Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

shojo beat

Blank Slate 1 by Aya Kanno: B-

by

Zen has no memory of the last twenty years, and doesn’t much care. The back cover, with its line “he can’t remember if he’s a killer or a hero,” erroneously leads one to anticipate a story of an amnesiac’s quest for identity. In reality, Blank Slate is all about the action.

The story takes place in the country of Amata, which was invaded and conquered in a war two decades earlier. The occupying government honors justice and order and employs a fleet of bounty hunters to eradicate all manner of undesirables. Zen is a notorious criminal and has committed every kind of crime imaginable. His philosophy is, “I do whatever I want. If it gets in my way, I smash it.”

I had a really tough time getting into the first chapter. It’s the stand-alone tale of a bounty hunter sent to kill Zen who instead joins him on a murderous spree of destruction and ruin. It wasn’t the best introduction to the setting or characters, and I found it very dull. The real serialization of the story commences in chapter two, and the improvement is immediate. From this point, there is a continuous plot focusing on the tensions between the native Amatans and the occupying Galayans and featuring kidnappings, prison breaks, and lots of guns. It’s pretty interesting, and I was surprised by several twists in the story.

Aside from the abundant bishonen, there’s nothing stereotypically shojo about Blank Slate. Zen is as heartless as they come and kills casually. Most of his victims are aggressors or authority figures, but he’s not above threatening the life of a child who could expose his hiding place. His companions are more sympathetic, particularly Hakka, a righteous doctor who has fallen into evil to protect something important to him.

The art style is visually clean, a necessity in a title like this where the story is enough to be puzzling over. Most of the character designs aren’t anything special, but Zen is really quite spectacularly pretty. This isn’t achieved through any gimmick of flowing hair or sparkly eye but simply with a beautifully drawn facial structure that’s quite stunning. I’ve reviewed a lot of manga, and never before have I devoted three full sentences to how pretty some guy is. Trust me on this.

Blank Slate certainly isn’t the best thing I’ve ever read, but the story it’s spinning is entertaining enough that I will surely be returning for the second and final volume due out in December.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sand Chronicles 3 by Hinako Ashihara: B+

by

From the back cover:
Sweet 16-year-old Ann returns to rural Shimane from Tokyo for the summer, eager to reconnect with her boyfriend Daigo. But will the allure of their close friends—wealthy brother and sister Fuji and Shika—sunder the romantic ties that have bound Ann and Daigo since they were 12?

Review:
I didn’t like this volume quite as much as the first two because it was missing that special feeling of nostalgia. Instead, it focused mostly on relationship and family angst, which was entertaining in its way, but didn’t elicit the bittersweet vibe that usually elevates this title above its fellows.

There was more focus on the Tsukishima siblings in this volume, which was welcome, as both of them separately tried to break free of the stifling mold their family has imposed upon them. Ann and Daigo begin by being worried about the Tsukushima in their town, but it’s probably only a matter of time until things escalate. I’m not really looking forward to that happening, since it will cause so much pain all around, but it will undoubtedly be interesting.

I’m also looking forward to farther down the line chronologically; will the series depict Ann in her early twenties, and follow right up to where she is as the story begins? That would be really neat.

Although these chapters here were not the best, the cliffhanger ending was pretty cool and I’m definitely looking forward to volume 4.

Love*Com 8 by Aya Nakahara: B+

by

Risa and Ôtani are finally going out, but she’s uncertain about how she’s supposed to act around him now. She’s got this preconceived notion of what a girlfriend should be, and internally beats herself up each time she fails to live up to that ideal. It helps some when Ôtani sets aside his natural reticence and introduces her to people as his girlfriend, but he still hasn’t articulated exactly why he loves her, and she’s having a hard time imagining what he could see in her.

Later, Ôtani’s neighbor, Mimi, finds out he’s got a new girlfriend and is furious. The beautiful and tall middle schooler has harbored a crush on him for years, but abandoned hope because she thought he only liked tiny girls. A lot of Mimi angst follows, and while it’s creditable that Risa sympathizes with her plight, the way this new character suddenly dominates the story is rather irksome.

Eventually, though, I realized that her purpose is to solidify the main couple’s relationship. We see that she really poses no threat to them at all, that Ôtani’s feelings never waver, and that he and Risa really are made for each other, rough edges and all. Having fulfilled this destiny, may she now go quietly away.

While this particular volume didn’t focus on the leads quite as much as I would’ve liked, it still excels at depicting the insecurities and awkwardness of this period in a relationship. That’s no surprise, since Love*Com has nailed many other aspects of first love. I’m sure it will continue to do so in the volumes to come.

Review copy provided by the publisher. Review originally published at Manga Recon.

Love*Com 7 by Aya Nakahara: A

by

From the back cover:
Risa is sick of having her emotions yanked back and forth by her feelings for Ôtani, so she decides once and for all to just be friends. But when she tells Ôtani that she’s getting over him, he freaks out and tells her not to! Has the comedy duo turned into a couple?

Review:
It’s a special book that can make me grin like a great big doofus at least twice and get all teary-eyed by the final scene. That’s just how good this series is, and in particular this volume, where things finally, finally go where everyone has been wanting them to go.

It’s a slow build up throughout the volume, with some fantastic scenes along the way. Each chapter brings the two leads closer and closer together, and though I thought the terrific moment between them at her birthday party (see above re: doofus) was the apex of awesomeness, the final chapter surpasses it. Nakahara is excellent at body language in these scenes; I particularly love how Ôtani shyly ducks his head and turns away after giving Risa a little kiss.

Also, I’ve never been a fan of the insults these two have hurled at each other in the past, so I was happy that in this volume, I could really see them trying not to do that anymore. It helped that Ôtani actually said something encouraging to Risa, so she had that to rely on when his subsequent actions might’ve previously sent her into a tizzy.

I love that, now that they’re finally a couple, it doesn’t feel like the series ought to be over. It feels like “where will it go from here?”

Time Stranger Kyoko 1 by Arina Tanemura: B-

by

I’m thrilled to announce that I’ve been invited to contribute reviews to the Manga Recon section of PopCultureShock. This is my first review for them, and it was originally published here. Carlos Santos from ANN has also written a review of this title, and brings up some points left out of mine, so you may want to check his out, as well.

It’s the 30th century and all of the nations of Earth have united to form a single kingdom. The treasure of the people is their princess, Kyoko, but she’d rather attend school like a normal girl than fulfill any of her royal obligations. Her sixteenth birthday is approaching, however, and along with it the celebration at which Kyoko must finally appear before her subjects, putting an end to her incognito scholastic career.

Kyoko resigns herself to her fate, but her father offers her an alternative—if she can awaken her younger twin sister, who has been asleep since birth, and turn princess duties over to her, Kyoko can have her freedom. To do this, she must locate twelve godstones scattered around the planet and the twelve telepaths who can use them. When gathered, they can set into motion the giant clock upon which Princess Ui sleeps and use its power to awaken her.

I was pretty put off initially by the notion that Ui was to be awoken for the sole purpose of foisting princess duties upon her. Even though Kyoko intends to give her sister a choice in the matter, it’s still a thoroughly selfish aim. Quickly, though, Kyoko ends up revealing her identity anyway (to thwart a band of thieves who’re menacing her schoolmates) and her goal becomes simply meeting her sister.

Adventure ensues, with Kyoko gradually acquiring more powers and, eventually, locating the first of the telepaths. She’s often tempted to use her powers for selfish reasons, but usually ends up helping others in the end. Other hobbies include requiring rescue by her bodyguards and behaving irrationally.

There are some comedic elements to the story, though not all of them are a success. I giggled at the instructions for the issuance of a royal greeting (step 5: gesture flamboyantly!) and I like that Kyoko’s magic cane has a personality and dialogue, but I can’t stand the character of Chocola. She’s the King’s cat android pet, and I reckon I’m supposed to find her unbearably cute, but instead she just creeps me out.

As usual, Tanemura’s artwork features big eyes, lots of screentone, and a plethora of flowers. I was a little disappointed that she didn’t avail herself of the opportunity to draw the kirito—humans whose DNA has been combined with that of plants or animals—in a new and different style. Mostly, they just get things like pink hair or gold eyes. Kyoko herself has pointy ears, but no one has commented on them thus far, so I’m not sure if she’s supposed to a hybrid or not.

While I didn’t love this volume, I didn’t absolutely hate it, either. It’s true that neither the story nor the characters particularly engage me, but because the series is only three volumes long, it’s really not that much of a commitment to see it through to the end. I expect that I will do so.

As a final thought, I leave you with a topic: Arina Tanemura is the manga equivalent of Meg Cabot. Discuss.

Review copy provided by the publisher.

I.O.N by Arina Tanemura: B-

by

From the back cover:
Ion Tsuburagi chants the letters of her first name as a charm to bring good luck when she needs it. Then she meets Mikado Hourai, the president of the Psychic Powers Research Society at school, and touches a mysterious substance he’s been developing. Now chanting ‘I-O-N’ gives her telekinetic powers!

Review:
I don’t normally comment on covers, but I.O.N has one of the prettiest I’ve seen. It’s all shades of green, blue, and purple, making Ion’s ginormous Ribon-issue brown eyes stand out. Her hair is blue on the cover, which prompts me to consider that I haven’t really encountered too many manga characters with oddly-colored hair (by which I mean impossible for a human and not merely improbable for a Japanese person). Maybe that’s more of an anime thing. In this case, I’m not sure whether Ion’s hair is truly supposed to be blue or if Tanemura is just having fun with the cover art. Either way, it’s purty.

Alas, it turns out the cover is really the best thing about this one-shot. Some of its problems are due to its length. Exposition gets crammed into dialogue where it doesn’t really belong, resulting in awkward sentences like, “I was wondering who that was, but what do you know, it’s Mikado Hourai, the President of the Psychic Power Research Society.” Emotional developments are also rushed, like when Ion declares that she might be falling for Hourai a mere 7 pages after meeting him.

The rest of the problems are due to the story itself, which just isn’t very cohesive. The nature of the plot is episodic, with Ion using her new-found powers to perform astonishing feats such as extinguishing fires, saving drowning kids from being struck by malicious logs, and protecting her romantic rival from a falling tree. Tanemura’s sidebars mention that her editors kept her in suspense regarding the ultimate length of the series, and it shows. She doesn’t really try to do anything substantive until the end, but even so, that mostly consists of Hourai being uncertain whether he likes Ion for herself or because she’s got psychic powers.

The artwork is typical of Tanemura’s style—lots of screentone, lots of flowers and stars—but as this is her first published manga volume, the result is a little less polished than in her later works. When seen from straight on, noses are just vertical lines and after I conceived of the notion that they looked like coin slots, I kept seeing them in the fashion. Pages do get a little overcrowded at times, but I didn’t have any problems following the story visually. I particularly like the character design for Tagosaku, who’s drawn in a different style from everyone else. The loyal henchman of the President of the Student Council, he’s essentially just a weird little dude who is used for comic relief throughout. I like him.

I.O.N is a decent read. It’s largely lacking in substance and purpose, but if one goes into it just expecting a magical girl fantasy, it’s not that bad. It might be better to procure it from a library, though, if one can.

Sand Chronicles 2 by Hinako Ashihara: A

by

From the back cover:
Just when Ann has adjusted to life in the countryside—and even has a boyfriend!—her father invites her to live with him in Tokyo. Now she must choose between a father she hardly knows and a young man she is just beginning to know. But she soon discovers that they aren’t the only ones vying for her affections!

Review:
In a recent post on his blog, David Welsh said, “It’s entirely possible that Hinako Ashihara’s Sand Chronicles is less a great graphic novel for teens than a great graphic novel for former teens who remember the pointed moments of awkwardness and uncertainty of that time of life.” I kept remembering that comment as I read this volume, and I think it’s very true.

There’s a definite sense of “this was once terribly important to me and I wanted it to last forever, but now it’s all just a memory” about it all. This is bolstered by the way the story is structured—like a series of recollections and snapshots in time, with the shortest interval between chapters so far being six months. It induces strong nostalgia in me for those days—the me I was, the things I did, the people I used to see every day—and I think a distance of some years from one’s adolescence is required for that kind of wistful retrospection to flourish.

As regards the story itself, I really love both chapters included in this volume. In the first, Ann must decide whether to remain in Shimane with Daigo and her friends or to return to Tokyo to live with her father. The depiction of her divided loyalties and struggle to decide is very well done and I was impressed by how much of an emotional response the conclusion to the chapter provoked in me. In the second, the love triangle that’s been developing since the first volume gets explored. I really like that neither of the boys involved is an easy shoujo stereotype. One is more reserved than the other, but there are no fiery hotheads involved.

Seriously, y’all. Read this manga.

Love*Com 6 by Aya Nakahara: B+

by

From the back cover:
Ôtani acquires tickets to the Umibouzu concert and asks Risa to go with him. Could this be the answer to her dreams—their first date?! But as fate would have it, Ôtani gets sick the day before the concert. Concerned (about her friend and the date) Risa visits his sick bed and gets her first kiss! Or does she! Was it an accident? Does Ôtani even remember it?

Review:
This volume started and ended well, but the middle was annoying as heck. In the first chapter, Ôtani was sick and ended up smooching Risa in a fever daze. There was more to it than that, of course, like further discussion of his reaction to her confession. And at the very end, Ôtani was stirred into jealousy over Risa and led her away from another dude.

Said other dude, however, was incredibly annoying. New faculty member Maitake, who looked just like a dreamy guy from one of Risa’s dating sim video games, was creepy and cheesy. I honestly couldn’t tell whether he was nice and was purposefully attempting to help Risa and Ôtani out or whether he’s truly creepy and interested in one of his students. I reckon it’s the former, but I still didn’t like him much. Worse was how Risa became an utter moron in singing his praises.

While it’s true that Ôtani can be dense at times, I felt sorry for him again in this volume. Everyone portrayed him as the villain when he’s just this kind of clueless guy who keeps getting broadsided by the unexpected twists in Risa’s female brain. An example: Risa’s sad and Ôtani, told by everyone that it’s his fault, went to apologize because he wanted her to cheer up. Risa throws him for a loop by asking, “What’re you saying sorry for? For not remembering that you kissed me? Or did you mean you’re sorry, but you’re never ever going to be attracted to me in a million years, no matter what I do?” Poor guy! Of course he had no ready answer for that one.

Anyway, I ultimately liked how the volume ended and I hope that stupid Maitake either goes away soon or ceases to be someone that Risa focuses on to distract herself from Ôtani.

Love*Com 5 by Aya Nakahara: A-

by

From the back cover:
Heartbroken by Ôtani’s rejection, Risa decides to give up on ever getting together with him. But a chance encounter with her musical hero Umibouzu helps Risa get back in the fighting spirit. With a new surge of self-confidence, Risa is ready to go after Ôtani. He’ll never know what hit him.

Review:
I was pretty wary of the “chance encounter with her musical hero” because it conjured up awful images of some country singer or something playing himself on The Young and the Restless and dispensing life and love advice to, like, Nikki Newman in a bar. I bet that has happened at least once.

Anyway, it turned out to be better than I’d expected, which was a relief. This volume dealt with the aftermath of Risa’s love confession and all of her varied reactions to it: despondency, hope, discouragement, determination. It was definitely a rollercoaster of emotions, and I had to sympathize with Ôtani some, because she did spring some completely random things on him.

I did like that he realized that he had more fun with Risa than he did with his ex, a girl whom he’d formerly considered to personify his type. And, of course, the parts where he was being nice to Risa were my favorites; I understand the yelling bits are supposed to be part of their “comedy duo” routine, but I still am not fond of them.

Lastly, I appreciated the support provided by the friends of the parties involved, and that we got to see Ôtani and Risa talking things over separately with their respective best friends. 99% of the happenings occur in Risa’s head, so I enjoyed any chance to see what Ôtani was thinking in a given situation.

Love*Com may have its over the top moments, but more than any shoujo manga I’ve read where love confessions figure into the story, this is the one that really brings back feelings of what those days where like.

Love*Com 4 by Aya Nakahara: A

by

From the back cover:
Risa has finally realized that she has feelings for Ôtani and can’t wait to confess her love. But dense Ôtani won’t take her hints! With the help of all their friends and a romantic beach vacation, can Rise get her affections past his thick head?

Review:
What makes this series special to me is actually its normalcy. Simply put, it’s about a girl in love with a guy friend. Her internal agonizings and doubts over the fact are realistic and understandable.

In this volume, Risa was determined to make her feelings known to Ôtani. Hints fail, so she tried telling him outright, to no avail. His continuing cluelessness was kind of unbelievable, but he finally got the message. I was kind of bothered by all the yelling and name-calling that ensued in these chapters—I get that Risa was trying to act like her old self around him, but it just seemed more pervasive than before. I’d be glad to see this aspect of their relationship go by the wayside.

With these complaints, it might seem strange to grade it so highly, but Risa’s struggle was really well done. And there were a few great moments between them, especially after Ôtani realized it was him she liked. He thought it over very seriously, and I thought his eventual response to Risa was realistic, given the circumstances. I look forward to seeing where things go from here.

Love*Com 3 by Aya Nakahara: A

by

From the back cover:
A new student starts out as Risa’s rival for love, but ends up proving how important it is to be honest with yourself!

Review:
Okay, it’s official—I love Love*Com. Of all the series I’ve started recently, this is the one I’ve been most eager to continue.

I adore the two lead characters, especially when they’re being honest and/or sweet with one another. We don’t really get events from Ôtani’s perspective, so I tend to like Risa a bit more, but he has his moments. I like that Risa wasn’t swayed by Haruka’s love confession, thus saving us a long and annoying trip down a relationship road we all know will ultimately lead nowhere.

I also like the realism in the series—there aren’t any perfect bishounen here falling for clumsy girls. There’s only a girl with a mad crush on a guy friend who sees no reason to suspect that he could ever return her feelings. I think most adolescent girls have experienced that at one time or another!

The art also continues to be both cute and strange simultaneously. I still love the facial expressions, but have now noticed a new body part that’s occasionally too big—earlobes! Some of these characters have great big fat earlobes! And then, sometimes on the next panel, they don’t anymore. Or sometimes the left one will be fine and the right one will be elephantine. It’s kind of distracting.

Wacky earlobes aside, this manga is great. Go read it!

Ouran High School Host Club 10 by Bisco Hatori: B+

by

From the back cover:
Ever since the day he helped her up from a nasty tumble, Black Magic Club member Reiko Kanazuki has been obsessed with Hunny. She is devoting all her knowledge of the dark arts to curse him and steal his soul. Will the sweetest member of the Host Club fall victim to her spells?

Review:
This series is starting to remind me of Hana-Kimi, which isn’t a compliment. While I enjoy some recurring characters, especially Kasanoda, I don’t particularly like it when long-forgotten characters reemerge out of the woodwork, like a coworker of Haruhi’s dad and a fruit-obsessed rival of Kyoya’s did in this volume.

A new character is also introduced. Mei is the rebellious daughter of the aforementioned coworker, and she’s not very interesting in and of herself. She does work well as a catalyst, however. When she decides to romantically pursue Tamaki, it prompts a tiny bit of progress from Tamaki and Haruhi regarding their feelings, which she picks up on. When she relates this to Kaoru, it coaxes out a bit more development. So, I suppose she’s useful in that respect.

One thing I wish is that the entire Host Club didn’t always have to show up to everything. It turns out that Tamaki was trying to help Mei and her father reconcile, and Haruhi decided to help him. It could’ve been so great if these two had just been doing it on their own. But no, the whole gang has to turn up and tip the scales in favor of hilarity.

There’s one completely random thing I do like, though. Towards the end of the volume, Mori is seen a few times with a baby chick in tow. Puzzled, I had to flip through the previous chapter until I finally spotted the panel where, quite unobtrusively in the background, Mori is seen patronizing a baby chick stall at a summer festival the gang attends. I like silly little things like that.

Ouran High School Host Club 9 by Bisco Hatori: B

by

From the back cover:
In middle school, Tamaki Suoh must entice the coldhearted twins, Hikaru and Kaoru Hitachiin, to join his newly created Host Club. But in order to get them to accept his proposal, he must first best them at their own game.

Review:
I didn’t find much to get excited about in this volume. Tamaki’s cuteness was its saving grace, enlivening an otherwise ho-hum chapter about the twins’ induction into the host club and making tolerable a story about an insufferable princess who visited the school and issued many orders. In the course of this latter story, at least, Tamaki finally caught a glimmer of his feelings for Haruhi, and they shared a sweet moment together.

I probably liked the last Host Club chapter in the volume the best simply for its final few pages. They were incredibly adorable, and it’s for moments like this that I read the series. I just wish there were more of them.

Another of the “Love Egoist” short stories was also included, about a boy with a sunny disposition in love with a subdued girl, and I was enjoying it pretty well while I was expecting a bittersweet ending, but the actual resolution was kind of disappointing.

This series definitely has patchy success in terms of keeping the right balance between episodic stories and character development; it didn’t manage too well this time.

Sand Chronicles 1 by Hinako Ashihara: A-

by

From the back cover:
After her parents get divorced, Ann Uekusa and her mother move from Tokyo to rural Shimane. Accustomed to the anonymity of city living, Ann can’t get used to the almost overbearing kindness of the people in her mother’s hometown. But when personal tragedy strikes, Ann discovers how much she needs that kindness.

Review:
This was really good, with an original structure that made the story feel special. It started with Ann around age 26, packing and getting ready to get married and move overseas. A memento from her past triggered some memories, and the rest of the volume featured Ann at age 12, then at 14. The setting was also original, taking place in rural and snowy Shimane rather than an urban environment. The essence of a small town was captured nicely, and I swear the snowy scenes really looked cold.

The first story dealt with Ann and her mother in their new surroundings, with Ann meeting some kids her age as well as an old friend of her mother’s, who provided some background information. In the second, she and her friends went on a camping trip, which might sound like a set-up for lame filler, but which actually provided many good character moments. There were some things about the stories I didn’t like, like the predictable outcome of the situation with Ann’s mom in the first story or her obnoxious romantic rival in the second, but they were greatly outnumbered by the things I did like.

I thought it was interesting that the second chapter dealt in part with Ann’s menstrual cycle. That’s a topic I’d never seen in manga before, so it was pretty cool to see a character discussing it with her good friend and just boosted the realism of the series even further. There weren’t any wacky hijinks here, just an “honest girl with a strong will” making her way through some painful times while attempting to cherish each moment of life. I’m looking forward to the next volume.

Love*Com 2 by Aya Nakahara: A-

by

From the back cover:
Risa’s getting really confused about her feelings for Ôtani—she doesn’t know if she wants to help him get back together with his ex-girlfriend or keep him all to herself!

Review:
I didn’t like this volume quite as much as the first, but it’s still really good. This volume hits several major holidays: Christmas, New Year’s, and Valentine’s Day. At this rate, I wonder how we won’t be through with the characters’ high school years in just a few volumes. I hope this won’t be one of those stories where the author just keeps the characters in the same year even though the seasons are changing around them.

The Christmas story is my favorite of the volume. Nakao, one of the group of friends, has acquired tickets to see some obscure band on Christmas day, and only Risa and Ôtani are particularly keen to go, so they make arrangements to do so. Then Ôtani’s ex shows up and desires to impart a special message to him at a Christmas party. Risa encourages him to go, but then feels all lonely when her all friends have other plans and she’s left to attend the concert alone. Of course, Ôtani shows up at the last moment to keep his original promise. It’s a great moment between them.

A new character appears in the last two chapters: Haruka, a childhood friend of Risa’s who has a hero-worshipping thing going for her. He belittles Ôtani every chance he gets, and I thought it was pretty out-of-character for Risa not to curtail that sooner than she did. There’s some good stuff between Risa and Ôtani near the end of the volume, but I still like these chapters least.