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Rasetsu, Vol. 1

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rasetsu_coverRasetsu is a popcorn movie in manga form, a tasty mix of suspense, humor, and sexual tension with a sprinkling of supernatural elements. Though billed as a sequel to Yurara, Chika Shiomi’s five-volume series about a trio of high school students who see dead people, Rasetsu works equally well on its own terms, providing just enough background to bring newcomers up to speed without testing the patience of folks already familiar with the series’ protagonist, Yako Hoshino.

The new series catches up with Yako about eight years after the events in Yurara. Now a graduate of a prestigious university, Yako works in a library that has an unusual problem: one of its books is haunted by the spirit of its original owner, and is siphoning demonic energy from the other titles in the library’s collection. Though Yako possesses some ghost-busting powers of his own, he can’t quite exorcise the demon, so his boss dispatches him to the Hiichiro Amakwa Agency to enlist professional help. There, Yako finds a comely, if eccentric, crew of mediums: Kuryu, the kotodama specialist and resident clothes horse; Amakwa, the agency’s owner and psychic-in-chief; and Rasetsu, a smart-mouthed eighteen-year-old who bears a striking resemblance to Yako’s old flame Yurara. Through a plot contrivance that’s both amusing and ridiculous, Yako loses his gig at the library and joins the Amakawa Agency.

Enlivening the series’ demon-of-the-week plotting is the budding relationship between Yako and Rasetsu. Rasetsu, we learn, was attacked by a malicious spirit when she was fifteen. That spirit left a rose-shaped mark on her chest and vowed to return on her twentieth birthday to make her “his,” a reclamation with deadly consequences for Rasetsu. There’s an out, however: Rasetsu need only find true love before she turns twenty, a solution that’s heretofore proven elusive thanks to her abrasive personality and uncouth eating habits. It’s too early to tell if Yako will save Rasetsu from her fate, though it certainly wouldn’t be unexpected, given the strong undercurrent of sexual attraction that informs their bickering.

Of all Shiomi’s licensed works, Rasetsu boasts the best art and most accomplished storytelling. That’s hardly a surprise, given the story’s vintage; Rasetsu began serialization in Bessatsu Hana to Yume in 2006, whereas Shiomi’s other licensed titles — Canon, Night of the Beasts, Queen of Ragtonia — represent an earlier stage in her development. Though I’m partial to her High Baroque style, characterized by big shoulder pads, big hair, and unnecessarily elaborate outfits, Rasetsu has a cleaner, more contemporary feel than Canon or Night of the Beasts. The character designs are more refined, and the costumes, though stylish, no longer dominate the composition.

Shiomi’s narrative command is similarly improved. Gone are the creaky, expository passages found in Canon and Night of the Beasts, in which characters explain key plot points in excruciating detail. Instead, Shiomi shows rather than tells, using body language and wordless panels to fill us in on Rasetsu’s backstory.

Though Rasetsu covers some well-worn ground, Shiomi’s polished art and expert pacing make this series perfect summer reading, blending the unabashed romanticism of The Ghost Whisperer with the supernatural silliness of Ghostbusters to good effect. Highy recommended.

Review copy provided by VIZ Media, LLC.

RASETSU, VOL. 1 • BY CHIKA SHIOMI • VIZ MEDIA • 192 pp. • RATING: OLDER TEEN (16+)

Otomen, Vols. 1-2

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To a casual observer, Asuka Masamune epitomizes masculinity. Not only is he the captain of the kendo team and a star student, he’s also tall, handsome, and quick to defend weaker students from bullies — the kind of stoic, principled guy that boys and girls admire. That macho exterior belies Asuka’s true nature as a sensitive young man with girly hobbies such as making elaborate bento boxes, sewing stuffed animals (the cuter, the better), and reading Love Chick, a shojo manga serialized in his favorite magazine, Hana to Mame (literally, “Flowers and Beans,” a pun on Hana to Yume, or “Flowers and Dreams”).

Asuka’s charade is threated by classmate Juta Tachibana, a tousle-haired player who discovers Asuka’s big secret: an unrequited crush on transfer student Ryo Miyakozuka. Ryo is yin to Asuka’s yang, a pretty young woman who can deliver a mean karate chop but can’t bake a cake or sew a button onto a blouse. They may seem like a match made in shojo heaven, but there’s a catch: Ryo disdains “girly” guys. Her initial impression of Asuka is favorable, but that encounter unleashes a torrent of emotion inside Asuka that makes it increasingly difficult for him to play the cool, macho customer. Juta pledges to help Asuka win Ryo — a gesture that initially seems out of character for such a transparent opportunist and womanizer. As we begin to learn more about Juta, however, we discover that he is, in fact, the manga-ka behind Love Chick (he uses the pseudonym “Jewel Tachibana”) and that Asuka is the inspiration for the series’ graceful heroine. Whether Juta empathizes with his subject, or is hoping to manipulate Asuka’s life for literary fodder, isn’t yet clear, though Juta embraces his matchmaking role with gusto.

The set-up is ripe with possibility, but I wasn’t entirely sold on Otomen after reading the first volume. Aya Kanno earned points for her sensitive portrayal of Asuka and gentle digs at shojo cliche, yet the story lacked the necessary edge to be a true satire. Her characters expressed disdain for various shojo conventions while engaged in stereotypical shojo behaviors — meeting on rooftops, exchanging bento boxes, visiting amusement parks. Kanno enlivened these stock scenarios with a generous helping of slapstick, but they never quite rose to the delirious, gender-bending heights of Your and My Secret or My Heavenly Hockey Club.

Volume two suffers from the same have-cake-and-eat-it-too problem, as Kanno trots out more subplots from the shojo playbook: a Christmas date, a surprise fiancee. As with the amusement park trip in volume one, Kanno pokes fun at these familiar scenarios by piling on the misunderstandings and the fist-fights. When Asuka meets his fiancee, for example, he’s initially enchanted by her girly clothing and Disney-fied living quarters. He sticks to his guns, however, and declares his love for Ryo, setting off a chain of events that culminates in a daring rescue by Ryo and Asuka. Yet aside from inverting the usual rescuer/rescuee roles, this scene feels like it could have been lifted from almost any wacky shojo romance; Kanno can’t quite bring herself to skewer this very creaky plot device even as she paints a ridiculous scene.

Otomen is at its best when tackling gender identity head-on. In volume two, for example, Kanno introduces a character named Yamato Ariake, an underclassman who suffers from the opposite problem as Asuka: his petite, pretty appearance leads many folks to assume he’s a girl, even though Yamato has conventionally masculine tastes. He “apprentices” himself to Asuka to learn how to be more manly, gushing about Asuka’s height, gait, and reserved demeanor with infatuated abandon. Yet Yamato expresses disgust when he discovers Asuka’s affinity for cute bento boxes and “girly” activities: how could someone as cool as Asuka be so feminine? On one level, the Yamato-Asuka relationship is a send-up of the “sempai” crush so prevalent in shojo manga; as Yamato catalogues Asuka’s best features, for example, Yamato’s saucer eyes sparkle with the intensity of a Moto Hagio character’s. On another level, however, Yamato’s plight helps underscore just how difficult it is to find a niche when your appearance or personality deviate from established gender norms.

Kanno drives the point home by showing us the degree to which Asuka’s thoughts and feelings reflect his feminine avocations. Using shojo manga tropes — flowery backgrounds, sparkling screentones, close-ups — she demonstrates that Love Chick has profoundly influenced the way in which Asuka fantasizes about Ryo, as he imagines an ideal Christmas Eve date that involves a tender exchange of words and a chaste kiss — hardly the stuff of harem comedies. She also uses these time-honored techniques to help us understand Asuka’s ambivalent feelings about his father, who abandoned the family to have a sex change operation. As we learn in volume one, his dad harbored a similar interest in girly things; his departure inspired Asuka’s mother to purge the cute and sparkly from Asuka’s life, lest he also turn out to be a woman in a man’s body. Though the flashbacks to Asuka’s childhood border on melodrama, the way in which they’re drawn gives them a poignancy and immediacy that mitigates against camp.

I’m not sure on which side of the drama/satire divide Otomen will settle, but I certainly plan to continue reading this odd, funny, and sometimes moving tribute to a character who’s man enough to excel at kendo and like shojo and stuffed animals.

Review copies provided by VIZ Media, LLC.

OTOMEN, VOLS. 1-2 • BY AYA KANNO • VIZ • RATING: TEEN

Otomen 2 by Aya Kanno: B

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otomen2-125This volume presents three episodic tales, two of which focus on Asuka’s challenge to be true to himself despite the expectations of others. In the first of these stories, he acquires an apprentice who wants to use him as a reference on how to be cool and masculine, requiring Asuka to suppress his girly tendencies, and in the other, his mother attempts to set him up in an arranged marriage and manipulates him by warning that her health will suffer if he should thwart her or betray any sort of preference for feminine things. This last story is insanely kooky, but it gives Ryo the opportunity to ride in on a white horse and rescue the about-to-be-wed Asuka, so I can’t fault it too much.

Kanno’s art is very attractive in general, but I was especially impressed by it in this volume because she was able to adopt a completely different style—one reminiscent of ’70s shoujo—to depict the parents of Asuka’s fiancée. What’s more, there are scenes where they are sitting at a table with Asuka’s mom, and seeing the two very different artistic techniques juxtaposed in the same panel is pretty awesome.

The other story in the volume is more of a romantic one. Asuka finds out that Ryo has never celebrated Christmas before, and so plans the perfect Christmas party for her. It’s a nice chapter overall, but the best part is Asuka’s inexplicable fixation upon a yule log as the essential ingredient for the event. I often find straightforward comedies unfunny, but the absurdity of Otomen gets me every time.

Review copy provided by the publisher. Review originally published at Manga Recon.

Crimson Hero 10 by Mitsuba Takanashi: B

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The six members of the Crimson Field High School girls’ volleyball team have come a long way and are now participating in the Newcomers’ Tournament, an important stepping stone to their ultimate goal, the Spring Tournament. They win their first two rounds handily, but are faced with a tough opponent for the third round. Meanwhile, Nobara and Yushin are still keeping their feelings for each other a secret.

Even though I am far from athletic myself, there is something about sports manga that I adore. Crimson Hero does particularly well at giving each teammate a moment to shine and in recent volumes, each of the supporting girls has improved her skills in some way or another. The matches are also a lot of fun and easy to follow. Frankly, I wish there were more of them.

I’m a little frustrated on the romance front, though. Nobara has liked Yushin for a long time, and was firm about this even when she realized that another boy, Haibuki, had feelings for her. Now, when Yushin has finally reciprocated, Nobara’s suddenly starting to be affected by Haibuki, thinking things like, “These days your smile messes with my heart.” I was really hoping this series wouldn’t go down this road; the fact that it seems poised to do so is disappointing.

Review copy provided by the publisher. Review originally published at Manga Recon.

On The Shojo Beat

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I have a couple of reviews in today’s On The Shojo Beat column at Manga Recon, for volume 8 of Yuu Watase’s Fushigi Yugi Genbu Kaiden (you can read my review of the previous volume here), and for the first volume of Honey Hunt, a new series by Hot Gimmick creator, Miki Aihara. It’s probably too early to really say, but Honey Hunt could potentially make its way on to my list of addictively readable shojo (thanks, David Welsh). It’s not of the same quality as something like NANA, but it is pure, trashy fun.

Expect a few more additions to my recent shojo review binge on this blog over the next couple of weeks, as well as a nice new burst of shonen (beginning with last night’s review of Hikaru no Go, vol. 15). Later!

Crimson Hero 9 by Mitsuba Takanashi: B+

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From the back cover:
Just when Nobara is set to play with the Eagles against the men’s team at Central Sokai University, Yushin shows up on campus! Has he come to make a play for Nobara?

Review:
At last! I love seeing good things happen for characters I like, and this volume is immensely satisfying in several important ways. Nobara gets her first taste of victory when the beach volleyball team manages to beat the elite college team, though I am kind of getting annoyed with all of these games that go all the way to the very final point. I guess that’s supposed to show how hard the struggle was? There’s also some awesome stuff between Nobara and Yushin.

But the very best stuff actually happens when Nobara returns to Crimson Field. In her absence, one of her teammates, Kanako, a relative newcomer to volleyball, has been training really hard. She’s proud of her new skills and shows them to Nobara, who is appropriately impressed. Alas, the coach is more interested in what Nobara has learned to do and is dismissive of Kanako, who’d been receiving personal attention up ’til that point and whose goal was to become better than Nobara.

Nobara realizes later, upon seeing the tattered state of Kanako’s equipment, just how hard she’d been working and refuses to accept Kanako’s resignation from the team. There’s this great scene where they meet up in a café or something. Kanako says, “I’m not going to lose to you!” To which Nobara replies, “I’m not going to lose to you, either!” Then they both break out in tears. There’s one panel of the two of them sobbing away with the sound effect “Waaaaah” going across it. It’s wonderful, funny, and in character, too. I think I read that sequence over, like, four times.

And, as if all that weren’t enough, the Newcomers’ Tournament (which has some bearing on the attendees for the Spring Tournament somehow) begins and the Crimson Field girls handily win their first game. It’s a feel good volume all around.

Crimson Hero 8 by Mitsuba Takanashi: B-

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From the back cover:
Coach Shima sends Nobara to train with the men’s team at Central Sokai University. However, these college guys have no intention of letting a girl join their practice—unless Nobara can find a way to gain their respect.

Review:
It took me this long to start to get tired of reading this series, which is probably a compliment. And really, this volume is pretty decent. Nobara is training with a beach volleyball team and learning to see her skills—like her amazing jumping ability—objectively. Her teammates are rather silly, but overall these chapters are pretty fun. In fact, they’re very shounen, with lines like, “I’ve got to become stronger!” and “There’s got to be an attack only I can do!”

Alas, there are also some lame, kind of retconny moments. Nobara having a particular childhood hero has never been mentioned before, but suddenly we are told she had one and turns out to be, of course, Ryo, the guy she’s been sent to train with. Worse, though, is that Nobara goes practically bonkers during a typhoon and rushes out to the beach to physically hold onto one of the posts holding up the net so that it won’t get destroyed because she must become stronger and all of that. She later explains that she often goes nuts during storms on account of the childhood trauma of being locked in a storage room during one. Normally Nobara is not the type of heroine to have a “too stupid to live” moment of such magnitude. It was pretty crapulent.

Anyway, it is at least clear that Nobara is improving. I look forward to seeing how her new skills will translate on the court.

Crimson Hero 7 by Mitsuba Takanashi: B

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From the back cover:
Nobara’s drive to get the girls’ volleyball team ready to qualify for the next Spring Tournament has tensions running high. Have Nobara’s dreams finally outgrown those of her teammates?

Review:
Yay, volleyball once again takes precedence over romance! This volume begins with the girls team in shambles, reeling from yet another defeat, and Ayako telling Nobara that they’re not like her and never really believed they could make it to the Spring Tournament (Nobara’s big dream). After a brief stint at a special training camp makes Nobara realize that it’s her own team that she wants to play with, she returns and the team gets itself together. Training begins in earnest, with the new coach leading the girls through intensive drills.

The problem is that Nobara’s simply enjoying playing so much that she’s not trying her hardest in the practice games. I love that the other girls are worried about her talents going to waste and are working hard to try to challenge her. Finally, at the end of the volume, Nobara realizes that she isn’t pushing herself, and departs to go study with some surfer guy who I can only assume is a volleyball guru of some sort.

With things mostly stable on the girls’ team, it’s up to the boys to provide the drama. Alas, I found this segment of the volume pretty boring. Basically, now that the third years have retired to focus on their college entrance exams, the second years are feeling overshadowed by the new crop of talented first years and quit in a huff. Yushin is ultimately the hero. No big surprise there.

This volume is better than the last, but still isn’t as exciting as it could be. Hopefully there’ll be another fun game before too long.

Crimson Hero 6 by Mitsuba Takanashi: B-

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From the back cover:
Haibuki, jealous of Nobara’s crush on his teammate, Yushin, finds it hard to concentrate on volleyball, and both boys end up benched during a game. Now their coach has ordered Nobara to stay away from both of them!

Review:
There are some cute moments in this volume, but mostly it’s kind of disappointing, the middle pair of chapters especially. In the first of these, the training camp is done so everyone’s participating in a “night of fright” test of courage kind of thing. I actually giggled at Yushin’s nonreaction to a gorilla-headed guy bursting from some shrubbery (“Woah.”), only to groan some moments later when Nobara fell victim to the dreaded “girl on test of courage falls off hitherto unnoticed cliff and requires rescue by love interest(s)” plot. Seriously, so lame.

The next chapter after that is a major downer, as the girls acquire a coach who is apparently trying to motivate them by making them think they’re morons for having high aspirations or something. Also, there’s a lot of talk going around the volleyball scene about Nobara’s talent and how she’ll never achieve anything being stuck on a mediocre team. This is kind of painful to read, since I want the team to be succeeding already, but it’s true that they still can’t quite manage to keep it together and win a game. I do appreciate the consistent characterization of Ayako, who has always been the one who had the most trouble believing that the team really does have a chance to become something great.

At some point during all of this, the boys fail to win nationals but rank in the top eight. I would’ve liked to’ve seen some of that, but we really just see them walk on a court and are then told the results.

Anyway, I really want to see the girls start winning soon. I guess perhaps Takanashi figured that the audience would be expecting this win—and I was—so decided to subvert the standard pattern and give them further obstacles to surmount. I’m just already impatient for some feel-good triumph!

Crimson Hero 5 by Mitsuba Takanashi: B

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From the back cover:
Out walking in the rain, Nobara and Yushin are mistaken for a couple by passersby. Nobara wants to tell Yushin that she is in love with him, but he already has a girlfriend—Satomi. Yushin, worried that Satomi might get the wrong idea about his relationship with Nobara, leaves Nobara behind to walk home by himself—and comes across Satomi kissing another boy in the street.

Review:
My first reaction upon reading the back cover blurb is, “Well, that’s convenient.” It actually plays out better than I thought it would, though. It’s not a simple decision for Yushin to switch to Nobara now that Satomi is out of the way, since he feels he’s partly in the wrong for not spending enough time with her.

And, yeah, the romance stuff isn’t bad, but it has really taken over all of a sudden. There is some volleyball action—a new member joins the team and the girls also get to attend a ritzy training camp along with the boys’ team—but nearly everything works its way back to Nobara and her feelings for Yushin by the end. As much as I like them together, I like either of them being sporty and determined more than awkward and red-faced.

There are a few things to like, though, about how it’s handled. One is that Nobara makes a promise to herself that she won’t let her feelings for Yushin enter her mind when she’s on the court, and the second that she tells him it’s fine if he wants to focus all his energy on volleyball, because she intends to do the same. Just because she likes him doesn’t mean she’s going to become clingy. And even the Haibuki situation is interesting. He, at first, seemed like a likable enough, if quiet, guy, but has recently proven himself to be short-tempered and creepy.

So, no, not my favorite volume, but there are tournaments coming up, so hopefully the series will soon return to what it does best.

Crimson Hero 4 by Mitsuba Takanashi: B+

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From the back cover:
Nobara, still confused by why she cried when she saw Yushin with his girlfriend, is trying to focus her energies on her team’s first official volleyball game against one of the top three teams in Tokyo—Tabesho High. The night before the game, Yushin gives Nobara a necklace for luck, but then brings his girlfriend with him to watch the game the next day! Nobara will have to put aside her frazzled emotions to concentrate on the match at hand.

Review:
There is just something awesomely addictive about sports manga. I am eating this up with a spoon!

So, in this volume, the girls get to actually play in a tournament. Heart strings are tugged by allowing everyone on the team—even the utter newbie—to contribute a save in a critical moment. I think I actually got a little verklempt. The match actually kind of plays out very similarly to the challenge with the boys’ team, but the overall outcome is different. It’s all quite awesome.

I also love seeing the boys triumphantly clench their fists at a girls’ match. I wish more men were so enthusiastic about womens’ sports in this country (not that I am at all a sports buff in reality).

There actually isn’t much to say about this volume beyond that. It’s still tremendous fun and I’m plowing on to volume five in a matter of moments.

Crimson Hero 3 by Mitsuba Takanashi: B+

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From the back cover:
Former star setter Tomoyo joins the ranks, and now the six players are an official team at Crimson Field High School! However, Nobara is so focused on training that she fails to notice her team is falling apart under the pressure. Not only that, but Nobara must now find the money to pay for her uniform and club dues. Will Nobara be able to swallow her pride and ask her mother for help? Or will she have to give up on her dream after coming so far?

Review:
I was enjoying that Crimson Hero was all about girls striving and doing things purely for themselves to see what they could accomplish. I thought it didn’t need any romance. But then, the romance, she burgeoned, and I find that I kind of love it.

Ever since Yushin heard Nobara’s story and witnessed her passionate love of volleyball in action he, like his dormmates, has become more supportive of her. Lately, when she has had problems, he’s been the one she talked them over with, because she sort of instinctively knew he’d understand her. In this volume, he accompanies her during a very silly, melodramatic rescue of her younger sister (who’s attending an omiai with a cretin), and after Nobara returns from dealing with her parents, she has a good cry against his chest. Nobara’s so clueless about love that she doesn’t realize that she’s got any kind of feelings for Yushin beyond friendship. That is, until she sees him together with his girlfriend.

I’m not quite sure why I love this so very much, but I do. I think it’s because Nobara’s feelings are based on friendship and are directed toward a boy who is very good for her, as opposed to one who’s just princely or popular. I also like that Yushin and Haibuki, while probably classifiable into the “hothead and cool guy” stereotypes that often occupy romantic triangles in shojo manga, don’t really fit so easily into those roles. Haibuki can be a bit of an ass, but he can also be a nice guy. Yushin’s not really a hothead, though he is honest and direct.

Oh yes, and there’s a practice game, too. It was pretty short, though. I’d have preferred more of that and less sister rescuing, but at least the latter provided an opportunity for Souka to see how phenomenal Nobara really is.

Crimson Hero 2 by Mitsuba Takanashi: B+

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From the back cover:
Nobara is issued a challenge from the boys’ volleyball team: if her team can score one point against them in a match, the girls will win. But, if the girls lose, Nobara will have to give up on having a girls’ volleyball team at Crimson Field forever. With everything on the line for the girls, the boys are playing to win, and even Haibuki seems determined to crush Nobara by aiming at her on the court.

Review:
This volume is a lot of fun. First, there’s the three-on-three challenge between the girls and the boys, which goes exactly as one might expect, but is nonetheless very entertaining and features Haibuki sneakily alerting the broadcast club so that a bunch of students will turn out and lend their support to the underdog girls’ team. I also like that the formerly assy boys living in the dorm begin showing much more support for Nobara’s endeavors after her showing at the game.

Next, there’s Nobara’s search for team members which reminds me a lot of Hikaru no Go in terms of the acquisition of a couple of enthusiastic newcomers who help fulfill the numbers requirement without really providing much by way of talent. These newbies bring the club’s membership up to five, leaving Nobara one person short of officially qualifying as a team.

Enter Tomoyo Osaka, who was a star player in junior high until an injury sidelined her before an important game. She was convinced that her team needed her in order to win, but it turns out they found a replacement pretty quickly. Since then, she’s stayed away from the sport and adamantly maintains she has no intention of playing, but of course we and Nobara know better, and our protagonist exerts her hero skills again as she finally breaks through to what Tomoyo’s real objections are. This whole section was perfectly paced; Tomoyo’s sour attitude and backstory angst would’ve gotten irritating if it’d continued for too long, but here it wraps up in just enough time for Nobara’s success in getting through to her at last to feel well-earned.

About the only complaint I could make is that all of this scrambling and struggling—the entire series, even—could’ve been averted if only Nobara had made sure that she was going to be attending a school with a strong girls’ volleyball team. You’d think that if she’s so passionate about it, she’d put forth that extra effort.

In any case, Crimson Hero is definitely fun and I am eager to read the next volume. Which is handy, ‘cos I have about eight of them sitting here.

Crimson Hero 1 by Mitsuba Takanashi: B

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From the back cover:
All that matters to 15-year-old Nobara Sumiyoshi is volleyball—she’s an awesome player with big-time ambitions. But sometimes it seems like a girl just can’t get a break in the competitive world of high school volleyball.

Nobara’s family wants her to inherit the role of “young mistress,” serving rich patrons at her family’s old-fashioned Japanese restaurant. No thanks! When Nobara transfers to Crimson Field High School, known for its top-notch volleyball team, it turns out that her mother will stoop to dirty tricks to keep her off the court. With assistance from her feisty Aunt Momoko, who’s got some connections at Crimson Field, Nobara decides to start playing offense.

Review:
Seriously, are there any bad Shojo Beat manga? I suppose I wasn’t very keen on Time Stranger Kyoko or I.O.N, but I think I’ve liked all the others that I’ve read.

From childhood, Nobara’s parents tried to mold her into a “young mistress” of grace and refinement who would be suitable to take over their traditional family restaurant. She continually disappointed them, and was always being unfavorably compared to her lady-like younger sister, Souka. It was only through volleyball that she found something at which she excelled and, through it, she eventually learned to like herself as she was.

Fast forward to high school. Nobara has enrolled at Crimson Field High School purely on the strength of its volleyball program, but when she arrives, she finds that her mother has exercised her PTA clout to get the girls’ team disbanded. In a fury, Nobara runs away from home and her aunt, the school nurse, sets her up with a job as the interim house mother for the school’s volleyball dorm, currently occupied by four rather assy boys. Nobara makes many mistakes, but eventually the fact that she’s trying so hard purely for the opportunity to play volleyball starts to win over a couple of the guys.

I think this may actually be my first shoujo sports manga, but so far I’m enjoying it a lot. I love Nobara’s androgynous character design, and also that she tries to be tough but sometimes experiences insecurities. Most of her vulnerability comes from having her dream continually thwarted by her family, so when someone actually speaks up for her—as dorm resident Yushin does when her mom shows up at the dorm to collect her—it’s actually a pretty emotional thing.

Towards the end of the volume, Nobara begins to make contact with the girls who used to be on the volleyball team, as she’s been told that if she can assemble enough players, the school will reinstate the team. Her passion and refusal to submit to insults from the boys’ team inspires the dispirited remnants of the team, making one realize just what the title really means. I find I’m really looking forward to the formation of the team and actually seeing the girls work hard in pursuit of success.

On the negative side, there are a couple of cheesy plot elements, like the fact that Nobara has met one of the boys before in elementary school and that, as a result of juggling all of her responsibilities, she (of course) contracts a fever and requires nursing. A more minor, yet still annoying, quibble is that Nobara seems to be the only student at her school who does not wear a uniform. How is she not getting in trouble? Too, there doesn’t appear to be any standardization in the sailor fuku the other girls are wearing, so it’s just entirely confusing

Lastly, I think Nobara and Haruna from High School Debut should meet. They would probably get along well.

Crimson Hero is still being serialized in Japan and its fifteenth volume is due out there later this month. Viz publishes the series in English; they’ve released through volume ten. I think this series is the only one of the original batch of titles featured in the Shojo Beat magazine to still be included in its line-up. This results in rather lengthy delays between volumes.

Monkey High! 5 by Shouko Akira: B+

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When reserved, intelligent Haruna transferred into a new high school, she never expected to fall for the most chipper and scrawny guy in her class. That’s exactly what happened, though, and she and Macharu have now been dating for a year.

In this volume, some difficulties arise in the lead characters’ relationship. It’s not as if they fight in dramatic fashion, but because they see the world differently, they sometimes have trouble understanding each other. Macharu is very open and optimistic while Haruna is neither of those things (she doesn’t even have any internal monologues). She seeks to protect herself and in, so doing, occasionally gives Macharu the impression that she doesn’t care about things that are important to him. Add in the complication that Macharu’s best friend, Atsu, actually sees and understands this side of Haruna better than Macharu does, and you’ve got an interesting romantic triangle forming.

On the negative side, in five volumes of the series, nearly every chapter has centered on the kind of event that veteran manga readers will have seen dozens of times before: a date to an amusement park, a trip to the beach, a summer festival, major holidays, et cetera. It grows quite tiresome. Too, while the art in general is good, some pages are so slathered with screen tone that they are positively grey.

Still, even though I can already predict that the next volume will prominently feature Valentine’s Day in some capacity, I’m looking forward to seeing how the drama plays out.

Review copy provided by the publisher. Review originally published at Manga Recon.