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Reviews

The Executioner and Her Way of Life: A Casket of Salt

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

You will pardon me if I am just a bit exhausted after reading this volume of the series. It consists entirely of payoff, which makes the plot more interesting, but also means that we don’t really get to relax and take in anything. And, frankly, we’re still inhibited by the actual writing. The anime was quite successful when it was released, and I think it showed off that the ideas and concepts in this series work best when they’re taken away from the author’s control. This book is a slog, no mistaking it, and while I realize some of that is simply because the events in it are unrelentingly grim that’s not the only reason. It doesn’t help that I get the feeling this series was supposed to end with this book (and Flare’s plan), but the upcoming anime had the publisher tell the author “we need to extend the series, can you make everything worse instead?”.

This book is about the battle between Menou/Akari and Flare, and it does not need supporting characters getting in the way, so Ashuna quickly departs (after confirming what we all knew already, that it’s Momo she’s really into). As for Momo herself, she falls for a fairly obvious trap and spends most of the book in a literal cage. This is not to say that Menou and Akari are getting all the cool and awesome things to do, though Menou does pretty well. Unfortunately, the new character from last volume has shown up, and she is absolutely the new antagonist and wants to let you know it by removing Akari from the board. The one thing that Menou has been trying to avoid this entire time has now happened, and what’s worse, she’s not a wanted traitor. Can she possibly find a way to set things right?

It’s hard to talk about this book without spoiling everything (as you can see by that awkward paragraph above), but I do want to say that a lot of the ideas and themes here are really good. We finally get revelations about Menou’s past, as well as Akari’s past, and they fit thematically. Everything about the Pandaemonium subplot was fantastic, and almost made me have an emotion. That’s probably the part of the series I look forward to seeing most in the next book. There’s generational stuff here, as we see the relationship back in the day between Flare and one of her isekai’d victims was similar to Menou and Akari’s. An anime of this would probably kill. It’s just… it all feels so flat on the page. I kept checking to see how long it had to go. The author’s writing has no style, no pep, no verve.

There’s enough here for me to grudgingly continue, if only to see if Ashuna can actually do something next time. But for the average reader wanting to see what comes next, I recommend waiting for a Season 2 of the anime.

Rascal Does Not Dream of a Lost Singer

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Mayoeru Singer no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

As we hit double digit volumes for this series, and we start what is basically “Rascal: The College Years”, it’s probably a good time to ask ourselves what we really want out of the series. Let’s face it, I’d be perfectly happy just watching Sakuta interact with the rest of the cast, no plot or dangerous supernatural phenomenon needed. Add in 40-50 pages of descriptions of subway stations, which is about the average with this series, and you could say that we don’t NEED the main premise of the series anymore. The main cast, for the most part, has accepted their past and trauma, and made a good effort at moving on. Sakuta and Mai are adults in college, and even Kaede will probably be graduating soon. There’s no NEED for what has been termed “Adolescence Syndrome”. And so, until the last page of the book, I assumed that this was the point of this volume. That the problems Uzuki had were totally normal.

You can sum up the plot of this volume as follows: “What measure is a non-airhead?”. Sakuta and Mai are now at college, and living the blissful couple life (well, except they barely see each other due to her job). He’s also tutoring two students from his old high school at a cram school, and hasn’t had to worry about any supernatural phenomenon in a year and a half. Uzuki and Nodoka, from Sweet Bullet, are also there, and Uzuki is in a lot of Sakuta’s classes, as they share a major. Uzuki is, of course, her usual lovable ditz self, and seems to get along with everyone in the class. “Seems” being the operative word. Because one day, Uzuki shows up at class, and something is… off. She’s making efforts to fit in more. She’s picking up social cues. What the hell is going on? This is so unlike her!

There’s actually a whole new mini-cast introduced here, which no doubt will get more of a look-in in future volumes. We meet Miori, who honestly seems to be Rule 63 Sakuta a lot of the time, and her obvious attempts to insert herself into his life. Ikumi, who we briefly saw in the last book, is briefly seen again, and Sakuta is still vaguely uncomfortable around her. There’s the cram school kids. I feel the author is apologizing for a lot of the old cast only making token appearances, but such is life. As for Uzuki and her issues, I thought it was very well handled and sometimes very sad, and the climax of the book was excellent. The actual resolution, though, feels not QUITE as happy as I’d have liked… especially given the OTHER new character we see at the end, who implies that this really WAS supernatural, not just Uzuki suddenly maturing. Enter Touko Kirishima.

No, it’s Touko, not Touka, this is not becoming a Tokyo Ghoul crossover. Exactly what it’s becoming is still undecided. But I will admit feeling unsatisfied that the catalyst for Uzuki’s issues was actually a third party. I will have to content myself with the fact that the conflict and resolution of it was all Uzuki, and she did very well.

Sword Art Online, Vol. 26: Unital Ring V

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s not clear how much ;longer this arc of Sword Art Online is going to go, or if it really is the final arc in the story. I don’t think even the author knows, especially given that his afterword talks about how he gets distracted by side stories and diversions all the time and can’t advance the plot. But I think he’s thinking about it, and we get a little of that with Silica here, who gets to have most of the narration that isn’t Kirito’s when he’s in the Underworld. She’s been one of the original SAO gang for so long it’s sometimes hard to remember that she’s three years younger than most of the others, and she’s noticing that Asuna and Lisbeth aren’t playing games quite as much as they used to. It’s not framed in a “put away childish things” sort of way – indeed, Silica notes one of her friends think she’s the weird one for continuing to game so much after SAO – but hey, adulting is necessary. The real world beckons.

The plot here is neatly divided in half. On the Underworld side, Kirito, Asuna and Alice finally get to see Alice’s sister frozen in time, awaiting her return… along with two other surprise guests! Unfortunately, unfreezing them will involve Kirito and Eolyne becoming astronauts, going to one of the satellites where Kirito, pre-memory wipe, hid the information. But, of course, while there they find bad guys doing terrible things. On the Unital Ring side, the rest of the main cast need to find more ore in order to keep up with the other gamers, and doing so will involve facing off against a giant wasp nest! Can they use a dangerous flower that the SAO players know very well to try and swing the battle a little more their way? can can we really get to see a scene with Silica sitting on top of a giant bear fighting a wasp? Because that sounds pretty awesome, frankly.

This book not only thinks about the future a little bit, but also manages to recall the past. We get more “what measure is an NPC?” philosophy, but this also involves Asuna clearly thinking of Kizmel, and almost having a little breakdown. Those reading the Progressive books will know that Kizmel is hugely popular and I think the author is dragging things out a bit to use her more, but it’s also plainly obvious that she’s not going to stick around till the 75th floor, so we can guess what likely happened. And of course, we get more Underworld stuff, though of all the minor characters from that arc to make an emotional reappearance, the elevator operator was not the first one I would have guessed. It works well, though, and also allows our heroines to have a nice long bath, satisfying both Asuna’s love of bathing and also abec’s love of drawing fanservice.

So yes, the plot progression was minimal here, but this was a solid, fun read. SAO fans should be happy.

Culinary Chronicles of the Court Flower, Vol. 9

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by Hunter Prigg.

This is one of those volumes where the audience knows the answer that the rest of the cast are searching for, but even by the end of the book they still have not quite figured it out. So much of this volume is about sacrificing personal hopes, dreams and happiness for the sake of the country, and the assumption that, deep down, everyone else will also be doing the same thing. Unfortunately for them, we’re able to peer inside Shusei’s head, and we’ve already read the previous eight books, so we know why he’s so determined to burn the entire country down to get what he wants. His birth father was able to throw it all away for the sake of love, but Shusei cannot do that, given Rimi’s position. He has to throw away everything else so he can have Rimi. And even Rimi still doesn’t quite get that, mostly as she still has the self-worth of a bent blade of grass at the side of the road.

After the events of the previous book, Kojin and Renka are being politely held at the palace so that it can be determined what happened to Rimi. The only trouble is that Rimi refuses to point any figures. That said, the answer is obvious, and Shohi has his first massive temper tantrum in some time. This results in Kojin resigning and going back to his seaside estate, and Renka saying she’d like to take up the position being offered, but won’t do it without the Chancellor agreeing to it. And the Chancellor just resigned. So someone has to go to Kojin’s estate and play peacemaker, trying to persuade him to give Shohi another chance so that the country can remain peaceful and stable. The perfect choice to do this, obviously, is the woman Kojin recently tried to murder.

Fear not, those who worry about such things, there is plenty of food in this volume, and it plays the major role in reconciliation here.l Not between Kojin and Shohi, though that happens as well, but between Kojin and Shusei, as we learn that sometimes when you think the only answer is “tough love” but you’re also terrible at real human emotions, it can come off as hatred. I always love how these mysteries are filtered through Rimi, who is actually trying to understand why they’re stubborn and unyielding but can only do so in terms of imagining what foods would and wouldn’t work on them. Kojin’s breakdown is very well handled, and I also enjoyed reading about how yes, his wife really DOES love him, surprise! That said, all this is drowned out by the cliffhanger ending, as Shusei makes war inevitable.

I am assuming that the next volume will be that war. I am also hoping that we finally get a reveal as to Mars’ identity, if only so they can be killed off. (There was an attempt at a tragic backstory here, which didn’t work well because it was too similar to the main tragic backstory.) In any case, this remains an addictive shoujo thriller.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 8

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

Reborn to Master the Blade is not, I think, a series that’s really trying to do much beyond having fun and writing a lot of Inglis fighting. The author admits in the afterword that they really don’t have much of an idea of where to go next, so there’s not really an end goal in mind. Sometimes this is a good thing. We’re here to see Inglis fight things, and the back half of this book is all that, showing us Inglis coming as close as she’s ever come to actually getting killed, and actually (gasp!) needing the help of other people once or twice in order to fend off the biggest Prismer yet. On the down side, Inglis does not show up until 100 pages into this book, and as I said last time, without Inglis this book is just spinning its wheels. I’m sorry, supporting cast, you are not quite interesting enough on your own.

The front half of the book features Lahti facing off against his brother, Windsel, with the winner likely becoming the next King. Windsel has several demands, which seem at least vaguely acceptable, but the last one, “let us execute Pullum”, is a no go, so they’ve got to do battle. This allows everyone to whip out their new special moves, which range from unsurprising (Leone, Liselotte) to very surprising (Lahti). After this, we cut back to the Prismer, and though Rafael, Rafinha and Yua try their best, it’s going to come down to Inglis in the end, when she eventually gets there, which is (of course) right when all hope is lost. That said, can she really have enough power to stop it? And, more importantly, can everyone stop her trying to heal it up so that she can fight it even more equally?

This is essentially a series written for guys, but it features a whole lot of kickass women with either swords, magic, or both. As a result, it tries hard to attempt to push back on “why are women fighting, they are too fragile, the man should be protecting them” and actually embracing that, mostly because “a guy has to protect his younger sister” is a stronger cliche than “women can fight as well as men” in the author’s mind. It’s a bit disappointed, but hey, at least Leon and Leone have worked things out. I was also rather surprised, contrary to what I’d guessed in the last review, that the “turned into a magicite beast” process does NOT appear to be reversible. That said, Yua was at least polite enough to rescue the only one we’d actually seen named, and hopefully they can at least do SOMETHING for him.

After a half-volume of fighting, the epilogue features a whole lot of eating. This is definitely an “end of arc” book, and the next one promises to be far more light-hearted. That said, it also promises fewer fights. I hope I’m wrong there.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 15

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

As many have noticed by now, this author really, really loves playing around in isekai tropes and cliches, and the more cliched the better – in fact, it comes as a surprise in this series when it ISN’T the cliche. When they’re investigating a local noble, you can guarantee that he is going to be a scummy noble who treats those he’s responsible for like crap, because scummy nobles are just what isekais do. (This is not unique to FUNA – Kuma Kuma Kuma Bear has similar ideas, though subverts them more often.) It doesn’t help that isekai’d Mile tends to regard this world as a giant bucket list full of things she wants to do, and most of this volume happens because she’s desperate to find a village of beastmen… mostly so that she can pet the little beastgirls. Let’s face it, FUNA is also not afraid to show that Mile can be creepy a lot of the time.

Mile and company start off by having a meeting with the Elder Dragons, which ends up being short on information but long on nail art. We then get the bulk of the book, as Mile really, really wants to find a beastman village, despite the fact that most beastmen are NOT like Lenny but are actually very wary of humans… and we see why when they get to the village, only to find that some of the village’s children have been kidnapped! Unfortunately, this is not a mission the Crimson Vow an take on officially… fortunately, Mile can get in touch with the Crimson Blood, who coincidentally look, act, and are the same as the Crimson Vow! But they’re not on the clock. Now it’s up to our heroines to investigate the kidnappings, which are genuinely happening, but also where each kidnapped girl ended up, which… does not go quite as expected.

So word of warning here, if you’re the sort who avoids slavery in your isekai books… well, first of all, you must read very few isekai books, but secondly, this book delves deeply into the nitty gritty of slavery in this world. It’s illegal officially, except in the “I am broke and enslave myself to pay off my debts” way, but unofficially it’s definitely around. Two of the three kidnapped girls are indeed either being worked to death for no money or imprisoned and in the process of being sold abroad. Mile and the others have no issues destroying the ones responsible. Sometimes, though, kidnapping can actually be a way out. When you’re a girl in a backwater village expected to marry a guy from the same village, which is a very misogynist one… honestly, getting taken in by the local evil noble ends up sounding like a pretty good deal. Especially if the noble, like Mile, has a taste for the fluff. Make My Abilities Average has always had an undercurrent of “sexism is everywhere, and it’s terrible”, and we even see it in a slavery plotline here.

The book ends with the Crimson Vow off to check the last item on Mile’s list… visiting a demon village. Will this advance the plot? Are we getting towards the end of the series? Who knows? But pretty good stuff.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 2

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

In my review of the first volume of this light novel series, I said that it reminded me of an eroge where the reader was just following the walkthrough, not wanting to get remotely near any choices that resulted in a bad ending. That still applies, fear not. That said, it also is similar to that genre in other ways. This series is never going to have any sexual content, or if it is it will be much later on. But for all that it is sweet as pie, it is also here for the horny male that is its main reader. Nanami has large breasts, something that the text of this volume will absolutely hammer home over and over throughout, and she and Yoshin are clearly thinking of each other sexually, even if the closest we get is kisses on the cheek/forehead and sticking his arm against her chest as they walk. Which, honestly, does feel pretty teenage.

Nanami and Yoshin are now a couple, and naturally are going to have the standard problems that couples have. Well, to a degree. They have the problems, it’s just they’re dealt with in a ridiculously easy way. For Yoshin it’s that the teachers don’t believe he’d be dating a hot girl, so worry that she’s bullying him. For Nanami, it’s that the other girls in her class are amazed she’s dating an introverted loner. Resolving this takes about five pages at most. There’s also the matter of Nanami meeting Yoshin’s parents, but as it turns out they accidentally run into the couple while they’re sharing a bubble tea. This also goes REALLY well, the only issue being that Yoshin has been taking the lunch money his parents had been giving him every day, since Nanami is making him lunches. There’s nothing getting in this couples’ way, so clearly it’s time for an aquarium date.

The series’ strongest point is the sweetness. These two are ridiculously pure and likeable. Yoshin may be an “introvert”, but unlike a lot of titles like this that does not mean that he’s a loser socially inept dweeb sort. Indeed, we learn late in the book that the whole “dare” that started this series was instigated by Nanami’s two friends in order for her to have someone to watch over her after they graduated, and that Yoshin was their first choice. I think the author realizes that the “we dated on a dare” part is still hanging over the couple, and although most of the rest of the cast knows the truth, Nanami hasn’t confessed it to Yoshin, nor has he told her he knew from the start. That’s the ONLY conflict. Everything else is 80% adorable couple-ness and 20% sexy hot girl, look. It’s almost a perfect example of its genre.

There’s a third book coming, and I’m not sure we’ll be getting to the “confession” that is supposed to happen in a month’s time – this series moves very slowly. But if you’re looking for cute, and are OK with sexytimes that never go anywhere except rated PG, this is a can’t miss title.

Invaders of the Rokujouma!?, Vol. 41

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Warnis.

No short stories this time around, we’re heading to Forthorthe and things are about to get serious. The start of this series, forty-odd books ago, was very much a slice-of-life comedy, with the aliens, magical girls, and underground girls essentially acting as wacky neighbors in a high school romcom. Clan’s arrival, and Koutarou’s subsequent trip back in time, started to kick that in the head. And now here we are, with the back half of this volume featuring a thoughtless disaster on the part of the villains turned into an even more nightmarish disaster by the most unhinged villain, and you get things like living corpses (I’d call them zombies, but they run very fast, so that might give you the wrong idea) in the remains of a burning factory being weaponized and turned on a nearby city and you realize that this has actually gotten pretty dark, hasn’t it? Fortunately, the first half, which involves introducing cool new tech to the masses, is more relaxing.

Our heroes are now back in Forthorthe, and the big question on everyone’s mind is: who is the Blue Knight going to marry? Sadly, for reporters, the Blue Knight is still running away from that question, so there’s no real progress there. There is much more success in introducing a personal force field that can, among many other things, act as replacement limbs for disabled people as demonstrated by Nana doing various gymnastic maneuvers with just a force field for support. Koutarou thought that would be it, however, many other companies, including the military, quickly realize the other uses this sort of tech could provide, and now he’s even richer, to his quiet despair. There’s no time to enjoy it, though: they’ve found one of Ralgwin’s bases, and it’s time to play catch that villain!

As hinted in the first paragraph, catch that villain does not go very well. Rokujouma!? has gotten more serious as the books have gone on, even including a war, but I don’t think we’ve really taken as much time to appreciate the loss of lives as we did here. Now, these are all factory workers we’ve never met before, so it’s not like the author is killing one of the main characters, but the fury at how this came to be from our heroes is very well done. Meanwhile, on Yurika Watch, she gets to do cool things, and her running gag of “magical girl uses evil powers” is still funny, but this is Ruth’s book to shine,. as the author admits that if he’s going to have a balanced harem series he has to work hard to maintain that balance, and Ruth, mostly, rarely gets to fight at the front line. That gets fixed here, and shows off her awesome analytical skills (and love for Koutarou) in a fantastic manner.

Sadly, the villains get away, but I’m sure we’ll be seeing more of them. Till then, enjoy a more serious volume than usual.

The Apothecary Diaries, Vol. 7

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

As I was reading this volume, I was reminded of that meme that went around a while back from the Buzzfeed Unsolved show. “I did meet some of the most insufferable people in the world, BUT they also met me.” Maomao may spend a great deal of time bemoaning the folks she has to deal with, but there’s no denying that she’s even more of a pain in the neck on a regular basis. “Please ignore that man, one of the most powerful in the country, who keeps stalking me and says I’m his daughter. Please ignore that I am good friends with the Empress and Consort #2. Please ignore that I apparently love to ingest poison for fun. I am just a normal woman and want to quietly go about my day… oh look, another murder attempt.” Honestly, some readers might feel less exhausted if this were the adventures of Maomao the cat, back at her apothecary house, avoiding snuggles and yawning, rather than the prickly Maomao the human.

Maomao is forced to take the Civil Service exam once more, and is told that She. Will. Pass. She reluctantly passes, and is now back in the palace, one of five new medical students. Erm, three medical students, as two get culled for essentially being extra baggage. The other two are Yao, who seems like a bullying ojousama at first but turns out to merely be a sheltered and earnest girl, and En’en, her friend and attendant who enjoys watching everything that Yao does. As the three of them learn their trade, we also pick up with events from previous books, as the Shrine Maiden of neighboring Shaoh is now ensconsed in a remote part of the palace, and there seems to be something wrong with her. Is she hiding something? Is she really who she seems? And is she going to be publicly assassinated in a way that might lead to war?

First of all, the best part of this book, by far, are the two new characters. Yao is wonderful, and frankly I was very, very worried that she was going to be killed off for tragedy. (It’s a near thing, and the book lampshades that she’s avoiding the very real consequences of what should have happened to her.) En’en allows us to see a smart, crafty woman who doesn’t have Maomao’s natural bitterness and eccentricity. She’s also in love with Yao, something that is mostly used for comedy here (Jinshi picks her as his attendant as he knows she won’t be there just to hit on him), but which I’m hoping might be taken more seriously later on. And while Apothecary Diaries is not a foodie book like Culinary Chronicles of the Court Flower, a lot of this volume relied on food knowledge and what it can do to the human body. It’ll make you hungry, but good luck eating what’s in here.

All this plus zero sexual assaults! A strong volume, and I hope that Yao and En’en become regulars going forward.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 15

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

If the 13th volume in this series was the big climactic finale, and the 14th was a short story interlude, then this new volume is very much “start of the next season”. We are reminded that there are a few archdemons that we still have not met, and that many of them are terrible people in almost every way. We also have fallout to deal with from the previous “season”, which means that Kuroka has to go into hiding and Foll needs to get used to being one of the main players on the board. And of course there’s also room for love – Nephy’s birthday is coming up, as is Chastille, and the men in their lives are scrambling for the BEST present. Alshiera’s old crush has been resurrected… as has her old husband, Zagan’s dad. Love triangle? Not so much. Zagan’s dad may, in fact, be there to torpedo the one yuri relationship in this series, alas. In any case, A LOT OF STUFF.

After the big battle from Vol. 13, there are new Archdemons galore… though unfortunately, there’s no room for Barbatos, as there’s a missing sigil meaning he doesn’t get to join in the fun. Fortunately, he’s too busy competing with Chastille in “who can be the lamest possible person” sweepstakes to care. Foll, meanwhile, has been designated by Zagan to handle the Nephilim, who regard Zagan as The Enemy but might be more amenable to a dragon girl. Foll is pretty much sweet as pie and also hella strong, so things go well… till an amnesiac girl arrives. Though she calls herself Lily, her true identity is Asmodeus, one of the Archdemons, and a mercenary who will steal anything and sell out anyone. Is she faking her amnesia? And if so, is it right to just kill her?

The book does not really answer that last question all that well. It’s framed by Asmodeus towards the end of the book that she was faking it all along, but given that we even had POV narration from “Lily” that belied that, I’m inclined to believe she’s lying, possibly to herself. She’s an interesting character… but there’s also a sense that we’ve seen her character arc before with different people. It’s even pointed out they have ANOTHER amnesiac girl to help her out, in a case of non-subtle lampshading. As for the other new Archdemon (well, the one who gets actual screen time), he’s clearly not here to be redeemed by the power of niceness the way Asmodeus is, so is allowed to simply be a terrible monster, though his debate with Zagan about what you should feel when murdering something is interesting in a “cool motive, still murder” sort of way. And for all that this book starts off making a big deal about getting Chastille and Barbatos to admit they’re in love, it really doesn’t follow through at all, does it?

So an OK volume of the series, that will probably read better when this new “season” really gets going. Who knews, maybe the anime will have a release date by the time the next volume comes out, and I can’t see this series ending till that airs.

How to Melt the Ice Queen’s Heart, Vol. 2

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By Kakeru Takamine and Ichigo Kagawa. Released in Japan as “Kouri no Reijou no Tokashi Kata” by Monster Bunko. Released in North America by Tentai Books. Translated by Callum Conroy and Alejandro de Vicente Suárez.

This may be the most unfortunately timed light novel volume I’ve seen in some time. The first volume of How to Melt the Ice Queen’s Heart, which I quite liked, came out in July 2021. Since then, Tentai Books has been dealing with the various things a small publisher has to deal with in terms of scheduling, and the co-translator also changed, meaning that the 2nd volume has come out in February 2023. And between those two dates there has not only been a giant pile of “sweet romance between a couple with little conflict to speak of” stories (some of them also put out by Tentai Books, to be fair), but The Angel Next Door Spoils Me Rotten has exploded in popularity and gotten an anime running RIGHT NOW, whose quality you can argue about (I certainly will), but whose takeover of the “couple charts” is indisputable. And Ice Queen’s Heart is basically Angel Next Door with the genders swapped. Well, to a degree. it’s still a male fantasy.

We pick up immediately where we left off, right after Christmas, and with Asahi and Fuyuka feeling very close to each other. Asahi in particular, however, has trouble putting a name to this feeling until the very end of the book. In the meantime, there’s a New Year to have, which includes a shrine visit. Which also means introducing one half of this cast to the other half of this cast, and fortunately they get along fine despite the obnoxious couple being an introvert’s worst nightmare. There’s a birthday, which Asahi nearly blows simply as he never really converses with Fuyuka about anything but cooking. There’s Valentine’s Day, where Asahi can’t actually blow off this year the way he usually does. And there’s also Fuyuka’s maid returning to the apartment, which he fears will mean the end of their relationship, which of course only involves his cooking lessons. Right?

I mentioned this was a sort of inverse to Angel Next Door Spoils Me Rotten. Asahi has a similar personality to Amane, but Amane’s the one with the troubled past that has led to his personality being like this in that series. In this one it’s Fuyuka with the tragic past that has led to her being the “ice queen”, as we see when she talks about visiting her mother to tell her all about Asahi. This seems an awfully big step till you realize fairly quickly that she’s visiting a grave. Fuyuka’s story did not get as dark as I feared it would, which is good. It’s just a case of a loving mother passing away and a daughter now left bereft of any emotional support. Now that she has this, in Asahi, she’s opening up and starting to care again. And this, more than anything else, is why Asahi realizes he loves her at the end of the book. (Her own love for Asahi is far more obvious throughout.)

Are they a couple? Not yet – admitting love to yourself is not the same as confessing it. What’s worse, this volume came out two years ago in Japan, and the afterword suggests there may not be more (The Japanese publisher has very little patience with underselling ongoing series). This was a sweet little series, and I quite liked both volumes. But it drowned among more popular titles in this genre.

The Inconvenient Life of an Arousing Priestess, Vol. 1

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By Makino Maebaru and Hachi Uehara. Released in Japan as “Konyaku Hakida, Hatsujō Seijo” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

The danger of getting a killer premise is that you have to go through with the killer premise even though it will require reassuring some readers that it’s not THAT killer. So, let me reassure you, the reader. This book is a shoujo romance, basically Cinderella, and the lead heroine remains chaste throughout. That said… the premise of the book means that this heroine is frequently horny a great deal of the time, and sometimes imagines naughty fantasies. (Her powers also arouse the men she uses them on, and be warned there are a couple of sexual assault scenes in this book.) The author is not just interested in writing about Monica being aroused, though there are a few funny moment there. The book is more about why slut-shaming is terrible, and how treating women with respect and dignity will be its own reward. Plus, y’know, being rescued from an abysmal fate by a hot redheaded prince. Still a Cinderella story.

Monica, the priestess of the title, is not reincarnated from Japan or suddenly in her favorite game, but boy, the start of this book seems familiar anyway. Her fiance the prince publicly breaks up with her, and calls her a harlot. Her powers, which are fantastic when battling monsters and can heal nasty injuries, have an unfortunate side effect – she, and the person or persons she is healing, get aroused. And the more she uses them, the more aroused she gets. At first exiled, and then finding out that even worse is planned, she is fortunately rescued by Richard, a knight in the city she previously worked out of, and (as it turns out) the prince of the Empire next door. His country has a problem – the King is impotent, and this is leading to political difficulties. Can her powers help things along?

As you might imagine, this is mostly better than it sounds. I appreciated that the king’s impotence is NOT magically healed by her arousal powers, but instead requires months of repairing the infighting in the kingdom and restoring the self-confidence of the Queen to the point where they are no longer battling hideous stress every day. Monica herself has an odd combination of self-confidence and self-hatred – when it comes to her powers, or, by extension, her expertise in battle (being a monster-battling priestess, she’s basically had to be a general much of the time), she’s got it all down pat. But her upbringing and the attitudes of the kingdom she lived in prior to this have left her believing herself to be a worthless commoner, unfit for someone like Richard. Who, by the way, she is convinced is asexual, possibly the funniest part of this book.

The book enjoys its tropes – there’s a literal sadist maid here, as well as a knight who’s a bit TOO devoted to his master. But it uses a light touch to ensure that we’re not too put off by it. Basically, the author wanted to write a book that runs on horny but is still a pure shoujo romance, and mostly succeeds. I’ll read Volume 2, which I hope is not as long as Volume 1 was.

Reincarnated As the Last of My Kind, Vol. 5

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By Kiri Komori and Yamigo. Released in Japan as “Tensei Shitara Zetsumetsu Sunzen no Kishou Shuzokudeshita” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Roman Lempert.

The danger of being a good-hearted, pure, perfect heroine is that apparently you are contractually obligated to walk into obvious traps. Tina, halfway through this book, is safely ensconced at the fort whose entire job is to stop her being kidnapped. Then, mysteriously, all of her important family and allies happen to be away from the fort at that moment. Then, mysteriously, a group of soldiers she’s never met before show up and beg her to help to save their grievously wounded colleagues, who they have not brought with them. The lead soldier is also holding a big sign that says ‘I AM NOT A TRAP HONEST”. (OK, not really.) What’s a Saint to do? Naturally, she selflessly goes off by herself with no guards to help the soldiers… you’ll never guess what happens next. If that paragraph fills you with rage, you may want to skip this one. If it merely makes you sigh, read on.

The start of the book is original to the light novel, not part of the webnovel, and is a nice return to the antics of the earlier volumes, as Tina is goaded into making a truth potion so that Shida and his father will open up to each other. She’s also really into creating fish sauce. Sadly, we then have to move on to the actual plot, which involves the aforementioned kidnapping. Tina then ends up meeting the ruler of Edesa Kura, who has grand twisted plans for the world that they’re both in. And, what’s more, the massive planetary disaster that has slowly been coming their way the last couple of books is finally here, and Tina and Renge still need to solve that problem with a minimum of lost lives. But the humans haven’t listened to any of their warnings at all!

The parts of this volume I enjoyed the most were the smaller, more character-driven bits. Tina and the court alchemist, Reiden, geeking out and bonding over the concept of magical vending machines is absolutely hilarious and wonderful, especially as it briefly stops the kidnapping plot dead for a few pages. I was also amused by Nakona, who all of a sudden has finally realized that she has at least four people in love with her, and is somewhat poleaxed by the idea. (Since she’s engaged, and later married, to Shida, she solves the problem in the best Nakona way – by beating the shit out of her other suitors.) Unfortunately, when the book broadens out to take on larger, more devastating problems, I was less interested. The revelation of the enemy ruler and what their deal is was interesting, but Renge remains a flat, boring boyfriend, and the resolution of this book pretty much hinges on him being even more powerful than everyone thought.

The author says there will be a 6th volume, but it sounds more like n epilogue than anything else, as the main plot is resolved here. In the end, this series was OK, but I liked it a lot more when Tina was back at the inn than when she was the Saint of the World.

Grand Sumo Villainess: This Reincarnated Rikishi’s No Pushover!

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By Kawausoutan and Murakami Yuichi. Released in Japan as “Ouzumou Reijou ~Seijo ni Hirateuchi wo Kuratta Shunkan Sumō Budatta Zense wo Omoidashita Akuyaku Reijō no Watashi wa sute Neko Ōji ni Chanko wo Furumaitai Haadosukoidosukoi~” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Adam.

One of the more famous Monty Python sketches, written by Eric Idle, is called “Nudge Nudge”. In this sketch, Eric’s character accosts a businessman played by Terry Jones, implying through innuendo and double meaning that the businessman and his wife are sexually active. Throughout the sketch, Terry’s character endures, looking thoroughly frustrated and fed up at Eric’s constant snide jabs and double entendres. I mention this because that’s sort of how I started feeling midway through Grand Sumo Villainess, a book that is trying to be funny but mostly ends up being thoroughly exhausting. The author has a central idea and desperately wants us to realize what a fun idea it is, but it’s ONLY that one idea, with nothing else to it, and so unfortunately the book ends up being a one-trick pony. None of the characters have depth, nor are they meant to.

This is a villainess book, so you know where we start. The prince and his newfound girlfriend accuse Floortje, his fiancee, of horrible crimes and he breaks off their engagement and prepares to have her executed. This comes as a surprise to Floortje, who genuinely hasn’t done anything, but everyone around her seems to be brainwashed somehow into following the lead of the “heroine”, Jaromíra. Then suddenly Floortje gets memories of her past life in Japan… where she was dedicated to being a sumo wrestler! Suddenly, despite having the standard villainess body, she gains the power to defeat those around her! What’s more, “sumo” seems to be an ability rather than just a sport here, as it also has magic powers, can convert into wind and lightning, and honestly can do most anything at all. Now it’s time for Floortje to strike back!

Let me briefly mention the things I liked. The start of the book, when the concept is fresh, is pretty fun. The names of the heroines, being Dutch (Floortje) and Czech (Jaromíra) I quite liked as well. That’s about it. Floortje ends up being pretty one note in regards to sumo, which is basically the standard “OP power that can do anything” that we see in a lot of isekai. She also has a bit of a shotacon streak to her, something else I didn’t enjoy. Her ditzy maid is basically there for Floortje to abuse and threaten, though fortunately she never actually does anything. I will grant you that the maid’s eventual role in the story was pretty clever, but again: exhausting. All the antagonists follow the same shonen path: enemy, get defeated in sumo, friend. The only attempt at depth is near the end with the final Big Bad, and even then it’s somewhat undercut by the epilogue.

There’s a sequel to this, Grand Sumo Villainess Z, which I assume we’ll eventually be getting. But honestly, this is for villainess completists only. Even sumo fans might be annoyed at how it’s used here as “magic”.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 6

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

There’s a lot going on in this volume of Dahlia in Bloom, but the most important part involves a conversation that really should have happened ages ago. This series began with Dahlia’s fiance, Tobias, being SUCH trash that he gained an almost memetic reputation as a trash man, and several volumes in we’re still piling on the humiliation for him, his family, and his company. But there’s also a backstory here. One of Tobias and Dahlia growing up together and knowing exactly how the other works. One of their marriage being one of convenience rather than romance, something that even Dahlia’s father is aware of. And it also helps show exactly why Tobias did what he did, and so rapidly: he’s never remotely felt romantic love before, and certainly not with Dahlia. It was a bolt from the blue. As such, when a crisis unfolds that requires Dahlia and Tobias to work together again, they’re finally able to sit down and have a conversation about what happened, and begin to move past it.

The crisis takes up the first half of the book. What was thought to be an illness turns out to be that her friend Irma is pregnant. Unfortunately, this is one of those worlds where magic is biased against the lower classes, and Irma’s husband turns out to be a noble’s illegitimate child, so he has far more magic than she does. As such, the pregnancy might kill her. To solve this, there’s a complex enchantment of a bracelet that needs to be done, and when Oswald and Dahlia find their magic is not compatible enough, they’re forced to turn to Tobias. Who, to be fair, helps immediately, and is quite chastened the entire time. We also see Dahlia’s influence and creativity inspiring others, either to expand on her inventions or expanding into their own companies. And, rest assured, food is eaten and alcohol is consumed.

I will admit, one thing in this book really surprised me, and that was the presence of Emilia in it. Emilia was not really a character so much as a macguffin, there to jump start the plot, and I have to admit that I was expecting, after Tobias was disgraced and everyone in town started to shun him, that she’d have simply vanished. But it actually works better for the book that she and Tobias really ARE in love, and that she’s still with him even after all that’s happened. And even though the two are very bad at talking with each other – she’s mostly convinced herself that if Dahlia tried to win Tobias back from her, it wouldn’t take much. I still don’t like either character, but I respect their poor choices. I also want to note that I hate the “nobles have stronger magic” system. We also see it in Bookworm, and I hate it there too. It’s an excuse to keep the common folk where they are. Dahlia’s inventions help a bit, but she has a ways to go before she’s Princess Anisphia.

Dahlia in Bloom continues to be one of the best J-Novel Heart titles, even if those waiting for the romance to happen must be groaning at another volume where neither party get any closer to admitting their feelings.