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My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 8

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Given that we’re near the end of the series, it’s no surprise that we’re actually picking up a number of plot threads that have been lurking around since the start of the book, and some of those plot points are quite a bit darker than we’re used to. As an excuse for not meeting up with Bel and company for the last 20 years, “I was running around the country trying to rescue women from being used in forced breeding experiments with demons” is a good one. If I’m being honest, it’s what isn’t here that’s more of a surprise: Ange spends most of this volume brooding and in a blue funk, and I wondered the entire time whether it was going to tie in to her secret demon heritage and all that. But no, it’s just typical daddy issues, because that’s what this series runs on, really. And as Ange grows up, those issues get less fun for her.

After locating Percival, our intrepid group has only one to go before they can get the band back together. That said, all they can find of Satie are rumors… until they arrive at a city which is apparently trying to kill an elf woman. This is not good news for Marguerite and Maureen, who have to remind folks that elves are, in fact, unique persons. Fortunately, Ange has friends in high places, so things settle down. Even more fortunately, the elf being hunted is, of course, Satie, who has been doing the things I alluded to in the last paragraph. Unfortunately, the “prince” has nearly caught up with her and is really trying hard to kill her, probably because she knows that he’s not the real prince. Can Belgrieve, Percival and Kasim manage to rescue Satie, or is that going to fall to Ange?

So yeah, Ange is starting to regret her own actions a bit, mostly the fact that she was going around to every woman she knew and asking if they wanted to marry her dad. Now they’re about to reunite with Satie, who the others admit had a thing for Belgrieve, and he probably did for her, and she starts to realize that she might not be the closest person in his life anymore. Ange is old enough and mature enough to know that this is unfair to Belgrieve and that it’s just envy, but that does not make the feelings go away, and her wrestling with them is probably the best part of the book. The other good part of the book is a nice bit of light horror, as there is a spell that can be used to disguise a person as another person so well that the other person does not even know they’re a disguise, and this is used to chilling effect here.

Good stuff, and a rare cliffhanger for this series, so we’ll have to wait till the 9th volume to see if we can save the day. (I suspect the day will be saved, this is not that kind of series.)

Lovely Muco!, Vol. 1

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For thirteen years, I lived with Grendel, a smart, stubborn Australian shepherd who treated me and my husband like a pair of unruly sheep. She woke us up at 5:45 am every day, herded us to the park, and marched us around until we were exhausted. She nipped our ankles when we left for work—we weren’t supposed to leave the farm, I guess—and had strong preferences about everything, from which routes we walked to which brand of kibble we bought. When she wasn’t trying to bend us to her will, she applied her formidable intelligence to foraging snacks; she had a black bear’s talent for opening jars and containers. I loved her dearly, but I admit that there were times when I fantasized about living with a dog who didn’t behave like she owned us.

With my current commute, I can’t own the happy-go-lucky dog of my dreams, but I can do the next best thing: read about one. That’s where Lovely Muco! comes in. It’s a gag manga inspired by the real-life relationship between Komatsu, a professional glass blower, and Muco, his exuberant shiba inu.

In every chapter, Muco makes a discovery—that her nose is shiny, or that Komatsu isn’t a dog—and becomes so consumed with excitement that she ends up in trouble. Muco’s reactions to everyday situations bring out her inner Gracie Allen; she’s less dim than dizzy, viewing the world with the peculiar logic of a canine enthusiast. A trip to the vet, for example, leads her to wax rhapsodic about the cone of shame, which she views as a stylish accessory, rather than an encumbrance. Even when her injury starts to itch, Muco remains convinced that she looks cool, going so far as to imagine how Komatsu would look with his own cone.

As much as I love Muco’s antics, though, my favorite storyline focuses on Komatsu, who hires his pal Ushiko to design him a website. Ushiko uses the tools that you’d expect—a digital camera, a laptop—but Komatsu’s reactions to these technologies seem more appropriate for someone who’d just spent the last 20 years living off the grid than someone making a living in modern-day Japan. His child-like wonder mirrors the way Muco approaches just about everything in her life, from tennis balls to car rides—a neat inversion of their usual roles of bemused owner and confused dog.

Takayuki Mizushina’s artwork is more gestural than literal, distilling each character to a set of bold lines and simple geometric shapes. Muco’s face, in particular, bears only a passing resemblance to a shiba inu’s; her head is a hexagon with two triangles perched on top, providing Mizushina an ideal canvas for capturing Muco’s over-the-top responses to everything. In many sequences, I was struck by how much her facial expressions reminded me of Domo’s, right down to the way she grimaces when she has an epiphany:

What I like best about Lovely Muco, though, is that Muco’s thought process isn’t like Grommit or Snoopy’s. She’s not building wild contraptions or fantasizing about being a World War I flying ace; she’s just trying to make sense of the people and things in her environment. Her fascination with ordinary objects is a nice reminder that part of living with a dog—or any sentient creature—is recognizing how strange and interesting our world must seem to them, and taking pleasure in their curiosity and enthusiasm. Recommended.

PS: If you just can’t get enough shiba inu hijinks, you can follow the real-life Muco’s exploits on Twitter. (Hat tip to @debaoki for the link.)

LOVELY MUCO! THE HAPPY DAILY LIFE OF MUCO AND MR. KOMATSU, VOL. 1 • ART AND STORY BY TAKAYUKI MIZUSHINA • TRANSLATED BY CASEY LEE •  KODANSHA COMICS  220 pp. • RATED 10+ (SUITABLE FOR READERS OF ALL AGES)

Peddler in Another World: I Can Go Back To My World Whenever I Want!, Vol. 3

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By Hiiro Shimotsuki and Takashi Iwasaki. Released in Japan as “Itsudemo Jitaku ni Kaereru Ore wa, Isekai de Gyōshōnin o Hajimemashita” by HJ Novels. Released in North America by J-Novel Club. Translated by Berenice Vourdon.

If you’re looking at the archived reviews of this series, you may note that I did not review the second volume. This is because it left so little of an impression on me that I had absolutely nothing to say. It wasn’t bad. I clearly was interested enough to read the third book. But there was nothing to hang my hat on, nothing where I thought “here is something I can talk about for 500 words”. Honestly, I should be having this problem more often than I am, and I’m not sure if that says something good or bad about me. But this third volume has a couple of good things and a couple of bad things that I wanted to discuss, so let’s pick up where we left off, with this very relaxed, slow-life “Kosaku Shima isekai”. Though unlike the Kosaku Shima series, Shiro will not be having lots of great sex anytime soon. It’s a light novel for teens, not seinen manga.

Things to know from Book 2: Shiro has a fairy companion now, and his grandmother has come back, looking about 20 years old. That’s it. The third book starts with her returning with Shiro to Japan, giving a bit of backstory, and preparing to continue to hide from most of her family the fact that she’s not dead and from another world. As for that other world, Shiro is invited by the mayor, Karen, to go with her to the big city, where she has to drop off the town’s taxes and go to a ball, where she is traditionally mocked for being a hick. As for Shiro, he tries to join a merchant’s guild in the big city, but is mocked and belittled. Can he manage to solve both his problems and Karen’s at the same time?

Everyone loves watching an arrogant noble get what’s coming to him, and though the noble is a merchant here, we get that, in a major scene showing Shiro at his most ruthless. That said, the best scenes in the book were near the end, as Aina, who came with Shiro to the big city, returns with a present for her mother, one that triggers the grief for her missing presumed dead husband she had been burying, and now she and her daughter are crying and thinking they’re terrible. The way Shiro handles THIS, rather than fending off nobility with awesome shampoo, is what makes him attractive as a protagonist. On the down side, I really dislike Shiro’s grandmother here. I’d be OK with her deciding to let the rest of the family believe she had died if she was going to stay in the fantasy world, but having her hang out with Shiro in Japan and pretend to be his childhood friend in front of his younger sisters is creepy and also a level of lying too much for me.

That said, the cliffhanger ending may need to let the cat out of the bag anyway. Till then, good job, Peddler in Another World, you rose above being faceless to only somewhat faceless.

Loner Life in Another World, Vol. 5

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Veles Svitlychny and Lorin Christie.

I’ve talked before about how I enjoy the Loner Life light novels a bit more than the manga because the manga makes things lighter and fluffier, but trust me, I 100% get why nearly everyone says “skip the books, read the manga” when it comes to this series. Leaving aside the writing style, which is still so rambling and broken that at times I wasn’t sure if I had spotted an editorial mistake on Airship’s part of just Haruka repeating himself for no real effect, there’s the fact that the plot meanders and wanders all over the place. At the start of the book we learn that war has been declared on Omui, and it’s not until 350 pages later (these books are loooooong) that we finally start the process of taking care of that war. What replaces it? Mostly Haruka making bras. Lots and lots of bras. Because this series is also still deeply, deeply horny, another aspect mostly lost in the manga adaptation.

Class Rep is back on the cover art again, which means Haruka is on the “alternate cover”, just like the first volume. He’s crying and hiding his face, though, which reminds you that there’s a core of real pain and anguish behind all this nonsense. Most of the book involves the girls all trying to get past Level 100, and also defeat a dungeon boss all by themselves with no help from Haruka, Angelica, or Slimey. They succeed in the former, but not quite in the latter, partly as they’re too wedded to the “fantasy” aspect of this world to realize, as Haruka does, that he can use normal science-based solutions. Elsewhere, an assassin, who turns out to be the Princess’ maid and childhood friend, comes to kill Haruka, which goes about as well as you’d expect. And then there’s that pesky war…

Everyone is familiar with the meme “I know writers who use subtext, and they’re all cowards!”. If you take that and add “no” before the word subtext, you’ve got Loner Life, a series which requires you to read between the lines to have any hope of enjoying it. So much of this series is a meditation on grief and mourning, about trying to improve daily lives so that people don’t have to live in fear and can think of the future. Haruka remembers everyone he couldn’t save, and all those deaths haunt him almost to breaking point. Class Rep talks about the girls going nuts over food and clothing mostly so that they don’t end up crying in despair over never being able to see home again. The owners of the inn where they’ve been staying just cry silently as they watch Haruka rebuild it into an eight-story inn/bunker that will be a safe haven for innocents during the upcoming war. As for the bra scenes… yeah, OK, sometimes it’s not subtext but text. The bra scenes are there to titillate. Still, it’s nice that the girls all have well-made underwear now.

The volume has no real ending, and you get the sense we got to page 420 and the editors said “just stop here and we’ll begin Book 6 where you left off”, which is the danger of webnovels. If you enjoy overanalysis and ridiculousness, Loner Life continues to provide. But prepare for incoherence as well.

Bookshelf Briefs 5/14/23

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Insomniacs After School, Vol. 1 | By Makoto Ojiro | Viz Media – The anime to this manga is currently airing this season, though I haven’t watched it yet. I hope it does its subject justice, as this was a very nice first volume. It’s clearly a setup for some romance, but that’s not in the cards yet, with boy-meets-girl being more like boy-and-girl-desperately-need-sleep. The problems with insomnia and what it can do to a person are not dwelled on in great detail, but are also thoughtfully examined, and I like how the guy’s crankiness is clearly more the lack of sleep than his actual personality. The one danger I can see in the future is that the lead girl’s insomnia stems from a medical condition, and, as others have already said, I hope this doesn’t go Your Lie in April on us. – Sean Gaffney

Kageki Shojo!!, Vol. 8 | By Kumiko Saiki | Seven Seas – I was right in that this whole volume was about the reaction to Sarasa leaving the performance to see her grandfather, but I was wrong in that the bulk of the criticism comes from Sarasa herself, especially when her grandfather turns out to be relatively OK, making her journey bittersweet. There’s a lot of discussion over which is more important for an actor, family or performance, and the book settles reluctantly on the latter—as does Sarasa’s grandfather, who reminds her that he’s going to inevitably die before her. Fortunately, there is some levity in this book, and it comes from Ai, who resolves to take over from Sarasa, and does a great job, but flubs a line very memorably, and that’s all anyone can think about. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 25 | By Aka Akasaka | Viz Media – Entirely dedicated to its finale, Kaguya-sama has, for the most part, abandoned its subplots for the main plot, which involves the decline and fall of the Shinomiyas, and how that’s interacting with Kaguya herself. There’s much discussion of how succession and financial success or failure works in a family this large and this corporate, especially when all the siblings seem to hate each other. Or do they? As Chika notes (and yes, this is Chika being serious, because the situation warrants it), Unyou might behave like an asshole, but in the end he’s as much a tsundere as his sister. That said, we still have a long way to go till Kaguya is rescued, and it might require intervention from their chief rivals, the Shijos. Good stuff. – Sean Gaffney

Love, That’s an Understatement, Vol. 1 | By Fujimomo | Kodansha Comics (digital only) – Having loved Fujimomo’s Lovesick Ellie, I figured I would enjoy Love, That’s an Understatement and I did. I must admit, however, that on the surface it has some pretty standard shoujo tropes, such as the manga starting with the heroine saving a beat-up delinquent in the rain—didn’t Honey So Sweet start that same exact way?—and having thoughts like, “This feeling… what do I call it?” But Fujimomo does excel at taking characters who appear cool and aloof and showing their vulnerabilities, and here that’s happening with both model student Risa Amakawa—seemingly composed and super capable—and Zen Ohira the hoodlum. Risa’s upbringing has led to her feeling like she has to handle everything alone, and Zen not only proves to be a reliable ally but someone who sees the real her. Echoes of Lovesick Ellie there, but I am very here for it. – Michelle Smith

No Longer Allowed in Another World, Vol. 2 | By Hiroshi Noda and Takahiro Wakamatsu | Seven Seas Good news for those who didn’t like the fact that the first volume was a variation on one joke: this volume does introduce an actual plot, and shows us what power our hero actually did get when he was transported. Unfortunately, for those who DID like that the series was a variation on one joke, there’s far less of that, and far more of the standard bullshit isekai things. This reminds me a bit of The Executioner and Her Way of Life, in that the bad guys are other kids from Japan who gained monstrous powers and, well, turned into monsters. Our hero has a way to “save” them, but I’ll be honest, I was hoping for more of the dark comedy. – Sean Gaffney

Snow White with the Red Hair, Vol. 24 | By Sorata Akiduki | Viz Media – I still greatly enjoy this series, but it’s pretty clear that, now that it’s pretty much an assured success that can end whenever it wants, some of the arcs are dragging a bit, and this one is a good example. We’re still in the midst of finding out who’s using the drugged scent and why, and the answer probably lies with a young woman who used to be Lord Eisetsu’s gardener. There’s danger, and more danger, with a cliffhanger showing Ryu’s in danger. Kageya is a very interesting tragic figure, but I am 100% certain she’s going to die protecting someone in a few chapters. The question is whether that’s actually the root cause of things, and the answer is probably not. New arc soon, perhaps? – Sean Gaffney

Spy x Family, Vol. 9 | By Tatsuya Endo | Viz Media – The wrap-up to the cruise ship arc is pitch perfect, and threatens to drown out the rest of the volume. Yor may not have firmly decided to give up being an assassin, but it’s clear her heart is no longer in it anymore. The rest of the book is one-shots, of the sort this series does in between arcs, with highlights being the unlikely team-up of Franky and Fiona, and Becky’s elementary schoolgirl attempts to act sexy and mature so Loid will notice her (then she sees Yor and realizes she’s doomed). There’s also a good mini-arc, where Bond tries to save victims from a fire, which turns out to have been set deliberately. A nice volume that shows off the entire cast well, and I think we’re now ready for more of the main plot. – Sean Gaffney

Usotoki Rhetoric, Vol. 2 | By Ritsu Miyako | One Peace Books – The cases get a little more substantial in the second volume of Usotoki Rhetoric, as the first involves solving a ten-year-old murder, but still a little less than satisfying, as the culprit is apprehended and confesses entirely off-camera. Kanoko has a crisis of self-doubt when her ability to hear lies causes her to suspect an innocent person who was only concealing a certain fact to protect someone else, and we see more about how she was shunned in her home village. She attempts to quit working as Iwai’s assistant, fearing hurting anyone else, but then realizes that he will be hurt if she quits. Lastly, Iwai and Kanoko handle a dispute in which a fountain pen figures prominently, to my delight. All in all, this is more low-key than a true mystery series, but still very enjoyable. – Michelle Smith

Earl and Fairy: The Elegance of a Villain

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

This may come as something of a shock to all of you, but I am a bit of a nerd when it comes to light novels. As such, you’ll need to simply smile and nod when I tell you that my reaction to hearing about the license of Earl and Fairy was not “oh my god it’s a 20-year -old series” or even “oh my god it’s 33 volumes long”. but rather “oh my god it’s a Cobalt Bunko title”. Back in the day, the main reason I became interested in light novels at all was due to an anime – based on a light novel – called Maria-sama Ga Miteru. That was ALSO published by Cobalt Bunko, Shueisha’s novel line for young women. For years, Shueisha light novels were in the “nope” category of license requests, and even after it opened up a bit Cobalt was still “nope”. This is a big deal, folks, and hopefully opens doors. The good news is that the book itself is a classic shoujo potboiler.

Lydia is a bit of an eccentric young woman. Leaving aside her red hair and green eyes (which in England in the time period this is set in means she’s a target of abuse), but she’s also a self-proclaimed “fairy doctor”, trying to follow her late mother. For the most part, no one believes anything she says. Then, when journeying to see her father in the city, she’s kidnapped – and then kidnapped again by a different kidnapper rescuing her from the first kidnapper. Her rescuer is Edgar, a handsome if somewhat jerkass man who not only is the chief suspect in a string of horrible murders but is also possibly the heir to an earldom that has connections to fairies. Only Lydia can help with her fairy knowledge… which Edgar doesn’t really believe in either.

The ‘category’ on my page says this is ‘earl and THE fairy’ because I reviewed the Viz Media manga of this series a long, long, time ago, and they translated it with the extra the. The whole series is old-school shoujo fantasy, and it’s all the more enjoyable for it. Lydia is quick-thinking and intelligent, doesn’t trust Edgar but feels drawn to him anyway, and thankfully is not a constant ball of aggrieved rage, which, frankly, Edgar sometimes deserves. He treats Lydia horribly, but we’re meant to listen more to his two servants, who note how nice and charming he’s being to her rather than resorting to his usual behavior (i.e. threatening to kill). He’s just as drawn in as she is. Also, this is definitely a fantasy, because spoilers, fairies really do exist. The mythology is actually very well done, and there’s nothing here that would scream “this is Japanese” at all. Which may be a good selling point in this era of “long title that is also the plot” books.

I urge people to pick this book up. It’s a good story, buying it means we’ll get more of it, and buying it even more means we might get more Cobalt titles in the future. Less Isekai’d dudes with swords more of this.

Manga the Week of 5/17/23

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SEAN: Mid-May, and will it be a quiet week?

ASH: Is that something that exists anymore?

SEAN: From Airship, we see new volumes! The Most Notorious “Talker” Runs the World’s Greatest Clan 4 and Reincarnated as a Sword 12.

And for early digital there is Classroom of the Elite: Year 2 5 and Vivy Prototype 4 (the final volume).

Ghost Ship gives us a 6th book of 2.5 Dimensional Seduction and a 7th volume of Creature Girls: A Hands-On Field Journal in Another World.

J-Novel Club blesses us with print titles! We see An Archdemon’s Dilemma: How to Love Your Elf Bride 14, Ascendance of a Bookworm 18, and the 3rd Seirei Gensouki: Spirit Chronicles manga.

ASH: Bookworm! In print!

SEAN: Digitally there are two debuts. Accidentally in Love: The Witch, the Knight, and the Love Potion Slipup (Koisuru Majo wa Elite Kishi ni Horegusuri o Nomasete Shimaimashita: Itsuwari kara Hajimaru Watashi no Dekiai Seikatsu) is in the Heart line, as you can imagine. A girl trying to hide that she’s a witch meets the man of her dreams… but she didn’t mean to drug him, honest! I think Cross Infinite World had a series with a similar premise.

ASH: Whoops!

ANNA: An easy mistake to make, I’m sure.

SEAN: There’s also Only the Villainous Lord Wields the Power to Level Up (Ore dake Level ga Agaru Sekai de Akutoku Ryōshu ni Natteita). This is a villainess book… but since it’s a male villain, it means he needs to be trapped in an RPG world as well. There are rules, after all.

ASH: That there are.

SEAN: There’s also new volumes: Death’s Daughter and the Ebony Blade 5, Der Werwolf: The Annals of Veight -Origins- 9, Haibara’s Teenage New Game+ 3, and The White Cat’s Revenge as Plotted from the Dragon King’s Lap 7.

Debuting in print from Kodansha is The Yakuza’s Bias (Yakuza no Oshigoto). This runs in Ichijinsha’s Comic Pool, but was also a popular webcomic. A yakuza hitman is also a huge K-pop stan! Hijinx no doubt ensue.

MICHELLE: This sounds potentially fun.

ASH: It really could be!

ANNA: It does sound fun.

SEAN: Also in print: Bakemonogatari 16, NO. 6 Manga Omnibus 3 (the final volume), Peach Boy Riverside 11, The Seven Deadly Sins: Four Knights of the Apocalypse 8, SHAMAN KING: FLOWERS 2, and When Will Ayumu Make His Move? 11.

ASH: Still glad to see NO. 6 staying in print. (And still living in hope that one day the novels will be translated, too…)

SEAN: The digital debut is Small Nozomi and Big Yume (Chiisai Nozomi to Ooki na Yume), which runs in Morning Two. A high school girl wakes up one day to find she’s lost her memories… and is also about five inches tall. Fearing being eaten by a cat, she takes refuge in the apartment of a drunken NEET and must convince her that she’s not hallucinating a tiny girl.

Also digitally: Blue Lock 19, Gamaran 9, We’re New at This 13 and Ya Boy Kongming! 11.

One Peace Books has a light novel, the 2nd volume of The Wrong Way to Use Healing Magic.

Three debuts from Seven Seas. Last Game is old-school shoujo from LaLa. A young man who is a winner at life (and also rich) arrives at high school and finds… a girl has beaten him! A commoner girl! At study! At sports! There’s just one thing to do: he has to make her fall for him! For those who love goofy but problematic old-school shoujo titles.

MICHELLE: It definitely gives S.A vibes.

SEAN: Shibanban: Super Cute Doggies is a spinoff manga based on the popular LINE sticker set of Shiba Inu dogs.

ASH: They really can make a manga out of anything!

ANNA: I’m amazed.

SEAN: Who Made Me a Princess is a manwha series that ran on the usual manwha online places. A girl finds herself in the story of her favorite novel… as the princess who gets executed! Still, she’s a baby, so has time to change her fate. Right?

ASH: Time will tell!

SEAN: And there’s also The Kingdoms of Ruin 6, Marmalade Boy: Collector’s Edition 2, The Most Notorious “Talker” Runs the World’s Greatest Clan 4, Re: Monster 6, Reincarnated as a Sword: Another Wish 4, The Savior’s Book Café Story in Another World 5 (the final volume), and The Weakest Tamer Began a Journey to Pick Up Trash 3.

MICHELLE: Speaking of old-school shoujo titles, looking forward to continuing my Marmalade Boy reread!

SEAN: From Square Enix we get The Girl I Like Forgot Her Glasses 3.

Tokyopop has three debuts. A Complicated Omega’s Second Love (Kojirase Omega no Nidome no Koi) ran in Gentosha’s Lynx, and is complete in one volume. An omega who hates alphas and has resolved to never be mated wakes up one morning… mated with his colleague.

Ogi’s Summer Break (Ogi-kun no Natsuyasumi) is a slightly less sexual BL title from Studio C.I.’s Haruto magazine. It’s a college romance between a boy who falls hard for another boy, who is blind.

And We Can’t Do Just Plain Love (Tada no Renai Nanka de Kikkonai – Kojirase Joushi to Fechina Buka) is josei, from Taiseisha’s Love Coffre. A new office worker discovers that her boss can’t be around women without getting aroused. Fortunately for him, she has a solution… if he’ll help her with her scent fetish.

The big title from Udon Entertainment is an artbook. Hidetaka Tenjin’s Artistry of Macross: From Flash Back 2012 to Macross Frontier is a deluxe 144-page hardcover that should please any fan who hates Carl Macek.

They also have Persona 4 Arena 2.

Viz debuts another horror title, but hey, it’s not by Junji Ito. Dark Gathering runs in Jump Square, and features a young man who is trying to avoid the supernatural (he can see spirits) tutoring a young girl who is trying to find the spirit who took her mother.

ASH: Ooooh, a horror manga, you say?

SEAN: Viz also gives us Choujin X 2, Demon Slayer: Kimetsu no Yaiba: The Official Coloring Book 2, Twin Star Exorcists 28, and Zom 100: Bucket List of the Dead 10.

And there’s one single title from Yen Press next week, and it’s a debut. The manga adaptation of a beloved light novel classic, requested by many over the years. Yes, it’s Reborn as a Vending Machine, I Now Wander the Dungeon (Jidou Hanbaiki ni Umarekawatta Ore wa Meikyuu wo Samayou). This runs in Dengeki Daioh, and features a young man reborn as a vending machine, though the “wander” part is mostly incorrect. I Now Get Carried Around The Dungeon By My Ludicrously Strong Beastgirl Friend is more accurate.

ASH: Wow!

ANNA: What will they think of next???????

SEAN: Assuming you have not been reborn as a villainess or a vending machine, what are you buying next week?

The Manga Critic: Vizion Quest

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This week’s big story is the launch of the VIZ Manga app. For a monthly fee of $1.99, the app gives subscribers access to a library of 10,000+ chapters from series like Call of the Night, InuYasha, NANA, and Zom 100: Bucket List of the Dead. Not everything in the VIZ catalog is included; as Dean Simons reports, “mature rated books and series will not be available on the app due to content restrictions.” Also debuting this week is Kodansha’s K MANGA app. Kodansha’s approach is a little different than VIZ’s; instead of charging users a flat monthly fee to access its digital vault, Kodansha is using a ticket-and-point system that sounds, frankly, like a needlessly complicated way to offer freemium content.

In other news, the winners of the 47th Annual Kodansha Manga Awards were just announced… Dark Horse will be re-issuing Kohta Hirano’s Drifters in a new omnibus edition… anime tourism is on the rebound… fans just can’t get enough of Oshi no Ko… and manga sales remain robust, even if buyers’ enthusiasm for Chainsaw Man has cooled a bit. Looking at the April 2023 Circana Bookscan data Brigid Alverson observes, “There are 15 different series on the April chart, a far cry from January, when 10 of the 20 slots were taken up by Chainsaw Man and an 11th by another book by the same creator. In fact, there is only one volume of Chainsaw Man on the April chart, and like most of the other handful of backlist titles, it’s Volume 1.”

AROUND THE WEB

Patricia C. Baxter pens an essay about SHWD and She Loves to Cook, and She Loves to Eat, “two very different series [that] showcase plus-sized sapphic women as people worthy of respect and desire.” [Anime Feminist]

Over at The Wonder of Anime, Lisa De La Cruz examines her complicated emotional response to BJ Alex. [The Wonder of Anime]

ICYMI: artist Harmony Becker makes a list of 7 Manga Titles Perfect for Any Young Adult Reading List. [New York Times]

If you missed the Leiji Matsumoto panel at Anime Boston, Samantha Ferreira has the next best thing: a detailed summary. [Anime Herald]

Visiting Japan this summer? Don’t miss “BL Evolution: From Pioneers to Global Phenomenon ―Tracing the 50 Year History and Impact of Boys’ Love through Manga, Literature, and Media.” The show opens on May 20th at the Kadakowa Culture Museum and closes on July 16th. [Otaku USA]

Brigid Alverson previews July’s best new manga. [ICv2]

Harry reflects on the phenomenal success of Fairy Tail creator Hiro Mashima. [Honey’s Anime]

Before Cross-Game, Touch, or H2, there was Nine, Adachi Mitsuru’s first major foray into baseball manga. Ichi offers good insight into why this particular series hasn’t aged well, or been translated into English. [SportsBaka]

Anita Mowete explores the deeper themes of Tatsuki Fujimoto’s Chainsaw Man. “If there was one question that captured the essence of Chainsaw Man, it would be: What does it mean to be human?” she argues. “Every storyline and character set about different ways of answering this question.” [How to Love Comics]

LISTENING IN

Check out Mangaroos, a brand-new podcast with a great logo and a growing library of great episodes! Their latest conversation focuses on Shuzo Oshimi’s psychological thriller Blood on the Tracks, a series filled with “deeply creepy mom stuff.” [Mangaroos]

Kory, Apryll, and Helen discuss I’m a Terminal Cancer Patient, But I’m Fine and I Want to Be a Wall. [Taiiku Podcast]

Should you read Rooster Fighter? King and Jones weigh in on the first two volumes. [The Manga Men]

Go Berserk with Matt, Sam, Jae, and Jacob, as they dissect Kentaro Miura’s perennially popular series. [OverMangaCast]

Elliot and Andy compare notes on Yuri Is My Job! and Smoking Behind the Supermarket With You. [Screentone Club]

On the latest episode of We Appreciate Manga, hosts Steven and Will “are perplexed by the plot” of Welcome to the NHK. [We Appreciate Manga]

What’s new at Glacier Bay Books? Morgana, Seamus, Darfox and dakazu share their thoughts on three recent releases: PANDORA, Mothers, and A Favorable Wind on Full Sails. [Manga Machinations]

REVIEWS

If “passionate Amish yaoi manga” is your thing, Danica Davidson has the title for you: The Scene of My Rumspringa… Josh reviews the first three volumes of Dandadan!, “a madcap paranormal adventure that keeps raising the bar for how weird it’s willing to go”… Nicholas Quah gives solid marks to Apple TV’s “very loose” adaptation of The Drops of God… Erica Friedman reviews the final volume of Catch These Hands!… Megan D. takes the first volume of Kaze Hikaru for a spin… and the latest Reader’s Corner has the low-down on The Art of Haikyu!!, I Saw It: The Atomic Bombing of Hiroshima, and more.

New and Noteworthy

Complete, OOP, and Ongoing Series

A Late-Start Tamer’s Laid-Back Life, Vol. 6

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

This is, for the most part, another solid volume in the series, with one exception that I’ll get to later. For all that I’ve been talking about Yuto accidentally becoming overpowered and a celebrity, that’s mostly just due to his personality and the way that he reacts to things vs. how everyone else in the game reacts. Looked at objectively, he’s rather clever, tends to choose the right option, and his constant experimentation usually pays off, even if it can lead to disasters at the start. Heck, even those disasters can be monetized -I loved the idea of selling his experiments with carbonated beverages as a “mystery box” where you could get delicious or awful. I also enjoy his interactions with Alyssa, whose freakouts every time Yuto casually mentions something he’s done are always funny. As always, there’s limited to no plot or character development, though that may change in the next book in the series, which implies he’ll buy a house. But that’s next book.

Most of this volume consists of Yuto and his companions going through various dungeons, each one hidden in a different cardinal direction. Given that a lot of this involves battling rather than taming or crafting, it’s not a surprise that it takes him a while to plow through them, and both he and his tames monsters suffer a bit. (The image of Sakura constantly being set on fire is, thankfully, not illustrated.) The reward for each dungeon turns out to be a broken child’s toy, and the implication is that this will pay off once you get them all – which turns out to be true. More importantly, though, Amelia invites Yuto to a tea party that’s going to be livestreamed, and leads to hilarious consequences as, once again, Yuto fails to realize how iconic he’s become.

Right, let’s get around to the thing I didn’t like. There is some good in it – the book introduces a necromancer who is a boy dressed in feminine clothing, and Yuto and various people say, a few times, that there’s nothing wrong with that. And, when the same character is bullied and shamed by another player, a few people come to his defense, including, eventually, Yuto. It’s more realistic than I’d expect, with a lot of folks sitting there doing nothing till they realize the tide has turned and it’s safe to speak up. The problem is that the author can’t resist the old anime trope of having everyone, including Yuto, think of said feminine boy in a romantic light and then quickly doing a “no homo!” bit to show off that it’s OK, still safe to read this, any men who might enjoy this series. And unfortunately, the latter eventually outweighs the former. It’s aggravating.

Other than that, though, this is a perfectly good volume in this very mellow series. I think we’re in a “time to renegotiate the contracts” lull right now, so it may be a longer wait till Book 7, but I’m happy to read more.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 5

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

Welcome to Housekeeping Mage from Another World, the Zeno’s Arrow of light novel titles. Every volume we get closer and closer to Alec and Shiori sitting down and talking about their respective pasts, and every volume it continues to not happen. We’re closer than ever here. Shiori has pretty much figured out by researching who Alec really is. Alec has pretty much figured out where Shiori comes from, mainly due to her slipping up on occasion. Indeed, one of the big subplots of this book involves her doing something really impossible for this world. They’re kissing, and petting, and at the end of the book have moved in together. But trauma still holds them back. Shiori is hung up on a) Alec’s status vs. her own, and b) the scars on her limbs from her earlier experiences. Each volume she heals a little more, and we keep hoping to get that final step. Alas, still not quite there.

The bulk of this volume is taken up with a mystery story, though the author makes it a bit easy for us by signposting the guilty party immediately. The whodunnit is not the point. It’s the Nativity Festival, and a singer from another city is coming to give a performance. Unfortunately, someone is apparently trying to sabotage her. Half her orchestra has come down with what appears to be food poisoning, and without a full orchestral sound the performance will not be nearly as impressive. Shiori is asked if she could provide the illusion magic with stories that she’s done at the orphanage to help pep things up. Alec, meanwhile, is asked to help them try to find the saboteur. Is it the singer’s friend, the #2 singer in the city, who might be jealous? Mmmmm… probably not, as when we meet this other singer she’s about as conniving as a ball of yarn.

If I had a nickel for every time Housekeeping Mage from Another World had a major plotline end up being heterosexual when everything before that pointed to it being gay, I’d have two nickels. Which isn’t a lot, but it’s weird that it happened twice. This one is not quite as obvious as the one from the last book, but I was very much wondering if this would be a love triangle with the two singers as a couple, but no, this series is far too heteronormative for that to happen. We’re even given a flashforward to assure readers that everyone is properly married in the future. I will also admit that at times the writer gets a bit too syrupy for my tastes… usually when trying to pour on the heteronormativity, in fact. Other than that, this is a very solid volume of the series, with some fun “mystery” and excellent Alec and Shiori interaction, despite their still not quite opening up fully.

Will things finally come to a head next book? Maybe, maybe not, but it’s definitely worth a read.

The Mythical Hero’s Otherworld Chronicles, Vol. 3

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By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

This is likely my final review of this series, but I want to assure everyone that it’s not for the usual reasons of “oh hey, this just became intolerably bad”. It’s more that this has simply not become a story I personally wish to read. I can see why others would want to read it, though. It’s very teenage boy. There’s a kickass guy with an eyepatch, taking out swathes of enemies by himself, with multiple girls as love interests, a couple of whom actively try to seduce him whenever they get the chance. It is, in other words, a light novel. The one drawback, and the reason I’m moving on, is that it’s so goddamn serious 90% of the time, I had picked this up as it had a lot of similarities to Altina the Sword Princess, which is on indefinite hiatus forever, but even Altina, which had some dark moments, was fairly lighthearted. This is just too straightforward. There’s no subversion, no meta, no in jokes. It’s a cool guy being cool.

After the events of the last book, Hiro and Liz are asked to come back to the palace to get even more accolades. For Liz this means command of an army, which goes out to quell someone or other. For Hiro is means a new job… a somewhat suspicious job. He’s asked to head north to Lebering, the kingdom to the north of the Empire. Hiro almost immediately finds himself caught up in a throne war while there, and needs to try to escape, save the crown princess who appears to be the one member of the royal family who is not dead or bloodthirsty, and try to quell a rebellion WITHOUT asking for help from the Empire – who would likely simply annex the kingdom and make it part of its own. Can Hiro pull all this off and still find time to pose dramatically?

There’s not a total lack of humor. Liz is by her very nature a fun character, even if she’s written as a bit too naive, and Rosa toes the line of being “the annoying sexy one” without ever actually going over it. The battle scenes are well-written, even if sometimes they go a bit too far into “we’ll write a lot of rape scenes offscreen to show that these are the EVIL soldiers”. The main issue is Hiro, who remains steadfastly uncompelling, despite being isekai’d from Japan *and* the old warrior Mars now come back to life. There are hints that he might get more interesting in future books, but the hints are that he might go down a darker, more amoral path, which are not hints I like. Even the big reveal at the end, which should have been more surprising, suffered because it was filtered through Hiro’s “of course, I knew all along” boringness.

If you’re the sort of person who enjoys those fanfics that rewrite Naruto or My Hero Academia with the hero being “darker and more badass”, this is a great book for you. But I just want something a bit *less* straightforward these days.

The 100th Time’s the Charm: She Was Executed 99 Times, So How Did She Unlock “Super Love” Mode?!, Vol. 1

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By Yuji Yuji and Nami Hidaka. Released in Japan as “99-kai Danzaisareta Loop Reijō Desu ga Konse wa “Chōzetsu Aisare Mode” Desutte!?: Shinno Chikara ni Mezamete Hajimaru 100-kaime no Jinsei” by DRE Novels. Released in North America by J-Novel Club. Translated by Stephanie Liu.

This is a book which tries, and mostly succeeds, in striking a balance between what the reader is expecting to have happen and what would make more sense for the characters. I’ll be honest, I was expecting this to be a lot more cliched. For one thing, I assumed, like most other “yarinaoshi loop” titles, that we’d be going back a few years to try again – nope, there’s almost no time to do anything. But the way this ties into the multiple deaths is clever. Then I assumed that everyone involved was simply being a massive tsundere – which *is* true, but is not remotely the reason that she was executed 99 times. The one thing that was exactly as expected – and the weakest part of the book – is the antagonist, who like most light novel antagonists is not allowed to have shades of grey but has to be 100% evil and awful. Complete with pig noises. But… mostly good.

Princess Alphina has had a bad time of it lately. Accused of crimes she did not commit by the Saint of the country, and condemned to death by her fiancee, friends, family, and the emperor, she is summarily executed… and then has it happen again. And again. What’s worse, she usually rewinds back to right when she’s arrested, so there’s not even time to change the storyline. She attempts to prove her innocence. She attempts to escape. She attempts comedy. By now she is thoroughly sick of this. However, as she starts her 100th time reliving these same events, she now finds she can hear the inner thoughts of everyone around her! Will this allow her to finally escape the time loop and show who the real guilty party is? And does she even want to go back to being a princess?

This has both a well-known writer (the creator of OreShura, aka My Girlfriend and Childhood Friend Fight Too Much) and illustrator (the artist of My Next Life As a Villainess), so I shouldn’t be surprised that it reads well and the author knows how to land a gag. It’s predominately a funny series, for good and ill. The best part of it is Alphina, or Arle as she comes to call herself. Deciding to use her newly discovered magic powers to simply nope out of all of this drama is an excellent choice, and frankly I wish it had stuck. The various love interests she has all have inner monologues that verge on the ridiculous, which is the point, but always manage to stay on the funny rather than the annoying side. The exception, as I noted, is Debonaire, the saint, who is a boy-crazy egomaniac who doesn’t even have the decent excuse of being isekai’d from Japan, and whose theme is “pig squealing” for a laugh. It’s no surprise that, rather than surviving to be annoying another day like most good “heroine” villains, she’s butchered here.

This is getting a 2nd volume, though given that cover is “wedding” themed that may be it. I’ll read it. Fans of the genre might want to just ignore the “heroine” and enjoy the antics of the “villainess”, who’s a spunky tomboy princess who kicks ass.

There’s No Freaking Way I’ll Be Your Lover! Unless…, Vol. 1

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By Teren Mikami and Eku Takeshima. Released in Japan as “Watashi ga Koibito ni Nareru Wake Naijan, Muri Muri! Muri Janakatta!?” by Dash X Bunko. Released in North America by Airship. Translated by TNFWIBYLU Translation Team. Adapted by Harry Catlin.

I can understand the appeal of a title like this. It starts off badly, in my opinion, but around the second half of the book we start to get the actual character flaws that will become development. Its lead heroine is (stop me if you’ve heard this one before) intensely self-deprecating to the point where it’s almost her entire personality, and because she’s an introvert who has been unsuccessful at interaction in the past, she has a definition of “friends” that is vast and all-encompassing. The other heroine is the perfect , extroverted, and very forward rich girl whose personality masks a lonely life, and who also has minimal experience in real relationships, so comes on far, far far too hard. It’s the sort of story that can be developed pretty well over the next few books. That said… I have issues. The narrative voice. The lack of consent throughout (which is, to be fair, a plot point). The implied future plot.

Renako is having issues. She’s successfully managed to reinvent herself in high school as a normal, outgoing gal, and is part of a group of friends that includes the school idol, Mai. Unfortunately, she’s an introvert at heart, and all this interaction is too much. So she runs away to the roof… where Mai finds her, and for some reason assumes she’s trying to kill herself. Throwing herself towards Renako to stop her, both girls end up going off the roof. Fortunately, they are rescued by a passing tree. Unfortunately, Mai then confesses to Renako, saying that she wants to be her lover. This flummoxes Renako, who has no idea why the school idol would be interested in her. can’t they just be friends? You know, best friends?

So, my issues. Renako’s narrative voice is very, very panicky teenager, with a near constant repetition of the title words “no freaking way”. I was crying out for the book to switch to another point of view, but alas. Secondly, Mai has no sense of boundaries, being very explicit about what she wants to do with Renako and not backing off even when Renako demands she do so. This actually comes to a head near the end of the book, when Mai forcibly gropes Renako and Renako’s sister walks in, leading to a slap that was much needed. At this point the book begins to address this issue seriously, but that still leaves a lot of the start of the book, which is in “noncon is funny” mode. Lastly, the series is ongoing, and the subplots of this book, showing Renako interacting with the other members of their friend group, seem to imply a “harem” aspect to this series, with Renako as the unwitting object of multiple affections. This depresses me, as I’d much rather see Renako and Mai try to grow up and define what they have together, but instead suspect I will get “no freaking way” repeated a lot more.

So despite some whining on Twitter, this isn’t bad. It just has a lot of things I personally dislike. And, from what I hear, it’s certainly better than the author’s other yuri series. You might be better off reading the very similar Yuri Tama.

The Manga Critic: Free Comics!

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Tomorrow is Free Comic Book Day! Among the many publishers participating in this year’s event are ABLAZE, Kodansha, Tokyopop, and VIZ, all of which are offering samplers of kid- and teen-friendly manga, from Animal Crossing to Choujin X. For a complete list of titles, click here; to find a comic shop near you, click here. Remember to show your support for your LCS by buying something, too; Free Comic Book Day isn’t free for store owners, who pay to participate in this event.

AROUND THE WEB

Deb Aoki interviews Jun Mayuzuki about After the Rain, Kowloon Generic Romance, and the manga that inspired her to become an artist. [MSX: Mangasplaining Extra]

And speaking of Deb Aoki, she joined Calvin Reid, Heidi MacDonald, and Kate Fitzsimmons for a roundtable about the current manga market. [Publishers Weekly]

Congratulations to Shojo & Tell, which just released its 100th episode! To mark the occasion, Ashley McDonnell and Anne LaRose discuss one of the most influential shojo manga of the last 50 years: Sailor Moon. [Shojo & Tell]

Get your shonen on with the Manga Machinations crew, who host a lively discussion about Dandadan, Choujin X, and Hell’s Paradise. [Manga Machinations]

Gee and Ray dedicate their latest podcast to Keiko Takemiya’s sci-fi epic To Terra. [Read Right to Left]

Robert Adams has some thoughts about Oshi no Ko. [Dad Needs to Talk]

On the most recent episode of Screen Tone Club, Elliot and Andy “get all emotional” as they discuss Monotone Blue and Insomniacs After School. [Screen Tone Club]

What will you find at your local comic shop this month? Bill Curtis shares a comprehensive list of May’s manga and light novel releases. [Yatta-Tachi]

Megan, Tayla, and Shannan compile a list of great comics from around the world, from Taiyo Matsumoto’s Cats of the Louvre to Deena Mohamed’s Shubeik Lubeik. [No Flying No Tights]

File this under You and Me Both, Kid: Junji Ito is wary of AI technology. [Kotaku]

Samantha Ferreira shares her impressions of “Sniffing Glue: The Punk Energy of Early British Anime Fanzines,” Helen McCarthy’s panel at Anime Boston 2023. I’m sorry I missed it, because it sounds fascinating! [Anime Herald]

REVIEWS

Over at ANN, Andrew Osmond reviews Studio Ghibli: An Industrial History, a meditation on “Ghibli as a workplace, and as a company in the business of manufacturing fantasy”… Carrie McClain weighs in on three new series from Seven Seas… Megan D. kicks off a month-long celebration of shojo manga with reviews of Skip Beat!, Canon, and Karakuri Odette… and the latest Reader’s Corner has the low-down on The Boxer, Way of the Househusband, and Wolf Girl and Black Prince.

New and Noteworthy

Complete and Ongoing Series

Manga the Week of 5/10/23

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SEAN: Hopefully you are keeping your manga as dry as possible in these wet times.

We begin with Viz, who debut a new Shojo Beat title, Wolf Girl and Black Prince (Ookami Shoujo to Kuroouji). This Betsuma title is from the creator of Ima Koi: Now I’m in Love, but is actually one of their earlier stories. A girl who made up a fake boyfriend is on the verge of being called out for it. A handsome guy agrees to be her fake boyfriend. Unfortunately, he’s a sadistic type! For fans of sadistic types.

MICHELLE: Pass.

ANNA: Yes, as much as I enjoy new Shojo Beat titles this seems like Not My Thing. More time to get caught up on Ima Koi: Now I’m in Love!

SEAN: Also debuting is The Art of Haikyu!!, an artbook featuring art from Slam Dunk… no, just kidding, it’s from Haikyu!!.

ANNA: I mean, I like Haikyu!! but Slam Dunk is on a whole other level.

ASH: I am likewise an ardent supporter of both series. (And so am looking forward to this even if it isn’t Slam Dunk.)

SEAN: Viz also has Fly Me to the Moon 17, Helck 3, Mao 11, My Hero Academia: Vigilantes 14, Pokémon Adventures: X•Y 5, and YO-KAI WATCH 21.

From Udon Entertainment we get a debut, Record of Lodoss War: The Crown of the Covenant (Lodoss Tousenki: Seiyaku no Houkan) is a spinoff of the legendary light novel series, and ran in Shonen Ace. When a kingdom is in trouble, will Deedlit come to their aid?

SuBLime has a 2nd volume of Megumi & Tsugumi.

ASH: I’m not especially invested in Omegaverse fiction, buy I do like a good delinquent BL…

SEAN: The folks at Square Enix bring us By the Grace of the Gods 8, My Happy Marriage 3, and Tokyo Aliens 3.

One debut from Seven Seas. Soloist in a Cage (Ori no Naka no Soloist), a Shonen Jump + series, is in the “dystopian tragedy” genre. A girl born in a prison has only her younger brother to keep her going. Then she’s helped to break out… but has to leave her brother behind!

Seven Seas also has COLORLESS 4, The Hidden Dungeon Only I Can Enter 8, My Secret Affection 2 (the final volume), Skip and Loafer 7, and Slow Life In Another World (I Wish!) 5.

ASH: I really need to get caught up with Skip and Loafer.

SEAN: One Peace Books debuts The Death Mage (Yondome wa Iyana Shi Zokusei Majutsushi), whose light novel they’ve already been releasing. This is the manga version, serialized online on Comic Walker. A guy with terrible luck dies horribly, is reincarnated, dies even more horribly, and is now reincarnated again in hopes he’ll just kill himself rather than go through this again. But he now has… DEATH MAGIC!

ASH: That’s a twist!

SEAN: Kodansha Comics has titles, which unfortunately their new website makes impossible to find. In print, the debut is Twilight Out of Focus (Tasogare Outfocus), a BL title from Honey Milk magazine. Two roommates have rules that they say should not be broken. Who wants to bet these rules won’t last the book?

ASH: I’d say that’s a pretty good bet.

SEAN: We also get Chasing After Aoi Koshiba 4 (the final volume) and PTSD Radio Omnibus 3.

The digital debut is Tsugumi Project, which runs in Young Magazine. Another post-apocalyptic action series, a group of convicts are tasked with retrieving a weapon from a ruined city. But the city is less dead than anyone thought.

And we also see Ace of the Diamond 43, The Dawn of the Witch 6, The Fable 14, Fungus and Iron 3, Gang King 5, and Life 2: Giver/Taker 3.

MICHELLE: We’re rapidly approaching the end of Ace of the Diamond! I hope Kodansha plans to release the sequel, too.

SEAN: Two debuts from J-Novel Club. The big light novel one is Earl and Fairy (Hakushaku to Yousei), a long-running light novel fantasy series circa twenty years ago that spawned a short-running manga version Viz licensed ages ago. A young Victorian woman with an interest in fairies teams up with a noble in a quest to retrieve a treasured sword. Get this, it’s really, really good fantasy.

ANNA: I’m intrigued and I usually don’t go in for light novels.

ASH: Wow, Earl and Fairy, that takes me back!

SEAN: The manga debut is Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon (Maou ni Natta node, Dungeon Tsukutte Jingai Musume to Honobono suru), the manga version of the light novel J-Novel Club also releases. It runs in Dra-Dra-Dragon Age, Japan’s greatest love machine. (Sorry.) (That really is the magazine title, I promise.)

And we also get Housekeeping Mage from Another World: Making Your Adventures Feel Like Home! 5, A Late-Start Tamer’s Laid-Back Life 6, My Daughter Left the Nest and Returned an S-Rank Adventurer 8, Peddler in Another World: I Can Go Back to My World Whenever I Want! 3, Perry Rhodan NEO 13, and Saint? No! I’m Just a Passing Beast Tamer! 3.

Ghost Ship has new volumes of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You 6, I’m Not a Succubus! 3, and Sundome!! Milky Way 6.

Dark Horse Comics gives us Keep Your Hands Off Eizouken! 5.

ASH: Another reminder that I am behind on both my manga reading and my anime watching.

SEAN: Airship, in print, has new releases for The Case Files of Jeweler Richard 4, Classroom of the Elite: Year 2 4.5, and I Swear I Won’t Bother You Again! 3.

And for early digital releases, there is Loner Life in Another World 5, Monster Girl Doctor 10 (the final volume), and She Professed Herself Pupil of the Wise Man 7.

Sounds good! What manga of yours is getting rained on?