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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Unshelved

Story of Saiunkoku Volume 1

October 17, 2010 by Anna N

Story of Saiunkoku Volume 1 by Sai Yukino and Kairi Yura

I’ve been looking forward to reading this manga series. Story of Saiunkoku is a light novel series in Japan which has spinoffs like an anime version and this manga version. I’ve watched a few episodes of the first season of the anime and enjoyed it very much, but I think that the manga stands on its own. You don’t need to be familiar with the anime to enjoy the manga, you’d just need to have an appreciation for strong female heroines and Chinese-like fantasy world settings, and who doesn’t like those things?

Shurei Hong is a young noblewoman whose family has fallen on hard times. Her mother is dead and she lives in a dilapidated mansion. Her father’s salary as court archivist doesn’t provide enough money to fix up the house or even afford a daily ration of rice. Shurei spends her time teaching the village children. Her ambition when she was young was to become a civil servant, and her father encouraged her in her studies even though as a woman she wouldn’t be permitted to take the exam. Shurei is helped by Seiran, who came to the house originally a a servant but functions like an adopted older brother. Shurei’s life changes when an adviser to the court comes to her with a proposition: Shurei will enter the court as the royal consort and try to push the emperor Ruyki into stepping up and leading his country. Ryuki appears on the surface to be a dissolute noble but it soon becomes clear that he has reasons for acting the way he does. He grew up as the youngest son in an abusive household, and his indifference functions like a kind of armor. Shurei has seen the way the people of the country suffer, and she won’t stand for an emperor who will do nothing to help them.

One of my favorite things about Story of Saiunkoku was Shurei. Having a heroine in manga who places such a high value on education is rare, and she genuinely cares about her students and the people who don’t have all the advantages of nobility. She’s not stuck-up, and is quite capable of indulging in a bit of whining to Seiran about being forced to eat barley instead of the glorious rice that she craves, but she soon stops feeling sorry for herself and focuses on other people. Her main motivation for entering the court is the fee that she’s promised if she manages to prod Ryuki into action. When she gets there she’s astounded by the amount of waste as the nobles surround themselves with expensive trinkets while the common people go hungry.

If Ryuki was just sulking because he’s a poor little rich boy, he wouldn’t be an appealing character. But Shurei’s arrival causes him to start opening up to other people. He notices that Shurei’s hands don’t look like they belong to a noble lady, and she explains about how hard she’s had to work to build a home for her father and Seiran. He shifts from being closed off to expressing enthusiasm when Shurei gives him a present because no one had ever given him anything before. Seiran thinks that he’s “An emperor as pure as a blank page…He seems almost unnaturally untainted and has no affectations. I’m sure he’ll be able to change himself immensely from here on.” The first volume of the manga was mostly concerned with Shurei and Ryuki getting to know each other, but I’m hoping that more attention gets paid to the supporting cast in future volumes. Seiran is a self-contained martial artist of great skill who just happens to share a name with Ryuki’s exiled older brother. Ryuki is helped by the advisers Koyu and Shuei, and the archives that Seiran’s father runs serve as a convenient place to escape all the court intrigue that surrounds the emperor.

Yura does a good job portraying the Chinese-influenced setting of Saiunkoku. The streets and wagons of the world outside the palace contrast with the overly manicured gardens of the court. One thing I liked about the adaptation of this manga is the way Ryuki’s overly formal speech is presented in contrast with the more natural way that everyone else talks. It serves as a reminder of the way he’s held apart from everybody else by his status. Ryuki asks Shurei to call him by name by saying “It’s unfair that only we don’t get to be called by name. Our name is so neglected – don’t you feel sorry for it?” Story of Saiunkoku has plenty of humor to contrast with the more touching moments portrayed in the manga. Seiran hugs Shurei when she breaks down thinking about the way she’s teaching students to become good civil servants instead of taking the exam herself, saying “My Lady, you’ve really worked hard, haven’t you?” The directionally-impaired scholar Koyu is only able to meet the emperor and start tutoring him after Shurei intervenes, and he yells “From here on I shall no longer hold back. Please do prepare yourself” while throwing down stacks of books.

I think this series will appeal to anyone who enjoys fantasy shoujo. The heroine surrounded by a group of handsome men might appeal to fans of Fushigi Yugi. The emphasis on geopolitics and learning to rule a country would also appeal to anyone who’s read the novels or seen the anime Twelve Kingdoms. I’m happy to find a new fantasy shoujo series to follow just when some of my current favorites might be ending in the next year.

Review copy provided by the publisher.

Filed Under: UNSHELVED

Manga for Your Quarter-Life Crisis

October 15, 2010 by Anna N

Note: this piece originally appeared on The Bureau Chiefs as part of my Anna Reads Manga feature.

It is easy to find plenty of manga about intrepid boy ninjas or vampire boarding schools on the crowded shelves of your chain bookstore, but it is sometimes difficult to distinguish manga titles aimed at adults.  This column will provide an overview of the best manga out there featuring characters in their twenties.

Ohikkoshi by Hiroaki Samura (amazon)

ohikkoshi

This is a single volume of short stories by the creator of the sprawling samurai saga Blade of the Immortal. Samura uses the short story form to indulge in writing humor and as a result the episodes included in this book have a slightly manic edge.

Sachi is the hapless protagonist. He and his friends hang out at horrible battle of the bands shows and skip their college classes whenever possible. He’s hopelessly in love with Akagi, a woman whose boyfriend has just left to work overseas. Now is his big chance to ask her out, which he does in such an oblique stammering way it is easy to feel sorry for him. Sachi’s friends conclude “Our pale-faced friend is drunk with the turmoils of youth!”

Other stories in the collection include an epic tale of manga artist tribulation as a woman takes her editor’s advice, loses her comics gig, works in a coffee shop, becomes a kept woman, manages to attain mastery at the game of mah-jong, and ends up apprenticed to a mafia boss in a few short years only to finally become a manga master. A half-Italian half-Japanese teacher decides take revenge on Japan by sleeping with the country’s women until he meets two girls who are immune to his charms. Some of the elements in Ohikkoshi will appeal to fans of Brian Lee O’Malley’s Scott Pilgrim series. Characters break the fourth wall and comment directly at the reader. When Akagi and Sachi go on a horrific zoo date, information about the animals is listed in game stat format. Samura will often shift into alternate art styles for a panel or two. Ohikkoshi has a bit of a rough and frenetic feel, but it is hard not to be captivated by Samura’s sense of humor.

Office Ladies Need Love Too

Josei (manga aimed at adult women) is probably the scarcest manga genre translated in English, which is why I cherish any title that portrays the life of a post-college woman instead of a starry-eyed high school girl.

suppli_0

Suppli by Mari Okazaki (amazon)

Minami is 27 years old. Her relationship with her boyfriend is going nowhere. Every morning she gets dressed for work feeling as if she’s putting on battle armor. She heads into the office on a Sunday only to find all of her co-workers already there. Minimai is paralyzed by the thought of ending up like her boss – a single woman in her 40s. When her boyfriend dumps her, she throws herself into work, trying to prepare new presentations and socializing with her co-workers. She tries to avoid being alone in her trashed apartment, but she lives so much in her own head that she doesn’t pick up on the crush one of her co-workers has on her. Okazaki frequently interposes nature symbolism like water, fish, or grass with Minami’s urban office environment. Suppli has a melancholy feel that reflects the anxieties of its main character. Sometimes Minami’s only connection with another person is sitting with a co-worker in a break room at the office, watching the sun rise.


Tramps Like Us by Yayoi Ogawa

trampslikeus

This fourteen volume series is sadly out of print but it is well worth tracking down. Sumire maintains an intimidating presence at her workplace. She reacts coolly when her boyfriend breaks up with her and her co-workers are afraid to comment to her about it due to her bitchy reputation. As she returns to her apartment after a long day of work she finds an injured boy sleeping in a cardboard box. Sumire takes him into her house and feeds him. She jokingly offers him a place to stay if he’ll be her pet, which means following all her orders. He accepts. She names the boy “Momo” after her childhood dog. Having somebody else to care for eases Sumire’s tension from work.
Momo is just as ambitious as Sumire, except he’s pursuing his studies as a modern dancer. Sumire and Momo enjoy domestic life together but things may change when Sumire gets a new boyfriend who miraculously fulfills her requirements for height, salary, and education. She seesaws back and forth between portraying her idea of the perfect career woman and indulging in wrestling TV shows when she’s at home with Momo. Tramps Like Us balances a light and fluffy chicklit quality with a sensitive portrayal of an unconventional but evolving relationship.

Inio Asano

Asano comes by his emphasis on aimless twentysomething characters honestly; he was in his early 20s when he started publishing his stories.

waww

What a Wonderful World by Inio Asano (amazon)

Toga has always been “the reliable one” among her group of friends, but she drops out of school and struggles with the idea of reactivating her musical ambitions. A schoolgirl engages in a dangerous contest to win social capital. A man briefly visits his daughter and ex-wife in a park. Aimless ronin studying for their college entrance exams have a memorable encounter with a basket case they meet in the street. Some of the characters are seen again briefly in other stories, making the lives of the different people in What a Wonderful World seem interconnected.

While reading about the lives of people who haven’t figured out what they want to might seem like an invitation to wallow in ennui, this manga lives up to its title. Asano captures the small moments that people use to define themselves. A change in hairstyle, the realization that the reliability of a relationship can be a comfort, and the loss of an apartment each contribute to a moment of reflection that lets someone move on with their life. As I was reading the manga and enjoying the combination of the prosaic and surreal in Asano’s art I realized that I was especially struck by the pacing and paneling. There was frequently a small jolt or surprise right before I’d turn the page to read the conclusion of a story, and this lent a dynamic feel to the manga even when some of the stories were just short sketches.

solaninnew

Solanin by Inio Asano (amazon)

A later work than What a Wonderful World, Solanin shows what Asano can achieve with more maturity. Meiko works at a job she hates. She’s crushed in the subway on her way to work, and has difficulty listening when her boss yells at her because she’s distracted by his hideous nose hairs. When she goes home, she’s greeted by her boyfriend Taneda. He works part-time and aimlessly pursues his dream of music. Meiko’s horrible job pays well, and she’s saved up some money. One day she abruptly decides to quit.

She lazes around and tries being domestic, but quickly realizes that too much free time can be boring. Taneda can’t deal with the idea of being the breadwinner, and their relationship begins to suffer from the strain. Meiko encourages Taneda to pursue his dream of making music. Although Meiko is the unifying character, Solanin frequently makes narrative detours that show readers the inner worlds of other members of Taneda’s college band. The shifting point of view is a literary device that I enjoy in novels, and it definitely contributed to the depth of character development in this manga.

Small details in the way the characters’ interacted with their environment made their world seem surreal. Bunnies with Xs for faces appear on key chains and Taneda’s CD. Meiko watches a bizarre bear attack training news story on TV. Taneda has a “me summit” where all the aspects of his personality wear a different slogan on their t-shirts to comment on his life. Towards the end of Solanin Meiko begins to come into her own in an unexpected fashion. She’s still supported by her group of friends, but the conclusion is bittersweet. Solanin captures the restless feelings many people have as they move into adulthood.

Filed Under: UNSHELVED

Online Manga

October 15, 2010 by Anna N

Note: this piece originally appeared on The Bureau Chiefs as part of my Anna Reads Manga feature.

Online manga can be a little difficult to track down if you are trying to avoid the many sites that exist to host scanlations (fan translations), or in the most egregious cases, hosting scans of the American manga editions. Fortunately in recent months more American publishers are putting manga online for free sampling or to make it easy to subscribe for electronic access. I’ll give an overview of some of the places you can go to read manga online legally.

FREE ONLINE MANGA

Viz Media caused a stir when it started serializing manga chapters on its sites Shonen Sunday and Sigikki. This is the place to go if you are looking for quirky seinen manga, as the parent Japanese magazine Ikki tends to specialize in the obscure. There’s a wide variety of stories and art styles on display. Chapters gradually rotate off the site as the print volumes are published.

Here are capsule reviews of my three favorite Sigikki series:

Afterschool Charisma – This series takes place in a school filled with clones of famous people from history. Napolean seems to be in the middle of a growth spurt, Mozart is an arrogant jerk, Marie Curie wants to play the piano instead of studying radium, and Freud is a creepy teen with a pageboy haircut. The ordinary boy Shiro Kamiya, whose father is in charge of the school and the cloning project, attends school along with the clones. Shiro innocently asks his father to help Marie with her musical ambitions, but what happens to her is not what Shiro intended. Will Shiro find out the truth behind the school? The art in Afterschool Charisma looked the most shoujoish to me out of all the Siggiki series. Sometimes it was difficult to tell apart the female characters, but the male characters were a bit more individual and had more personality. Teen-clone-Freud is hilarious.

House of Five Leaves – Masanosuke is a poor masterless samurai with a personality defect: He falls apart when he attracts attention. Thus he does a poor job of acting intimidating and keeps getting fired from his bodyguard jobs. Yaichi hires him for a day’ work. Masanosuke is struck by Yaichi’s confident air. But it turns out that Yaichi is a member of the criminal group the House of Five Leaves. Will Masanosuke continue to work for kidnappers in the hopes that Yaichi’s calm demeanor will wear off on him? I enjoyed the art of this series, as Ono has a loose and fluid style of drawing which serves to highlight Masanosuke’s defeated body language and his eyes, which look hollow eyes of someone who isn’t eating very well. Most samurai stories feature a main character who is more of a traditional bad-ass type, so I thought this twist on the genre was interesting.

Children of the Sea
– Children of the Sea is as beautiful, deep, and mysterious as the ocean that the characters inhabit. Ruka is a young girl who gets in trouble at school for violently retaliating against a teammate at sports practice. She decides not to go home and goes on a quest to see the ocean. She travels to Tokyo at night and reaches an ocean view. A mysterious boy makes the pronouncement “The sea in Tokyo is kinda like a broken toy” and leaps over her into the sea. Ruka runs down to rescue him. Umi was raised in the ocean along with another boy named Sora by dugongs. They maintain their connection to the sea, and their skin becomes unbearably dry if they aren’t submerged in water very long.

Mysterious ocean animal disappearances have started to plague scientists. Animals seem to become spotted with light before they vanish like ghosts. Ruka’s father works in an aquarium where Umi often hangs out. As Ruka tries to escape her troubles in school she spends more and more time in the aquarium, meeting Umi and Sora’s foster father Jim. He’s a foreigner with mystical tattoos who loves to surf. Sora is sickly and spends a lot of time in the hospital. He’s suspicious of Ruka even though Umi says that she “smells like them.” Ruka sees Umi and Sora occasionally glowing with the unearthly light that the ocean ghosts emit. Are they going to be the next to disappear?

Shonen Sunday is a companion online manga site aimed at the younger set. Viz uses it to serialize new series like Rumiko Takahashi’s Rin-Ne and Yuu Watase’s Arata, but it also serves as a way to sample some of Viz’s lesser known backlist titles like the excellent monster hunting series Kekkaishi.

Kekkaishi
– The hero of the story is Yoshimori. He’s young and weak and struggles with his training to become the successor to his family’s long-standing demon hunting tradition. His secret friend is the older girl next door Tokine, who belongs to a rival demon-hunting clan. Both Yoshimori and Tokine are aided in their demon hunts by demon dog sidekicks, who provide comic relief and guidance. Yoshimori isn’t very savvy about hunting demons. Tokine saves him and is injured in the process.

The story picks up again when Yoshimori is 14 and Tokine is 16. She criticizes his lack of refinement when demon hunting and counsels him to save his power. He doesn’t want to see anyone get hurt in front of him anymore and is determined to become a better fighter. Their school is conveniently located above a reservoir of power and at night they pursue the hunt. The manga blends action and humor as Yoshimori tries to fulfill his cherished ambition of making the perfect cake and dodges his grandfather’s training attempts. There are darker forces at work behind the sacred site that Yoshimori is sworn to protect. The story lines and character development are more complex than a typical fighting manga, which makes for a rewarding reading experience for those who like manga with a little bit of monster fighting and slapstick comedy.

Other major manga publishers like Tokyopop and CMX do tend to put up sample chapters of their manga, but I think Viz’s decision to set up separate online magazine sites with highlighted content gives their content greater prominence. I wish that in addition to the shonen and seinen sites Viz would put up an online magazine where readers could sample shoujo manga, especially after the demise of Shojo Beat magazine. Shonen Jump will soon be the only manga anthology magazine on the newsstands in the US. Yen Plus recently announced plans to discontinue their print magazine in favor of going digital instead. I think the next few years will hopefully give publishers a chance to experiment with digital manga magazines.

PAYING FOR MANGA ONLINE

This is an area where some of the smaller, more experimental publishers have more developed sites.

eManga

This is the online publishing arm of Digital Manga Publishing, which is probably best known for their yaoi titles, although back in the day they put out editions of some wonderfully weird stuff like Bambi and Her Pink Gun and Project X – Nissin Cup Noodle, a manga about the invention of noodles in a cup. While a casual reader might expect the titles on eManga to be only yaoi, there’s actually more variety there, with plenty of manga adaptations of harlequin romances and the shoujo classic Itazura Na Kiss. Reading manga there operates on a points system, where $10 will get you 1000 points, and online access to selected volumes may be priced anywhere between 200-400 points. If you follow digitalmanga on twitter, they’ll often give away free online access to selected volumes.

Netcomics

Netcomics is mainly a specialty publisher of Korean comics, or manhwa. They’ve used their online platform to publish American manga style comics and Japanese manga as well. Paying for manga on this site works on a chapter by chapter basis, with each chapter costing 25 cents. Single chapters from most titles are available for preview as well. Titles are sorted by genre, so it is easy to find series that might fit your mood, if you are looking for romance, comedy, or science fiction manhwa. Some of Netcomics’ titles that had print editions for the first few volumes have the later volumes only available online. I hate it when series are dropped, so while someone wanting to collect print copies of an entire series might be disappointed, it does seem like a good way of making slow-selling titles available to readers.

I can’t say that we’ve reached a level of mature development with the legal manga that’s available for readers. It would be nice if other publishers also followed Viz’s Sigikki model. But at least a handful of sites is available for fans who want to do the right thing and avoid scanlations. Hopefully the next few years will have more manga publishers experimenting with their online presence.

Filed Under: UNSHELVED

PR: Blumanga available on emanga.com

October 15, 2010 by Anna N

Gardena, CA (October 14, 2010) – Digital Manga, one of the manga industry’s most unique and creative publishers, is proud to announce an online collaboration with TOKYOPOP, a leading manga publisher and pop-culture digital entertainment company. The partnership will launch with the addition of twelve new titles from TOKYOPOP’s BLU Manga yaoi imprint to eManga’s online library.

The BLU Manga yaoi will be available for purchase through eManga’s online manga service, emanga.com, which streams content through an Adobe Flash player, allowing readers to access their library wherever they have an internet connection. Originally sold for $14.99 in print, the BLU volumes will be available on eManga.com for $5.99, making it more affordable than ever to read old and new favorites.

The first twelve BLU titles will include: Liberty Liberty! by Hinako Takanaga, Calling by Miu Otsuki, Croquis by Hinako Takanaga, Cute Devil by Hiro Madarame, Isle of Forbidden Love by Duo Brand, Blood Honey by Sakyou Yozakura, Love Knot by Lemon Ichijo, Madness volumes 1 & 2 by Kairi Shimotsuki, Scarlet by Hiro Madarame, Secretary’s Love by Tohko Akiba and Stray Cat by Halco.

For more information about our eManga system and to begin reading right away, visit www.emanga.com and click on the TOKYOPOP tab under “publishers”.

Filed Under: UNSHELVED

BLU comes to eManga

October 14, 2010 by MJ 1 Comment

Fans of boys’ love manga will be excited to know that twelve titles from BLU Manga, TOKYOPOP’s BL line, are now available at eManga.com, Digital Manga Publishing’s online portal. According to a press release sent out today by eManga, the titles will be available for $5.99 apiece, significantly cheaper than the $14.99 price of BLU print volumes.

A quick login to the eManga website proves this to be true, though it’s important to note that eManga “points” are sold in set increments, and a purchase of $10.00 worth (1000 points) is necessary to obtain the $5.99 price. Interestingly, BLU titles are available only to “keep,” the eManga equivalent of permanent ownership, and not to “read” for a one-time rental fee.

Though the press release refers to this new arrangement as a “partnership” between TOKYOPOP and Digital Manga Publishing, there is no precise mention of whether additional BLU titles may soon be available as well.

Current titles up for sale include some Manga Bookshelf favorites, such as Calling (Miu Otsuki) and Blood Honey (Sakyou Yozukura). For a full list of titles, check out the new BLU page at eManga.com!

Filed Under: NEWS Tagged With: BLU, emanga, yaoi/boys' love

Evolution of a website & other stories

October 5, 2010 by MJ Leave a Comment

With this year’s New York Anime Festival (now combined with New York Comic Con to form one massive SUPER CON) just days away, I’m struck by what’s happened in the last year, and particularly the contrast between Where I Was Then and Where I Am Now in terms of web presence and mission.

Last year was only my second time attending NYAF, and my very first time as press. I was lucky enough then to be shepherded through the con by the likes of MangaBlog‘s Brigid Alverson and super-librarian/author Robin Brenner, who not only put up with my utter lack of know-how, but who also graciously introduced me around to publishers, editors, and other members of the press. I remember vividly Brigid’s restrained (but obvious) frustration as she attempted to explain to people who I was despite my pathetic lack of business cards or even a coherent website address. In those days, I called my blog “There it is, Plain as daylight” (a bit of song lyric borrowed from an obscure Frank Loesser musical) on a domain called eyeballman.com, originally created to promote a CD I released back in 2002. And not only was “manga” featured in neither the blog’s title or url, the main image spread across the top of the page was a photo of my dog.

The one thing I came away with from last year’s con (besides an overwhelming feeling of gratitude towards Brigid, Robin, and all the other kind folks I’d met in the press room at the Javits Center) was that my branding sucked, and my “professional” reputation along with it. A month or so later, I re-vamped my website, giving it a new, manga-centered design and a brand new domain, mangabookshelf.com. In December I had business cards printed with the new website name and logo, and I began the new year with the goal of establishing a coherent feel for the site with more weekly/monthly regular features and a distinguishable personality.

Whether I’ve achieved the latter is not something I can necessarily judge myself, but Manga Bookshelf is now home to several regular features, including Manhwa Monday (hosted at sister site, Manhwa Bookshelf), Pick of the Week, Off the Shelf and BL Bookrack (both with Soliloquy in Blue‘s Michelle Smith), and the bi-monthly roundtable Breaking Down Banana Fish featuring a host of my favorite critics. Over the summer, I redesigned the site to better highlight its regular features (which have really become the heart of the blog), and just last night I finished a second redesign to refine that purpose (especially focusing on Pick of the Week) and to tweak the layout so that might have a more familiar feel for readers who are accustomed to a blog-style look. …

Read More

Filed Under: DAILY CHATTER

News from Kodansha USA

October 4, 2010 by MJ 10 Comments

For those of us who have been wondering what’s going on with Del Rey Manga, this press release just sent from Kodansha USA provides some answers at long last. The upshot seems to be that Kodansha USA will be publishing titles on their own (with distribution and sales support from Random House) beginning in December, with current Del Rey titles being shifted to the Kodansha USA imprint on a per-title basis. Here’s the full press release:


Kodansha and Random House Transform and Expand Their U.S. Manga Publishing Relationship

New York, NY – October 4, 2010 – Kodansha Ltd. and Random House Inc. have announced their plans to change and expand their manga publishing relationship in North America. The companies are shifting from a licensing relationship to a sales and distribution arrangement as of December 1, 2010.

The current relationship between Kodansha and Random House began in 2003, with the first titles debuting in 2004 under the latter’s Del Rey Manga imprint. Since then, more 500 volumes have been published, including many bestselling manga series.

Under the new arrangement, Kodansha’s subsidiary, Kodansha USA Publishing, LLC, established in 2008 and led by Yoshio Irie, will be publishing Kodansha-originated manga themselves directly in the U.S. English-language market with strong support from Random House Publisher Services (RHPS), Random House’s third-party distribution division. Del Rey Manga associate publisher Dallas Middaugh will remain with the program, transferring to RHPS.

“We are very excited to extend our relationship with Random House,” said Yoshio Irie, president and CEO of Kodansha USA Publishing. “Both companies see opportunity in the American manga market, and we look forward to working together to further the distribution and exposure of manga in the United States.”

“We are thrilled to have a publisher as distinctive as Kodansha USA Publishing join the Random House Publisher Services portfolio,” said Jeff Abraham, the division’s president. “Kodansha is one of the great worldwide publishing brands for the manga category, and we will do everything to support their efforts with our many booksellers and distributors who love selling manga titles.”

Del Rey’s ongoing manga titles which were licensed by Kodansha will be gradually taken over by Kodansha USA Publishing on a per-title basis.

Tokyo-based Kodansha established Kodansha USA Inc. on the occasion of their company’s 100th anniversary. Kodansha USA Publishing began by publishing Akira and The Ghost in the Shell in 2009 under the Kodansha Comics imprint. They plan to expand their strong line-up of manga under this exciting new collaboration with Random House Publisher Services.


For those of us wondering about favorite titles like xxxHolic, Nodame Cantabile, and Shugo Chara!, we can now pin our hopes on Kodansha USA.

Filed Under: NEWS Tagged With: del rey, kodansha

MMF takes on After School Nightmare

September 25, 2010 by MJ 1 Comment

The Manga Moveable Feast, in a fairly last-minute vote this month, has taken on Setona Mizushiro’s After School Nightmare as its subject for September. The series, published in ten volumes by the now-defunct Go!Comi, was nominated for an Eisner award in 2007.

I reviewed volume one back in July of last year, and though I enjoyed the first volume very much, I was fairly stunned by how the series developed over the course of its full run. The story focuses heavily on gender identity and self-esteem, using horror devices in ways I’ve rarely found so interesting.

Here are some quotes from my review of the first volume:

Everybody has some kind of secret, though Ichijo Mashiro’s is bigger than most: he was born with a male upper body and a female lower body, something he has successfully kept from his peers for his entire life. Unfortunately, this secrecy can’t last once his school enrolls him in a special after-hours “class” in which he is placed into a shared nightmare with other students. In the nightmare, the students are reduced to their “true forms,” revealing their worst fears and deepest wounds to each other …

The issues of gender identification and sexuality addressed in the series are really compelling overall, though it’s hard to tell at this point just what the author is trying to say about them. It is clear that Ichijo associates being male with strength and being female with weakness which is a significant part of why he is so determined to live as male, but his ideas are being challenged from all sides which is terrifying for him but quite thrilling for the reader.

… The emotional intimacy forced upon them during the dreams really is every teen’s nightmare and though the full implications of that have yet to be explored, it’s something I’m anticipating eagerly as a reader. There is so much rich material here to work with, I can only hope the series follows through.

My response after having read the entire series? In short: It does.

I hope to have something new to offer for the Feast before the month is out, but whether I do or not, readers should head over to host Sean Gaffney’s blog, A Case Suitable For Treatment for both an introduction to the series and links to participants’ contributions!

Filed Under: DAILY CHATTER Tagged With: after school nightmare, Manga Moveable Feast, MMF

Let’s Get Visual: Action Edition

September 25, 2010 by MJ 1 Comment

Every day I’m reminded as I browse the manga blogosphere just how much I have to learn about reading and criticizing manga. So, last month, Michelle Smith and I launched a new feature, Let’s Get Visual, where we let our weaknesses show with a view towards growing as critics.

In comments to last month’s column, David Brothers asked if we might talk about more action-oriented scenes the next time around. Since Michelle and I aim to please, we decided to give it a go! The result? Let’s Get Visual: Annnnnd Action!

With Akimi Yoshida’s Banana Fish on the brain (for obvious reasons) I chose a few pages from volume eight of that series, while Michelle picked a sequence from Tsutomu Nihei’s BLAME!

Before you head on over let me remind you that we’re genuinely looking to improve our comprehension of and ability to analyze the visual aspects of manga, so if you know a lot more than we do (and I know many of you do), please teach us! We’d prefer a gentle touch, but we’ll take what we can get! Also, if you have particular requests, as David did, you can see we reward those who indulge us with comments.

So check out our brand new Let’s Get Visual and let us know how we’re doing!

Filed Under: DAILY CHATTER, NEWS Tagged With: banana fish, let's get visual

TOKYOPOP & comiXology launch digital Hetalia

September 22, 2010 by MJ 1 Comment

Announced today, manga publisher TOKYOPOP and digital comics publisher comiXology have teamed up to present the first simultaneous print/digital release the industry has yet seen (check out Comics Worth Reading for a little clarification on that claim). The title chosen for this collaboration is Hetalia Axis Powers, a popular Japanese webcomic by Hidekaz Himaruya that has since been adapted to print (as well as anime) in Japan.

This will be the first manga to join comiXology’s catalogue of over 3,000 comics. The series’ first six chapters are already available from comiXology for the web, iPad, iPhone and iPod. The first chapter is free, with subsequent chapters selling for $0.99 each.

Also coming soon, according to a recent press release, is a deluxe teaser app that fans can download from the iTunes App Store, which includes a preview of the first chapter, manga trailer, and photos of elaborately dressed fans in Hetalia cosplay.

Quotes from TOKYOPOP’s Stu Levy and comiXology’s David Steinberger suggest that this is the first in an effort to bring all of TP’s manga titles to comiXology’s digital platform. Other manga publishers who currently provide both print and digital releases of many titles include Digital Manga Publishing and NETCOMICS, and of course Yen Press, whose Yen Plus magazine recently launched its first digital issue. Who will be next?

Filed Under: NEWS Tagged With: comixology, Tokyopop

New Tumblr: Mini Bookshelf

September 20, 2010 by MJ Leave a Comment

Because the thing we all most need is yet another social network, Manga Bookshelf has joined Tumblr!

Behold: Mini Bookshelf

My intent for the Tumblr is to chronicle my daily manga/manhwa reads & to collect those of others (should others wish to play). To share what you’re reading today, simply go to my Tumblr and click “What are you reading?” Then just write a little note or upload a photo of whatever you’ve pulled off the shelf today. Judging from the submissions I’ve received so far, you don’t have to have a Tumblr account to participate!

I’ve been on a Vertical kick this week, with both Chi’s Sweet Home and 7 Billion Needles so far occupying my time.

So, what are you reading?

Filed Under: DAILY CHATTER Tagged With: tumblr

Vertical Licenses Velveteen & Mandara

September 19, 2010 by MJ 4 Comments

Thanks to live-tweeting from @safetygirl0, we’ve got news from Vertical’s recent panel at Anime Weekend Atlanta. Karen reports that Vertical has licensed Jiro Matsumoto’s Velveteen & Mandara (Becchin to Mandara), complete in one volume, originally serialized in Manga Erotics F. “Zombies and high school girls” was the description supplied by Marketing Manager Ed Chavez at the panel, according to Karen’s tweets.

A few other tidbits from the panel, Black Jack volume 13 has been delayed until November due to some scheduling difficulties. Also, more license announcements will be made in a few weeks at the New York Anime Festival, including an upcoming Tezuka license.

Most excitingly, there may be a classic shojo license upcoming from one of the 49ers, though perhaps not until 2012. No details on when we might know more.

Check out Karen’s Twitter Account for more!

Filed Under: NEWS Tagged With: vertical

Viz debuts House of Five Leaves

September 18, 2010 by MJ 2 Comments

I’ve been hearing about House of Five Leaves ever since it debuted on Viz’s SigIKKI website over a year ago. Still, it was only just a few weeks back when, deprived of sufficient access to my own books, that I finally took the time to check it out online.

Here are a few quotes from my write-up in a recent installment of Off the Shelf:

I’ve had mixed reactions to Natsume Ono’s work so far. I liked Ristorante Paradiso, but had issues with Not Simple. *This*, however, I loved. It’s really my kind of manga in so many ways … What I love most about this story is its unusually passive protagonist. Akitsu is a wonderful character. He’s incredibly conflicted on just about every level … He’s just about as lost as a person could be, and yet there’s a survivor’s instinct somewhere in there that keeps him living and makes him weirdly compelling, despite his limp personality. I can’t help liking him and it’s definitely not out of pity. Ono’s unique art style is especially poignant here, too, and I think that really helps develop the character.

The story moves quite slowly, but that’s really not the point. It’s all about this strange, vulnerable man, and whether he can truly discover family in a bunch of morally ambiguous outlaws. I had a lot of difficulty stopping after the first volume. It grabbed me that strongly.

According to the press release I just received from Viz, the first print volume hits stores on September 21st. It is rated for older teens.

Here’s more info from the press release:

HOUSE OF FIVE LEAVES is a dramatic tale of intrigue and action. Masterless samurai Akitsu Masanosuke is a skilled and loyal swordsman, but his naïve, diffident nature has time and again caused him to be let go by the lords who have employed him. Hungry and desperate, he becomes a bodyguard for Yaichi, the charismatic leader of a gang called “Five Leaves.” Although disturbed by the gang’s sinister activities, Masa begins to suspect that Yaichi’s motivations are not what they seem. And despite his misgivings, the deeper he’s drawn into the world of the Five Leaves, the more he finds himself fascinated by these devious, mysterious outlaws.

Natsume Ono is one of today’s top creators of seinen manga – designed for adult readers of mature and more sophisticated stories. She made her professional debut in 2003 with the web comic La Quinta Camera, and her subsequent works not simple, Ristorante Paradiso, and Gente (a continuation of Ristorante Paradiso) have met with both critical and popular acclaim. In 2009, Ristorante Paradiso was adapted into an animated TV series. Her current series, House of Five Leaves (Saraiya Goyou), also adapted into a TV anime series in 2010, is currently published in Japan in IKKI magazine.

Highly recommended.

Filed Under: NEWS Tagged With: house of five leaves

Linkblogging: Stuck on Shojo

September 13, 2010 by MJ 4 Comments

So, just as I thought I’d satisfied my obsession with shojo-centric conversation in the manga blogosphere, Deb Aoki posts the transcript from her recent interview with Moto Hagio, rendering me fully obsessed all over again.

The transcript begins with Hagio’s panel appearance at San Diego Comic-Con, and moves into a private interview Deb was able to catch with her later on. Not only does Deb ask wonderful questions (along with SDCC panel attendees), but Hagio’s responses (interpreted by Matt Thorn) and her account of her own career are, frankly, inspiring. This transcript is a must-read for all manga lovers and any woman in the arts, in my opinion. Please check it out!


Now, for a brief recap of all the conversation that’s been happening online… comments exploded in response to David Welsh’s Thursday thoughts, inspiring this response from Brigid Alverson at Robot 6. Part of the premise of Brigid’s post was to refute my assertion that Fruits Basket and Boys Over Flowers have very little in common (an opinion I still hold, by the way, and which I’ll be happy to explain at length for anyone who cares).

Having been called out, I reacted pretty strongly in comments to what I felt was a pretty reductive argument. And though I stand by my reaction, after reading the discussion in comments, I don’t believe Brigid actually meant to dismiss shojo, and I’m distressed by the heat she’s taken for it overall. On the other hand, nobody’s taken as much heat as Chris Mautner, who received a scathing response to his review of A Drunken Dream and Other Stories from passionate editor Matt Thorn.

Elsewhere in the blogosphere, Erin Ptah takes issue with my post about female fans (though I think the argument she actually objects to is one I quoted from an earlier post), and Kate Dacey confesses (in comments) to her own internal conflict over wanting to defend shojo manga against dismissive arguments made by male critics while not really feeling the love for much of it herself. This comment (among others) inspired me to talk about why my love still stands strong.

Lastly, in comments to my original HU post, discussion with a reader named Tacto prompted me to provide a list of shojo and what I’m calling “youth-oriented josei” (focusing on older teens and twenty-somethings finding themselves and so on) from my personal collection, with a view towards illustrating the diversity and quality available in titles that have been translated into English. My collection is laughable compared to what I know some of you own, so feel free to add on!


In the end, though? Go back to Moto Hagio. If you read just one link about shojo manga today, that should be it. It will make your day, I promise.

Filed Under: DAILY CHATTER Tagged With: moto hagio, shojo manga

Shojo manga: navel-gazing edition

September 12, 2010 by MJ 19 Comments

With all the recent discussion of shojo manga that’s been going on, it should be no surprise that I’ve had shojo on the brain. Some of the comments that have struck me most in all the din have come from adult women who find themselves in the position of wanting to defend shojo manga and its readers, while being forced to acknowledge the fact that they’ve lost interest in most shojo (and its more persistent tropes) themselves.

While this doesn’t reflect my own experience, I can certainly understand how awkward that must be for them amidst the current discussion. And I have to admit that it’s led me to question why it is, at the age of forty-one, I’m not in the same boat. “Shouldn’t I be over shojo?” my inner adult asks. After all, I’ve publicly chalked up my disinterest in the Twilight series to cynical middle-age. So what exactly is it that’s got me going out on a limb to defend the honor of Fruits Basket?

One of the things that has astonished me most, as I look back at a life that includes several major moves (featuring a 9-year span or so in the middle that best resembles nomadism), a series of total career shifts, numerous relationships of many kinds, and a general lack of conventional stability, is really how little my life has changed over the years, or at least how little I have. While it’s true that I’ve learned a great deal throughout the course of my life so far, and have developed a few attitudes and opinions that could be considered jaded or even cynical, for the most part, my core personality has remained intact, year in and year out.

As a child, the trait I most tragically lacked was guile (and the ability to see through anyone else’s), so I spent most of my teen years utterly bewildered by the actions of my peers, who seemed able to make friends and drop them without so much as a thought, and whose skill with a cutting remark or personal insult often left me stunned and bleeding (figuratively, for the most part) on the hallway floor. Though I’ve developed somewhat more sophisticated social skills over the years, and a few simple methods of self-protection, overall, I’m still cursed with what Chris Mautner might view as an “overly sincere, heart-on-the-sleeve-style” personality.

With only that in mind, I think I can perhaps understand some of the reasons why shojo manga (and shonen manga, for that matter) might appeal to me, in particular, and why even some of the most melodramatic stories published for that demographic often ring very true to me. Even more to the point, however, I find that many of the struggles faced by the heroines of shojo manga (or the older-but-still-young heroines in series such as NANA)–particularly in terms of personal relationships and finding one’s place in the world–are struggles I still face daily in my adult life.

Who am I? Who do I want to be? Whom can I trust? Does this person love me? These are all questions that still loom large in the life of this forty-something. When I cried for a half an hour after reading volume four of We Were There, it wasn’t because it reminded me of the pain of adolescence. It was because it reflected pain I was experiencing right then at the time. When I see Shugo Chara!‘s Amu struggling to reconcile the variations in all her would-be selves, it speaks to my ongoing career angst and the many decisions I have not yet made, even at my age.

While there are certainly shojo series that win me over with nostalgia (Please Save My Earth, for example, which is practically a perfect imprint of my 12-year-old mind), many more are favorites because they resonate with the current me. And though there are seinen and josei series that stimulate me much more on an intellectual level, they rarely address the unresolved issues at the core of my own life. Who am I? Who do I want to be? Whom can I trust? Does this person love me? Ask me a question about politics, religion, philosophy, the arts, human rights–on these grown-up concerns I have hours worth of fully-formed thoughts, all ready for discussion and debate. Ask me the others… well, I’m still there with Amu, Nanami, Nana, and Hachi, struggling to figure it all out.

If my life was more settled into a normal “adult” groove, would I still find such resonance in these kinds of books? It’s hard to say. On one hand, I think remaining in close touch with my younger self may just be a part of my personality. Perhaps I’d still enjoy these series as nostalgia pieces, even if I was truly sitting at the grown-up table. But with this in mind, I can certainly understand why a lot of other women might have difficulty finding many of them compelling. And though I think that trivializing them based on that is fairly problematic, I have a great deal of appreciation for women who are trying really hard not to.

I’m well aware that there are plenty of adult women who still enjoy (or perhaps even enjoy for the first time) young adult fiction, including things like shojo manga, so I know I’m not alone. I also know that their reasons for connecting with it may or may not be anything like my own, so this little post can only serve as personal account and nothing more. Take it as you will.

Filed Under: DAILY CHATTER Tagged With: shojo manga

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