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Reviews

The Too-Perfect Saint: Tossed Aside by My Fiancé and Sold to Another Kingdom, Vol. 2

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By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Tiffany Lim. Adapted by Shaenon K. Garrity.

Oh dear, and it was going so well. Too-Perfect Saint hits that difficult second album, and it’s the worst possible timing for English-speaking readers, as the anime has just begun, so we’re seeing the first book come to life while we read this second volume. The things I really liked about the first book were a) the fact that Philia really struggled with expressing herself and feeling emotions like “happiness” and “hope” after an entire lifetime of abuse, and b) the fact that we had a “my parents hated me but praised my younger sister instead” novel where the younger sister was NOT evil, but was in fact the second protagonist. Now we get Book 2, and Mia gets a much smaller role where she gets nothing to do. As for Philia, she’s dealing with the romantic subplot that I predicted would happen last time. Sure hope another cartoon villain doesn’t show up – oh dear.

Philia is preparing for a giant conference of saints from various countries, which can now happen given she’s purified the world with her giant barrier. Unfortunately, saints have been disappearing one by one, and in fact Philia and Osvalt, who are out on a not-date, almost see one happen in front of their eyes. Worse still, her ex-fiance Julius has vanished from his prison cell. Fortunately, she has some new allies coming to protect her in the form of exorcist Erza and her demon familiar Mammon, who feel like they’re crossing over from a different book (they are, but that one does not appear to have been published) Unfortunately, as the convention gets underway, it’s invaded by Asmodeus, an ancient demon who has possessed Julius. He’s here to resurrect his former love… who happens to have been reincarnated as Philia.

If that last sentence made you roll your eyes a bit, well, congratulations, you had the same reaction I did. Almost every beat of this book, unlike the first which had a few clever swerves, is straight on the beat and not a surprise at all. It’s not entirely without merit. I did like Asmodeus using Philia’s parents as “hostages”, knowing she’s spent her entire life being abused by them, and her reaction – I don’t care about them at all but I am a decent human being so I will not murder them to satisfy you – is quite good. But for the most part all the emotional bits in this book are hamstrung by Philia’s calmness, which feels less like a deliberate choice and more like flat writing in this book. Her conversation with her equally reticent real mother is a low point, and her romantic confession ends up eliciting a mild smile.

This has a third volume, where apparently villains try to make Philia into the Pope. But unfortunately, this probably should have stayed a one-shot.

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 16

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Tristan Hill.

I was sort of dreading this volume, to be honest. This series never has anything happen to it other than adding new cast, and at the moment the 28th volume is coming out in Japan, meaning we get further and further behind every time we see it. I’m sure Yen Press is trying to renegotiate its light novel contracts to say “surely we can cancel SOME titles, right?”. But if ever there was time for a really good volume, this is the time, as the second season of the anime debuted last week, and is promising more of the same, only in animated form. Great news, though, this is actually quite a strong volume, when compared to other volumes in this series. It’s strong because a) it’s run out of CD dramas to add, so has to include another “Laika’s Schooldays” short, which are excellent. Second, there are fewer, longer short stories within, and that means they have room to breathe for once.

The stories: 1) Pecora is holding a comedy competition, and non-demons are also invited to join. Laika and Flatorte, Flafa and Shalsha, and Rosalie all compete from Azusa’s team, and her daughters ask her to write them a script, because she’s the best at comedy (note this is Japanese comedy, meaning they’re all boke/tsukkomi routines); 2) While visiting a museum, Azusa touches an artifact that turns her into an old lady for a week, and while dealing with this, she’s asked to go to a witch convention; 3) Halkara suggests taking their pet mimic for a walk; 4) Goodly Godly Goddess has written an RPG, and the *entire* cast of the series is brought in to populate it; and in Laika’s side story series, her third year begins with dealing with some delinquents who are doing the dragon equivalent of joyriding.

There’s only one weak story here, with the mimic. The old lady one is also not great, but I was highly amused with its idea of a witch convention being much like a real work convention, with cute games and prizes for the winners. The comedy one I was expecting to be bad, but it really worked well – the routine Azusa wrote and Flafa and Shalsha refined was not only surreal and creepy but also funny, though I agree with the judges that Laika and Flatorte deserved to win, as they’re both naturals. Best of all is the final main story, a giant parody of RPGs like Dragon Quest III. This is the second time that Azusa has essentially tested a game for god (something she points out), but this one is more involved and involves everyone pointing out all the cliches and poor writing that go into these RPGs where you frequently have to smile, nod, and go get the fruit so that the boy will give you a clue. I also had fun trying to figure out who would be cast as what (as does Azusa).

This is not a good book as a book, mind you. It’s a good volume of Killing Slimes for 300 Years. There’s a difference. But if you like the series, this is solid.

Housekeeping Mage from Another World: Making Your Adventures Feel Like Home!, Vol. 9

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By You Fuguruma and Nama. Released in Japan as “Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

It’s always interesting seeing how light novels based around a typical “fantasy RPG’ setting handle monsters. Some of them tend to go in the direction of “monsters are people too”, particularly when it comes to demon lords, to the point the recent manga Frieren was written in part to push back against that. A lot more of them tend to see monsters as simply things that our heroes hit with their weapons for drop loot. Housekeeping Mage tries to sit somewhere in the middle. We already know about the slime familiars, and we get another familiar added to the extended family here as well. But we also get a dragon that is the subject of cruel experiments, and while they can sympathize with its plight and give it the best death possible, they still have to kill it, because the alternative is the loss of human settlements. On the bright side, that does lead to some really cool fight sequences.

Alec and Shiori are called back to Brovito, home of the foot baths, in order to investigate a rumor that there’s a fenrir in the woods. What they do find turns out to be not QUITE a fenrir, but certainly an intelligent wolf variant, one who immediately bonds with Alec as a soulmate, and is made into a familiar so rapidly it’s almost comical. The bulk of the book, though, it taken up with a crisis: an ice dragon, buried in a frozen lake for two hundred years, has woken up, and the knights are unable to handle it, so have called in the adventurers. This will take everyone’s skills, and there’s a big chance there will be some deaths. And to make things worse, this is the fault of the Empire, whose dying embers are still glowing, and who even know have grudges to settle.

The series has gradually been getting more optimistic and less bleak with each book, so I was not too surprised that after the great battle, the casualty count was low. Honestly, it’s more interested in romance, now that Alec and Shiori are lovers and ready to get married as soon as he can sort out his family issues. (His brother always seems to be on the verge of visiting but never quite makes it by the end of each book.) We also get another inevitable proposal here, as Clemens and Nadia finally make things official after he takes an arrow for Alec and almost dies. Speaking of which, the reason he doesn’t die, doctor Ellen says, is because she’s been studying harder and learning more thanks to Shiori’s example. For all that Japan loves to write about folks dying from heart attacks from working too hard, most of these books agree that if it’s a job they love which is rewarding, they want to work ALL the overtime and do ALL the things.

We’ve caught up with Japan, so I’m not sure when we’ll get the next book, but the author says it should wrap up in 2-3 more arcs. I’m still enjoying it.

Kuma Kuma Kuma Bear, Vol. 20.5

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by RFD.

I have frequently whined about having to review a lot of these .5 short story collections, mostly as they tend to feature things like bookstore exclusives that out of necessity cannot have any effect on the plot. But in something like Kuma Bear, a series that is so dependent on Yuna’s POV that any scrap we get from other characters is most welcome. If there’s one thing that we’ve learned about Yuna throughout this series, it’s that she – still! – hates herself. Every time she talks about her physical appearance it’s to talk about how short, flat, and plain she is, and every time she does anything for others she plays it off as being self-serving or nothing special. But when you see Yuna in the eyes of other characters, she’s described as “slim, pretty and feminine”, and everyone and their brother talks about how kind and nice she is. Honestly, this world warps to that kindness – which is why the darkness of the past is – mostly – not seen anymore.

I say mostly because this volume, for the first two-third or so, adapts the bookstore-exclusive stories from Vol. 10-16, which means it has the beach trip to Mileela, including in the party the women from Mileela who were abducted by bandits. Neaf in particular was raped and had her family murdered, and they HAVE to discuss it here, but it’s elided to “something terrible happened”, as they’re always talking about it to kids. After these stories we get five more written just for the volume, which honestly have the same feel as the stories we’d just read. The last quarter of the book is the most unique, as it has Yuna, Fina and Noa watching the first season of the Kuma Kuma Kuma Bear anime.

Believe it or not, the last section is by far the most interesting and rewarding. If you’ve ever been to the Archive Of Our Own fanfiction site, you may be familiar with a genre called “Reaction Fic” or “Characters Watch the Show”, and this is essentially an official version of that. That said, the best of those fanfics analyze the source and are able to give new fresh takes, and that’s what we see here. I’m sure it’s not canon, but here we see Yuna’s past in Japan and her isekai’d status revealed to Fina and Noa, and Yuna narrating that she regards having to learn to cook and clean for herself because her parents were never around as “cherished memories”, as they let her live on her own here. That’s horrible! She also sees Noa’s optimism and positiveness about herself and thinks that she should learn from Noa as she’s so negative. I agree so much. Lastly, they also watch the anime original parts, including the final episode, which Yuna herself describes as “like a yuri anime”. They’re not beating the allegations.

So this was more rewarding than I expected, and at 400 pages or so it’s good bang for your buck. It’s not all moe cuteness. Just… mostly.

The Hero-Killing Bride: The Blind-Eyed Saint

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By Aoikou and Enji. Released in Japan as “Yuusha-goroshi no Hanayome” by HJ Bunko. Released in North America by J-Novel Club. Translated by Faye Duxovni.

I think by now most people know that I’m relatively easy to please, and it shows at times in these reviews. And sometimes I can overly gush about things, only to look back later and say “boy, that’s kind of embarrassing now”. I really enjoyed the first volume of this series, and said the best thing about it was the main protagonist. And, on various other social medias, I got pushback from people who were expecting something better, and she really didn’t vibe with her the way that she vibed with me. Honestly, I was actually feeling a bit guilty. So I went into this volume determined to keep a clearer head. And, well, my review is going to be exactly the same. This series has a lot of flaws. But I really, REALLY like the main character. She saves this series in many ways. Despite being driven by a repressed grief into some very ugly choices. Because behind all that cynical narration is someone who cares far too much about people.

Alicia and Cion, having managed to defeat General Heavenfang, are being dispatched to The Holy City, which is currently empty of the biggest holiness, the Pope, as well as most of its knights (guarding the pope). They’re being sent there because someone keeps killing cardinals, and they’re both very strong. When they arrive, they go to great the Saint who is the highest authority there who isn’t the pope. She seems perfect… honestly, a bit too perfect. She gives Alicia the creeps, for some unknown reason. Unfortunately, Alicia also runs into an assassin who has the power of shadows, and who has a resolve to kill anything related to demons – and says that the Saint is a demon. Fortunately, Alicia has her old father figure and mentor there to talk to. Surely he won’t be viciously murdered or anything. that would be terrible! (Sorry for the spoiler, but the guy did all but say “I’m retiring in three days and buying a boat”.)

The best part of this remains Alicia. I’m sorry if other folks don’t like her, but I 100% vibe with someone who things that this is a horrible world and God can’t save you and has stained her hands with blood but still tries to do the right thing and help save people even when it defies all sense. The middle section of the book, after the death of her mentor, is absolute dynamite, as we see her completely snap and almost turn evil, but it remains framed through her bitter, matter-of-fact narration – I was reminded a bit of Sorawo from Otherside Picnic. Unfortunately, the rest of the book struggles to live up to its heroine. Cion remains a cipher, and spends a lot of the climax of the book mind-controlled, which is never great. Lastly, everything that involves sex in this book is awful and pointless, and I hate all of it. It was totally unnecessary.

But I’m still going to read the third book, as I like Alicia, and I want to see if she survives the series. For those who like The Executioner and Her Way of Life and wish there were more series in that vein.

A Tale of the Secret Saint ZERO, Vol. 2

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Kim Morrissy. Adapted by Melanie Kardas.

One thing I’ve noticed about several light novels series that feature things that are supposed to be cute is that they can get surprisingly dark, at least at the start. I’ve talked before about Kuma Bear and its tendency towards horrific backstories filled with rape and murder for some characters, which we basically never get anymore. And, in the main series that this is a spinoff of, we get how Serafina died, and it also features rape and torture. That too, as the books went on, has been, if not removed, at least rarely mentioned unless it’s very plot-relevant. And the first novel in this spinoff was firmly on the site of cute and adorable, so I was expecting the same thing here. Imagine my surprise when I got another character with a tragic backstory that reads very much like a horror novel. Monsters exist here, and it turns out that they can lead to fates much worse than death.

Serafina is out and about now that she can see, and she’s shown off her cook saint powers to Sirius. So it’s time for her to work with him in earnest, and that also means she needs a cohort of knights to guard her. What’s surprising to everyone but the reader, who knows that Sirius is absolutely obsessed with Serafina, is that the knights chosen are the best of the best, cream of the crop… and they’re wondering why the second princess needs so much more protection than, say, the FIRST princess. That said, she is pretty freaking adorable… and the “special medicine” she makes to cure Canopus’ fever works a bit TOO well. Clearly there’s only one thing left to do: go the the beach. Which, to be fair, also involves a bit of investigation, as this beachside community has been in an economic slump recently. It’s almost as if the spirit who blessed them is dying…

This is, out of necessity, a series where our heroine is six years old, so it lacks any of the romance that the main series hints at. Sure, Sirius is obsessed with Serafina, but that’s meant to be more of a dad/older brother thing, and honestly, she’s more his emotional crutch than he is hers. I did briefly wonder, though, if one of the guards was going to have a childhood friend romance with one of the saints, who turns out to be from his own hometown. Unfortunately, this isn’t a romance, and the guards only get to be as obsessed with Serafina as a powerful saint as Sirius is. Instead, the childhood friend’s plotline is a reminder of the dangers of feeling responsible for things you do as a kid that aren’t really your fault – easy enough to do here, when it turns out the things are so horrifying. (I was honestly a bit annoyed at the girl here. “I know you feel bad about your whole family being murdered, but did you know their souls may also be trapped in torment?”)

So overall, this was quite good, concentrating on the cuteness while also leaving in some darkness for those who like the contrast. It does have a dangling plotline, though, I hope that gets resolved whenever the third volume is out. We’ll get the main series first, though.

From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone, Vol. 6

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By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.

This is getting an anime pretty soon (in two days, in fact), so it’s interesting to see this volume coming out right before it, as it’s essentially starting a new arc for the series. The last volume brought to a close a lot of Beryl’s issues with his dad, and he’s now come to the conclusion that hey, maybe he *is* pretty strong after all. That said, baby steps. He still struggles with his self-deprecation coming to him automatically through this book. And in regards to his quest for a wife, he’s going to have to get past the “no one could possibly find an old geezer like me attractive” stage to get anywhere. He also straight up says that he’s not going to have any of his former students as bridal candidates, which is essentially EVERYONE to date. So it’s unsurprising that we get a new girl introduced here to offer an alternative.

After dropping by the magical academy to see how the sword magic classes are going, Beryl is called into Allucia’s office. They have to go to the estate of Margrave Flumvelk, who is holding a gathering to celebrate Beryl’s accomplishments to date. Beryl is understandably his usual self about this, but he also knows he can’t refuse a request for a noble, so he, Allucia, and a bunch of knights spend a couple weeks traveling out there. When he arrives, he finds that the margrave is one of his old students, and Allucia’s classmate. He also has a younger sister, Shueste, who he wants to have at Beryl’s side in order to fend off nobility who have designs on Beryl, is gorgeous and clever, and pairs really nicely with Beryl… much to the annoyance of Allucia.

This book is OK, but I have some issues. All the action and drama is backloaded into the last 4th, making it feel like the author had a different ending and was told to change it. We’re introduced to two knights to guard Beryl and Allucia, and one is almost killed, but they both have zero personality between the two of them. They cried out for a side story. More to the point, they do address the elephant in the room here, which is Beryl marrying someone. Warren, the margrave, admits to Allucia that he’d be happy with Beryl marrying his sister… but would also be fine with Beryl marrying Allucia. The key is that Beryl is getting older, and they want someone to carry on the line. I’m not fond of “my awesome sword abilities are genetic” stories, even though, in a world with magic like this, it may be entirely possible. Then again, merely getting Beryl to have sexual desires may be too big a hurdle.

So now we have a whole new subplot with new villains to dig into. The next book promises to finally bring back the adventurer who was one of the harem in Book 1 and then vanished. We’ll see if the anime can bump it up a bit as well.

Victoria of Many Faces, Vol. 2

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By Syuu and Nanna Fujimi. Released in Japan as “Tefuda ga Ōme no Victoria” by MF Books. Released in North America by Yen On. Translated by Andria McKnight.

The first volume of this series felt very self-contained, but left open the possibility of a sequel hook for the second book. A sequel hook that remains open, because it’s not used here. Instead, this book takes place five years later, with Victoria, Jeffrey and Nonna returning from fantasy China, and is content to do much the same thing the first one did. It divides its time nicely between Victoria having slice-of-live vignettes around the city, reconnecting with the cast of the first book, and raising her daughter to be a wonderful noble girl. This is contrasted with the other half of the book, which is Victoria as spy: she can’t help but decode an ancient book, which reveals the location of a hidden secret, and she’s attacked about five different times in this book, all of the attacks very unsuccessful – she’s not even injured. But the most important part of this book is seeing how Victoria has raised her daughter to be a lovely bundle of terror.

As noted above, Victoria and her family are back in Ashbury, five years after the first book. Nonna is now twelve years old, and has spent the last five years learning Shenese martial arts, which now take up most of her time – when she hears she’s going to be reuniting with Clark, she’s far more interested in showing off her cool kung-fu moves than to talk to a boy who has now grown into a man (with a clear crush on a twelve-year-old – I’ll ignore that for the moment given that in Book 1 he was 12 and she was 6 and it was more cute). She also meets back up with Mr. Bernard, who shows her a rare copy of The Lost Crown a famous adventurer story. This one seems to have some odd typography, and Victoria and Bernard wonder if it’s actually a cipher. This mystery leads to further mysteries which take up the back half of the book.

The best selling point of the book is how matter of fact it is – both Victoria and Nonna are absolutely deadly in a fight, and neither of them are remotely challenged by any of the thugs who attack them in this volume. What’s more, the only real criticism of her daughter following her into a deadly situation and taking out all the thugs with her mother is that she was acting a little too chuuni when she did it. Honestly, the matter of factness even extends to one of the subplots, where the reader (and Nonna to, to be fair) keeps expecting Victoria or her family to win over the heart of the plucky foreign teen they rescued from her country’s outskirts, but we find that in fact the plucky foreign teen is in fact a crook who falls in with a bad crowd and is not in fact redeemed by the power of good thoughts. Sometimes you can’t really do anything about that.

As with the first book, this one ends feeling like it’s the end of the series, but there’s a third in the series out in Japan, so we/’ll see if someone can actually break through the defensive badassery of mother and daughter. This is still a great series.

Confession

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Confession is a tight, twisty thriller that reads like an episode of The Twilight Zone or Alfred Hitchcock Presents. Author Fukumoto Nobuyuki establishes the premise in a few quick strokes: two hikers—one gravely injured—huddle on a mountainside pummeled by a fierce winter storm. As they debate the best course of action, Ishikura—who is bleeding profusely—confesses to murdering a mutual acquaintance, telling Asai, “I killed Sayuri… with my own two hands.” Asai, however, refuses to abandon Ishikura, dragging his wounded friend to the safety of an abandoned cabin. As the two wait for a rescue team to arrive, it finally dawns on Asai that Ishikura might regret what he said.

For a two-hander like this to work, it’s not enough to know what Asai is thinking; we need to feel his growing sense of desperation. Kaiji Kawaguchi’s art is up to the task, creating a spare, claustrophobic environment that’s almost as hostile as the barren slopes that surround the cabin. The cabin itself is rendered in just enough detail for the reader to grasp the layout and size, as well as the lack of good hiding places. Equally important, Kawaguchi’s character designs emphasize the wide social gap between the conventionally handsome Asai and the squat, dour Ishikura, encouraging the reader to question how these two people ever travelled in the same circles.

The artwork is so effective, in fact, that some of Asai’s internal monologue feels superfluous, especially when he states the obvious: “If my suspicions are right, are you and I going to fight to the death?” (Signs point to yes!) Aside from a few clumsy monologues, however, the story never sags under the weight of too much exposition; Nobuyuki carefully doles out information about Asai and Ishikura’s past to reveal how fraught their relationship was before they went climbing, hinting at a long-simmering conflict between them. The final scene is a shocker in the best sense, challenging the reader’s perception of both characters without cheating or taking any narrative shortcuts to get there. Hitchcock, I think, would approve. Recommended.

CONFESSION • STORY BY NOBUYUKI FUKUMOTO • ART BY KAIJI KAWAGUCHI • TRANSLATION BY EMILY BALISTERI • PRODUCTION BY TOMOE TSUTSUMI, PEI ANN YEAP, AND HIROKO MIZUNO • KODANSHA USA • RATED 16+ (VIOLENCE) • 314 pp.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 9

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It’s been a while since we saw the last volume of Dahlia, long enough for me to think that Lucia was the real protagonist and Dahlia was a mysterious side character. But there’s a big difference between Lucia and Dahlia. Lucia may be self-effacing, but she recognizes her own talent and can take an actual compliment. Whereas to Dahlia, taking credit for anything is like being asked to walk over hot coals. We’ve joked about the slow burn between Dahlia and Volf, which at this point may be less slow burn and more a fire that has had water poured over it, but frankly, there’s no way it can go anywhere right now. Not because Dahlia is a commoner – that’s taken care of here – but because Dahlia has no sense of her own worth at all. Which may be partly Tobias’ fault, yes, but could also be due to Carlo, as his desire to protect his daughter seems to have left his daughter thinking she’s TOO ordinary.

As I hinted above, Dahlia’s commoner days will soon be over – she’s getting a barony. As is Jonas, who is equally surprised. This means that she’ll also need to make her noble debut, which will mean… shudder… conversing with others. And dancing. She’d much rather work on magical tools, thanks you, or at least spend her evenings eating delicious food and getting drunk with her bestie Volf, who is so gorgeous but doesn’t see her in a romantic light at all. Right. Dahlia’s lack of perception has never been more annoying. She also gets a tour of the magical tool facility, where she would likely be working if she had enough magic… and the residents of said facility quickly realize that ‘a lot of magic’ is not the be-all and end-all of being brilliant. She’s also helping to bring together different guilds to make better products… really, is there anything Dahlia can’t do? Other than understand her own heart?

There is a genre of Japanese novels where an overworked office worker in a horrible environment dies and ends up in a fantasy world, usually while bemoaning the horrible work standards they have to deal with in modern-day Japan. It’s a typical type of escape. This is its counterpart, where you invent a world where everyone wants to work, work, WORK SO HARD. The heads of the company have to tell their employees to work less. There are literal hypnotic machines designed to force people who have been staying up too much to sleep. What’s more, when you see people that are working incorrectly, or being uncaring or callous, there’s an easy solution. Just add Dahlia, who with a few words and frantic hand waving that it wasn’t anything she did really denials, you can move mountains and get the lions to lie down with the lambs. Or the shoemakers to lie down with the magical tool makers. Honestly, dying and reincarnating as a villainess may be a lot more realistic.

That said, as the “extra” story shows this time around, we may have to do more than just get Dahlia to be noble and somehow hook her up with Volf. She’s special, and it’s only a matter of time before her specialness impacts the plot a lot more than it is now. But till then, please have some nice food, some wonderful alcohol, and for dessert, modesty that is so ridiculous it’s become a literal Tragic Flaw.

This Alluring Dark Elf Has the Heart of a Middle-Aged Man!, Vol. 1

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By Yuhi Shimano and NAJI Yanagida. Released in Japan as “Watashi no Kokoro wa Oji-san de Aru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

It feels like it’s been forever since I last picked up a Volume 1 of something that was just plain “isekai fantasy”. I suppose there was Land Mines, but that was after I got it recommended to me, and I was a couple years later on it. This one, however, came out today. I wasn’t going to look at it at all, but I saw it had won a few awards, including the “best for middle-aged men” category. How apropos. Given I’m in that demographic as well, I figured I would take a flyer on another isekai, despite the fact that it looked worriedly like one of those “I was a schlub in Japan, but now I’m a hot elf babe” books. Which, to be fair, it is, but that’s not what it’s actually about. This is a “can I regain the sense of justice and righteousness that my life in Japan ground out of me?”. The answer to that is, so far, a work in progress.

Haruka, a middle-aged middle manager who used to be a cute kid till he discovered that being the nail that sticks up and is not hammered down is a bad idea, is startled to find himself in the middle of the woods, and also he’s not in the body of a gorgeous young dark elf. She has no idea what happened, if she was transported or died or what, and no goddess gave her instructions. Fortunately, she meets a passing adventurer, who takes her to the standard adventuring city you get in these sorts of books, and discovers how to make a living in a fantasy world that turns out to be, to no one’s surprise except perhaps her own, a lot more dangerous to someone like her than you’d expect. Fortunately, she seems to have skill at magic. A LOT of skill at magic.

This isn’t terrific, but it’s solid. Haruka is an introvert who has also been somewhat crushed by life, and she’s very god at reading emotions of others but very bad at caring about her own self. (Despite Haruka being a man who ends up in a woman’s body, there’s not too much of a trans narrative here, beyond one interlude which ends by telling us we’ll be using she/her from now on.) The author states that they tried to write some bad guys, but kept thinking of all the characters as “cute”, so it didn’t quite work out. That’s for the better – there’s not many paragons here, and we only see true villains near the end. for the most part her world consists of teenage hotheads, lotharios who are trying to explain it’s different this time, creepy lesbian stalkers who have her best interests at heart but also her worst interests, etc. One of the stronger scenes is done from the POV of the teenage hothead, who yells at her and then, when he goes to apologize, suddenly realizes that she’s completely devastated and near tears from “her own failings”. A lot of this book is Haruka putting herself back together.

The second book should see more of that journey. This is a decent isekai, with only light novel cliche I hate (dwelling far too long on someone peeing themselves in fear). I’ll read more.

Nia Liston: The Merciless Maiden, Vol. 6

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By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

While this series has tried, at times, to be a cute girls doing television things series, or a magical academy-type series, at its heart it’s a battle manga. And for several volumes now, we’ve been building up to the thing that every battle manga has to have: a fighting tournament. Now, to be fair, we don’t get the tournament itself: that looks like it will be the next volume. But we get all the build up to it, as Nia has earned enough money for the King to put everything into position, and she finds that everyone is ready for this – and not just because of the money, either. She created a monster in the powerful adventurer Leeno, and everyone wants to measure themselves against her. Unfortunately for the reader, Leeno has another identity, and that identity is a creepy lolicon. We’ll ignore that for now, though.

So yes, the tournament is gearing up, but Nia has bigger problems. She’s finally starting to realize that the other two channels run by her friends are stomping her own into the ground, and racing dogs is not going to cut it anymore. She needs a new gimmick. She gets some help when Char, one of the school’s video crew we met last time, asks for her help with getting parts so he can repair a broken skiff. When she goes to see what he’s been doing, she not only sees how his drive to repair and ride the skiff will make for a great new TV show, but also that skiff racing may be something that she can put her money and power behind. It turns out that she’s not alone in thinking that, and in fact the ground floor is rapidly filing up – but fortunately, the contacts she’s made in previous books help her out. Now if only there’s not a little… accident.

If you worry that the tournament being next volume means there’s not as much beating people up as usual, fear not. Gandolph beats up a bunch of people, Nia then goes and beats up the SAME bunch of people, and there are also some assassin goons who are less mature than their assassin bosses and get ahead of themselves. There’s also Anzel, who has rapidly become almost the second protagonist of this series. Once again, he gets a subplot in the second half of the book where he has to prevent sabotage and act cool. He also gets beaten up a lot. Hopefully he can recover by the next book, as he, like so many other people, are in the tournament, and they have to win it no matter what. Fortunately for everyone involves, Leeno seems to be the pinnacle, as Nia is not participating. Yet. Can’t wait to see how that changes, cause I can’t imagine her sitting this out.

So, aside from the unfortunate “comedy” of young women leering over literal children, this remains a fun shonen fight series. for fans of such things.

Earl and Fairy: The Bright Star of London Bridge

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Even before the author explicitly stated it in the afterword, I was thinking “this has the feel of a season finale”. Which makes sense. It’s the 10th volume, and wraps up a lot of the longest-running plot strands while also introducing some new, worrying ones. That said, the start of it was difficult for me, mostly due to my own personal tastes: I hate amnesia stories. Lydia spends the bulk of this book without any memory of anything beyond Book One, so remembers Edgar only at his most annoying. What’s more, Kelpie, who may be a supernatural water demon but has “unlucky childhood friend” written all over him, is doing his best to make sure that does not change. It can be a bit frustrating and feel like “the author is trying to string out getting them together by adding complications”. Fortunately, it doesn’t last the book. Those who are here for the romance should be quite happy with how this one wraps up.

Lydia may be back in Scotland with amnesia, and the Prince on the verge of gaining a new younger body, but, priorities, before anything else Edgar has to track down Lydia’s father and try to get his permission to marry Lydia. There is one slight problem: no one seems to trust him when he says that Lydia agreed to this. Can’t imagine why. He does manage to get up to Scotland, but Kelpie’s spell is hard to get around, even if Lydia seems to really want to remember and believe him, but can’t think why. She’s also upset when she hears that he’s going back to London to deal with the Prince once and for all, and so she and Nico head there on a fairy path… which leads to her being trapped under London Bridge, and Edgar having to infiltrate a mansion where a mind-swapping ritual is about to happen. Oh yes, and there’s an Ark on the Thames, and it’s going to explode.

This is a very Edgar-heavy book, and we sympathize with him, but it’s also very easy to see why everyone doubts him. The fact that he’s genuinely surprised that Raven didn’t really believe him when he said Lydia accepted his proposal says something about his levels of self-denial. And I am definitely worried about the new plot twist, which I’m sure will lead to more bad things down the line. Still, for now, he and Lydia are finally together and engaged. Indeed, the author seems to be in more of a romance mind that usual. Lotta, Edgar’s old companion, shows up again, and she’s still very much in “I am a boyish pirate captain” mode. Paul, Edgar’s sad-sack artist friend, is also here, and just as much of a chew toy as previous books. When the two of them first meet, you can almost hear the lightbulb go off over the author’s head, and the rest of the book contrives to put them in cute romantic situations. I have no doubt we’ll see more of this.

All this plus Ermine showing up to be vaguely mysterious and duplicitous. This was a very good “season ender”.

A Certain Magical Index NT, Vol. 4

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “Shinyaku To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Alice Prowse.

When I reviewed the third volume of New Testament, I said that it was great, after two false stars, to finally have the Index series we remembered back again. Well, guess what, I’m eating my words once more, as this volume features almost none of the main cast, and even Touma, who is technically here, is defined in this book by his absence. And that’s a very deliberate thing. The book this volume reminds me of the most is Vol. 15 of the first Index series, which was a battle royale featuring actual deaths, including people who we (retroactively, after they were fleshed out later) liked.This volume also features a gimmick of pictures of characters that go dark when they’re “killed”, but over the course of the book the lights go on and off on those characters like a pinball. Who’s alive? Who’s dead? It doesn’t matter, because this Index is getting as close as it’s ever gotten to pure horror.

Welcome to Baggage City, located somewhere in Eastern Europe, which is having a fighting tournament that’s bringing all the desperate people with a cool ability and something to prove. Unfortunately for the competitors and all the spectators, this event is being hijacked. Both by GREMLIN, who have planted a few lovely little sociopaths into the event, but also the Kiharas (you may remember Amata Kihara from Book 12-13, where he was turned into a star in the sky by Accelerator). And, yes, Academy City has sent a bunch of soldiers as well, whose sole purpose appears to be providing the “horror” part of the book as one of GREMLIN enjoys doing things like magically changing a guy’s arms to faucets and turning on the taps so blood pours out. There’s also Maria Kumokawa, who we mostly remember as being the maid friend of Tsuchimikado’s maid sister. And there’s Touma… maybe? Boy, there’s not much Touma.

I used to do a breakdown of who the new characters were, as well as where in the timeline this took place. I’ve dropped that, as a) we’re well past the Railgun stories so the timeline is less important (though notably one of the “protagonists” in this book shows up in Railgun years later as an antagonist), and b) it’s hopeless, there’s just too much. Not only are too many characters introduced here, many of whom die before we even get a chance to see who they are, but we also have to deal with the fact that this series is very popular in Japan and not very popular here, so one of the villains we see towards the end, who is introduced as if we know her, turns out to be from one of the Railgun Short Story books. This is actually a pretty strong book, making the point that the reason for all the horror is that Touma is absent from the scene, and the moment he shows up people stop suffering and start getting saved. But unfortunately when Touma arrives there are too many bad guys doing things all at once, two of whom we meet for the first time at that moment, and one of whom, I know from spoiling myself, is VERY important to the whole series going forward. For now, though? Just another bad guy monologuing.

Fortunately, the next two books (yes, it’s a two-parter) seem to get back to more wacky Index shenanigans, possible with actual Index herself. Though I would not count on it. Till then, enjoy the darkness of a world with minimal Touma.

The Labyrinth of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Yakusoku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

We’re going to Italy! Or at least its fantasy equivalent, as Marielle is finally leaving her home country and traveling to another one. Unfortunately, her fame precedes her, and by now everyone simply assumes that if she breathes out she will stumble upon a fresh new adventure, similar to Jessica Fletcher. This made me worry that Marielle might have to spend the entire book sidelined, forced by those around her to not go gallivanting around stumbling over sinister plots. I mean, she doesn’t even dress up in a disguise this book! Not to worry, though, because I assure you that she will still be accused of murder here, and there’s at least one kidnapping as well. Because where Marielle goes, trouble follows, and I think even Simeon has learned that if he can’t stop that from happening, the least that he can do is to weaponize it.

It’s time for the wedding of Liberto and Henriette, and the wedding party has arrived in the country of Lavia for that purpose. Unfortunately, the prince’s mother has a huge hate on for him marrying anyone from Lagrange, and has decided to emotionally abuse everyone in the party. Even worse, she and a Viscount are assisting the country’s mafia in destabilizing things, which Liberto is trying hard to stop. All this means that Henriette and Marielle have to put up with poor accommodations, grumpy servants, and a mother-in-law who borders on cartoonishly evil. But worst of all, Liberto really doesn’t seem to care enough about what this is doing to his future wife – this is all part of one of his schemes, of course, and he’s got it in the bag, but whether he’ll be able to show the rest of the cast that he’s a normal person is another matter.

This series has always swung between thriller and comedic scenes, and I appreciated that it combined them towards the end, as a tense confrontation with guns where Marielle and the young Prince Luigi are about to be killed has Marielle break the mood in the best Spy Classroom style by asking how long she has to put up with this farce before she’s rescued. The actual intrigue part of the book goes down pretty well, to be honest. More interesting is the character work, as always. Prince Luigi has to deal with a mother who’s always angry and a brother who has no idea how to show affection to anyone, and worst of all, he’s a teenager, so you can imagine how all this is affecting him. I did appreciate that there was no big, dramatic scene where the prince suddenly realizes that he can be outwardly demonstrative towards his wife after all and he starts to be honest with her, because nope, that’s not how people word. Luigi and Henriette are going to have to try hard to turn this guy into a real human being. I hope they manage it.

It appears this series is going to continue as long as there are fresh new mysteries. I’ll keep going. Oh, right, Lutin’s in this as well. Hi, Lutin!