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Reviews

Even a Replica Can Fall in Love, Vol. 1

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By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I admit that I have gotten rather blase about titles that have won or been nominated for awards in Japan. They seem to have a LOT of awards for manga and light novels, and there are so many titles that carry “award-winning” and “award-nominated” on it that it tends to pass me by. I had not really realized that this was the winner of the most recent Dengeki Grand Prize till I was about to start it. There have been a few Grand Prize winners in the past that I’ve admitted were excellent, such as Kept Man of the Princess Knight and 86. That said, these days that can’t even guarantee that you’ll get licensed in English at all – sorry, Many Sides of Voice Actor Radio. It was going to take a lot more than just winning an award for me to be blown away by this book. But I was unprepared. The book steps up and immediately proceeds to blow you away. I love it to bits, everyone should read it. It deserves its award.

Our heroine is a replica, created by Sunao Aikawa when she was seven years old. She looks and speaks exactly like her. The replica takes Sunao’s place when she’s feeling grumpy, tired, or is on her period. The replica has all of Sunao’s memories, but they’re sort of like reading a book that’s been smudged. (Sunao does NOT have her replica’s memories, which causes problems later.) The replica likes to read a lot more than Sunao, so she joins the literature club, where she reconnects with Sunao’s childhood friend Ricchan, a budding novelist. Then one day she interacts with recently injured basketball player Sanada, who seems captivated by her, and joins the literature club to get closer to her. But that’s a problem. After all, she’s a replica.

You know I really love a book when I try not to spoil it, but that also makes writing reviews harder. There are some really fantastic twists in this book, not least of which is what the hell a replica IS, something that we don’t really find out here. Before I read it I thought it was some sort of android – nope. Sunao can simply “unthink” her replica and she goes away till needed again. Then I wondered if it was dissociative identity disorder, but later events show that can’t be right either. As for the original, well, trust me when I say you will not be very find of Sunao throughout a lot of this book. But everything about her behavior makes sense, and she’s very quick to change when she realizes what’s really going on. Near the end of the book, there’s a terrifying tragedy that becomes an “oh thank God” moment of relief for everyone involved… except the replica, who now begins to despair. Again, for reasons I don’t want to spoil, but man, it’s so good. This book has serious thought put into its concept (which is echoed by the novel her friend is writing, a nice touch).

Like most grand prize winners of a contest, this works well as a stand-alone book. There’s more of it, though, and I am very happy to hear that, even as I worry – there was a lot of serious drama in this book, and I’m sure later books will have it too. But I’m desperate to read more. If only to see if we’ll be told what’s going on with the replica. Or if it matters in the end.

I Abandoned My Engagement Because My Sister is a Tragic Heroine, but Somehow I Became Entangled with a Righteous Prince, Vol. 1

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By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

I spent most of this book feeling that it was schizophrenic. There’s a very serious plotline at the core of this, with the prince doing his best to ferret out corruption despite assassination attempts, our protagonist suffering from an uncaring family, a broken engagement and unverified accusations, and a lot of dead bodies (at one point a puppy is murdered, for those of you who want to add this title to Does the Dog Die?). And yet throughout the book there are bouts of comedy, at times so broad that I wondered if it was parody. This comes to a climax at the climax of the book, appropriately enough, where ferreting out a horrible man and a literal murderer descends into exposing the world’s two dumbest people. The author says that it was deliberate, so well done, I guess, but I’m not actually sure if it worked or not.

Leia Westoria is the saint of the kingdom, whose magical barriers help prevent monster incursions. She’s also engaged to a duke. And she has a younger sister who is NOT the Saint and is NOT engaged to a duke, but is very good at crying on a dime and making gullible people believe what she says – which is that Leia is abusing her. This includes Leia’s fiance, who breaks off the engagement and quickly gets engaged to Jill. Then, when she’s reinforcing barriers in the forest, the crown prince, Eric, drops by to accuse her as well. Leia, finally snapping (though really her mood is “overly serious and a bit passive” throughout the book, till the end), denies the accusations and tells the prince to actually investigate. The prince is taken aback, possibly because, as we learn, investigating is what he does. So he apologizes, and asks Leia to be one of his many bodyguards to protect him against the multiple assassins that arrive every day.

Some of the humor here *is* very good. I really loved Leia pointing out that the reasons the assassins have slowed is that whoever is sending them does not have an “infinite cauldron of assassins”, if only for the mental image. There is a Chinese stereotype girl who is an odd cross of Tenten and Shampoo but who is goofy enough to not be too offensive. Leia frequently has a taste for very dry humor. And the ending is so over the top that one cannot help but laugh. But there’s a black hole in this book, and it’s Jill, the “tragic heroine” of the title and a massive spoiled brat that I don’t think I’ve seen quite so bad in any other “villainess” title. She’s worse than anyone else you might think of. We also get her POV at times, which almost made me drop the book. It’s beneficial, as it helps sell the ending – it’s hard to be a mastermind when the pawn you decide to trick is unable to carry out a simple murder plot without cocking the whole thing up. But it’s hard to read.

This is multiple volumes, and I really hope Jill does not come back and this becomes an artifact title, but the fact that she’s not dead at the end of this one leads me to think I will be seeing more of her. If you like straightforward, serious protagonists facing off against a girl so dumb she will happily murder a puppy for the guy she has a crush on, this is ridiculous enough to give you what you want.

By a Twist of Fate, I’m Attending the Royal Academy in Disguise, Vol. 2

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By Ringo and Tsukasa Satsuki. Released in Japan as “Wake Atte, Hensō Shite Gakuen ni Sennyū Shiteimasu” by PASH! Books. Released in North America by Cross Infinite World. Translated by Alex Castor.

The proliferation of both isekai series (which take place in a sort of vague middle-late European setting) and villainess series (which usually are more “Edwardian England”) means that we have a lot of writers who are fascinated with the concept of nobility and how it works. And trust me, most writers think it works – they are not here to revolutionize the world. Usually there’s a token evil noble, who tends to be either unattractive, stupid, or both, and they are so over the top evil that it makes all the other nobles look better. We get two of those here, both blonde women. That said, our heroine is a commoner who is (sorry to spoil) going to end up with the prince, so she has to learn why noble mannerisms are important and what they are meant to convey… and as a result, realizes why she was bullied at school. Which, if I’m being honest, makes me tilt my head and say “really?”.

This volume is neatly divided into two. the first part starts where the last left off, with Cesia being set up to take the fall for Marcus’ evil fiancee, who it turns out is far more evil than everyone was expecting. She manages to escape, and holes up with the help of Maria/Marcus (still probably the best part of this series – the resolution works here, and it’s telling that after it happens we never see Maria again). Eventually, by Marcus being incredibly stupid on purpose, they are able to save the day, and Cesia and Marcus are finally able to confess. Of course, Cesia is still a commoner, but they can do something about that – she’s saved enough nobles that one is willing to make her a baroness. Unfortunately, she and Marcus are reckoning without two people who really don’t want to see them married. One is very subtle and clever. The other… is not.

The “you were bullied for your own good” thing rankled on me a bit, but there were other parts of the story I liked. Cesia’s over-serious nature and tendency to blame herself for not being perfect meshes perfectly with the way she grew up, and I appreciated Marcus realizing that and seeing that family was absolutely what she needed. There was also the delightfully silly way Cesia’s “crime” was resolved, – it wasn’t silly how she was punished, of course, but it definitely was silly how our overly serious girl never realized that she was punished at all. The family of her evil duplicate was forced to pay a hefty fine, which no one told her, and she was under house arrest for three months – which she was told was a study camp, and no one bothered to clarify it. Given that she’s one of the most serious of the “villainess” protagonists we’ve met, this was likely for the best.

This ends with this volume, which is good – if nothing else, the title is even sillier in this second volume, which takes place years after those events.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 5: Avatar of a Goddess, Vol. 12

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

And so, with the exception of more short story volumes and the Hannelore-driven sequel, we come to the end of Ascendance of a Bookworm, a long but mostly very satisfying series. This volume is a victory lap, with the actual danger to our heroine dealt with in the first 50 pages or so, leaving the rest of the book to have engagements, elevations to Aub, saying goodbye to everyone and moving into the new digs. And Rozemyne is now going to get married to Ferdinand, which both of them are very comfortable with keeping as a familiar rather than romantic marriage, even if literally everyone else in the book, as well as the author, disagrees with them. I mean, I’d love for my asexual Rozemyne headcanon to be confirmed, but the implication at the end of this book seems to be “once she grows up, she’ll change her mind”, which eh. She’s theoretically mentally 40, something the author I thing tends to forget at times. Anyway.

We pick up where we left off, with Rozemyne desperately draining all her god mana and trying not to die. After this, Ferdinand takes her on a tour of her memories, via the events he was present for, which succeeds in restoring them. Including the fear of feystones, but we can’t have everything, and she’s getting better. Now it’s time to find those in Ahrensbach who weren’t on Detlinde’s side and tell them who their new Aub is, punish those who WERE on Detlinde’s side, prepare for Alexandria to be Rozemyne’s new library city, move in there along with… well, some of her retinue (poor Judithe, though I don’t blame her father), and say goodbye to everyone else in Ehrenfest. And then, in a lovely epilogue, she gets to once again meet up with her original family as Myne, because now that she’s Aub of a new city any previously made contracts can suck it. (Even the narrative voice calls her Myne again, which I liked.)

There were a ton of little scenes that I really liked, which is typical with “victory lap” ending novels. Rozemyne’s heart to heart with Elvira, as well as explaining to Aurelia that no, she will not have to be executed just for being related to the other terrorists. (We see Aurelia’s face!) She has a nice conversation with Florencia, who I honestly wished had more to do throughout, and a great scene with her siblings, showing Wilfried once again being annoying but also getting right to the heart of the matter. Even Delia gets a sendoff, as Rozemyne basically says no, you won’t see Dirk again ever, so be Big Sister to the other orphans going forward. This is not a “forgive and forget” world, as much as Rozemyne does her best. Sometimes the dumb things you do when you’re 12 years old define your entire life. Oh, and Eckhart and Angelica have the most boring “let’s get engaged again” ever. Totally in character, it was great.

Oh yes, “I *am* the precedent!” goes in everyone’s top 5 Bookworm lines.

I will deeply miss Rozemyne, Ferdinand, and company. I was also sad that Hannelore did not appear in this at all, but she does have the spinoff, where I’m sure she’ll be happy and have everything go her way. Right?

Dagashi-ya Yahagi: Setting Up a Sweets Shop in Another World, Vol. 1

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By Bunzaburou Nagano and Neruzo Nemaki. Released in Japan as “Dagashiya Yahagi: Isekai ni Shutten Shimasu” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Mizuki Sakamoto.

Every time I come across a “slow life” light novel series that actually *is* slow life, I get thrown off, and I have to recalibrate the way I’m reading it. I spent most of the first half of this book thinking “wow, this is moving at a crawl, and nothing’s really happening”, and that’s the POINT. There have been so many “trying to be slow life” novels published over here that they’ve almost taken over the genre. You know, where the hero decides that he’s just going to set up a shop, or run a farm, but then suddenly halfway through the book he’s got to defeat the demon lord, that sort of thing. This is not that kind of book. Yahagi is here to sell penny candy, and he’s going to sell it. Oh, he does gain new cool powers. His candy stock gets expanded, and he really takes off when he can sell cheap Gundam models that can move via mana. But, the climax of the plot? Is mostly handled by other people.

We’re barely told how Yahagi dies (truck, of course) at age 25. He ends up in essentially a “next life” waiting room, where he’s told that he’s not going to be the hero, or even a basic-ass mage, but he’s going to a fantasy world where he will be a dagashi-ya. Which means he sells cheap candy for ten yen, etc. He’s then dumped there as is, and finds he can create a store out of nowhere, but by store I mean “stand”. And he has no money. And nowhere to live. Fortunately, it turns out that his cheap candies actually give stat boosts, so he attracts the attention of a couple of cute young adventurers. And as he sells more stuff, his stand gets bigger and he gets more products. This also gains the interest of a “shinigami”, who is wearing a mask and cloak but seems to like the chocolate, and also seems to be very attached to Yahagi. Especially after he looks at a wanted poster of the Great Witch Michelle, and states she looks beautiful and is his type. Who could this mystery shinigami be?

This is a decent read, though anyone expecting originality or depth is reading the wrong series. And honestly I’m not sure I’d want those things in a series like this. The book namechecks Do You Love Your Mom?, KonoSuba and Danmachi in the first two pages, so it’s clearly geared towards otaku. The witch/love interest, Michelle, is what is usually less than politely termed a yandere, though it’s a mild version that mostly involves vague threats, with actual curses reserved for people who are genuinely terrible rather than just “making eyes at my man”. The romance in the book is sweet, though given Michelle spends most of the volume disguised as a man, there’s a lot of “OMG are they gay?” from Meryl and Mira, the other two main cast members. And, as I said, the main plot of this book, while it does involve Michelle and Yahagi, is not really resolved by either of them. Though there’s a sequel hook, of course.

So yeah, this is exactly what it says on the tin. Slow life. Lots of otaku references. A few boobs references. The implication there might be sex but there ends up being no sex. Fans of this sort of thing will enjoy it.

Too Strong to Belong! Banished to Another World

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By Kazuki Karasawa and Akane Rica. Released in Japan as “Saikyou Joshi, Isekai e Iku!” by the author on the Shosetsuka ni Naro website. Released in North America digitally by Cross Infinite World. Translated by Marissa Skeels.

How much you enjoy this one-shot may depend on how in tune with the standard comedy tropes of anime and manga you as a reader are. It stars a young woman who is not only oblivious as to her own ridiculous strength, but also oblivious to the fact that she has multiple suitors. Part of that obliviousness may be that she tends to imagine her romantic rivals are in love with each other (she’s a classic “I see everyone I know as a BL pairing” type) but most of it is that she’s so dedicated to the idea of being a “dainty young maiden” (which is to say a gender stereotype-conforming girl) that the idea that people might be in awe of her strength… or worse, afraid of it… makes her skin crawl. But it’s OK! She has a childhood friend. Who is clearly in love with her, which he has tried to communicate by hanging out with her all the time and hoping that she’ll realize his feelings by osmosis. It’s this kind of humor.

Sakurako has been having a rough year. After the death of her parents, she’s trying hard to run the family dojo with the help of her childhood friend (who also lost HIS parents in the same accident). Unfortunately, she keeps getting attacked by savage dogs. And wolves. And telephone poles falling on her. And trucks trying to crash into her. Weird. Good thing she’s ludicrously strong, so she escapes all these accidents. After she finally is killed off, the god who’s been doing it reveals that she was also supposed to die in the same accident as her parents, so they’ve been trying to correct fate. Now she’s dead… but so is Kazuya, her childhood friend, who wasn’t supposed to die. The god decides to solve this by tossing them in a world of magic and monsters. Now Sakurako can remake her life as a dainty young maiden!… who can atomize B-rank monsters with just one punch.

In the afterword, the author says this was written before their other CIW series, The Weakest Manga Villainess Wants Her Freedom!, and for the most part it shows. This is a weaker work, mostly as Sakurako is far too aggravating to have as a long-term protagonist. Likewise, once you realize that Kazuya could solve all his problems by actually confessing rather than expecting her to get it like every other dumb teen out there, you lose a lot of sympathy for him. That said, the fact that this is complete in one volume definitely helps, as it means that they both have to catch a clue about this before the book ends. I was also amused at some of the humor, such as the demon lord briefly assuming that all of humanity is just like Sakurako and turning into a whiny baby, and the effects of Sakurako’s magic food forcing the stoic of their party to start espousing its virtues at the top of his lungs. There’s fun to be had here.

That said, if you want to try out this author’s work, I’d definitely start with The Weakest Manga Villainess Wants Her Freedom! first.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 5

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

After four volumes of absolute breathtaking drama, where you worry every single page that Jill is going to either die or end up thrust into a war that will cause everyone else to die, it’s a relief to have a volume that is comparatively a relaxing romp. Oh, don’t get me wrong, the main plotline is still “there’s a secret plot to destabilize things so that the Dragon Emperor will be forced to go to war and the timeline can go back to its old, Jill-is-dead self, but that’s the plotline of the series as a whole. Whereas this book reads like Nagase-san took a reader poll saying “Hey, if I was to have Jill in any cliched situation you can imagine, what would it be?”. And the winning entry was absolutely “I want to see Jill as the new teacher having to deal with a bunch of awful delinquent students who just need the power of someone who cares and can punch them hard.” “Can she wear a cap?” “Oh God yes.”

Jill has plans. She doesn’t want to just be a good wife to her future husband, and she doesn’t want to just punch everything in sight in his name. She wants to help him make her adopted nation even better. Towards that end, she’s come up with a plan for an academy, and wants to go to the nearby La Baier military academy in the Grand Duchy of Laika… which, coincidentally, also has another member of the royal family there – Hadis’ younger brother – as well as a noble who Jill remembers as being a schemer in her previous life. Jill is approved to attend the academy – honestly, approved far too fast – and Hadis ends up tagging along, because of course he does. Unfortunately, when she gets there, she finds not only that the younger brother is one of the worst of the delinquents, but that she’s not there as a student… but as a teacher?

I’ve said this before, but I love how this author always seems to know exactly what the audience for these books want. Yes, a lot of tense intrigue and action, with one false move and the series will end forever tension. But, more importantly, the fact that Jill and Hadis rarely feel that tension themselves. After the events of the last book, Hadis has discovered that the best way to both get revenge on Jill for ignoring him and also find her at her most attractive is to infuriate her, and also possibly side with the enemy. (The actual enemy is in flux through a lot of this volume, and will involve even more of the extended family from hell.) Everything may be going to hell in a handbasket, people’s lives are at stake, but that doesn’t stop these two nitwits from fighting like they’re flirting and vice versa. It is, frankly, cute.

Unfortunately, there’s a nasty cliffhanger that suggests that we may be back to “everyone is trying to destroy Jill’s happiness” next time around. Fortunately, the next book is out very soon, so we can suffer then. This is, almost, a fluffy respite.

Earl and Fairy: The Secret Behind Your Tears

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

I don’t want these reviews to get too similar, so let me start off with something that isn’t the tortured romance between Edgar and Lydia for a change. Perhaps the plot itself. This book really hammers home that we’re seeing a re-enactment of Shakespeare’s Richard II in Japanese light novel form here. Edgar wants to be the Blue Knight Earl. He acts like a proper English noble, which includes caring about those whose lives he governs. He’s a good person who’s trying to do what the Blue Knight Earl is supposed to do. And he gets the reward in the end. Unfortunately, Ulysses has the bloodline in his (borrowed) soul, and so all the magical guff actually works for him, whereas Edgar is left with a reward that he cannot actually see or access. The good guys do sort of win here, but it’s a bittersweet victory, comes with a death, and its only real success was getting Edgar to finally realize that “it’s OK if I die” is not a good way to live.

We open with Lydia back in Scotland, determined to separate herself from Edgar, but missing him nevertheless… and despite the multiple letters a week he writes her. However, circumstances end up reuniting them on the island where this all began, where they are dealing with a banshee who is related to the Blue Knight Earl of a hundred years ago… and has amnesia. Unfortunately, Edgar is feeling rather depressed and morose about his inability to get his feelings across to Lydia, so goes to his club, gets drunk (and, it’s implied, also smokes some questionable drugs), then goes home, and when Lydia tries to talk to him, it goes badly. (No, not like that… though he’s initially afraid it was like that.) Unfortunately, as all this is going on, Ulysses is ma,king everything worse, as usual.

Ermine continues to be interesting, though I’m not sure how long she can keep up being a double (triple?) agent without wearying the audience. The author is being pretty good about keeping us on our toes as well, but I can’t help but notice that most of the recent cliffhangers are all “Ermine does something that looks evil”. That said, after her resurrection, I don’t think the author is getting rid of her anytime soon. If only as she’s still able to completely torpedo any efforts at Lydia and Edgar to get over their hangups and talk to each other about their doubts and fears. Edgar makes his biggest declaration of lover ever this book, but it’s a drunken murmuring of Ermine’s name that Lydia takes to be his “true” feelings, partly as I think she’s scared of her own feelings for him. Certainly she’s ready to walk into a massive deathtrap for him, as well as save his life when even he doesn’t want that. But… yeah. Still not quite a couple yet.

If you love exquisitly frustrated romance and supernatural action thrillers, this remains a must read.

I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 3

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By Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka.

(This does spoil the spinoff’s one big reveal, but not till after the picture.)

And so the I’m in Love with the Villainess story comes to an end once more – this time, apparently, for good, as the author says there are no plans to do a Claire POV for Book 3-5 of the original series. Which makes sense, because while there’s a lot of great stuff happening in those books, Claire’s character arc is the focus of this spinoff, and it comes to its head here. We see Clire’s determination in ferreting out the corrupt nobles, her horror at discovering her father is seemingly behind them all, and her stubborn nobility coming to the fore when she decides the best thing to do is to die for the sake of her country. Fortunately, things play out like the original series, so she’s free to marry Rae and have incredibly embarrassing naked apron incidents near the end of the book. And of course we have the side characters. Loretta and Pepi get resolved as well, of course. And then there’s… um… what was her name again?

I’m not going to summarize the main events of the novel, as we’ve read them before, from Rae’s perspective, in the original series. Interspersed with this we get POV scenes from others. I’ll discuss Catherine’s in a bit. Dole gets a brief scene where we learn about where his dedication to wiping out corrupt nobility came from, as well as his belief that he’s already going to hell for what he’s done. Pepi gets to defend the academy from the revolution, as well as try to figure out how to protect Loretta and not see her die. We see Manaria’s POV of what happened when she returned home, as well as what made her come back at just the right time. Lene and Misha also get scenes showing what they did during the revolution, and their own complicated thoughts on it. Loretta gets to deal with life post-nobility and the chance of a new love. And we get a flashback to Melia’s last moments, where she may not return to Claire’s birthday party but she manages to save… well, let’s talk.

There are two big things about Catherine’s plotline, and I’m going to talk about both of them, so apologies to those who haven’t read the book yet. The first, and most “normal”, is that she, as a child assassin trained by her awful father, was the one who killed Claire’s mother, something which has haunted her and crushed her with guilt ever since, especially because Melia ends up saving her life. Needless to say, Claire is a bit poleaxed when she discovers this. My favorite part of the book, though, was the revelation that Catherine can erase memories, and does so in order to protect Claire and escape from the academy. I love this because I’ve spent this entire series wondering how it is that we see Catherine with Claire so often and she never appeared in the main series at all. I was chalking it up, of course, to “because this hadn’t been written yet, duh”, but there’s a better reason now. Catherine literally wrote herself out of the narrative! It’s only after the main story has resolved that Manaria can deus ex machina things to try to once again meet her, and even then we still don’t see it. Catherine exists at the edge of the novels, a ghost in the pages who then walks off the back cover… along with her maid, because try as she might, there are SOME things that you simply can’t wipe away in a light novel series, and “saving a girl from certain death and making them into a devoted maid” is one of them.

If you’ve read the original books, this is a terrific addition. If you haven’t read the original books… well, go read them first.

Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 2

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By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This book really depends on the reader getting Ekaterina, and if there’s anyone still reading it after Book One who doesn’t get her, they likely stopped before the end of this book. Ekaterina… or rather, Rina from Japan… is a fangirl. She is the sort to see the character she really likes and actually *say* “SQUEEEEE!”. She will happily monologue in her head about possible BL ships, and she goes over the moon whenever her beloved brother deigns to kiss her forehead. The author asks “are these two siblings really OK?”, and the answer is yes, because the best thing about this otherwise pretty typical series is how the author knows exactly how much “comedy incest” to tease without making it creepy. This isn’t incest, really. It’s brocon/siscon stuff, which is functionally different. Just as dads in light novels who say “I’ll never let you marry my daughter!” aren’t really lusting after her themselves, so these two are determined to head off anyone who dares get between their very G-rated relationship.

This volume doesn’t take place at the academy quite as much, though we do get the villainess standard “oh no, I accidentally was too smart and ended up having the best grades in the class” scene. Instead we see Ekaterina trying to learn how to run her family’s estate, so that her brother can concentrate on everything that should be on his plate. A lot of this involves continuing to purge the elements of the family that her grandmother controlled, but there’s also meeting the royal family (who absolutely love her, and are somewhat bummed that she doesn’t really care for their son. She also introducing new fashion trends, and coming up with ideas for a birthday present for her beloved brother. Which, because everything gets out of hand around her, means accidentally inventing the fountain pen.

Like most series in this genre, the basic idea is that Ekaterina is making everyone’s lives better, partly by design and partly by accident. There are, of course, a few people who are too far gone to help, such as her grandmother’s old attendant, who is just as arrogant and prejudiced as grandma was, and is quietly sacked. But even there Ekaterina reasons to the reader that she was the ninth child of her house, likely this was the best job she could ever have gotten, and her grandmother was very good at indoctrinating people. We actually hear that in this she takes after her grandfather, and I like the idea that it’s not JUST “I’m from Japan” that makes all the difference. The first book made a big deal about their personalities fusing, and while it implies that Rina basically “won”, I like the idea that we’re seeing what an Ekaterina without toxic influences might have developed.

We’ve got a ways to go, and there’s still no sign of any successful romance, mostly due to the denseness of the lead. (And, unlike Bakarina, it’s not obvious who will win.) Still, if you can get past the premise, there’s much to like here.

Tearmoon Empire, Vol. 13

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

I really enjoy the fact that, even though there are many characters who are introduced into this series to be goofy and comedic, no one is allowed to stay only goofy and comedic. Mia is obviously the biggest example, but we’ve seen a few others pop up. Here we notice that Bel has not only returned from the future slightly older, but she’s also slightly wiser, and while her grades may still struggle, she knows the value of studying and can start to think cleverly on her own. It’s fantastic to see, because “Bel is dumb” was getting as old as “Mia is getting fat”, another punchline we don’t see here. Even the narrative is getting in on being clever. I love the discussion of how Bel’s time-travel (and Mia’s) not only is affecting the present/causing alternate futures, but it’s also reverberating into the PAST, changing the past before it can become that present. Which might make fixing the Patricia problem easier… but also possibly harder, if Mia keeps accidentally acting like a comedy villainess.

The book starts off with the end of the last arc. Julius has been revealed as the villain, and it also turns out he’s Barbara’s son. This comes as a big surprise to Barbara, thanks to the efforts of the Chaos serpents. Still, everything ends up sort of okay, and while some people are punished, and even imprisoned, no one has to be executed. After this it’s summer break, and Mia returns to Tearmoon, with a rather large entourage – not only is Abel coming along, but so are Yanna and Kiryl, the orphans who would rather not go back to their orphanage, and also Aima, who is happy to be checking out the horses of other countries. Unfortunately, new problems abound. Ruby comes to Mia sobbing as she’s being engaged to a noble… and in a world where no one really objects to political marriages, that’s hard to fix. Worse, the Chaos Serpents are still around and still trying to kill Mia.

Just because we’re getting rid of some running gags doesn’t mean they’re all gone. Near the start of the book we get another hilarious sequence where everyone decides to make sandwiches and Keithwood tries desperately to stop them accidentally poisoning everyone (though he also finds a potential future partner, because Tearmoon Empire enjoys pairing off everyone almost as much as How a Realist Hero Rebuilt the Kingdom does). I also really enjoyed this book leaning into how horse riding has now become equal to dancing in being something Mia is really good at. When she took that huge jump I cheered along with everyone else. If there’s one down side to this series, it’s that the author and publisher can’t figure out a way to have each arc end at the end of a book. This is another book that’s one third the climax of the last arc, and 2/3 the start of the next one, and since the climax is mostly explanations, it means we don’t get much oomph here. Oomph will have to wait for Book 14.

Which isn’t scheduled here yet, but I assume it will be along before too long. I really appreciate how this series has matured along with its heroine.

The Blessing of Liefe: Leave This Magical Letdown Alone!, Vol. 1

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By Kureha and Yoko Matsurika. Released in Japan as “Liefe no Shukufuku: Muzokusei Mahō Shika Tsukaenai Ochikobore toshite Hottoite Kudasai” by Arian Rose. Released in North America by J-Novel Heart. Translated by Alex Castor.

This one took me by surprise a bit. The opening suggests it’s going to be a much darker book, with a girl who has “useless magic” getting physically and emotionally abused by her terrible father. But after her mother divorces said father and returns to her life as a commoner, everything starts to get much better, for the most part. Oh, sure, people still bully her, and she’s forced to endure verbal abuse from various folks. But there are a ludicrous amount of people in her corner, and as it turns out (please tell me you’re not surprised) her magic that’s useless unless you spend years studying it really hard turns out to be fantastic when you actually do this. In the end, she wins battle tournaments, scores high in exams (by accident), and even helps to heal, both with magic and the heart, the second prince, her childhood friend and a man who is deeply in love with her. Something she, of course, does not get at all.

Yui O’Brian (later Yui Curtis) is born with non-elemental magic, in a world where the ‘fire/water/wind/earth” dichotomy is everything, and her magic is seen as support, and something not to be bothered with. As such, not only does her father despise her, but kids make fun of her, and once she’s in school, arrogant nobles look down on her. Fortunately, it turns out that Yui has had, for some time now, a ludicrous number of allies. Her twin older brothers adore her. The second prince sneaks out of the castle and meets up with her, and since she’s the only one who can touch him and his over the top magic and not be injured or killed, the former king is absolutely fine with this. Her mother remarries another noble who turns out not only to be devoted to his wife and daughter (to an annoying degree – see below), but is also the prime minister to the current king. And her friends in the “losers” class at school all seem to be far too powerful for that class. What’s going on here?

At one point, Yui is called to the castle after a magical accident traumatizes the second prince, and as she goes off to his room I was expecting her to pose dramatically and say “It’s OK. I’m a light novel protagonist.” There is… frankly, a distinct LACK of drama and trauma after about page 10 or so, and while I think the story works better for it, folks looking for actual struggle may be a bit annoyed here. Speaking of annoying, while I don’t think that the stepdad is incestuous like some other folks discussing the book, he is a ludicrous example of the “overaffectionate/overprotective dad” trope we see a lot of in Japanese anime and manga. Usually they end up being the comedic butt of jokes, but alas, Layce has too much power for anyone to push back against him (except Yui). I did also enjoy seeing a “noble marrying a commoner” love story go the way it likely really would in a non-light novel: Yui’s father wanted to marry Yui’s mother, a commoner, harassed and bullied her till she gave in, and then hated her once something did not go his way. Even in a series like this where Yui has allies everywhere, nobles are mostly scum.

We get a confession at the end of this book, but Yui is not emotionally prepared to respond, and there are some other subplots that haven’t finished yet. I’ll definitely be reading more, but this feels like a series where someone has entered cheat codes for the heroine’s life.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 6

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

First of all, let’s get the most important thing out of the way: this volume features the triumphant return of “I’m good on wolves”, the running gag that made the first volume such a delight for me. It’s very welcome, and yes, the fact that it’s back means that Sara ends up going ALL the way back to Rosa this volume, courtesy of the plot. Also returning is the author continuing to not confirm but nevertheless convince me that Sara is a monster attractor, and that anywhere she goes will see an increase in their population, ranging from hellhounds and wyverns to the surprise guest monster we’ll be talking about in a bit. Oh yes, and we also get more attempted marriages, with Sara turning all of them down. She’s still not thinking of Allen as anything more than her bestie and family, but we may finally be starting to crack that a bit. His almost dying in this book helps, no doubt.

Sara has returned to Hydrangea, where she is living the happy apothecary life, despite acquiring another suitor – Liam’s younger brother Noel (I see what you did there), who fortunately is a lot nicer than his sibling. Unfortunately, suddenly a lot of dangerous monsters appear in the dungeon where they shouldn’t be, including crossing supposed no-monster zones. After finding mysterious invisible portals in the dungeon, Sara and company come across something much bigger and more dangerous – a continental turtle, which has decided to get up and start to walk. It’s the size of a three-story building, and the last time it did this it caused untold destruction. Now everyone’s got to get together to try to nudge its path slightly so that it does not run through any major cities. What? Kill it? Don’t be silly, it’s invincible. Who would be stupid enough to try that?

So this book is filled with a lot of people learning their life lessons at last. Ted has been exposed to life outside the noble city he grew up coddled by, and gets as close as he ever will to thanking Sara. Liam may be coming up with dumb plans, but he at least is self-aware enough to know that “find a scapegoat and throw them in jail” is not the answer when said plans don’t work, and he DOES apologize. As for Sara and Allen, it’s amusing that they both accuse each other of going with the flow and avoiding confrontation too much. We’re more used to seeing it in Allen, as Sara is the POV character, but he’s right – for all her snarking and complaining, she’s only now getting around to actually refusoing to do things. They’re not together by the end of the book, but they’ve basically admitted that they’ll never be apart from each other.

That said, the cover of the 7uth volume suggests another slow-burn romance may get resolved first, and we might see that next time. Till then, enjoy your fill of wolves, turtles, and teenagers who try to do far too much, and mostly succeed.

Kuma Kuma Kuma Bear, Vol. 19

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Sigh. So not only does this volume retread a lot of ground I talked about last time when I was reviewing Kuma Bear (Yuna is a big softie but hates when people call attention to it), it’s also a huge battle volume, which means that 2/3 of it is made up of fights that I also can’t really review very well. It is nice to see Yuna having to think about various ways to try to defeat the fire orochi head, whose strengths actually block Yuna to a degree, and seeing her try some stuff that, back in Vol. 2 or so, was an immediate win move end up doing nothing whatsoever. She’s having to think on her feet and be clever, even though a lot of this is just “I can do things everyone else can’t because of the bear costume”. And we get a flashback showing how the orochi was first sealed, which is interesting if you’re invested in the fox spirit. Which… I wasn’t really. So yeah, still struggling.

Sorry, cover art fans, but Yuna spends barely any time in the white side of the suit this book – this is powerful, punching things Yuna through and through. Everyone realizes that the orochi’s seals are breaking, especially now that Mumulute shows up and it starts to really try to break its binding. The answer is to just fight and actually defeat it this time, but the orochi has four heads and its huge body, and even Yuna can’t duplicate herself. So Shinobu and Kagari also get involved, and unfortunately Shinobu is injured and has to be sent to the penalty box (the penalty box being Yuna’s home, where Fina is called over to nursemaid her). As for Sakura and Luimin, two of the latest girls to revolve around Yuna’s “10-year-old girls seem to dog me” orbit, well, they can at least try to stop it waking up for as long as possible. Still, in the end, it takes a bear. A bear who really, really does not want a reward.

So, stop me if you’ve heard this one before, but Yuna hates being praised and deflects attempts to credit her for anything, saying she just wants to live a life where she’s not viewed as the hero. That’s getting increasingly difficult, and it doesn’t help that Kagari (who, by the end of this book, is also in the body of a little girl – The Author’s Barely Disguised Fetish is always the weakest part of this series) is doing the same thing. On the bright side, I did enjoy seeing Luimin and Sakura bond immediately, to the point where they vow to travel the world together once they grow up, and it might even eventually be yuri if I thought the author was ever going to do anything of the sort, which I don’t. And we got to see Fina pouting and hitting Yuna with her fists like an anime cliche. That was cute.

We’re only a little behind Japan now, which has Vols. 20 and 20.5 out. Next time should see the start of a new arc, and no doubt new things for me to complain about. But I’ll read it. Yuna is as Yuna does.

Private Tutor to the Duke’s Daughter: The Great-Tree Warden’s Testament

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I am prepared to eat a bit of crow here. Last time I mentioned how all the characters were getting something to do and character development except maybe Ellie. Well, character development is still thin on the ground (she’s meant to be the pure, naive one, and I think at times the author overdoes it) but certainly in terms of plot function and battle readiness she’s advanced by leaps and bounds. Her magic is strong enough to be able to take on giant monsters to protect Allen and Stella, and we also find out that she’s a Great-Tree Warden, something that was thought to have died out. Oh, and she gets to link mana with Allen. So yes, this is absolutely the book for Ell.ie fans. That said, this harem is large, and you know that no one can stay in the spotlight for too long, so by the end of the book she makes way for Book 14, which promises to be all Stella. Who, um, may be evil now.

We’re now back from the City of Water, after leaving everything to Niche Nitti (which, for some reason, makes Felecia intensely jealous), our cast return home so they can set up for the next part of the plot. Some of that is put off till future books – the Church is still lurking in the background, and every single bad guy who hasn’t died seems to have converged on the same country that’s right next to our heroes. But some of it needs to be dealt with now. There’s an oracular prophecy that may help to fix Stella’s magic issues, but it requires Allen, Stella and Ellie to go visit an underground archive that happens to be controlled by the very people who despise Allen. Now, this would not be an issue if Allen had a title – but he keeps rejecting, deflecting, and avoiding them. So we just have to make it so he can’t refuse…

Allen’s position makes a lot more sense after this book – there are some people who are doing their damndest to try to not only make sure he’s a failure but also, if the ending is accurate, .literally kill him. It’s all related to the Beastmen, because surprise, there’s prejudice. As for the harem, for once we actually get a long look at the Princess, Cheryl Wainwright. The author apologizes for his being unable to shoehorn her into past volumes, but it makes sense – she’s in line for the throne, and unlike Lydia can’t run away at the spur of the moment just cause. She was fun, and at times seems to possess the common sense the rest of Allen’s harem lacked. But I’m sorry, even with that title, she’s lagging behind the rest of the harem.

I’m not sure when we’ll get the next volume – it’s unscheduled in English at the moment – but it’s likely to finally resolve Stella’s issues. Whether she actually does turn villainous is up in the air… well, not really. This isn’t that kind of series. But she may turn for a while. Till then: good job, Ellie. Sorry I doubted you. Headpat from Allen!