Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

So I’m a Spider, So What?, Vol. 10

by

By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

(There are spoilers in this review for the previous volume, so make sure you’ve read 9 first. Or are spoiled.)

I seem to be eating crow a lot in my recent reviews, usually as I read what I said at the end of the last one and realize that no, it went counter to all my expectations. And last time I said that I felt that White’s encounter with D would not likely change her all that much, and boy howdy was I wrong. It’s not perfect, and only with alone with the Demon Lord is she starting to be “herself”, but the days of “White Can’t Communicate” are coming to an end, as she now… talks in sentences! Expresses emotions! Thanks people! I’ve gotten used to her main character trait being the dissonance between her chatty inner monologue and her deadpan outside self that I was not expecting that she would finally bridge the gap. A lot of this is likely due to D, and the big revelation from last time of who her real self is.

The Demon Lord gets a lot accomplished in this book, firstly by taking out a major rebellion against her (which White actually gave her all the details on), then by meeting with the pontiff and making a deal with save Miss Oka and a group of elves that were part of the rebellion (at White’s request) in return for promising to kill off all the Elves at a later date (we do see some of this in earlier books). The Demon Lord also finally hears about what’s really happening with this world,. again thanks to White, but does not hear how much sacrifice and deaths it will take to fix things, again because White does not tell her. The Power Behind The Throne has never felt more appropriate, even as everyone continues to attribute this to the Demon Lord being just that brilliant. Oh, yes, and White can now actually cause physical pain to Ariel as well, though this is passed off as a gag.

I will admit that I do appreciate the gags, because let’s face it, this series has gotten about as dark as Overlord, which I dropped for being too dark. So White being all embarrassed is funny, as is most everything about Sophia being a massive spoiled brat. And then there’s D, a totally awful God, who is still finding the idea that the new God of this world is really a tiny spider that she swapped roles with so as to get away from being found after being reincarnated. The other reason the series is still good to read is the occasional heartwarming moment. I liked White trying to save Ms. Oka, and the flashback back to the classroom where we see why: Ms. Oka stopped the class killing the spider, and hence White herself, before they all got exploded. I also liked the ending with White taking Ariel to meet the legendary Sariel, and we see how she’s suffering for the entire world. It gives “saving the world” a face.

Still, there’s no denying this series is pretty damn dark – lots of slaughter in this book as well. That said, the best thing about this volume is White really starting to come into her own and take over as THE protagonist once more.

Girls Kingdom, Vol. 1

by

By Nayo and Shio Sakura. Released in Japan by GL Bunko. Released in North America by J-Novel Club. Translated by Philip Reuben.

Despite the fact that this is a review of Vol. 1 of a fairly new light novel series, the one thing I took away from it most was nostalgia. This book is drenched in Maria-sama Ga Miteru and Strawberry Panic, two series from the 00s that defined a generation of yuri, for better and worse. (In that order – Maria-sama for Better, Strawberry Panic for worse.) I think the author is well aware of what the audience wants here, and is quite happy to give it to them with the maximum amount of ridiculousness. There may be heartwarming moments and genuine yuri in future volumes, though I’m skeptical. What we get here, though, is one girl’s entry into a magical kingdom, one where she ends up having the Golden Ticket – almost literally – that puts her among the elite. And we get another girl, at the pinnacle of that elite, and her desire to try to have as little to do with it as possible. They need each other. They make a great pair.

Misaki is a young girl starting her first day at a new school. She runs out of her house screaming she’s going to be late (no toast, sadly), but ends up being VERY late, as the school is ridiculously huge. So late she jumps the gate – an expellable offense – but it’s OK, as Himeko is standing there, and is highly amused at the fact that a) Misaki jumped the gate at ALL, and b) Misaki seems to know MOTHING about the school that she’s starting in today. So she gets Misaki to agree to be her maid, in exchange for getting her out of being expelled. Misaki is rather baffled by this, then finds out why this school that she signed up for but knew nothing about is free: the half of the class she’s in are all training to be maids, so they may serve the OTHER half of the class. Which has Himeko, who is daughter of the Chairman of the Board.

As you can see, this premise is bananas, for many, many reasons. Misaki’s ignorance of EVERYTHING about her new school is hilarious. A school for maids-in-training and their rich young mistresses is so egregiously classist that your jaw will drop. Misaki’s roommate Kirara, who in any other series like this would be the protagonist, does things that made me physically recoil from my phone as I was reading the book. There are identical twins – with the same first name – who appear to be on the maid side for shits and giggles, which is fine as that’s how they live everything else in their life. Himeko is the perfect rich young girl, right down to living like an absolute slob and not giving a rat’s ass what anyone thinks of her. The book is basically a series of train wrecks set to prose.

That said, I had a grin on my face reading it. If you can put up with its silliness, it’s fun. If you ever saw or read Strawberry Panic, it’s required reading.

Manga the Week of 12/30/20

by , , , and Leave a Comment

SEAN: The final week of 2020, a year I will be all too happy to put behind me. What’s coming out?

J-Novel Club has Otherside Picnic 4, Welcome to Japan, Ms. Elf! 5, and the 2nd and final volume of WATARU!!! The Hot-Blooded Fighting Teen & His Epic Adventures After Stopping a Truck with His Bare Hands!!.

Kodansha has just two titles in print next week. That Time I Got Reincarnated as a Slime: Trinity in Tempest 2 (which I do not care about) and Witch Hat Atelier 7 (which I do).

MICHELLE: I pledge that someday I will actually read Witch Hat Atelier.

ASH: You have a treat waiting for you, Michelle! Witch Hat Atelier is truly wonderful.

ANNA: I agree, it is a wonderful series.

SEAN: Digitally it has a lot more. The debut is We’re New At This (Mijuku na Futari de Gozaimasu ga), a series from the creator of Ao-chan Can’t Study!. Two childhood friends have gotten married and love each other… but they’re both total innocents! Can they figure out how to do what couples do? This runs in Comic Days.

Also out digitally: Fairy Tail: Happy’s Heroic Adventure 7, Guilty 7, My Boyfriend in Orange 10, Shaman King: The Super Star 4 (which catches us up with Japan, I think), A Sign of Affection 3, and The Prince’s Romance Gambit 8. A Sign of Affection is already on my must-buy list.

MICHELLE: That’s another one I need to actually start. I also enjoy Guilty, which is a fun josei drama about people who definitely don’t need lessons on what couples do.

SEAN: Seven Seas has a trio of titles, the most important being the 4th and final volume of Satoko & Nada. They also have the print version of Restaurant to Another World 4 and the print version of Arifureta Zero 4.

MICHELLE: Yay Satoko & Nada.

ASH: This series is a delight! I’m so happy that it was released in translation.

SEAN: Sol Press has 4 digital titles, all light novels. The only one that isn’t a debut is Chivalry of a Failed Knight 4.

The Game Master Has Logged into Another World (GM ga Isekai ni Login Shimashita). Gamer and GM collapses one day and finds himself in a game, now he has to call on his special cheat GM powers. I hate everything I typed just now.

I Surrendered My Sword for a New Life As a Mage (Moto Saikyou no Kenshi wa, Isekai Mahou ni Akogareru). A boy really wants to learn magic… but has no talents there. He does have amazing talents as the reincarnation of a master swordsman, but still… he wants to learn magic! This sounds slightly better, but only slightly.

Let This Grieving Soul Retire! Woe is the Weakling Who Leads the Strongest Party (Nageki no Bourei wa Intai Shitai: Saijiyaku Hanta ni Yoru Saikiyou Patei Ikusei Jutsu). This actually made it onto the end-of-year Light Novel Popularity polls, which is why I might actually look at it, despite being a “weak to strong” book, a genre I’m not fond of. Our hero’s friends have cool powers. He does not. But for some reason they keep expecting things of him.

Square Enix has a third volume of My Dress-Up Darling.

ASH: This series really surprised me. It’s definitely risqué, but it has some depth to the story and characters, too.

SEAN: Tokyopop has the 7th and final omnibus of Aria The Masterpiece, meaning after 16 years, and being cancelled twice by two different companies, we can finally read the end of Aria.

ASH: Wow!

MELINDA: I don’t even know what to say about this.

ANNA: I suppose it is certainly some sort of publishing achievement.

SEAN: Vertical has a 2nd in NISIOISIN’s Pretty Boy Detective Club series, The Swindler, the Vanishing Man, and the Pretty Boys.

Yen On has a few December stragglers. This includes a debut. The World’s Finest Assassin, Reincarnated in a Different World as an Aristocrat (Sekai Saikou no Ansatsusha, Isekai Kizoku ni Tensei Suru) sounds a whole lot like a number of other series we’ve seen recently, to be honest.

ASH: There does seem to have been one or two of those…

SEAN: There’s also Bungo Stray Dogs 5, Our Last Crusade or the Rise of a New World 5, and Woof Woof Story 5. Lotta 5s.

Lastly, Yen Press has High School Prodigies Have It Easy Even in Another World 9 (manga version) and A Terrified Teacher at Ghoul School 9.

What manga will you be reading to help you forget 2020?

Bloom Into You: Regarding Saeki Sayaka, Vol. 3

by

By Hitomi Iruma and Nakatani Nio. Released in Japan as “Yagate Kimi ni Naru: Saeki Sayaka ni Tsuite” by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash and Vincent Castaneda. Adapted by Jenny McKeon.

As I was reading the 3rd and final volume of this spinoff series, I began to feel that it was less of a novel and more of a reward. A reward for Sayaka, who, after two books of repressed feelings and failed romances, finally gets to experience a joyous love. And a reward for the reader, because man, this book is a bright ball of sunshine. Sayaka and Haru’s interaction is simply a joy to read, Sayaka’s ongoing inner monologues are revelatory, especially her growing realization that yes, this is in fact real love she is feeling and it’s not the same thing as the love she has for Those Two Girls. (Though that may be the funniest scene in the book… are those two also a couple, by the way?) The continuity between the three books is fantastic, playing into reader expectations very well. And, at last, Sayaka and Touko finally get together to talk post-graduation, though that is the one note of bittersweetness in this sugary book.

The cover pretty much sets the stage. After seeing Haru crying at the end of the previous volume, the two have become friends, and the book begins with Haru confessing to Sayaka… though also admitting that her personality is the sort that also lets go of things easily. This actually doesn’t become apparent as the book goes on, as Haru is quite patient with Sayaka, who spends the entire book musing about what she feels for Haru, how it compares to her feelings for her old sempai, or Touko, or even the girl from the pool in elementary school. The book is mostly a series of conversations, showing us a Sayaka who is opening up to others far easier than she used to but is still definitely herself. Sayaka agrees to go out with Haru on a “trial basis”, as Haru puts it, and rapidly realizes that this *is* different from the others, and that she really has fallen in love.

Addressing the elephant in the room, yes, Haru sure does look like Yuu, but they’re not very much alike. She also resembles the swimming girl from Book One, to the point where the author includes a scene with Sayaka watching a TV show interviewing a swimmer who is clearly meant to be the same girl. What’s more, the climax of the third book once again takes place in a pool, with Sayaka and Haru’s underwater “confession” being incredibly emotional and heartwarming. (I admit I was also happy to see the swimming girl had recovered from Sayaka’s fleeing.) The conversations, both in dialogue and in text messages, felt very in character on all sides, and I was once again very happy to see that this is nothing whatsoever like the author’s other series, Adachi and Shimamura. And I really enjoyed the emphasis on names, and how Sayaka’s manner of addressing Haru changes over the book as her feelings grow. (But she still says “Koito-san”.)

There is a question in this book about whether a college student really is more “grown up” than a high school student, and you get the sense Sayaka is still maturing in that regard. The epilogue shows she has not gone as far with Haru as Yuu and Touko have. But that’s fine, because they’re different couples behaving differently. And even though there’s some sadness as Sayaka realizes she and Touko will likely grow more distant over time, the overall feeling after finishing this book is happiness that Sayaka and Haru are really in love, and what they brought to each other’s lives.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 7

by

By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This series (which has now ended in Japan at Vol. 11) has, as its primary goal, humor and fanservice, as with many other series of its type – this one just involves moms. But there is a secondary goal that the series occasionally reaches toward, which is “make Masato a mature, self-sufficient young man”. As the author admits, you can’t really take this TOO far or you’d ruin the series’ main running gag of his being useless in the face of his overpowered mom. But this volume comes closest to giving him actual character development, and I can distantly see an endgame in site. That’s not so say this book is not also very silly, as we get stranded on a desert island, a beach volleyball game that seems to mostly involve hitting the girls’ asses with the ball, and the third of the Four Heavenly Kings, who seems to bond with Masato right away. And then there’s Porta… so close, but not yet.

This volume begins with a new area opening, which features Beastmen, including the Beastman Mom we saw in the tournament arc. Our party wins a gatcha lottery, with Mamako winning the grand prize, a trip to a resort for three days. Unfortunately, the airship they’re taking to the resort ends up in the midst of a party fight, and they end up crash landing on a seemingly deserted island. Still, they have the infinitely overpowered Mamako, so they can do things like create a beach, an entire resort town, etc. just by her calling on Mother Earth and willing it to happen. And Masato runs into a kindred spirit, someone who might finally be able to teach him how to get stronger. The question is… stronger for what? And also… is Mamako wearing herself out? REALLY?!

Yes, we’re finally getting a situation engineered where Mamako can’t use her full powers, and in fact is exhausting herself just trying to do what she normally does. This dovetails nicely with the ending, where Masato confronts her about lying to him about being fine, which she finally, grudgingly admits to because she didn’t want to worry him. This is, frankly, a situation that a parent has likely had to deal with before. As for Masato himself, after seeing the varieties of Mom-hating that the Four Heavenly Kings offer, he realizes, in the typical shonen protagonist way, that he wants to get stronger so that he can protect others, not just so that he can beat his mom at something. Which is good, as the ending trap requires him to use power that ONLY works if he says it’s to protect his mom. Even the other girls have to admit that he was almost cool there for a moment.

There’s lots of silliness here as well, usually involving our two pathetic villainesses, or Wise and Medhi, our two somewhat pathetic heroines. But this is Masato’s book, and he holds up pretty well, despite spending the first three quarters of it or so moping around thinking about how weak he is. Next time will we finally confront the mystery that is Porta? Maybe, maybe not. But for fans of the series, this is a very good volume.

The Eminence in Shadow, Vol. 2

by

By Daisuke Aizawa and Touzai. Released in Japan as “Kage no Jitsuryokusha ni Naritakute!” by Enterbrain. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I may have to eat my words again. Last time I said this is the sort of story that could only work as a comedy. But in this second volume, I’m finding that I’m more interested in the actual conspiracies and backstory than I am in Cid being goofy chuuni guy. I will admit this book is not as funny as the first one, though it has its moments that made me laugh out loud. But when it’s focusing on other characters, particularly Rose, the princess who gets put through the wringer in this book, it actually makes me wish that it could work as a real book. The key there, however, would be that it would have to have a cast that did not include Cid or his minions, and that’s not going to happen. And, to be fair, it would deprive us of that most shonen of cliches, the tournament arc, which Cid tries to game for his own amusement and mostly succeeds.

The book is essentially divided in half. The first part has Cid, invited by Alpha, headed to see an event where fighters try to call up ancient heroes and do battle with them. Most fail. That is, most fail to even call up ANY spirits. Naturally, Cid/Shadow ends up calling up one of the most deadly. There’s also a hidden conspiracy involving the Church, which frankly should not surprise anyone reading this book. After this he decides to enter the local tournament battle, which his sister is also competing in, as well as Princess Iris. Unfortunately, while this is happening Rose, another princess, is set to be married off to a man who is so evil that he’s named “Perv Asshat”. She tries to kill him, then flees, but we know that’s not going to work out. She’s going to have to sacrifice something…

The funny parts of the book usually involve Cid when he’s trying to be edgy, or when he’s reacting in surprise to something that he set up and forgot about. (There’s a running gag of him thinking he’s finally met another isekai’d person, only to find out it’s one of his minions just publishing stories he told from our world, or music he played. It’s a much funnier running gag than Cid always crassly saying he has to “hit the can” before vanishing to be Shadow.) I was also amused at the hate/hate relationship between Alexia, Cid’s tsundere from school, and “Natsume”, aka Beta, one of Cid’s minions. They really can’t stand each other, and it can be funny. That said, Rose’s plot is not played for laughs at all (OK, the tuna wrapper was funny), and while Perv Asshat may have a very stupid name, he’s clearly got the villain thing down pat, and unfortunately survives to fight in another book.

So it’s not quite as silly a comedy as the first book, but I find its skeleton more compelling than I did in the first. Fans should still enjoy it either way.

I Reincarnated As Evil Alice, So the Only Thing I’m Courting Is Death!

by

By Chii Kurusu and Minato Yaguchi. Released in Japan as “Akuyaku Alice ni Tensei Shita node, Koi mo Shigoto mo Houki Shimasu!” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

As with a lot of recent isekai titles, I’m starting to wonder if the “reincarnated in an otome game” authors are using that device as a way to get people to read their work. The reincarnation part of the book involves our heroine getting run over while rescuing a kitten, and she ends up in her favorite otome game. The trouble is, she’s in the expansion pack version – which she never played as it was only announced the day she was killed. So while she has all the common “romance” routes from the original game memorized, they aren’t working this time around. What’s more, the otome game she played was notorious for putting in more and more bad ends as you got closer to each romance. It comes up throughout the book, don’t get me wrong. But honestly? This is a perfectly good, fun supernatural romance series. It didn’t need to otome game itself up.

Our heroine is Alice Liddell, a name that may seem familiar. This one, though, is party of a Victorian SWAT team that fights enemies on behalf of the Queen. She’s smart (especially once the rather awkward “huge fan of otome games” prologue finishes) and does not take crap from anyone, and for good reason – her entire family was massacred three years earlier, and she’s trying to carry out their legacy. Her current case involves young women falling asleep and not waking up, and the prime suspect appears to be the very eccentric – and handsome – Dark Knightley. Together with her team of Jack (butler to her family and the other survivor of the massacre), Leeds (androgynous and the first person that Alice saved) and the Tweedle brothers, Dum and Dee (strong fighters but also adorable little boys), she’s determined to get to the bottom of this. Mostly as she has a bet with Dark as to who will solve it first!

As you can see, the book is not very subtle. There’s a lot going on here – I didn’t even mention the contracts with demons or superpowers most of them have – and fortunately most of the “Alice in Wonderland” stuff is kept to Alice’s name, the twins, and the fact that Dark wears a lot of fancy top hats. (An Alice romance where the love interest isn’t the Mad Hatter? Heavens forbid.) The villain is also super, super obvious. But that’s OK,. because the only reason anyone would read a title like this is for the interaction between the two leads, and that’s excellent. Alice makes a very good heroine, kicking ass and carrying a gun but also able to act the part of a Victorian lady, albeit one disliked by the other Victorian ladies. She’s actually reincarnated as the heroine of the otome game, which is probably a good thing given the fate of the “otome game villainess” in this book. As for Dark, he’s eccentric without being annoying, doesn’t have that “I am overly possessive” vibe a lot of romantic heroes tend to get, and has his own tragic backstory to boot. They make a good couple.

If you’re looking for deconstruction of the otome game archetypes, look elsewhere. And I hope you side with the landed gentry over those who buy their titles. But Evil Alice manages to be a breezy romance with mystery and horror overtones, and is perfectly pleasant.

In Another World with My Smartphone, Vol. 21

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by HJ Novels. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

This is not the final volume of In Another World with My Smartphone – the 22nd volume is out in Japan, and no doubt there are limitless numbers of stories that could be told about Touya and company in the upcoming years. But I had decided a while back that this, the volume where Touya marries his wives and they go on their honeymoon – would be my final volume of the series. I definitely had a lot of fun with the early books, but as the series has gone on I’ve been exposed to a few too many of the author’s awful choices and toxic characterization. Fortunately, this is an excellent volume to end with, featuring a minimum of poor taste (though the girl who gets aroused by good deeds becoming a teacher reminds us it’s still there) and a nice victory lap for Touya and his companions, showing them finally tying the knot, having their first times (except for too-young Sue), and bopping around Earth. Yes, Touya’s honeymoon is back in Japan.

As noted, the first half of the book deals with Touya and company preparing for the wedding. As you can imagine, this features the brief cameos of three-quarters of the regular cast, which has ballooned out so much that I barely remembered which one was which. Most of the wedding day jitters are on Touya’s end – his relationship with his spouses that are of age may go all the way this time around (offscreen), but it’s very on point that even during his actual wedding he kisses each of them on the cheek. This is one shy boy. And I mean that literally for the second half of the book, where God allows Touya and company to go to Japan… but since he’s dead there, he goes in disguise as a five-year-old boy. This, as you might imagine, leads to some wacky hijinx. He also drops in on his parents, who have a newly born daughter, in a dream and reassures them as best he can that he’s happy “in the afterlife”.

His parents take this better than you’d expect, as it turns out God has been sending Touya’s adventures as dreams to his parents and his best friend from school – who is now drawing it as a manga. I’d say this beggars belief, but hey, Smartphone. It was amusing to find out that it was not power that went to Touya’s head – he’s always seemed to be a bit sociopathic, and we see him dealing with delinquents before he was killed in much the same way he dealt with bandits in his new world. But really, most of this book is watching the wives shop. And shop. And shop. Oh, and go to the zoo. They get piles of food, they get accessories, they see zebras and hippos, they even go to a school festival and watch a high school production of Beauty and the Beast. It’s a full, rich two weeks.

And in the end, they go back home and life goes on. In the meantime, if, like me, you have been looking for an excuse to not read Smartphone anymore, this is an excellent one, as it could easily also service as a final volume, and leaves few to no loose ends that might niggle at you. Thanks, Smartphone. You drove me crazy, but you were never boring… OK, that’s not, true, you were boring a lot. But I’ll see you off with a smile.

Invaders of the Rokujouma!?, Vol. 34

by

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

This is a plot-heavy volume of Rokujouma!?, so no ‘what if this girl won?’ side stories, and apparently 35 won’t have one either. Instead we are reminded that the series did not end with the 29th volume after all, and that there’s a lot still going on. In particular, this series is very good about avoiding “bwahaha!” cartoon evil villains, and when it does have them it shows them to be easily manipulated by other, better villains. There’s actually a lot of double crossing going on at the moment, both between the Forthorthe villains and the People of the Earth radicals, and between their forces and our heroes, as both end up winning in some ways but losing in others. With Earth still dealing with the revelations of Theia’s planet, and everyone and their brother trying to get their hands on new technology to make them rich and powerful, it’s going to be a while till Koutarou can settle down, though the other girls are certainly taking every chance they can to be around him anyway.

For once the cover doesn’t lie, as Ruth actually does have a significant role in this book. She and Koutarou are waylaid on a shopping trip and she’s almost killed, then the former bad guy of the Radical Faction of the People of the Earth, now captured, reveals that the remains of his faction are allied with Ralgwin, the nephew of Vandarion who plans to keep on carrying out his legacy. They’re also being set up to be patsies for Ralgwin’s faction, which is why Raiga tells our heroes about them. Now it’s time for infiltration something that, for once, is not done by Koutarou but instead Ruth and Harumi, who are led to a suspicious sake brewery that turns out… well, to be a trap, and the real attack is happening elsewhere. Fortunately, the rest of our merry band are there, and each of them gets a chance to show off their stuff as the last quarter of the book descends into a firefight.

Much of this volume is taken up with the fact that Koutarou, while a wonderful man that they all love, cannot protect everyone all the time. He needs to accept this, which is why he backs down after suggesting he go with Ruth and Harumi on their espionage. They’re both powerful enough now that they don’t need him to protect their fragile selves. The same goes for Theia and company in the final battle, where Koutarou gives “fight at your discretion” as the basic order, allowing the others to prioritize what needs doing rather than just following orders. He’s trusting everyone to save themselves, in other words. This definitely works out well for Yurika, who is touched by Koutarou giving her agency, and proceeds to lay waste to a good deal of the enemy forces by a combination of poison gas and turning the area into a murky swamp. (This also leads to the standard making fun of Yurika, as Koutarou calls her a “dirty girl”, much to her displeasure.)

If you’re still reading Rokujouma, you know what to expect, and this won’t disappoint. Still one of the better harem series out there.

Manga the Week of 12/23/20

by , and Leave a Comment

SEAN: ‘Tis Christmas, and still no offers of pantomime. Luckily, we have some manga for you.

ASH: Huzzah!

SEAN: Cross Infinite World debuts Reincarnated As the Last of My Kind. Yes, it’s another reincarnation isekai, but as this little girl grows up, she starts to realize… she may not even be human. It looks cute. And it’s also apparently written by one of the cast of Sayonara, Zetsubou-sensei.

ASH: Ha!

SEAN: There’s a quartet of titles from Ghost Ship. Creature Girls 5, Saki the Succubus Hungers Tonight 4, the 18th and final volume of To-Love-Ru Darkness, and Yokai Girls 12.

J-Novel Club debuts Girls Kingdom, a new yuri light novel series. A girl who wants an education finds herself in the predicament of getting educated as a maid! Why did this happen? And why is the rich girl who hired her interested at all? This sounds slight, but I’ll give it a shot.

ASH: I do like to see that the yuri renaissance is actively expanding from manga to include light novels these days.

SEAN: J-Novel Club also gives us a 6th Altina the Sword Princess.

Kodansha, in print, has Attack on Titan 32, Boarding School Juliet 13, Shikimori’s Not Just a Cutie 2, and Whisper Me a Love Song 2.

ASH: Ah! That reminds me that I still need to give the first volume of Whisper Me a Love Song a try.

SEAN: Digitally, the debut is What I Love About You (Fechippuru ~Our Innocent Love~). This Magazine Pocket title involves a drunken one-night stand that turns into more… because both parties have a fetish (one loves backs and one loves hair) that turns the other on! How much you like this may depend on how much you tolerate fetishes.

Also out digitally: Am I Actually the Strongest? 2, DAYS 21, Kakafukaka 11, Maid in Honey 4, My Best (♀) Butler 4, the 6th and final Shaman King Flowers, Shaman King: The Super Star 3, and When We’re in Love 3.

MICHELLE: I need to get caught back up on DAYS.

SEAN: Seven Seas is piling everything out the door before Xmas. The debut is the manga version of The Sorcerer King of Destruction and the Golem of the Barbarian Queen, which ran in Shonen Ace.

Also: Accomplishments of the Duke’s Daughter 7, BL Metamorphosis 3, the third and final novel for Bloom Into You: Regarding Saeki Sayaka, Didn’t I Say to Make My Abilities Average 11 (print), The Hidden Dungeon Only I Can Enter 3 (digital), How a Realist Hero Rebuilt the Kingdom 9 (print), How Heavy Are the Dumbbells You Lift? 4, How to Train Your Devil 4, The Invincible Shovel 3 (print), Monster Musume 16 (print), Mushoku Tensei 8 (print), My Monster Secret 22 (the final volume), My Status as an Assassin Obviously Exceeds the Hero’s 3, and Syrup: a Yuri Anthology 2.

MICHELLE: I still haven’t read any BL Metamorphosis. The shame.

ASH: BL Metamorphosis is SO GOOD. Definitely one of my favorite new series released this year.

SEAN: Square Enix has Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town manga 3.

Tokyopop has the 9th volume of Konohana Kitan.

Vertical gives us a 3rd volume of The Daily Lives of High School Boys.

Yen On has two titles, and one is pretty big. Sword Art Online: The Platinum Collection. The first 20 books in the series, in hardcover, in a nice box with prints and a poster. A must have for hardcore fans.

ASH: Wow! I’m not particularly interested in the series, but that’s an impressive looking release!

SEAN: The Saga of Tanya the Evil 8 is also out.

Finally, Yen Press gives us a 9th volume of Gabriel Dropout.

That’s it, then, all the Christmas manga. (OH NO IT ISN’T!) Quiet, you.

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 4

by

By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Mattias Hirsch.

Despite the fact that we’re only at Vol. 4 of 9, it is sometimes difficult to remember how far Cersis has come since the start of the series. Let’s recall the premise: he asks Viola to become his wife on paper so he can continue to fool around with a dancing girl. It’s hardly a surprise that, having fallen in love with Viola instead, she does not really believe he’s all that serious. (Viola’s amazing self-worth issues don’t help, though thankfully there’s far less of that in this particular book.) That said, we’ve slowly seen him grow and change, both as a commander and as a somewhat clueless husband. It should therefore not come as too much of a surprise when, towards the end of this new volume, he admits to his past faults and is resolving to become the best duke he can be, everyone is staring with their jaw dropping. Including Viola. He now has to prove that he means it.

the first half of the book wraps up the war storyline, with our gallant soldiers returning home victorious, and Viola forced to go to the palace to have the King welcome everyone back. (Which he does. At length.) The King gives all the soldiers a two-week vacation, and Cersis decides to use the time to take Viola on a tour of his duchy, starting with the manor that his parents normally stay in when they aren’t doting over Viola. Everyone and their brother are calling this the honeymoon that she and Cersis never actually had, and are expecting them to spend most of it trying to conceive some children. Everyone except Viola, of course, who is far more interested in the town scenery and the local shops. Fortunately, Cersis by now has sort of figured out how much of a job he has ahead of him, and just rolls with it. Unfortunately, the duchy, thanks to the war, is in more dire straits than expected…

I’m going to be honest, I was among the people who were boggling at Cersis’s change of heart at the end of the book. I was expecting that the conflict in the Town that he got into was arranged by him for Viola’s sake… though perhaps not the kidnapping attempt. But credit to him, he is trying hard, taking note of the issues that lead to the unrest, and taking Viola’s suggestions on how to handle things based on what she did in her much poorer Earldom, where they can’t afford a constant fleet of guards to keep the peace. It is also very in character of the series so far that, even after directly confessing his love to her – again – Viola’s response is still “sorry, I’m still just not really that into you”. Romance is a foreign nation to her. That said, this is going to change, and now that Cersis is no longer the bumbling doofus husband (much), I look forward to seeing how he wins her over. I will warn, though, there’s one scene where where Viola narrates a fight between her would-be kidnappers and Cersis, and there is a repeated use of the word “fatso” which, while I’m sure was also bad in the Japanese, might have been replaced with something else.

This is one of those shoujo light novels that feels the most like a Western romance, with a definite lack of magic, past lives, or villainesses. Even Calendula, the dancer and former beau of Cersis who kicked this all off, is a relatively nuanced and sympathetic woman. Definitely checking out more.

Bookshelf Briefs 12/17/20

by and Leave a Comment

Chainsaw Man, Vol. 1 | By Tatsuki Fujimoto | Viz Media – It’s a little hard to live up to the hype that this title has gotten on social media, and I admit this first volume did not wow me as much as I’d expect. It seems to run on gonzo and gore, and (from what I’ve heard) gets better as it goes along. That leaves us with this volume, where a young man trying to pay off his father’s debt gets nearly brutally murdered, only to fuse with a chainsaw dog, making him the titular character. He’s taken in by an agency whose head seems so deeply, deeply suspicious I’ll be very surprised if she turns out not to be evil. It’s OK, though, because it means he might one day squeeze her chest! I might have liked this better in a different year, but I will give it another shot with volume two. – Sean Gaffney

The Invincible Reincarnated Ponkotsu, Vol. 1 | By Reona Umitsuki | Kodansha Comics (digital only) – This may be one of the dumbest manga I’ve read since the halcyon days of Sasameke. That said, it’s not trying to be anything else—ponkotsu means “airhead,” but apparently not the same way a tennen is. Our protagonists get reincarnated into heroes. Sanae has absolute brute strength, but only when used by accident. Shota has supposed high defense, but he keeps ending up near death anyway. And Kana can heal Shota (because she has a crush on him)… but only with her boobs. It’s deliberately over-the-top and silly, and sometimes I did crack a smile, but mostly I just sighed, especially towards the end when it briefly tried to be serious. For hardcore ponkotsus only. – Sean Gaffney

Komi Can’t Communicate, Vol. 10 | By Tomohito Oda | Viz Media – I was running behind when I reviewed volume nine, so I got to read volume ten straight away. And it’s a big sea change—there’s a new year and new classes, and most of Komi’s friends are not in her new class. Fortunately, Tadano is, so she’s not completely alone. (Also fortunately, this means Yamai is now elsewhere, though we see her once or twice.) In their place we get Rumiko Manbagi, who is a hardcore gyaru with tons and tons of makeup, who is also suffering from her friends now being in another class. The makeup doesn’t last, but she and Komi bond more than any other friend Komi’s had except for Tadano. Speaking of Tadano, Manbaki is acting awfully tsundere with him. A great addition to the Komi cast. – Sean Gaffney

Mujirushi: The Sign of Dreams | By Naoki Urasawa | Viz Media – I primarily picked up Mujirushi for two reasons: (1) Urasawa is one of those creators whose manga I will always try and (2) the volume is part of the “Louvre Collection,” a series of comics commissioned by the Louvre highlighting the museum and its art. Considering these two things, as well as the somewhat ominous cover image, I really was not expecting Mujirushi to be as much of a comedy as it is. (I also wasn’t expecting masks reminiscent of President Trump’s face to come into play multiple times.) In addition to the Louvre, Mujirushi is also inspired by Fujio Akatsuka’s Osomatsu-kun. In particular, Iyami, a character from that franchise, is pivotal to Urasawa’s story. The real star of the show for me, though, is the whip-smart Kasumi on the cover. Mujirushi is an entertainingly absurd caper, featuring an art heist which is certainly not to be taken too seriously. – Ash Brown

Practice Makes Perfect, Vol. 2 | By Ui Hanamiya | Kodansha Comics (digital only) – There’s a sweet romance going on here, as our two protagonists realize that they’re not really content with this just being practice after all, and I enjoyed the big press conference at the end of the book after they’re found out, where both admit—on air—to being virgins. I read this title more for the hilarious aspects of treating sex as another Olympic sport like volleyball or judo. The two shouting at each other about training harder is great, but I think the top moment of the title was when (pardon me, it is a mature manga) Takaya tries to get advice on how to use his fingers to pleasure Nohara, and whines “they’re going to cramp up!” Still better than I expected. – Sean Gaffney

Shikimori’s Not Just a Cutie, Vol. 1 | By Keigo Maki | Kodansha Comics – This did not really go in the direction I expected. Shikimori is indeed cute, and does show off that side of her to her boyfriend. Sadly, he has bad luck and is pretty weak, so essentially needs saving constantly, which inevitably makes her more cool than cute. Of course, he loves that too, but Shikimori is a fragile young woman, and would much rather be cute. There’s no real ‘are we going to break up’ dangers here, and indeed they start the book already together. The reason to read this is Shikimori’s embarrassed blushes and cool poses, which is exactly the same reason that her boyfriend loves her. It’s not the best romantic comedy in the world, but it’s pretty damn cute. I mean cool. – Sean Gaffney

Spy x Family, Vol. 3 | By Tatsuya Endo | Viz Media – There is so much wonderful comedy in this series. Yuri’s huge sister complex, Anya and the dodgeball game (complete with Bazooka Bill!), and everything about the “extra chapter,” where Yor gets shot in the ass during an assassination and has to endure the pain with a massive frown on her face. But there’s also a lot of heartwarming family stuff here as well—Yor doubting her skills as a wife, Anya getting upset whenever Lloyd and Yor aren’t getting along, even that same extra chapter, which is very funny but also has Anya tell an enemy agent to hang it up and go keep his girlfriend happy instead. It’s that balance that makes this one of the breakout hits of the last two years. – Sean Gaffney

UQ Holder, Vol. 20 | By Ken Akamatsu | Kodansha Comics – There’s a lot going on here—flashbacks (or is it flashforwards?), training arcs, lots of big old battles, and, for once, surprisingly minimal perverse antics. (Akamatsu is in shonen fight mode rather than harem nudity mode.) The general question we see in this book… and really the entire series… is “is being immortal a good thing?” Especially if it comes at the expense of a great deal of the solar system. Touta continues to show off how much he’s not like Negi—unfortunately, that makes him far more normal, and there’s less to distinguish him from other idiot heroes. I still enjoy reading UQ Holder, but, as with all of Akamatsu’s series, it feels like it should have ended a while earlier and is coasting a bit. – Sean Gaffney

The Angel Next Door Spoils Me Rotten, Vol. 1

by

By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

It couldn’t last forever, even though it seemed like it would. After a few years of the trend being “light novels will only get licensed if they have some sort of fantasy or gaming element”, we are finally starting to see a few series being licensed that are old school high school romances. Credit to this no doubt can be given to the one-two punch of My Youth Romantic Comedy Is Wrong As I Expected (which has had three seasons of anime) and Bottom-Tier Character Tomozaki (whose anime is forthcoming), which has helped to open the door to other series whose premise is not “I ended up in another world with superpowers and a bunch of girls who fall in love with me because I am nice to them.” Well, OK, this is MOSTLY not that. The Angel Next Door Spoils Me Rotten may not be an isekai, and our protagonist doesn’t have a sword, but it’s still a classic male fantasy.

Amane is a well-off kid living on his own in a big apartment, but he’s got classic teenage boy problems. His skin is pallid from not eating healthy, he’s a complete slob, and he’s somewhat unsociable, at least compared to his friend Itsuki. Then one day he comes across the class “angel” sitting in a park in the rain. She’s gorgeous, smart, athletic, etc. He’s not sure why she’s sitting getting soaked and looking depressed, but he gives her his umbrella. And then he promptly gets a terrible cold. Fortunately for him, not only does Mahiru live right next door to him, but she wants to thank him for the umbrella, so she makes him some nice porridge. And forces him to clean his apartment. And begins to cook for him every day. They’re not a couple, but… isn’t she just spoiling him?

This is a well-written book, and the characters are likeable. If there’s one big negative it’s the actual premise – it is right upfront about “seeming loser guy gets waited on by his amazingly beautiful high school classmate and neighbor” being the plot going forward, and it can be a bit much. This being a standard Japanese romcom, Amane doesn’t take advantage of this, and in fact is perfectly happy to tell himself he’s not falling in love with her, even though we can see that isn’t true. Likewise, Mahiru slowly warms up to him, showing off her natural personality rather than the “good girl” she perfects at school. It’s implied her relationship with her parents is poor, but he doesn’t pry. Actually, I take that back, this isn’t a romcom. While there are funny moments, for the most part it’s a plain serious romance, with two awkward introverts slowly realizing that they’re basically living like a married couple half the time.

By the end of the first volume they’re still just good friends, but that’s to be expected. It’s also very much a ‘small world’ here – the only characters in the book are the two leads, Amane’s overbearing mother, Amane’s friend Itsuki, and Itsuki’s girlfriend Chitose, who is outgoing, loud and bubbly and therefore quite jarring compared to our Angel. If you can get over its premise, this is a quiet, easy read.

Saving 80,000 Gold in Another World for My Retirement, Vol. 2

by

By FUNA and Touzai. Released in Japan by K Lanove Books. Released in North America by Sol Press. Translated by Lukas Ruplys.

When I reviewed the first volume of this light novel… 19 months ago… I remarked that it was relatively mild in terms of the eccentricities of its author, FUNA, and their other works, I Shall Survive Using Potions! and Didn’t I Say to Make My Abilities Average!. I regret that now. This, the second novel in the 80,000 Gold books, is absolutely bananas. Mile and Kaoru wish they were this overpowered. Our heroine stops a war using modern artillery, gains a domain of her own to rule, and sets about ruling it, all the while flitting back and forth between this fantasy world and modern-day Japan. Can she keep it a secret? LOL. Not at all, and by the end of the book dragons are now “real” and Mitsuha is telling readers about the conflicts between Russia and Ukraine. The good news is that the book remains a lot of fun provided you don’t believe in gritty realism, and Mitsuha has toned down her fourth-wall breaking tendencies… somewhat… so is a far more tolerable narrator.

When we last saw Mitsuha she was running her little shop that sells shampoo and other luxury items. But that’s more a job for the heroine of her other book; Mitsuha has bigger things to do, even if she really doesn’t want to. She befriends the princess, who is a cutie and also loves to escape her guards, and from there the king. This means that she’s also called in when the country goes to war, and after an assassination attempt wounds her and mortally wounds Alexis, Mitsuha decides to stop holding back and calls out her friendly mercenary friends to destroy the enemy army (with has orcs, ogres, and teenage dragons) with modern-day tanks and rocket launchers. Her reward for all this is becoming a viscountess and gaining her own territory, which she spends most of the rest of the book sprucing up. And if that means bringing in experts from Japan to help her with the harder stuff… and indeed just selling the rights to the world in auction… well, that’s how Mitsuha rolls.

In the first book there was a great scene where Mitsuha, talking with her “newly adopted” family, suddenly remembers her dead parents and starts to cry without realizing it. There’s a similar scene here, after Mitsuha is shot with a crossbow and Alexis ends up taking several other crossbow bolts to defend her, where she just has a complete freakout. The author is good at this sort of scene (Potions has also used them), and it helps to un-smug Mitsuha, which is occasionally needed because most of the time she is pretty smug. I was rather startled at how fast her “I can travel to a fantasy world and back” thing became public, though at least she’s managed to hide that it’s “Mitsuha Yamano” who is doing thing. (This also leads to the funniest joke in the book, where the merc squad nicknames her Nanoha, because there’s no kill like overkill.) In between these parts there’s a lot of ‘building my little fiefdom’ sections, which are not as exciting but are fun for those who like Realist Hero and its ilk.

The other good news is between the first volume and this one, Sol Press learned to format digital books properly. As a result, there are no issues with the interstitial art and everything looks fine. As for the book itself, again, if overpowered – LUDICROUSLY overpowered – heroines annoy you, stay well away. But I found it relaxing, goofy fun, despite the very high body count. Mitsuha may be nicknamed Nanoha, but she’s not “befriending” her enemies.

Slayers: The Ghosts of Sairaag

by

By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Like virtually every English-speaking fan, I was exposed to Slayers via the anime long before Tokyopop put out the novels way back when, and also long long before J-Novel Club rescued them. This means that more than anything else, I am surprised at how short and plot-heavy these books are, having absolutely no time for anything that would count as a breather. The author’s afterword in this book talks about the fact that he frequently sketches out hints of backstory that he then never gets into, because doing so would “make the world smaller”. Which is a very fantasy author way of thinking, I suppose, but it also means that character development and depth take a backseat. No one suffers more from that here than Sylphiel, the newly introduced priestess, who gets to be nice, have a seeming crush on Gourry, and that’s about it. Now, to be fair, that’s all she was in the anime too, but at least it took 8-9 episodes to show us that.

The book starts badly, in misogynist fantasy “of Gor” territory, with Lina and Gourry captured by some goons who decide to rape her, and Gourry convincing them not to by implying Lina has syphilis. It’s meant to be funny, but isn’t. It turns out that EVERYONE is after them lately, as there’s a wanted poster with their faces, as well as Zelgadis, on it… and the bounty for their capture is being paid by Rezo the Red Priest. Which is a surprise to Lina, who killed him in the first book. Getting of the bottom of things takes them to the woods outside Sairaag, a city that was destroyed in the legendary past but has now recovered and is a bustling metropolis. They meet up with Lantz (remember Lantz? From Book 2?) and a bounty hunter named Eris, as well as Sylphiel, who Gourry had met previously in an adventure that is frustratingly never explained to us. Can they escape the Red Priest again? And is this really him?

There are some strengths here. Sometimes the humor does work – there’s a wonderful part where Lina and Gourry fend off a fishman by simply changing their clothes, as Lina says they can’t tell humans apart… then she fails to recognize Lantz because he now has a beard. Rezo – if that is who this really is – makes a suitably creepy villain, especially at the end, and the artwork showing him off is horrifying. And the reveal of another villain is pretty well handled and surprising. Unfortunately, the book’s shortness as well as its deliberate avoidance of depth means that other things meant to be tragic and horrifying just aren’t. Our heroes never enter Sairaag or see anyone in it, so its destruction – again – lacks any impact, especially as Sylphiel recovers pretty fast from the loss of everything she’s ever known. It desperately needs fleshing out, something that anime actually did… well, not much, but at least they actually go to the city!

Basically, more modern fantasies have spoiled me for character depth, and Slayers can sometimes seem lacking as a result. This is the danger of iconic series who have been imitated a bit too much. In the meantime, for those anime viewers wondering where Amelia was during all this, well, the anime swapped book 4 and 3. Which means next time we get to see both Amelia AND Phil, something that makes me happy no matter how short and outline-ish the book ends up being.