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Fairy Tail 8-9 by Hiro Mashima: B

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fairytail8The battle between Fairy Tail and rival guild Phantom Lord rages on. Two of Phantom Lord’s elite group, Element 4, have been defeated, but Gray must finish off his opponent (Juvia, a lovelorn lady possessed of rain magic) while a wounded Erza summons the strength to achieve a victory of her own. Though they’ve foiled part of Phantom Lord’s plans, however, Lucy still ends up getting kidnapped by Gajeel, the Dragon Slayer of Phantom Lord.

After some encouragement from Erza, Natsu heads to Lucy’s rescue and several chapters of fighting between he and Gajeel ensue. Unfortunately, I didn’t find these very fun to read, since there seemed to be more speedlines than usual and sometimes the action was confusing. Also, there was an unnecessary pervy spectator who kept commenting on Lucy’s undies whenever the latest explosion of battle happened to toss her about.

While this is going on, the headquarters of both Fairy Tail and Phantom Lord are destroyed, at which point the Fairy Tail guildmaster, Makarov, recovers his powers and proceeds to be a great badass. A subsequent investigation by the Magic Council finds Fairy Tail innocent in the affair, but Lucy feels responsible (it was, after all, her wealthy father who hired Phantom Lord to retrieve her in the first place), so she heads home. I really like how this chapter plays out; I was all set for a tiresome and angsty, “Oh no, it’s my fault. You’ll all be better off without me” story where her friends have to show up and convince her that she’s worthy. Instead, Lucy goes home simply to tell her dad that if he pulls anything like that again, he’ll have made an enemy of her and Fairy Tail, which is like her second family and, so far, much better than her first one.

fairytail9Upon her return, Lucy, Natsu, Gray, and Erza officially become a team and handle a couple of episodic missions without straying too far from home. I really like that most of the focus these two volumes has been on Fairy Tail itself, which has presented many opportunities to introduce or flesh out other members of the guild. The latest character to merit that treatment is ladies’ man Loke, who has a rather surprising backstory and needs Lucy’s help in order to continue to survive. Help that she, I might add, very competently provides (although it is managed a little too easily, I thought). Even though Mashima continues to use Lucy’s appearance for fanservice, he is, at least, allowing her to grow in confidence and general usefulness as the story progresses. At first, it was inconceivable that she could be an equal member of a team with powerhouses like Natsu, Gray, and Erza, but now it doesn’t seem so unlikely at all.

Although it has its ups and downs, Fairy Tail continues to offer a fun escapist story that works on a few levels; if you aren’t thrilled by the requisite shounen battles, then perhaps Lucy’s impassioned speech about finally finding acceptance will be more your cup of tea. Or maybe it’ll be the giant cow-man. Who knows?

Review copy for volume nine provided by the publisher.

Moyasimon: Tales of Agriculture, Vol. 1

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Warning: the Surgeon General has determined that reading Moyasimon: Tales of Agriculture may be hazardous to your health. Individuals who routinely consume large quantities of yogurt, miso, or natto; keep stashes of Purell in their purses and desk drawers; or have an irrational fear of germs or dirt are cautioned against reading Moyasimon. Side effects include disgust, nausea, and a strong desire to wash one’s hands repeatedly. Those with stronger constitutions, however, may find this odd little comedy fun, if a little too dependent on gross-out humor for laughs.

Moyasimon tells the story of Tadayasu, a country boy with an unusual gift: he can see and talk to bacteria. (In other words, he’s the Doctor Doolittle of the microbial world.) At the urging of his grandfather, Tadayasu leaves his small rural village to attend an agricultural college in Tokyo, his best friend Kei in tow. Tadayasu’s abilities bring him to the attention of the eccentric Professor Itsuki, a terraforming expert, and his foul-tempered research assistant Haruka Hasegawa, a graduate student who dresses like a dominatrix. Though they wax poetic about the scientific applications of Tadayasu’s gift, the pair seem more intent on making fermented delicacies — the smellier, the better — than actually conducting experiments. Also vying for Tadayasu’s attention are Misato and Kawahama, two sad-sack sophomores who reach out to him after bacteria compromise one of their numerous get-rich-quick schemes: bootleg sake.

Tadayasu, for his part, finds the attention unsettling. His dearest wish is to have a normal college experience, a desire frustrated by his family’s refusal to send him anywhere but an agricultural school. He also feels ambivalent about his gift. On the one hand, he understands its life-saving potential after thwarting an e-coli outbreak (he overhears the microorganisms rallying around the cry of “Brew ‘n’ kill!”); on the other hand, his microscopic “Spidey sense” makes many everyday activities — shaking hands, eating yogurt, visiting a messy dormitory room — agonizing, as he’s keenly aware of the bacteria’s presence. (In one of the story’s running gags, Tadayasu swoons whenever he visits Misato and Kawahama’s foul bachelor pad, a veritable bacteria playground of half-consumed beverages, dirty dishes, and fetid mattresses.)

hasegawaThe humor is good-natured, though Masayuki Ishikawa indulges his inner ten-year-old’s penchant for gross-out jokes every chance he gets.He repeatedly subjects Tadayasu and Kei to Itsuki’s food fetishes, forcing them to watch Itsuki exhume and eat kiviak (a fermented seal whose belly has been stuffed with birds), or try a piece of hongohoe, a form of stingray sashimi so pungent it makes their eyes water. Ishikawa’s decision to render the bacteria as cute, roly-poly creatures with cheerful faces prevents the story from shading into horror, though it’s awfully hard to shake the image of bacteria frolicking in a bed of natto or around the slovenly Misato’s nostril.

Where Moyasimon really shines is the artwork. Ishikawa’s layouts are detailed yet clear and easy to follow, giving the reader a strong sense of the college and its shabby environs. Ishikawa’s character designs are similarly effective, whether he’s drawing an L. yogurti bacterium or an unscrupulous professor. Take Misato and Kawahama. The two are a classic Mutt-and-Jeff duo: Misato is tall with a scruffy beard, a greasy ponytail, and weasel eyes, while Kawahama is short and round with a dirty face. When we first meet them, we immediately recognize them as a pair of sweating, scheming losers whose big dreams yield little returns. Hasegawa provides another instructive example of how design can play a critical role in establishing character. She’s prickly and aggressive, personality traits amplified by her unusual choice of labwear — knee-high boots with dozens of buckles and sky-high heels, studded belts, and a leather miniskirt — her sharp facial features, and her preferred accessory: a scowl.

Though the art is solid and the characters firmly established, Moyasimon hasn’t quite found its groove yet. Ishikawa can’t make up his mind if he wants us to admire the diversity and tenacity of bacterial life or squirm at the thought of its ubiquity; every educational speech about bacteria’s numerous benefits is punctuated by an icky rim shot. Still, it’s hard to deny the odd appeal of Moyasimon, as Ishikawa takes an all-too-familiar trope — the teen who sees things that other people can’t — and gives it a fresh, idiosyncratic spin.

MOYASIMON: TALES OF AGRICULTURE, VOL. 1 • BY MASAYUKI ISHIKAWA • DEL REY • 224 pp. • RATING: OLDER TEEN (16+)

Moyasimon: Tales of Agriculture, Vol. 1

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Moyasimon1_CoverWarning: the Surgeon General has determined that reading Moyasimon: Tales of Agriculture may be hazardous to your health. Individuals who routinely consume large quantities of yogurt, miso, or natto; keep stashes of Purell in their purses and desk drawers; or have an irrational fear of germs or dirt are cautioned against reading Moyasimon. Side effects include disgust, nausea, and a strong desire to wash one’s hands repeatedly. Those with stronger constitutions, however, may find this odd little comedy fun, if a little too dependent on gross-out humor for laughs.

Moyasimon tells the story of Tadayasu, a country boy with an unusual gift: he can see and talk to bacteria. (In other words, he’s the Doctor Doolittle of the microbial world.) At the urging of his grandfather, Tadayasu leaves his small rural village to attend an agricultural college in Tokyo, his best friend Kei in tow. Tadayasu’s abilities bring him to the attention of the eccentric Professor Itsuki, a terraforming expert, and his foul-tempered research assistant Haruka Hasegawa, a graduate student who dresses like a dominatrix. Though they wax poetic about the scientific applications of Tadayasu’s gift, the pair seem more intent on making fermented delicacies — the smellier, the better — than actually conducting experiments. Also vying for Tadayasu’s attention are Misato and Kawahama, two sad-sack sophomores who reach out to him after bacteria compromise one of their numerous get-rich-quick schemes: bootleg sake.

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Fairy Tail 7 by Hiro Mashima: B+

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From the back cover:
Fairy Tail’s rival guild, Phantom Lord, has taken the competition to dangerous levels by smashing the Fairy Tail building and nearly killing three wizards. What is Fairy Tail’s response? A full-frontal assault on Phantom Lord! But this clash is all part of the Phantom Lord’s evil plot to capture a coveted prize.

Review:
Volume seven of Fairy Tail is a lot of fun. The battle between Fairy Tail and Phantom Lord continues on, and not only are some nifty villains introduced on the Phantom Lord side, we also learn more about some members of Fairy Tail who’ve remained in the background thus far. True, a couple of the chapters could be summarized as “Mirajane and Elfman have angst,” but it’s about time some of these folks got some attention.

Showcasing the new faces on both sides means Mashima gets to show off his talent for devising interesting new magical abilities. The most devastating new power to be introduced in this volume is called “drain,” wielded by a wind magic user, which essentially blows a person’s powers right out of them. Elfman turns out to have a pretty cool ability too, and now that he’s overcome his angst enough to use it, I wonder whether he’ll figure more prominently in the story from now on.

Lastly, I must commend Mashima for not taking this in the exact direction I was expecting. I was dreading another entry into the “our heroine is kidnapped by the enemy and our heroes bravely battle to retrieve her” school of shounen plotting, but Lucy surprised me by escaping her confinement pretty quickly. Everyone does still battle because they refuse to hand her over, but at least she wasn’t wholly passive about it.

Papillon 3 by Miwa Ueda: B-

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papillon125Ageha grew up in the shadow of her beautiful twin sister, Hana, but lately, with the help of her school counselor, Ichijiku-sensei, she’s been gaining confidence. As volume three begins, Ichijiku and Ageha have begun dating, but it doesn’t last long, as devious Hana dupes Ichijiku into believing she’s Ageha and behaves obnoxiously on a date, causing him to call off the relationship. He eventually figures things out, but getting dumped (even mistakenly) is fuel for Ageha’s insecurities, and more drama ensues. Hana, meanwhile, continues to impersonate her sister, using that guise to test her boyfriend’s fidelity.

Papillon has some pretty significant problems. In this volume, for example, it’s completely ridiculous that Ichijiku does not recognize Hana for who she is. She dresses differently, addresses him informally, doesn’t respond to the nickname he’s given Ageha, and behaves like a selfish wench. Ageha and Hana’s boyfriend also fall victim to her tricks without hesitation. With everyone being so incredibly easy to manipulate, I find myself actually rooting for Hana!

The main problem, though, is that I just can’t cheer on the budding relationship between Ageha and Ichijiku because he is a school counselor and she is a student. When Hana’s ruse prompts him to suddenly become a stickler for the rules and declare that a relationship between them is impossible, I think he’s actually making the right call.

Despite these complaints, though, Papillon still somehow manages to be an entertaining read. Part of it is the art, which is quite attractive, and part of it is Hana. I simply must see what deceitful plan she’ll come up with next.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Tail 6 by Hiro Mashima: B

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From the back cover:
Hotshot Natsu and his cool rival Gray are fighting to stop a calamity demon from being revived by Gray’s fellow disciple Lyon and Zalty, a master of lost magic. But while they try to defeat the bad guys, the magical ice binding the demon keeps melting. Then a grudge between Fairy Tail and a rival guild turns to all-out war!

Review:
In the Author’s Note at the end of the volume, Mashima says that he doesn’t do much planning ahead with his story. I think that shows with the way the Deliora arc plays out. There are a couple of switcheroos that, while they very well may have been intended from the beginning, make me suspect a last-minute easy out. Also, Lucy’s sudden escalation in importance at the end of the volume comes out of nowhere.

That’s not to say the result isn’t entertaining, though. The battles between Gray and Natsu and their opponents are pretty fun, with some new ice techniques from Gray and a new kind of magic—the ability to control time as it relates to objects—for Natsu’s opponent. Shounen staples like having faith in one’s companions, preventing one’s rival/ally from completing a noble self-sacrifice, forgiving the enemies’ sins due to mitigating angst, and delayed-reaction spurting wounds abound.

Though it’s disappointing that our heroes face virtually no punishment whatsoever (aside from some very creepy spanking the Master administers to Lucy) for undertaking an S-class quest (played up as an offense worthy of expulsion), the story picks up a bit once they return home to find that Fairy Tail headquarters has been virtually destroyed by a rival guild called Phantom Lord. Throughout the volume, less prominent members of Fairy Tail had been introduced on the chapter splash pages, and just as I’d been thinking I’d like to see some of these folks get to do something cool they’re given an opportunity to do so in a rather awesome brawl when Fairy Tail pays the rival guild a retaliatory visit.

Even though Lucy’s capture at the end of the volume is not the most original shounen plot device, some of the Phantom Lord opponents look interesting, so I’m looking forward to what’s to come.

Samurai 7, Vol. 1

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samurai7mangaRemake or retread? That’s the question facing critics whenever someone updates a classic novel or favorite film, be it Pride and Prejudice or The Taking of Pelham One Two Three. A remake brings new urgency or wit to the original story, new clarity to its structure, or new life to a premise that, by virtue of social or technological change, seems dated—think of Philip Kaufman’s The Invasion of the Body Snatchers, which infused a 1950s it-came-from-outer-space story with a healthy dose of seventies paranoia, or Alfred Hitchcock’s 1955 version of The Man Who Knew Too Much, which featured a leaner, meaner script than his 1934 original. Retreads, on the other hand, evoke the letter but not the spirit of the originals, embellishing their plots with fussy details, slangy dialogue, or new characters without adding anything of value—think of Ethan and Joel Coens’ deep-fried version of The Ladykillers, which was louder, cruder, and longer than the 1955 film, yet decidedly less funny.

Samurai 7, a mangafication of Akira Kurosawa’s The Seven Samurai, falls somewhere between these poles, treating the source material respectfully without adding anything particularly new or interesting to the mix. The basic plot remains the same: a poor rural village hires seven samurai to protect them from a band of thugs who steal their rice and enslave their womenfolk. Though the manga takes minor liberties with the main characters—one is a headless cyborg, one is a bishonen who always seems to be falling out of his yukata—the samurai bear a strong resemblance to Kurosawa’s original crew, both in terms of their personalities and functions within the group. The manga also preserves the war-ravaged atmosphere of the original, substituting a robot-fueled world war for the carnage caused by sixteenth-century daimyo.

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Samurai 7, Vol. 1

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Remake or retread? That’s the question facing critics whenever someone updates a classic novel or favorite film, be it Pride and Prejudice or The Taking of Pelham One Two Three. A remake brings new urgency or wit to the original story, new clarity to its structure, or new life to a premise that, by virtue of social or technological change, seems dated—think of Philip Kaufman’s The Invasion of the Body Snatchers, which infused a 1950s it-came-from-outer-space story with a healthy dose of seventies paranoia, or Alfred Hitchcock’s 1955 version of The Man Who Knew Too Much, which featured a leaner, meaner script than his 1934 original. Retreads, on the other hand, evoke the letter but not the spirit of the originals, embellishing their plots with fussy details, slangy dialogue, or new characters without adding anything of value—think of Ethan and Joel Coens’ deep-fried version of The Ladykillers, which was louder, cruder, and longer than the 1955 film, yet decidedly less funny.

Samurai 7, a mangafication of Akira Kurosawa’s The Seven Samurai, falls somewhere between these poles, treating the source material respectfully without adding anything particularly new or interesting to the mix. The basic plot remains the same: a poor rural village hires seven samurai to protect them from a band of thugs who steal their rice and enslave their womenfolk. Though the manga takes minor liberties with the main characters—one is a headless cyborg, one is a bishonen who always seems to be falling out of his yukata—the samurai bear a strong resemblance to Kurosawa’s original crew, both in terms of their personalities and functions within the group. The manga also preserves the war-ravaged atmosphere of the original, substituting a robot-fueled world war for the carnage caused by sixteenth-century daimyo.

Such fidelity to the source material proves Samurai 7’s undoing, however, as it underscores just how lackluster this adaptation really is. The story unfolds in fits and starts, bogging down in lame comedy and windy speeches that stall the samurai’s inevitable posse formation. Though the fight scenes are competently executed, the artwork has a sterile, perfunctory quality, as if the layouts and character designs were traced from four or five different sources. The mecha elements seem especially incongruous when juxtaposed with the story’s sixteenth-century costumes, buildings, and weaponry; there’s never any compelling rationale for their inclusion, save a desire to surpass the original film’s “wow” factor.

I offer these criticisms not because I view Kurosawa’s original as a sacred text, but because Samurai 7’s creators made such a calculated, unimaginative effort to sex up the material for a new generation of fans. Alas, no amount of bitchin’ gadgetry can compensate for poor pacing, generic artwork, or flat characterizations, even if later volumes promise more samurai-on-robot action. My suggestion: skip the manga and rent the original film. Toshiro Mifune is much fiercer than anything in this samurai-lite adaptation.

SAMURAI 7, VOL. 1• BY MIZUTAKA SUHOU • DEL REY • 224 pp. • RATING: OLDER TEEN (16+)

Papillon 2 by Miwa Ueda: B-

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Shy Ageha has long dwelled in the shadow of her beautiful and popular twin sister, Hana. With help from her school’s new guidance counselor, however, she’s begun to transform herself. In this volume, she reconciles with her mother after years of feeling that her parents preferred Hana and even moves on romantically when she realizes that her feelings for Ryûsei might not actually be love.

Papillon is a pretty fun series, and I definitely enjoy seeing family issues get some attention in a manga. The reconciliation between Ageha and her mother is a bit too easily achieved, but when’s the last time you saw a shojo manga heroine enjoy a nice warm hug with her mother? Not often, I’d wager.

On the negative side, I can’t help but feel that the actions of Ichijiku-san, the counselor, are incredibly inappropriate. He has groped Ageha a couple of times (apparently accidentally) and playfully made pretend advances upon her that would get him fired about a hundred times over in the real world. It takes me out of the story that he’s doing these things and is seemingly unconcerned about the occupational repercussions.

What I liked best about volume one—the relationship between Hana and her scheming sister—takes a backseat in this volume, but the way Hana lurks about looking furious as Ageha reconnects with her parents suggests there’ll be more sisterly strife in the future, which is all the reason I need to read on.

Review originally published at Manga Recon.

Fairy Tail 5 by Hiro Mashima: B

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From the back cover:
Gray’s old training companion Reitei Lyon is trying to revive a calamity demon, but doing so will make their former master’s sacrifice meaningless! What’s the secret of Gray’s past, and why does he keep taking off his clothing? Gray is revealed (metaphorically speaking) in this pivotal volume!

Review:
You know, there are things one sees in Fairy Tail that one is simply not going to see in any other manga. I’m talking about stuff like a gigantic flying rat carrying a bucket of poisonous jelly and a cow-man squaring off against a malicious tree. Sometimes, things are so cracktastic that one just has to admire them.

I actually liked this volume more than the last one, perhaps because I’ve moved past the foolishness of their embarking upon a quest that could get them expelled from the guild and become invested instead in their successful completion of the task at hand. The variety of magical abilities continues to be one of the most enjoyable parts for me, and I’m particularly glad to see Lucy’s skills increase in this volume. She’s by no means a match for Natsu or Gray magically, but both of them would have their butts handed to them by Erza, so there isn’t any annoying gender inequality going on.

Well, not in the realm of combat, anyway. There’s certainly a lot of fanservice in this volume, mostly on the chapter splash pages. In one of them, Lucy is wearing a sleeveless t-shirt that is held up by ginormous boobs and a prayer. The most egregious example, however, is an image of Erza wielding a sword while dressed in a négligée. Lucy’s garb is at least in character. Erza’s definitely is not.

We also learn more about Gray’s backstory, and I’m impressed with how deftly the flashbacks are woven in with the fighting in the present moment. It manages to be seamless but yet not confusing. I think partly this was achieved through pacing, as a little bit of information would be revealed at a time and when it seemed like the right time to switch back to the present, it would. The backstory itself isn’t much to get excited over, but the mechanics of it are really well done.

Papillon 1 by Miwa Ueda: B+

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When I was in the sixth grade, a particular series of books was very popular. It focused on a pair of blonde twin sisters, the older of whom was kind and thoughtful while the younger was selfish and scheming. Most of the time, the good twin allowed her conniving sibling to have her way, but when it came to a certain boy, she drew the line. Their names were Elizabeth and Jessica Wakefield and the series was named after the school they attended, Sweet Valley High.

I mention this because the initial setup for Papillon is pretty similar. Ageha, a shy and bespectacled nobody, and her younger sister Hana, the most popular girl in school, are blonde twins who were raised by different relatives. The only person Ageha feels understands her is a boy named Ryûsei, and when Hana sees them growing closer she moves in to snag Ryûsei for herself. With some encouragement from a decidedly unorthodox guidance counselor, Ageha makes an effort to shed her meek persona and win Ryûsei back. (Her name means “butterfly.” Get it?)

While the concept may not be new, Hana and Ageha’s relationship is still fascinating. Somehow, the masterfully manipulative way in which Hana competes against her sister is more credible for occurring between siblings and hints at all kinds of intriguing psychological baggage. The relationship gives the character depth, as it seems she must have some deeper motivation for her actions than your garden variety Mean Girl. Similarly, Ageha’s powerlessness in the face of her sister’s devious ways also rings true. In the back of the book, Ueda-sensei thanks some relationship therapists for their input and advice; I’d say it definitely paid off.

Unfortunately, Ryûsei is not as well developed. He’s a typical adolescent boy: good-hearted in general but vulnerable when a pretty girl turns on the charm. Arguably, though, he was never meant to be more than a bone of contention between the girls and a catalyst for Ageha’s metamorphosis. The most vivid supporting character is actually Kanda, Ageha’s chubby pal, who betrays her friend when she sees an opportunity to gain attention from the more popular students, a classic maneuver among status-conscious high school girls.

While the term “soap opera” would certainly apply to Papillon, it also offers an insightful look at the relationships between girls. For that alone, this title is one that I will be following with interest.

Papillon is published by Del Rey. Five volumes have been released in Japan so far while the second English release is due in late January 2009.

Review copy provided by the publisher. Review originally published at Manga Recon.

A Definitive Guide to Ghost Hunt

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When Mai Takiyama breaks an expensive camera belonging to ghost hunter Kazuya Shibuya, he tells her she can work off the debt by acting as his assistant. Thus, Mai is introduced to a world of spirits, curses, and exorcisms as well as Kazuya’s arsenal of gadgetry used to scientifically measure paranormal activity.

To start with, most of the spirit activity the Shibuya Psychic Research team investigates takes place on high school campuses, but the series eventually does branch out into things like mansions, churches, and secluded restaurants. In addition to Mai and Kazuya (dubbed Naru for his narcissistic tendencies), SPR employs Lin-san, Naru’s quiet yet capable assistant, and a variety of mediums and exorcists. Together, they fight crime spirits.

As the series continues, the cases gradually become gorier, though this does not necessarily result in heightened creepiness. The first volume is actually probably the best for maintaining spooky tension throughout; there’s just something about watching spectral phenomena on a video monitor that adds to the atmosphere. My favorite case is actually not gory at all, nor is it one of the longer ones. Instead, it’s the side story “Silent Christmas” (included in volume four), about the spirit of a boy who used to be an expert at hide-and-seek.

The characters are kind of a mixed bag. I like Mai, who is spunky and generally level-headed. It’s especially noteworthy that, although she has feelings for Naru, she never lets them get in the way of her work and whole volumes will pass without her dwelling on him at all. Naru’s also pretty interesting, even though he does have the unfortunate habit of being rude and insulting on occasion. Alas, few of the supporting characters are developed in any meaningful way and one is often left to ponder what purpose they serve. The sum total of information on one particular character is that he’s a young-looking priest from Australia. This guy has appeared in nine volumes so far!

The series’ two long-running story arcs focus individually on Naru and Mai, with varying degrees of success. The gradual development of Mai’s intuitive ability is well-integrated into early volumes, and even after her powers are confirmed several volumes later, they continue to develop. By contrast, tiny nuggets of information on Naru’s mysterious origins and possible powers are doled out sparingly and left to hang without resolution. It’s only in volume nine that we actually get some concrete evidence of his own psychic abilities.

After volume five, there’s a noticeable slide in quality. I attribute this to the end of Ghost Hunt’s serialization in Nakayoshi and the beginning of direct-to-tankouban releases. The art becomes inconsistent after this point, reminding me of American comics with the way certain characters’ facial proportions change in every panel in which they appear. The characterization also suffers and many cases have moments where explanations don’t make much sense.

The ninth volume is an improvement over the few preceding it, and reveals some answers about Naru’s mysterious “capabilities.” At the very least, it gives me hope that the series might once again produce something really good. For now, I can really only recommend the first five volumes.

VOLUME 1

GRADE: B+

Summary: After accidentally breaking an expensive camera, Mai is drafted to help with the investigation into alleged spirit activity in an old building on her high school campus. Despite her expectations, she enjoys the experience and, at the end of the volume, accepts a job working in Naru’s office.

Creepiness Factor: Low. There are plenty of mysterious sounds and accidents in the old building, but the only truly creepy thing is a chair that appears to move on its own.

VOLUME 2

GRADE: B+

Summary: The Shibuya Psyshic Research team investigates a residence with a deadly history: every pre-teen child who has ever lived there has died. The case hinges on a creepy doll owned by the 8-year-old girl currently residing there.

Creepiness Factor: Low. And this is coming from someone with childhood trauma concerning a creepy doll.

VOLUME 3

GRADE: B+

Summary: Many strange incidents and ghost sightings have been reported at a high school that has recently been abuzz with the discovery that one of the students has psychokinetic abilities. Mai’s powers of intuition lead Naru to test her for psychic ability.

Creepiness Factor: Zero. A very cute scene between Naru and Mai makes up for that, though.

VOLUME 4

GRADE: A-

Summary: Yet more strange incidents at a high school, making three such cases in four volumes. This time, events seem to focus on the spirit of a student who had a grudge against the school. This volume also features a great side story about the spirit of a boy, expert at hide-and-seek, who wants to be found.

Creepiness Factor: Low. There isn’t much in the main story itself, but the resolution of the side story is pretty creepy.

VOLUME 5

GRADE: A-

Summary: The case that began in the fourth volume is concluded here. Although the story isn’t anything particularly special, the solution is more of a group effort than previously, and there are some great scenes of conflict between the two leads.

Creepiness Factor: Low. There’s one spooky scene in a nurse’s office, especially after the spirit menacing Mai suddenly disappears. Somehow, that’s always worse than a sudden appearance.

VOLUME 6

GRADE: B

Summary: Plot trumps characterization in this installment, when the SPR is hired by the Prime Minister to research a series of unexplained disappearances at a mansion.

Creepiness Factor: Medium. Prior volumes haven’t featured much blood, but this time Mai’s precognitive dreams include plenty of it.

VOLUME 7

GRADE: B

Summary: The Case of the Creepy Mansion (not actual title) concludes. Art and characterization continue to be not as good as in the first five volumes of the series.

Creepiness Factor: Medium. The best part was when messages from murdered spirits appeared all over the walls.

VOLUME 8

GRADE: B-

Summary: A secluded restaurant is cursed—whenever ownership changes hands, the transfer is accompanied by many deaths. In the course of the investigation, Naru is possessed by one of the spirits.

Creepiness Factor: Low. There are a couple of panels of a possessed child grinning eerily. That’s about it.

VOLUME 9

GRADE: B

Summary: The team works together to determine the cause of the curse, freeing Naru in the process. When he awakes, he finally reveals his powers and confronts a wrathful chunk of driftwood. I snark, but it’s actually fairly cool, and meaningful progress on the “Mystery of Naru” plot line is always welcome.

Creepiness Factor: Low. A bunch of frog-like spirits crawling on windows and one possessed middle-aged guy lurking menacingly amongst some shrubbery.

Review originally published at Manga Recon.

Fairy Tail 4 by Hiro Mashima: C+

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From the back cover:
S-Class quests are so dangerous that one false move means certain death! Now loose cannon Natsu, rookie Lucy, and nearly powerless Happy have embarked on a stolen S-Class quest, setting out for the Demon Island. Can anyone stop them before they get themselves killed?

Review:
Sigh. Well, the resolution to the cliffhanger of Erza’s arrest was completely lame, as was the conclusion of her duel with Natsu. It felt like the mangaka suddenly lost interest in that plot line.

The S-Class quest wasn’t all that much better. I’m definitely not the ideal shounen audience, since I tend to get very annoyed with characters who do things they’re not supposed to and then get into perilous situations as a result. The lack of foresight also bothered me. It was bad enough Natsu hatched this hare-brained scheme, but Lucy continued to go along with it even after learning it would likely result in her expulsion from the guild she had been so desperate to join back in volume one. And evidently felt hardly a qualm about doing so!

Ultimately, their quest lead to various angsty revelations about Gray’s past which Mashima admitted including in an attempt to lure more female readers. About the only good thing in this volume was the introduction of a cool new guild member, Mystogan, whose power is to put everyone to sleep. Ironically, that was the one bit that didn’t have me yawning.

Fairy Tail 3 by Hiro Mashima: B

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From the back cover:
The evil members of the Dark Guild Eisenwald have found a cursed flute that can murder anyone who hears its music—and now they’ve taken over a midtown train station with a very loud public address system. Only Natsu and his crazy friends (including a flying cat) can stop them!

Review:
Fairy Tail has finally won me over. I think it was the fact that several guild members went on a mission together that did it, since I enjoyed seeing their various powers on display. Natsu also got to partake in a couple of nifty battles with nice choreography.

One thing I like about the combat in this series is that people have more than one trick. They don’t have to keep doing a “Wind scar” or “Amekakeryu no Hirameki” over and over again, but have many different aspects of their magical specialties that they can employ. I especially like Erza’s ability to don armor to suit her opponent; it has the added benefit of being very prettily drawn, as well.

At the end of the story, Erza gets arrested by the body that governs those with her special abilities. Oh noes! I predict the spiky-haired hero and friends will attempt a daring rescue, that Happy will turn out to be a sexay layday, and that Erza’s heretofore unseen angsty brother, Pyakuya, will make an appearance.

Fairy Tail 2 by Hiro Mashima: B

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From the back cover:
Beautiful celestial wizard Lucy has teamed up with the crazy fire wizard Natsu and his bizarre flying cat, Happy. Their job: to steal a book from the notorious Duke Everlue. But the eccentric Everlue has killed wizards before, and Lucy’s team is walking right into his death trap!

Review:
I was getting serious GetBackers vibes from the first mission in this volume. Natsu, Lucy, and Happy are hired by a client who will pay them two million “jewels” to retrieve a book from the library of some crazy, lecherous old guy. They fight some bodyguards with specialized combat abilities, and Lucy goes around in skimpy outfits, though not quite as skimpy as the stuff Hevn wears. (Side note: I haven’t read any GetBackers for two whole years now. Must remedy. It’s not the best thing ever, but I would still like to finish it.)

A new powerful female character is introduced in the second mission and I thought I’d like her, since she seemed keen to instill some discipline in her fellow wizards, but she turned out to be as illogical as the rest in her own way. The second story also introduces the threat of dark guilds, those who’ve broken rules (such as accepting assassination requests) and have been ousted from the league of official wizard guilds, which is pretty nifty. Some of these villains have some neat magic abilities, too; I particularly like the guy who manipulates shadows.

The art continues to be great. Not only does Mashima excel at depicting cities, but there’s never any question of where a scene is occurring, and sometimes you even know what room is next door, what’s down the street, etc. Some maps are helpfully provided, as well.

I liked this volume a little more than the first one, but I’m still not entirely sold on following it long term. Mashima employs gag humor that I don’t really care for (someone turning up naked for one panel just so someone else can joke about it), but at the same time there are amusing bits that I like, such as when Happy (the cat) picks up a skull in a storage room and randomly wears it as a helmet for a few pages. The magic system, not only the abilities but the organization, is also original and interesting. If only the characters weren’t so irksome!