHELLE: I will soon be catching up on Nichijou!

SEAN: There’s a Takeshi Obata artbook coming out, blanc et noir, whose title is very e.e. cummings. MJwill, I’m sure, have more to say.

ASH: My copy arrived early, and it’s gorgeous. The volume includes a fair amount of art from Death Note, but also from Hikaru no Go and some of Obata’s other works, too.

MJ: I haven’t seen this, but you can bet I’ll be picking it up. Whatever I have thought about some of his collaborations, I’ve always loved his artwork. This is a must-buy.

SEAN: Relive those days when everything was Aizen with the 15th Bleach 3-in-1 omnibus.

Blue Exorcist also has a 15th volume, and finally wraps up the Izumo arc, I believe.

Dragon Ball Full Color adds Freeza Arc to its title, in case people had forgotten which edition they were re-re-re-rebuying.

The Heiress and the Chauffeur is Viz’s debut this month, and give it’s a LaLa DX series I am contractually obligated to love it. It’s also only 2 volumes, so not a huge investment. Also, Taisho era!

MICHELLE: I’m looking forward to this one, though preemptively sad that it’s so short.

MJ: Same here!

ANNA: Not surprisingly I am too!

SEAN: JoJo’s Bizarre Adventure has been given the go-ahead for hardcovers of the previously released 3rd arc, which is great news. First though, it’s back to Joseph for the 3rd volume of Battle Tendency.

ASH: I’ve really been enjoying these releases. I hope Viz will pick up the later arcs, too!

ANNA: I need to get caught up!

SEAN: Kimi ni Todoke has seemingly finished with its Ayane angst, and so I suspect the 24th volume will give a bit more focus to the other two major couples.

With its 4th volume of omnibuses, Maid-sama! has finally caught up with the Tokyopop releases, and so will feature all new material next time.

MICHELLE: As problematic as this series is, I still wanna see what happens in the volumes we never saw before. Hey, you know what else could get rescued as a 2-in-1 omnibus? Silver Diamond!

MJ: Heh.

SEAN: My Hero Academia 4 has more to tell us about superheroes.

The new Naruto novel is technically called Sakura’s Story, but I’ve heard that Sakura fans are going to be disappointed. Still, it’s Naruto, you have to get all 6 novels to complete the set.

Nisekoi has reached 15 volumes, and it’s still trying to balance its high-wire harem act.

One Piece. 78 volumes. Still in Dressrosa.

One-Punch Man is at its 6th volume. Sadly, this volume has no punching… I kid. There’s always punching.

ASH: I’m still greatly enjoying One-Punch Man.

MICHELLE: I am starting to feel like maybe I would like this.

MJ: You would.

ANNA: I feel like One-Punch Man should be universally beloved.

SEAN: Oresama Teacher reached the big 2-0! Have we learned all of Hayasaka’s secrets? And what of poor, neglected Super Bun?

ANNA: Where is Super Bun? The world wants to know!!!

SEAN: And World Trigger is up to double digits, increasing exponentially the likelihood that I will never succeed in catching up to it.

Lastly, Yu-Gi-Oh has a 6th 3-in-1. Collect ‘em all!

Which of these manga titles makes you cry out in ecstasy and rapture?

Manga Giveaway: Superhero Duo (Batmanga and Ultraman)

April 27, 2016 by Ash Brown

The end of the month once more draws near which means it’s once more time for a manga giveaway at Experiments in Manga! For this month’s giveaway you all have the chance to win not one, but two manga of the superheroic nature, a mix of the old and the new as well as the East and the West: Batmanga, Volume 1 by Jiro Kuwata from DC Comics and Ultraman, Volume 1 by Eiichi Shimizu and Tomohiro Shimoguchi from Viz Media. And, as always, the giveaway is open worldwide, too!

It’s a little strange: I would never really go out of my way to describe myself as a fan of superhero comics, nor is it a genre that I specifically seek out. And yet, when I do end up reading about superheroes, I often find that I enjoy myself. Over the last few years, manga featuring superheros seem to have become increasingly common in English, whether it’s a classic like Jiro Kuwata’s Batmanga inspired by American comics or a modern take on a well-established Japanese franchise like Eiichi Shimizu and Tomohiro Shimoguchi’s Ultraman. Some superhero manga are fairly serious, but there have been quite a few with a comedic bent of late as well, such as One-Punch Man by One and Yusuke Murata and My Hero Academia by Kohei Horikoshi. And I have to admit, I’ve enjoyed them all.

So, you may be wondering, how can you win a duo of superhero manga?

1) In the comments below, tell me a little about one of your favorite manga featuring superheroes and why you like it. (If you don’t have a favorite, or haven’t read any superhero manga, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Everyone participating in the giveaway can earn up to two entries and has one week to submit comments. If preferred or needed, entries can also be emailed to me directly at phoenixterran(at)gmail(dot)com. Those comments will then be posted here in your name. The winner of the giveaway will be randomly selected and announced on May 4, 2016. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Superhero Duo Winner

Pick of the Week: Fond Farewells

April 25, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Sorry, Planetes. Sorry, Sidonia. Sorry, Emma. Sorry, Horimiya. You’re all awesome. But my pick of the week has to be the 36th and final volume of The Wallflower. Through the years of the changeover from Del Rey, to the occasional tired pawing at character development, through the author’s complete and utter inability to write romance, I have supported you. I salute you, comedy shoujo manga that ran far too long.

MICHELLE: Similarly, I am offering apologies to Horimiya this week (and Yowamushi Pedal, too) and going with a series finale for my pick of the week, though in my case I’m going with Knights of Sidonia. Delightfully weird and worrying, this has been a fantastic series, and I hope the conclusion is a satisfying one, even as I wish it weren’t ending at all.

ASH: Wow, there are so many wonderful releases to choose from this week! I’m certainly looking forward to reading more of Yowamushi Pedal and finishing Knights of Sidonia, and I’m thrilled that Emma is being released again, but this is the last time that I can choose Planetes. I’m so happy to see the series back in print in an edition that’s worth upgrading to, so that’s my pick for the week!

ANNA: It is rare that there are so many great titles being released at the same time! I’m going to pick Emma, just because I feel like highlighting a great reprint project! I’m happy that this is back in print again!

MJ: So much to choose from! I’m so torn here, as I’mm excited for Emma, Yowamushi Pedal, *and* Horimiya, but in the end I think I must go with Knights of Sidonia, which has been a deep and longstanding love for me, the end of which I will surely mourn.

My Week in Manga: April 18-April 24, 2016

April 25, 2016 by Ash Brown

My News and Reviews

As I recently mentioned, for a while here I’ll be down to one review a week or so at Experiments in Manga. And so, last week’s review was of The Inugami Clan by Seishi Yokomizo, a popular Japanese murder mystery from the early 1950s that has sadly gone out of print in English. Currently, the novel is the only work by Yokomizo that has been translated, but I enjoyed it a great deal. It vaguely reminded me a bit of Edogawa Rampo’s work, which I don’t at all consider to be a bad thing.

Elsewhere online: YALSA’s 2016 Great Graphic Novels for Teen was recently announced, which includes a fair number of manga, as were the 2016 Eisner Award Nominees. Forbes interviewed Yoshiki Tanaka, the author of The Legend of the Galactic Heroes (a series I hope to find time to actually read sooner rather than later). At du9, Adrian Tomine was interviewed about editing Yoshihiro Tatsumi’s manga for Drawn & Quarterly. And in licensing news, Dark Horse will be releasing Ontama’s Hatsune Miku: Mikubon.

Quick Takes

Forget Me Not, Volume 1 written by Mag Hsu and illustrated by Nao Emoto. I knew very little about Forget Me Not before reading the first volume. In fact, I didn’t even recall that it had been licensed until the release was in my hands. Forget Me Not is about Yusuke Serizawa, a young man who seems to have terrible luck when it comes to romance, but it’s the sort of bad luck that he’s partly responsible for. The first volume alone features his attempts at three different relationships with three different loves that he had between middle school and high school. Most of them have their sweet moments, but there are also moments that Serizawa will intensely regret for years. He blames himself for the relationships ending in ruin, and in some cases rightly so. The reason that Forget Me Not focuses on Serizawa’s past and the women in it is that one of them recently helped to save his life after he was in a motorcycle accident. Except that he isn’t sure exactly who it is. He’d like to meet her, but he’s also certain that whoever it is he’s done her some great harm, which may explain why it seems like she’s toying with him by keeping her identity secret.

Snackies by Nick Sumida. I had a fairly good idea that I would enjoy Snackies, but I don’t think I anticipated just how much I would end up enjoying it. Snackies is a slim volume containing short comics which are at least semi-autobiographically inspired. Many of the comics stand on their own or aren’t necessarily connected to one another, but others are part of short series which become increasingly ridiculous and bizarre, such as the set of comics in which Sumida spies fellow passengers on mass transit who initially seem attractive, but who then turn out to have a really bad haircut or just so happen to be an alien that would aesthetically belong in something like Parasyte. And then there are the comics that seem to come completely out of nowhere. Though at times fairly cynical, playing on the angst and self-deprecation of a young artist, Snackies is very funny. It also has a queer bent to it which I especially enjoyed and appreciated. Snackies doesn’t take long to read, but it gives enough of a taste that I hope to see more of Sumida’s work in the future.

Tramps Like Us, Volumes 1-5 by Yayoi Ogawa. I’ve been meaning to read Tramps Like Us for quite some time. It really is a shame that it took me so long to get around to it, because so far I’m absolutely loving the manga. Sumire is highly accomplished, attractive, and well-educated career woman, which unfortunately intimidates her fiancé who feels inadequate in comparison and leaves her for someone else. As a result, Sumire is determined to only date men who are paid more, are better educated, and are taller than she is. Around the same time, Sumire gains a “pet,” a homeless twenty-something ballet dancer that she takes in off of the street and calls Momo. Sumire’s peculiar but earnest relationship with Momo is marvelous. Though they have their disagreements and their communication isn’t always the best, both of them find great comfort in the other. He’s the only person she feels truly at ease with. But then Sumire is reunited with an old flame who she still loves and who happens to meet all of her dating requirements, but their relationship is strained. It’s a strange sort of set up and love-triangle, but all of the varied emotions are convincingly real.

Manga the Week of 4/27

April 21, 2016 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Soooo much manga. Scary… manga is scary.

MICHELLE: Holy cow. You aren’t kidding!

SEAN: Dark Horse has the 2nd and final Planetes omnibus, and if you haven’t read this series yet I urge you all to do so. It is a treat.

ASH: So glad to see the entire series back in print!

ANNA: Agreed, this is a special series that deserves to be in print.

SEAN: DMP has a rare print release with the third volume of I’ve Seen It All.

ASH: The first two volumes were ridiculous in a good sort of way, so I’ll be picking this one up, too.

SEAN: Kodansha has a large number of things out next week. The Fairy Tail spinoff Fairy Girls has a second volume.

And the giant omnibus Fairy Tail Master’s Edition sees a giant Volume 2.

Genshiken 2nd Season’s 8th volume continues to focus on who Madarame will pick from the harem he’s picked up. Knowing Madarame, the answer is likely to be “none”, but we shall see.

ASH: I was always rather fond of Madarame.

SEAN: And a 2nd volume of magical harem series Maga-Tsuki.

Missions of Love is up to 12 volumes, and the author is ready to introduce yet another unlikeable character who will get in the way of our unlikeable leads. (Just the way we like it, I hasten to add.)

ASH: Yup!

SEAN: It’s the final, 36th volume of The Wallflower! “Final” and “The Wallflower” are words I never thought I’d write, but here we are. Will it resolve the romance? I highly doubt it. Will it be funny? Far more likely.

ANNA: Wow, this was a loooong series. I enjoyed the fist few volumes but did not have the stamina to continue reading.

SEAN: Your Lie in April has a 7th volume. Is it tragic yet, or still cute and romantic?

ASH: It can be both!

SEAN: Seven Seas gives us an 8th volume of D-Frag!, which will never be tragic or romantic, and barely manages cute, but it’s still hilarious.

You may recall that Haven’t You Heard? I’m Sakamoto 3 has been on this list before. The dangers of last-minute release date shuffles. Well, it’s still worth getting.

ASH: That it is. Hopefully the recent anime will give this series a boost.

SEAN: The same cannot really be said for Pandora in the Crimson Shell: Ghost Urn’s 4th volume, though it is a step above some of the other boob-obsessed titles out at the moment. But only a small step.

Vertical gives us a 15th volume of Knights of Sidonia, and as always I just hope some of the cast survives.

MICHELLE: I believe this is the final volume, as well, which seems too soon. I am anxiously awaiting this one and will have to resist the strong urge to flip to the end.

MJ: Oh, Knights of Sidonia, I love you so.

SEAN: There are two new Yen Digital debuts, but before we get to those, there’s new volumes for Aoharu x Machinegun (which gets print soon), Black Detective, Corpse Princess, Saki, and Unknown, as well as the digital debut of The Devil Is a Part-Timer! and its High School!! spinoff. I need to catch up on Saki.

ASH: Saki!

MJ: I need to catch up as well!

SEAN: As for the debuts, we have the first volume of Grim Reaper and Four Girlfriends, about a weak, shoujo-manga loving guy who has to stop being such a loser of he’ll be killed, so he asks out four girls all at once, assuming they’ll all reject him. The trouble starts when they all say yes. Harem antics ensue. This ran in Gangan Joker.

Little Witch’s Collier (not collar, for some reason) is a GFantasy series that I don’t know much about, but I’m hoping that one of the GFantasy fans of Manga Bookshelf can take a look and tell me.

Yen Press also has its regular old pile of releases. Akame Ga Kill! chugs along with Vol. 6.

And Barakamon has reached double digits with its 10th volume. Soon it will pass Yotsuba&!.

A Certain Magical Index manga volume 5 adapts Novel Volume 5, as it decided to skip Angel Fall entirely.

Emma’s fourth omnibus actually brings to an end the main storyline, but don’t worry, we get enough epilogues and side stories for a whole other omnibus after this.

ASH: Thrilled to see this series back in print, too! Yen Press has done a beautiful job with the new edition.

ANNA: Yay!

MJ: This has been such a wonderful release for me, as I missed it the first time around. As Ash said, beautiful editions!

SEAN: Final Fantasy Type-0 Side Story 4 Part A, Second Shift, Behind the Bike-Sheds: A New Beginning.

I’ve dropped First Love Monster as being a bit too creepy for my taste, but for those who have not, the 4th volume is here.

Handa-kun, Barakamon’s prequel, gets a 2nd volume.

High School DxD has somehow reached Volume 8. Has anyone fallen into a girl’s breasts yet? I bet they have.

MICHELLE: Probably multiple times.

SEAN: I’ve enjoyed Horimiya immensely, so its third volume is near the top of my list.

MICHELLE: Same here!

ASH: Horimiya was a wonderfully pleasant surprise!

ANNA: I feel like I’m missing out!

MICHELLE: In this case, I would say that, yes, literally you are missing out. As a fellow shoujo lover, even though this is not technically shoujo, I am very confident you would love it. If you jump on the bandwagon now, getting caught up won’t seem so daunting! :)

ANNA: Sounds good, I will adjust my manga buying budget accordingly!

MJ: I missed volume two, and much catch up!

SEAN: The first How to Raise a Boring Girlfriend seemed to hit a bit too much on the ‘boring’ for my tastes, but we’ll see how it improves in its second volume.

Kagerou Daze gives us a 5th volume of time loops and social misfits.

In case you wished Log Horizon had more harem antics, here’s more of The West Wind Brigade. Though honestly the first volume was quite good.

Servant x Service is getting a print release, having been out digital for a while. It’s an omnibus, which gets it out faster, but can be exhausting for a gag manga title like this. I recommend reading in bits.

So I Can’t Play H! will no doubt compete with High School DxD for harem cliches in its 5th volume.

Sword Art Online has a 2nd volume in its Phantom Bullet adaptation.

Taboo Tattoo also gets a second volume, though I’ll be honest, I never made it through the first.

Lastly, we get a 2nd Yowamushi Pedal omnibus, for more HOT BIKING ACTION!

MICHELLE: Yaaaay!

ASH: Woohoo!

ANNA: Ack, another title I need to read!

MJ: Yes!

SEAN: April is showering us with manga. What’re you getting?

The Inugami Clan

April 21, 2016 by Ash Brown

Author: Seishi Yokomizo
Translator: Yumiko Yamazaki
U.S. publisher: ICG Muse
ISBN: 9784925080767
Released: July 2003
Original release: 1951

The Inugami Clan is one of Seishi Yokomizo’s most well-known works and is currently the only novel by the popular and prolific author of mystery and detective fiction to have been translated into English. Yokomizo completed The Inugami Clan in 1951. Yumiko Yamazaki’s English translation was published twice—first by ICG Muse 2003 and then again by Stone Bridge Press in 2007—but sadly both editions have since gone out of print. The Inugami Clan is one of many stories by Yokomizo which features the eccentric private investigator Kosuke Kindaichi, perhaps the author’s most notable, popular, and memorable character. (It’s interesting to note that the manga series Kindaichi Case Files is in part inspired by Yokomizo’s detective Kindaichi.) Like a number of Yokomizo’s other works, The Inugami Clan served as the basis for a live-action adaptation—director Kon Ichikawa’s award-winning film The Inugamis was released in 1976 and then remade again in 2006.

Sahei Inugami began his life as a poor and homeless orphan. He drifted from place to place until, at the age of seventeen, he was taken in by Daini Nonomiya, a Shinto priest at a shrine near Lake Nasu, and his wife. But by the end of his life, Sahei had become a wealthy and respected businessman, as well as the head of a dysfunctional family with very little love lost among its members. Sahei died in the mid-1940s, leaving behind a last will and testament that triggered a series of ghastly murders. One after another, people closely associated with Sahei began dying and the number of his potential heirs dwindled. Because of the strange and stained circumstances surrounding Sahei’s demise a private detective, Kosuke Kindaichi, was called to Nasu to investigate. However, his presence does little to stop the unfolding calamity until he delves more deeply into the closely kept secrets and hidden pasts of Sahei and the rest of the Inugamis.

I found The Inugami Clan to be an extraordinarily satisfying mystery. From the very beginning of the novel, Yokomizo provides the hints and clues needed to solve case, giving readers the opportunity to come to their own conclusions should they choose. There are many surprises as the story twists and turns, but everything falls beautifully into place by the end in a way that, although unexpected and arguably unbelievable, feels natural rather than forced. The already troubled relationships among the various members of the Inugami family along with the execution of Sahei’s peculiar will present numerous scenarios in which any one of the Inugamis could have a convincing motive to carry out the murders as well as the opportunity to act upon their ill intentions. Coincidences and deliberate actions come together to form a deadly situation where very few of the Inugamis can claim to be completely innocent. And so it is left to Kindaichi, and by proxy the reader, to piece together the facts and untangle an elaborate knot of passion, loyalty, and betrayal in order to deduce the culprit’s identity.

The Inugami Clan works so well as a novel and as a mystery because of Yokomizo’s close attention to the intricacies and complexities of human and familial relationships—people don’t always behave logically or act rationally when the lives and happiness of the ones who they love are at stake. As Kindaichi investigates the Inugami family and the murders it is revealed that everything that has happened can ultimately be traced back to the homosexual relationship rumored to have existed between Sahei and Daini; their closeness and intimacy has grave, unintended consequences decades later. A subtle thread of eroticism pervades The Inugami Clan, love and sexuality being a key part of the plot without necessarily being obvious. That combined with the dramatic scandals and dysfunction of the Inugamis as well as the bizarre and grotesque nature of the murders makes The Ingumai Clan both thrilling and engaging if at times somewhat outrageous. However, the novel’s popularity is completely understandable; I only wish that more of Yokomizo’s work would be translated.

My Week in Manga: April 11-April 17, 2016

April 18, 2016 by Ash Brown

My News and Reviews

As I alluded to a few months ago, I’ve been in the process of trying to purchase a house. Well, I finally made it happen! I signed all of the papers on Friday, so for the foreseeable I’m going to be a little preoccupied getting things ready and moving over to the new place. It’s all sorts of exciting, but it does mean I’ll have significantly less time to devote to other things for a while. And so, I’m back to a reduced posting schedule at Experiments in Manga for the time being. Expect to continue to regularly see My Week in Manga, but there will probably only be one other review or feature most weeks. That all being said, last week I reviewed the recently released Midnight Stranger, Volume 1, a supernatural boys’ love manga with a sense of humor (as well as some pretty great monster designs) by Bohra Naono. I haven’t seen a lot of manga news over the last week, although I’m sure there has been some, but I did want to mention that Viz Media has licensed Kohske and Syuhei Kamo’s Gangsta: Cursed, a prequel series to Gangsta (a manga of which I’m particularly fond.)

Quick Takes

Itazura na Kiss, Volumes 7-8 by Kaoru Tada. It’s been a little while since I’ve read any of Itazura na Kiss, but it’s a pretty easy series to put down and pick up again since nothing of major importance really ever seems to change all that much. I have been enjoying the series, but I’m starting to long for a little more forward momentum and the characters are beginning to wear me down a little. At the same time, while the overall pacing is fairly slow, Tada is expert in changing and moving the story along just enough to keep things interesting. Kotoko and Naoki are now newlyweds, but otherwise their relationship is pretty par for the course. Kotoko is utterly infatuated with Naoki, and Naoki continues to be fairly cold towards her. Thankfully, Kotoko is (slowly) beginning to mature and determine for herself what it is she really wants to do with her life. It can be difficult to tell at times, but Naoki really does love Kotoko and cares for her well-being, he just tends to be a total ass about it which can be tiresome. Granted, it does make it particularly satisfying when he ends up being thrown out of his comfort zone.

The Judged by Akira Honma. Having greatly enjoyed the first two volumes of Honma’s Rabbit Man, Tiger Man boys’ love series, and considering the fact that the third and final volume is unlikely to ever be released in English, I decided to seek out the creator’s other works in translation. I didn’t realize it until I finished reading manga, but The Judged was actually Honma’s first volume to be released as a professional mangaka. The titular story is about a prosecuting investigator and member of the Diet who are navigating a political scandal, while their shared past makes things even more complicated. The Judged also includes Honma’s debut manga “Like a White Phantom” about an initially antagonistic relationship between two young doctors. For the most part, the focus of The Judged is more on the drama and less on the romance. The manga tends to be fairly serious and the relationships aren’t necessarily the most healthy. They’re not always particularly happy relationships, either. Many of the characters have some pretty heavy personal issues do deal with, including physical and emotional abuse.

Persona Q: Shadow of the Labyrinth, Side: P3, Volume 1 by So Tobita. The Persona series is perhaps the most popular subset of the larger Shin Megami Tensei video game franchise. Persona Q is a relatively recent spinoff from 2014 made for the Nintendo 3DS which combines characters from Persona 3 and Persona 4—a player can choose to experience the game from either perspective. Likewise, a reader can choose from either the Side: P3 or Side: P4 manga adaptation which present two different sides of the same story. When it comes to manga adaptations of video games, there seem to be two major types, those that are accessible to anyone and those that are intended to be appreciated by fans of the original. So far, the Side P3 manga would seem to be one of the latter, requiring some prior knowledge of the franchise to fully enjoy the series. Very little is explained about the world or the characters in the manga itself. But for those who are familiar with Persona, the Side: P3 manga can be a fun way to quickly experience or re-experience the story and game of Persona Q, though I’m not sure that it really adds anything new.

Manga the Week of 4/20

April 14, 2016 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 1 Comment

SEAN: There’s a lot of variety out next week. Something from almost every major publisher.

Kodansha gives us a fourth volume of L♥DK, everyone’s favorite “what is this thing you call consent?” shoujo romance.

MICHELLE: *snerk*

SEAN: And Noragami’s monthly release schedule chugs along with lucky Vol. 13.

Also reaching Vol. 13 is Say “I Love You”, which was introduced at the same time as My Little Monster but has zoomed past it, moving on to new volumes and new complications.

MICHELLE: I’m glad that one of them at least is still going to be around a while!

ANNA: So far behind on this, I feel guilty.

SEAN: And there’s the penultimate 6th volume of A Silent Voice, which ended with a hell of a cliffhanger last time, so I’m expecting some very good resolution from it.

ASH: I’m a few volumes behind, but this is such a great series.

SEAN: One Peace has the 2nd volume of the manga adaptation of Rise of the Shield Hero (they call it a “manga companion”, but I think it’s just a standard adaptation of the light novel).

ASH: I’m pretty sure you’re correct.

SEAN: Seven Seas has enjoyed giving us some bleak horror lately, and for those who love it, here’s a 7th Magical Girl Apocalypse.

I was surprised by how much I enjoyed the first volume of My Monster Secret, and so look forward to the second.

Vertical debuts a one-shot called The Gods Lie, which they are touting as a sports manga license. I suspect their tongue is firmly in their cheek, but either way it will be worth your time.

MICHELLE: I’m looking forward to reading this one.

ASH: As am I! I loved Immortal Rain, so I’m glad to see more of Ozaki’s work being released in English.

MICHELLE: Oh, I hadn’t made that connection! Awesome!

ANNA: What!!!! I have the first two volumes of Immortal Rain and am sad I didn’t pick up the whole series when it was in print. This is now in my Amazon cart!

MJ: Oh, this is exciting!

SEAN: And there’s a 4th Ninja Slayer volume. Are there ninjas? Will they slay? Read on to find out!

Who’s the cool seinen manga that’s got all the indie comic artists raving? Dorohedoro? Damn right. Vol. 18 drops next week.

ASH: Yeah!

SEAN: There’s also an 8th volume of the Perfect Edition of Monster.

And a 6th Tokyo Ghoul, which everyone loves but which I am strangely indifferent to.

MJ: If it makes you feel better, I haven’t gotten into it, either.

SEAN: Yen, meanwhile, is releasing its light novels a week before its other stuff, which is nice of them. That means we get a 3rd volume of Black Bullet, with its loli killers.

There’s a 4th volume of “what if Satan worked at McDonald’s” favorite The Devil Is A Part-Timer!. And if you like digital titles (as I do), Vols. 1-4 will be available digitally next week as well.

The Irregular at Magic High School finally debuts, and it’s apparently one of the most polarizing titles in Western anime fandom. I’ve heard it called “Batman at Hogwarts”, myself. Also, is the term Mary Sue – or in this case Gary Stu – even relevant anymore?

And there’s a 5th volume of Is It Wrong To Try To Pick Up Girls In A Dungeon?, and its title continues to be the worst thing about it – I am eager for more.

Spice & Wolf comes to an end with its 17th novel, proving that you can combine cute wolf girls and economic theory if you try.

ASH: I stopped reading about half-way through, but I am glad to see that Yen was able to publish the entire series.

SEAN: Lastly, the 7th Sword Art Online novel, Mother’s Rosary, is widely considered one of its best, possibly as Kirito plays only a minor role. Asuna fans should be very happy.

MJ: I’m down for this.

SEAN: Which titles make your pure maiden’s heart tremble?

Midnight Stranger, Vol. 1

April 14, 2016 by Ash Brown

Creator: Bohra Naono
U.S. publisher: Viz Media
ISBN: 9781421579689
Released: April 2016
Original release: 2013

Midnight Stranger is the third boys’ love manga and the first series by Bohra Naono to be released in English. Naono’s first manga to be translated was Yokai’s Hunger which was initially released in print by Media Blasters but is now available digitally through Sublime Manga, the boys’ love line associated with Viz Media. Sublime also released Naono’s second manga in translation, Three Wolves Mountain, which along with Norikazu Akira’s Honey Darling was actually one of the publishers’ debut titles. Midnight Stranger is a short, two-volume series, the first of which was published in Japan in 2013. In English, Midnight Stranger, Volume 1 was released by Sublime in 2016. Like Naono’s other translated manga, Midnight Stranger has strong supernatural elements which can be fun but rather peculiar, a fair amount of comedy, and Naono’s penchant for older men. I’ve enjoyed Naono’s work in the past, so I was very glad to have the opportunity to receive a copy of the first volume of Midnight Stranger for review.

Midnight Stranger, Volume 1 contains two major storylines which aren’t directly related to each other but which could conceivably take place in the same setting. The volume opens with the titular “Midnight Stranger” and its followup chapter “Love-Hate” which are about Roitschaggata, a minor goat spirit, and Xiuhtecuhtli, an old and powerful god of fire. (The two are also the focus of the volume’s bonus chapter, “The Point of a Day Off.”) Centuries ago, due to the ugliness of his original form, Roi was mistaken for a monster rather than the benevolent spirit of healing that he is. He was nearly burned alive by a mob of humans, but was saved and granted more appealing looks by Xiu. The two of them now live together in modern-day Japan—Roi utterly devoted to his god, and Xiu oddly fond and possessive of his adoring servant. The second storyline collected in Midnight Stranger, and the basis for the four-panel comics included at the volume’s end, is “Hollow Romance,” a manga about a seemingly innocent young man named Takara Mori who is both more and less than he seems and the literal demons surrounding him.

Although I’ve somewhat come to expect it from Naono’s manga, the supernatural aspects of Midnight Stranger are all over the place and the worldbuilding isn’t necessarily cohesive. Xiu is based on an Aztec deity, Roi I believe is inspired by Swiss traditions, “Hollow Romance” incorporates Nordic legends, and there is a variety of other mythological beings present in the manga as well. It’s never really explicitly explained why all of these deities, demons, spirits, and legends from vastly different cultures and geographies are interacting with one another, but clearly in Midnight Stranger gods and beliefs aren’t restricted by countries or borders. The unexpected combinations, while seemingly haphazard, can be surprisingly entertaining, though. But while Naono has taken inspiration from multiples sources, which is something that I enjoy about her work, her interpretations are very much her own and frequently very little of the original tales remain. Xiu, for example, retains his name and has an appropriately fiery temper and flashy personality, but otherwise his connection to Mesoamerica is largely nonexistent.

Humor is also prominent in Midnight Stranger, though in tone the manga does shift between comedic and ominous. Granted, there is plenty to find amusing or ridiculous in Midnight Stranger, such as Xiu making his living in the mortal world as an idol or Roi gaining a young boy he cured as a best friend and confidant. Roi is actually the source of quite a bit of the humor in Midnight Stranger. He has a complex about his appearance, not realizing how adorable his new goat form is or how attractive he is as a human. He’s also apparently a little slow in recognizing that Xiu has feelings for him—readers aren’t privy to the hundreds of years of the extremely tedious evolution of their relationship, just the time period in which Roi finally figures it out and the heated sex that follows. Whereas Roi and Xiu’s story becomes more comedic as it progresses, Naono takes the opposite approach with “Hollow Romance” which becomes increasingly darker and grotesque, all while still maintaining a sense of humor. I particularly liked “Hollow Romance,” but I am curious to see what lies in store for Roi and Xiu in the next volume of Midnight Stranger.

Thank you to Viz Media for providing a copy of Midnight Stranger, Volume 1 for review.