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Reviews

The Sorcerer’s Receptionist, Vol. 4

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Adam.

It’s been a while. Indeed, it’s been over two years. Long enough for me to forget 90% of the cast and 50% of the plot. Long enough for the book to need a new translator. Long enough for about 100 other romance-focused fantasy series for women to come out over here. But throughout all that, some things never change, so you can rest assured that Nanalie’s every waking moment is taken up with being grumpy about Rockmann 100% of the time. Yes, she realized she’s in love with him last volume, but that’s not going to stop her – if anything, the love has to struggle harder to get out from under the layers and layers of competitive tsundere she’s got draped over her. This is exactly the same as the previous books, which is a shame as it was one of the more annoying parts of the series. That said, the series seemed to wrap up perfectly well with the third book. Is this sequel necessary? Hrm…

Nanalie wished for all the revelations about her in the third volume to be left a state secret, and so they are, thanks to some memory altering, so she’s back to the regular everyday life as a guild receptionist. Or rather, she would be were it not for a rumored time traveling thingummajig that everyone seems to be looking for. Naturally, it exists. Somewhat less naturally, it’s in the form of a garden gnome, like the ones you see on lawns. And it turns out that a noblewoman has used the time travel thing to go back in time so that Rockmann can fall in love with HER and not Nanalie! So now everyone has to pile back in time, disguise themselves as teachers, and try to stop the noblewoman before history is changed forev… wait, the gnome says history can’t really be changed. OK, so we’re all good, then.

Gonna be honest, a lot of this book is a slog. The main reason being what I just told you. Before everyone goes back in time, they’re told that no matter what they do, nothing can really be affected. And that turns out to be true, even when the *real* reason for going back in time is revealed. There’s a threat to Nanalie’s past self… that is kind of pointless, because, again, time travel can’t be used to do that. You’d think that this might be used to get Nanalie to admit her feelings more readily, and they sort of try to burble up at times, but she’s just SO tsundere about everything that it’s not satisfying from a romance novel standpoint. Oh, yes, and we get a sort of cliffhanger ending, so I guess we’re getting a Book 5… which, judging by the ending, promises to immediately break all the stuff they had to fix at the end of Book 3. Good times.

If you really loved this series, you’ll want to read this. If you just liked it, feel free to have Vol. 3 be the end.

My Happy Marriage, Vol. 5

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Well, now I just feel bad. One of my go-to jokes about this series is the hideous irony of the title, after all. And in the Afterword the author says they worry about it as well, and asks readers not to constantly harp on it. So that’s half this review needing to be totally rewritten, then. That said, there are signs in this book that we are working our way there, if painfully slowly. Miyo still hates herself so much it’s almost suffocating, but is starting to realize (or be told point blank) that keeping everything to herself can actually be more painful than a possible rejection. She and Kiyoka have a scene where they share a bed (engineered, of course), and it’s as sweet as you’d expect, even though nothing happens, of course. And at the end of the book, we even get an explicit confession of love! Which, um, is actually tragically awful given… (waves vaguely at the cliffhanger)

We pick up where we left off, as the Emperor has been abducted. The Powers that Be make a decision to keep this quiet, which is not that hard given the Emperor is mostly a figurehead now anyway. That said, they really need to protect the prince from the bad guys now. They also need to protect Miyo, so make the decision to do both at the same time and have her staying at the palace, along with Kiyoka, Hazuki, and Yurie. Oh yes, and Arata, her faithful bodyguard. It should be a lot easier now, but there are still ominous rumblings. Miyo’s dreams about her mother and Usui turn out to be something he can talk back to her in, and he doubles down on destroying the world in order to teach it a lesson. Meanwhile, it turns out that the government and military is positively filled with traitors, and that’s bad news for Kiyoka in particular…

All of the My Happy Marriage books have rolled along on a sense of dread, and this one is no exception. We already know from the fourth book that Arata is working for the enemy, so the only question is whether he’s going to be a double agent or a triple agent. Usui is a wonderfully terrible villain, and the thing that pleased me most about the entire book was hearing that his arc should wrap up in Book 6, because I want to be nowhere near him again. The Education Minister’s secretary ends up being like something straight out of a horror movie, and in fact there is a fake climax to the book that reads like the end of a horror film. That said, this is the first book where The Bad Guys Win, and all seems lost. Thankfully, all seeming lost is what finally galvanizes Miyo to get off her ass and be proactive. I’m not sure I approve of her “I will do this by myself so as not to put anyone else in danger” attitude, but it’s otherwise nice to see, and terrific character development.

Still riveting, still fantastically written, still leaves you depressed. Great stuff.

Young Lady Albert Is Courting Disaster, Vol. 3

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Theoretically a short story volume, this reads more like an interquel between the series as originally conceived by the author and the “this was stupid popular, write more” sequel that we will no doubt get in the next volume. It’s meant to wrap up all the loose ends that weren’t wrapped up in the second book, which is an awful lot of loose ends. It’s also meant to show how this is a series driven by its women, and they are all awesome in different ways. Now, the men are awesome too… well, some of the men. Patrick and Adi, pretty much. And Gainas once he’s let out of the doghouse. But frankly, this is a comedy, and the comedy comes from seeing the women in the book not only be awesome, but be awesome in ways that are funny. Mary Albert is best at that, of course, but everyone gets a look in as we go along.

As Mary plots something secret in the background, which everyone except Adi believes is going to be her announcing that she will be the next head of the family, the other cast members all have their own short stories. Margaret has abandoned her old boyfriend and is trying to get a hottie by hook or by crook… even if that hottie may not quite be old enough yet. Parfette is still reluctant to forgive the penitent Gainas, so sets him a task, that will hopefully go well given it’s meant to take an entire year. Carina is still finding new ways to beat up and torture her old boyfriend, and is (unconsciously, perhaps) really starting to get into it. Alicia and Adi go around to deliver invitations to her wedding with Patrick to all her friends, which neatly connects the other stories in the book we’ve had to date. Finally, Mary unveils her grand idea to the public, though she has to destroy an evil noble family first to do so.

A lot of this book relies on the reader being OK with the cliches of “noble society set in the sort-of Victorian age” novels, so if the idea of Margaret trying to entice a ten-year-old to be her future husband is icky, be warned. That said, she pretty much knows how far is too far, so it doesn’t get too weird. I also really enjoy the running gags of Alicia greeting Mary with a flying tackle every time they meet each other (which is every day, so Mary is understandably annoyed by it. Alicia is one of those rare otome game heroines who’s enthusiastic and brash rather than meek and polite, and it’s nice to see. As for Carina… look, anytime her and her ex are on the screen, the book becomes a treatise on the joys of BDSM, and discovering you have a new kink. Like the other parts of this book, it doesn’t go too far (the only sex in the book is between Mary and Adi, and it’s really sweet) but let the buyer beware.

I’m not sure what the fourth book will bring… perhaps the opening of Mary’s Chicken Palace… but I’m definitely going to read more. This is fun.

Fiancée No More: The Forsaken Lady, the Prince, and Their Make-Believe Love, Vol. 1

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By Mari Morikawa and Bodax. Released in Japan as “Konyaku Haki no Sono Saki ni: Suterare Reijō, Ōji-sama ni Dekiai (Engi) Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Adam.

Just as we’ve had so many isekai and “game stat world” light novels that it’s super refreshing to get a normal fantasy book, we’ve had some many novels where the protagonist is a “villainess” trying to change her fate, redeem herself, or otherwise fight against her narrative that it’s nice to see a book that straight up *is* that narrative. Yes, technically the book begins with a broken engagement. But Estelle, our heroine, really is a heroine for once. She’s well known for being a nice, if somewhat plain, young noble lady. She helps to care for her people after they’re wounded fighting dragons, and she also helps fight the dragons herself if need be. Oh yes, and she has a secret: she’s got magic powers, a rarity in this country, and can see the mana within people, and tell what their emotional state is. Sadly, this has left her mostly a bundle of introversion, so the broken engagement is not a good thing.

So yes, we open with Estelle having her engagement broken. Not because Lyle, her fiance, hates her now. It’s just that his family is on hard times, and they can get financial assistance if he marries Diana Pautrier – who does hate Estelle, but that’s neither here nor there. Now Estelle needs to find another engagement – which is hard, given her parents are dead, she’s only an Earl’s daughter, and the valuable magic powers she has she’s kept a secret from most everyone. Worse still, it means they have to give up their neutrality and pick a side in the upcoming throne war between the first and second prince. She and her brother attend a ball held by the first prince, and since she’s actually choosing to ally with him, he gives her the second dance of the night after his fiancee. Then she’s shot trying o prevent him being killed by an assassin, and everything goes off the rails.

So yeah, the title is the spoiler now she’s engaged to the first prince. He knows about her powers, and regards her as a “walking alarm”, so is content to dump his current fiancee (who does not take it well) and get engaged to Estelle, saying that it’s true love. Which it isn’t, but the main reason to read this book is to see these two people, both dealing with their engagement out of need and not true love, slowly falling for each other. Estelle is cognizant of it almost immediately, but feels guilty as she can see Arcrayne is being manipulative and teasing and also she feels bad for giving up on Lyle so soon. As for Arcrayne, he’s not intending this to be anything but “she is useful”, but rapidly realizes she really is a terrific fiancee for him. There’s even a realistic depiction of both “we are pretending I just had my first time” and, later on, “we have to pretend I didn’t just have my first time”, which is sweet.

The antagonist of the book is dealt with here, but there’s clearly more antagonists waiting for future volumes, including Arcrayne’s ex-fiancee, as well as the Queen, who I have a sneaking suspicion has a past with Estelle’s family. In any case, if you want a straightforward romance plot with heroines and villainesses who stay in their lane, this is very good.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 2

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

This series continues to interest me far more than I expected, possibly as, while it is doing a lot of the usual fantasy tropeland stuff (mana, guilds, etc.) it at least manages to avoid game stats and power levels. Our heroine and her too-young-to-be-a-boyfriend are both quite powerful, but in his case, this has mostly completely ruined his life, and in her case, she’s hiding most of her true strength to avoid attracting the wrong kind of attention. Honestly, in the first half of this book, everyone is sort of prickly, including the heroine. You’d expect this to be a warm, fuzzy series where the townspeople take in this plucky orphan and make sure she has everything she needs, but no, she’s still living in tents or watchtowers – albeit because she wants to, she can afford better – and they’re still content to use her skills on a regular basis. It’s slow life, but until the end of this volume it lacks the sweetness.

Sara is still selling meals at the adventurer’s guild and collecting healing herbs, all while trying to avoid the attention of Ted from the Apothecary Guild, who continues to dislike Allen and Sara intensely (though, as the book goes on, the reader sees he’s more a tsundere than anything else). Unfortunately, Nelly is *still* not back yet. What’s worse, she’ attracted the attention of a knight from the capital, who sees these two extremely powerful orphans sleeping outside the city and gets several ideas in his head. First he says they should come with him to the capital and be his maid and butler – rejected. Then he leans on the town to make things much harder for adventurers sleeping outside the city, in order to clear them off – and, it’s hinted, drive Sara and Allen to him. Fortunately, Nelly is finally able to return, and a whole lot of misunderstandings are cleared up.

I will admit the big flaw with this volume is that a lot of it depends on everyone being somewhat thick. Nelly and Sara’s descriptions of each other do not match the reality of who they really are, so no one recognizes they’re connected. Hell, they don’t even realize Sara is a girl till the other women of the town (who do know right away, of course) tell them outright. No one connects a missing 12-year-old kid desperately being searched for to the powerful 12-year-old kid who showed up in town at exactly the same time. You start to understand why Sara’s general reaction to most of the adults around her is disappointment and irritation. That said, the friendship between her and Allen is a definite highlight of the book, and I do wonder how things will go for them in the third book, especially now that Sara has revealed to all she’s from another world. I suspect she won’t be allowed to live a quiet life in the woods with her wolves for long.

This isn’t terrific, but definitely falls under “better than I expected”, and I’d like to read more. I miss the first book’s running gag, though, and hope it returns.

My Stepmom’s Daughter Is My Ex: “Time to Get Serious”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

The subtitle of this volume serves as an accurate description of what’s inside. Of course, that’s not to say there still isn’t a great deal of broad humor in the book. I mean, Isana exists, for one. There’s also Yume deciding that the best way to seduce Mizuto is by wearing a miniskirt and cat ears, and (ça va sans dire) endless discussions of breasts, with much groping of the larger girls happening from the other girls. (Isana even notes this is the sort of thing she though only happened in light novels, implying that she’s read her own series.) That said, this is about a trip that all the main and supporting cast take, and the girls decide to use it to confess, seduce, or otherwise make things clearer to the object of their affection. Does it work out? Well, sort of. Some of the pairings are actually becoming pairings. It won’t surprise you,l though, that the main pairing remains up in the air.

The student council are planning a getaway trip to a hot springs town (given that their president’s family is loaded, this isn’t as hard as it sounds), and Yume is asked to fill out the numbers a bit, so Mizuto, Isana, Minami and Kawanami end up coming along as well. Aiba has decided that this is the trip where she stops being the teasing flirt and seriously confesses to her senpai, and so the other girls also decide to make an effort. Well, apart from Isana, who is supposedly here for art study. Kurenai ramps up her attempted seductions of Joji, wanting to lose her virginity without really thinking trough what that actually means. Minami has finally accepted the fact that she’s still in love with Kawanami, and her own attempt to be serious baffles and annoys him. As for Mizuto and Yume… LEWD HAND HOLDING.

The main couple are still hamstrung by Mizuto’s own reluctance and Isana’s presence in their life (going poly would solve most of these problems, but I can’t see the author or publisher OKing that), so it’s the other couples that carry the book. This is easily the best volume for Minami, who, once she decides to stop being an annoying bitch around her ex all the time and genuinely try to help him, turns out to be pretty awesome. Both Kawanami and Hoshibe (the senpai) are dealing with past traumas that have left them either unable to move forward or literally ill, and this book is about getting past that with the help of others. It’s also about being yourself, to a degree – Kurenai fails here because she was just trying far too hard. She’d be much better off trying to raise Joji’s bottomless well of self-hatred first. Basically, at the end of this book we have one definite couple, two “give it a book or two” couples, and Mizuto, Yume and Isana. Who remain in stasis.

The 9th book may change that, as we are reminded that where there are stepparents there are also parents, and one of them is still alive. Till then, this is a good volume in a romcom that’s enjoyable provided you can wade past the wall of breast jokes.

If the Villainess and Villain Met and Fell in Love ~ She Was All But Disowned for Her Spirit Contract, But She’s Still Competing with Her Rival ~, Vol. 1

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By Harunadon and Yomi Sarachi. Released in Japan as “Akuyaku Reijō to Akuyaku Reisoku ga, Deatte Koi ni Ochitanara: Nanashi no Seirei to Keiyaku Shite Oidasareta Reijō wa, Kyō mo Reisoku to Kisoiatte Iru Yō Desu” by GA Novels. Released in North America by Yen On. Translated by Judy Jordan.

I didn’t really have too many hopes for this one. The villainess market is, frankly, glutted, and the description of this series combined the villainess tropes with a magical academy *and* “I have this weak power that everyone hates me for, but it’s really the strongest”, as seen in endless isekais. On the bright side, this is NOT an isekai – our villainess is home grown. So yeah, book full of cliches. And I can’t deny that they’re there. But this is also a book that took me by surprise a number of times, and it did that by taking a big swing towards being dark. Brigitte’s life until the start of the book has been a tale of hideous abuse, the “heroine” in this story is not only arrogant but also sociopathic, and we may have a winner for the worst fiance in a villainess book – despite the fact that he barely appears.

We begin as so many of these books tend to begin: with Brigitte, the “villainess”, having her engagement broken and getting publicly humiliated by her fiance, who claims she was bullying the girl he is with now, Lisa. Brigitte’s world collapses around her, frankly. We learn that she was judged to have very little spirit power as a child, despite coming from a famous family of fire spirit users. Her father reacted to this news in a sensible, staid manner: he took his 5-year-old child’s hand and stuck it in the fire till it burned horribly. Needing to wear gloves all the time, she’s a shy, reserved child… till she meets the third prince, Joseph. Joseph tells her to her face that he likes stupid girls, and that she should dress in pink, gaudy clothes, wear thick makeup, and act arrogant. So, desperate for anyone to like her, she does. And then we get to page 1.

I apologize for summarizing the book using only the first 10 pages or so, but the first 10 pages are dynamite. My jaw dropped. After that, things turn a bit more typical, as she meets Yuri, a cool young man who has contracts with two major spirits, but gives everyone the cold shoulder. But honestly, the main reason to read this is the aura of toxic misogyny that permeates it. Not from the author, I hasten to add – this was deliberately baked into the world itself. More to the point, it’s coming from Joseph. He’s very unusual for a “fiance who breaks things off” character, remaining cool and collected even when attempting to do to Yuri what he did to Brigitte. But there’s an air of petty sadism around everything he does – he’s done it with Brigitte her whole life, and now that she’s gone he starts to do it to Lisa, who responds by… well, the other time in the book where I screamed “Holy shit!” was her response.

Given the cliffhanger to the book shows Joseph asking Brigitte to get engaged to him again, I think we’ll see more development of this in the second book. Till then, apologies to Yuri, and maybe next time I can get into the adorable romance that he and Brigitte develop.

Adachi and Shimamura, Vol. 11

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By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

It may not feel like one, but the Adachi and Shimamura series comes out as a Dengeki Bunko title. One of the heavy hitters of the light novel world, skilled at many things, including, of course, cross-promotion with other series. And if you add to that Hitoma Iruma, who loves throwing in “if you get this, great, if you don’t, it doesn’t matter” references to their other series, you can sometimes get a crossover cameo pileup. And since we’re also dealing with a series that has not been (and probably is unlikely to be) licensed over here, I will let you know (and thanks to translator Molly Lee for confirming) that the kimono girl and the senpai who take up about half the narrative in this book are from the 3-volume light novel series “Watashi no Hatsukoi Aite ga Kiss Shiteta”, also a Dengeki Bunko title. Oh, and another Yashiro shows up. Not our Yashiro, and not the Ground Control to Psychoelectric Girl Yashiro, but the third one that we met earlier in this series. I need diagrams.

This is one of those volumes that really should be called Shimamura and Adachi – all the POV for the “main story” is hers this time around. It’s more a series of short stories than a novel (not the first time we’ve seen this), as we get to see Shimamura at 8 years old (hyperactive, full of life, hanging at the pool with her bestie Taru-chan), Shimamura at 15 years old (sullen, teenage drama, getting close to the Shimamura we meet at the start of the series), Shimamura at 18 years old (the present-day Shimamura, having a study date with Adachi that turns into a discussion about whether the attraction between the two of them is sexual or just romantic), and Shimamura at 22 years old (going on a vacation with Adachi, full of life and love, comfortable with herself and her girlfriend). There’s also brief chapters with Yashiro and Shimamura’s mother, Hino and Nagafuji, and Shimamura’s sister meeting another Yashiro.

Given that most of my experience with this series has been dragging Shimamura constantly in these reviews, it’s really amazing to see how far she’s come. The Shimamura at 18 and 22 is a Shimamura who has finally found the thing that she needed to shake her out of her torpor: being in love with Adachi. She’s still trying to figure out what this love is. Her discussion with Adachi about sex is, for this series, very frank (for any other series, not so much), and while it’s funny to see Adachi completely lose it multiple times over the course of a single minute, I also appreciated the conclusion they came to: Adachi wants to do sexual things but refuses to unless Shimamura does as well, and Shimamura has never thought about this at ALL, so is not ready. And that’s fine. Instead, we get the power of Adachi as a transformative force, transforming Shimamura into someone with real human emotions, joy, and energy. Go back to, say, the fifth book and read Shimamura, then re-read this one. Night and day.

12 is still the final volume, but before that Dengeki Bunko is releasing a short story volume (how is that different from most of the last few?), and “Vol. 99.9”, which is a collection of the bonus stories that came with the Blu-Ray release of the anime. That said, both of those will be a few more months till they get here, I imagine. Till then, enjoy Shimamura’s happiness, and Adachi’s Adachiness.

The Mythical Hero’s Otherworld Chronicles, Vol. 5

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By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

As I’ve mentioned before, I keep vacillating back and forth on whether I like this series or not. The books themselves don’t help, being variously filled with things that I really want to see more of and things that make my teeth grind. The author himself notes that this book is a bit of a throwback to the first in the series, which is good as it allows the books to pick up various threads that they’d put aside in order to have a throne war (the Fallen and why and how they get that way), but is also bad because it means we still have to cling to some “who is this written for?” light novel conventions (our hero plans things out so that the women can save the day, but they fail and he has to step in himself). That said, I’m still going to be reading the next one, as I want to see if a) Hiro will go full villain, and b) if Aura will worship or execute him.

Everyone’s heading back to the Emperor, and it’s probably bad news. Liz and Aura had some very public defeats, and they’re going to have to accept some punishment for them. That said, Liz is also determined to make sure that Scáthach and her family are compensated… well, as much as they can be given it’s Scáthach and a collection of heads. Unfortunately, everyone (including Hiro) is thrown off their game by the first prince, Stovell, renouncing his claim to the throne… which, of course, is actually a prelude to an attempt to overthrow the Emperor. He’s got 30,000 men. Hiro, Liz, Aura and Scáthach have about 3000. Those are not good odds, even with Liz being who she is, and with the helpful addition of Scáthach’s Gae Bolg. Hiro might actually need to try this time around…

Hiro remains the most interesting part of the book. As I said earlier, I’m not quite sure where we’re going with him. Certainly Hiro is absolutely not doing any of your shipping nonsense, as he plans on simply fading away once Liz is on the throne and has trustworthy allies. There’s also the fact that he’s not quite human, and also his battle bloodthirst is inevitably going to take him over at some point. This is wonderfully hypocritical given he yells at an enemy general for doing much the same thing here, but Hiro is our… well, hero, yes, thanks, I got that pun. He’s going to need the entire female cast giving him a cooldown hug at this rate. And then there’s Aura’s obsession with her Bible of past glories, which is amusing given that she’s the one who notices most when Hiro is doing his suicidal battle lord stuff. She’s still probably my favorite.

If you like edgelord military throne war stuff, this is a must. If you don’t, like me, you’ll probably consider dropping it but get the next one anyway.

The Ice Guy and the Cool Girl, Vol 1

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The Ice Guy and the Cool Girl, Volume 1 by Miyuki Tonogaya

I was curious about this manga, because I’ve heard good things about the anime, which I have not watched yet. The premise of a man descended from snow spirits and his evolving relationship with his work colleague sounded amusing. This series started off being serialized online, and that definitely shows in the episodic nature of the early chapters and the same humorous situation being repeated multiple times. Fortunately, I enjoy scenes of people being overcome with emotions over and over again. I think pacing out reading the first volume over a period of a few days would make for a less repetitive reading experience, and it certainly was pleasant to dip in and out of this manga.

Ice Guy and the Cool Girl

Himuro is the decedent of a snow spirit, and his heritage causes him to have incidents where he inadvertently chills or freezes things in his environment. Fuyutsuki is pretty self-contained, but she does notice Himuro’s challenges and tries to come up with ways to make his life easier. She brings in straw that he can use to insulate the flowers he likes so they won’t freeze over, and brings him cat whiskers as a good luck charm when she realizes that he can’t pet a real cat. Fuyutsuki’s deadpan expression and lack of awareness about her emerging crush provide a contrast to Himuro’s over the top realizations of his feelings for her, which usually involve being overcome with emotion and causing a blizzard in his immediate vicinity. Tonogaya’s art is expressive and the contrast between Himuro’s over the top reactions and Fuyutsuki’s self-contained demeanor is funny. I really liked the bonus story at the end, because it gave a bit more insight into Fuyutsuki’s internal thoughts. Overall, this is a pleasant manga to keep on the reading pile, flipping through a few pages now and then for a bit of cute romantic comedy whenever it is needed.

The Apothecary Diaries, Vol. 9

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I may not mention it often in these reviews, possibly as I’m distracted by all the crime solving, political dealings, and Maomao slowly learning that she can rely on others for things, but The Apothecary Diaries can also be a comedy, and it has some very, very good jokes. This is possibly the funniest volume of all, featuring a new character (we’d seen her a bit before, but she’s in full flower here) who is here solely to be hilarious, and it works. Honestly, some of the humor is fourth wall breaking to an extent, be it Chue pulling little flags of the nations out of her sleeves (I hope we see some doves or rabbits next book) or En’en pulling out fans with “:Go for it, Yao!” written on them to cheer her on when she’s trying to earnestly get her point across. Unfortunately for Yao and En’en, we may not see them for a volume or two, as The Apothecary Diaries is going on a world tour.

After the stunning events of the last volume, Maomao is now being forced to learn surgery on the fly in order to tend to Jinshi’s brand and make sure that it doesn’t get infected. This will require more knowledge than she has, so she’s forced to go to her adopted father, who presents her with an impossible problem to solve… well, it would be impossible for Maomao by herself, as she doesn’t care about things that don’t interest her, but with Yao and En’en also there, she’s able to discover it (and learn more about Luomen’s somewhat tragic past). Now she’s learning how to be a surgeon the hard way, especially since women aren’t allowed to be surgeons, but everyone is politely ignoring it given who her father is, who her adopted father is, and who her not-yet-lover is. All of this is to prepare for a sea voyage, as Jinshi is being sent to the West to see what’s going on with Gyokuyou’s older brother.

It has to be said, a lot of the appeal of this series is “weak-willed men are led around by the nose of strong women”, and if you like that, this is also the volume for you. Basen’s older brother Baryou is so ill and apathetic that Chue basically has to “do all the work” in order to get a child (and she’s being asked for a second one, so asks Maomao not to bother her at night). As for Jinshi, he and Maomao are sort of being cagey around each other after the last book, and it lasts until the end of this one, when Maomao finally snaps and tells Jinshi that if he’s going to be so manipulative that he brands himself to get her to stay with him, the least he can do is actually manipulate her properly, rather than being half-assed about it. Jinshi’s response to this is that he wants her to slap him, which is a bit too masochistic for my tastes, but certainly fits his character.

I didn’t even get to talk about Yao, who is fantastic in this book, though I fear she’s going to be a lot less happy because she lacks Maomao’s connections. In any case, this is a good read, especially if you’re waiting for the anime to debut later this week.

Tearmoon Empire, Vol. 10

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

This volume starts off with something we have rarely seen in this series: the actual beginning of a new story arc. For some reason or another, the author and publisher of this title are very bad at making climaxes in this series happen at the end of the volume itself, so we have the next book start with the climax instead or an epilogue chapter rather than the next arc. But here, at last, we start off with something new: Mia, Rafina, and company headed off to Equestria, there to meet up with the chiefs who make up that nomadic people. Or at least, they are until Mia and Rafina, our for a ride, are beset by bandits. The head of the bandits turns out to be the daughter of one of the tribe leader, and there’s a good reason that her people are reduced to this: a poor harvest means they’re hard up for food. Something that Mia understands all too well…

I’ve been complaining about the narrator for a while now, so it’s time I turned around and mentioned the points where I do appreciate it. The manga doesn’t really use a narrator, making Mia far more sympathetic, but the new anime adaptation (which so far is excellent) is definitely playing it up. It was a highlight of the early books, but grew a bit wearying as we began to see Mia genuinely growing as a person. Where it works best in this book is when it’s looking at everyone else’s thoughts – seeing Ludwig or Rafina staring at Mia talking about what is inevitably food, and thinking that this is the point when they realize that she’s not a great sage but a massive faker… and then they leap to a different conclusion to support their own love for Mia, and the narrator is disappointed once more. This is funny as hell.

Bel, as always, gets little to to in this volume, but for a change what she does get is fantastic. We haven’t paid quite as much attention to her past… which is to say, the Bad Future #3… in a while, but that does not mean that she isn’t constantly dwelling on it, especially given that her entire existence is something of a secret. But now she’s best friends with Citrina, and may finally be able to reach out and make promises without getting her hopes dashed by everyone promising to come back and then dying on her. (There is some mild subtext between her and Citrina, which I’m content to ignore, partly as they’re both 10 and partly as I’m sure it’s unintentional, but…) She also says she’s going to tell Citrina about her secrets when they get back to the Empire, which should be very interesting if it happens, and might be the start of a new arc.

But first we have to end this arc, which of course does not neatly wrap up here. Is Abel’s sister irredeemably evil? Can Mia possibly win a horse race riding a horse the narrator repeatedly compares to Mia herself? And did we just see the start of a Rafina x Malong ship? The next book is… for once, not that far away! Also, go watch the anime.

Surviving in Another World As a Villainess Fox Girl!, Vol. 2

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By Riia Ai and Mucha. Released in Japan as “Scenario Nante Iranai! Rival Chara no Kitsunekko” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Miki “Zombie” Zuckerman.

I will admit, my memory is not that great. I’m fine when a book comes out so frequently that I can retain everything easily, like Bookworm. But when a series catches up, it can be a struggle for me to recall what was happening before, or who the minor characters are. And this goes double for when it’s been a year since the first volume, as I’ve forgotten almost ALL the main characters. All I recalled from the last book was the basic plot, and the two “reincarnated from Japan” characters. I also recalled they mentioned that the “heroine” would be appearing soon, something that filled them with dread. Well, she’s here, and her annoying, obviously evil behavior was making me twitch, and reminding me that the writing and characterization in the first book were not the best. But we then got to the twist, and I also remembered that yeah, the author’s ideas are what’s worth remembering. They work well.

Miku is settling in at the guild, and going on fun errands with Macro, who talks bluntly but she can see the good in him. Unfortunately, she’s almost immediately kidnapped and taken off in a cart. There she meets Laura, a Sound Butterfly girl who can combine her powers with Miku’s to help them escape the gang’s clutches! Back at the guild, it’s revealed to Miku that Laura is the heroine of the game that Claire has always said this is, and that means that Miku is that much closer to dying… especially since Miku has finally realized that she’s fallen in love with Macro! And Laura suddenly declares that she too is in love with Macro (after, oddly, declaring that she’s in love with Ektor and then backtracking on it), and is so sad that she’s going to have to win his heart and have Miku tragically lose! Is Laura really as evil as she seems?

No, thankfully, though it took me a while to cotton on. I’ve seen this sort of heroine before, in I’m the Villainess, So I’m Taming the Final Boss, and I assumed Laura was similar to Lilia, in that she can’t see the events as anything but achievements in a game. And to be fair, Laura is doing her level best to be as evil-sounding as possible, just to turn everyone against her. Laura’s true identity works much better, and also allows Miku to be able to change her fate and survive. That said, this book still has a Miku-shaped hole in the middle of it. She’s very nice, and I admired her resolve towards the end, but she’s just not as affecting to m as she should be. The same applies to Claire and Ektor, whose not-romance is thuddingly predictable in the best “Th-there’s no way I’m interested in this jerk!” way.

This is the final volume, so I will not have to stretch my memory come next October. I do recommend reading the series for its interesting take on “villainess” books and point of view, but it feels like a series by someone whose writing still has room to improve.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 3

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

When I was younger and more emo, I would sometimes write things that I knew people would hate just because I wanted to amuse myself watching their reaction. Not my finest moment, let me tell you. Sarasa Nagase is not quite that bad, but there’s a sense when reading this series that she knows that no one wants to deal with the fact that Jill is 11 years old (10 in the first two volumes). the characters in the book are disgusted by it. Judging by the afterword, the readers are not very happy with it either. So of course, it is ground in our faces throughout this book how these two are over the moon for each other but Jill is so, so underage. It’s a shame, because otherwise this would be a terrific LN series to recommend, especially if you like kickass women, because Jill does kick ass. But any time you have to say “she’s not 11 technically”, that’s not great, Ryan.

Having won over two of his family, Hadis is still dealing with the fallout of everything else that happened in the second book. Everyone just seems to default hate him, and he can’t introduce Jill as the Dragon Consort because it will come out that she’s from Kratos and cause even more uproar. Into this mess wander more family members: Natalie, the second princess, who has low self-esteem but is otherwise the most normal and put-together of the royals; Frida, the young third princess, who is shy but also very good at magic; and, most importantly, Vissel, Hadis’ older brother, and one of the few people that he trusts. Which makes it a shame that, as Jill knows from her prior life, Vissel will be the big betrayal that leads to Hadis finally snapping. How’s Jill going to solve THIS mess?

To be honest, mostly by hitting things. The villainess books as a genre run the spectrum of different types of heroines, some of them crafty and long-term planner sorts, some of them massive improvisers, and some who rely on their large pool of allies. And then there’s Jill, who has never mean a problem she cannot beat the shit out of. She is definitely on the “dumb muscle” side of the equation, which is sometimes a problem, but honestly, “straightforward talk and occasional violence” genuinely seems to be the way to go in this case. She also claims that she’s absolutely terrible at romantic things, and so is Hadis, but the two of them make up for any conscious effort by pure subconscious effort – they don’t so much flirt as scream their passion at each other at massive volume. Which is adorable, of course, but… again, Jill is 11.

There’s several more books in the series out in Japan, but after three in a row over the last six months, which is highly unusual for Cross Infinite World, it appears we’re taking a break before the next one. If you can get over its biggest hurdle – and I don’t blame you if you can’t – this is worth reading purely for Jill’s force of personality.

Accidentally in Love: The Witch, the Knight, and the Love Potion Slipup, Vol. 2

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By Harunadon and Eda. Released in Japan as “Koisuru Majo wa Elite Kishi ni Horegusuri o Nomasete Shimaimashita: Itsuwari kara Hajimaru Watashi no Dekiai Seikatsu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Arthur Miura.

I have to give this book credit. I finished it and it kept me reasonably entertained, despite doing literally everything wrong that it could possibly do. First off, it was going to be hard to begin with. The first volume was very much finished. Done in one. So a second (and, it would seem, a third) seems like overkill. But, I get it, new novel imprint, please produce content. Secondly, the title, which is entirely about the events in the first book, makes about as much sense as The Ideal Sponger Life when it comes to future books, right? Wrong. What if we used ANOTHER love potion! And of yes, the forgotten, slightly evil childhood friend is here too. Plus, Charlotte is back. Remember the girl who says loins constantly? She’s still saying that, more than ever, and she’s also playing detective and being watched over by a guy who I know is being shipped with her but I’m ignoring that. Despite ALL this: not too bad.

Cecily and Zeke are now in love, and she’s met his family and gotten their approval to get married. Her mother also approves, though she seems to be constantly smirking about something. Now she just has to get her father’s approval, which is likely to be a problem, as he’s one of THOSE fathers. This also means that she has to go back to her witch village, which she supposedly can’t return to for another year. But her mom says it will be OK, so…? To add to all this, Charlotte decides she’s going to come with her, mostly as she feels lonely without Cecily. This means Alphonse, her guard, and Maria, her maid, also tag along. This trip has gotten much bigger. Still, they all arrives, and things seem to be going well… till her childhood friend Cain arrives. Turns out he’s also a witch… and he’s just dosed her with a love potion!

Despite all my whining above, most of this is handled pretty well. Except the loins thing. Still annoyed about that. But Cain is an antagonist without slipping over into pure evil, and his motivations are mostly “a childhood thing I dreamed of for ten years has been smashed to bits by reality”. The love potion may have Cecily says she loves Cain and want to spend all her time with him, but that’s ALL that it does, and when Cain, out of frustration, DOES try to kiss her, she’s able to resist it. As with the first book, true love wins out over dosed love. Cecily and Zeke are, frankly, a bit too wet and soppy for my taste, but that is the genre that I am reading, so I suppose I can forgive it. And while Charlotte may act more like a 7-year-old than a 14-year-old, her “detective” bits were pretty cute and funny.

There’s a third book on the way, which I assume will have the second wedding, back in the capital. I do wonder how they’ll work a love potion into it, though… In any case, this was decent, despite (waves hand aimlessly) everything about it.