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Anna N

Pick of the Week: Fulfilling Expectations

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potw-7-15SEAN: As always, I sort of give away what I’m picking in my Manga the Week of posts. I’ve followed the story of Konoha dealing with PTSD and slowly coming to terms with his life for the last six volumes of this series. And now we get the first of a 2-part finale, Book Girl And The Scribe Who Faced God. Given we’ve run out of characters to put through the wringer, I’ve no doubt that this volume and its sequel (out in January 2014) will answer some questions we have about Tohko, and just how much of a Book Girl she really is. And perhaps it may resolve the romantic subplots as well, though that’s honestly less important to me. This is pretty much my favorite light novel series coming out here right now, and I really want everyone to go buy it. It’s also on Kindle/Nook!

ANNA: My pick is 07-Ghost Vol. 5. I enjoy the combination of angsty protagonist and fighting priests. It is sometimes a bit incoherent, but the art has a very distinct style that makes up for the occasional lack of clarity in the action scenes. I’m looking forward to seeing what happens next to Teito Klein as he becomes a fighting priest himself, and searches for the legacy of power that was taken from him.

MICHELLE: As per usual, I’m going to award my pick to Pretty Guardian Sailor Moon, which reaches its twelfth volume, which sees an end to the main storyline (but not an end to releases, as there are two books of short stories still forthcoming). I like this arc, but I continue to be sad that it isn’t longer, since I adore the Starlights so. Good thing that season of the anime is released here… oh, wait.

MJ: Before I chimed in here, the others were loftily making predictions about what they were certain would be my choice. This, of course, made me want to subvert expectations and pick something else. Alas… I apparently am that predictable. There really is no other choice. I have to give my pick this week to the final volume of Nabari no Ou, the surprising little series that somehow made me give a crap about ninja. This week brings us its final volume, and though I’ve fallen a little behind, I’ve been wanting to marathon it for a while, and this provides the perfect excuse. I simply can’t choose anything else.

What looks good to you this week?

Don’t Tell My Husband, Vol. 1

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Don’t Tell My Husband, Vol. 1 by Kei Kousaki

This volume is available from emanga.com

I have to admit that one of my main criteria for buying romance manga is often the title. So when I saw that Don’t Tell My Husband was josei manga, I decided to give it a whirl on my kindle paperwhite. This is a fairly hilarious housewife escape fantasy title that reminded me a little bit of Lady, Lady and the movie The Heroic Trio, just because the main character’s appearance is completely at odds with her inner resources and actions.

Minano spends her days as a sheltered housewife, practicing traditional Japanese skills like flower arranging. The first story features her going out to shop for dinner, over her husband’s objections. She goes to a bank where she’s taken hostage. Instead of panicking, she coolly manages the situation, giving first aid to a shooting victim and talking about the situation with the bank robbers. When one of the robbers slaps a bank clerk, Minano bashes his skull in with a pipe while commenting that she can’t stand men who hit women. Minano comments to her fellow hostage with a small smile that she’s “Just gotten a little angry.” She then proceeds to execute a divide and conquer strategy on the bank robbers, splitting them up and confiscating their weapons. The police detective on the scene is an old boyfriend who comments that “I bet you surprised everyone with your fragile housewife persona.”

The other chapters in this book follow the same general outline of Minano using her amazing abilities to perform sophisticated cat burglary and rescues a woman injured in the mountains with some impressive impromptu snowboarding skills. Minano’s antics are superhuman and the contrast between her meek persona and her actual abilities is pretty funny. This is definitely a manga to read for story and characters over the art. Kousaki has basically only two character types, and since almost everyone in the manga is blond it is sometimes really tricky to keep track of who is speaking. Minano’s husband basically looks identical to all the other men she encounters, so when he actually has a conversation with another man I was a bit confused as to who was saying what. There’s some slight weirdness about the noses of the characters in full face views that looked a bit odd. Overall, I enjoyed the story and the situations very much. The $7.99 price tag on this is a bit of a stretch given the quality of the art, although I realize that it costs just as much to translate manga with not-so-great art as it does a much more elaborately drawn title. If the first and second volumes were priced at the under $4.00 range of much of the digitally available Harlequin manga, I probably would have picked up both volumes and enjoyed them as a fun, disposable summer read.

Soulless: The Manga Vol. 1

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Soulless: The Manga by Gail Carriger and Rem

I generally tend to steer clear of manga adaptations of books I’ve already read. I have read the first three books of Gail Carriger’s Parasol Protectorate series, and then I stopped following it, because of plot element that I usually find extremely annoying in romance novels. I spotted this manga version recently at my local library and decided to give it a try.

Soulless the book is a witty take on the steampunk/paranormal/historical romance genre. Heroine Alexia Tarabotti is a bit of a black sheep in her own family due to her intelligence and looks taking after her father instead of her mother. She’s also a unique and rare specimen of supernatural being because she’s a preturnatural, someone born without a soul. This gives her immunity to vampires and werewolves, which comes in handy as Victorian era London is overrun by supernatural beings.

Alexia has an encounter with a rather stupid vampire after she ducks out of a party in an attempt to find something decent to eat. This doesn’t sit well with the overbearing werewolf Lord Conall Macon, who is working for the government. Alexia and Conall insult each other and stalk off, only to find themselves thrown together again as unusual things begin to happen with the local London vampires. As a heroine, Alexia is very entertaining. She doesn’t hesitate to rescue herself by staking the odd vampire, and her status as a spinster ensures that she’s going to speak her mind without much regard for social conventions. On the other hand she has a hard time believing that anyone, even a werewolf would be attracted to her, because she’s been the topic of frequent put-downs by her family.

It is difficult to adapt an almost 400 page book into a 225 page manga. A certain amount of world building and character development does get lost in the process. The book goes into much more depth with Alexia’s relationships with the foppish vampire Akeldama and Ivy, Alexia’s good friend with horrific taste in hats. Some of the details about what exactly a preturnatural is and the more steampunkish aspects of this particular London were glossed over. But the essential plot and the developing romance between Alexia and Conall was maintained, so overall I can’t really quibble with the adaptation choices.

The art by Rem is detailed and fluid, with distinct designs for each character. The occasional lapse into chibi/wolf puppy style when Conall was in the grips of werewolf emotion was funny, and overall the art was extremely appealing. The illustrations did a good job at portraying the humorous reactions the characters have to each other even while they are dealing with plenty of suspicious supernatural incidents. Overall, I thought that this adaptation was one that fans of the book would enjoy. It also reminded me of what I liked about the prose series, so I might give the fourth book a try now.

Manga the Week of 7/17

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SEAN: Standard ‘Diamond is sending me Yen Press a week early’ warning. I’m not quite sure why they do this, it seems to only be the the Northeast Corridor. Ironically, years ago, I used to get my manga a week later than others, again just the Northeast Corridor was affected. In any case, my list is hefty this week.

Dark Horse has the 4th volume of Gate 7, a title that has completely failed to keep me interested in any way. But there are some fans of it, particularly those of a historical bent.

MICHELLE: I feel bad that this one didn’t particularly grab me, but… it didn’t.

MJ: Gate 7 *did* grab me right away, but then the heavy concentration of unfamiliar historical references kinda bogged me down. Fortunately, I found a helpful guide to carry me through! So I’m looking forward to this new volume with only the slightest sense of bog.

SEAN: Kodansha has the 4th volume of Missions of Love. You know, when I was first promoting this title as an interesting little shoujo love triangle, I wasn’t aware that it was going to turn into the Gakuen Prince of 2013. Let’s see how saucy it will get this time.

MICHELLE: I read a couple of volumes of this, but I think I didn’t like any of the characters enough to continue.

ANNA: Knowing now that it turns into the Gakuen Prince of 2013, I’m glad I didn’t start reading this.

sailormoon12

SEAN: Many are calling the 12th Sailor Moon volume the final one, and it’s true that the main story wraps up here. However, this re-release stripped out all the short stories that had originally been interspersed in the volumes, and has given them two separate books of their own. So fear not! Soon you will be able to learn if Rei farts.

MICHELLE: Yay?

SEAN: Viz has the 5th volume of 07-Ghost, a series I’ve fallen behind on. Anyone else?

MICHELLE: I’m behind, too. I’ll catch up one day.

MJ: Same here, and that’s really a shame.

ANNA: I’ve read through volume four, and I like this series! But I’m predisposed to enjoy any manga that involves fighting priests.

SEAN: They also have the 5th and final volume of I’ll Give It My All… Tomorrow, a SigIkki series. I found the protagonist too annoying to continue the series, but then, that was sort of the point, and I know a lot of people identified with his situations.

MJ: I can’t say that I identify with him, but I do feel like I know him, and that is enough to keep me interested in his plight.

SEAN: The rest is all Yen. We have the 14th volume of Black Butler, which I’m sure is sexy as hell, at least according to the Tumblrs I see. Or perhaps smexy.

MICHELLE: I am old, because I just had to look up what “smexy” means.

MJ: Smexy or not, I just… can’t get into it.

ANNA: I read the first volume, and that was enough for me.

bookgirl7

SEAN: This isn’t a manga, but I don’t care. The Book Girl light novel series has hit its endgame, and Book Girl and the Scribe Who Faced God is a 2-parter it’s so big. Part 1 drops this week, and we will finally get to focus on Tohko.

The 2nd and final Doubt omnibus is out, which will no doubt kill off most of the rest of the cast. If you’re a fan, good news: its spiritual sequel Judge is coming soon.

Is This A Zombie? 5 proves that it’s not just Seven Seas’ moe titles that make me sigh and rub my forehead. Congrats to Yen, I guess?

MJ: Heh.

SEAN: K-On! had a sweet, definitive ending, but it was also wildly popular, and you know what companies think about wildly popular finished titles. So K-On! College is the first of two sequels that continue the story, this one following Yui, Mio, Ritsu and Mugi in higher education.

Nabari no Ou is the last title we have this week that is ending, showing us that you can succeed as a ninja manga and not be Naruto. Though I’m sure it would have appreciated Naruto’s sales…

MICHELLE: This title isn’t one of my favorites, but it’s been interesting enough to keep me reading, so I’m looking forward to reaching the conclusion.

MJ: This title is one of my favorites, so I’m looking forward to it!

orikomagica1

SEAN: Madoka Magica prints money, let’s have more of it! Puella Magi Oriko Magica is another spinoff series, and I believe it’s the darker of the two that Yen is putting out.

Soul Eater 15 shows us barreling to a climax, though things have started to go badly for some of our heroes. Poor Kid!

Lastly, we have a 4th omnibus of Until Death Do Us Part, which doesn’t remind me of the way Glenn Miller played at all. (Seven Degrees of Pun Bacon there.)

MICHELLE: I would feel so proud of myself if I could get the reference.

MJ: That’s what Google is for, Michelle!

SEAN: Even Google might not help. Till Death Do Us Part -> Till Death Us Do Part -> All In The Family -> “Those Were The Days” -> “Boy, the way Glenn Miller played…” Welcome to Sean’s mind. Don’t stay long.

MJ: I guess we’ll have to wait until someone develops a search engine for Sean’s brain. It’s sure to happen. Someday.

SEAN: What manga are you beating the heat with?

Bringing the Drama: Flower Boy Next Door

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ANNA: Flower Boy Next Door has a bit of a quirky premise for a k-drama. Go Dok-Mi (Park Shin-hye) has a severe case of agoraphobia, doing her editing work from her home, and almost never venturing outside. Her main outlet is spying on her handsome neighbor in the next building. Go Dok-Mi finds herself taken out of her familiar surroundings when she encounters Enrique Geum (Yoon Shi-yoon), a famous video game designer who spots her spying on his brother. Go Dok-Mi’s neighbor webtoon artist Oh Jin-Rak (Kim Ji-hoon) silently watches over her, and attempts to make sure her emotional equilibrium as a shut-in isn’t disturbed. Rounding out the cast are Cha Do-Hwi who is Go Dok-mi’s friend turned enemy from high school and Oh Dong-Hoon the assistant webtoon artist.

Flower Boy Next Door is available for streaming on Dramafever.

What did you think of this drama?

Flower Boy Next Door!

Flower Boy Next Door!

EMILY: I’ve really enjoyed this show. It has a very different look and feel to it than many other dramas I’ve seen. There is sort of a low key indie vibe to the production. I guess I’m used to seeing shows where there are chaebol/CEO type guys driving around in luxury cars and everyone has perfect hair and nice clothes (even the characters who are supposed to be poor). In this case, the drama feels a little more gritty. While many k-drama heroines face extreme hardship or past trauma, for the most part, they remain plucky and cute. Here we have a heroine who is actually damaged. She experienced past trauma, and it actually had an effect on her personality and how she lives. She didn’t just ‘try her best’ and keep cheerfully forging on; she shut herself in and hid from the world. Therefore, her character feels more realistic to me than other heroines. Her hair isn’t always perfect (or artfully disheveled) and she wears messy clothing. Her apartment is cluttered.

Bundling up in one's apartment saves money!

Bundling up in one’s apartment saves money!

As for the guys, while their occupations are a bit less realistic, at least they aren’t living like perfect rich guys either. Mr. Webtoon artist has a whole pile of issues of his own, and Enrique also has a failed romance. I really enjoyed watching these three interact and change after meeting each other.

MICHELLE: I love this drama with every fiber of my being. I love that it doesn’t follow the usual Guy #1 (he’s kind of a jerk but you know he’ll ultimately get the girl) and Guy #2 (he’s super nice and therefore you know he’s got no chance) formula. True, Enrique is rich, but he’s also goofy and has uncanny insight into Go Dok-Mi’s true thoughts. He challenges her, and she needs this. Jin-Rak is nice and handsome (and played by someone who’s been Guy #1 in the past) and considerate to Dok-Mi’s plight, but he puts her on a pedestal and indulges her eccentricities in a way that isn’t helping her.

I haven’t finished the series yet, but this is one love triangle that I don’t find predictable in the slightest. It’s so well-done, with more subtlety and depth than the other dramas I have seen (which admittedly is a very small sliver of the population).

ANNA: I liked the series very much but I had a more measured reaction. I thought that the innovative cinematography and storytelling were a bit front-loaded onto the earlier episodes, but I did enjoy the more realistic and gritty vibe of the show. I was genuinely uncertain for a little bit who the heroine would end up with! One storytelling element that I liked a lot was how transparent Cha Do-Hwi’s manipulations were and how quickly the men saw through some of them. Usually no one but another woman would detect the evil strategies of the female antagonist. It was pretty hilarious that after Cha Do-Hwi engineered a broken heel in proximity to Oh Jin-rak in order to have an excuse to summon his assistance, the webtoon assistant Oh Doog-Hoon immediately comments that it was interesting that all her clothes were from the current season, but her broken shoe was so last year in style.

I was also a big fan of the cranky, sleep-deprived webtoon editor.

The artists share a moment with their editor.

The artists share a moment with their editor.

EVA: As usual, I went the other way. I was really turned off by the series at first (slow, plodding character, same things happening over and over, the obviousness of Cha Do-Hwi), but as I’ve gone on (I’m currently on episode 10), I’ve grown to like the characters, I care more about their issues, and I’m loving the non-K-Dramaness (that indie vibe Emily talked about). I LOVE that no one here is living in an inappropriately posh apartment or on somebody’s roof. I LOVE that Oh Jin-Rak’s webtoon editor is an overworked, exhausted crackpot. I LOVE that none of the romances are proceeding smoothly towards a finish line. And I especially love that (with the exception of Cha Do-Hwi, of course) people who say they care actually do care and try to help. It’s refreshing and lovely and I wish more tv shows (American included) were like this.

ANNA: I thought that the reliance on Enrique’s crazy fans as a plot element bogged down the middle part of the series a little bit. Also, I thought that Enrique was cute, but the romance between Go Dok-Mi and Enrique was a bit like showing what would happen if a woman fell in love with cute teddy bear. I much preferred Oh Jin-Rak, but perhaps I just find cranky men attractive.

Keeping tabs on his neighbor.

Keeping tabs on his neighbor.

MICHELLE: Jin-Rak is, by far, the studlier of the two, but I think Enrique is healthier for her. But, that said, he could probably have as good of an influence if he were just to remain her friend. Jin-Rak seems willing to be friends, but it’s more from a place of “it will stress her out if I confess” than any real feeling of contentment with that role in her life.

NANCY: I would watch this drama just for the stressed-out webtoon editor. She was by far my favorite. I liked how this series started out, and the characters were well developed, but I did have issues as the series went on. At first this drama shows a very personal view of a woman’s struggle to rejoin society, and then towards the end we are merely watching from the outside, wondering what her motivations are. They shut us out from the shut-in!! Plus there are many gimmicks used in the last (and first) few minutes of each episode to create false cliffhangers. They have nothing to do with the main plot and actually lessen the integrity of the characters in some cases. I’m also going to show my support for Enrique–this drama would have been unbearable without him.

Everybody's favorite webtoon editor!

Everybody’s favorite webtoon editor!

EVA: Stressed-out webtoon editor is the character I’d be if I were in this series. Her bits of comic relief are some of the best laughs I’ve gotten from this show.

I’ve made it through episode twelve and, yay for man-tears and dry kisses! But, yeah. I hear what you’re saying, Nancy. Go Dok-Mi’s internal monologue and/or the narration of her journal writing gives us an entry point to how she feels about her life as a shut-in, how her expectations have contracted, and how willing to compromise her own desires she is if it means she doesn’t have to confront the world. I’ve enjoyed having that window during the last few episodes I’ve seen.

Also, for the first time in this series, I missed the ubiquitous bitch slap/coffee toss. I wanted more drama during the confrontations between Go Dok-Mi and Cha Do-Hwi. Instead we got silent tears, some fainting, and an unsatisfactory blame toss. These two have history and I wanted to see what happened. But nothing happened! Bah. I’ll keep watching, if only because I hope to see more of a closure to this relationship than we’ve been given so far.

ANNA: I liked the way stressed-out webtoon editor managed to be both hilarious and poignant at the same time. She ends up in a very nice place at the end of the drama, which was nice to see.

MICHELLE: Speaking of hilarity, there were quite a few bits on Flower Boy Next Door that made me laugh out loud, and I’m not the easiest person to make laugh. There’s that absurd moment in which Enrique catches Dok-Mi spying on his brother’s apartment… whilst clad in some weird furry panda hat/cape thing. Or the scene where a drunken Jin-Rak—who I am still used to as the humorless lawyer from Stars Falling from the Sky—decides to go to sleep amidst the building’s recyclables, at which point Dong-Hoon thoughtfully covers him with a stray piece of cardboard. I guess when I describe them, these don’t seem like the most clever jokes ever, but they certainly appealed to my sense of humor.

Enrique busts out his Detective Conan cosplay. As one does.

Enrique busts out his Detective Conan cosplay. As one does.

ANNA: I also loved the bit where the men were all pretending to be Spanish-speaking Italian mafia in order to punk Jin-Rak’s estranged family.

So, check out Flower Boy Next Door if you are interested in a k-drama with a slightly different sensibility than you might be used to. The combination of a gritty setting, camera techniques that evoke indie films, and some engaging characters in unusual situations make this a drama that is well worth watching.

Kaze Hikaru, Vol. 21

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Kaze Hikaru Volume 21 by Taeko Watanabe

Kaze Hikaru is one of those titles that makes me feel happier just because it exists. The new volumes come out very slowly now, so when one appears it is always a good excuse to celebrate! This volume was particularly rewarding for any long-time reader of the series, as Sei and Soji begin to acknowledge their feelings about each other although they remain very much constrained by Sei’s disguise as a male Shinsengumi recruit and the customs of the times.

In the aftermath of Sei’s mission, it is announced that she’s going to be reassigned to Saito’s troop. Soji decides to create more distance between him and his young protegee by telling her that he requested the transfer and abruptly ordering her to leave him alone, saying “I got sick of your chasing me around like a girl.” Sei assumes that Soji thinks her feelings are burdensome and decides to run away. She leaves, fortunately during her rest period so she won’t be executed for desertion. Soji is relaxing, assuming that he’s fixed everything but he’s alarmed when Saito informs him that he’s in love with Sei.

Sei travels to a nunnery where she’s taken refuge before, learning about village healing from the head nun Suigetsuni. Sei has decided to sever the ties to her old life and join a nunnery, because it is the only way to sever her ties with her previous life. Soji becomes more and more worried as he realizes that no one knows where Sei is, and with his position in the Shinsengumi he can do nothing but sit, wait, and be forced to execute her for desertion if she doesn’t come back. The parallel stories shifting back and forth between the couple were particularly effective in this volume, as Soji’s growing concern forces him to confront his own feelings about Sei, and Sei grapples with her thoughts about healing and death as she learns more about Suigetsuni’s life story.

Watanabe is a master at spinning out a story, as 21 volumes into Kaze Hikaru, I’m in no hurry to see it wrapped up. Even though so much of this manga revolves around the characters being unable to express their emotions to each other, it is easy to see just how much Sei and Soji have changed each other through their unconventional friendship. As always, the author notes manage to distill an incredible amount of research into a few pages focusing on an element from the historical setting of the manga. This volume focuses on clothing and her reasons for depicting the Shinsengumi a certain way. If you aren’t reading this manga yet, give it a try! This is such a thoughtful, well-executed historical series that really stands out as having much more substance than most shoujo manga.

7 Billion Needles, Vol. 1

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7 Billion Needles, Vol. 1 by Nobuaki Tadano

I was happy when I saw that Vertical was releasing some of their titles for the Kindle, but I already had print copies of the main series I was following like Twin Spica. I remember hearing interesting things about 7 Billion Needles, so I decided to give the first volume a try. Hikaru is a typical teenager, spending most of her time shutting out the world by keeping her headphones on. She’s a teenager with something other than angst churning inside her though. On a school trip she had an encounter with an extraterrestrial object that vaporized her body, leading to an alien intelligence named Ciel who reconstructed her body and establishes a symbiotic relationship with her.

Tadano does a good job establishing a slightly unsettling slice of life tone for this manga. Hikaru goes through her life someone aimlessly, and gradually more and more strange events begin to occur around her. Ciel makes contact and tells his host that he’s hunting an even worse threat – an entity called Maelstrom that might also be inhabiting a human. The title 7 Billion Needles refers to the needle in a haystack like task of hunting down an evil alien intelligence hiding somewhere in the human population. The manga is based on the Hal Clement novel Needle, and Tadano does manage to strike a good balance between the thought experiment vibe of classic science fiction and manga action as Hikaru and Ciel strike an uneasy truce and start hunting together.

The reading experience on my Kindle Paperwhite was just fine. I was intrigued by the first volume, and this is the type of digital series I can easily see myself stocking up on when I’m about to go on a trip and can’t haul around a bunch of physical copies of manga with me.

Bookshelf Briefs 7/1/13

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This week, Sean, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.

aceheartsAlice in the Country of Clover: Ace of Hearts | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This wasn’t quite as bad as Bloody Twins, but it’s right up there. I’ve said before that the Alice manga is best when it’s not focusing on romance, and this isn’t that; it’s pretty much Alice falling for Ace, and getting lost a lot with him. There’s some attempt at working with Ace’s psychoses – the friendlier she is to everyone, the less he likes her, which would not bode well for them if this relationship lasted longer than half a book. But for the most part this is simply ‘the Ace ending’ for those who read the visual novel. It’s not even big enough to fill the book – about 60% is Ace, and the rest of the volume is two Crimson Empire stories. Which are also dull. Honestly, even if you’re an Ace fan, there are other books that use him better than this one. – Sean Gaffney

devil9A Devil and Her Love Song, Vol. 9 | By Miyoshi Tomori | Viz Media – I enjoy each new volume of A Devil and Her Love Song, but the reliance on melodramatic tropes keeps it from becoming a favorite. Moments when the drama comes from the characters themselves are the best parts of the series. The highlight of this particular volume is when Maria is able to convince her group of friends to welcome fellow outcast Shintaro, making him profoundly happy. But then there are moments when the drama comes from something trope-y, like that ubiquitous shojo heroine predator, the random thug on the street (a.k.a. “the sidewalk cretin”), one of whom is responsible for causing Maria to miss Shin’s concert hall performance. This plot device is so contrived that it takes away from what’s going on with the characters, which seems to be that Maria’s developing a newfound appreciation for Yusuke. In the end, I really like this series, but I don’t love it. – Michelle Smith

fairytail27Fairy Tail, Vol. 27 | By Hiro Mashima | Kodansha Comics – Last volume had the villains winning everything, now it’s time for Fairy Tail’s comeback. Sometimes this is hilarious (everything about Natsu and Lucy’s teamup is one of the funniest things in this entire manga, and Mashima has shows he can draw funny faces better than almost anyone), and sometimes it’s badass (Loke’s fight with Capricorn, and how it ties into both Lucy and her late mother). Possibly the most interesting fight, though, is one that was changed at the last minute. Juvia’s battle with Meredy was originally supposed to be a big water powers beatdown, but after the Tohoku Earthquake and tsunami Mashima changed it to what we see here, showing that love and acceptance is what is really needed. It’s nice and heartwarming, and fits with Fairy Tail’s basic tenets. – Sean Gaffney

goong9Goong: The Royal Palace, Vol. 9 | by Park SoHee | Yen Press – I enjoy this manhwa, but I stopped following it actively. I stumbled across a bunch of the omnibus volumes at my local library and decided to dive in again. Were the characters’ lips always so bee-stung? In this contemporary story of a modern-day Korea with an active royal family commoner turned princess Chae-Kyung ponders the possibility of announcing her intention to divorce her royal prince Shin even though she loves him. There’s plenty of intrigue and manipulation in this frothy soap opera, as Shin gets framed and the Queen Mother tries dosing the young couple with herbs in order to hasten the appearance of a royal grandchild. I enjoy the way the art turns lavish whenever the royals are wearing more traditional Korean garb. There should be plenty of drama and intrigue in the volumes ahead! – Anna N

skipbeat31Skip Beat!, Vol. 31 | by Yoshiki Nakamura | Viz Media – I know I’ve mentioned before that the Heel siblings storyline in the current arc fills me with almost unholy levels of fangirl glee. This latest installment of Skip Beat is just as engrossing as the last. Ren has always been a bit of a handsome and mysterious cypher but Kyoko is gradually realizing the depths of his issues and trying to help him out however she can. A storyline about an actor confronting his inner demons might not seem exciting, but Nakamura’s dynamic and stylish art combined with the fact that Kyoko and Ren seem to be drawing closer together is plenty to satisfy fans of this series. – Anna N

strobeedge5Strobe Edge, Vol. 5 | By Io Sakisaka | Viz Media – Well, I was not expecting that! Interesting! But even before the unexpected twist, there was a lot to like about this volume of Strobe Edge. With Ren keeping his distance, Ninako ends up spending more time in the company of Ando, a former playboy who has confessed his love for her. I really appreciate that he’s become a fully fledged character instead of a simple rival, and we learn a good deal about his past in this volume. There are also many changes going around, and various characters afflicted with longing, and really it’s just so great and somehow refreshing. This is what good shoujo drama is like when you don’t have to result to tired old clichés. Yes, A Devil and Her Love Song, I’m talking to you. It actually reminds me a little of We Were There, which is high praise indeed. Go read Strobe Edge. – Michelle Smith

Cross Game, Vols 7 and 8

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Cross Game is one of those series that was so great, I’m a bit angry at myself for taking so long to finish it. The seventh omnibus volume was a bit of a surprise, because something that I expected to happen didn’t, and it didn’t happen in a way that was really interesting with the story that Adachi was building. All along I thought that there’d be a major confrontation between Ko’s team and the antagonistic coach at Kurokoma. But Kurokoma doesn’t even bother to scout their first-round competition because they’ve never heard of the team. Daimon’s arrogance is on full display as he talks to Junpei who is on his way to scout Seishu’s first-round opponent. Daimon says of his competition that he doesn’t even know what they are called, they’re “some no-name school…a team I have no intention of remembering…” The no-name team ends up being Seishu’s next opponent, as Kurokoma is defeated in the first round. Daimon’s comeuppance didn’t come at the hands of Seishu, it came from his own internal failings. In most other shonen manga there’s be a more simplistic confrontation between the two teams during the tournament, but thankfully Adachi doesn’t write his manga in an expected way.

Junpei has proposed to the oldest Tsukishima daughter Ichiyo, and she’s answered that she’ll marry him if Seishu gets to Koshien, adding an extra element of romantic tension to every baseball game. Ko’s finally reached a point where he can’t rely on Aoba for advice. His athletic abilities keep growing and as he tries to adjust his form after throwing the ball faster than he has before, Aoba can’t help him because she’s never thrown a ball that fast. Akane is hospitalized, and the idea of losing her combined with her similarity to Wakaba, makes the summer seem a bit eerie. Ko seems largely unflappable through the whole situation and Aoba comments to Yuhei that he seems cold. Yuhei comments that Ko knows “some things you just gotta do. Other things, you can only have faith…”

One of the things I love is the way simple scenes end up saying so much about the relationships between the characters. Aoba and Ko are riding an empty train together and she makes a point of sitting as far away from him as possible. Ko comments that the distance between them never changes and when she sharply asks if he said anything, he just replies “Nope.”

As the series comes to a close, I was reminded all over again how for a manga the focuses so intensely on baseball, it isn’t really about baseball at all in terms of the motivations and actions of the characters. Ko’s calm and constant training is touched off by the idea that Aoba’s will only like a boy who can pitch a 100 mph fastball. As All of Ko’s training begins to pay off with some inspired pitching as his team becomes a contender for Koshien, his pitches start clocking at higher and higher speeds. As Aoba watches Ko she thinks that he used to be like her, overly emotional and with a quick temper, but now “he’s just like Wakaba.”

During the final game there’s parallel baseball action and emotional revelation happening, as the reader sees the depth of Aoba’s hatred for Ko, and how that hatred is a proxy for dealing with Wakaba’s death, and how stoic and emotionally mature Ko is to just let himself be the object of Aoba’s scorn. During a pivotal moment Ko has to bat, and he hands the umpire a token, putting himself firmly back in the mental space of all of the times he’s practiced his batting at the Tsukishima’s batting cage. Adachi introduces these moments in such an off-hand naturalistic way that the symbolism involved never seems forced or overly precious. As the series concluded I realized that more than just showing the dramatic struggles of a high-school baseball team, Cross Game is really a classic romance manga, with some closing moments that would put most shoujo manga to shame just in terms of the emotional depth portrayed. Ko and Aoba are one of my favorite manga couples, and Cross Game really is a work to be treasured.

Manga the Week of 7/3

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SEAN: I’m pretty sure there’s something for absolutely everyone in this week’s list. Let’s break it down.

panorama

Starting off with a publisher we don’t often talk about. But Last Gasp has not one, but two manga releases out this week. First off is The Strange Case of Panorama Island, which is an adaptation of a famous Edogawa Rampo novel by underground manga artist Suehiro Maruo. Now admittedly, most of the indie manga fans grabbed this at TCAF already. Let’s get it more widely read.

MJ: I’m definitely interested, and I wasn’t at TCAF, so count me in!

MICHELLE: Ooh, finally! This one has been on my Amazon wishlist for ages!

ANNA: How many years ago was this announced? I’m glad that Strange Case of Panorama Island is coming out finally, I am very curious about it.

SEAN: And there’s also the 2nd volume of the cute yet disturbing Little Fluffy Gigolo Pelu, the first volume of which came out back in 2009. It’s a Junko Mizuno title, so be prepared for strangeness.

MJ: At long last! I still have the first volume that I borrowed from Michelle ages ago, so I guess I’d best reread and send back to her so that she can do the same!

MICHELLE: !!!!! I genuinely had no idea the second volume of this was on the horizon! It might be time to bust out my seldom-seen happy dance!

ANNA: I had no idea either! This is exciting.

SEAN: Seven Seas has a quintet of releases. Alice in the Country of Clover: Cheshire Cat Waltz hits its fifth volume, and continues to feature Alice’s love relationship with Boris.

MICHELLE: I have a tendency to start each new “Alice in the Country of” series, but then never go back to them. That’s the case with this one, too.

SEAN: Gunslinger Girl finally comes to an end with this volume, and if I’ve guessed correctly it will probably not involve everyone living happily ever after and there being punch and pie. Still, it’s a beloved series, and will no doubt be heartwarmingly bleak and tragic.

There’s also the 3rd omnibus of I Don’t Like You At All, Big Brother!!. I think this actually catches us up with Japan, given it’s an omnibus. As such, it may be a while before I have to talk about it again.

The same cannot be said for Mayo Chiki, which resists all my voodoo doll poking at it. Vol. 3 is out next week.

MJ: I can’t tell you how little interest I have in these things.

MICHELLE: *snerk*

SEAN: Lastly, and if I’m honest most interesting, is the debut of a new series, World War Blue. It’s basically the Nintendo/Sega console wars, only with human personifications. I find the premise intriguing, and it does not seem, on first glance, to be filled with moe incest, so it’s my Seven Seas pick this week.

MJ: I agree, that does sound interesting. May be a rare Seven Seas winner for me.

MICHELLE: Huh.

wolfsmund

SEAN: Vertical has a debut this week as well, though it’s a much darker series. Wolfsmund comes from the folks at Enterbrain, home to A Bride’s Story, and is a brutal examination of the Middle Ages. It’s supposed to be really excellent, but honestly may be too dark for me.

MJ: “Dark” has never scared me away, so bring it on!

ANNA: This sounds a bit odd and potentially interesting.

SEAN: And what would a first week of the month be without Viz? Bleach 57 gives you 57 varieties of plot, 3 speeds (slow, very slow, and stop), and 3,249 characters.

MICHELLE: And again I snerk.

SEAN: Blue Exorcist hits double digits, and I believe finally heads back to Academy life, though who knows how long that will last.

MICHELLE: I need to catch up on this one.

ANNA: Me too.

SEAN: A new 3-in-1 omnibus, for those who missed it the first time. Like me. D.Gray-Man 1-3 gives us an introduction to this series that started off in Jump before moving to Square (for the artist’s health reasons, I believe). It’s the series about exorcists that didn’t become a monstrous hit (see above for the other one).

Jiu Jiu finishes with its 5th volume, and I’m so relieved that I believe I will actually read it.

MJ: Heh.

MICHELLE: Jiu Jiu is over now? Hallelujah! I expected it to keep limping on indefinitely.

ANNA: I’m probably not going to read this, but I’m relieved that the series is wrapping up. Viz is also going to be releasing infinitely more interesting shoujo/josei very soon.

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SEAN: Natsume’s Book of Friends is always welcome in my house, even if it likely won’t feature my OT3 again. But Vol. 14 will be filled with melancholy, gentle humor, and piles and piles of yokai.

MJ: I haven’t checked in with this series in a while, but it was always a favorite, so perhaps now’s the time to catch up!

MICHELLE: I heart it!

ANNA: I have a stash of volumes somewhere I need to catch up on!

SEAN: Oresama Teacher is one of my top 5 comedy mangas right now, and Vol. 14 will be read as soon as it is in my hot little hands. I love it to bits. (Yes, yes, but I loved The Magic Touch, I’ve heard that before…)

MICHELLE: Usually episodic comedies don’t do much for me, but I frequently enjoy Oresama Teacher.

ANNA: I like this series a bunch. It might not always make sense, but the ridiculous situations are part of its charm.

SEAN: Psyren 11 will, I hope, go deeper into the question of Sakurako’s personality disorder, or at least not feature 200 pages of nothing but psychic battles again.

MICHELLE: I need to catch up on this one, too.

SEAN: Skip Beat! gets its 5th 3-in-one, and I seem to recall this would put it right in the middle of the Dark Moon arc. If you haven’t read it yet, why are you reading this? Read Skip Beat!

MICHELLE: Do!

ANNA: Skip Beat! is so good, and unlike most other long-running series it doesn’t seem to slow down or have less interesting storylines.

SEAN: And lastly, in Strobe Edge 5, everyone will be sad. This is not so much a prediction as a premonition.

MJ: I’m totally on board with this kind of sadness.

ANNA: So am I. This series has really gotten better as it develops.

MICHELLE: Me, too. I like Strobe Edge very much.

SEAN: So what appeals to you on this 4th of July week? (Or, if you aren’t American, this generic week?)

Pick of the Week: Gundam All Around!

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gundam2SEAN: Um, Gundam the Origin, pretty much. As for why, see my Manga the Week of post.

MICHELLE: Yep, Gundam: The Origin for me, too. With the exception of Fairy Tail (and I’m so far behind on that), nothing else this week interests me.

ANNA: Gundam: The Origin forever!!!!!

MJ: I’m right there with you. This week, it’s all about Gundam, and really it’s not due to the lack of competition. Though I wish the series was a bit more character-driven rather than plot-driven, its stunning artwork is enough to keep me coming back for more.

What looks good to you this week?

Bookshelf Briefs 6/24/13

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This week, Michelle, Sean, and Anna look at recent releases from Viz Media, Seven Seas, and Yen Press.

bloodlad3Blood Lad, Vol. 3 | By Yuuki Kodama | Yen Press – Blood Lad remains the frontrunner for the “Surprise Favorite of 2013” award in my book. True, I could not possibly be less interested in the machinations of Staz’s dastardly older brother, Braz, but there are plenty of characters that I unexpectedly like quite a lot, including Staz’s little sister, Liz, who is like the Yotsuba of the demon world, and the slouchy, laid-back dragon in this volume, who ends up steering our leads onto a new and intriguing path. And true, the fanservice is not my style, but the humor usually is. Also, I especially like that the series goes places I don’t expect—we begin the volume with Fuyumi (the ghost of a human) having been kidnapped, and I was all set for some demon power struggle to ensue, but that is actually not where things go at all. I look forward to more! – Michelle Smith

demon3Demon Love Spell, Vol. 3 | By Mayu Shinjo | Viz Media – I have to admit, Shinjo is doing a really good job making me sympathize with the incubus here, particularly in the first half of this volume. In particular, the confrontation between Kagura and Miko regarding her semi-arranged marriage is one of the best scenes so far, really laying out how conflicted Miko is, but also that how she’s handling it is absolutely the wrong way to go about things. As for Kagura, while he admits to pretending to be weaker than he is so that he can get more from Miko, he’s actually being fairly considerate given his creator. I’m not sure if we’ll be seeing his “human” self again, though. The second half is less interesting, but still pretty solid, and shows why these two haven’t gone further in their relationship – Miko’s feelings are still too fragile. Good stuff. – Sean Gaffney

Haganai3Haganai: I Don’t Have Many Friends, Vol. 3 | By Yomi Hirasaka and Itachi | Seven Seas – This volume exists pretty much to introduce the rest of the main cast. Maria, the 10-year-old nun who’s somehow supposed to be their faculty advisor, is there to be adorable and brattish, just like a typical 10-year-old, and piss off Kodaka’s little sister. That said, I am so grateful Kadota continues to treat both his sister and Maria as cute little kids rather than the manga getting into lolicon areas. Well done. Then again, with a new character like Rika, is more sexual talk really needed? Adding her to the cast is like throwing a bomb into a room, and while she’ll best be remembered in this volume for the mech-on-mech BL doujinshi she shows the others (which is indeed the highlight of the volume), I’m more interested in what her presence will do to Kodaka, Sena and Yozora’s friendship. – Sean Gaffney

librarywars10Library Wars, Vol. 10 | by Kiiro Yumi | Viz Media – This volume wraps up the somewhat silly banned words storyline and sends Kasahara on a mission in her hometown to protect freedom of expression in an art exhibit. There are catty librarians and subverted organizational hierarchies to deal with! In addition, Kasahara’s secret of being a combat member of the Library Defense Force may be exposed to her family. The feelings between Kasahara and Dojo are growing, and it is fun seeing how capable and mature Kasahara has become as she manages to handle a bad hazing incident all by herself. This was a solid volume in the Library Wars series, with a bit more emotional depth than usual. – Anna N

nura15Nura: Rise of the Yokai Clan, Vol. 15 | By Hiroshi Shiibashi | Viz Media – The good news it it looks like the Kyoto arc will wrap up with the next volume. The bad news is that it’s still going on in THIS one, meaning there’s a lot of fighting, and a lot of minor villains whose faces I struggle to remember. That said, there is one very interesting thing going on here: the villains appear to be winning. Even if they may not destroy Kyoto, I’m pretty sure they’re going to pull off their resurrection no matter how much Rikuo tries to get Hagoromo-Gitsune to remember who she really is. As for the fights themselves, they look OK, but can be pretty chaotic – and honestly, I’m not reading Nura for the fights. Let’s finish up the equipping and fearing and get back to more slice-of-life yokai plots, as this arc is trying my patience. – Sean Gaffney

tigerbunny2Tiger & Bunny, Vol. 2 | By Mizuki Sakakibara, et al. | Viz Media – Although it feels nearly as much like a Saturday morning cartoon as the first volume, the second installment of Tiger & Bunny at least gives readers a few welcome glimpses into the life of a corporate Hero and fleshes out its supporting cast a little bit. Unfortunately, I find practically all of the supporting cast more interesting than the lead characters—veteran Hero Kotetsu (a.k.a. Wild Tiger) and his newcomer partner Barnaby (unwillingly nicknamed “Bunny”)—and their relationship, which is characterized by much repetitive bickering and questioning whether their company-mandated partnership can really work. Even giving Barnaby some dead parents and a shadowy organization to seek out can’t make him compelling, but maybe it means we’re in for a storyline deeper than “Oh noes, a gang of thieves stole a diamond from a museum!” Here’s hoping. – Michelle Smith

toriko16Toriko, Vol. 16 | By Mitsutoshi Shimabukuro | Viz Media – As opposed to Nura, Toriko’s arcs are usually just about the right length: Mellow Cola wraps up here, after a suitable amount of fighting and cooking, and we’re off on new adventures. I like the way Komatsu, despite remaining a non-combatant, is being worked into the fights in ways that don’t involve him just constantly being rescued. His use of the ancient cookbook to tell Toriko and Zebra how to stop the Salamander Sphinx. That said, the lack of major females in this series tends to mean that Komatsu serves that purpose as well – it’s hard not to hear Toriko and Zebra arguing about who’ll partner with him and not think of various BL answers. Still, Toriko and Komatsu are more concerned with the return of Starjun, and what evil he’s going to be bringing to the table. Not the best, but still good. – Sean Gaffney

Manga the Week of 6/26

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SEAN: Given that I got in Yen books this week but the rest of you get it next week, my own Next Week list is somewhat short. But not without interest.

dissociationFirst, I forgot this last week, but the 9th light novel of the Haruhi Suzumiya series, The Dissociation of Haruhi Suzumiya, is out this week. This one is part of a 3-book set (Books 10-11 are coming out here as one big book around Thanksgiving) that revitalized the franchise, giving the series a shot in the arm, as well as a new rival for Kyon’s affections… or is she? Good stuff.

MICHELLE: I think I read the first one of these a long time ago, but never managed to continue.

MJ: I’d like to read these light novels, because the manga adaptation has mostly not done a lot for me. Maybe I’ll like it better in its original form.

SEAN: Now on to 6/26 proper. Dark Horse has the third volume of OreImo. With Haganai, coming out via Seven Seas, it managed to be just interesting enough that I continued it despite its skeeziness. This title is just skeezy enough that I dropped it despite its interestingness.

MICHELLE: Ugh.

MJ: So much skeeze these days, it seems. What’s up with that?

SEAN: Kodansha is still speeding up Fairy Tail. Vol. 26 ended with out heroes in a bad spot. Will they continue to get the crap kicked out of them here as well? Oh, probably, this arc is 7 books long and this is only Book 4 of that.

MJ: This is one of those long series I keep thinking I’d like to try (Hiro Mashima is such a charming guy!) but I’m perpetually intimidated by its length. Should I start it anyway?

SEAN: There’s also a new Negima omnibus for those who missed it, this one taking us into the Magic World arc that proved to be much better than anyone was really expecting.

MICHELLE: An omnibus cannot tempt me to read Negima.

MJ: What she said.

gundam2

SEAN: Lastly, and most important, we have the 2nd volume of Gundam the Origin. Vol. 1 blew me away with how cinematic it looked, how easy it was for a Gundam newbie to get into the story, and how much care went into its design – this is a gorgeous book intended to stay on shelves for long periods. Get it now, it’s also a limited item.

MICHELLE: Finally, something to look forward to, and I agree with you completely, Sean. My only complaint is the focus on plot over characters, but that’s not enough to dissuade me from picking up volume two.

MJ: Same here. I thought the artwork in the first volume was absolutely stunning. I’m looking forward to more!

ANNA: I agree, Gundam the Origin is the only thing I’m excited about this week. Given the limited print run for this special edition, I’d advise fans to pick up their copy sooner rather than later.

SEAN: What manga makes you go three times faster just to get it?

Weekly Astro Boy Magazine Vol. 1

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Weekly Astro Boy Magazine Vol. 1

I was intrigued when Emanga.com announced that they would be releasing an Astro Boy magazine. I’m feeling a bit nostalgic for manga magazines at this point, with the demise of print anthologies. I’ve read some Tezuka, but I’m definitely not familiar with all of his works. The magazine format for Tezuka works very well, because his art and storytelling style varies so much with the titles presented in the magazine, it is interesting to compare and contrast the differences between his different titles in this format.

I haven’t read much Astro Boy before, but the storyline for inclusion in the first issue of this manga magazine is a strong one, as it is “The Greatest Robot on Earth,” where the robot Pluto created to battle all the other great robots that exist, until he is hailed as the supreme robot. This storyline is what Naoki Urasawa used for his manga series Pluto. Astro Boy tangles with Pluto for a little bit, but his creator calls him off. Astro Boy responds to the existence of the new robot by requesting an upgrade of his own power. Astro Boy really displays the virtue of simplicity. The robot designs are so distinct, and the action in Astro Boy is so clear and easy to follow, it makes me think that some of the detail and opaque action in modern manga has really missed the mark.

Phoenix is the next title featured in this magazine, and this is a real treat because I believe some of the print volumes released by Viz are now out of print. The story comes from the fourth volume of Phoenix, called Karma. It is easy to see why Phoenix is often called Tezuka’s masterwork. This chapter featured the story of a boy who was injured just after being born, becoming a monster due to the harsh treatment from his fellow villagers. He encounters a sculptor in the woods and damages one of his arms. The sculptor finds refuge in a temple and begins to reach a different stage of consciousness as he attempts to take up art again. Reading Phoenix itself is a bit of a philosophical experience, as the characters encounter each other in this fable-like story, with stylized depictions of nature inter cut with both action and personal reflection.

The rest of the book is rounded out by shorter chapters for Dororo and Black Jack. It was a bit difficult for me to get a handle on Dororo just due to the small page count. Black Jack, I automatically read with feelings of affection, because the two-fisted surgeon is one of my favorite Tezuka characters. Overall, I really enjoyed the opportunity to read different Tezuka works back to back. It is a bit different than diving into a full volume of manga, but it really gives the reader an appreciation for the variations in art and theme that is expressed in Tezuka’s manga. This is definitely worth checking out if you don’t have an extensive Astro Boy collection and especially if you want an accessible way of reading Phoenix.

Electronic access provided by the publisher

Pick of the Week: Subverting Expectations

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potw-6-17-13MJ: My obvious pick this week would be volume 16 of Pandora Hearts, and I am sure that’s what everyone expects (you can read about how much I love this volume in today’s Bookshelf Briefs). But sometimes it’s the unknown that has the greatest allure, and I’ll admit that I’m most anxious to get a look at Asumiko Nakamura’s Utsubora: the Story of a Novelist, out this week from Vertical. I’ve had a shaky relationship with Vertical’s titles from Manga Erotics F—the magazine this title comes from—but Vertical’s track record with me overall is pretty stunning (and the magazine has housed some of my favorites as well), so I’m more than willing to give them the benefit of the doubt. Familiar favorites are a wonderful thing, but nothing beats the mystery of the unknown. I can’t wait to see what this manga has in store!

MICHELLE: I was so sure that you were going to pick Pandora Hearts that I was all set to pick Utsubora myself. I’m definitely looking forward to checking it out, but I’ll go ahead and give Pandora Hearts my official love, as I’m really looking forward to getting caught up with that one.

SEAN: I’m deciding to go with the manga that’s down to a yearly release rather than the quarterly one, so despite my Higurashi obsession, my pick of the week is for GA Art Design Class. There’s an awful lot of 4-koma series about girls in high school out there, and this is one of the ones that makes me smile the most. The cast is amusing in just the right amount, it’s filled with cute, funny and heartwarming moments, and it’s taught me a hell of a lot about art. It’s likely not for you unless you enjoy moe 4-koma manga, but if you do it’s one of the best.

ANNA: I’m also going to have to throw in my vote for Utsubora: The Story of a Novelist simply because it is the only manga this week that I felt compelled to pre-order! The premise about an upcoming novelist who is suddenly found dead also sounds very intriguing. I think a bit of mystery will balance my usual shoujo and sci-fi manga reading habits.

What looks good to you this week?