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Reviews

Babel: A Girl Embarks on a Journey of Words

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By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel I: Shoujo wa Kotoba no Tabi ni Deru” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen Mason.

I will admit this review is slightly harder now that the Spring Anime season is al;most over. “From the creator of Unnamed Memory, the hot new anime, a semi-sequel!” would be a much bigger deal if the anime had not been a lifeless mediocre adaptation determined to get through the story as fast as possible. Which is a problem when you have an author that writes books as long as Furumiya does. This one is 460 pages, a good 300 pages longer than the average KonoSuba. It doesn’t lend itself well to a speedrun. So, I will amend: if you enjoyed READING Unnamed Memory, and also enjoyed the author’s series A Pale Moon Reverie, this is more of the same, with good character writing and some exciting action scenes. And yes, it is a sequel, but it takes place 300 years after the first series, and you don’t need to have read it to get a lot out of it.

Shizuku is a young college student dealing with a massive case of middle child syndrome when one day she is confronted with a mysterious hole in space, which transports her to another world. She is lucky to survive landing in the middle of a desert, and ends up in a town that is clearly nothing like the Japan she knows. Fortunately, she comes across a stoic but kind mage, Erik, who promises to help her try to find a way back home, if she will teach him about her mystery books. As, while Shizuku can speak the same language as everyone else in this world, that does not extend to reading or writing, so she just has her college textbooks, which are in Japanese. And English, and German, which she’s also studying. Can she get home without getting involved in plot stuff? And can she learn to read and write from the handsome but remote young man with a mystery past?

Shizuku is easily my favorite part of the book, yet another heroine with massively low self-esteem who doesn’t understand how fantastic she is. Her older sister had extroversion and charm, her younger sister had focus and anger, and Shizuku seems to have seen herself as someone who wasn’t really much of anything, floating through life. That said, she’s able to stand up to a lot of situations in this book that would give most people the screaming heebie jeebies. The isekai part of this book (which was rewritten and expanded from a version that came out in 2016) is new to this author, whose Unnamed Memory was known for avoiding the standard light novel cliche. But it’s handled well here – Shizuku only has her college freshman education, which means that she struggles to explain things she learned through cultural osmosis, and she will not be inventing mayonnaise anytime soon. That said, the fact that she isn’t of this world allows her to save the day at the end of this book, and I expect this to continue.

This has already ended in Japan, and so we know there’s 3 more books, no doubt as big as this one. I’m here for them. I really love this author.

Miss Savage Fang: The Strongest Mercenary in History Is Reincarnated As an Unstoppable Noblewoman, Vol. 2

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By Kakkaku Akashi and Kayahara. Released in Japan as “Savage Fang Ojō-sama: Shijō Saikyō no Yōhei wa Shijō Saikyō no Bōgyaku Reijō to natte Futatabime no Sekai o Musō Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Sarah Moon.

First of all, some good news: while she is still fairly worshipful towards Mylene, the character of Colette is allowed to keep a lot of her kickass attitude from the first book. In particular, while I would not call this a yuri book per se, it is very clear that a) Mylene, being a male mercenary reincarnated, is not interested in men, and b) Colette is incredibly thirsty for Mylene and will absolutely try to seduce her whenever she gets a chance, held in check only by Mylene’s grumpy attitude and realization that it would upend a lot of things Mylene does not want upended. Basically, Mylene is looking to get through the next few years without what happened in the previous world happening again. Unfortunately, that religious cult is still around, they do not like Mylene at all now that she’s not their evil queen bitch, and they are ready to assassinate her.

Sure, this may take place in a world with magic, gods, and apocalyptic prophecies, but we are still in a high school of sorts, adn that means that there’s going to be a culture festival. Or the equivalent in this universe, which basically has the students compete to see if they can be good businessmen and women. Mylene realizes that selling upscale goods that nobles can get anywhere is not going to cut it, and suggests what amounts to a maid cafe… and is somewhat horrified to find that this means she will have to wear a maid outfit as well. There’s also a student, Melissa, who is hanging around, glaring at Mylene, and then running away. She’s essentially the “heroine” of this universe, a priestess who led the charge against Mylene in the old world and died a martyr. Here Melissa is more concerned by Mylene’s current personality, which is nothing like her old one.

This had a big “difficult second album” feel to it, as I got the sense that the author had written it as a one-shot and wasn’t sure where to go from here. The fact that we haven’t had a 3rd volume in Japan in the last two years does not really help that feeling. Still, the volume’s not bad. Colette is just plain hilarious, especially when she’s trying to politely say “take me now” and getting into fierce rivalry with Prince Albert. (She also gets the blatant fanservice in the book’s color pages.) The assassin himself is also interesting, mostly as he’s not a devoted cultist like the last bad guy, but a serial killer who just delights in killing off “interesting people” for the sake of the drama. Literally – he was a playwright. The final fight between him and Mylene is excellent, though I was annoyed that Melissa is basically just there to be a plot device. Oh well, I’m sure she’ll integrate better in the next volume.

If there is one. Till then, this is decent enough villainess fare, for those who like one who swears a lot.

The Angel Next Door Spoils Me Rotten, Vol. 7

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

This series continues to feature more of exactly what readers want, provided what readers want is Amane having an amazingly low self-image and also being overly polite about “not going too far” to the point that it’s actually starting to annoy Mahiru a bit. More to the point, now that they are a couple, and everyone in school knows it, they’re both having to deal with jealousy. Yes, both. It’s expected from Amane, as Mahiru is the Angel of the School, and that’s the premise of the series. But Mahiru is also starting to realize that her attempts to clean up Amane’s life, give him some self-esteem, and show off what a great guy he is means that other girls are going to think the same thing. And she hates that. It all comes to a head at the culture festival, featuring maid costumes, butler costumes, and lots and lots of thirst. Well, it’s Angel Next Door. Not thirst. Mild dryness.

So yes, it’s culture festival time, though this is a milder one compared to other series – no outsiders, invited family and friends only. But there’s still maid cafes, and much to Amane’s annoyance, that’s what the class chooses, even if it means everyone will be ogling his girlfriend all day. That said, she does look REALLY good in that outfit. And he also looks really cool as a butler, though you’ll never hear him say that – all signs of him being cool come from outside his own self-hating narrative, because you can try to clear up all the past trauma but it still lingers on when the plot demands it. Can he survive a customer trying to grope Mahiru’s ass? Can he survive his parents being amazingly embarrassing? And, yes, we finally get the full story on Itsuki.

We’ve heard the story of Itsuki and Chitose in dribs and drabs, and some of it in the short story book, but here we get the actual reasons behind things. He’s from a rich family, where there’s actually a need to carry on the family name. Being a second son, this should not affect him – except the first son decided to marry the girl he liked, who was not father approved. And now that he sees Itsuki doing the same thing, he is determined to dislike Chitose, especially since she’s the sort of girl that would grate on him regardless. I like how everyone realizes and admits that there’s no way to “fix this”, and there’s nothing Chitose is doing wrong per se. It’s just that sometimes family can be difficult. And even so, Mahiru ends up being jealous, as even though Itsuki’s father is against his relationship at least he acknowledges Itsuki exists. Mahiru still has the worst parents crown.

All this plus Amane’s determination to be a gentleman, to the point where Mahiru has to almost browbeat him into using his tongue. The Slow Burn Express is not stopping at this volume, but it’s good anyway.

Demons’ Crest, Vol. 1

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By Reki Kawahara and Yukiko Horiguchi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by James balzer.

I had heard, for some reason, that this was Reki Kawahara wanting to do something different, and if you look at this book superficially, you might laugh. It’s about a bunch of folks who get trapped in a gaming environment where they can actually be killed, and most of the battles and technical talk is straight from the gamer handbook. And we also have eye/ear tech that bonds with your body and is used by absolutely everyone in the real world, as this takes place about 10 years in the future. Fans of SAO and Accel World must be going hrm. And yes, it does feel sort of like an author of romance fics featuring the same couple deciding to do something different by doing a Pirate AU of that exact couple, but I do think this has a few things that really do make it different. First of all, these are 11 and 12-year-olds, meaning for once being immature jerks is actually not only tolerable but expected. Secondly, it’s clear that what Kawahara REALLY wanted to write is a Death Game. (Yes, yes, SAO, but…)

The kids of Yukihana Elementary School are excited. They get to try out a brand new, still in testing virtual reality game that feels just like real life!… well, mostly. They’re still working on smell and taste. We follow Yuuma Ashihara and his twin Sawa, as well as their childhood friend Nagi and Yuum’s best friend Kenji as they try to capture monsters, card-captor style, and defeat dungeon bosses. Then suddenly Yuuma finds himself back in the VR capsule… and when he gets out of it, he finds the class idol, Sumika, stumbling towards him, with her face blank except for a row of ravenous teeth and holding a severed arm, presumably of a classmate. Now he has to join up with his sister and best friend (childhood friend is missing) to try to figure out what’s going on and survive.

This does do some things well. The romance is kept to a 12-year-old level, which is a bit of a relief, frankly, especially as the body count starts to get higher. The action scenes are as good as you’d expect for this author. I admit I was a little annoyed with Sawa clearly putting off telling her twin brother (and the reader) what really happeneed till the cliffhanger ending, as it felt forced. There’s also a guy in here… I forget what his name in the book is, because I just called him “Monoma Neito” as soon as I read him, and anyone who’s read My Hero Academia will do the same. Only, unlike Monoma, this guy looks to be actually evil. Lastly, I did enjoy the fact that folks think about what will happen if they do escape this. The monsters are not all game-only, some are classmates or adults turned into monsters, and I don’t think “I killed them because it was a death game” will fly if they get back to reality and have to explain things.

Still, reality looks a long way away. Fortunately, there is a 2nd volume coming soon, which hopefully features Sawa actually talking. Till then, for fans of ‘trapped in a game’, death games, or this author.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 17

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

This series started off with very powerful characters, and it’s only been adding more and more of them as it goes on. Even the comedy relief crybaby girl is an incredibly powerful archangel, and there are all new archdemons, each of which are, when viewed apart from the story itself, utterly terrifying. As such, it’s rather refreshing that we spend a chunk of this story with Micca, the lowest-ranked archangel, who is on the team merely because the swords choose their owner, and thus still feels like a teenage boy struggling to provide for his lower-class family. He’s a nice kid, and will happily help the mysterious, robotic-sounding maid girl try to find her master despite being obviously suspicious. So of course this guy finds himself, at the climax of the book, to be the fifth person in a battle to the death between four of the most powerful people in the world. Some days you really should stay in bed.

All Zagan and Nephy want to do is have a cute ice cream sundae date, but things keep getting in the way. Well, mostly it’s Asmodeus, who wants to try to make a deal with a somewhat irritated Zagan because she knows that “throw demons at Zagan till he’s overrun” is indeed a strategy that could work. She’s also, like many villains in this series, slowly turning out to be not so bad after all. The same cannot be said for Glaysa-Labolas, who is definitely the villain this time around, as he finds the location of Forneus, an archdemon who might be able to help Zagan, as well as Shax and Kuroka, who are supposedly on their “honeymoon” but in reality are trying to gain his support. Unfortunately, Forneus also turns out to be the owner of the maid girl I mentioned above, so when she and the teenage archangel all arrive at the same tavern, everything gets very messy.

This series tends to run on “very powerful people who can destroy the world are useless dorks when it comes to love”, and no one has been a bigger dork in the past than Shax, who the reader has wanted to throttle many times. But eventually (I assume, the anime only adapted two volumes, meaning it could theoretically come back for 8 more cour) this series is going to have to end, meaning that some of these people are going to have to get their shit together at some point. And Shax and Kuroka look to be the closest to doing so, as Chastille and Barbatos are stuck in comedy relief land (I love that her “curse” is “no, you’re just that clumsy”) and Zagan and Nephy are stuck in Archie Comics-style romance. They both get several chances to be cool here, and there’s even some accidental kinky ear biting, showing, as with every other catgirl in Japan, the ears are an erogenous zone to Kuroka.

One complaint: if the text is going to describe a dead person as “diced”, don’t draw interior art showing them with a bit of blood loss. Beyond that, this was a decent Archdemon’s Dilemma, a series that really should wrap up soon, please.

Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 1

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By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

First of all, because I know it’s the first question on everyone’s mind, there’s no incest subtext in this book. OK, there’s no sexual incest subtext. There’s tons of Brocon/siscon stuff, and the usual “I’m never marrying anyone I’ll just stay with you” nonsense, but there is zero sexual attraction between the two leads beyond Ekaterina thinking her brother is hot. Which he is. Secondly, in the afterword, the author says they got the idea for this series after reading another villainess book. They don’t say which one, but if it’s not My Next Life As a Villainess, I’ll be very surprised. This, like quite a few villainess books, reads like someone wanted to write the same series only with the main character being less of a complete dipshit. And this not only includes Ekaterina trying hard to avoid her doom, but also includes her befriending the heroine, who seems to fall deeply in love with her. That said, this will likely be about as canon as Bakarina as well.

Rina Yukimura is an OL in a Black Company-type job, who ends up dying of overwork and exhaustion while playing an otome game she loves. Now she wakes up as… the game’s villainess! Ekaterina Yulnova is the sister of a duke, and spends most of the game bullying the heroine until she eventually gets her comeuppance. So Rina has several things she has to do. First, she and Ekaterina start off as very different people, and meshing their personalities (well, more like Rina takes over) takes a lot of energy. Secondly, she has to work hard to not be the villainess, which means actually study hard and also read up on her family history, which was not gone into in the game, and turns out to be a lot darker than she expected. This is all before she gets to school, and meets Lady, Flora, a commoner who is now the adopted daughter of a baroness…

If that summary made you roll your eyes a bit, I don’t blame you. It’s a bit boilerplate, yes. Ekaterina is fun, though. Having died from overwork in her past life, she sees her brother running the entire dukedom and panics that he’ll do the same thing… while remaining blissfully obvious that she’s fallen into her own overwork habits from before. Flora is a shyer, more reserved Maria Campbell, but they even bond over good food – in this case, potato and bacon crepes rather than sweets – and seems to hero worship Ekaterina just as much, and some other ladies also look smitten by the end of this volume. That said, she’s also gaining male followers. In addition to her brother, who reads like Keith Claes only without all the creepy, there’s the Prince, who reads a lot like Jeord but without all the creepy. Oh yes, and there’s also monster attacks, which Bakarina doesn’t do as much but does allow Ekaterina to help save the day with her “common” Earth magic… which again, feels like a comment on Katarina Claes and her Earth Bump.

If you like villainess books, this isn’t bad. If you want Bakarina with the serial numbers filed off, it’s also not bad. Just… expect the yuri to go the same way it’s going to go in Bakarina.

The Invisible Wallflower Marries an Upstart Aristocrat After Getting Dumped for Her Sister!, Vol. 2

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By Makino Maebaru and Murasaki Shido. Released in Japan as “Kon’yaku Haki Sareta “Kūki” na Watashi, Nariagari no Dan’na-sama ni Totsugimashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by piyo.

Last time I said that I enjoyed a romance with a few jagged edges, and this second volume provides. In fact, it provides a bit too much. This volume features sexual assault, threats of sexual assault, past histories of both sexual assault and murder, drug addiction, forced drug addition, kidnappings, and use of sexual language to degrade. And that’s all just Mikhail. It’s less “jagged edges” now and more “the floor is lava”. At its heart, though, like so many of this genre, the story is about examining the aristocracy, the power that they hold over the working class, and how it can be abused without anyone knowing or caring. Now, eventually they do care, trust me. But it takes a lot of evidence, and it also requires Iris to endure a large amount of the above, all for the sake of her husband, who people still don’t trust. It’s a lot.

When we last left Iris and Lucas, she had gotten a letter from her sister, who basically wrote (in nearly illiterate script), “come do everything for my engagement party because I demand it”, which causes Iris to briefly have a bit of a breakdown. After this, though, she resolves to not only return to her family to help with her sister’s engagement party, but to use this opportunity to cut things off with her family once and for all. Which, of course, is tricky because the first prince is still determined to ruin Lucas, and the easiest way to do that is through Lucas’ new wife. Iris also has her work cut out for her: her dad is drunk and gambling away all his money, her stepmother hates her, and her sister is a jealous spoiled brat who can’t even read or write well. Oh yes, and there’s her ex-fiancé, Mikhail. See above.

How much you like this volume may depend how much you can tolerate “I will stoically endure for the sake of my future happiness”. The scene at Mikhail’s mansion is harrowing, and this is even with Iris taking guards and maids just in case. Her family’s dissoluteness turns out to have been engineered, which does not make her sympathetic to them, but it does mean that at least we don’t long to see them die horribly like, say, we long to see happen to Mikhail. There’s also a fake ending, as I wondered if the main conflict would be wrapped up 3/4 of the way through the book and the series would end with a consummation at last. But no, this series turns out to be three volumes, not two, and the main villain escapes so he can once again kidnap, threaten, and exude his sexist fantasies at Iris. Worst of all, he’s not killed off (at least not on the page), so I suspect he’ll be back.

This is a good series, and Iris and Lucas’ romance is very well done. But man, there’s a lot of stuff to endure here. Jagged edges are best in moderation.

By a Twist of Fate, I’m Attending the Royal Academy in Disguise, Vol. 1

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By Ringo and Tsukasa Satsuki. Released in Japan as “Wake Atte, Hensō Shite Gakuen ni Sennyū Shiteimasu” by PASH! Books. Released in North America by Cross Infinite World. Translated by Alex Castor.

I had talked about artifact titles only a couple of days ago, and this is an even better example: after the first forty pages, the title becomes totally incorrect, as this book does not take place at the academy at all beyond that point. Which makes sense: like the best LaLa titles, this started off as a complete in 40 pages short story, which was then expanded, and is now a volume, with a second one on the way. Despite that… yeah, she’s still not attending the royal academy. Oh well, I’ll happily read it anyway, because I like the main couple. We have a heroine (and yes, for once it’s not a villainess or fallen noble but is playing the cliche straight) who is straightforward and blunt and also perhaps doesn’t care enough about her well-being, and a royal prince who is far more similar to her than he’d like. But she’s a commoner, so they can’t marry. Certainly not with everything getting in her way this volume, at least…

As the title suggests, Cesia is at the Royal Academy pretending to be Selene Diane, a noble lady who is a bit of a bitch, and doesn’t want to deal with the bullying she’ll get from being engaged to the handsome lothario Lord Raymond Chaser, so Cesia has been there the last two years in her place. A pile of money awaits her at graduation… unless she’s working for evil nobles. Oh, no, she’s working for evil nobles! So, after escaping from her imprisonment, she resolves to attend graduation to try and get some revenge… even if she has no idea what it is. Then she runs into Marcus, the second :Prince, who not only is here to help her with her revenge but also seems very familiar… After this, the rest of the book plays out, which basically involves Cesia working for the government and ending up in constant life-threatening danger.

There are several interesting aspects of this book, but my favorite is probably Maria. Maria was an acquaintance of Cesia’s at the academy… and also turns out to be Prince Marcus, who can disguise himself to magic to be a woman. Despite discovering this, Cesia continues to see Maria and Marcus separately. Part of this is likely due to the fact that Marcus is royal and it’s easier to be more casual with Maria, but a lot of it is simply subconscious, Cesia is more comfortable with Maria. Which makes Marcus… feel a bit ambiguous. The rest of the book is not all that original (jealous younger sister who turns out to be a total sweetie pie, decadent nobility taking drugs, Cesia almost dying like 4 times…) and ends with a nasty cliffhanger, but Cesia is fun, and really needs some self-esteem. Marcus calls her a “stray cat”, never wanting to settle down, and he’s not far off, but he’s also ignoring his own lack of self-regard, as he’s not the heir.

The second volume is coming out relatively quickly, which is good. For those who like a bit of thriller in their commoner/noble romance.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 4

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

I feel confident in saying that very few readers of this series will have gone through the same thing that Jill has. Which is good, really, because yikes, Jill once again goes through some stuff in this book. We’ve been reading the series from her perspective, and of course we know it’s a villainess-style “back in time” story, so we’re expecting a lot of fighting fate and never giving up, etc. The problem is that everyone else in the world does NOT have Jill’s perspective. And to them, this is absolute lunacy, and the Dragon Emperor is going to go mad, start a war, and destroy everything. Why on earth would they let this 11-year-old (yup, still, just assume I talked about it already) do whatever the hell she wants just because she says that the two of them are in love? Especially when that love is tested – again – and Jill is forced to once again fight for everything she’s achieved to date or else everything will be set back to the original track.

Jill and Hadis are headed off to get permission to marry from her parents, which requires essentially going through days of traps and dangerous travel because, unsurprisingly, Jill’s entire family are all as eccentric as she is. (It turns out she did the wrong test, too, because Jill is still not the brightest bulb.) Unfortunately, Jill has assumed this will mostly involve her dad saying “you can’t date my daughter, you cur!” and other wacky light novel cliches, forgetting that her family are, in fact, part of the kingdom of Kratos, and that it would be much, much easier, instead of agreeing to Jill and Hadis getting married, to start a war to get Jill away from him. Something which, to Jill’s horror, Hadis is 100% okay with.

Probably the best part of this book (aside from the ending, where Jill once again proves there’s no problem that cannot be solved by extreme violence) is how it ties back to the rest of the series. It’s paying close attention to its backstory, and has not forgotten about the other taboo subject in the series, with is Gerald and his sister starting the whole plot off with their incest. First of all, everything we’ve seen about Gerald in this new timeline makes that seems puzzling, as he just doesn’t seem the type. Then his father, who is a real piece of work, explains what’s actually going on to Natalie, who appears to be taking the role of Jill in this new timeline since Jill has abdicated. It’s not completely explained, but it’s certainly ominous, and is not helped by Faris, who appears to be about to go full evil. I also really liked the look we got at the past Dragon Consorts, and how they all tried to have a wonderful relationship with the Emperor only for it to fall apart. It weighed the tragedy and fate just right.

Assuming you kept reading past the basic premise, this is an excellent volume in the series, from an author who really knows how to make everything feel that the words “BAD END” will appear on the very next page.

Third Loop: The Nameless Princess and the Cruel Emperor, Vol. 2

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By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

I always enjoy it when a series with an “artifact title” manages to find a way to work it into future volumes regardless. An artifact title is when you title a book or a show after something that happens at the start that gets fixed, and you’re then left with that title even though it really doesn’t make sense anymore. See, for example, The Ideal Sponger Life. Third Loop was an obvious candidate, as the Nameless Princess gets a name at the end of the book: Angelina. As such, well, how is she nameless? This ssecond volume, though, comes up with something quite clever: people are calling her “the Polaris Princess”, but are seeing her as her title or her power rather than as a four-year-old girl. (To be fair, she’s mentally a lot older… well, kind of.) So she once again has o deal with enforcing her identity upon those who would deny it. Luckily, she has friends.

We’re coming up on a ten-day celebration and ritual for her older brother Kyril. Naturally, having won over everyone in the first book, Angelina will have a large role, despite being four years old. Indeed, one of the main parts of the ritual HAS to be done by her, as the Emperor, um, sort of killed off every other women in his family to ascend to the throne. As one does. That’s not the only issue she’s facing. The goddess of the Heavenly Sovereign Temple has descended for the ceremony, and she does Not Like Angelina At All. There’s also the issue of some wells in the commoner part of the kingdom freezing up… in high summer. Could this be related to the demon tribe that their nation has been at war with, who have arrived seemingly just to be jerks? And can Angelina really solve everything by gumption and cuteness?

Well, nearly. As I alluded to above, this series is not really very good at making Angelina act her age. This is not an uncommon problem with time loop or reincarnation stories that start with them as a baby – technically they should act like they’re in their thirties, but the reader wants to see her be an adorable kid who lisps when she gets stressed. But maybe that’s the way to keep her from being too OP, as it’s clear that Angelina being adorable and forthright solves almost every problem in this book. It’s how she gets gods on her side. It’s how she deals with introverted royalty, insecure priestesses, and her bodyguard and best friend. She’s weaponized being cute as a button. (Perhaps too much – I could have done without the standard “overprotective dad” joke where he worries his four-year-old girl is running away to get married.)

So yes, flawed. But honestly, if you’re hear for the cute? You can put up with a lot of flaws. And the gumption and forthrightness is also excellent.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 5

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

The anime has now finished, and it ended up being a fantastic advertisement… for the manga. Great news for that, but as for the light novel, I think anyone who enjoyed the anime and reads it is not going to be anything other than pissed off. That said, I think the author, now that they are aware that this won’t be a short series, is trying to do something beyond “Yumiella is wacky and dumb” over and over again. For the first, oh, 4/5 of this book, we get a deeper Yumiella, who actually thinks and makes realizations that are actually correct. Admittedly a lot of this is because she spends a great deal of the book depressed, but it’s still a positive development. She’s dragged into politics that have been simmering since the first book, and does OK… well, till the last fifth of the book, where Yumiella reminds us who she is. Sigh. It was nice while it lasted.

Yumiella is supervising (well, not really) the building of several new structures in her territory in preparation for her upcoming wedding when she is lured to the capitol, supposedly to build cool sentai armor, but in reality to be fitted for her wedding dress. The one-two punch of having to endure the fitting and discovering that anime giant robot physics don’t apply in this world sends her into a funk, which is not helped by Eleanora – spotted in the capitol – being dragged into a dispute between the radicals and the moderates… which she only just now realizes was framed to her by those who support the moderate side. Now both sides are grappling for power, and are trying to use Yumiella’s position to get it, reasoning she is sensible enough not to punch people to death. Which is true. That is the end of the sensibility.

Let’s get the terrible out of the way first. Everything about the final bit with Yumiella and her parents is pathetic and awful and unfunny, and it does not help that everyone in the story agrees with me. Ugh. Leaving that aside, I did enjoy this. Yumiella is more sensible until the denouement, something she even notices herself. She also is starting to examine her own habits and thought processes and find them wanting, especially when it comes to observing others. That said, Eleanora is easily the reason to read this. The running gag in the book is that Eleanora, the duke’s daughter, is not the same person as Eleanora, the girl everyone knows is living with Yumiella. But that’s also very true – Eleanora has grown up. She is using her own special talents to help businesses. She’s mature enough to criticize Prince Edwin and even say that his own morose moping makes her hate him now (though she later melts down after realizing what she did). She’s terrific. Yumiella… ends up backsliding, alas.

It was nice to see the book wade back into the politics of the first two again, and it’s still fun to read, provided you completely separate it from its adaptations.

A Surprisingly Happy Engagement for the Slime Duke and the Fallen Noble Lady, Vol. 1

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By Mashimesa Emoto and Kasumi Nagi. Released in Japan as “Slime Taikō to Botsuraku Reijō no Angai Shiawase na Konyaku” by HJ Novels. Released in North America by J-Novel Heart. Translated by Minna Lin.

Fallen Noble Lady series are getting to be a bit glutted in this market. We’ve already had to separate them from Villainess stories (note the Japanese does not say Akuyaku Reijō), but even after doing that it seems you cannot throw a shoe without hitting another young woman being publicly humiliated by her fiancee. As such, you need to make sure, when you write another such story, that you have a gimmick. And it’s got to be a really good gimmick. Slime Duke? Controls slimes? Not bad, but could be better. Slimes are also, honestly, a bit overdone. She bakes yummy treats? Boooooring, seen it. She secretly has multiple men in love with her but is totally clueless? Boooooring, seen it. No, this series needed something more. Something truly astounding to put it ahead of the pack. It needed a duck. An attack duck. An attack duck that goes with the heroine to her new domain and proceeds to wreak a reign of terror (on the male ducks). It’s glorious.

Technically our heroine, Francette, is the sister of the Fallen Noble Lady. But said sister rebounds fast, and ends up the Queen of a neighboring country. This is not her story. Francette, however, does lose the family house, money, and everything else. She ends up staying with her father because, well, after seeing that she is rather tired of nobility. Unfortunately, her dad tends to run around with other women. And one day the husband of one of those women goes to see Francette, saying she has to pay 200,000 in restitution or he’ll force her into a brothel. Even her attack duck can’t help her out of this. Fortunately, out from a bush (it makes sense in content, but only later on) steps the owner of the slime that she took in from off the street, and he’s there to… propose to her!?

So, first of all, the biggest minus for this volume: the duck should have been on the cover. Come on. Also, word of warning, but Gabriel, the Slime Duke (he’s a human, not a slime, it’s a title) is a bit of a creepy stalker, in the sort of “I am too pathetic to express my infatuation so I will instead follow her around secretly” kind of dweeb. Fortunately, once they’re actually forced to meet, they turn out to be the best things for each other, as she builds him up and praises him, while he gives her a ;purpose and a new family. There are identical maid triplets with different personalities here as well, which is a trope that is almost impossible to get wrong, and this does not. It does have villains who are super, duper, ooper evil, and multiple threats of being forced into sex work, but at heart this is a fluffy story with a cute couple, cute slimes, and a vicious duck who will cut you.

My favorite part is when Gabriel introduces the mansion residents (his histrionic mother, the triplet maids, and the head servant who is a woman but dresses as a butler) and says that Francette is the only normal one there. He says this to her as she is holding her duck under one arm. Normal is overrated.

A Late-Start Tamer’s Laid-Back Life, Vol. 10

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by A.M. Cola.

This book does so many things wrong and yet I still greatly enjoy each volume. Honestly, I think I’d enjoy it far less if I were a gamer. I’ve never gamed fighting games at all, so the concept of “oh look, its HP is down to 30% so it’s changing its attack pattern” is something I’ve only experienced through light novels, which generally speaking cannot shut up about being the author’s game log turned into prose. And yet. Somehow, Yuto and his cute li’l monsters fighting don’t really bother me (it helps that I know I can sort of read much faster when I get to this point). Likewise, the “we get Yuto’s POV, then switch to other POVs” can be very aggravating if it’s just repeating the same events, but this book doesn’t do that. Also, like Bofuri, the Forum Threads work well. Most of all, I love watching Yuto being the biggest dipshit ever when it comes to knowing how good he is at this game.

We’re still in that weird combination of prehistoric monsters and island beach adventure. Yuto is ready to start searching for pirate gold… well, no, he’s just trying to follow the clues to the pirate shi0p that’s in an underwater cove, which leads to a lot of dead pirate skeletons. He then meets up with some of his friends, who are streaming, and once again accidentally reveals one of the most important parts of the event without knowing it’s important or realizing he’s doing it, which forces the mods to have to alter the entire big finale. The finale is pretty big, though, with lots of top line players, including Holland, the top player in the game. Will he ;pull it off and kill the Big Bad? Or will Yuto accidentally back into being awesome again?

I mean, the title of the book should give the answer to that question. If you enjoy Yuto being nice, generous, and deeply clueless, this is a fantastic book. Even when he’s spending his entire winnings at the end of the book to trick out his Japanese house into becoming a mansion that would cost upwards of 10 million dollars to buy in the real world, he’s framing it as “oh, hey, cool thing here, I bet everyone else is doing this”. Yuto’s isolation is the reason this all works so well. Yes, he has lots of casual friends in the game, and talks to them about stuff. He also occasionally buys information. But he never searches forums to solve problems, or reads them at all, really, except in very rare cases. As such, he has no idea how other people are normally spending their time or their money. His idea of “this is obvious, everyone else must do it” is everyone else’s idea of “WHAAAAAAAAAAT???”.

So yeah, arc over. I have a feeling the next book may be a slow life sort of break. We shall see. In the meantime, please enjoy the male Bofuri.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 18

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Tara Quinn. Adapted by Maggie Cooper.

So if the last volume was a soft reboot, then this volume is a return to basics. That’s good news for the newbie reader, who may be unfamiliar with our cast of characters, but it’s very bad news for ongoing readers who really don’t need Mile’s Greatest Hits Vol. 18. To make matters worse, when we switch to the Wonder Trio they do the exact same thing that the Crimson Vow did in the previous book, meaning we’re repeating stuff that we saw Mile and company literally doing last time. Things do pick up towards the end, when we meet a new character who manages to be slightly different from everything we’ve seen before… but the main cast think she’s annoying (to be fair, she is) and are trying to get rid of her as quickly as possible. Again, this has the feel of a series where the author has run out of things to say, but can’t end it because it’s too popular.

The Crimson Vow have started over as lowly F-rankers… which doesn’t even last ten pages before they are promoted to C-rank so they do not immediately destroy the town, guild, and everything else by being themselves. They immediately take an inactive mission that’s been sitting there, going to a village to try to kill the wolves that have been murdering their livestock. Except the wolves are basically puppies. And the livestock isn’t eaten or dragged into the forest. Yeah, something suspicious is going on here. Meanwhile, the Wonder Trio are also in this new land, and discovering the exact same things Mile did last time – the monsters are much smarter here. Finally, the Crimson Vow meet a merchant Girl who is desperate to make her name, and will be incredibly annoying till they help her.

So yes, Arli the merchant girl was who interested me most in this book, though it appears most of what’s interesting about her will be left to the 19th volume. She’s refreshingly rude and blunt, but it turns out that this is just a front, and that she’s far more depressed and exhausted than she makes herself out to be. I’m intrigued. I am less intrigued by Mile absuing the elder dragons to solve problems – again – or the Crimson Vow utterly destroying a group of village elders who wanted to take advantage of them – again. As for the Wonder Trio, they’re more irritating here, as they’re going over old ground almost to the point of saying the same lines, and they’re being unthinkingly arrogant in a way that’s not funny to the reader. On the bright side, the Crimson Vow taking a group of old fisherman on one last sea hunt was pretty heartwarming.

So yeah, another FUNA book down, and it didn’t even have the decency to have atrocities committed, like I can get from Potion Girl. Disappointing.

Guillotine Bride: I’m Just a Dragon Girl Who’ll Destroy the World

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By Daigo Murasaki and Kayahara. Released in Japan as “Dantōdai no Hanayome: Sekai o Horobosu Futsutsukana Tatsuki Desu ga” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Kiki Piatkowski.

I almost wish this was worse. If there was something offensive about it, something that made me want to scream in rage (still looking at you, Livid Lady), I’d have no issues writing this review at all. Unfortunately, this has the misfortune of being bad in a bland, flavorless way, and so I’m reduced to looking down at my word count and see I still have 400 words to go. I joked on Twitter that this was a novelization of a harem anime from 2002, and it really felt like one… in all the worst ways. And, of course, it ended up being a cancelled series, so we’re not even getting any more of it. The author apparently also wrote Demon Lord 2099… which I didn’t even start to read. We get three love interests here (plus the childhood friend, who I fear suffered most from the cancellation as she’s barely in this), but none of them have the personality or pizzazz to carry a series. It’s just so… meh.

We open on a kangaroo court condemning a teenage girl, whose dragon powers can apparently destroy the world, to be executed, despite the efforts of the girl’s one friend. We then cut to a typical high school student council, where our hero Ryuunosuke is the vice president, and tends to do all the work. He has an assistant, a beautiful girl who’s in love with him. He has a cute childhood friend. The president is a cool beauty. Then he walks home, and a dragon girl, who had been blown out of the sky from the helicopter taking her to the execution, lands in front of him. Now he not only finds himself drawn to the girl, as he has the power to control her “destroy the world” shenanigans, but also his student council are far less normal than he expected.

So. Rinne is the dragon girl, and… she doesn’t have much of a personality beyond “loves Ryuunosuke and argues with Mari”. Mari is Ryuunosuke’s assistant in the student council, a vampire, and doesn’t have much more of a personality than Rinne, though I will grant it is a little more. Ranko is the student council president, cool scientist type, and mistress of exposition, and she doesn’t get much to do here except get shot and have a last minute surprise that doesn’t matter as there isn’t a second volume. And it’s not much of a surprise. As for Ryuunosuke… he’s Touma. He’s Tenchi. He’s Keitaro. He’s the sort of hero that Araragi and Hachiman are there to deconstruct. He is also boring as hell, and naturally when Rinne tries to strip and seduce him, his reaction is more “Whaaaaaaaaat?” than anything else. Even the final fight is kinda boring.

So yeah. Dunno why this was licensed. Anime coming? It might actually work better as an anime. It’s mind-numbing in print.