Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Anna N

Manga the Week of 7/31

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SEAN: It’s the dreaded 5th week of the month, but there’s more to find here than usual, with a couple of really tasty manga treats, particularly if you like old-school manga.

Dark Horse has the 28th volume of Gantz. I’m not certain if they’re still all wearing shiny leather catsuits. I have to assume they are. Sadly, this series is still not Hen or HEN, two series (yes, they are separate, though connected) by the same author that I would rather see licensed over here.

MICHELLE: Do they involve chickens? (Please say yes.)

henSEAN: Nope. Hen involves a straight high school boy falling in love with another boy, and trying to convince himself that his love is a girl who’s just trapped in a boy’s body. HEN is essentially the same, only the lead is a girl falling for another girl (this version got an anime). They’re both more interesting than they sound. (Hen means ‘strange’ in Japanese.)

MJ: Is it awful that I’m more excited about this Hen/HEN discussion than I am about the actual items on this week’s list?

MICHELLE: So am I. Gender-complicated romance trumps shounen fighting sagas.

MJ: Amen.

MICHELLE: Even if there are no chickens.

MJ: Even then.

SEAN: I also note that both Hen and HEN ran in Young Jump (which explains much of the fanservice scattered throughout both titles). So they’re not just seinen gay manga, but MANLY seinen gay manga. :) (They also take place in the same ‘universe’, and intertwine slightly.)

I found out about HEN from Erica, who has the series in Japanese.

MJ: I feel somehow that this week’s featured image should be Hen. Or HEN. One of the two. :D No?

SEAN: Sadly, it would require Viz to license the series (or sublicense it to Dark Horse, but honestly Gantz is more their style), which I doubt will happen unless the market changes a lot more than it has to date. This is late 80s-mid 90s stuff, let’s remember. :)

MJ: Oh, well. *sniff*

SEAN: Kodansha Comics has a new Fairy Tail, also a Vol. 28. Still speeding up, though if you have a digital option, you can get up to Vol. 33 now, I believe. I believe that fights are still happening.

MICHELLE: That is a good bet.

mohicansSEAN: Picturebox debut their new line of ’10-cent manga’, which seems to pick up various influential old-school titles, Yes, Tezuka is coming in the fall, but first we have Shigeru Sugiura, who was almost as influential but is criminally underrepresented outside Japan. His Last of the Mohicans came out in 1953, though I believe this hardcover release is from his 1970s redraw/touch-up of that. This is not a straight-up adaptation, though. Surreal is the word of the day. Highly anticipated.

MICHELLE: Huh. Interesting.

MJ: I’m definitely interested in this, though with the slightest concern over my ability to fully appreciate it. But I have high hopes!

ANNA: This sounds off the beaten path and very interesting. I’m always glad when something unconventional gets released, and old-school manga is something that we’ve not seen as much of over here as I would like.

SEAN: And in case you really wanted Tezuka, Vertical has the sequel to Princess Knight, Twin Knights. This came out in 1958, 5 years before the Princess Knight we saw over here, which was a redone version of the original Princess Knight from 1954, of which this is a direct sequel. If that made sense to you, congratulations, you are a Tezuka fanboy. This should be light, frothy adventure fun.

MICHELLE: Maybe it will be missing the elements of Princess Knight that kinda made me mad.

MJ: I’m hoping so. A lot.

ANNA: Looking forward to this!

SEAN: Lastly, Yen releases another in their series of Kingdom Hearts releases, this one an omnibus repackaging of Kingdom Hearts II. This is a full-on shonen adventure, which ran in Square Enix’s main magazine, Gangan. The only odd thing about it is Donald Duck and Goofy’s presence, really. Otherwise this could be Fairy Tail or Soul Eater.

MICHELLE: I regret to say that I could not possibly care less about Kingdom Hearts.

MJ: I probably could, but not a lot less.

SEAN: Are these titles too old-school for you? Or not old enough? Or do you want HEN as well? (No, it’s still not licensed – that image above is from the French release.)

Bookshelf Briefs 7/22/13

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This week, Michelle, Anna, & Sean look at recent releases from Viz Media, Last Gasp, Kodansha Comics, & Vertical, Inc.

kamisama13Kamisama Kiss, Vol. 13 | By Julietta Suzuki | Viz Media – This volume concludes the storyline where Nanami and her companions visit Himemiko’s erstwhile fiance Nishiki for their wedding, even though Himemiko is still in love with her human boyfriend Kotaro. Nishiki has gradually been changed by Nanami’s presence and his growing awareness of other people’s emotions. Nanami sees Kotaro and Himemiko’s relationship progress in a way that gives her hope for her feelings towards Tomoe, but everything is derailed a little bit when a toad spirit possesses her body. Nanami’s possessed form is unusually cheerful and doll-like, and Nanami as an amphibian is comically dispirited. Kamisama Kiss is always delightful and this volume is no exception! – Anna N.

knights3Knights of Sidonia, Vol. 3 | By Tsutomu Nihei | Vertical, Inc. – Man, Knights of Sidonia is so good, I think I could happily read, oh, 25 volumes in a row. Plus, compared to Nihei’s enigmatic (to put it mildly) BLAME!, we’re actually getting quite a few answers already. True, new mysteries are cropping up all the time, including the rapid evolution of the enemy gauna that sees them creating a replica of one of Tanikaze’s fallen comrades, but the final chapters, in which readers learn the truth of Tanikaze’s origins, are incredibly rewarding. I’m honestly surprised that this information was revealed so quickly and coherently. About the only thing I could wish for from this series would be more “life on the Sidonia” segments. The battles are fascinating, but I’d like to see more of the characters off-duty. There’s a little of that here, and it’s neat, but more, please! – Michelle Smith

pelu2Little Fluffy Gigolo PELU, Vol. 2 | By Junko Mizuno | Last Gasp – Delightfully strange. Wonderfully absurd. If either of these descriptive phrases appeals to you, then you might enjoy Junko Mizuno’s Little Fluffy Gigolo PELU. In this volume, Pelu (an alien fluffball who has come to Earth in search of a bride to have his baby) pines for an enigmatic “soap girl” from afar, is duped by a sentient crocheted puppet, competes for yakiniku on a gameshow, becomes a sex slave and unwitting porn star, nearly runs off with a broken-hearted kappa girl, and meets his niece, who has an adventure of her own involving quintuplets and sparkly, magical sausages. PELU is wholly original and you are guaranteed to encounter scenes you’ve never come across in manga before. And even with all this absurdity, the story is still both coherent and compelling. Highly recommended. – Michelle Smith

missions4Missions of Love, Vol. 4 | By Ema Toyama | Kodansha Comics – As I’ve noted before, my tolerance for trashy shoujo manga is basically proportional to the self-confidence of the heroine. This is likely the only reason I’m still reading Missions of Love like it’s eating candy. Everyone in this title is horribly flawed in some way, shape or form, none more so than our heroine, who has no idea what she does to everyone around her. We also have the addition of Mami, who is such a cliched “jealous rival girl” that I have to wonder if it’s parody of some sort. But the big draw for this title is still the sexiness, and more to the point, the dissonance between the brains of the lead couple and their emotions, which give the scenes like ‘bite me on the neck’ an extra erotic charge which you wouldn’t see if it were intentional. This manga is so bad for you, but I can’t stop. – Sean Gaffney

natsume14Natsume’s Book of Friends, Vol. 14 | By Yuki Midorikawa | Viz Media – This new volume of Natsume starts with two one-shots, one melancholy and one sweet. But the bulk of it is given over to his discovering more about his grandmother Reiko’s past, as we start to see what might become a backstory indicating how she even had a child – noted here to be out of wedlock. Natsume’s opening up to people is absolutely a good thing, and one of the ways in which he’s able to differentiate himself from his grandmother. But it also leads to pitfalls, as he can’t simply take advantage of his friends and family the way Reiko used to do. Caring too much is something Natsume has always done, but lately it’s getting worse, and you get the feeling that we’re headed to a breaking point. For now, though, we get some more yokai, and a slowly advancing plot. – Sean Gaffney

rin-ne12Rin-Ne, Vol. 12 | By Rumiko Takahashi | Viz Media – The last third of this volume of Rin-Ne is much like the previous 11 volumes, which is to say slice-of-afterlife comedy involving people who weren’t able to fulfill love so were unable to pass on, or alternately laughing at how poor Rinne is. The majority of the book, though, is devoted to a longer plot involving Rokumon, who is taking an exam to see if he can become a ranked Black Cat (which means a bigger budget for Rinne). He faces off against all the other familiars in the series, and the result is, as you’d expect from someone like Takahashi, more of a battle royale than a final exam. It does show off how earnest and dedicated Rokumon is, though, and how he can think fast when the need really arises. If you like Takahashi and don’t mind lack of plot movement, Rin-Ne won’t disappoint. – Sean Gaffney

Pick of the Week: Limit

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limit6MJ: It’s a bit of a slow week for new manga, since we looked at Yen Press’ releases last week, but I still have a clear pick in the mix. I’m all in for the final volume of Keiko Suenobu’s Limit, out this week from Vertical. I’ve been on the edge of my seat since the very beginning, and the tension could not be higher as we go into this last volume. It’s rare that a short series like this packs such a punch. It’s the one and only pick for me this week.

ANNA: I will throw in for Limit as well. Looking forward to catching up on this series!

SEAN: Yeah, Limit 6 for me as well. Its overblown melodrama is its greatest weakness, but also its biggest strength.

What looks good to you this week?

Loveless Vols. 1 and 2

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I’ve had the first omnibus of Loveless for a fair amount of time. I tried reading it once when I was a bit distracted and put it aside after a few pages. The Yun Kouga manga moveable feast was the perfect opportunity to give this series a second try, and I’m glad I did. Some manga seems a bit too edited or mass produced. Unless you’re seeking out manga from some of the more alternative magazines, most mainstream manga isn’t all that weird. The pinnacle of enjoyable manga weirdness in my mind is Est Em’s Working Kentauros. That manga about the slice of life tribulations about Centaur salarymen provides the reader with a peak into a manga creator’s subconscious and ability to be creative without boundaries. Loveless isn’t as unconventionally weird as Working Kentauros, but its combination of cat people, light bondage, magical battles, mysterious organizations, abusive parents, master/servant relationships, and occasional licking definitely add up to a manga that’s a bit more distinctive and quirky than one might expect.

The world of Loveless features cat-people who seem to lose their extra cat-ears when they lose their virginity. So all the teens in the book have cat-ears and tails, while the adults look like normal humans. Ritsuka Ayoyagi shows up for the first day at a new school, attractive, mysterious, and bedecked with bandages. He’s still dealing with the emotional fallout from the murder of his beloved older brother Seimei. Ritsuka’s home life is difficult. He sees a counselor. His personality evidently shifted a few years back, and his mother treats him like a changeling and scapegoat. Ritsuka’s personality is understandably abrasive, and he promptly rejects the girls in his new class except for the persistent but simple Yuiko who appoints herself his new friend.

Ritsuka’s life takes a sudden turn when the college student Soubi shows up at his school and announces that he’s a former friend of Seimei. Soubi pledges his love for Ritsuka and announces that he’ll protect him, and they’re suddenly thrown into a mystical battle with a pair of fighters. Soubi casts spells, while Ritsuka serves as a sacrifice absorbing the pain of the others’ attack. Kouga’s art is graceful and dynamic, making the fighting scenes look very stylish with plenty of dramatic yelling and flowing hair. She’s particularly good at making Ritsuka appealing and sympathetic, as his facial expressions shift from closed-off to beseeching and vulnerable.

I’m glad I read this omnibus, because I probably would have been a bit unsure about continuing the series after just the first volume, but in the space of two volumes Kouga builds an intriguing world and made me invested in seeing what would happen next for Soubi and Ritsuka. While Ritsuka is allegedly the the one in charge of giving Soubi directions, Soubi is snarky and sophisticated enough to make the reader question who is really in control. The mystery of Seimei’s death, Ritsuka’s shift in personality, and the presence of the organization Septimal Moon all add up to a lot of plot points to explore in future books. I enjoyed Loveless more than I thought I would after my first reading attempt, although I can see myself getting a bit frustrated if answers to some of the questions raised in the first two volumes aren’t explored thoroughly in the manga series as a whole.

This two-in one omnibus has plenty of extra author’s notes, side stories, and character illustrations, and I think it would appeal to fans who already bought the first part of the series when it was published by Tokyopop. At roughly $12 per volume now on amazon, the first three omnibus volumes are a solid value for readers.

Manga the Week of 7/24

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SEAN: As you’d expect when I get Yen a week early, that makes this week look pretty damn tiny. What’s coming in? All final volumes this week!

bloodymonday11

Kodansha has the 11th and final volume of Bloody Monday. There are two sequels out in Japan, but I have a sneaking suspicion this may be it for the title on these shores. Let’s hope it ends better than your average season of 24!

MJ: I abandoned this series early on, though the fact that it wraps up in 11 volumes might be enough to draw me back to it eventually. I guess time will tell.

MICHELLE: I only ever bought the first two volumes of this one. I wonder if it’ll be the first series by this pseudonym-happy creator to actually finish in America, even if we don’t get the sequels. GetBackers, Drops of God, Kindaichi Case Files… all stopped short of the end. Oh, wait, there was Psycho Busters. Exactly my last choice of that group.

SEAN: Vertical has the 5th and I believe final volume of Heroman. Everyone on the cover looks happy, particularly the giant robot.

Lastly, Vertical also has the 6th and final volume of Limit, which has spend 5/6 of its time torturing its cast. Will it kill everyone off, or do we get to survive to see a sequel where they crash on a desert island or something?

MJ: This is definitely the most compelling item on the list for me this week. It has consistently kept me on the edge of my seat, so I’ll be anxious to find out what happens!

MICHELLE: I must confess that I haven’t read beyond volume one of Limit. One day I will!

ANNA: I need to catch up on this too! I enjoyed the first two volumes very much.

SEAN: Which series are you wrapping up?

Bookshelf Briefs 7/5/13

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This week, Sean, Anna, & MJlook at six recent releases from Viz Media.

blexorcist10Blue Exorcist, Vol. 10 | By Kazue Kato | Viz Media – As you would expect after the end of a long arc, a lot of this volume is taking a breather while setting things up for the arcs to come (such as the Gehenna Gate). So we see Rin back to school, and dealing with his normal, non-exorcist classmates. Except it turns out that one of then is starting to not be normal, and it’s slowly driving him insane. There’s a lot more silliness here as well, as our heroes are tasked with taking care of the 7 School Mysteries, all of whom are demonic, of course. Cue cross-dressing ghosts, bitchy grudges, and lots of amusing yet broad shonen gags. There’s also a pile of extras, something becoming quite common in these volumes – a short side-story focusing on Renzo, and lots of 4-koma gags drawn by Kato’s assistants. Not as mind-blowing as the last few volumes, but still fun. – Sean Gaffney

devil9A Devil and Her Love Song, Vol. 9 | By Miyoshi Tomori | Viz Media – The first part of this volume deals with the unwanted attentions of Shintaro, a first-year student who has a crush on Maria. As always, Maria has a way of coming at a problem with a different perspective than other people. While Shintaro’s over the top flirting is annoying to almost everybody, Maria comments that it is just the way he communicates, and gives him the teasing nickname “Eros.” Shin attempts to take a step forward by performing again, but his habit of keeping his distance from Maria to preserve her fragile emotional state may just backfire, as she becomes more and more comfortable with Yusuke being her best friend. The drama in this series continues to be executed with unexpected plot twists, which means that it isn’t getting stale as it nears the 10th volume. – Anna N

jiujiu5Jiu Jiu, Vol. 5 | By Touya Tobina | Viz Media – There is a certain about of subterfuge in this volume that is deliberate on the author’s part. I get that. The true identity of Takayuki, who is the person who father’s Takamichi’s child (not a spoiler, it’s on the cover). That’s fine. The main issue is that everything else doesn’t make sense to me as well. Some series read badly chapter to chapter, and I’m sure that if I read Jiu Jiu in one big 5-volume chunk, I might get more out of it than I did. But I’ve no desire to. This frustrating series kept trying to figure out whether it was epic or not, what its art style was, and if it was going to risk offending people with a romantic pairing that was… problematic, to say the least. It did avoid that last one. But all in all, everything in Jiu Jiu was more annoying than endearing. If you like supernatural stuff, it may be for you. read it all at once, though. – Sean Gaffney

Psyren11Psyren, Vol. 11 | By Toshiaki Iwashiro | Viz Media – This volume manages to spend a large amount of time focused on the villains, and not a moment of it is wasted. I was apprehensive at first – I like our heroes. But this was easily one of the most terrifying volumes the series has ever had, with the battle on the docks between Miroku and Grigori winning the biggest awards (and killing off the most people – being an innocent bystander in Psyren is lethal). I was also fascinated with the subplot of rescuing Riko, where our heroes totally lose – she’s abducted by the bad guys (she’s probably that mini-boss we saw drawing in Psyren world a while ago). Add this to the continuing issues of Ahega and his father, and Miroku making his threat to the world much earlier than expected, and you have a series that still knows how to ramp up the tension. – Sean Gaffney

strobeedge5Strobe Edge, Vol. 5 | By Io Sakisaka | Viz Media – I suspect that we won’t be seeing that much more of Mayuka after this volume. If that’s the case, what a way to go out. I loved everything about her arc, from her close observation and realization about Ren once her brother points out the obvious, to the acceptance she has regarding her parents’ divorce, and acceptance that’s shocking to her, and how it finally allows her to realize that she has to accept that Ren’s heart has moved on as well. It’s astonishingly mature, and in marked contrast to Ando, whose own past is shown here. No matter how much he acknowledges he’s being immature, I still want to belt him for it. And in the middle we have Ninako, who knows what she doesn’t want, but can’t quite get past not being able to get what she wants. Absolutely riveting shoujo soap. – Sean Gaffney

tigerbunny2Tiger & Bunny, Vol. 2 | By Mizuki Sakakibara, Sunrise, & Masafumi Nishida | Viz Media – Manga adaptations of anime series tend to be a sketchy prospect for me. Generally speaking, I’ve found that anime rarely translates well to paper, especially in terms of visual power (see Puella Magi Madoka Magica), and it’s difficult to understand the point. Why take the time to create something that is doomed to be nothing more than a clunky, cardboard version of its source material? Tiger & Bunny‘s weakness, however, may be that it resembles its source just a little too much. It’s breezy, action-packed, and easy to follow—often major stumbling blocks when adapting from the screen—and it’s definitely attractive to the eye. Unfortunately, it’s really not much more, and each volume of manga flies by with the emotional impact of a Saturday morning cartoon. This light, glossy series is undoubtedly fun to watch, but its move to print only accentuates how little lurks beneath the surface shine. – MJ

Pick of the Week: Fulfilling Expectations

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potw-7-15SEAN: As always, I sort of give away what I’m picking in my Manga the Week of posts. I’ve followed the story of Konoha dealing with PTSD and slowly coming to terms with his life for the last six volumes of this series. And now we get the first of a 2-part finale, Book Girl And The Scribe Who Faced God. Given we’ve run out of characters to put through the wringer, I’ve no doubt that this volume and its sequel (out in January 2014) will answer some questions we have about Tohko, and just how much of a Book Girl she really is. And perhaps it may resolve the romantic subplots as well, though that’s honestly less important to me. This is pretty much my favorite light novel series coming out here right now, and I really want everyone to go buy it. It’s also on Kindle/Nook!

ANNA: My pick is 07-Ghost Vol. 5. I enjoy the combination of angsty protagonist and fighting priests. It is sometimes a bit incoherent, but the art has a very distinct style that makes up for the occasional lack of clarity in the action scenes. I’m looking forward to seeing what happens next to Teito Klein as he becomes a fighting priest himself, and searches for the legacy of power that was taken from him.

MICHELLE: As per usual, I’m going to award my pick to Pretty Guardian Sailor Moon, which reaches its twelfth volume, which sees an end to the main storyline (but not an end to releases, as there are two books of short stories still forthcoming). I like this arc, but I continue to be sad that it isn’t longer, since I adore the Starlights so. Good thing that season of the anime is released here… oh, wait.

MJ: Before I chimed in here, the others were loftily making predictions about what they were certain would be my choice. This, of course, made me want to subvert expectations and pick something else. Alas… I apparently am that predictable. There really is no other choice. I have to give my pick this week to the final volume of Nabari no Ou, the surprising little series that somehow made me give a crap about ninja. This week brings us its final volume, and though I’ve fallen a little behind, I’ve been wanting to marathon it for a while, and this provides the perfect excuse. I simply can’t choose anything else.

What looks good to you this week?

Don’t Tell My Husband, Vol. 1

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Don’t Tell My Husband, Vol. 1 by Kei Kousaki

This volume is available from emanga.com

I have to admit that one of my main criteria for buying romance manga is often the title. So when I saw that Don’t Tell My Husband was josei manga, I decided to give it a whirl on my kindle paperwhite. This is a fairly hilarious housewife escape fantasy title that reminded me a little bit of Lady, Lady and the movie The Heroic Trio, just because the main character’s appearance is completely at odds with her inner resources and actions.

Minano spends her days as a sheltered housewife, practicing traditional Japanese skills like flower arranging. The first story features her going out to shop for dinner, over her husband’s objections. She goes to a bank where she’s taken hostage. Instead of panicking, she coolly manages the situation, giving first aid to a shooting victim and talking about the situation with the bank robbers. When one of the robbers slaps a bank clerk, Minano bashes his skull in with a pipe while commenting that she can’t stand men who hit women. Minano comments to her fellow hostage with a small smile that she’s “Just gotten a little angry.” She then proceeds to execute a divide and conquer strategy on the bank robbers, splitting them up and confiscating their weapons. The police detective on the scene is an old boyfriend who comments that “I bet you surprised everyone with your fragile housewife persona.”

The other chapters in this book follow the same general outline of Minano using her amazing abilities to perform sophisticated cat burglary and rescues a woman injured in the mountains with some impressive impromptu snowboarding skills. Minano’s antics are superhuman and the contrast between her meek persona and her actual abilities is pretty funny. This is definitely a manga to read for story and characters over the art. Kousaki has basically only two character types, and since almost everyone in the manga is blond it is sometimes really tricky to keep track of who is speaking. Minano’s husband basically looks identical to all the other men she encounters, so when he actually has a conversation with another man I was a bit confused as to who was saying what. There’s some slight weirdness about the noses of the characters in full face views that looked a bit odd. Overall, I enjoyed the story and the situations very much. The $7.99 price tag on this is a bit of a stretch given the quality of the art, although I realize that it costs just as much to translate manga with not-so-great art as it does a much more elaborately drawn title. If the first and second volumes were priced at the under $4.00 range of much of the digitally available Harlequin manga, I probably would have picked up both volumes and enjoyed them as a fun, disposable summer read.

Soulless: The Manga Vol. 1

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Soulless: The Manga by Gail Carriger and Rem

I generally tend to steer clear of manga adaptations of books I’ve already read. I have read the first three books of Gail Carriger’s Parasol Protectorate series, and then I stopped following it, because of plot element that I usually find extremely annoying in romance novels. I spotted this manga version recently at my local library and decided to give it a try.

Soulless the book is a witty take on the steampunk/paranormal/historical romance genre. Heroine Alexia Tarabotti is a bit of a black sheep in her own family due to her intelligence and looks taking after her father instead of her mother. She’s also a unique and rare specimen of supernatural being because she’s a preturnatural, someone born without a soul. This gives her immunity to vampires and werewolves, which comes in handy as Victorian era London is overrun by supernatural beings.

Alexia has an encounter with a rather stupid vampire after she ducks out of a party in an attempt to find something decent to eat. This doesn’t sit well with the overbearing werewolf Lord Conall Macon, who is working for the government. Alexia and Conall insult each other and stalk off, only to find themselves thrown together again as unusual things begin to happen with the local London vampires. As a heroine, Alexia is very entertaining. She doesn’t hesitate to rescue herself by staking the odd vampire, and her status as a spinster ensures that she’s going to speak her mind without much regard for social conventions. On the other hand she has a hard time believing that anyone, even a werewolf would be attracted to her, because she’s been the topic of frequent put-downs by her family.

It is difficult to adapt an almost 400 page book into a 225 page manga. A certain amount of world building and character development does get lost in the process. The book goes into much more depth with Alexia’s relationships with the foppish vampire Akeldama and Ivy, Alexia’s good friend with horrific taste in hats. Some of the details about what exactly a preturnatural is and the more steampunkish aspects of this particular London were glossed over. But the essential plot and the developing romance between Alexia and Conall was maintained, so overall I can’t really quibble with the adaptation choices.

The art by Rem is detailed and fluid, with distinct designs for each character. The occasional lapse into chibi/wolf puppy style when Conall was in the grips of werewolf emotion was funny, and overall the art was extremely appealing. The illustrations did a good job at portraying the humorous reactions the characters have to each other even while they are dealing with plenty of suspicious supernatural incidents. Overall, I thought that this adaptation was one that fans of the book would enjoy. It also reminded me of what I liked about the prose series, so I might give the fourth book a try now.

Manga the Week of 7/17

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SEAN: Standard ‘Diamond is sending me Yen Press a week early’ warning. I’m not quite sure why they do this, it seems to only be the the Northeast Corridor. Ironically, years ago, I used to get my manga a week later than others, again just the Northeast Corridor was affected. In any case, my list is hefty this week.

Dark Horse has the 4th volume of Gate 7, a title that has completely failed to keep me interested in any way. But there are some fans of it, particularly those of a historical bent.

MICHELLE: I feel bad that this one didn’t particularly grab me, but… it didn’t.

MJ: Gate 7 *did* grab me right away, but then the heavy concentration of unfamiliar historical references kinda bogged me down. Fortunately, I found a helpful guide to carry me through! So I’m looking forward to this new volume with only the slightest sense of bog.

SEAN: Kodansha has the 4th volume of Missions of Love. You know, when I was first promoting this title as an interesting little shoujo love triangle, I wasn’t aware that it was going to turn into the Gakuen Prince of 2013. Let’s see how saucy it will get this time.

MICHELLE: I read a couple of volumes of this, but I think I didn’t like any of the characters enough to continue.

ANNA: Knowing now that it turns into the Gakuen Prince of 2013, I’m glad I didn’t start reading this.

sailormoon12

SEAN: Many are calling the 12th Sailor Moon volume the final one, and it’s true that the main story wraps up here. However, this re-release stripped out all the short stories that had originally been interspersed in the volumes, and has given them two separate books of their own. So fear not! Soon you will be able to learn if Rei farts.

MICHELLE: Yay?

SEAN: Viz has the 5th volume of 07-Ghost, a series I’ve fallen behind on. Anyone else?

MICHELLE: I’m behind, too. I’ll catch up one day.

MJ: Same here, and that’s really a shame.

ANNA: I’ve read through volume four, and I like this series! But I’m predisposed to enjoy any manga that involves fighting priests.

SEAN: They also have the 5th and final volume of I’ll Give It My All… Tomorrow, a SigIkki series. I found the protagonist too annoying to continue the series, but then, that was sort of the point, and I know a lot of people identified with his situations.

MJ: I can’t say that I identify with him, but I do feel like I know him, and that is enough to keep me interested in his plight.

SEAN: The rest is all Yen. We have the 14th volume of Black Butler, which I’m sure is sexy as hell, at least according to the Tumblrs I see. Or perhaps smexy.

MICHELLE: I am old, because I just had to look up what “smexy” means.

MJ: Smexy or not, I just… can’t get into it.

ANNA: I read the first volume, and that was enough for me.

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SEAN: This isn’t a manga, but I don’t care. The Book Girl light novel series has hit its endgame, and Book Girl and the Scribe Who Faced God is a 2-parter it’s so big. Part 1 drops this week, and we will finally get to focus on Tohko.

The 2nd and final Doubt omnibus is out, which will no doubt kill off most of the rest of the cast. If you’re a fan, good news: its spiritual sequel Judge is coming soon.

Is This A Zombie? 5 proves that it’s not just Seven Seas’ moe titles that make me sigh and rub my forehead. Congrats to Yen, I guess?

MJ: Heh.

SEAN: K-On! had a sweet, definitive ending, but it was also wildly popular, and you know what companies think about wildly popular finished titles. So K-On! College is the first of two sequels that continue the story, this one following Yui, Mio, Ritsu and Mugi in higher education.

Nabari no Ou is the last title we have this week that is ending, showing us that you can succeed as a ninja manga and not be Naruto. Though I’m sure it would have appreciated Naruto’s sales…

MICHELLE: This title isn’t one of my favorites, but it’s been interesting enough to keep me reading, so I’m looking forward to reaching the conclusion.

MJ: This title is one of my favorites, so I’m looking forward to it!

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SEAN: Madoka Magica prints money, let’s have more of it! Puella Magi Oriko Magica is another spinoff series, and I believe it’s the darker of the two that Yen is putting out.

Soul Eater 15 shows us barreling to a climax, though things have started to go badly for some of our heroes. Poor Kid!

Lastly, we have a 4th omnibus of Until Death Do Us Part, which doesn’t remind me of the way Glenn Miller played at all. (Seven Degrees of Pun Bacon there.)

MICHELLE: I would feel so proud of myself if I could get the reference.

MJ: That’s what Google is for, Michelle!

SEAN: Even Google might not help. Till Death Do Us Part -> Till Death Us Do Part -> All In The Family -> “Those Were The Days” -> “Boy, the way Glenn Miller played…” Welcome to Sean’s mind. Don’t stay long.

MJ: I guess we’ll have to wait until someone develops a search engine for Sean’s brain. It’s sure to happen. Someday.

SEAN: What manga are you beating the heat with?

Bringing the Drama: Flower Boy Next Door

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ANNA: Flower Boy Next Door has a bit of a quirky premise for a k-drama. Go Dok-Mi (Park Shin-hye) has a severe case of agoraphobia, doing her editing work from her home, and almost never venturing outside. Her main outlet is spying on her handsome neighbor in the next building. Go Dok-Mi finds herself taken out of her familiar surroundings when she encounters Enrique Geum (Yoon Shi-yoon), a famous video game designer who spots her spying on his brother. Go Dok-Mi’s neighbor webtoon artist Oh Jin-Rak (Kim Ji-hoon) silently watches over her, and attempts to make sure her emotional equilibrium as a shut-in isn’t disturbed. Rounding out the cast are Cha Do-Hwi who is Go Dok-mi’s friend turned enemy from high school and Oh Dong-Hoon the assistant webtoon artist.

Flower Boy Next Door is available for streaming on Dramafever.

What did you think of this drama?

Flower Boy Next Door!

Flower Boy Next Door!

EMILY: I’ve really enjoyed this show. It has a very different look and feel to it than many other dramas I’ve seen. There is sort of a low key indie vibe to the production. I guess I’m used to seeing shows where there are chaebol/CEO type guys driving around in luxury cars and everyone has perfect hair and nice clothes (even the characters who are supposed to be poor). In this case, the drama feels a little more gritty. While many k-drama heroines face extreme hardship or past trauma, for the most part, they remain plucky and cute. Here we have a heroine who is actually damaged. She experienced past trauma, and it actually had an effect on her personality and how she lives. She didn’t just ‘try her best’ and keep cheerfully forging on; she shut herself in and hid from the world. Therefore, her character feels more realistic to me than other heroines. Her hair isn’t always perfect (or artfully disheveled) and she wears messy clothing. Her apartment is cluttered.

Bundling up in one's apartment saves money!

Bundling up in one’s apartment saves money!

As for the guys, while their occupations are a bit less realistic, at least they aren’t living like perfect rich guys either. Mr. Webtoon artist has a whole pile of issues of his own, and Enrique also has a failed romance. I really enjoyed watching these three interact and change after meeting each other.

MICHELLE: I love this drama with every fiber of my being. I love that it doesn’t follow the usual Guy #1 (he’s kind of a jerk but you know he’ll ultimately get the girl) and Guy #2 (he’s super nice and therefore you know he’s got no chance) formula. True, Enrique is rich, but he’s also goofy and has uncanny insight into Go Dok-Mi’s true thoughts. He challenges her, and she needs this. Jin-Rak is nice and handsome (and played by someone who’s been Guy #1 in the past) and considerate to Dok-Mi’s plight, but he puts her on a pedestal and indulges her eccentricities in a way that isn’t helping her.

I haven’t finished the series yet, but this is one love triangle that I don’t find predictable in the slightest. It’s so well-done, with more subtlety and depth than the other dramas I have seen (which admittedly is a very small sliver of the population).

ANNA: I liked the series very much but I had a more measured reaction. I thought that the innovative cinematography and storytelling were a bit front-loaded onto the earlier episodes, but I did enjoy the more realistic and gritty vibe of the show. I was genuinely uncertain for a little bit who the heroine would end up with! One storytelling element that I liked a lot was how transparent Cha Do-Hwi’s manipulations were and how quickly the men saw through some of them. Usually no one but another woman would detect the evil strategies of the female antagonist. It was pretty hilarious that after Cha Do-Hwi engineered a broken heel in proximity to Oh Jin-rak in order to have an excuse to summon his assistance, the webtoon assistant Oh Doog-Hoon immediately comments that it was interesting that all her clothes were from the current season, but her broken shoe was so last year in style.

I was also a big fan of the cranky, sleep-deprived webtoon editor.

The artists share a moment with their editor.

The artists share a moment with their editor.

EVA: As usual, I went the other way. I was really turned off by the series at first (slow, plodding character, same things happening over and over, the obviousness of Cha Do-Hwi), but as I’ve gone on (I’m currently on episode 10), I’ve grown to like the characters, I care more about their issues, and I’m loving the non-K-Dramaness (that indie vibe Emily talked about). I LOVE that no one here is living in an inappropriately posh apartment or on somebody’s roof. I LOVE that Oh Jin-Rak’s webtoon editor is an overworked, exhausted crackpot. I LOVE that none of the romances are proceeding smoothly towards a finish line. And I especially love that (with the exception of Cha Do-Hwi, of course) people who say they care actually do care and try to help. It’s refreshing and lovely and I wish more tv shows (American included) were like this.

ANNA: I thought that the reliance on Enrique’s crazy fans as a plot element bogged down the middle part of the series a little bit. Also, I thought that Enrique was cute, but the romance between Go Dok-Mi and Enrique was a bit like showing what would happen if a woman fell in love with cute teddy bear. I much preferred Oh Jin-Rak, but perhaps I just find cranky men attractive.

Keeping tabs on his neighbor.

Keeping tabs on his neighbor.

MICHELLE: Jin-Rak is, by far, the studlier of the two, but I think Enrique is healthier for her. But, that said, he could probably have as good of an influence if he were just to remain her friend. Jin-Rak seems willing to be friends, but it’s more from a place of “it will stress her out if I confess” than any real feeling of contentment with that role in her life.

NANCY: I would watch this drama just for the stressed-out webtoon editor. She was by far my favorite. I liked how this series started out, and the characters were well developed, but I did have issues as the series went on. At first this drama shows a very personal view of a woman’s struggle to rejoin society, and then towards the end we are merely watching from the outside, wondering what her motivations are. They shut us out from the shut-in!! Plus there are many gimmicks used in the last (and first) few minutes of each episode to create false cliffhangers. They have nothing to do with the main plot and actually lessen the integrity of the characters in some cases. I’m also going to show my support for Enrique–this drama would have been unbearable without him.

Everybody's favorite webtoon editor!

Everybody’s favorite webtoon editor!

EVA: Stressed-out webtoon editor is the character I’d be if I were in this series. Her bits of comic relief are some of the best laughs I’ve gotten from this show.

I’ve made it through episode twelve and, yay for man-tears and dry kisses! But, yeah. I hear what you’re saying, Nancy. Go Dok-Mi’s internal monologue and/or the narration of her journal writing gives us an entry point to how she feels about her life as a shut-in, how her expectations have contracted, and how willing to compromise her own desires she is if it means she doesn’t have to confront the world. I’ve enjoyed having that window during the last few episodes I’ve seen.

Also, for the first time in this series, I missed the ubiquitous bitch slap/coffee toss. I wanted more drama during the confrontations between Go Dok-Mi and Cha Do-Hwi. Instead we got silent tears, some fainting, and an unsatisfactory blame toss. These two have history and I wanted to see what happened. But nothing happened! Bah. I’ll keep watching, if only because I hope to see more of a closure to this relationship than we’ve been given so far.

ANNA: I liked the way stressed-out webtoon editor managed to be both hilarious and poignant at the same time. She ends up in a very nice place at the end of the drama, which was nice to see.

MICHELLE: Speaking of hilarity, there were quite a few bits on Flower Boy Next Door that made me laugh out loud, and I’m not the easiest person to make laugh. There’s that absurd moment in which Enrique catches Dok-Mi spying on his brother’s apartment… whilst clad in some weird furry panda hat/cape thing. Or the scene where a drunken Jin-Rak—who I am still used to as the humorless lawyer from Stars Falling from the Sky—decides to go to sleep amidst the building’s recyclables, at which point Dong-Hoon thoughtfully covers him with a stray piece of cardboard. I guess when I describe them, these don’t seem like the most clever jokes ever, but they certainly appealed to my sense of humor.

Enrique busts out his Detective Conan cosplay. As one does.

Enrique busts out his Detective Conan cosplay. As one does.

ANNA: I also loved the bit where the men were all pretending to be Spanish-speaking Italian mafia in order to punk Jin-Rak’s estranged family.

So, check out Flower Boy Next Door if you are interested in a k-drama with a slightly different sensibility than you might be used to. The combination of a gritty setting, camera techniques that evoke indie films, and some engaging characters in unusual situations make this a drama that is well worth watching.

Kaze Hikaru, Vol. 21

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Kaze Hikaru Volume 21 by Taeko Watanabe

Kaze Hikaru is one of those titles that makes me feel happier just because it exists. The new volumes come out very slowly now, so when one appears it is always a good excuse to celebrate! This volume was particularly rewarding for any long-time reader of the series, as Sei and Soji begin to acknowledge their feelings about each other although they remain very much constrained by Sei’s disguise as a male Shinsengumi recruit and the customs of the times.

In the aftermath of Sei’s mission, it is announced that she’s going to be reassigned to Saito’s troop. Soji decides to create more distance between him and his young protegee by telling her that he requested the transfer and abruptly ordering her to leave him alone, saying “I got sick of your chasing me around like a girl.” Sei assumes that Soji thinks her feelings are burdensome and decides to run away. She leaves, fortunately during her rest period so she won’t be executed for desertion. Soji is relaxing, assuming that he’s fixed everything but he’s alarmed when Saito informs him that he’s in love with Sei.

Sei travels to a nunnery where she’s taken refuge before, learning about village healing from the head nun Suigetsuni. Sei has decided to sever the ties to her old life and join a nunnery, because it is the only way to sever her ties with her previous life. Soji becomes more and more worried as he realizes that no one knows where Sei is, and with his position in the Shinsengumi he can do nothing but sit, wait, and be forced to execute her for desertion if she doesn’t come back. The parallel stories shifting back and forth between the couple were particularly effective in this volume, as Soji’s growing concern forces him to confront his own feelings about Sei, and Sei grapples with her thoughts about healing and death as she learns more about Suigetsuni’s life story.

Watanabe is a master at spinning out a story, as 21 volumes into Kaze Hikaru, I’m in no hurry to see it wrapped up. Even though so much of this manga revolves around the characters being unable to express their emotions to each other, it is easy to see just how much Sei and Soji have changed each other through their unconventional friendship. As always, the author notes manage to distill an incredible amount of research into a few pages focusing on an element from the historical setting of the manga. This volume focuses on clothing and her reasons for depicting the Shinsengumi a certain way. If you aren’t reading this manga yet, give it a try! This is such a thoughtful, well-executed historical series that really stands out as having much more substance than most shoujo manga.

7 Billion Needles, Vol. 1

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7 Billion Needles, Vol. 1 by Nobuaki Tadano

I was happy when I saw that Vertical was releasing some of their titles for the Kindle, but I already had print copies of the main series I was following like Twin Spica. I remember hearing interesting things about 7 Billion Needles, so I decided to give the first volume a try. Hikaru is a typical teenager, spending most of her time shutting out the world by keeping her headphones on. She’s a teenager with something other than angst churning inside her though. On a school trip she had an encounter with an extraterrestrial object that vaporized her body, leading to an alien intelligence named Ciel who reconstructed her body and establishes a symbiotic relationship with her.

Tadano does a good job establishing a slightly unsettling slice of life tone for this manga. Hikaru goes through her life someone aimlessly, and gradually more and more strange events begin to occur around her. Ciel makes contact and tells his host that he’s hunting an even worse threat – an entity called Maelstrom that might also be inhabiting a human. The title 7 Billion Needles refers to the needle in a haystack like task of hunting down an evil alien intelligence hiding somewhere in the human population. The manga is based on the Hal Clement novel Needle, and Tadano does manage to strike a good balance between the thought experiment vibe of classic science fiction and manga action as Hikaru and Ciel strike an uneasy truce and start hunting together.

The reading experience on my Kindle Paperwhite was just fine. I was intrigued by the first volume, and this is the type of digital series I can easily see myself stocking up on when I’m about to go on a trip and can’t haul around a bunch of physical copies of manga with me.

Bookshelf Briefs 7/1/13

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This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.

aceheartsAlice in the Country of Clover: Ace of Hearts | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This wasn’t quite as bad as Bloody Twins, but it’s right up there. I’ve said before that the Alice manga is best when it’s not focusing on romance, and this isn’t that; it’s pretty much Alice falling for Ace, and getting lost a lot with him. There’s some attempt at working with Ace’s psychoses – the friendlier she is to everyone, the less he likes her, which would not bode well for them if this relationship lasted longer than half a book. But for the most part this is simply ‘the Ace ending’ for those who read the visual novel. It’s not even big enough to fill the book – about 60% is Ace, and the rest of the volume is two Crimson Empire stories. Which are also dull. Honestly, even if you’re an Ace fan, there are other books that use him better than this one. – Sean Gaffney

devil9A Devil and Her Love Song, Vol. 9 | By Miyoshi Tomori | Viz Media – I enjoy each new volume of A Devil and Her Love Song, but the reliance on melodramatic tropes keeps it from becoming a favorite. Moments when the drama comes from the characters themselves are the best parts of the series. The highlight of this particular volume is when Maria is able to convince her group of friends to welcome fellow outcast Shintaro, making him profoundly happy. But then there are moments when the drama comes from something trope-y, like that ubiquitous shojo heroine predator, the random thug on the street (a.k.a. “the sidewalk cretin”), one of whom is responsible for causing Maria to miss Shin’s concert hall performance. This plot device is so contrived that it takes away from what’s going on with the characters, which seems to be that Maria’s developing a newfound appreciation for Yusuke. In the end, I really like this series, but I don’t love it. – Michelle Smith

fairytail27Fairy Tail, Vol. 27 | By Hiro Mashima | Kodansha Comics – Last volume had the villains winning everything, now it’s time for Fairy Tail’s comeback. Sometimes this is hilarious (everything about Natsu and Lucy’s teamup is one of the funniest things in this entire manga, and Mashima has shows he can draw funny faces better than almost anyone), and sometimes it’s badass (Loke’s fight with Capricorn, and how it ties into both Lucy and her late mother). Possibly the most interesting fight, though, is one that was changed at the last minute. Juvia’s battle with Meredy was originally supposed to be a big water powers beatdown, but after the Tohoku Earthquake and tsunami Mashima changed it to what we see here, showing that love and acceptance is what is really needed. It’s nice and heartwarming, and fits with Fairy Tail’s basic tenets. – Sean Gaffney

goong9Goong: The Royal Palace, Vol. 9 | by Park SoHee | Yen Press – I enjoy this manhwa, but I stopped following it actively. I stumbled across a bunch of the omnibus volumes at my local library and decided to dive in again. Were the characters’ lips always so bee-stung? In this contemporary story of a modern-day Korea with an active royal family commoner turned princess Chae-Kyung ponders the possibility of announcing her intention to divorce her royal prince Shin even though she loves him. There’s plenty of intrigue and manipulation in this frothy soap opera, as Shin gets framed and the Queen Mother tries dosing the young couple with herbs in order to hasten the appearance of a royal grandchild. I enjoy the way the art turns lavish whenever the royals are wearing more traditional Korean garb. There should be plenty of drama and intrigue in the volumes ahead! – Anna N

skipbeat31Skip Beat!, Vol. 31 | by Yoshiki Nakamura | Viz Media – I know I’ve mentioned before that the Heel siblings storyline in the current arc fills me with almost unholy levels of fangirl glee. This latest installment of Skip Beat is just as engrossing as the last. Ren has always been a bit of a handsome and mysterious cypher but Kyoko is gradually realizing the depths of his issues and trying to help him out however she can. A storyline about an actor confronting his inner demons might not seem exciting, but Nakamura’s dynamic and stylish art combined with the fact that Kyoko and Ren seem to be drawing closer together is plenty to satisfy fans of this series. – Anna N

strobeedge5Strobe Edge, Vol. 5 | By Io Sakisaka | Viz Media – Well, I was not expecting that! Interesting! But even before the unexpected twist, there was a lot to like about this volume of Strobe Edge. With Ren keeping his distance, Ninako ends up spending more time in the company of Ando, a former playboy who has confessed his love for her. I really appreciate that he’s become a fully fledged character instead of a simple rival, and we learn a good deal about his past in this volume. There are also many changes going around, and various characters afflicted with longing, and really it’s just so great and somehow refreshing. This is what good shoujo drama is like when you don’t have to result to tired old clichés. Yes, A Devil and Her Love Song, I’m talking to you. It actually reminds me a little of We Were There, which is high praise indeed. Go read Strobe Edge. – Michelle Smith

Cross Game, Vols 7 and 8

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Cross Game is one of those series that was so great, I’m a bit angry at myself for taking so long to finish it. The seventh omnibus volume was a bit of a surprise, because something that I expected to happen didn’t, and it didn’t happen in a way that was really interesting with the story that Adachi was building. All along I thought that there’d be a major confrontation between Ko’s team and the antagonistic coach at Kurokoma. But Kurokoma doesn’t even bother to scout their first-round competition because they’ve never heard of the team. Daimon’s arrogance is on full display as he talks to Junpei who is on his way to scout Seishu’s first-round opponent. Daimon says of his competition that he doesn’t even know what they are called, they’re “some no-name school…a team I have no intention of remembering…” The no-name team ends up being Seishu’s next opponent, as Kurokoma is defeated in the first round. Daimon’s comeuppance didn’t come at the hands of Seishu, it came from his own internal failings. In most other shonen manga there’s be a more simplistic confrontation between the two teams during the tournament, but thankfully Adachi doesn’t write his manga in an expected way.

Junpei has proposed to the oldest Tsukishima daughter Ichiyo, and she’s answered that she’ll marry him if Seishu gets to Koshien, adding an extra element of romantic tension to every baseball game. Ko’s finally reached a point where he can’t rely on Aoba for advice. His athletic abilities keep growing and as he tries to adjust his form after throwing the ball faster than he has before, Aoba can’t help him because she’s never thrown a ball that fast. Akane is hospitalized, and the idea of losing her combined with her similarity to Wakaba, makes the summer seem a bit eerie. Ko seems largely unflappable through the whole situation and Aoba comments to Yuhei that he seems cold. Yuhei comments that Ko knows “some things you just gotta do. Other things, you can only have faith…”

One of the things I love is the way simple scenes end up saying so much about the relationships between the characters. Aoba and Ko are riding an empty train together and she makes a point of sitting as far away from him as possible. Ko comments that the distance between them never changes and when she sharply asks if he said anything, he just replies “Nope.”

As the series comes to a close, I was reminded all over again how for a manga the focuses so intensely on baseball, it isn’t really about baseball at all in terms of the motivations and actions of the characters. Ko’s calm and constant training is touched off by the idea that Aoba’s will only like a boy who can pitch a 100 mph fastball. As All of Ko’s training begins to pay off with some inspired pitching as his team becomes a contender for Koshien, his pitches start clocking at higher and higher speeds. As Aoba watches Ko she thinks that he used to be like her, overly emotional and with a quick temper, but now “he’s just like Wakaba.”

During the final game there’s parallel baseball action and emotional revelation happening, as the reader sees the depth of Aoba’s hatred for Ko, and how that hatred is a proxy for dealing with Wakaba’s death, and how stoic and emotionally mature Ko is to just let himself be the object of Aoba’s scorn. During a pivotal moment Ko has to bat, and he hands the umpire a token, putting himself firmly back in the mental space of all of the times he’s practiced his batting at the Tsukishima’s batting cage. Adachi introduces these moments in such an off-hand naturalistic way that the symbolism involved never seems forced or overly precious. As the series concluded I realized that more than just showing the dramatic struggles of a high-school baseball team, Cross Game is really a classic romance manga, with some closing moments that would put most shoujo manga to shame just in terms of the emotional depth portrayed. Ko and Aoba are one of my favorite manga couples, and Cross Game really is a work to be treasured.