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Reviews

Boys Over Flowers 18 by Yoko Kamio: B+

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From the back cover:
When the Makino family’s finances hit rock bottom yet again, they decide to move to the countryside so Tsukushi’s father can earn a living as a fisherman. Poor Tsukushi is left behind in their apartment to try her hand at independent living. A few guests stop by, one most unwelcome—Tsukasa’s mother! Tsukushi stands up to the domineering woman, effectively declaring war. Then a housewarming gift from the F4 wreaks havoc on the apartment, leaving Tsukushi homeless! Will anyone take her in?!

Review:.
It feels pretty weird to pass the end of the story I know from the anime and still have half of the series left. I suppose that’s not all that unusual—Fruits Basket and Kare Kano are in the same boat—but the Boys Over Flowers anime was twice the length the others were, and still didn’t cover everything. I must say, I much prefer how things ended with the Shigeru situation in the manga; the end of the anime was pretty silly as well as rushed and unsatisfying.

The plot continues to be entertaining, though sometimes stretches the limits of plausibility just a little too much. I’m not sure how I feel about Tsukushi working as a maid in the Doumyouji mansion. On the one hand, I’ve heard that these next ten volumes or so are someone’s very favorite, and on the other, it just screams “shoujo trope” to me. Tsukasa is also being dense about what she’s doing there, and that annoys me, too.

I really liked Rui and Tsubaki in this volume. There’s a great scene where Rui and Tsukushi are heading home after spending the night at Shigeru’s villa. She’s lost in thought, so he has fun poking her face and fixing her hair in silly pigtails and stuff. I guess Tsubaki didn’t really do anything particularly awesome, but she did tell the story of her lost love that was hinted at in a recent volume, which I appreciated.

It’s strange not knowing what’s coming; I hope I like it.

Boys Over Flowers 17 by Yoko Kamio: A-

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From the back cover:
Tsukushi and Tsukasa get some quiet time together after they escape the mess of his birthday party, but this quiet can’t last for long. Tsukasa’s feelings for Tsukushi have at long last been made clear, but Tsukushi is more confused than ever about her feelings for him. Meanwhile, Tsukasa’s domineering mother, Kaede, is brewing up plans to keep them apart forever, and she might have found just the thing to do it when she introduces him to his new fiancée!

Review:
Lots of interesting things happened in this volume. Essentially, Tsukushi encouraged Tsukasa to go for it with Shigeru—who was offering on a silver platter everything Tsukushi had denied him, saying, “I can fall in love with you if you want”—and he was so peeved at her he actually did it.

I loved seeing Tsukushi’s hurt reactions to witnessing them together, and was significantly weirded out (in a good way) by the scene where he kissed the other girl. In other romantic rival plots I’ve read, the male lead never seems to actually go that far though, to be fair, he only did it once Shigeru bullied him into it.

The best thing about the relationship, though, was that it provided Tsukasa some room for growth. Although he could’ve easily taken advantage of Shigeru, he didn’t. That’s not really anything new for him, true, but it showed him in a good light nonetheless. The truly significant outcome was when he told her she just wasn’t the one, he was actually able to apologize (something he has had issues with in the past) and seemed to have true sympathy for her pain. Progress!

I also really loved the scenes between Tsukushi and Rui in this volume. Although some latent attraction might still exist, they acted more like friends, with Rui coming to her aid and helping her to relax and laugh amid tense situations. She said, “I no longer feel tortured and frustrated anymore, when I’m with him. Even if my feelings for him can no longer be called love… I think I’ll always like Rui Hanazawa.” Aww.

Wanted by Matsuri Hino: C+

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In the late seventeenth century, orphaned Armeria sings with a traveling musical troupe. Luce, the nephew of the wealthy governor at whose estate she is performing, is the first aristocrat to treat her kindly, and when he is subsequently captured by pirates, the young girl resolves to find and rescue him. Eight years later, Armeria has finally found the ship of the pirate responsible and, disguising herself as a boy, ventures aboard to find out what has become of her first love.

If you’re reminded of the plot of The Princess Bride, then you should be, because there are some similarities. Wanted is a far less coherent and satisfying story, however. It’s more like a series of vignettes—the one with the navy, the one with the map to a rare musical score—than anything else, and cuts off with disappointing abruptness.

It definitely has some good points: secrets that would normally be used to prolong angst are revealed early on, there are some genuinely fun moments, and the deckhands are pretty entertaining. On the negative side, Skulls is fond of nearly ravishing Armeria and tells her she’s useless far too often for my liking. The fact that she often proves him right by constantly requiring rescue just makes things worse.

As a final note, the bonus story at the end should be avoided at all costs; it manages to be confusing and dull simultaneously, which is not a winning combination.

Review copy provided by the publisher. Review originally published at Manga Recon.

Melting Stones by Tamora Pierce: C

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From the back cover:
Evvy, the fierce young stone mage introduced in Street Magic, has accompanied her guardian, Rosethorn, on a mission to study a mysterious plant die-off. With the help of Luvo, who is the living heart of a mountain, Evvy discovers the real source of the threat, which is far greater than anyone had imagined.

Preventing a natural disaster may cost Evvy her life. Even more frightening, doing so may require her to melt her own heart of stone… and to open herself to human contact.

Written by Tamora Pierce specifically for the voices of Full Cast Audio, Melting Stones is an unprecedented publishing event: the first time a major novel from a best-selling author has made its debut on audio a full year ahead of the print version!

Review:
I’ve enjoyed all of the other books in the Circle of Magic series, but Melting Stones nearly bored me to tears. Here are the main problems I had with it:

1. Evvy herself. She was whiny and cranky, and prone to doing risky things. When Luvo cautioned her against a rash action, she said, “If you’re going to natter and scold, don’t come with me!” As a result, she got into a dangerous situation and all I could think was, “He tried to warn you, dumbass.” Additionally, this attitude meant she had to learn (and I had to endure) a Very Important Lesson.

2. Profound monotony. 90% of the book was Evvy either rhapsodizing about, talking to, or casting her magical self underground to travel within rocks.

3. It was more juvenile than the others in the series. The “real source of the threat” that Evvy discovered turned out to be two volcano spirits, characterized like petulant kids. Evvy’s narrator also contributed to the childish feel. The character’s supposed to be fourteen, but sounded about twelve. Not only that, she sounded like a twelve-year-old putting on her best story-time voice for a group of five-year-olds. If you can successfully imagine someone going on—at length and in detail—about rocks in such a voice, you’ve begun to understand my pain.

I might have enjoyed this somewhat more in a print edition, since I would’ve interpreted Evvy’s thoughts more maturely than the narrator did, but honestly, I don’t think it would’ve made much difference.

Kare Kano 10 by Masami Tsuda: B-

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From the back cover:
When Maho confesses her true feelings for Takashi, he admits that he’s not the man she thinks he is. With the arrival of winter comes an end-of-semester school trip to Kyoto, where a little love and tenderness just might fill everyone with good memories, glad tidings, and the sweetest of dreams.

Review:
This volume was comprised of three sections that stand alone from the main plotline.

Maho’s Love Story-
The first two chapters were a flashback to when Maho, then a 9th grader, fell in love with a 27-year-old dentist and eventually persuaded him to begin (chastely) dating her. I liked Takashi and his initial reluctance, and at least their relationship isn’t intimate, but it’s freaky to envision them even smooching.

The School Trip-
Yawn. There was more unfunny comedy in this one, featuring a lot of the gang acting obnoxious in public. About the only thing of significance that happened was Yukino and Arima finally deciding to call each other by their first names. They also indulged in a blush fit when their hands accidentally touched, which is so odd for a couple who has had sex. Apparently there has been no follow-up whatsoever.

Act Zero-
I’m a little confused by this, because I don’t know whether it’s supposed to be what actually happened or what Yukino imagines happened. Anyway, this is another flashback, this time to when Yukino and her eventual friends took the entrance exams for their high school. And this brings up a point…

Yukino’s sister Kano laments that she’ll probably never go to the same school as her sister again because she’s not smart enough to get into Hokuei. So how on earth did Tsubasa get in?! This is a girl who leaps out of upstairs windows and eats pine cones! I don’t get it.

These stories were okay, but they weren’t great. They’ve also inspired me to take a bit of a break from this series.

Homecoming, Nana volumes 1-3

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I’ve returned home from a very productive trip to North Carolina. The auditions were exhausting, but i’ve got a day to recover at home before returning to work, which is nice. I downloaded the new iTunes last night, and now I’m listening to a “genius”-made playlist, which is surprisingly pretty good!

I never did find a local shop for manga in Charlotte, but as it turns out, there really wasn’t much time for anything like that, anyway. I did take a restaurant recommendation from a reader on the LiveJournal-mirror, who sent us to Macado’s in Concord for the macaroni and cheese, and I have to say it was delicious!

So, as I mentioned, I picked up the first three volumes of Nana for the trip. I’d like to talk a bit more about them now.

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Kare Kano 9 by Masami Tsuda: B

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From the back cover:
The culture festival begins with a bang—Kazuma’s band Yin & Yang rocks the house, and the curtain finally opens on Aya’s play! But not everybody’s mind is on songs and spotlights. Poor Tonami hopelessly pines away over the elusive Tsubaki, who is the kind of woman who loves to be free—even if it means being alone.

Review:
I’m so glad we got to see the entirety of the play! It takes up most of the volume, but winds up having several themes that resonate with Arima and his current crisis, like a lead who’s trying to cover up his imperfections and tells another character, “If you knew the real me, I’m sure even you would hate me.”

The experience of accomplishing something with her friends energizes Yukino and she resolves to start trying other various things and states that she’s no longer going to obsess about being first in the class. Arima sees this as her leaving behind for good the little world that only they two shared. As her voiceover recalls that she truly regrets not hearing his call for help, creepy Arima reappears for the final panel.

Unfortunately, Tsuda-sensei now says that before we get to the meat of the “Arima arc,” we’re going to be treated to some stories featuring the other characters first. Whee.

Kare Kano 8 by Masami Tsuda: B

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From the back cover:
As preparations for the culture festival continue, Soichiro realizes that there are actually two sides to his personality, one that is gentle and giving, and one which is frighteningly violent and possessive. It is a development that hasn’t gone unnoticed by Yukino, and she worries that it will damage their relationship. Meanwhile, Tonami and Tsubaki finally realize that they have fallen in love with each other.

Review:
The back cover blurb has been edited to remove made-up words; it actually says “frightingly.” I also didn’t notice Yukino worrying that Soichiro’s personality issues are going to damage their relationship. All she says is, “Sometimes, I feel like you’re a completely different person. I wonder why.”

Anyhoo, this volume is kind of disjointed because there are so many balls in the air. Tonami is really growing on me as a character; he’s far more interesting in the manga than he was in the anime. In fact, he’s a more developed character than his love interest Tsubaki, and she’s been around longer. The scene in which they admit their feelings for each other would’ve had more of an impact if I could’ve understood how she came to be in love with him, for it’s really not clear.

Arima continues to angst, but there’s a great chapter near the end where a hurricane forces him to stay the night with the Miyazawa family. Feeling Yukino’s presence all around, he sleeps well and without nightmares, even though a storm rages outside. Some things he thinks do have me wondering whether he’s supposed to actually be going crazy or not. It seems possible.

The rest of the volume is occupied by culture festival plans and a boring bonus story whose only redeeming feature is that it doesn’t pair up the two characters I expected it to. In the main story, there are also a few painfully unfunny “comedy” scenes featuring boob-grabbing and Tsubasa inanely jumping out of an upper-story window to glomp on her stepbrother below.

Lastly, I am really peeved at all the untranslated text I’m seeing. TOKYOPOP generally does not translate sound effects, which sucks but is expected, but they’re also not bothering with actual sentences which I then feel compelled to try to look up and make sense of. I’m so glad I managed to learn the kana, or else I’d really be annoyed.

Kare Kano 7 by Masami Tsuda: B

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From the back cover:
The second semester has begun and everyone’s busy with tests, practices, and activities. It’s time to prepare for the culture festival and Yukino has been asked to perform in a futuristic sci-fi play. There’s instant drama when Tonami, a transfer student and old friend of Soichiro, comes back on the scene after three years. Tempers flare and competitive natures run wild.

Review:
This volume is comprised mostly of planning for the play that Yukino and friends are going to be performing at the cultural festival. While not the most riveting fare, this stuff is pretty interesting, because it shows Yukino being great at organization and getting various administrative tasks accomplished. I’m dismayed by how infantalized Tsubasa is in these segments, though.

Initially, there isn’t much fallout from what happened at the end of the previous volume, except one question from Arima to make sure that he didn’t hurt Yukino in any way. Most of the rest of the time, he hangs around looking dejected while she chats with other guy friends of hers. One of these guys is new character Tonami, who has a grudge against one of Yukino’s friends. I’m meh about this story—Yukino’s friend (Tsubaki) is largely unsympathetic now and completely so in the flashbacks—but Tonami is kind of amusing, particularly when he wonders what Arima (his idol back in junior high) is doing going out with such a strange girl. And, okay, the smooch in the tree was sweet.

Right at the end, things get cooler, with Hideaki warning Tonami to keep his distance from Yukino, because Arima is possessive and has a temper. This leads into another visit from Arima’s nightmare self and a genuinely creepy final scene where he encounters Tonami in a darkened corridor and gives him a super evil look. And Yukino has absolutely no idea that all of this darkness is lurking within him.

And yeah, okay, the story could totally get taken over by Arima’s angst, but I still like seeing him be all freaky. It’s certainly the most interesting thing going on in the series currently.

Greetings from Charlotte!

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It’s a beautiful, sunny morning in Charlotte, though I’m still enjoying it through the window of my hotel room, as I lazily prepare for our first day of auditions here. I’ll just be watching our callbacks all day, so I don’t have to rush around to get to the general auditions when they start this morning. I suppose I’ve achieved something when I get to hire other people to do all the rushing around.

Charlotte is really a lovely city, though I admit I’ve only seen about three blocks worth of it so far. After arriving yesterday, our assistant production manager and I walked over to the theater where they were doing registrations, and there was an Indian cultural festival of some kind going on in the street. Multiple booths with delicious, spicy-smelling food, and lots of women walking around in colorful saris, it was really a nice welcome to the city.

For anyone who might be wondering, I ended up not taking any of the advice I was given on what manga to bring on the plane, though I did try. Our local bookstores and the comic shop were unhelpful in my search for volume 1 of Dororo (though I could get volumes 2 & 3 at one Barnes & Noble), which was what I’d most strongly considered. I’m happy with my choice, though. I ended up getting the first three volumes of Nana (which I’ve meant to read for a long time, finally cemented by Johanna Draper Carlson’s recent review of volume 9), and wow, what a charming series! Now of course I’m wishing I’d bought more of it, but the volumes I had effectively dulled the horror of my two flights yesterday, so I’m very grateful to them.

Time to start rallying myself to the day’s cause. More later, perhaps. In conclusion: Banana Fish. :D

Kare Kano 6 by Masami Tsuda: B

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From the back cover:
It’s not long before Soichiro’s back from a very successful tournament, much to Yukino’s delight. Now they can spend some time with each other before school starts again. Yukino notices that Soichiro’s matured a lot, which stirs up new feelings in her and makes her fall in love with him even more. Soichiro’s feelings for Yukino deepen as well, and he has some difficulties dealing with that and some family issues.

Review:
This volume was strangely unaffecting. Although I loved Yukino’s struggles to confess her feelings to Arima in the first couple of volumes of the series, her problems here with telling him that her feelings have grown and her eventual confession scene just weren’t all that interesting. Arima’s obnoxious family also made an appearance, but their horrible treatment of him came across as unrealistic rather than upsetting.

This was also the volume where Arima and Yukino do the deed. I knew they would, having seen the anime, but it was still so out of the blue story-wise. In one chapter, Yukino was freaking out ‘cos he touched her boob, and just a few days later, they were consummating their relationship. For teen couples, isn’t there usually an interval of gradually intensifying fooling around between these two occurrences?

The aftermath of this event totally reminded me of Buffy the Vampire Slayer and what happened after Angel and Buffy slept together. After Yukino had gone home, Arima had a nightmare in which a cruel version of himself showed him an instance of early childhood abuse he suffered. When Arima wondered why he was remembering this, the nightmare him said, “Because you dared to think you could be happy… I’m a part of you. I’m half of who you are on the outside. I’m the shadow under your feet.”

Dun dun dunnnnn.

7SEEDS 5 (Japanese) by Yumi Tamura: B+

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Book description:
With the rest of Team Summer B settled nearby the shelter at Mt. Yufudake in Kyushu, Arashi and Natsu decide to journey to Kanto to see what has become of their homes and families. Joined by Semimaru, they soon encounter Team Autumn, who were released three years ago and who have built a secure village. The only problem is that a tyrannical couple treats the others like slave labor, and the team’s guide is too weak to put a stop to it. Is this the kind of desperation Team Summer B will eventually experience?

Review:
It becomes apparent in this volume that we’re not only bouncing around in time a little, but that the various teams were released at different times, as well. The story of Team Winter recounted in the last volume actually took place fifteen years ago, while Team Autumn has been working to survive for three years. Also, in the last volume Hana found a note in a stockpile that was actually left by Natsu in this volume, if that makes sense.

Anyway, there’s a lot of traveling going on in this volume. Although I was looking forward to the teams meeting up, it kind of amuses me that Arashi, Natsu, and Semimaru suddenly seem to run into every team but Hana’s on this outing. Like, in the whole of an empty and desolate Japan, they just happen to walk in the direction where Team Autumn has built their village. I suppose having common clues for where to look for the stockpiles helps a little, but still.

Team Autumn is pretty horrible, and the Summer B folk are scarred by the experience, so when they meet gentle and kind Taka from Team Winter, they end up suspecting him and slipping away in the night. Just a few days later, he runs into Hana from Team Spring, and she (who has met no one else yet) accepts him. It’s very sweet. It also shows just how close Arashi and Hana are to each other without knowing it.

Alas, not much more than this really happens in the volume. Walking, angsting, big dangerous animals, reckless puppies. That about sums it up.

7SEEDS 4 (Japanese) by Yumi Tamura: A-

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Book description:
It’s been confirmed that the desolate land is indeed Japan, though the teams still don’t know what happened or what year it is. Team Spring—having lost their guide, Yanagi—travels to Mt. Fuji to look for another of the stockpiles, only to find that the volcano has erupted and is no longer there. Just as their hope is flagging, Hana notices some manmade signs directing them to another mountain to the east. The members of Team Winter face their own hardships from the start—between equipment failures, man-eating tigers, and Hokkaido’s bitter cold, some of them will not survive.

Review:
The majority of the chapters in this volume featured Team Winter. I’m a little torn about the introduction of other teams into the story. On the one hand I want to see them and what they’re doing, and on the other, there are already tons of characters as it is. Right from the start, Team Winter’s story is a bit more grim than the others, however, as a few of their number do not survive the thawing process, and I got into it more than I thought I would.

More shocks and twists in the story follow, and since I’m not the kind to go around suspecting such things, I really enjoyed the various surprises. The main protagonist of this group is Taka, who believed himself to be weak until inspired by the example of boisterous Fubuki, another member of the group. It was good to see how Taka had progressed by the end of the story, though the appearance of a couple of precious puppies at a crucial point was a bit silly (but sniff-inducing nonetheless).

So, as it stands, each of the teams has now located a stockpile of goods and is camped out nearby. Arashi and Natsu have passed through where Hana’s team is and left a note, though Hana, of course, still has no idea that Arashi is alive. I’m eager for the teams to meet up, especially since I have no idea what to expect from the story after that happens. I have faith that it’ll be something really cool.

Boys Over Flowers 16 by Yoko Kamio: A

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From the back cover:
Tsukasa’s 18th birthday doesn’t go smoothly at all! Tsukushi is introduced to Kaede, Tsukasa’s mother, by way of falling over a table and causing a scene. Kaede tells her to get out, but Tsukasa defends her by declaring that she is precious to him. Thus begins a three-sided war between the three most headstrong people you’ve ever seen! Tsukushi and Tsukasa get away for a while and spend some time on Tsukasa’s boat, but they can’t hide from Kaede forever…

Review:
A lot of awesome stuff happens in this volume!

Firstly, Kaede is such a great antagonist. Not only does she create strife for the two leads, she also sets off the sorrow in the lives of the other rich characters around. In the previous volume, Soujirou talked about how he cannot choose his own spouse, and now it seems that Tsubaki might have a lost love of her own. I hope that gets explored in future volumes.

Secondly, so many of the supporting cast get awesome things to do. Tsubaki has now completely redeemed herself for her bizarre actions of the past and is acting as Tsukasa’s champion of sorts, helping him get away from the party and then expressing concern at what their mother has planned for him. Tsukushi’s mom is also (very briefly) cool, showing for an instant a strong resemblance to her daughter.

Lastly, I loved the scenes with Tsukushi and Tsukasa on the boat, especially the part where they’re fishing and discussing their families. She also finally gives him the homemade cookies she made as a birthday gift; the awesome thing is that he’s still proudly showing them off two chapters later.

Kaede’s plot involves accelerating plans for Tsukasa’s arranged marriage with Shigeru, a tomboyish girl who is the first serious rival for Tsukasa’s affections that Tsukushi has faced. She’s likable and also seems to be amenable to the arrangement, not letting Tsukasa off the hook so easily.

All in all, a very solid volume through and through. Alas, I’m now caught up with my original reading plan (two per month, finishing just as the final volume comes out next June) so here’s where I’ll be pausing until next month. It’s soooo tempting to just keep plowing on, as this series is seriously addictive, but I expect I’ll regret it afterwards during the long wait between volumes.

Boys Over Flowers 15 by Yoko Kamio: B+

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From the back cover:
Junpei has promised to protect Tsukushi and always be there for her. His promise comes just in time, since Tsukushi has been given another of the infamous “red slips,” the mark of someone targeted for abuse. Meanwhile, Akira and Soujirou are desperately looking for Tsukasa, who has been gone for days. It turns out that Junpei harbors a terrible grudge against Tsukasa and is using Tsukushi as bait to get him! This has shockingly violent results. Later, Tsukushi gets dressed up and attends Tsukasa’s birthday party. Little does she realize the implications that attendance has!

Review:
Um, thanks for ruining any surprise anyone might’ve had regarding Junpei’s intentions, back cover blurb!

Anyways, the most important thing to come out of Junpei and his grudge is that Tsukasa submits to a beating from several guys he could’ve handily defeated because to fight back would’ve put Tsukushi in jeopardy. I love that when he arrives, she tearfully cries, “Why did you come?!” and he advises her to keep her eyes shut so she won’t have to witness the beating.

There follows a chapter that must’ve been a lot of fun to read in its serialized form. Tsukushi has a dream that Tsukasa has died from his injuries, and the next few pages seem to support this notion, with the F4 pretending to grieve, et cetera. She’s furious at the jest, of course, but it leads into another sweet scene between the two leads. Then the other members of the F4 try to convince Tsukushi again to give him a chance as a boyfriend, but she blurts out something derogatory and flees.

The effort to flesh out Akira and Soujirou continues, as well. When Tsukushi is invited to Tsukasa’s birthday party and is freaking out about possibly being introduced to his scary mother as his fiancée, Soujirou points out that sons of rich families are never allowed to marry a girl of their own choosing, so she should just relax because there’s no chance she’d ever be able to marry Tsukasa anyway. I thought that was a neat, kind of subtle way to place a new obstacle in the path of their relationship. And then, of course, Tsukasa’s mom becomes the physical embodiment of said obstacle.

These middle volumes are showing quite a consistent level of quality. Gone are the things like basketball showdowns and I hope they never return. We’re also heading into what was the final arc of the anime, so soon I’ll be into material that I’m completely unspoiled on.

My final thought comes in the form of a favorite quote. Tsukasa has, once again, gotten himself fired up over something at the drop of a hat, and one of the other F4 (possibly Akira) quips, “I wish my water heater worked like him.” Hee. So do I.