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Archives for June 2016

Pick of the Week: Sweepers, Corpses, and Josei Debuts

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qqsweeper3MICHELLE: There are quite a few titles that I will be picking up this week, but I shall award my pick to the third and final volume of QQ Sweeper. I’ve enjoyed this series a lot so far and I hope VIZ licenses the sequel!

SEAN: I have a love/hate relationship with Viz’s josei titles, as I love the fact that they deal with adults having adult issues, but frequently find that they tend towards the same “bastard boyfriend” tropes that also plague some of Viz’s shoujo titles. But I keep coming back for more, and that’s why the title I most want to see this week is Everyone’s Getting Married, another Petit Comic extravaganza.

ASH: With so many manga releases this week I’m having a little trouble narrowing it down to just one title, but in the end I would like to draw attention to the latest omnibus of Kurosagi Corpse Delivery Service. It’s such a great series, mixing humor and horror in surprisingly effective ways. I’m glad that Dark Horse is giving the manga a new life in English!

MJ: I’m with Michelle, this week. Though there are a number of titles I’m interested in this week, the one dearest to my heart is the third volume of QQ Sweeper. This series is so perfectly my cup of tea. I was terribly sad to learn that this is the end, and echo Michelle’s hopes that Viz will be offering us its sequel!

ANNA: I love QQ Sweeper! But I’m very easily distracted by new series. So for that reason, I’m going to have to go with the new josei series Everyone’s Getting Married. Yay for more josei!

My Week in Manga: May 30-June 3, 2016

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My News and Reviews

Since it was the end of one month and the beginning of another, there were a couple of different things posted at Experiments in Manga in addition to the usual My Week in Manga feature. First of all, the Paradise Residence Giveaway Winner was announced along with a list of some manga licensed in English that feature boarding schools, dormitories, or other communal living arrangements. As for the first in-depth manga review of the month, I was absolutely thrilled to write about Shigeru Mizuki’s The Birth of Kitaro, the first volume of Drawn & Quarterly’s new Kitaro series designed to appeal to readers of all ages. I am so incredibly happy that more Kitaro manga is being released in English. I loved Drawn & Quarterly’s original Kitaro collection from back in 2013 (it was one of my most notable releases of the year), but if The Birth of Kitaro is any indication, I’m going to love this series even more.

I’m still keeping plenty busy at home and at work, but there were I couple things in particular that caught my eye online last week. For one, the fourth part of “The Sparkling World of 1970s Shojo Manga,” focusing on Moto Hagio, was posted at The Lobster Dance. Also, Seven Seas made a slew of new licensing announcements over the course of the week. The one that I’m most excited for is The Girl From the Other Side: Siúil, a Rún by Nagabe (coincidentally, Jocelyne Allen recently reviewed the first volume at Brain vs Book and it sounds fantastic), but Seven Seas has also picked up four more yuri manga—Milk Morinaga’s Secret of the Princess and Hana & Hina After School, Hiromi Takashima’s Kase-san and…, and Hachi Ito’s Kindred Spirits on the Roof—as well as Seiju Natsumegu’s Ghost Diary, Tsukasa Saimura’s Tokyo Undead, Kawakami Masaki and Hato’s There’s A Demon Lord on the Floor, and a collaboration with Mamenosuke Fujimaru to create an English-first manga, Captive Hearts of Oz.

Quick Takes

Attack on Titan, Volume 16Attack on Titan, Volumes 16-18 by Hajime Isayama. It’s been a little while since I’ve read Attack on Titan proper as opposed to one of the spinoff manga or novels. Granted, part of that is because the North American release of the manga has more or less caught up with the Japanese release; with number twists and turns in the series’ plot, I find that Attack on Titan generally works better for me if I can read several volumes at once. These three volumes delve into the backstories of several of the characters including Levi and, probably more importantly, Historia. There are also several important reveals regarding the nature of the world and of the Titans. Overall, an exciting few volumes with some legitimately interesting developments. Although the series is still ongoing, it feels as though Isayama is beginning to set up the series’ finale. I’m hoping for a satisfying conclusion, and I’m starting to believe that Isayama might actually be able to pull one off. With the sixteenth volume, Kodansha Comics has also started releasing special editions which are packaged with other merchandise. Some of the extras, like playing cards, I’m not personally interested in but others, like the No Regrets anime, I’m definitely glad to have.

Fairy Tail: Blue Mistral, Volume 2Fairy Tail: Blue Mistral, Volume 2 by Rui Watanabe. Recently, I’ve been sampling quite a few of Fairy Tail‘s spinoff manga being released in English. Some I’ve actually liked while others I’ve merely tolerated, so it was anyone’s guess as to whether or not I’d appreciate the franchise’s shoujo offering, Blue Mistral. I’m happy to say that, for the most part, it’s not a bad series at all. The plot of Blue Mistral, Volume 2 may seem to oversimplify what is really a rather complicated situation and some of story’s resolutions feel like they come a little too easily, but considering that the series original intended audience was preteens and early teens I don’t necessarily consider that to be a true fault. Actually, it’s kind of refreshing to read such a sweet, cheery, and bright version of the world and characters of Fairy Tail. Blue Mistral follows the adventures of Wendy Marvell, an impressively skilled twelve-year-old sky-dragon slayer magic user. She’s a likeable and earnest protagonist who believes in friendship and in helping others whenever she is able. Perhaps unsurprisingly, Blue Mistral‘s shoujo version of Wendy may be even more adorable than Fairy Tail‘s shounen version, in part because Watanabe’s artwork tends to be fairly cute.

Wild ButterflyWild Butterfly by Hiroki Kusumoto. It wasn’t until I was about halfway through reading Wild Butterfly that I realized that I had previously read another of Kusumoto’s manga, the first volume of Vampire’s Portrait. I didn’t especially like Vampire’s Portrait (I never got around to reading the second and final volume), but it did have one thing in common with Wild Butterfly—when called upon, Kusumoto can draw some fantastically frightening scenes with shocking reveals. Wild Butterfly is a collection of five unrelated short manga. Despite the fact that, because the volume was released under Digital Manga’s June imprint, “yaoi manga”  is emblazoned on the front cover, only one of the five stories could even arguably be considered boys’ love. Most of the stories have a bit of horror or some supernatural elements, although the titular “Wild Butterfly” is more of a period piece about the tragedy of war. There aren’t really any overarching themes in Wild Butterfly, but the stories do tend to be fairly melancholic and somber. The collection isn’t outstanding or particularly refined, but there are some interesting aspects to the stories. I did at least enjoy Wild Butterfly much more than I did the beginning of Vampire’s Portrait.

Umineko: When They Cry, Vol. 13

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Story by Ryukishi07; Art by Hinase Momoyama. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: Dawn of the Golden Witch” by Square Enix, serialized in the magazine GFantasy. Released in North America by Yen Press.

“Beatrice was dead: to begin with. There is no doubt whatever about that. The register of her burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Lambdadelta signed it. And Lambdadelta’s name was good upon ‘Change, for anything she chose to put her hand to. Old Beatrice was as dead as a door-nail.”

OK, sorry, that just had to be done. Welcome to the new arc of Umineko, folks, and here’s 500 more pages of Rokkenjima antics. And yes indeed, Old Beatrice is dead, and won’t be returning. Luckily for us, Battler is a bit upset about that, and so we have new, Fledgling Beatrice. Sadly, new Beatrice acts meek and mild, and seems to regard Battler as more of a father than anything else. Yes, sorry to say, if you thought creepy incest themes were only in the third arc, guess again.

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Battler understands how magic really works now, so recreating *a* Beatrice isn’t that hard. But this isn’t his Beatrice, as she has not experienced the thousand years of endless torture that turned her into the Endless Witch. As a result, Battler is a bit upset at her very presence, which is a shame as she really, really wants to be nice to him. Fledgling Beato (the translation does not use the term “Chick Beato” as the games did – I thank them for that) is, personality-wise, much the same as the Beatrice that Rosa found in the secret mansion back in 1967 or so. And Battler is, of course, very reminiscent of Kinzo lately. I don’t like where this is going.

Luckily there are many other aspects to this series, as always. Erika is back as well, and she’s naturally at her best when at her worst, destroying Maria’s concept of magic to such a degree that even Gertrude and Cornelia are calling it completely pointless. Erika is a villain you love to hate, and even though she is also part of the endless cycle of ‘bullied becomes the bully’ thanks to suffering at Bern’s hands, her total contempt for anything other than truth leads her to arrogance and scorn. Also returning, after an Arc’s absence, is Ange, somewhat surprised to not be dead. She’s here to investigate the supposed author of the 3rd-5th arcs, Tohya Hachijo – or rather to her true self, Featherine Augustus Aurora, who seems to be a Witch along the lines of Lambda or Bern, only infinitely more arrogant. (The connection to Higurashi’s Hanyuu, subtle in the VN, is made far more explicit here.)

And then there’s our romantic couples. It is rather sweet seeing Kanon finally work up the courage to confess to Jessica, and she does more happy blushing here than she has in the last five arcs combined. It is also somewhat interesting to see George confess to his past mindset and pettiness – honestly, the entire section makes teenage George sound a bit like an MRA, and I’m glad to see he has matured to a degree where he can confess to how stupid it is. The more interesting question here, though, is the need for magic in order to make them happy. Yes, the whole master/servant relatioship is a worry, but not a big enough worry to require a literal miracle. Why do Shannon and Kanon need magic for their love to be fulfilled? Why is Beatrice so determined to be with Battler even though she keeps calling him father? Why does Ryukishi07 feel the need to introduce a second Greek Chorus to expound just about love? And why does the manga always make Ange a giant brocon, something that isn’t in the VNs? Is it just for the lulz?

The art, by the way, is from the artist who did the Higurashi Massacre volumes, and it’s pretty good. Like several of the other artists, she knows when to emphasize the sauciness in ways readers will like – hence Fledgling Beato and Elder Beato crushing their chests together – but also to make fun of it in the 4komas later. If you enjoy Umineko, there’s nothing to worry about here, except more attention to incestual romances than I’d perhaps like.

The Manga Revue: I Am a Hero

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Can the market support another zombie comic? That’s the question at the heart of this week’s column, as I examine Kengo Hanazawa’s I Am a Hero, a manga about a geeky artist living through a zombie apocalypse. Bone appetit!

I_am_a_HeroI Am a Hero, Vol. 1
By Kengo Hanazawa
Rated Older Teen, for ages 16+
Dark Horse, $19.99

At first glance, I Am a Hero looks like a Walking Dead clone, complete with gun-toting vigilantes and hungry zombie hordes. Peel back its gory surface, however, and it becomes clear that I Am a Hero is really a meditation on being trapped: by a dead-end job, by thwarted expectations, and by fears, real and imagined.

The “hero” of Kengo Hanazawa’s series is thirty-five-year old Hideo Suzuki. Though Hideo tasted success with the publication of his own manga, his triumph was short-lived: Uncut Penis was cancelled just two volumes into its run. He now toils as a mangaka’s assistant, working alongside other middle-aged artists whose professional disappointment has curdled into misogyny and grandiosity.

Compounding Hideo’s problems is his fragile mental state. He hallucinates, talks to himself, and barricades the door to his apartment against an unspecified threat, in thrall to the voices in his head. Despite his tenuous grasp on reality, Hideo is the only one of his co-workers who notices the small but telling signs that something is deeply amiss in Tokyo. Hideo soon realizes that his long-standing fears might actually be justified, and must decide whether to hunker down or flee the city.

Getting to Hideo’s do-or-die moment, however, may be a challenge for some readers. The first act of I Am a Hero is a tough slog: not only does it focus on a cluster of strenuously unpleasant characters, it documents their daily routines in painstaking detail. The tedium of these early chapters is occasionally punctuated by vivid, unexplained imagery that calls into question whether the zombies exist or are a figment of Hideo’s imagination. What the reader gradually realizes is that Hideo’s paranoia makes him alive to the possibility of catastrophe in a way that his bored, self-involved co-workers are not; they’re too mired in everyday concerns to notice the growing body count, a point underscored by the banality of their workplace conversations, and their shared belief that women are the real enemy.

When the zombie apocalypse is in full swing, Hanazawa delivers the gory goods: his zombies are suitably grotesque, retaining just enough of their original human form to make their condition both pitiable and disturbing. Hanazawa stages most of the action in tight spaces–an artist’s studio, a pedestrian footbridge, a hallway–giving the hand-to-hand combat the stomach-churning immediacy of a first-person shooter game. Only when Hanazawa cuts away to reveal a fire-ravaged, chaotic landscape do we fully appreciate the extent to which Tokyo has succumbed to the zombie plague.

It’s in these final moments of the book that Hideo glimpses an alternative to his miserable existence–the loneliness, anonymity, and failure that, in his words, have prevented him “from being the hero of my own life.” How he escapes these emotional traps–and those pesky zombies–remains to be seen, but it seems like a journey worth taking. Count me in for volume two.

A word to parents: I Am a Hero is less gory than either The Walking Dead or Fear the Walking Dead, but contains scenes of disturbing violence and frank sexual content. Dark Horse’s suggested age rating seems appropriate for this particular title.

Reviews: At Brain vs. Book, Jocelyn Allen looks at two untranslated series: Akina Kondoh’s A-ko-san no Koibito, a josei manga about a woman juggling two love interests, and Machiko Kyo’s Nekojou Mu-Mu, a comic about an outrageously cute cat. Matt Brady, host of Warren Peace Sings the Blues, weighs in on the third installment of JoJo’s Bizarre Adventure: Phantom Blood. And at Three if By Space, Robert Prentice explains why My Hero Academia is truly a comic for all ages.

Kitaro, Vol. 1: The Birth of Kitaro

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Kitaro, Volume 1: The Birth of KitaroCreator: Shigeru Mizuki
U.S. publisher: Drawn & Quarterly
ISBN: 9781770462281
Released: May 2016
Original release: 1966-1968

In 2013, comics publisher Drawn & Quarterly released Kitaro a volume collecting stories from Shigeru Mizuki’s most well-known and beloved manga series GeGeGe no Kitaro. I absolutely loved the collection and so I was thrilled when Drawn & Quarterly announced that it would be publishing more of Mizuki’s GeGeGe no Kitaro in English as part of its Enfant line of kids comics. The Birth of Kitaro, released in 2016, is the first of seven planned Kitaro volumes with stories selected, with input from Mizuki, by the manga’s translator and yokai scholar Zack Davisson. The Birth of Kitaro collects seven stories originally published in Japan between 1966 and 1968, an essay about the history of Kitaro as well as an additional guide to yokai written by Davisson, and an utterly delightful section devoted to yokai-themed activities such as a word search, a maze, and several matching games among other fun challenges.

The tales in The Birth of Kitaro begin with the origin story of Kitaro, a powerful and mostly benevolent yokai boy. (“The Birth of Kitaro” also explains why his father, Medama Oyaji, is a disembodied/embodied eyeball.) The chapter was first published in the influential alternative manga magazine Garo. The other six stories chosen for the collection were created with a slightly younger audience in mind and were serialized in Shonen Weekly and as well as the magazine’s special edition. The second chapter, “Nezumi Otoko versus Neko Musume,” introduces one of the series’ primary recurring characters. Nezumi Otoko, one of Kitaro’s yokai friends even though he is a bit of jerk, tends to either cause trouble or get himself into trouble, needing to be chastised or rescued by Kitaro depending on the circumstances. The other stories included in The Birth of Kitaro are “Nopperabo,” “Gyuki,” “Yokai of the Mountain Pass,” “Makura Gaeshi,” and “Hideri Gami.”

The Birth of Kitaro, page 43As much as I loved Drawn & Quarterly’s original Kitaro collection, I think that I may love The Birth of Kitaro even more. All of the stories selected for the volume are a little bit creepy, a little bit scary, and a little bit gross, but they are also a great deal of fun and can be rather funny, too. I had actually forgotten just how amusing Mizuki’s Kitaro manga could be; the mix of scariness and silliness in the series is marvelous. Mizuki has a terrific sense of humor and comedic timing, perfectly balancing the chuckles with the chills and thrills in the manga collected in The Birth of Kitaro. The horror and the humor work together to create an incredibly enjoyable read. It also doesn’t hurt that Kitaro is a likeable lead to begin with, and that the supporting characters like Nezumi Otoko and Medama Oyaji, with their distinctive personalities and entertaining interactions, add a tremendous amount to enjoy in the series as well.

Mizuki’s Kitaro manga is steeped in yokai lore which I love. Other readers picking up The Birth of Kitaro may not be as familiar with Japan’s mysterious monsters and phenomena, but the volume is still very approachable and accessible. The stories themselves provide an entertaining introduction to yokai (from time to time even Kitaro must do a bit of research in order to effectively confront and deal with troublesome spirits) and for readers who are curious to learn more, Davisson’s “Yokai Files” are an informative addition to the volume. The Birth of Kitaro is an excellent all-ages manga, suitable for younger readers who enjoy a bit of a scare and supernatural excitement while still being entertaining and appealing for adults. It’s also a wonderful overall package, with fun and games, the manga itself, and background information all together in one place. The new Kitaro series in English is off to a fantastic start with The Birth of Kitaro; I can’t wait for the next volume to be released.

Thank you to Drawn & Quarterly for providing a copy of The Birth of Kitaro for review.

Manga the Week of 6/8

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SEAN: June is busting out all over, especially in terms of sheer manga volume – this month will be punishing, starting with 25 books out next week.

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Dark Horse gives us the 4th – and presumably last for now – omnibus of The Kurosagi Corpse Delivery Service. Go get it if you haven’t already.

ASH: I’m really glad this series is getting a second chance. Apparently the omnibuses are doing better than the single volumes did.

SEAN: And the Evangelion spinoff Shinji Ikari Raising Project may be over in Japan, but we still have a couple volumes to go. Here’s Vol. 16.

And a 9th New Lone Wolf and Cub.

This isn’t on Amazon yet, but Diamond has a couple of DMP books out, so let’s list them as well. (Yes, DMP still does print books. On occasion.) Does the Flower Blossom? gets a 2nd volume.

MICHELLE: I’m still holding out hope for volume eleven of Itazura na Kiss!

SEAN: And we also get the 9th volume of The Tyrant Falls in Love.

ASH: The eighth volume made for a pretty solid conclusion to the series, so I’m curious to see where this one goes.

SEAN: Kodansha has a 5th volume of shoujo reverse harem series Kiss Him, Not Me!.

ASH: I find that I am rather enjoying this series.

SEAN: And Say “I Love You” has gotten to Volume 14, and I still insist on using those quotes, because I’m stubborn like that.

MICHELLE: Yay!

ANNA: So far behind on this series, maybe I can do a reading binge over the summer.

SEAN: Seven Seas has the third Mayo Chiki omnibus. Does this finish that up? (Or off?)

And Mushoku Tensei: Jobless Reincarnation’s third volume continues to prove that sometimes to get sales you have to license the title people already call it.

Seven Seas’ debut is The Other Side of Secret, which is from Media Factory’s Comic Alive, and I suspect will involve harem romance and possibly large breasts.

And now we have Viz, starting with Assassination Classroom getting to double digits.

Viz debuts a new Jump series, Black Clover. The premise looks to me like One Piece only with magic instead of pirates, but we’ll see how fun it is.

And there’s a 3rd Bloody Mary volume. Vampires!

ANNA: Yay! This series is goofy, but I enjoy all the angst.

SEAN: Dragon Ball’s 3-in-1 has hit lucky Vol. 13.

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Yay, another Josei Beat series debuts! Everyone’s Getting Married comes from the pages of Petit Comic, and I’ve generally been very fond of these types of series. Romance between non-high schoolers!

MICHELLE: I am looking forward to this debut!

ASH: As am I!

ANNA: I’m EXTRA looking forward to it!

MJ: I’m… skeptical, but hopeful? Viz’s josei series tend to be full of landmines for me.

SEAN: Food Wars! has a dozen volumes now, and it still makes me hungry.

Kamisama Kiss is up to Vol. 21, and the romance seems to finally be heating up, maybe? As much as Hana to Yume romance ever does?

Komomo Confiserie’s 4th volume continues to try to charm me despite its lack of loud, dense heroines.

MICHELLE: I continue to follow all of these.

ANNA: They are all good series, but Kamisama Kiss is a standout.

SEAN: One Piece has its 16th 3-in-1, which I think begins Thriller Bark?

QQ Sweeper doesn’t come out often enough for my tastes, but I am very happy Volume 3 is here.

MICHELLE: Me, too, though this is the end. Unless VIZ has also licensed the sequel!

ANNA: Aieee, I didn’t realize it was so short. I will cherish the three volumes even more.

MJ: This, this, this!! But is it really the end? Nooooo.

SEAN: And School Judgment ends with its third volume.

MJ: I with I’d liked this more.

MICHELLE: Me, too.

SEAN: Seraph of the End reaches Volume 9. Vampires!

So Cute It Hurts!! has Volume 7, and I will assume has kept its cuteness promises to the reader.

MICHELLE: I have never found it cute, to be honest.

ANNA: I have found it somewhat cute, but I enjoy eye patches and cross dressing in manga.

SEAN: It’s been nine months since a Tegami Bachi volume, so Vol. 19 is heavily anticipated by the fandom.

Lastly, we have a 34th volume of Toriko, which doesn’t make me as hungry as Food Wars!, but has more punching.

ASH: True!

SEAN: Are you picking up any of this deluge?

Strike the Blood, Vol. 3

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

You’ll pardon me if I find myself saying the same things I said in the first two reviews of this series. I have gotten to the point where I almost wish Strike the Blood was worse than it actually was, as that might actually make it slightly more surprising, even in a horrible way. But no, this is very much a series that fulfills its function. It has a lot of cool, well-written action scenes, the plot advances incrementally, the hero gets a couple of new girls who like him, and the heroine sees this and is cool and frosty to him for reasons he can’t quite figure out. It’s very well colored, but never goes outside the lines. Not once.

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Oddly, you would expect a series like this to have varied covers, usually with the hero and a different girl on each of them. that is one thing Strike the Blood does do differently – each cover is Yukina posing for the reader, reminding readers that she is the main heroine whether they like it or not. And as a main heroine, she’s pretty good. The main reason I’m interested in her is that she seems to get frosty when the hero does something that implies he’s not attracted to her, rather than the usual punchy. Her overly earnest personality balances nicely against the more normal childhood hacker friend, the classic tsundere not-lesbian, and (introduced here) the shy princess and her sister, the teasing princess. Of course, the fact that all those are classic harem series archetypes also says something about what we’re reading here.

As for non-harem plot antics, well, trying to turn your adopted daughter into an Angel in order to make her happy is certainly not something you’ll see every day. I did appreciate that Kensei’s motives were given a bit of depth, showing off the somewhat misplaced love he has for her, even if his solution is appalling. It made a nice contrast with Beatrice, who comes to us right out of sneering female villains 101, and is such a cliche that it begins to verge on parody. Same with the elder princess, La Folia, who is noble and very royal, but also introduced to the reader by being found bathing in a stream, and also becomes the latest girl Kojou has to bite in order to release a beast monster to save the day.

I would ideally like something in this series to horribly offend or appall me, so that I could simply drop it and that would be the end of it. But no, Strike the Blood continues to be quietly competent and eminently enjoyable, provided you hate surprises. The hero is a nice guy, but if it weren’t for the illustrations provided throughout, I’d likely imagine him as looking exactly the same as Touma from A Certain Magical Index, a series which this has some similarities with. Index’s prose can be a bear to read, though, and it does throw the occasional curveball. Strike the Blood is batting practice. Straight down the middle, book after book.

Manga Giveaway: Paradise Residence Giveaway Winner

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Paradise Residence, Volume 1And the winner of the Paradise Residence manga giveaway is… Chris Lawton!

As the winner, Chris will be receiving a copy of Kosuke Fujishima’s Paradise Residence, Volume 1 as published in English by Kodansha Comics. I’m currently in the process of moving, so I’ve recently been thinking about the different ways that people live together a fair amount. And so for the Paradise Residence giveaway, I was interested in learning about some of the manga that the participants enjoyed which involve communal living, whether it be boarding schools, dormitories, or something else entirely. Be sure to check out the giveaway comments for everyone’s detailed responses!

Some of the manga in English with communal living arrangements:
After School Nightmare by Setona Mizushiro
Akuma no Riddle written by Yun Kouga, illustrated by Sunao Minakata
Beauty Is the Beast by Tomo Matsumoto
Blue Exorcist by Kazue Kato
Dokkoida?! written by Taro Achi, illustrated by Yu Yagami
Hana-Kimi by Hisaya Nakajo
Hayate X Blade by Shizuru Hayashiya
The Heart of Thomas by Moto Hagio
Here Is Greenwood by Yukie Nasu
Maison Ikkoku by Rumiko Takahashi
Love Hina by Ken Akamatsu
Oh My Goddess! by Kosuke Fujishima
Paradise Residence by Kosuke Fujishima
Persona 3 by Shuji Sogabe
Princess Jellyfish by Akiko Higashimura
Prison School by Akira Hiramoto
Revolutionary Girl Utena by Chiho Saito
Seihou Boys’ High School by Kaneyoshi Izumi
Strawberry-chan by Ai Morinaga
Sunshine Sketch by Ume Aoki
Tenshi Ja Nai!! by Takako Shigematsu.
Vampire Knight by Matsuri Hino
Venus in Love by Yuki Nakaji
Yu-Gi-Oh! GX by Naoyuki Kageyama

The above list is by no means exhaustive, but it does include the favorites that were mentioned as well as some more well-known examples. (And some lesser-known examples, too.) I tried, I think successfully, to show a range of different genres and types of stories, so there should hopefully be a little bit of something for everyone. Thank you to all of the participants in the giveaway who shared some of your favorite manga with me! I hope to see you all again for the next one.