Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

Hell Mode ~ The Hardcore Gamer Dominates in Another World with Garbage Balancing, Vol. 1

by

By Hamuo and Mo. Released in Japan as “Hell Mode – Yarikomi Suki no Gamer wa Hai Settei no Isekai de Musō Suru” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Taishi.

So, contrary to what everyone thinks, I don’t read everything. There are many light novels I have dropped, and even more I never started. Including this one, which came out over a year ago. The title made me suspect that it was one of those books filled with stats and OP kids who only think in terms of leveling. (Which, to be fair, it absolutely is.) So I gave it a pass. Then I was at Anime NYC recently and the folks at J-Novel Club asked if I could possibly give this one another try. It’s gotten popular enough that they’re releasing a print version of it. That said, its volumes are chunky, tending to run 350-400 pages, and frankly my backlog is already pretty huge. So I decided to read about 15 pages of it per day in among my other reads. So, having finished the first book, how is it? It’s… OK. Decent.

The ‘hardcore gamer’ of the title has gotten tired of games getting easier and easier with tons of free toys to play with to keep folks from bailing. He misses the days when it took almost a year just to gain one level on your game. Then one day he downloads a game that offers easy mode, normal mode, extra mode… and Hell Mode. Naturally, he chooses the last one, and decides to be a summoner. The next thing he knows he’s being born in another world as Allen, a young child of a serf. We don’t even know how he died in Japan, and it’s not important. What *is* important is that he quickly realizes that he’s in the world of the game he chose… and he’s really made it ridiculously hard for him to do anything. And… honestly, he’s pretty OK with this. Actually, he takes everything really well.

So, first of all, if anyone notes the cute girl on the cover with Allen and expects this to be a two-person sort of book, it’s not. Krena is strong, and has mad sword skills, but the mere fact that she and Allen are so young means they can’t hang out together all the time, and she’s mostly a minor supporting character. Honestly, this book is almost just Allen by himself, though his father and Krena’s father also play a large role. Once you get past the endless stat chatter, level chatter, and the many attempts to figure out how the game actually works (he’s living it, so doesn’t have the manual, though his grimoire sometimes helps), this is not that bad. Allen is very likeable, and his goal, raising the status of his family so they’re no longer serfs, is a good one. That said, there’s another major problem with this book, which is that it seems to be a prologue: Allen is essentially moved to a new location at the end of this, and the second book promises to be very different (and also has a different girl on the cover).

So while this was not entirely my genre, I can see why it would have fans. I will try a second volume to see if it gets better… but I’m still only gonna read it 15 pages at a time.

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 5

by

By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

After a fourth volume that abandoned nearly the entire main cast in order to tell the “war” part of the subtitle, this new volume of The Magician Who Rose from Failure feels like an apology to the reader of sorts. It’s a chance to relax and take stock of where the various nations are after the giant battle that ended the previous volume, see how far Arcus’ father can continue to have his head up his own ass, and give a bit of attention to his main love interests, who were absent from the previous book. (Lecia, though she appears, gets very little attention, but I’m hoping a future volume will take care of that, as there’s certainly some family drama bubbling up.) Arcus is being forced to come to terms with the fact that he is now a Very Important Person, which means he can’t simply live his life holed up in a lab inventing fluorescent lights and pudding.

There are, as you might imagine, various problems that stem from Arcus’ antics in the last book. As least three other nations have now taken an interest in him, and want him either dead or on their side. His left arm was injured badly, and healing magic is not good enough to fix it right away – it takes most of the book for it to get mostly better. And, of course, he saved the life of the Prince, which is a very good thing but also politically difficult, so a story will have to be cooked up. That said, he does meet the king, who (of course) takes an interest in him. After this, he gets a new house, and throws a housewarming party, which ends up mostly being an excuse for his two love interests to fight over him. That said, Charlotte wins here, getting most of the back of the book to herself, as she crosses swords with Arcus.

The book has used its isekai sparingly, for the most part, with Arcus thinking of his Japanese memories as a separate person from himself. This volume shows off more of why he’s able to keep up with the sword genius Charlotte, though… as well as why she’s still ahead of him in the end. After all, if you can have a kid who has memories o a past life in another world, there’s no reason not to have characters have other inexplicable abilities. I admit, though, I do prefer Sue, who has admitted she’s the daughter of a duke, but that doesn’t quite seem right either. (She’s almost called “princess” here.) She also contrasts with Charlotte in that, due to their status and how they first met, he treats Sue like… well, like an annoying brat, whereas with Charlotte he has to force himself to not be excessively formal with her. Again, this would be a great romantic triangle if we hadn’t already heard this world has polyamory, so it doesn’t have as much impact.

This isn’t as strong a volume as the others, mostly as it’s a “breather” book with minimal major plot developments. But it was also nice to see the character interaction, and fans of the series should be perfectly happy. Unfortunately, we’re caught up with Japan, so it will be a while before the next one.

Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished!, Vol. 1

by

By Gato and Itsuki Mito. Released in Japan as “Ringo Tensei: Kindan no Kajitsu wa Kyō mo Korokoro to Musō Suru” by HJ Novels. Released in North America by J-Novel Club. Translated by piyo.

For the most part, light novels are neither as good or as bad as people say. Most of the books tend to be the kind that entertain you as you’re reading them, but you will forget the very next day. They’re LIGHT novels, shallow entertainment. Occasionally you get a series that rises above the basic level of “keep them interested enough to finish the book” and really takes off. And yes, sometimes a lot of the shallow entertainment books have gotten anime as well. But what happens when you have a book that does not reach the basic quality needed? A book that cannot entertain even while reading it for the first time? A book that desperately makes you wonder why you aren’t moving on to the next in your stack? Well, you get things like Reincarnated as an Apple, which is dire.

A salaryman named (groan) Furutsu is hit by a truck filled with apples and dies. He reads light novels, so knows what happens next. Sure enough, he meets God and gets cool powers. Unlimited growth! Unlimited magic! Cannot be killed! Infinite storage! …oh yes, and he’s an apple. Hanging on a tree. He can’t speak, he’s an apple. He can roll around. After investigating his storage, he finds a young girl inside, who is apparently a staff made from a branch of the World Tree. She… um, can’t leave the storage box. But she and Furutsu can talk to each other! Furutsu ends up in the hands of Fresa, a physically strong, magically weak, and mentally inept wannabe adventurer, who’s just about to take the adventurer’s test, with the help of her guardian. Can she pass with the help of an apple?

Where do I begin? To start with, you’d expect this to be more like Reborn as a Vending Machine, but Furutsu is far more of a normal isekai guy. He can shoot fireballs, kill B-ranked demons, and levels up ridiculously. So basically, he’s a typical modern light novel protagonist… except that three-quarters of the time he and Grida (the staff) are merely watching Fresa’s antics and commenting on them like a Let’s Play video. Because he’s an apple, and she is a staff and also can’t interact with anyone but him. This is very tedious. Especially as even though Furutsu is in italics and Grida is in normal text, it’s still very hard to tell them apart, because all four main characters in this book sound the same, which is like they’re trying to compete in a tsukkomi competition. The series is, for the most part, a broad comedy, but occasionally tries to bring in drama, such as the implications about Fresa’s past, but… she’s such a vapid character that it annoys me more than anything else. And of course it’s a modern light novel, meaning it’s filled with stats and powerups, so you find your eyes glazing over as you hear things like “Spell confirmed. Activating at fifty percent strength”.

If you’re looking for a silly “reincarnated as a random thing” series, read the Vending Machine one. For those who *do* enjoy series about overpowered protagonists with cute girls and lots and lots of gamer chatter… there are *still* so many other better series than this.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 1

by

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

So much of Bookworm runs on the difference between Rozemyne and everyone else in the cast. Indeed, the books can sometimes be summed up as “Don’t do the thing!” (Rozemyne does the thing) “I had no choice, tell me how could I have avoided doing the thing?” (groans, heads slammed against table) This book is much the same, as every single thing Sylvester tells Rozemyne to avoid happens anyway. And to be fair, a good 80% of it is not her fault this time. It either stems from their burgeoning printing industry, or it’s a function of mistakes she made earlier now being compounded without her consent, or it’s simply her very nature as the most powerful person in the entire country (something a couple of people are finally starting to notice, but not too many). Heck, the main thing everyone was waiting for in this volume, The Purge, happens entirely offscreen and we don’t even see it in the side stories. It doesn’t involve Rozemyne.

It’s the start of Rozemyne’s third year at the Academy, and to celebrate the character notes now say she looks EIGHT years old rather than seven! There’s a lot to do. She needs to find a way to communicate with Ferdinand on an irregular basis, she has to set up joint research projects with several other duchies into various things, and there are, of course, her classes. One of which is now being taught by Eglantine, who has returned after graduation to teach and to observe Rozemyne, not in that order. There’s also a new archnoble librarian, Hortensia, who is also there to observe Rozemyne, and has had a life that makes you sad that she’s married to Mr. Evil Guy. That said, the most dangerous thing that happens to Rozemyne is not resolved in this book: after her huge blessing to Eglantine and Anastasius at their wedding, the other prince wants one for HIS wedding. And it had better be bigger than Anastasius’… or, for that matter, Ferdinand’s. If not, civil war could erupt.

The subtitle for this 5th arc is Avatar of a Goddess, and we’re starting to see some foreshadowing for why that is. (It’s apparently the final arc, but don’t worry, it’s the longest arc yet.) In her classes to get blessings from the gods, most people get one or two. Wilfried amazes people by getting twelve, something very rare. Rozemyne gets forty. Something she decides to keep a secret from everyone else. Once she learns the names of the Gods of Light and Darkness, she powers up so much that mana is now leaking out of her whenever she prays, dances, or anything, really. See the color pages, which show everyone staring in awe as her whirling ends up, as she says, “turning me into a human glowstick”. There are already people who are realizing that it’s actually Rozemyne, not Ferdinand, responsible for Ehrenfest’s fortunes raising. I suspect soon she’s going to be the prize everyone wants. And probably because they will say she is… well, look at the title.

As always, there’s so much I haven’t talked about, such as the various boys who have fallen for Rozemyne (she has no idea), or the way the Veronica faction kids are handled, or the Evil Teacher’s schemes being thwarted by Ferdinand and Rozemyne simply being SUPER EXTRA. These books are each the size of two normal light novels, meaning this is technically Vol. 44 or so. That said, I’m not complaining.

Secrets of the Silent Witch, Vol. 2

by

By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

Technically this book has a real plot. We even see it here! There’s an assassination attempt against the second Prince. It is, in fact, the climax of the book. And Monica stops it, which is why she’s at the school. That said… I highly doubt anyone reading this series is on tenterhooks to find out who’s behind all this. We’re here for the adventures of Monica at school, being bullied and feeling panicked but nevertheless persevering. If I’m going to be honest, the highlight of the story was not that big climactic scene near the end, with math magic and Monica exhausting all her magic. It was in the middle of the book, where a bullying attempt on Monica goes horribly wrong and consequences are slowly but surely dripped out against the perpetrators. I’d argue this was more of a tense atmosphere because Monica has minimal to no regard for herself, and if the book were about someone trying to assassinate HER, this series would be much shorter and probably more depressing.

Despite all her best efforts, Monica is managing to gain friends and slowly adapt socially to the academy. Even if she’s sometimes not good at spotting tsundere friends. We also get a couple of new cast members in Glenn, a loud and somewhat obnoxious mage who was probably added to the cast because it lacked someone of that type; Casey, a tomboyish young lady fro0m the sticks who quickly takes a shine to Monica; and Claudia, who has clearly been watching the Netflix series Wednesday and taking it a bit too much to heart. Someone IS definitely trying to kill the second prince, that’s for sure, but most of this book is about Monica’s school life, as she learns the joys of chess, the horrors of ballroom dancing, and just who she can trust.

Isabelle is on the cover of the second book, and has a major role in the middle, which pleases me, as I thought she was merely going to be a one-shot gag. She *is* a gag, yes, but the gag is that she’s not an actual petty teenage bitch, but a “villainess”, which means that she has the nobility and knowledge of who to protect that regular petty teens do not. When she goes up against the girl who poisoned Monica (even if it wasn’t MEANT to be attempted murder, it still was), it’s quite a sight to see. I also liked seeing her bond with Felix over the Silent Witch. That said, I am a bit worried about Felix, who proves to be a bit of an obsessive fanboy about Monica’s alter ego. I fear that when the secret gets out their relationship is going to change, and not in a way that Monica will like.

This is not that long a series – I believe there are only four volumes, plus an “After” volume, so my worries may be answered in the next book. That said, I love reading Silent Witch because it’s FUN, and Monica is a fantastic lead character. Get this one.

So I’m a Spider, So What?, Vol. 15

by

By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

We now know that the series will be ending with the 16th volume. We know this because in Japan, the 15th and 16th volume came out one month apart, because the author and editor thought that the 15th book was all setup and no payoff. Unfortunately for English-speaking readers (but perhaps fortunately for the translator), Yen On decided not to do this. The final volume of Spider is currently scheduled for June 2023. As such, well, we get this book, where there’s one fight, and it’s 4/5 of the way through the book. Instead, what we get is functionally a class meeting to discuss their circumstances. That part was OK, I didn’t mind it. It was boring, but… I like the human part of this book more than most fans. With one exception. That exception is unfortunately back as well, and since Potimas is finally dead, there’s a new character riding to the “most hated” list. Hi, Sue. Please stop trying to screw your brother.

After the events of the previous couple of books, the elf village has seen better days. White and her crew now have a) a demon lord who’s used up most of her life, b) a giant pile of corpses littering the landscape, and c) a bunch of prisoners-of-war, aka the students who got reincarnated here from Japan. Explanations would be good, but unfortunately, White is terrible at speaking, and Sophia is terrible at caring about her fellow classmates, so things go badly. Then suddenly the endgame starts. White must now battle “Black”, aka Guliedistodiaz. The Demon Lord has to rush to the place where the series began, the Labyrinth, to try to save Sariel. The leader of the Church is trying to get humanity to reject Sariel so that they can be saved. And all of this is being watched over and influenced by a very amused D.

The scenes with Sue and Shun are awful, especially since they come after we’re reminded that she a) killed her father, seemingly under mind control but she doesn’t seem to care at all, and b) sided with evil so that she could get into Shun’s pants. She’s AWFUL. Things are not helped by a tug-of-war with her, Yuri (who is no longer evil but still not right in the head) and Katia (who the author, having resolved her plotline in Book 4, seems to no longer care about). This isn’t the only thing wrong with the book, of course. Hugo/Natsume’s “sorry I was evil, better now” shtick made me roll my eyes, as did everyone’s non-reaction to it. And while I like the students, hearing them argue about who had the harder life in their reincarnated world was, frankly, boring. As for White… well, she’s the bad guy. The funny parts of the book are her justifying that in the usual manic narration she has, but she’s essentially the Final Boss – as she says herself.

I wouldn’t have liked this even if Book 16 did come a month later, but as it is I’m left with very little desire to read on. I will read Book 16, as it’s the last, but this spider has worn out her welcome.

Re: ZERO ~Starting Life in Another World~, Vol. 20

by

By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

We have now reached the end of the 5th arc! That said, as the author notes, this is less of a resolution and more of a change of scenery. In terms of achievements, our heroes do not make out very well this time around. They do succeed in stopping the destruction of the city, and they capture one of the archbishops. But before this arc there were five “camps” for the Who Wants to Rule The Country?” sweepstakes, and two of them are decimated after it finishes. Even the fights here are bittersweet rather than satisfying, with the exception of Garfiel, who gets to unleash his inner shonen protagonist. Reinhard gets to finally tell his wife what he never managed to say, but it’s hard to call that happy or heartwarming. Al doesn’t win but merely survives. Otto is grievously injured. Crusch is still not healed. That said, I think the Anastasia Camp wins the prize for “Bad Things”. Oof.

The bulk of the book is fighting, as we basically get the fights that were happening while Subaru and Emilia were busy with the previous book. Garfiel is fighting (and losing, most of the time) to the eight-armed legend, but his fights run on pure shonen, as I said, so he’s good. We get a double dose of Gluttony, which goes very badly for many soldiers who get their names stolen, though Otto manages to figure out something about how their powers work. Wilhelm is forced to realize – again – that this is a fantasy world, and therefore hard work hardly works. Fortunately, Reinhard is there to finish off his grandmother. Unfortunately, their relationship is not magically healed. Al is fighting Lust, which mostly involves a lot of banter and a truly excessive amount of property damage. And then there’s Julius and Anastasia… let’s save that for the next paragraph.

This is one of those series I do tend to spoil myself on, given we’re still so far behind Japan (and also you never know when a short story volume may be relevant to the main series, cough), so I was aware something was going to happen with Anastasia. It’s not nearly as bad as Subaru or the reader feared, though that reveal is a killer. And at least this was done with Anastasia’s consent. But it’s still depressing, as I liked her, and I fear it will be a while before we see her again. Julius is a pure gutpunch, though, and meant to be the truly devastating consequence of this arc. At least he has Subaru, who (like Rem) can remember who he is. And , unlike Rem, he can at least walk and talk. In any case, we’re all now going to consult with the Great Sage to see how to solve everyone’s problems. I’m sure it will go fine.

Rem is, by the way, still in a coma and no one remembers her. We’ve now had far more books with Rem than without Rem. I fear the fans may have forgotten her. In any case, this is well-written, but intentionally leaves a sour taste in your mouth.

Strike the Blood, Vol. 22

by

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

Strike the Blood remains, to the end, a very good action series and a really lousy harem series. Kojou, despite the bloody nose indicating arousal, is one of the most asexual harem leads I’ve ever read about, and frankly I have no idea how he’s going to sire the two future children that we know about. The scenes towards the end where he does some sort of weird vampire mojo thing and makes all the girls have an orgasm (not explicitly stated, but implied) made me roll my eyes. But when it’s being a Shonen Jump style series, or when it treats his cast as an extended family, it’s much, much better. This pretty much wraps up all the outstanding plotlines with the exception of “who does he end up with”, which is left vague but implied to be twelve wives. Only one of whom bothers to say the words “I love you” directly to him in this book, so nice job, Asagi, you’re the winner in my eyes.

Yeah, for those hoping the final volume would have the entire cast on the cover, or at least more than one girl, I don’t know what you were expecting. In any case, the terrorists who have been driving the final arc’s plot are here, and they want Itogami Island. Kojou, who now has vampiric blood vassals again, is the logical choice to negotiate with them, though it’s worth noting that the obvious solution as to how to stop the terrorists is in fact “destroy the island”, not good. Meanwhile, Avrova is attending an upside-down high school in the sky… which makes no sense until halfway through the book or so… and then there’s Japan, who of course have several agents working for the government on the island, who saw what I said two sentences ago and agree with me.

Without question, the best scene in the book is halfway through it, when Natsuki, Yukina and her mentor, and Koyomi head down to the keystone holding the island together to destroy it. They can evacuate everyone in time, and with no island, the terrorists lose. The trouble with this idea is that literally everyone else hates it and regards it as giving up on Kojou, so the rest of the cast go to war against them. (This includes Sayaka, who is mind controlled into fighting, but it’s implied she would have agreed.) Seeing Yukina’s anguish and frustration as she ends up fighting half of Kojou’s love interests at once could almost sum up the series. As for the rest, yes, we get the “no, sempai, this is our fight!” line, so we’re good. The Nod stuff was a bit less interesting, with apologies to Those Two Girls And Their Dragon. It also comes with an almost literal Deus Ex Machina, as the daughters from the future help to do a spell that essentially makes everyone forget who Kojou is again. Well, except his love interests, of course.

The author says this series went on much longer than expected, and I can’t say it was entirely deserved. Still, in the end, Strike the Blood was exactly what it wanted to be, an action adventure series with vampires, girls kicking ass, and the occasional “whoops I walked in on you in your underwear” harem bullshit. Who could ask for anything more?

The Asterisk War: The Golden Bough Conflagration

by

By Yuu Miyazaki and okiura. Released in Japan as “Gakusen Toshi Asterisk” by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

OK, this took about a year longer than I was expecting it to when I wrote the review of Vol. 15 in February 2021. Part of the reason is that this took a long time to come out in Japan. The complete lack of interior illustrations may tell you why – the artist was ill, and the writer really did not want to change to a different artist. Still, we get a cover! Sylvia is on it! That said, you know what Asterisk War cover appearances are like. Fans of Sylvia will probably be unhappy with this book. The book itself tries to balance its three genres – harem romcom, tournament fighting, and counterterrorism thriller – but, to no one’s surprise, the last of those is going to get the attention in this penultimate book. We get set up to most of the big fights, with the help of our main cast, as well as Minato Wakamiya! You remember Minato. From the spinoff series? That never got licensed? Yeah. (She was briefly in Book 13-14.)

We begin with the fight between Saya and Orphelia, which… goes about how you’d expect, but Saya gets crucial information and also doesn’t die, so I’ll call that a moral victory. So now we know why Julis is pushing all her friends away, and also what the villains hope to achieve… though the villains are not really working together because they like each other. As such, while Julis prepares for her fight against Orphelia, which will no doubt be the centerpiece of the next volume, the others go to take out all the villains they can. Ayato, Saya and Kirin face off against Madiath Mesa… as well as his mind-controlled underling. Meanwhile, Claudia and Sylvia are fighting Varda-Vaos, bringing along Minato because they believe she will prove useful, and possibly also as her personality is basically “I’m gonna do my best!” with a massive anime hammer.

This series really works best when writing fights, and they are well-written, so I appreciate that. As for the villains, I feel it acknowledges that they’re a bit meh, though two of the three fights are still to come. And then there’s Dirk, who pretty much behaves exactly as you’d expect Dirk to behave. I’d say he’s a problematic fave, except this series has no fans anymore, so who really likes him enough to call him a fave? The fights basically exist to have the supporting cast do really cool things, but then end up unable to go on any further. Kirin wins but is unconscious, Sylvia… well, we hope she’s back to normal, and Claudia seems to have sacrificed the rest of her life in order to win. She’s probably the one I worry most about. As for Julis and Ayato (and Saya, but you know she’ll be written out fast), wait for the next book.

Which is the final book in the series. Hopefully it won’t take a year and a half to come out here, but given this is not one of Yen On’s top sellers who knows? The Japanese volume came out in June, and had the reaction you’d expect for a harem romcom with fans that get Very Angry Indeed. For those who enjoy this series (it’s pretty much just me, isn’t it?), this was a solid book. Which it had pictures, but oh well.

86 –Eighty-Six–, Vol. 11: Dies Passionis

by

By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

And so we go back to the beginning of the series, and back to the Republic. Honestly, I’m sure many fans would have been perfectly happy to never have to see the republic again. That said, the 86 series is not about giving fans what they want, as the opening epigraph certainly shows. It’s about the horrors of war, what war can do to people as individuals and as a group, and the depths to which people are willing to sink to justify their moral righteousness and cowardice. This book is very well-written, delivering a series of emotional gut-punches. That said, holy Christ, it’s depressing. At the end of this book the entire cast is left wondering what the point of the previous ten books was, and if they’ve really achieved anything whatsoever. It’s a question that I’m asking myself as well. What do I want out of 86? It’s well-written, but is this going to be a “this will go full tragedy and everyone will die” series, or will their be a glimmer of future hope? Signs point to no right now.

The book starts off with bad news right from the get go, as the Legion starts dropping satellites from orbit onto the Federation and its allied countries. Devastation follows, and everyone is forced to retreat from the gains they’d made over the last several books. Oddly, there is one country that did not get bombed from above: the Republic. And now the 86 have perhaps their least appetizing assignment of all: go to the Republic and evacuate everyone. And yes, they’re aware that it’s likely a trap, but what other choice do they have? Needless to say, back in the Republic we are reminded of why we hate the Republic so much, though we also get glimmers of good people just trying their best. Unfortunately, we are also reminded that a lot of Legion soldiers are made up of Former 86. And they REALLY hate the Republic.

The last third of this book should probably have a content warning, as there is mass death and slaughter, with innocents napalmed, butchered, and otherwise murdered in a variety of ways. And this doesn’t even get into the fact that our heroes are there to escort some very reluctant Republican citizens to another country, and grateful is not part of their vocabulary, to the point where Lena has to essentially make herself an even bigger source of hatred to motivate them to not just sit down and die whimpering. By the end of the book, we’re as exhausted as the cast. This is the sort of book where the only thing that will make it feel better is to read the next book in the series. And that’s not out yet in Japan, so expect about a year till we hear from them again.

I don’t want to downplay how this is a very good book. The action is well-written, the emotions are powerful, and the heartbreak is real. It’s just… as with real war, it’s hard not to come out of it wondering why you’re here at all.

Sword Art Online Alternative: Gun Gale Online: 5th Squad Jam: Start

by

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s been about a year since the last volume of this series, and many might be forgiven for thinking that it ended. Including the author, who admits it was supposed to end about here. I mean, in terms of plot threads to resolve, there aren’t many left. Karen is no longer being forced to get married, though the denouement for that may not appeal to her. Elsa’s issues are, for the moment, somewhat resolved. The real world has never really been a big part of this series, but even so, I would not blame the author for wanting to move on and write a few more Kino’s Journey books. But here we are anyway, with another Squad Jam, and the sense that Dengeki Bunko is asking the author to please keep the series going because it’s selling well and Llenn merch is cute. As a result, we get this new volume, the first of a two-part (?) story which seems to have one purpose: mock the author mercilessly.

OK, technically every single volume of this series has done that, but this one really makes the effort to get nastier. There’s a new squad jam, and the teams are the same (meaning Clarence and Shirley are still part of the squad). There’s complicated new rules which basically amount to “one team member gets to carry alternate gear for another team member”. Oh yes, and there’s one brand-new rule that is sent to everyone BUT one player. Yes, after essentially being the poster child for every single Squad Jam since the start, Llenn has gotten TOO famous, so now the added rule is that she has a bounty on her head, and whoever kills her in this game will get a pile of REAL money. Now she not only has to try to survive, but she has to find the rest of her team – they were all separated as the event began, and there’s mist everywhere!

For all that everyone in the book hates the author for not just letting them fight, this is a fairly clever setup that allows for what people REALLY want to see in each Squad Jam, which is something different. Separating everyone in particular is a great idea, as it allows us to get interaction we would not normally see, as Llenn forms a reluctant alliance with Vivi, the leader of the machine gunner’s squad. Speaking of which, this is just a game, unlike the original SAO, but there’s still a fair amount of violent death or near death. Vivi’s fate towards the end of this book is horrifying, and would likely have to be edited from the anime if one ever gets to this point. There’s a small attempt at plot, showing Vivi and Fuka are rivals in another game, but that just sets up a cliffhanger more than anything else. It’s pretty much pure action scenes and small characterization.

So yeah, as a book it’s light as air, and you’ll be hungry again right after reading it, but it serves its purpose. Maybe wrap it up soon, please, though?

My Happy Marriage, Vol. 3

by

By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Good news! After two trauma-inducingly depressing volumes of this series, we finally get a volume of My Happy Marriage that is working towards the title. That’s not to say that this volume is all sweetness and light – honestly, this series is never going to be that, I expect, until the final 5 pages of the last volume. But compared to the first two books, this is a pleasant walk in the park. Indeed, I wonder if the author thought the same thing, given that the entire subplot that is being investigated by Kiyoka seems like something invented to give the book a bit more drama and heft. Miyo is still suffering, of course, but this time it’s straightforward, normal abuse that we’ve seen in many, many series like this – the abuse of a mother-in-law who hates her son’s choice of wife. And while she and Kiyoka are not quite on the same page yet, they do at least now understand how the other person thinks.

Kiyoka and Miyo are invited by his father back to the Kudou mansion, as there needs to be a “meet the parents” event. The only trouble is that Kiyoka and Hazuki seem to have minimal respect for their father, and they both absolutely despise their mother. Neither one wants Miyo to be anywhere near her. Unfortunately, Kiyoka also gets an investigation that’s in the same town that his family home is, so and and Miyo (Hazuki can’t make it) have to go and meet Mommie Dearest anyway. It goes about as well as you’d expect, especially since Kiyoka has to be away from the mansion for the investigation much of the time, leaving Miyo to deal with her all on her own. And while this is going on, there’s a huge horned monster terrifying people near an out-of-the-way shack…

How much the reader enjoys this probably depends on how much they can tolerate Fuyu, Kiyoka’s mother and a thoroughly unpleasant woman. Her verbal abuse towards Miyo is loathsome, and the novel’s resolution appears to be a combination of “I have seen that you can be useful so I will allow the marriage” and “I am a 50-year-old tsundere, the worst kind”. Miyo still has horrible self-hatred issues, which don’t help when Fuyu is belittling her (she simply agrees with everything Fuyu says), but she rapidly realizes that the reason Fuyu’s abuse actually hurts her is that she’s now experienced what it’s like to be loved. The joy of being accepted makes the pain of rejection harder to bear. That said, Miyo still tends to ignore her own emotional despair, something literally pointed out to her by Kiyoka… who, to be fair, does the same thing.

I can see people disliking this book, mostly as Fuyu does not really suffer any consequences for her abusive behavior. That said, it honestly felt like a lighter, softer volume? Which probably says more about the first two in the series than it does about this one. Still valiantly hoping for the title to be accurate one day.

The Holy Grail of Eris, Vol. 3

by

By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

Boy howdy, this wrapped everything up just the way I wanted. OK, I admit, there was not enough Abigail, but I’ve come to terms with that. (And we also get Kimberly Smith, who is James Bond, as the author admits, and also wonderful.) And unfortunately the plot demanded that Connie essentially be stuck in a cell for the latter half of the book. But this actually turns out to be important as it allows us to see that a) everyone around her knows what a good and forthright person she is, and b) it allows Scarlett to have to take action on her own, rather than just stand behind Connie and snark (and occasionally possess her). And while we don’t get Abigail, we do get her daughter Lucia, who is made of 100% pure awesome and who I desperately want to see a sequel series about. She even has her own sidekick! Who is a foreign prince, sure, but let’s not sweat the details.

After discovering the truth of why Scarlett was executed ten years ago, Connie and Randolph go off to confront Scarlett’s father. That said, knowing this doesn’t actually CHANGE anything. Especially as Ulysses’ kidnapping is coming closer and closer to bringing nations to war. Not to mention that Princess Cecilia is still around. Oh yes, and Abigail’s daughter Lucia is also accidentally kidnapped, and added to the pile of children in danger. Connie is very good at running around, finding clues, and getting into trouble, which is what’s needed to find the real culprits… which is why the culprits decide to blame her for the kidnapping, lock her up, and execute her. Problem solved! Except that, unlike Scarlett ten years ago, everyone adores Connie…

By the way, if you are looking for a series with kickass women in it, this is a great choice. Even the villains kick ass, and get dramatic yet thematically appropriate death scenes. The throne war in the neighboring kingdom ends in a way that made me laugh, and also want to go back and read the second book again. The little ‘Character biographies’ that appear throughout the book, designed to read like otome game bios where they update as events happen, are laugh out loud hilarious. The climactic finale is heartwarming and heartbreaking. If there’s one flaw here it’s that I think the author and publisher wanted to leave room for a sequel, so we get a somewhat tacked on addition near the end, featuring the very first thorn in Connie’s side returning like Sadako. But I’ll forgive it, if only as it leads to what is essentially a polyamorous marriage. One man, one woman, and one ghost, as God intended.

The series ends here, but there is a fourth volume in Japan that has a sequel, with Connie and company going to the land of Scarlett’s late mother. However… it only came out in Japan digitally. I highly doubt that GA Novels would let Yen release a print book when Japan hasn’t, and I doubt Yen would license a digital-only 4th volume. So I suspect this is it. Oh well. Great finale, great series. Highly recommended for fans of thrillers.

Fox Tales

by

By Tomihiko Morimi. Released in Japan as “Kitsune no Hanashi” by Shincho Bunko. Released in North America by Yen On. Translated by Winifred Bird.

After getting a couple of books in the previous few years, this is definitely the year of Tomihiko Morimi in North America. The Tatami Galaxy, one of their most famous works, in finally getting a translation into English next month. Tower of the Sun, their debut work, came out in August (though I did not review it as I read the first 20 pages or so and decided that I hated the protagonist so much I wanted to burn the book). And now we have Fox Tales, a short story collection that came out the same year as The Night Is Short, Walk On Girl. But while that book was mostly whimsical fantasy with the occasional bout of melancholy, Fox Tales is straight up here to be scary and unnerving. It’s basically a yokai book, with four stories interconnected by a curio shop and also a mysterious fox/dragon creature that seems to act as a harbinger of bad things. The stories vary in quality, but the book is definitely worth a read.

In the first story, which is also the title story, a young man works part-time at a curio shop run by a middle-aged woman who falls under the dictionary definition of “mysterious”. Unfortunately, in an effort to protect her, the man gets involved with a nasty person who engages in trades, and has a way of making you REALLY want to make the trade. In the second story, our narrator falls in with a man who can’t stop telling stories of his past. The third story has a tutor of a high school boy run afoul of a mystery person who is going around beating people up, possibly due to something the family of his student did years ago. And in the final story, a young man (it’s always a different nameless young man, by the way) goes to his grandfather’s wake and ends up nearly drowning in family obligations and past sins.

One of the stories has a “twist” ending, but the twist is fairly easuy to figure out almost immediately, so I’d argue it’s not really meant to be a mystery. Mostly the stories set a mood, and succeed admirably. They have a lot of Morimi’s quirks, such as characters walking around back alleys, used bookstores, and how people actually feel buried in the things that they don’t quite say. It can also be scary – the first story is almost straight up horror, and the third story ends so abruptly I wondered if there were pages missing – it’s as if once we figure out the “why” there’s no reason to type any more. The final story was probably my favorite, digging deep into family history, the oppressiveness of funerals, and (as with all of these stories) the supernatural. The only story that didn’t work for me was the second one, which went for “melancholy” rather than “eerie” and didn’t seem to fit.

If you enjoy Morimi, this is a must buy. It’s also a good addition if you like spooky stuff.

Alya Sometimes Hides Her Feelings in Russian, Vol. 1

by

By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

High school romcoms have made a big comeback in recent days. Technically, they never really went away in Japan, but like sports manga in the 2000s, non-supernatural tinged light novels in the 2010s were forbidden. The gateway has now burst open, though, helped by the breakout hits such as My Youth Romantic Comedy Is Wrong As I Expected, Bottom-Tier Character Tomozaki and Chitose Is in the Ramune Bottle. And we have the “sweet” subgenre, characterized by minimal conflict and a lot of “awwwww” moments. Now there’s a good chance that when a new series hits big numbers in Japan, and makes the end of year lists, it’s likely to get a license. And this year’s golden girl is Alya Sometimes Hides Her Feelings in Russian. If you are asking “apart from the Russian, what’s so new about this variation?”, the answer is not much, though it does have an interesting twist I won’t spoil. But the main goal of this genre of books, being sweet and relaxing, works just fine.

Alisa Mikhailovna Kujou, aka Alya, is our heroine. She’s half-Russian, and is a transfer student into a school known for academic excellence who nevertheless ends up at the top of the grade charts. She’s known as the “solitary princess” for her general attitude, which is standoffish. Sitting next to her is Masachika Kuze, who is… look, just read any of the other books in this genre and you’ll know exactly what he’s like. Seemingly lazy and shiftless, secretly plagued by backstory and works hard when no one else can find out. That kind of guy. In class, Alya treats him harshly, scolding him, reminding him of the school rules, and calling him an idiot. That said, in reality she has a crush on him, and occasionally says things to herself in Russian to blow off steam about it. Unfortunately… Masachika knows Russian.

This is a good book. Likeable characters, fast and breezy writing, some amusing lines. Alya is a kuudere who does not really take much poking to get rid of the ‘kuu’ part, and honestly the main surprise was that they did not end up together at the end of the book – I suspect this was written with a longer series in mind, rather than as a “contest winner” one-shot. Masachika’s “tragic” backstory is rather mundane, but that ends up working well here, and reminds us that most teens don’t really need much to get derailed from their dreams. A divorce, a childhood friend disappearing, a realization that being a winner means there’s a loser… it’s standard stuff, but fits well here. And there’s also a lot of cute romcom scenes, helped out by Yuki, a fun character who appears to be the “other woman” in this book but ends up nothing of the sort.

Basically, I get why this is popular. If you like the genre, read it. If you want fast progress or more compelling drama, don’t read it.