Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Bookshelf Briefs 5/30/23

by and Leave a Comment

Blue Box, Vol. 4 | By Kouji Miura | Viz Media – We finally tip the balance of this sports romance series back to romance in this volume, as Taiki’s cold means that Chinatsu ends up taking care of him, which leads to standard teen romance manga “I fall on top of you” shenanigans… but this is Blue Box, not Love Hina, so the reactions for both of them are very realistic and incredibly awkward. Chinatsu, unfortunately, is simply not ready for any kind of romance in her life right now, despite what her heart seems to be telling her, and Taiki accepts that for now, I think. As for Hina… hang in there, kid. I think until you get a spare to pair with, you’re pretty screwed. I expect we may go back to sports next time; I do like the back and forth. – Sean Gaffney

Dead Dead Demon’s Dededede Destruction, Vol. 12 | By Inio Asano | Viz Media – There probably wasn’t a good way that this final volume was going to wrap up for me. Asano’s series have always generally been too depressing for my tastes, and this is the only long-form one I read till the end. To its credit, all the timey wimey stuff happening throughout the series does mean that we get a happy ending of a sort, and the ending is somewhat optimistic, and ties in with Isobeyan. On the downside, I was not at all interested in the front half of this book, which basically involves a lot of freedom fighters and innocent civilians getting brutally murdered to show off what a terrible world this is now. Still, at its best, this series was magical. – Sean Gaffney

In/Spectre, Vol. 17 | By Kyo Shirodaira and Chashiba Katase | Kodansha Manga – Most of this volume is taken up by a new arc, written especially for fans who wanted to see more of the yuki-onna that settled down with her human lover, and it’s pretty good. But man, that first chapter is really something, as it just casually drops that there is no way that Kotoko can EVER be happy with him, she’s always going to have to end up killing him, because of the nature of who they both are. Fortunately, whenever Kotoko is NOT around, Kuro proves to be a lot more vocal about his feelings for her, and he’s working on a way to change that. All this and only ONE mention all book of Kotoko being sexually perverse. Possibly as she and Kuro are separate most of it. – Sean Gaffney

My Girlfriend’s Child, Vol. 1 | By Mamoru Aoi | Seven Seas – The title of this series seems to be a bit ironic, as we follow the POV of Sachi throughout the book (it is shoujo, from Betsufure), and it’s her thoughts and especially her fears that drive the book. It’s content to let us view Sachi almost through gauze, as her muted emotions slowly start to realize that she is, in fact, pregnant. Her boyfriend is there for her, as is her brother, but you get the sense that decisions about her future will need to come from her, and have been narrowed significantly because of this. That’s probably what leads to the cliffhanger ending to this volume, to be honest. It’s a riveting work, highly recommended if you like a series that rests entirely on mood. – Sean Gaffney

Natsume’s Book of Friends, Vol. 28 | By Yuki Midorikawa | Viz Media – Yay, Taki shows up! She’s the most normal of the cast, but I always like seeing her, and she helps her brother with what appears to be a yokai following him around on a tour of temples. Well, OK, she tells Natsume and Natsume helps him. Taki is never going to be that involved. In the main story, which will continue in the next book, we dig deeper into Natori’s past and family, as he goes back to his old home and ends up caught in a yokai’s trap… which, to be fair, he was expecting. This arc relies heavily on the fact that Natsume tends to sympathize with the yokai he’s helping, and the cliffhanger implies that it can be used against him as well. Still a fantastic shoujo series. – Sean Gaffney

Queen’s Quality, Vol. 17 | By Kyousuke Motomi | Viz Media – This volume technically ends with a death, and it’s handled really well, but it’s also a rebirth of sorts, so I think we come out ahead in the end. It also has some truly terrifying art inside—I’ve talked before about how I think there’s too many people in this cast, and that I can’t follow the plot, but I don’t talk enough about Motomi’s skill as an artist, which is exceptional. Oh yes, and we also get some nice little set pieces, including the “I was taken over by evil, I’m good now!….. jjuuuuuuuust kidding!” sort of character who you’re supposed to be happy to see the back of, though I don’t think this series can ever write someone being brutally killed without a bit of regret and sadness to it. Still reading it. – Sean Gaffney

Welcome to Demon School! Iruma-kun, Vol. 1 | By Osamu Nishi | Kodansha Manga – This is probably just me, but the first volume of this book is almost exactly like the first volume of Hayate the Combat Butler, right down to the incredible powers that the hero has all being products of the abuse of his parents. Iruma doesn’t become a butler, though, but instead ends up, as the title suggests, in a school where he’s the only human, and has to hide that fact. Most of the humor here is “I am trying not to be noticed, and fail miserably,” and to be fair it is a lot of fun—I can see why the series has a following. The one flaw might be Iruma himself, who in this first book is a bit TOO milquetoast for my liking, though again, abusive parents, so it makes sense. Good start. – Sean Gaffney

The Yakuza’s Bias, Vol. 1 | By Teki Yatsuda | Kodansha Comics – I didn’t realize initially that The Yakuza’s Bias is basically a gag manga. I don’t generally fare too well with those, but I was fairly amused by this one. Ken Kanashiro, second-in-command of the Washio Clan, is introduced by the boss’s daughter to the Korean idol group, MNW, and is immediately taken by one of the members, Jun, who teaches him what it means to be a man. Subsequent chapters involve Ken’s underlings noticing a change in him, a rival yakuza (Mizuhara) who sets out to whack him but ends up a MNW convert instead, and Ken’s growing Twitter fame. Any time I’d start to get weary of the joke, Yatsuda-sensei would find a way to make it fresh again. I might eventually get impatient with this series for not going much of anywhere, but I will definitely be back for volume two. – Michelle Smith

Sasaki and Peeps: The Psychics and the Magical Girl Drag the Death Game Crew into the Fight ~Alert! Giant Sea Monster Approaching Japan~

by

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

High School DxD: Ouroboros and the Promotion Exam

by

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This contains spoilers for the end of Book 11, but not till the third paragraph.

High School DxD remains one of the most shonen series ever written, because it’s absolutely filled to the brim with what makes a shonen series – on both sides. On the one side we have the shonen battle manga, with lots of powerful enemies, dealing with almost certain defeat, discovering that the person you just struggled to take out was merely the weakest of the ones you have to fight, etc. It’s the classic old-school “you defeat the bad guy by everyone in the cast shouting the hero’s name in unison as they hit him” shonen. But it’s also very much the other kind of shonen, in that the hero is excessively horny and can only think of sex, the girls are all in love with him and have big breasts, and the one who doesn’t have big breasts asks him to marry her once she grows up and gets them. That kind of shonen series. And when we combine them, what do we get? Well, we get the Breast Beam, of course, possibly the most High School DxD thing ever.

Issei, Kiba and Akeno have been through a lot recently, and have many accomplishments to their names – enough that they really should be high-ranked demons. But there are procedures to follow, so first they must take the exam to become MIDDLE-ranked demons, which, because demon society bases a lot of things on humanity, consists of a written and a practical test. The test itself proves to not be too much of an issue, even for a “poor grades” guy like Issei. The problem is that they’re being forced to take in a hideously powerful infinity dragon, Ophis, because Azazel is trying to achieve a greater peace with the other factions and hopes that she can help. Ophis, for her part, just wants to sit back and observe Rias’s group. Unfortunately for Azazel, if he wants peace, he’s in the wrong series.

Most English-speaking High School DxD fans, and yes, that includes the ones who actually *buy* the books, are familiar with the series to a ridiculous degree. They know that it’s 25 volumes long, and has a sequel that might equal that. And, of course, there’s the afterword from the author, where they discuss what’s going to happen in Book 12. That said, if High School DxD was not selling as well here, maybe if it was more like Index, it would be cruelly amusing for Yen On to simply cut the afterword and pretend that this was the final book in the series. “Yup, Issei dies. Bit of a downer ending, huh?” Of course, even someone who isn’t spoiled probably doesn’t buy that Issei’s death is anything but temporary. Still, it does make the final moments in this book nicely depressing, and also makes me wonder who’ll be narrating the next volume.

Solid book in the series. Fights. Breasts. And tragedy.

Baccano!: 1935-D Luckstreet Boys

by

By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

At last, we are forced to discuss the elephant in the room. This volume came out in Japan in August 2016, and there has not been another one since. Ryohgo Narita has been battling a lot of health issues. He’s also been writing another Bleach novel series, which was licensed in North America, and an ongoing manga series, which was licensed in North American AND got an anime. And, most importantly, there has been Fate/strange Fake, a light novel spinoff of the super duper popular Fate series, which began in 2014 but has had five new light novels since the last Baccano!, the most recent being this year. And it’s ALSO getting an anime. It has to be said, Dengeki Bunko know what is popular and what is merely a cult series. It has gotten to the point where, after I joked on Twitter about Narita forgetting about Baccano!, he actually replied to me to apologize and say it’s coming. So we’ll hold out hope. But till then, hope you enjoy this, as it may be a while till the conclusion we’re supposed to get with 1935-E.

The main thing that happens here which ends up dragging everyone into one place is that Charlie, the massive grizzly bear from a previous book, is now wandering around the streets of Manhattan. Fortunately, he very quickly ends up at the Grey Doctor’s office, where he finds friends in Isaac and Miria (who will befriend anyone). Unfortunately, Firo and Victor are also there, and they’re quickly joined by Ladd and Graham. Then everyone there (including the bear) is lured to Central Park, where ALL the Lemures have gathered, along with Maria and Luck’s other paid shit-stirrers. Oh yes, and Chane has come running, seeing that Ladd is there and really, really, REALLY wanting to kill him. None of this is surprising. What *is* surprising is that Lua gets a couple paragraphs all to herself, possibly the most she’s spoken in this entire series.

Usually in Narita’s books there’s always some normal guy who has to pretend not to be normal in order to get by. In Durarara!! it was Mikado, though he very quickly shot past that character type in a big way. It’s been a few people in Baccano!, most notably Jacuzzi. But in this entire arc, it’s been Nader, and that continues here – he’s basically the protagonist of this arc. (Melvi should be the antagonist, but everyone the last two books has spent all their time talking about how pathetic he is compared to the rest of the cast, so nah.) Nader is a two-bit villain who does not have the drive to be anything more, but when he finds out that Sonia is not only no longer in his hometown waiting for a hero to save her, but is actually the protege of Spike… well, let’s just say this is where the dramatic theme music starts playing behind him. Even Ladd notices the difference. I hope he lives, but it’s gonna be tough.

It’s also gonna be tough waiting for the next book, but at least we’re waiting a lot less time than Japan. Come back to Baccano! soon, Narita-san!

Reign of the Seven Spellblades, Vol. 8

by

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I have grown used to this series casually killing people off. It’s easy to guess when they’re one of the people on Oliver’s hit list, but we’ve also seen the glorious death of Diana Ashbury and others. The author knows this, of course, and plays with it throughout this book, making me assume once or twice that we were going to see yet another tragic student fate. Because, well, every student at this academy has a mission just as important to them as Oliver’s, a mission that they will kill for (OK, maybe not Guy, I can’t see Guy turning into an instrument of vengeance), and that unfortunately a lot of these goals and missions end prematurely and in death. It’s the nature of how they’re being taught in this academy that, frankly, takes sink or swim to all-new heights. It doesn’t help that – again – this volume ends with no epilogue or cooldown, just a climactic final scene and then the end.

The combat league continues, but there’s a more important issue to deal with: Godfrey’s sternum bone has been stolen by Cyrus, and without it his abilities are down to about 1/20th what they should be. No, this is still enough for him to slip through the early rounds of this tournament, but he needs that bone back if he’s going to get further – or win the election. And so everyone who is supporting him in the election, including our heroes, go on a journey to find Cyrus and get the bone back. Along the way they discover exactly WHY Cyrus is going around stealing everyone’s bones, and it will come as no surprise to find that it’s not because he’s just a giant jerk, but because of a life goal he has to achieve.

Fans of Spellblades will find a lot of things they like in this, including the fact that every single time Oliver and Nanao converse with each other at all, it’s interpreted by everyone else as “flirting” – much to the annoyance of Katie and Pete, the others in his unwanted harem. (I say again, poor Guy, who has so many issues. He’s the least developed character of the six, he’s clearly being paired off with Katie but she likes Oliver, and he’s R*n W**sl*y in all but name.) There are also some truly fantastic fights, and we get to spend time with the badass Lesedi Ingwe and the badass but also hilarious Tim Linton. That said, the best part of the book is Cyrus and why he’s doing this, and the final pages are really well handled. To say more would be to spoil.

I have no idea what’s going to happen next, thanks to this volume ending so abruptly. I assume more combat league stuff, as you can’t really drag a tournament arc on too long… (stares nervously at The Asterisk War)… right?

Maiden of the Needle, Vol. 1

by

By Zeroki and Miho Takeoka. Released in Japan as “Hariko no Otome” by Kadokawa Shoten. Released in North America by Yen On. Translated by Kiki Piatkowska.

This book’s plot and characters have a familiar feel, to the point where the biggest surprise I had in the first volume is that the male love interest has a goatee. So permit me to talk about one of my pet problems with light novels in general, which is that the writers don’t feel content to have antagonists be bad people, they’ve got to be THE WORST PEOPLE EVER. Sure, you could have a simple parent who favors one daughter over the other and just, y’know, frowns when she walks by, but why do that when they can starve her to death, lock her in a room, not teach her anything (which is an issue given the heroine is inevitably a reincarnation from Japan), etc? Oh yes, and let’s make them incompetent as well. And secretly housing possible terror weapons? Hell, even the heroine’s Japanese family was awful. Of course, this means you don’t have to worry when they’re all inevitably executed. Serves them right! Easy peasy.

In Japan, Tsumugi was dealing with an abusive father, a cowed mother, and her joy was hanging out with friends. Then she dies (I assume from the traditional traffic accident) and she is reincarnated as Yui. In this world, which is the traditional sort of fantasy kingdom, her family is supposed to have a special power to weave protective magic. Unfortunately, they’ve fallen on hard times, possibly as they’re all evil (see above), and the first fifteen years of her life are a living hell. Then she’s sold to another merchant for a large sum and, once given adequate food, water, and actual explanations about how things work, turns out to not only be a prodigy but close to a goddess, with her powers being able to heal fairies (the main source of magic here) and also cure fashion faux pas. But will she survive long enough to be acknowledged?

Yui is probably the reason I enjoyed this more than it possibly deserved. She’s a character that has to walk a fine line. She is definitely still suffering the effects of her abuse – even after proper food and water, she still looks thin and years younger than she is, and she has trouble speaking through the entire book, with extended conversations leading to coughing fits simply due to her never speaking before this. But she’s relatively matter of fact about things, not being too excited or too depressed. The book does not have much time to devote to her suffering in any case, as this is 100% the story of Yui being amazing and everyone praising her for being amazing. It’s fairly charming, and never annoyed me the way I’d expect, but this is a book you should only read if you love Cinderella stories, and it definitely has a lot of light novel cliches. In addition to the abusive family, we also get the shy but large-breasted knight, and the maid who loves cute things (including our heroine).

This could easily have ended in one book, but there is apparently a second, as Yui needs to power up so that, when she cuts off ties with her family, she isn’t cursed. I’ll probably pick it up.

Manga the Week of 5/31/23

by , , and Leave a Comment

SEAN: It’s the 31st of May, so get back indoors, you filthy people. (Sorry, Jonathan Coulton joke.)

ASH: I lol’d.

SEAN: Airship debuts, in print, There’s No Freaking Way I’ll be Your Lover! Unless… (Watashi ga Koibito ni Nareru Wake Naijan, Muri Muri! Muri Janakatta!?), whose digital edition came out last month. If you like protagonists who tell you how much they dislike themselves, you’ll love this.

Also in print: Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 5, She Professed Herself Pupil of the Wise Man 7, and The Strange Adventure of a Broke Mercenary 8.

In early digital, we see Free Life Fantasy Online: Immortal Princess 3 and Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 4.

A debut from Cross Infinite World, as we see The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister! (Kon’yaku Haki Sareta “Kūki” na Watashi, Nariagari no Dan’na-sama ni Totsugimashita). This too seems to feature a protagonist who puts herself down a lot, but this genre tends to bear that more than the “high school yuri comedy” genre, so I’m a bit more hopeful.

Also from CIW, we see Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace 5.

From Ghost Ship, we see The Witches of Adamas 5.

J-Novel Club has one debut next week: Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord (Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen). This one’s already getting an anime soon. An introverted gamer is reincarnated as the villainess, and does the sensible thing of avoiding most of the cast. The trouble is… man, her stats are so awesome! Her gamer instinct awakens! So she grinds till she’s Level 99, and, well, now she can’t avoid attention.

Also out next week: The Apothecary Diaries 9, Ascendance of a Bookworm 25, Cooking with Wild Game 21, Dahlia in Bloom: Crafting a Fresh Start with Magical Tools 7, Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored 2, Gushing Over Magical Girls 6, and I Parry Everything: What Do You Mean I’m the Strongest? I’m Not Even an Adventurer Yet! 2.

ASH: I somehow missed that Cooking with Wild Game was already in the 20s. Probably because I was distracted by apothecaries and bookworms.

SEAN: Kodansha Books gives us another gorgeously illustrated Japanese short story, The Surgery Room, as well as the second volume of My Unique Skill Makes Me OP Even at Level 1, which is slightly less prestigious.

ASH: Very much looking forward to The Surgery Room.

SEAN: Kodansha Books has some print manga. Am I Actually the Strongest? 3, Blue Period 13, A Condition Called Love 3, Fire Force Omnibus 4, The Great Cleric 3, and I’m Standing on a Million Lives 14.

The digital debut is The World of Summoning (Shoukan Suru Sekai). It’s a Bessatsu Shonen series from the creator of Blood Lad. A boy trying his best to be a summoner, who can bring things from other worlds to his own, finds the job is not as popular as he expected.

And we also see Having an Idol-Loving Boyfriend is the Best! 3, My Master Has No Tail 9, Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! 7, The Untouchable Midori-kun 4, and Yozakura Quartet 30.

Debuting from One Peace Books is Parallel World Pharmacy (Isekai Yakkyoku), based on a webnovel (not licensed) and also with an anime. It runs on Comic Walker. A man dies in Japan from overwork, and finds himself in medieval fantasy land, where medicine is the province of shysters and frauds. Time to overwork himself some more, I guess, but at least he has the usual OP cheats…

ASH: I’ll admit to being intrigued by this one.

SEAN: Seven Seas’ danmei line has Heaven Official’s Blessing: Tian Guan Ci Fu 6.

Debuting from Seven Seas is Don’t Call it Mystery (Mystery to Iunakare), which will be an omnibus of the first two volumes. This josei series from Flowers (pause for Michelle and Anna to freak out)…

ANNA: YES! I AM INDEED FREAKING OUT! WOOOOOOOOOOOO!

MICHELLE: Kyaaaaaaa~!

ASH: Oh!

SEAN: By the author of 7 Seeds and Basara (pausing even longer for the same reason)…

ANNA: WHY WILL SOMEONE NOT LICENSE 7 SEEDS, WHY WHY WHYYYYYYYYYYYYYYYYYYYYY.

MICHELLE: I READ A THEORY IT WAS BECAUSE THE ANIME WAS KIND OF LAME BUT I WILL HAPPILY ACCEPT THIS IN ITS PLACE!!!!

ASH: Oooh!!

SEAN: The book is about a young college student with a huge head of hair who keeps getting involved in crimes – first as the suspect, then as the detective! It’s won multiple awards.

ANNA: I AM HYPED UP FOR THIS!

MICHELLE: COULD IT BE BOTH YUMI TAMURA AND A GENUINE MYSTERY MANGA? IS THIS HEAVEN?!?!

ASH: I am here to find out!

SEAN: In non-josei from Flowers by the author of 7 Seeds news (yes, there is some), Seven Seas also has The Duke of Death and His Maid 6, My Room is a Dungeon Rest Stop 6, Polar Bear Café: Collector’s Edition 2, Sakurai-san Wants to Be Noticed 4 (the final volume), Servamp 18, and Skeleton Knight in Another World 10.

ANNA: I mean, I don’t really care if Don’t Call it Mystery coming out.

MICHELLE: Srsly. All other manga is dead to me this week.

SEAN: Square Enix Manga has The Great Jahy Will Not Be Defeated! 5 and SINoALICE 3.

And Steamship gives us the 3rd volume of Ladies on Top.

And that’s it, because it’s the 5th week of the month, so a lot of publishers punt. What interests you?

ANNA: I’m tentatively interested in i>Don’t Call it Mystery. Perhaps.

MICHELLE: Just a smidge.

The Manga Review: Simply the Best

by Leave a Comment

Words like “icon” and “legend” are so overused today that when a true pioneer dies, it’s hard to describe their legacy. By any reasonable measure, though, Tina Turner was both an icon and a legend, a ground-breaking figure in R&B and rock music whose expressive voice and commanding stage presence radically transformed American popular music. Her voice could be seductive or powerful, heart-breaking or soul-stirring, embodying the real emotion behind even the most banal lyrics. (Who but Tina Turner could make “River Deep, Mountain High” into something glorious?) That she had her greatest success in her forties is perhaps the most astonishing part of her story. At an age when women are often pushed to the margins of the popular music industry, Turner packed stadiums around the world, sold millions of albums, and won legions of new fans through her music videos and standout performance at Live Aid, reminding all of us that artistry is a life-long pursuit. As much as I love her earlier work, though, the song I come back to is one of the last recordings she made: “Edith and the King Pin,” a Joni Mitchell cover she recorded with Herbie Hancock in 2007. The whole album is terrific, but Turner’s contribution is revelatory, a stellar jazz interpretation of Mitchell’s song that is delicate, lyrical, and yet unmistakably Tina Turner:

RIP, Acid Queen!

AROUND THE WEB

Otaku USA has a preview of Alpi: The Soul Sender, a new series from Titan Manga; look for volume one in early October. [Otaku USA]

Tony Yao explains why Tokyo Revengers’ Chifuyu Matsuno is one of his all-time favorite supporting characters. [Drop-In to Manga]

Something old, something new: Kory, Apryll, and Helen compare notes on Lil’ Leo and Oshi no Ko. [Manga in Your Ears]

Join the OverMangaCast gang for a lively discussion of JoJo’s Bizarre Adventure—specifically, the Battle Tendency arc. [OverMangaCast]

Place your bets: Sean, Mike, and Phil have just embarked on their annual Trashtacular Tournament Arc, sifting through the good, the bad, and the ugly so that you don’t have to. [Trash Manga Friends]

REVIEWS

Over at Anime Collective, Kristin reviews the deluxe versions of 20th Century Boys, Blade of the Immortal, and Pandora Hearts… Megan D. jumps in the WABAC Machine for a look at Cipher, a manga with “a great cast, a compelling premise, and great art that looks as fresh as it did nearly 40 years ago”… Adam Symchuk weighs in on Small Nozomi and Big Yume… and the latest Reader’s Corner looks at Helck, Honey Lemon Soda, and the final volume of Horimiya!

New and Noteworthy

Complete, OOP, and Ongoing Series

How to Win Her Heart on the Nth Try

by

By Ichine Kamijo and Yu Shiroya. Released in Japan as “n-kaime no Koi no Musubikata” by Kadokawa Bunko. Released in North America by Yen On. Translated by Judy Jordan.

Years ago, in the pre-light novel days, it always seemed that manga brought over to English speakers was written purely for teenagers in middle school and high school, and the romances all revolved around school clubs and walking home after practice. I would wish that for once, just for once, we could get a romance about grownups, in real jobs, and dealing with grownup concerns. So! I have good news and bad news. The good news is that this is definitely a book for and about grownups, with grownup concerns, and they have white-collar office jobs. The bad news: if you, the reader, work in a white-collar office job, be aware that this book will hammer on your anxieties and fears for 250 pages until you want to shriek. Every “you or your subordinate screwed up, please come to the manager’s office at once” nightmare is seen here, right down to having your laptop stolen. Fortunately, this book is written for exhausted workaholic women, and so there’s a guy who can come to the rescue.

Nagi is a systems engineer with a tragic past, working at a smallish company owned by her uncle. She has two juniors, and her entire life seems to run on stress and last-minute deadlines. There’s certainly no time for romance. That said, she also has Keigo, a childhood friend who works in the same company. He’s a great guy. And a good friend. On Keigo’s end, he’s been trying for the last fifteen years to subtly convey to the oblivious Nagi that he loves her, and none of it has stuck. And in a high stress office like theirs, the question is not “when will these two finally realize that they’re a couple?”, but “can they get together as a couple before they either die of overwork or end up having to take the fall for some disaster that seems to constantly be happening?”.

I can definitely see this book’s appeal to women, with the core not being “I just need a man who can understand me” but “I just need a man who can finish all my work for me”. Both hero and heroine are flawed people with very real hangups that prevent this from easily resolving, and even after getting together we see things aren’t smooth sailing. The most interesting part of the book was probably Nagi’s junior Saotome, who is small and cute, which gets her a lot of attention. This is unwanted attention, because she’s in love with Nagi. She and Keigo don’t get on, of course, but eventually manage to work things out. Other than that, I will again note that this book can make for uncomfortable romance reading. You keep waiting for Nagi to be fired for some reason or another, or have bad things happen to her. It’s definitely showing me I could never make it in Japanese office culture.

So if you want a workplace romance, and don’t mind that the male lead tends to swoop in to save the day a lot, this is pretty good.

A Pale Moon Reverie, Vol. 1

by

By Kuji Furumiya and Teruko Arai. Released in Japan as “Tsuki no Shirosa o Shirite Madoromu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jason Li.

This is definitely one of those series where you can sell it to others by simply saying who wrote it. For the right reader, “from the same author as Unnamed Memory” is quite the draw, and this series has a lot of the same strengths that made Unnamed Memory such a compelling work. Most notably that it feels like a “normal” fantasy work, rather than one filtered through Japanese light novels and webnovels. It’s refreshing these days to read books without stats, adventurer’s guilds, and the rest. This series is creating its own world, thank you very much, and the world is quite compelling. The two leads will also seem very familiar to those who’ve read Unnamed Memory, though they both lack the experience and maturity of Oscar and Tinasha. And, of course, there’s also the prose, which is excellent (and well translated). This is a book to curl up in a chair and take your time reading (and you’ll have to, it’s a long one).

Xixu is a shadeslayer, trained to seek out shades (basically evil ghosts) and destroy them. He’s very good at his job, but is overly serious and dour. He’s sent by the king (at the behest of the king’s seer) to Irede, a legendary city devoted to wine, women and song… literally. While there, he’s introduced to Sarida, the proprietress of the Pale Moon, a courtesan house with very strict rules – the courtesans pick their customers, not the other way around. Sari is only sixteen, and (as it turns out) has not yet chosen any customers, but she has other things that concern her, mainly that she has supernatural powers that can aide shadeslayers in binding the shades to make them easier to get rid of. As the book goes on, Xixu and Sari find themselves growing far closer to each other than they’d expected.

As with Unnamed Memory, this is basically an omnibus of two volumes that could have easily sold as normal 200-page books, but the author seems to like doorstoppers. Xixu is a good male lead, being dedicated and humorless but also caring and perceptive. Sari is more complicated, partly due to reasons I won’t spoil, but she’s also the one who tends to get in trouble a lot – she’s not quite a damsel in distress, don’t get me wrong, but when the climax of the book is about to happen you will find her at the center being restrained by the bad guys. As for the rest of the cast, I was a bit disappointed that the traitor in the first book was the obvious choice, though at least there was some attempt to throw us off the trail for a bit. I also very much like the idea of a courtesan house where the first rule is consent. But mostly I loved the worldbuilding and the writing. It’s the reason to read this.

This came from a webnovel, which is finished online, but we all know that doesn’t necessarily mean anything to publishers. Still, I hope it does well for Drecom, as I love this author and want to read more of this odd but endearing couple.

Accidentally in Love: The Witch, the Knight, and the Love Potion Slipup, Vol. 1

by

By Harunadon and Eda. Released in Japan as “Koisuru Majo wa Elite Kishi ni Horegusuri o Nomasete Shimaimashita: Itsuwari kara Hajimaru Watashi no Dekiai Seikatsu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Arthur Miura.

I don’t expect every book I read to be good, and I know that a lot of them can pretty much be summed up as “this is an adequate representation of its genre”, but I usually like something that I can grab on to, if only for the reviews. Something that’s a bit odd, or weird, or different. No, I’m not going to talk about THAT word yet, more on that later. Instead I will note that this rather normal, generic romance novel has an odd quirky humor at times that sort of leaps out and grabs you. It’s as if the author is coloring in the lines in a book, but can’t resist all of a sudden just drawing halfway across the next page. And the scene in this book, about halfway through, when Cecily gets eaten by a wyvern, was exactly that. I laughed till I cried. The only drawback is it wasn’t illustrated.

Cecily, who grew up loving fairy tales about princess tricked by evil witches, is horrified when she comes of age to discover that she is, in fact, one of those witches. Now she has to live on her own for two years, as is tradition, and peddle her craft. The trouble is that Cecily is horribly introverted, so for the most part lives in a little house in the big woods. One day, her potion that changes her eye color wears off right as she’s wrongfully accused of theft, and a nasty incident is about to happen. Fortunately, she’s saved by a handsome knight. Unfortunately, she misunderstands something when overhearing him later and gets mad, deciding that (just as her mother did to her father), she’s going to brew a love potion and have the knight drink it! Surely nothing can go wrong.

So, let’s talk about the Princess. To be fair to the translator, I’m fairly certain there was no good way to translate this and not have it have the exact impact it has, that vague frisson of “a 14-year-old princess should not be using that word”. That said love potions aside, this is a sweet and fluffy romance novel for the most part, so when you recommend it you’re really going to have to say “also her best friend the princess says “loins” constantly”. Or else you’ll get glared at. The loins also fall into that quirky humor I mentioned above. I’m glad it’s there, as the two leads are not anything to write home about. I admit Cecily’s type, the nervous, self-hating introvert, is never my favorite protagonist to read, so that doesn’t really help. That said, I did enjoy the quirks, and, as you might have guessed, no one really does anything against their will here.

Feels complete to me, but a second book is on the way. If you enjoy collecting J-Novel Heart titles or just want to see a young woman get swallowed by a lizard, this is a good book to check out.

Bookshelf Briefs 5/21/23

by and Leave a Comment

Catch These Hands!, Vol. 4 | By murata | Yen Press – When two people who already know each other well decide—or are trying to decide—to be a couple, it can be very easy to start second-guessing. That’s what we see in this final volume, as Takabe realizes that she has no idea what Soramori’s likes, dislikes, and hobbies are outside of their tiny little interactions, so tries to nudge Soramori into doing things she enjoys. The trouble is, and Soramori feels shamed about this, she doesn’t really have anything much of a life outside Takebe. She worries this will mean Takabe thinks her too much trouble to be worth it, but Takabe is able to use this to finally admit how she feels. In the end, the two are a couple, but still feeling things out, and that feels very appropriate. – Sean Gaffney

Daemons of the Shadow Realm, Vol. 1 | By Hiromu Arakawa | Square Enix – Any new series by Hiromu Arakawa ought to be a cause for celebration, but her latest effort feels more like something produced by ChatGPT than a person. All the right ingredients are there, from a brother and sister with supernatural powers to a boisterous supporting cast of bounty hunters and demons—sorry, daemons—but the first four chapters are so jam-packed with events and characters that it’s easy to lose sight of the main storyline. Even the jokes feel tired, as they focus mainly on the characters’ surprised reactions to modern technologies such as the automobile; you’ve seen this kind of fish-out-of-water humor done with more panache in dozens of other series. About the best I can say for Daemons of the Shadow Realm is that Arakawa still has a flair for drawing monsters and villains, including the most menacing set of teeth since Jaws terrorized movie-goers. My verdict: skip it and read Silver Spoon instead. – Katherine Dacey

Komi Can’t Communicate, Vol. 24 | By Tomohito Oda | Viz Media – The next ‘arc’ of this manga is teased in this volume, as we see it’s the start of a new school year and unfortunately this means Komi is in a classroom with a whole lot of new cast members who don’t know who she is. But for now we have fluffier things to deal with, as Tadano and Komi try to go out on a date. This involves shopping for clothes on Komi’s end, and getting vetted by Komi’s dad on Tadano’s end, though Tadano is so pure that the outcome is never in doubt. And then there’s the new year, and Manbagi is not in the same class, but fortunately for Komi Tadano is. Good stuff, and the series now has to cross the high hurdle of continuing after the romantic resolution. Can it succeed? – Sean Gaffney

Laid-Back Camp, Vol. 13 | By Afro | Yen Press – After the last volume went totally off the rails (in a good way), this is a return to form for the series, which knows what its readers want, and for the most part gives it to them. (The readers also want a Rin/Nadeshiko ship, but that’s not happening.) So we get lots of scenes of the girls camping, separately this time, and an excuse to draw a whole lot of gorgeous Japanese scenery and show off what are presumably some excellent campgrounds. We even get what may be a couple of new characters in one chapter, where we see an artist trying to find inspiration who settles on Ena and her dog, asleep on a bench. There’s never any plot or character development in this, but that’s just fine. It’s relaxing. – Sean Gaffney

Nights with a Cat, Vol. 1 | By Kyuryu Z | Yen Press – Though there are dozens of great pet manga now available in English, Nights with a Cat has something genuinely new to offer: simple, observational storytelling that doesn’t shamelessly tug on the heartstrings or anthropomorphize our furry companions. The series explores the relationship between Fuuta and Kyuruga, his roommate’s cat. As someone who’s never lived with a cat before, Fuuta is fascinated by Kyuruga, marveling at Kyuruga’s anatomy—his pupils, his sandpaper tongue, his retractable claws—as well as Kyuruga’s ability to silently materialize in surprising places. Kyuryu Z doesn’t play these moments for laughs, choosing instead to emphasize how strange and amazing cats really are; his illustrations capture the fluidity of Kyuruga’s movements and the changeability of his moods. Recommended for new and long-time cat owners alike. – Katherine Dacey

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 6 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship This will always be a Ghost Ship sort of title, which can make it hard to recommend to anyone who is not intensely horny 90% of the time. The opening scenes, involving hair evolving out of control to the point that it becomes tentacle porn, are a good example. But we also get a new girlfriend, a shy girl who is convinced eventually to show herself in front of the guy she loves. And, in the best part of the volume, Karane’s tsundere character is deconstructed when she drinks a de-tsun potion and turns into a lovey-dovey girl. The question is… is she better off like this, able to say she loves Rentaro directly? Or is it better to be her old self? Love it. – Sean Gaffney

Skip and Loafer, Vol. 7 | By Misaki Takamatsu |Seven Seas – Given the cliffhanger ending to this volume, I should probably be talking about its two leads some more, but let’s face it, the entire volume is stolen by Yuzuki. It’s the start of everyone’s second year, and that means new classes. Everyone in their group is at least with someone they know… except Yuzuki, who is by herself. This means that all the teen drama she used to deal with all the time is back full force, complete with guys trying to force their way into a date and girls lying to her in order to make said date happen. It’s no wonder she breaks down in tears. Frankly, she’s better off with Makoto, who is able to run to her rescue at the end, if only with pudding. I love Yuzuki so much. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 20 | By Kagiji Kumanomata | Viz Media Despite being, for the most part, a gag series, there is a bit of plot in Sleepy Princess, and it crops up a bit here, which is the fact that humans and demons are still at odds with each other. This is what Syalis and Twilight are trying to fix, but it can be hard on both ends. The biggest “story” in this book has Poseidon accidentally hitting a poison needle that makes the recipient sleep for a year. (It was made for Syalis’ grandmother, implied to be THE Sleeping Beauty herself.) There’s a demon who will fix it… but she refuses to deal with humans. Can Syalis break past her misgivings by being polite and asking nicely? Or will she simply be herself? – Sean Gaffney

Teasing Master Takagi-san, Vol. 17 | By Soichiro Yamamoto | Yen Press – I’ve said this before, but the main struggle this series has is that the ending is obvious but it can’t go there yet. The series is still too popular, it’s still getting anime series and movies, and even the spinoffs are doing well, though not licensed here. But if you want character development, either Nishikata or Takagi is going to have to genuinely confess. And you can’t DO that without ending the series, because the whole point is that she’s trying to be subtle and Nishikata is the very embodiment of not picking up on something unless it’s ludicrously direct. There’s a lot of teasing here, but in terms of romance they’re both still more immature than they should be for fourteen-year-olds. – Sean Gaffney

Death’s Daughter and the Ebony Blade, Vol. 4

by

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Getting back to a niggle I had last time, I will grant the fourth volume of the series this: the adjutant in the battle here does not appear to be in love with her commanding officer. That said, we do get a lot of similar beats, where the younger adjutant is told to retreat so that the older commander can die protecting the retreat. I admit that I am very fond of just how many women are in this book, and of course it stars Olivia, who is a monster in human form. All the same, I’m seeing similar things happening over and over in this series, and would not mind a female adjutant who stays behind and dies so that her commander can get away. You know, as a change of pace. I’m also not all that happy with the running gag of the women in love with the oblivious men, even as I will reluctantly admit that’s truth in literature.

Olivia’s success is having repercussions. First with her and her close companions – she’s made a major general, and given an army of her own to command, with Claudia and Ashton by her side. She gets to attend royal balls, where she interacts with the King, and also meets emissaries of foreign nations, like the Not At All Suspicious (TM) Sofitia. But in addition, her mere existence has caused the Empire to try to find other ways to win, such as proxy wars that they force an allied nation to take up for them (it goes badly). And Fernest is also having to deal with invasions of its own, though it’s helped there by the commander and the ruler in charge of the invading state both being very, very stupid. Don’t poke at Olivia to see what she does, you won’t like it.

There’s a lot of plot stuff going on here, to be honest, but Olivia’s actions seem to flow around it. Apart from trying to find out where Z has gone off to, she really has zero interest in all of the political machinations happening around her. She’s aware it exists, and does tell her aides that she is aware that Sofitia is probably inviting her to Mekia for nefarious reasons. But she’s never, ever had any fight cause her trouble since she last saw Z, and that doesn’t change here. Her reputation is starting to be less “oh no, that’s not possibly true” to “OH MY GOD IT’S HER”, and she’s definitely going to be facing stronger opponents, but I’ve yet to see anyone who can really take her on. Which might be for the best. No one is reading this book to see Olivia struggle and have self-doubts. She can delegate that to Claudia, probably.

This is a good “military strategy” series, provided you aren’t turned off by Olivia’s glorious OPness throughout. Frankly, that’s why I read it.

Haibara’s Teenage New Game+, Vol. 3

by

By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

There *is* a serious element to this series, and it’s 100% down to “every girl is falling in love with Haibara, and he has to make some of them sad”. He’s not at a point where he can do that yet. That will likely lead to bad things down the road. Still, that’s the only REALLY serious part of the series. It’s not the sort of book that, having given Haibara a chance to redo his crappy high school and college years, is going to turn into a “no, you screwed up again, try a third time” sort of series. That said, I must admit that I was sort of on tenterhooks midway through the book. These are still high school kids, and when there’s a very strict controlling parent and a runaway kid who stays over at the house of a boy she’s clearly falling in love with, well, things could have gone very bad. As in “I will notify your parents and the school” bad. But this is not that sort of series.

It’s summer, and everyone has passed their exams, albeit by the skin of their teeth for some. This means it’s time for a summer activity. Let’s hit the beach! Everyone agrees, and they rent a nice cabin with rooms for everyone. The only issue is Hoshimiya. We’ve heard before how strict her family is, and trying to get around it by pretending there aren’t any guys going on the trip is the sort of lie that’s easily discovered. So she’s not going. Fortunately, she and Haibara manage to bond anyway, as he runs into her at a cafe, where he discovers her big, big secret – she’s a novelist! He agreed to pre-read her book, whose main characters seem somewhat familiar. Unfortunately, daddy dearest discovers this, and announces that a) she can’t be an author, and b) she has to distance herself from her friends. This goes badly.

Hoshimiya is still very much “in the lead” in this harem series, and this book gives us a much needed focus on her and her family, and shows that she and Haibara are a lot more alike than he may have realized. In fact, my favorite part may have been when she admitted that she didn’t really like him much at first because of all the fronts he was putting up. That said, of course, by the end of this book she’s totally smitten, and although you would think this would be good news for Haibara – she’s the one he likes, after all – he still can’t quite reject Uta yet. And that’s not even getting into his childhood friend, who he’s 100% oblivious to. She, at least, seems to have made her own decision, even if it hurts her, and I hope things go better for her with someone else, though I doubt it will.

All this plus a new girl, who comes on like a relatively blasé storm, and who will no doubt feature heavily in the next book. If you like good old-fashioned “who will win” romcoms, this is for you, though be prepared for your favorite to lose. That always happens in old-fashioned romcoms.

The Manga Review: Eisner Fever

by 3 Comments

On Wednesday, the 2023 Eisner Award nominees were formally announced. This year’s manga selections include Tatsuki Fujimoto’s Look Back, Junji Ito’s Black Paradox, Hayao Miyazaki’s Shuna’s Journey, Yamada Murasaki’s Talk to My Back, and Masaaki Nakayama’s PTSD Radio, all of which were nominated for Best US Edition of International Material—Asia. And while I love all of these titles, I’m secretly rooting for PTSD Radio to win, as it’s scary, weird, and genuinely original. Don’t just take my word for it, though; check out Bradathon Nu’s excellent essay on what makes PTSD Radio so unnerving.

AROUND THE WEB

Looking for a round-up of all the latest manga news? Colton and Lum have you covered, with a look at all of April’s major licensing announcements, movie trailers, and new series. [Manga Mavericks]

On the latest Manga Machinations podcast, the gang compares the K Manga and VIZ Manga apps before pivoting into a discussion of Satoshi Kon’s Dream Fossil. [Manga Machinations]

Robert Adams takes the new VIZ Manga app for a test drive. [Dad Needs to Talk]

Samantha Ferreira recaps one her of favorite panels at Anime Boston 2023: “A Brief History of Yokai,” hosted by translator Zack Davisson. [Anime Herald]

ICYMI: Brett Michael Orr lists his five favorite manga moms. [Honey’s Anime]

David and Jordan throw a shower for Tokyo Demon Bride Story. [Shonen Flop]

Paging Glacier Bay Books! Jocelyne Allen has the cat manga for you: Chakkun, “the perfect tribute to a beloved friend.” [Brain vs. Book]

Beautiful dreamer, wake unto me: Marion, Sakaki, and VLord explain why you should be reading Insomniacs After School. [Saturday Night Shoggy]

Ashley McDonnell and Anne LaRose continue their in-depth conversation about Sailor Moon, with a look at the Infinity, Dream, and Stars arcs. [Shojo & Tell]

The Mangasplainers tackle one of the most impenetrable gag manga ever licensed in English: Pop Team Epic, a series about “random internet humor, shitposting, and deep, deep self-loathing and self-recognition.” Creator Bkub Okawa even includes a helpful strip that “flat out tells you that you’re unlikely to get most of the jokes.” You’ve been warned! [Mangasplaining]

REVIEWS

If you’re not following That Manga Hunter, you should; I just recently discovered their site, and was delighted to find reviews of Kowloon Generic Romance, I Don’t Know How to Give Birth!, and Came the Mirror and Other Tales, as well as a wealth of useful articles about collecting manga. Elsewhere on the web, Charles and Claire discuss the latest installment of Magia Record: Puella Magi Madoka Magica Another Story… The Reverse Thieves pronounce Cardcaptor Sakura their Manga of the Month… Arpad Okay appreciates the messiness of Choujin X…. and my Manga Bookshelf colleague Sean Gaffney offers his two cents on Insomniacs After School, Kageki Shojo!!, and Love, That’s an Understatement.

New and Noteworthy

Complete, OOP, and Ongoing Series

* This title is 100% less sleazy than it sounds!